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strawberryjamsara · 1 year

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I’m interested in your thoughts on ztd since you said you don’t think it’s that bad (I have never played a Zero Escape game btw)

Hmmmm. I’m probably gonna state some unpopular opinions in this but sure.

So I’m gonna start by saying I don’t think this entire game was one big asspull. There are several, but lots of stuff had been hinted at in earlier entries, and… unfortunately mind hack was foreshadowed in the very first entry. And sadly, it makes the twist that Cradle Pharmaceuticals was in the pocket of Brother which I didn’t like in vlr make more sense because it would mean Delta gathering more information on that. I think it’s the way it’s written that’s so infuriating. It’s essentially a last minute plot device that isn’t really properly explained, and doesn’t even have any bearing on the plot, which is better than if it was a huge inescapable part of the plot, but good lord it feels contrived.

I also heard a lot of decrying before playing this game that everyone was ooc but I… respectfully disagree. It felt more like a sense of not knowing the characters as well as I thought I did and trying to adjust my view. Akane is not running the game for the first time so it changes the way she acts. She’s vehemently against it when Junpei wants to kill everyone and yeah. Fair. She did kill people as part of the plan in 999 but for her, those were people who put her through misery and killed her. I can understand the shift in tone. She’s willing to kill to achieve her goals but she’s not bloodthirsty, and she’s in this timeline specifically to have the life she couldn’t in the others. She wants a fairy tale future, and she’ll even ruin another chance with Junpei to have this ideal. This is Akane Kurashiki, wanting things desperately to go back to normal after the nonary game, when they never can and never will.

Sigma I was expecting more mad scientist and evil vibes out of, but I think it’s more fascinating that he’s just himself but overly serious. He’s still a self sacrificial goofy dude, and knowing who he is and what he’s done makes it all the more stomach sinking when you see that, despite the change in tone, he IS Sigma. Sigma did what he did not out of any sort of malice or hatred towards anyone, not even for his children who suffered, but because he loved the world and everyone in it so much that it was worth everything he did to save it, which is so in line with his character in VLR, but to a horrific degree.

Also Junpei being emo. I’m fine with it. He went through a death game. Old man Junpei in VLR is a good person overall but he has had moments where if it came down to Quark or everyone else, he would choose Quark and this is the same but with Akane.

The new characters are where it starts to fall apart a bit…

So I think Diana was a good character and predecessor to Luna. I don’t really have much to complain about with her. She’s a kind person. Kind enough to kill six billion people. And that’s a brilliant premise of Sigmas love interest because, for the reasons listed above, she’s the perfect foil. Kind enough to save the world at the cost of people close to you and kind enough to doom it for the people close to you.

Carlos is also a good character. Sometimes all you need is a fun goofy dude who loves his friends and his little sister. I also think he’s a parallel to Aoi in a sense. Akane is close to some dude who won’t shut up about how important his sister is, and there’s moments where she directly calls to how he’d do anything for his sister, and all I can think is if she’s thinking of Aoi in that moments. Aoi would do anything for her. He doesn’t get much in the development department despite the fact that he’s one the only ones who remembers most of the timelines though, which is dissapointing. I liked that they took away the decision to have him shoot delta at the end. That was his choice in this world, and nothing else mattered to him at the moment.

Q is also a pretty good character. He’s a sweet kid, and I enjoyed his arc where he learns his role in the game and his nature, and still wants to form relationships and be happy.

And then you have the last two…. Mira and Eric

Mira had me fascinated when I learnt her backstory. A serial killer who wanted to know what a heart is. That’s cool! I can’t wait to see more! How she develops or gets worse! She has a deep sadness that she herself can’t understand, and she does love Eric, but not for him. She doesn’t even know what she wants or even seem to understand what she’s doing is wrong. It’s a beautifully toxic relationship. But we really don’t get anymore besides two scenes. I also thought they were gonna drop the reveal that she killed Eric’s mom because of the parallels between her first victim and him, but it didn’t really come out. Sad.

Eric is a character that I can see where a lot of the hate comes from, and I can also say he’s not a good person… but he’s a very interesting and sympathetic character. He’s gone through so much trauma, he has essentially become just like his dad, and he thinks love will fix him, because his dad was so happy when mom was alive, obviously this pretty woman will make him better too. We don’t really… get any conclusion though. He flip flops between finally calming down and being better to Q than his father was to him to rageaholic murderer, and the game ends with his kind send off to him which after all we’ve seen doesn’t feel like it’ll stick, and seemingly blissfully ignorant that his girlfriend wants to murder him. Again, like Mira, this was a character we could’ve watched get worse or better but we didn’t get anything.

So yeah the two extras on Q team didn’t really develop. I understand it’s hard to have characters in a story with multiple timelines have consistent development, but give us something man. Or better yet, just replace them with old characters who’d we already be able to recognize as full characters. Have Aoi there. It’d make the parallels to Carlos more obvious. And maybe Lotus, since this sort of mars mission seems up her alley. It’d also be very funny for these two to see each other again, they see each other on the base and spiderman point at each other. Oh, I actually love the idea of an Aoi Lotus Q team. I want this now.

But yeah then there’s the worst character of all… Delta.

Delta fucking sucks man. In 999 and VLR, Zero was the highlight, and now they follow up Akane and Sigmas act with this guy. The ‘complex motives’ stuff he keeps spouting is the kind of thing you put in your first draft with a ‘rewrite later.’ next to it. Like seriously? That’s what you come up with? You could’ve drawn from resentment of being abandoned by his parents, maybe have him bring up the whole ‘Timelines you shift to have the consequences left behind’ thing incorporated while he looks directly at Akane because he can’t shift and will have to deal with whatever choices his sister and father will make. I dunno. Do SOMETHING. Also why did he kill the dog? To make him more evil? Uchikoshi why did he kill the dog-

I like his design in the Zero costume though. It looks like a plague doctor which is very fitting. He’s still a dissapointing reveal of Brother though. And hey, if Dio was a clone of him why did he have blonde hair? Why did he have blonde hair Uchikoshi-

Also the models. They’re an improvement on VLR… but still bad. I’ll give them credit on how they stylized them a bit. They have defined lines that makes them look like sketches, and a very cool cell shaded style. When paused the game looks good! Only when paused though. The second these guys start moving it is laughably bad. Sigh. I miss the first games sprites.

But anyways. I think the game had a lot of stellar moments. Akane making her decision to save the world from R6 hurt, and I also adored all of c teams interactions. Diana giving the phone call that reveals she was the one in vlr who we heard declare she’d kill 6 billion had my heart in my stomach. Carlos telling everyone he was friendly while covered in blood… was hilarious.

I think overall the game had great scenes to set up VLR and while the near ending and villain reveal were incredibly bad, I think I liked where it left off. The characters make the decision to create their own future, and break free from the shifting and loops we always see, and for finality’s sake, Carlos pulls the trigger without any alternate routes. That’s a good ending. Delta still sucks but that’s a damn good ending.

So overall, I think the game has some dropped arcs and a woefully bad villain in a game that lives and dies by its villains, but it is NOT the worst ending to a series I’ve ever seen, go watch the dr3 anime and then tell me that this ruined the series for you.

#zero escape #ze #ztd #ask

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ash-and-books · 1 year

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Rating: 1/5

Book Blurb: Eight hours. Twelve contestants. A flight none of them might survive. A flight to Paris full of teenagers seeking opportunity turns deadly in this suspenseful, locked-door YA thriller. Perfect for fans of Diana Urban, Karen McManus, and Jessica Goodman. Seventeen-year-old boarding school student Emily Walters is selected for an opportunity of a lifetime—she’ll compete abroad for a cash prize that will cover not only tuition to the college of her choice, but will lift her mother and her out of poverty. But almost from the moment she and 11 other contestants board a private jet to Europe, Emily realizes somebody is willing to do anything to win. Between keeping an eye on her best friend’s flirty boyfriend and hiding her own dark secrets, she’s not sure how she’ll survive the contest, much less the flight. Especially when people start dying… As loyalties shift and secrets are revealed, Emily must figure out who to trust, and who’s trying to kill them all, before she becomes the next victim.

Review:

When twelve contestants get on a flight to enter into a competition to win a scholarship that would set them up for life, what they didn’t plan for was to for all their deepest darkest secrets to be revealed and one of them to be a killer killing off the other contestants. Emily Walters is a seventeen year old boarding school student who has been keeping some dark secrets: she’s in love with her best friend’s boyfriend, she cheated her way into this competition, and she is currently living in a car with her mom. Emily knows she isn’t suppose to be in this competition but she’ll do whatever it takes to win because she desperately needs the money... but when the stakes get higher and dead bodies start appearing and all their secrets are being revealed, Emily begins to realize that everyone on this plane has something to hide and someone is willing to kill for it. Now she has to figure out who she can trust and how far she is willing to go to win. This is a locked door mystery with a bit of romance. Let me first start off by saying I adore locked room mysteries, but this one really missed the mark for me. Emily was a very unlikable protagonist, and yes i know she’s a teen going through a rough time and is meant to come off unlikable so that when she has a “growth” moment later on in the story we are rooting for her, but if I’m being honest I definitely wasn’t rooting for her. Then there’s the killer reveal which was completely odd because it came out of nowhere, like the motive and the actual reasoning behind why they did what they did was not great at all. The romance was unnecessary and I didn’t really believe it. Sadly this one was a miss for me but if you enjoy locked room mysteries maybe give this one a go, maybe you’ll like it and have a better time than I did.

*Thanks Netgalley and PENGUIN GROUP Penguin Young Readers Group, Razorbill for sending me an arc in exchange for an honest review*

#book review #bookish #book #thin air

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leviiattacks · 4 years

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Lmao Levi being irritated because reader, his roomate, who he still hasn't confessed to yet, gets a cat.

The cat hates Levi but loves reader and reader loves the cat too and it's basically Levi vs the cat someone help

note :: very rushed and not proofread i only wrote for fun because once again i am bed ridden with sickness ha ha the perks of always being sick i suppose T__T

lord, does levi despise the way you act without thinking sometimes

he’s legitimately appalled at how you can manage to always do shit like this

even more appalled at how he lets you get away with it every time

now, what is the shit you have done this time?

brought a cat home a CAT

first things first, you are allergic to cats so he does not understand how that predicament will fix itself

secondly, cats shed EVERYWHERE

as much as he enjoys cleaning he is not going to clean that up every day

thirdly, cats will ruin furniture and claw at it

as well as the curtains!!!!

and levi loves the curtains in the living room because the both of you picked them out together

though it was a struggle to get you interested enough to pick a pair you liked.

maybe that’s why he’s looking at you irked by this all

you’re holding the kitten in your arms playing around with her

“peek... a... boo!”

playing fucking peek-a-boo with a cat? he questions himself in his head

“y/n. we are not keeping the cat.”

at this you innocently look up at him through your lashes

god, there you go again doing that

he doesn’t know if you’re aware of the impact you have on him when you do that

he’s good at holding his composure but that look ignites something in him

but he always has to push that something down his throat

“c’mon, you’d be the best roomie ever if you let me keep her!”

his eyes narrow at the word roomie

is that all he is to you?? a roomie???

you’re holding the cat up alongside your face and are fake pouting

“you. are. allergic. to. cats.” he punctuates every word clearly

“how do you know that?” you ask reasonably shocked he knows something that obscure and random about you

“you like talking about yourself when you’re drunk.”

a memory of him helping you throw up whilst he carefully holds your hair out of your face flashes past

if it were anyone else he wouldn’t have got anywhere near them if they were throwing up

but it was you,

it was always you.

“you rambled on and on and on about wanting a cat as a kid but not getting one because of your allergies.”

“so you would also know-” the cat tries to scratch your arm and you retract giggling

“that i really want a cat!”

“does that change your allergies? poof oh wow y/n you’re no longer allergic to shitty cats because you want one.”

you roll your eyes at his deadpan expression and pessimism

“if you knew anything about cats you would know this is a cornish rex” you now rebuttal

“a fucking what?”

“hypoallergenic cat breed! my allergies to cats are mild so it’s the perfect cat for me”

the crease between his eyebrow deepens.

“do you forget that we live in this apartment together?”

you scrunch your nose looking at your little buddy who has now settled in your lap “how could i forget that?”

he knows you see him as nothing more than a roommate

levi loves you he does but you don’t know that

but part of him thinks you do because you always give him that look when you want something

you’re doing it again.

the look.

“fuck. fine but if that thing coughs up a hair ball she’s out.”

“AAAHH THANK YOU I LOVE YOU LEVI!!!!” you’re ecstatic

his breath traps itself in his throat when he hears that

how can you carelessly say i love you??

you’re happily looking between him and the cat and hand her over to levi

“hold her you’re the dad”

“so you’re the...?” he asks

“i’m the...???” you’re clueless

he shakes his head waving it off

it takes you a moment to understand what he’s asking then your eyes widen

“ohhh the mum? yeah that would be me”

it’s so stupid, so stupid, so so so stupid he repeats it in his head the whole scenario is stupid

but it doesn't stop him from smiling like an idiot

in recent days you’ve given her the names diana, garfield and casper

sadly, none of then seem to stick because you’re too indecisive

it’s got to the point where you barge into levi’s room without asking

you’re in your pyjamas he looks at you confused as to why you’ve walked in with no permission at 2am

in a cucumber face mask...?

“name the cat please, name the cat i can’t stick to a name i’m going to rip my hair out“ you’re gripping at your hair groaning in frustration.

“edgar’

first suggestion, too ugly.

you shake your head

“candy“

second suggestion, no, just no.

you shake your head again in refusal

“zero?“

yeah, no.

another shake of the head

levi ponders and thinks hard “...angel?’

you blush, jump back and look more than startled

fumbling with your fingers awkwardly you edge closer towards the door

he just eyes you weirdly wondering what causes that reaction

well, you must like the name

“is it good enough?” he asks

you’re speechless not knowing what to actually say

“y/n...????”

you snap out of it

“isn’t that something you’d call a significant other not a cat?”

and for once in your life you actually seem kinda annoyed at him

“your cat is an angel in your eyes that’s the point” he’s explaining his point but you aren’t listening

you don’t know why levi saying that word makes your heart race

that’s why you’re annoyed right now

in fact it’s not that you’re annoyed. you’re scared that it triggers this response because this is levi.

levi, your roommate the same roommate who argues about pizza toppings with you. he’s nothing more than that.

but your cheeks continue to flush behind the cucumber face mask

“i’ll ask someone else what to name him just call him salad for now” without letting him get a word in you leave but somehow you forget the cat

salad turns to levi and gives him what can only be described as a menacing look.

“you happy you annoying shit? y/n’s annoyed because i can’t name you”

your cat jumps at him and tries to scratch at a piece of flesh but is held off easily

one cold look from levi and she stops.

“get out my room you pest.” he says as he places the cat on the floor

salad scurries away and levi rolls his eyes

he hates that cat he really does

a few hours pass levi is still up he’s always found it hard to sleep

it’s been a long day he’s just finished a thesis for his physics degree and stretches out contently

to say he’s tired is an understatement but his throat is dry and he needs to DESPERATELY hydrate

he gets to his feet and ventures into the kitchen to retrieve some water then he’ll knock out like a log and fall asleep.

the pitch of your snoring can be heard and he smiles to himself silently.

it’s all good, he’s sure you’re getting all the sleep you need.

“GRRRE”

there it is,

the little fucker, your cat is still up.

“what is it little shit?” levi asks leaned up against the surface of the counter.

salad is only staring at him blankly before turning to look over at the living room.

it’s dim the lights are switched off but levi feels something is feels off

“the hell did you do?” he asks

but salad shows no signs of breaking and revealing what it is she’s done

levi’s going to have to investigate

stepping towards the living room he flicks the lights open.

eyes survey the entire area everything looks good until he sees the way the drapes have been ripped apart

salad is picked up in one swoop she sees how levi is about to throw her out the front door and panics

meowing and struggling just in the nick of time she jumps before running away and slipping into the safety of your bedroom

groaning levi goes back to the living room to see if he’s missed anything.

well, god damn him.

scratches litter the leather furniture, it almost looks like a crossword.

salad has also conveniently taken a shit behind the sofa,

and to top it all off she’s left a dead mouse in the middle of the living room floor

levi. is. infuriated.

“you should thank her for catching the mouse”

you’re hurriedly eating some toast levi has made for you as you brush your hair out and gather it into a low ponytail

“look at the drapes y/n??” he’s exasperated and trying to make sense of your logic

“i didn’t like the drapes anyway we needed new ones.”

you aren’t taking this seriously at all and it’s getting on his nerves now

he runs a hand through his hair and glares at you “i told you taking the cat in was a bad idea”

your hair tie snaps and so do you

all the doubts from yesterday are eating you away. the question still lingers in your mind - how do you really feel about levi?

“do you have to have an opinion on everything i do? you’re my roommate not my boyfriend.”

it’s your fault for letting your anger and stress get the better of you. to be frank you have no clue why you’ve gone and said that.

if you’re honest with yourself you know he’s not a roommate. he’s not a friend either but at the same time he’s definitely not a boyfriend.

he’s more than a friend to you but you don’t think he sees you similarly.

oh how wrong you are

“roommate?”

levi’s question is filled with not an ounce of humour, the both of you know that.

oddly, he sounds displeased,

but you can’t take it back now.

and you hate backing down

“what?” you scoff

he shakes his head and makes his way to the front door not turning to look at you.

“get a grip on that cat otherwise i’m throwing it out”

SLAM!

you’ve done it, you’ve messed it up.

salad jumps up on the counter and licks your toast

maybe, he is right about the cat.

the rest of the week is incredibly busy you have an important economics presentation due today and you’ve done everything you need to prepare for it.

at least that’s what you think,

you’re stood in front of the class introducing yourself and everything seems to be going smoothly

price determination within the economic market might as well be advertised as a sleeping pill because you don’t know how you can get anyone interested enough to keep their eyes open.

but putting your best foot forward an attempt is still made.

“the buyers and sellers accept this price, and buy and sell accordin-”

you’re abruptly cut off by your professor who coughs and then proceeds to leer at you in disgust.

a few moments of silence pass and you can feel your heart hammer in your chest.

suddenly he points at the door,

he’s known for being harsh, strict and a stingy marker but it’s not as if you’ve shown up with nothing done...?

in fact this is the largest amount of effort you’ve put into your economics course since you’ve started it.

being in your usual seasonal slump has held you back but now you’re actually trying he’s saying it’s not good enough?

“your presentation. it’s awful. not enough effort put into it, leave for today.” his voice is rumbling and intimidating.

you’re stunned, you’ve worked tirelessly day and night to finish this off.

you’ve even had to cry over not knowing or understanding how to make pie charts.

interpreting data has never been your strong suit.

too embarrassed to ask for help you had to spend hours figuring out how to make it all work alongside your excel chart and spreadsheet

sighing heavily you speak up “professor i’ve spent a lot of time on this?”

“i looked through the slides. dog shit.” his response is fiery and you shudder at the boiling frustration he’s shooting right at you.

arguing in front of the lecture hall is not what you wish to do and you’re sure you aren’t going to be the only person sent out this way.

just retreat y/n

you do.

the professor is clearly in a bad mood and taking it out on you, there’s nothing you can do about it.

wordlessly you gather your belongings and leave.

as you trudge back home the feeling of not being good enough sinks in your stomach like a heavy anchor at sea.

entering through the front door is a task and a half through your glossed over eyes but somehow you manage

you’ve kept salad in your room for most of the time after your argument and she seems to actually miss levi’s presence.

so when the first thing you see as soon as you enter is salad clawing at his bedroom door begging to be let in you aren’t surprised.

thankfully for you he’s yet to return from class and hasn’t been disturbed by the sounds.

at least that’s what you assume.

you look at salad and start sobbing

you wish you were a cat.

cats don’t get shit on for fucking up economics presentations that’s for sure.

shaking you try to hold yourself up against one of the walls

frankly, school stress is getting to you.

you tried hard on that presentation only for it to fail when it was worth a quarter of your grade.

A QUARTER...

TWENTY FIVE PERCENT...

salad nuzzles herself against your leg and you lean over to pick her up

she licks at your ear, it tickles and you laugh in between sobs

“you sure are good at comforting people huh?” you’re so worn out your laugh sounds half dead.

it’s all so pathetic. you standing in your living room wailing as you hold your pet cat like a baby.

but she doesn’t mind and let’s you cry to your hearts content.

“MEOW” salad loudly squeaks and you stroke her back but she only keeps at it “MEOWWWW.”

sensing that she’s bringing something to your attention you turn around

there stands levi awkwardly waving at you and you instinctually cover your face with your arm.

the smudged mascara is none of his business.

“wanna order pizza and talk about it?”

pursing your lips at the proposition you slowly lower your arm and scratch at the sleeve of your shirt.

"yeah, i’d love that.”

“KICKED YOU OUT THE LECTURE HALL?? YOU WORKED ON THAT FOR DAYS Y/N, DAYS??”

levi is beyond pissed he hasn’t even touched the second slice of his pizza after hearing how your presentation played out.

“it’s okay, it was probably going to go bad i can’t do anything right.”

levi’s silver eyes fog up in annoyance and you shut yourself up.

“you are the most able person i have met.”

head rocking up in surprise the confession is news to you.

“really?“

“you’re great at making pad thai, somehow you convinced me to keep that cat, i remember that other time you convinced a first year to bungee jump off a building for last years charity fundraiser.”

it truly is endearing how he doesn’t call you smart or witty or hard-working. none of that basic nonsense you’ve heard time and time again from everyone else.

the fact he’s naming the most random things makes your heart swell.

you burst into laughter remembering the first year’s quivering form and you wonder why levi even remembers that.

“if salad bothers you that much i could find a friend to look after her.”

levi looks at you like he’s just come face to face with a ghost.

“no? i like her, she might frustrate me and get in the way when i want to-” he stops himself fumbling over his sentence.

“when you want to?“ you’re leaning in closer intrigued what the rest of the sentence is.

shock flashes over his face but the next second it disappears.

taking a gulp of his water seemingly in preparation he looks you right in the eye.

“when i want to kiss you.”

and that’s all it takes for you to tug him by the shirt and slam his lips against yours, you giggle into the kiss as you situate yourself in his lap. hands ghosting over your hips he’s disoriented not sure where to place his palms but you don’t care. you’ve been waiting for this and despite his sloppy response the fact you’re finally doing what you’ve been fearing the most these past few weeks is only filling you with adrenaline.

“settle down.” he’s panting heavy and ragged. “i was meant to initiate it and look cool what the fuck??” he’s not mad, he’s just playing with you but that doesn’t stop you from getting into the role.

“and if i don’t settle?” you mischievously ask, levi’s hands are cupping your jaw he pushes your hair out of your face and simply gazes in awe.

he makes you feel so beautiful, it’s unreal.

“meow...” salad’s dissatisfied whining can be heard and then out of nowhere in one fluid motion she jumps onto levi’s chest.

“salad if you don’t mind i’m trying to make out with your dad.” you explain with a frown.

she doesn’t budge and instead a trickling sound can be heard, then a foul smell floats into the room and levi screams.

“Y/N THE LITTLE SHIT IS PEEING ON ME???”

#levi #levi ackerman #aot #snk #levi x reader #levi x y/n #attack on titan #levi fluff #leviiattacks #modern levi #college levi #levi scenario #levi headcanons #levi fanfiction #aot fanfiction #attack on titan levi #attack on titan x reader

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maxwell-grant · 3 years

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So, we've talked about teaming up The Shadow with Superman, and with Batman. How would a team-up with Wonder Woman work?

I've sat on this ask for a while to catch up on the character and talked a bit with @jcogginsa about it to get some thoughts in order, although if anyone else would like to chime in feel free to do so. So here goes: I think a team up between The Shadow and Wonder Woman has a lot of ways it could go wrong for fans of either character, but if done right, I think it could be perhaps a much more substantial story than crossing over The Shadow with Superman or Batman again.

You'd be hard pressed to pair two characters as diametrically opposite to each other visually as The Shadow and Wonder Woman, a very casual viewer might even be confused as to why the hell is Wonder Woman standing next to this Freddy Krueger looking weirdo. Much of what I said about the immediate contrasts between Superman and The Shadow are applied more so here, because here we have two characters who dig back further than the superhero in their domains. Wonder Woman is a superhero, but she is rooted in a realm of folklore and myth and fairy tales, archetypal and dream-like and with strongly defined morals, with Diana as the classic heroine who takes all of the male fears of powerful women present in the old Amazon stories, and subverts them into a powerful feminist statement and a mission of love and peace minded towards a progressive future. The Shadow's stories, as I've argued in turn, were less hard-hitting crime tales and more urban fairy tales told in an urban setting, where the streets of New York City replacing the dark forests of yore and everything's gone so topsy-turvy that the Big Bad Wolf has to become the one to save us from those that would oppress and destroy us. Dracula meets King Arthur, as his creator described him, here to fight to protect us for little reason other than he can and it's the right thing to do, by turning the tools of evil against itself.

Sadly, the two of them also have a long, long and miserable history of being misrepresented and mischaracterized past their initial eras.

I've remarked often enough on The Shadow's downfall, how the clever, thoughtful, compassionate, even humorous and outright friendly (if theatrical about it) Shadow of the pulps, has been so far removed from those traits over decades of adaptations, that I have to link posts where I point out that these traits used to be there in the first place, because they've all been eclipsed by the image of a trigger-happy butcher if not outright barking fascist. And it's worse for Wonder Woman, because her main defining trait was her pacifism and kindness and loving diplomacy, the lasso as a tool for careful and non-violent submission when necessary, whose very first story goes to such lengths to describe the contrast between the Amazons and Mars, the stupid and brutish god of war who points a sword at the world where Aphrodite would point a finger proclaiming love, and now, The Sword has become an irrevocable part of Wonder Woman's image, as is the jokes about her being the member of the Justice League willing to snap necks and rip spines if necessary, the most direct anti-thesis of everything that defined her initially.

Perhaps you could tell a story about the conciliation of these traits, the how and why these have become such commonplace for the two. They may still be heroes and agents of justice and good and whatnot, but something has clearly been missing from them for decades, a spark of humanity and imagination and care that's made the two of them so, so much worse off for the lack of it.

Perhaps there could be a story about the two helping each other find it again. Perhaps no one knows better the dangers of getting lost in the darkness of man's world than The Shadow, and perhaps there's no DC hero that could cut through the darkness to pull it back moreso than Wonder Woman. Idealism and reality, light and dark, the way things are vs the way they could be, and most of all, Knowledge and Truth coming together in the fight for a better world that the two have been immersed in for so long.

There are some better opportunities for the two to meet compared to Superman and Batman, as Wonder Woman has usually been grounded in real life events around The Shadow's time period. The movie has placed her debut during The Great War, and several stories have been told about Wonder Woman fighting during World War 2, two conflicts that The Shadow lived through, the first of which being a highly integral part of his characterization. Little adjustments would be necessary to explain their intrusions into each other's worlds. Past the initial distrust and a conciliation of their differences? I could see the two getting along better actually than The Shadow might with Superman and Batman, or Wonder Woman with other pulp heroes. They are soldiers who chose to pick their battles, who only found their true calling once they've exhausted all other options as to what they could be, and who take on a myriad of roles for the sake of their missions. They confront the darkest aspects of the world in their own ways as they are both shaped by it, and they affect the world in their own ways, one far more discreetly than the other

So yeah I actually think there's a lot you could do with crossing these two, maybe more so even than crossing over The Shadow with Batman or Superman again. I was surprised over the course of researching for this ask at just how much I find myself liking Wonder Woman even better than the other two, and frustrated at the sheer mishandling of the character. I'd like these two to meet, maybe punch some Nazis together, maybe help each other reconnect with their original missions.

Or alternative, @jcogginsa pitched me the idea of Wonder Woman just taking The Shadow on a vacation to get him to chill out a little. Probably not on Themyscira, even if they let men in, the Amazons would be asking Diana why is she letting this unholy ghost from Tartarus or servant of Hades anywhere near the island, but somewhere where she knows how to set up a good party. I love when Diana's allowed to have fun, and she might be the only superhero strong enough to successfully force The Shadow to loosen up a bit, let him interact with the world on less controlling terms for a change.

Also I desperately want a crossover between The Holiday Girls and The Agents. I want Etta Candy and Margo to go shopping or shoot some Nazis together, either way works but I will not accept any crossover between The Shadow and Wonder Woman that doesn't let their long-neglected supporting casts shine.

#replies tag #the shadow #wonder woman #pulp heroes #comic books #margo lane #etta candy #diana prince #lamont cranston

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spencers-renaissance · 4 years

Text

A Chronicle of Loss

Summary: 5 people Spencer Reid lost and 1 person he gained. A look at the traumas Spencer faces over the series, and giving him the happy ending he deserves.

Tags: grief, loss, abandonment issues, insecurity, depression, hurt/comfort, angst with a happy ending, getting together, ‘didn’t know they were dating’, protective derek, autistic spencer

TW: self-harm, drug addiction, grief

Pairing: Derek Morgan x Spencer Reid

Word Count: 3.6k

Masterlist // Read on AO3

The Inescapable Unravelling (<)

1. William

Spencer’s only ten years old when he watches his father pack his bags in his parents’ bedroom, watches as he smiles sadly at the sorry sight of him and his mother begging him not to leave, only to ignore their pleas and walk out the door. He remembers the anxiety written on his mother’s face, the shame in her eyes at being left in such a cruel way, the uncertainty as to whether they’d cope without William like it’s branded onto his skin, an egregious mark he can’t ignore.

Just like that, he became the man of the house. He became the voice of reason, the sensible one, the person dealing with Diana’s episodes, all while balancing his school work in a desperate attempt to live a different life to the one he existed in as a child.

He knows it wasn’t solely Diana, or Riley Jenkins, or any average marital issue that caused him to leave, he knows it was partly that William simply didn’t know how to handle an autistic child prodigy. He had a genius son who struggled with communication, had no friends, and refused to engage in any of the bonding activities he came up with. In the end, Spencer being different only compounded his desire to leave and, eventually, he stopped suppressing it and gave in.

He’d never blame his mother, but her confusion in her episodes often sent him flying down half a flight of steps or clutching a stinging cheek or banging his head on a door frame. She called him clumsy and he didn’t correct her. She called him ‘crash’ and he accepted the nickname. Without William there, he was completely and utterly alone, left to deal with the grief of losing a father and a schizophrenic mother who struggled to look after herself, let alone him.

He still thinks about it all these years later. He thinks about what his father said to Diana when he left: “you refuse to take care of yourself.” He reflects on the fact that he was well aware Diana wouldn’t be able to take care of him, that he would be left to fend for himself, that a 10 year old can’t provide adequate mental health support no matter how hard he tries, and he still left. He thinks about what that meant, how little his father actually cared for him.

He still thinks about it, and he still cries. His first encounter with grief, and he was only 10 years old.

2. Innocence

Spencer had joined the BAU at 22: three PhDs under his belt and a lifetime of expectation on his shoulders, but somehow he’d managed to remain the most innocent member of the team throughout the first few years of his job. Until Tobias Hankel had taken it and completely obliterated any shreds of naivete he had left.

Of course, he knew evil. He’d even experienced it first-hand, he’d been viciously bullied growing up and he’d encountered his fair share of violent, deranged serial killers, but Tobias -- or, more accurately, Charles and Raphael -- introduced him to evil on a completely new scale. The pain and fear that had tormented him in that cabin lived in a secluded, festering part of his psyche, reproducing at a terrifying rate in his memory, never resting, never quieting, unless dilaudid was streaming through his veins.

His innocence was gone; there was only darkness, loneliness, corruption, and he was grieving for something he’d never get back. His life was now separated into two distinctly different eras, marked only by his kidnapping, by the cruel torture he’d been subjected to.

Along with his innocence, he’d lost his relationships, he’d lost the family he’d found and loved so dearly. Nobody tried to help him escape the clutches of his PTSD or addiction, he felt like he was drowning right in front of his friends while they talked and laughed among themselves, muffling his desperate cries for help, and the frustration and abandonment joined the pain and fear in their festering corner of his mind.

He eventually gets clean, he eventually recovers. But he’s never the same. He’s forever tainted by the actions of one man -- a man he struggled to blame -- and he can’t help but mourn the life he had before Tobias, the optimistic, brightly coloured world-view he used to hold before it was ripped up, stamped on, and burned to ashes right before his eyes.

3. Gideon

Gideon leaves. Gideon leaves and the blow is almost as crushing as it was when he was ten. His mentor, his father figure, his friend abandons him with no warning, no goodbye. It hurts that he didn’t think Spencer worthy of anything more than a useless fucking letter that he left for him in a cabin because he knew that Spencer loved him enough to drive out there and find it; he knew that Gideon was much more special to Spencer than he ever was to him.

This pain feels almost worse because he’s surrounded by people feeling the same way, if to a less extreme extent. He finds himself comparing himself to Hotch, Derek, the whole team: it makes him feel as though he’s overreacting when even Penelope, arguably the most emotive member of the BAU, seems back on her feet within a few days and Spencer still feels as though he’s been hollowed out and all his insides replaced with the smouldering ashes of grief filling him up, weighing heavy in his stomach, climbing up his throat and choking him.

He drags his feet, he doesn’t sleep, he drinks coffee, he runs on auto-pilot. Others notice, of course they do, but there’s nothing any of them can say to make it better, not even Hotch when he’s pulled into his office and sternly told that he needs to open up. Spencer just looks at him with empty, exhausted eyes and shrugs. Weeks ago, he would’ve cried but there aren’t anymore tears to cry, he’s reached a truce with himself. He isn’t happy but he isn’t crushingly depressed anymore: he feels nothing, an abyss of grey matter circling around inside him as he struggles to perform basic functions.

“It’ll get better, kid,” Derek says seriously one day when he sits down at his desk, dullness settled deep in his eyes and numbness deep in his veins. It doesn’t feel like it.

Rossi joins the team and he’s nothing but cold towards Spencer and the rejection only adds insult to injury, and nobody seems to care. His stomach hurts all the time and he’s losing weight again, he knows, but he can’t seem to put any effort into anything at all, least of all trying to be happy, trying to look after himself.

He’s lost his protector and he’s replaced by another person who sees him as an intentional but irritating robot to be used and discarded, not thought of again until another geographical profile is required, or an obscure fact would help the investigation. The agony of existence for almost a year after Gideon’s disappearance feels almost too much to bear, even if Rossi does warm up to him, even if he does eventually begin to heal and forgive. It’s the first time grief almost kills him, and he isn’t even mourning the dead.

4. Emily

Emily’s death tears him apart. For the first time since the year after Hankel, he considers many things. He buys dilaudid and fiddles with the bottle every evening, torn between the sweet relief he knows would be guaranteed the second it’s flooding his bloodstream and the torment of knowing it was Emily who helped him get clean the first time, how disappointed she’d be if she knew he was throwing away all those hours she put in, disregarding the belief she had in him.

He holds a razor over the top of his thighs and slashes as deep as he can bear, daydreams about burying the blade deep enough to slice open his femoral artery and give up, embrace the darkness that’s been living inside him for years anyway. But he can’t stand the grief it would bring JJ, losing another sibling to suicide, even if he isn’t blood related. He doesn’t want to hurt anyone but himself, but it’s so cripplingly tempting and the frustration at not being able to give in to any of his darker fantasies has him tearing his heart out.

Instead he cries, sobs, weeps, over the death of his best friend, shouts in anger at the unfairness of Emily’s life being taken by a dirty criminal while he gets to live as she’s six feet under, dark and cold in the ground. Images of her beautiful face he loved so much rotting away, turning into something grotesque and mangled roam around in his brain and he berates himself relentlessly for not appreciating her wide grin and teasing eyes more, hates himself for not appreciating every single moment with her that he could.

And when she miraculously rises from the dead, he can’t even appreciate it because he feels as though he’s lost another friend. JJ, the one person he tried every day to live for, pictured in his mind every time he considered ending everything, had deceived him, had held him while he cried, held a cool washcloth to his forehead after he threw up from the force of his crying and the extremity of his grief, had watched him writhe in agony, all while having the power to stop it and doing nothing.

The betrayal dizzies him: he doesn’t know who he can trust and the shock of Emily’s return leaves him reeling. He’s cold to the people he loves, and he can’t rejoice in Emily’s return, can’t sit down with her and chat like they used to, or hug her again, or joke with her, or prank Derek together. Again, he’s drowning and this time everyone’s focus is on him but he’s refusing their hands reaching out to help, stubbornly accepting his fate, too scared to take an outstretched arm in case it lets him go again. Surely the cold darkness of the cruel waters is kinder than another rejection or deception?

Finally, finally, he decides to trust one hand and he’s pulled above the waters again, not quite out of the ocean but at least he can breathe. Eventually, he finds the strength to walk to shore and he’s wrapped up in Emily’s strong arms, burying his face in her hair and swearing he’ll never let go again.

5. Alex

He never, not for a moment, blames Alex for her decision to let go. If anything he admires her for it, he’s proud she made the right decision for her and her family, and at least he saw this one coming. He’s lost enough people by this point that the loss doesn’t ache and burn and fester in the way it used to, and they stay in contact; they have a bi-weekly FaceTime call and she texts him memes that he doesn’t understand and book recommendations regularly.

But that’s not to say that losing his maternal figure on the team, the woman who he’d connected with the fastest out of any BAU member, who had understood him in a way no-one else could, who loved and cared for him like a son, doesn’t stab him in the gut.

He’d take a bullet for absolutely everyone on the team, but he hadn’t taken a bullet for Alex out of some misguided loyalty to a coworker or because she was a member of the BAU, he’d taken a bullet for her because she was the best person he knew, and - plain and simple - some inner, more primal instinct within him wanted to save her life. And she’d stayed with him at the hospital, a little due to her guilt, a little due to her seeing Ethan in him, but mostly because she loved him.

And he loved her. So seeing her walk down those stairs and knowing she wouldn’t walk into the bullpen the next morning - no matter how much he knew that this was the right thing for her to do - left him feeling hollow again, a little broken, a lot sore. He missed her deeply, both because she was an amazing asset to the team, but also because she’s a beautiful person who brought sunshine to his gloomy world. She had an indescribable talent for making him happy, and he felt her absence in his every-day life bitterly.

Although she’s still around, she still finds ways to brighten his day, still has some creepy telepathic ability to know when he’s down and exactly how to make him feel better, it’s another loss to add to the many he’s somehow managed to have collected over the years. And he can’t seem to tell the grief in his heart any different.

At least this time it can be temporarily alleviated by a text message. It’s more than he could have asked for, really.

The Gradual Intertwining (>)

+1 Derek

He falls in love with Derek like the kind of slow and steady drizzle that’s almost indistinguishable from heavy mist; so easily confused for the ordinary, familiar platonic feelings he’s harboured for years. It’s because of this that he doesn’t put up an umbrella, he continues walking as he’s gradually soaked in deep, entrenched yearning, until one day, he finally realises it’s raining.

It’s on the morning of Rossi’s 60th birthday party that it finally clicks and, suddenly, it’s obvious. He let Derek carry him to bed last night after he fell asleep watching a movie, for God’s sake: he’d even woken up on the way but faked it just so he wouldn’t put him down. He’s known for years that a 187 IQ doesn’t mean his emotional intelligence is excellent, too, but this feels ridiculous even for him. He’s practically been in a relationship for years and he had no idea. This must be why he always got that strange feeling in his stomach when Derek talked about literally anybody else.

This is not an ideal realisation to come to when Derek is currently cuddled around him, about to wake up any minute. Spencer tries very hard not to think about the fact that he won’t blink an eye at their entwined limbs and what that means, but he’s not exactly in control of his thoughts right now.

He feels like he sleepwalks through the morning, trying to pay attention to what Derek talks to him about as he cooks him breakfast, but his mind has sort of short-circuited, not knowing how to adapt to this new information. His brain is not equipped to process being in love, and zoning out is as good a coping mechanism as any for now. It’s not until they head back to the bedroom to get dressed and ready for the day that he snaps out of it.

“Hey, pretty boy,” Derek says loudly, clicking his fingers in front of Spencer’s face to get his attention.

“Hm?” Spencer hums, feeling the world fade back into focus despite the haze of confusion still dizzying him somewhat.

“Alright, you’ve been spacy with me all morning,” Derek says, shifting his weight slightly as he levels Spencer with an inquisitive gaze. He can’t help but feel a cool kind of dread pour down his spine at the idea of that look figuring him out. “What’s going on?”

“Nothing, sorry,” Spencer says, forcing himself to snap back into action as he attempts to compartmentalise. “Just… didn’t sleep well, I guess.”

Derek looks doubtful but takes him at his word. “Okay,” he acquiesces. “Better get dressed, though. We’ve got a lot to get through today.”

“We do?” Spencer asks, ignoring the fact that he’s still stood in his ratty, oversized shirt and underwear in front of the man he’s deeply in love with, maybe for the sake of his sanity, maybe because he finds it hard to be embarrassed in front of Derek Morgan, not after all these years.

“Yeah,” Derek says, like it’s obvious, “we gotta run to the grocery store and pick up a present for Rossi - probably some food for this barebones apartment of yours, too - pick up my clothes from the dry cleaners, and swing round Penelope’s to give her the blender I borrowed back. And I know for a fact you have some work to do on your latest paper, as well.”

Spencer, with his new perspective on the situation, considers the fact that Derek has included him in errands that are pretty exclusive to his own life. He also considers the fact that he never would have stopped to think this odd if he didn’t have the knowledge he has now. Unfortunately, simply considering does not shed much light on the situation.

Because of this, Spencer does what he’s always done. He nods and gets ready for his day of driving around with Derek doing very mundane chores and wonders why he feels so excited.

(While they’re out and about, it strikes Spencer why the realisation that he’s in love with Derek feels so paralysing: almost everyone he’s ever loved has left. He’s 34 and he’s never had a loving, committed relationship, and that’s for a reason: there’s only so much grief one heart can take. How could he ever give himself over to someone, hand them the key to his heart, open the door into his life, knowing that they could leave? Forever simply doesn’t exist, not for Spencer anyway. And truly, he doesn’t think he’d survive the loss of Derek, he can’t think of anything in the world that would be more painful.)

Despite the emotional exertion of the day, Rossi’s party is actually fairly enjoyable, probably aided by the glass of wine Spencer had accepted immediately upon entering the garden, he bloody well deserved it after the day he’s had. He gets chatting with JJ and Hotch and he barely even notices the absence of Derek by his side, having been roped into a conversation with Rossi and one of his famous poker friends that Spencer wouldn’t be able to place with a gun to his head.

It’s not long before they reconvene though, programmed with some kind of homing instinct that always leads them back to one another, and Derek’s leaning a bit too close. Spencer finds it a little hard to breathe with his body pressed so close to his own, Derek’s warm, wine flavoured breath on his ear making his insides flip and setting butterflies free to roam his stomach.

They spend the rest of the party like that, pressed away together in a corner, tucked inside one another’s pockets, and Spencer knows that he’s responsible for at least half of the instigation: he’s pressing back against Derek’s side with just as much pressure, leaning in closer, laughing a little louder, not bothering to hide the adoration that must be plainly written across his face.

“Wanna come back to mine for a drink?” Derek asks as the night draws to a close, and how can Spencer refuse? They spend more nights together than apart at this point, and the last thing he wants is to feel lonely tonight, not after today.

“Please,” is all he says.

No-one says anything when they leave together, Derek’s hand loosely placed on his lower back.

Derek’s apartment is warm and tidy, the opposite of Spencer’s, but it feels just as much like home as his own when he steps over the threshold. He’s about to tell him just that, but as he turns around to face him, Derek’s looking at him in a way he’s never seen before and his breath catches.

“Spencer?”

“Yeah?”

Derek steps a little closer, crowding into his space even more. “Can I kiss you?” he murmurs.

Spencer doesn’t bother answering, instead closing the gap on his own and pressing his lips to Derek’s. His hands go to Derek’s side on instinct but as he kisses back, Spencer feels one hand tangling itself gently in his hair, and another cupping his jaw and he gives way, melting into the touch. The whole thing goes right to his stomach, feeling it bottom out as the intensity of the moment threatens to overwhelm him before a small sound escapes Derek’s lips and he’s reminded who’s kissing him, whose hands are on him, who’s making him feel these things. All of a sudden, it’s easier to let go.

Their lips mould together as they collapse into one another, the final piece of the gradual intertwining of their lives and bodies over the last twelve years. A fire lights under Spencer and he feels his world tilt on its axis, except unlike previous life-altering experiences, this time it feels like its tilting into place, as though he’s been off-kilter this whole time, finally returned to his natural state.

“You have no idea how long I’ve dreamed of this,” Derek whispers as they pull away.

“Why didn’t you kiss me sooner, then?” Spencer asks.

“Today is the first day you knew you wanted it,” Derek replies, before he’s kissing him again.

(Later that night, when they’re tucked into Derek’s bed, Spencer lies with his head on his chest, comforted by the steady, reassuring heartbeat as Derek whispers promises of forever into his hair. Spencer knows that nobody can ever really promise anything, but for the first time in his life, he decides it doesn’t matter. They’ll have to part some day, in one way or another - maybe Spencer will be the one to go first this time - but he realises that he’d rather have known Derek like this, to have known how it feels to love and be loved back, only to have him leave, than to have him stay and never know it at all.)

@criminalmindsvibez @strippersenseii

#my writing #moreid #moreid fic #moreid writing #criminal minds #criminal minds fic #derek morgan #spencer reid #Derek Morgan x Spencer Reid #derek morgan/spencer reid #tw substances #tw drugs #tw sh #tw self harm #tw grief #tw depression

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miss-choco-chips · 3 years

Text

North star

Core disaster week Day 1: Bart’s Birthday// First kiss

-.-.-.-.-.-.-

Cassie smiled, sitting down in the picnic blanket. There was so much fucking food- it was awesome.

But not as awesome as being together, all of them. It’d been a while since they managed to meet like this. Kon, particularly, had been hard to pin down and convince to come; but exceptions had to be made on certain days, and Bart’s birthday was the height of special occasions.

Tim, too. She risked a glance at him, stony and silent, and smiled sadly. It truly had been too long.

Sitting each on one end of the blanket, like a flesh and blood compass rose, she smiled again at the unintended philosophy of it all. Bart to the east, bringing the sun into their lives, his energy and warmth a hope for the new day; Kon to the south, lost in memories of the past but a steady, firm ground beneath them; She herself to the west, holding the weight of it all on her shoulders like the sky held the heaviness of sunset; And Tim, sweet, depedable Tim, was undoubtedly their north.

“Cassie? Wonder-honey-baby-dearest girl?”

Snapping out of her reverie, Cassie waved Bart’s concerned face off.

“Don’t worry, just lost in thought. C’mon dude, it’s your day, we can’t start eating until you do!”

A little unsure, Bart sits back on his spot, glancing to his right at Tim. He hesitated a bit, something extremely unusual for a speedster presented with a widely varied menu (Kon and her had flown all over the world picking and choosing his favorites from every possible country- there was a lot).

“He doesn’t mind”, interrupts Kon softly, before anything else can be said.

Taking his word as the gospel it is, Bart’s face broke into the biggest smile and cleaned up his first plate of ‘a little bit of everything’ in less than a blink, already reaching out for more. Without even pausing his chewing, he started babbling out at Tim, who for once didn’t reprimand him on his table manners, nor tried to use a napkin to clean his chocolate-stained cheek. Cassie tried very hard to hide the pang that surprise-attacked her heart.

Desperate for a distraction, she turned to her right, to Conner. He was looking at the other two fondly, a small smile breaking through his face of steel like it was butter.

She remembered back when they were younger, just children, before all the tragedies and the losses; he had smiled easier, then. Wider, unprompted, freely. Giving that handsome smirk like it was candy on halloween.

“It was a good idea to come here”, he acknowledged, once again making her snap out of her head.

“One day, you’ll just accept that all my ideas are good.”

“Do I need to remind you about the deal with the beet demon?”

“That wasn’t that bad.”

“Cassie. We had to eat borsch for every meal. For a month. I don’t think Bart ever forgave you about that.”

They both waited for a second to see if the speedster was about to interject, but he seemed to have missed their conversation, regaling Tim with a tale of his latest training session with Wally.

“Anyway”, Kon coughed, drawing her back to their moment, “it really was. I… I know I wasn’t the easiest person to convince, so..”

“‘The easiest person’? I had to track you down across an entire hemisphere, lasso you like a wild animal and drag you here kicking and screaming. Literally. My bruises have bruises.”

“Anyway, thanks. I… needed to see you all again. I never thought we’d be able to just… sit here and enjoy ourselves, without… you know, all the…”

“Angst?”

“... yeah. How did you even manage to secure us this spot?”

Cassie smiled, leaning back against her arms, enjoying the sun on her face.

“You can thank Tim’s brother for that. I made him promise to make sure no one interrupted us today.”

The other meta snorted.

“It’d be a cold day in hell before I thank Nightwing for anything.”

She winced a bit, but refused to let the implications ruin her good mood. “Come on, you know he’s not my favorite person in the world, but he’s really doing his best to be here for” -a quick glance, Bart still talking his heart out to Tim- “the new Robin. If you can bury the battle axe...he’s not so bad, nowadays.”

Unsure, he shrugged.

“I don’t really care if he discovers the cure to cancer and spends the rest of his life in seclusion as a monk. If I see him on fire and I have a big water bottle, I might help him put it out- after taking a few drinks, first. But that’s as far as I’d be willing to go for him.”

Considering the numerous times Kon had tried to outright attack the older vigilante, Cassie was going to take it.

“How's Jon?” she asked, subject change as unsubtle as a kick to the chest, taking a delicious french pastry between thumb and forefinger and examining it.

He copied her, selecting something brown and salty-looking from the assorted items

“Nothing new. He’s still a better mentor than Supes, though his choice in friends leaves much to be desired. Still, like I told you, I’m… better? I think?”

A pause, as he washed down whatever he ate with a raspberry slushie. Bart’s incessant chatter, once annoying, was now a beautiful background noise. He was just so damn happy, Cassie felt more accomplished even than the time Diana first told her ‘good job’ after a spar. All he’d asked her for his birthday, soft and broken among his tears, had been this; just the four of them, together.

And she’d done her best to make it happen, securing this place and guilting Kon into accepting. She’d done it, and the memory of Bart’s genuine laugh as he told Tim about his last caught villain would -hopefully- be enough to deter the nightmares sure to come with sunfall.

“Anyway, he’s good. What about Donna?”

Cassie let her head fall back between her shoulder blades with a groan, closing her eyes against the glaring midday sun.

“Ugh, don’t remind me. I love her to pieces, but honestly? I can see why my mom has so many grey hairs. Diana is lucky she’s perpetually young and perfect and thus doesn’t need to deal with stress lines. If this is what I was like when she trained me, I have a lot to apologize for. Starting, but not limited to, our days in Young Justice. We did so many stupid things back then.”

“So, the Titans are a riot?”

“They are a bad influence, and I hate how they taught Donna to disobey when I tell her to go to safety and let me do the fighting, but honestly, it’s so much like looking at our past, I can’t help but want to wrap them up in a blanket and wish them luck.”

“I wish you luck. This is why I refuse to take a younger hero under my wing. Too much responsibility.”

“You are a weak bitch. Even Bart is mentoring someone. We have to nourish the younger generation, Kon. Think of the children.”

“You are nineteen, stop talking like you just turned seventy.”

“Well, Cissie is retired. It’s not such a stretch.”

“I’ll tell her you said she’s old.”

“Don’t you dare.”

After those first few hiccups, the rest of the afternoon went smoothly. Uncharacteristically restrained of them, no food fight ensued, but even so it was a pretty fun day. They caught up with each other, teased about past exes and questionable fashion choices, and every silent, solemn moment was endured with joined hands and hearts, a united front against the grief.

Bart’s wet eyes shone, filled with gratitude, when he blew the candles. Cassie caught the exact moment on camera, having learnt the value of getting those precious seconds immortalized forever somewhere other than her own mind.

He kept his wish to himself, but it wasn’t really a mystery. Just by the way he glanced at Tim, they could harnett a pretty solid guess.

Heartache was a familiar, almost comforting feeling to her now, but the wave of raw emotion that almost washed her away at Kon’s crystalized eyes and Bart’s trembling hands gave her pause. Cassie looked away from them for just a second, giving herself this moment of weakness, and in the fleeting light of sunset, she could have sworn she saw a familiar face, looking over them from the shadow of a tree, smiling fondly.

But it was missing with her next blink, so she just shook her head to dispel any traces of wistfulness and turned back to her boys.

It was in silence that they picked up their stuff. Super speed would have made it a chore of just a millisecond, but none felt the urge to run away, so they took their time, hands brushing and then clutching while they cleaned up this sacred place they had borrowed for the day.

Cassie really needed to thank Damian for coming through for her on this. As much as she had despised the other vigilante in the past, a leftover feeling from Tim’s own feud with his older brother, she had learned to forgive and forget. It was, she’d come to accept, the only way she could move on.

Basket finally full with the blanket, empty plates and chocolate stained napkins (Kon’s hand had trembled as he cleaned Bart’s cheek in their leader’s stead), they stood together, arms around each other with the birthday boy in the middle. One by one, they said their goodbyes. It hurted a little less than the last time they could manage to do this, perhaps helped by the fact Kon hadn’t stormed off midway this time.

Cassie smiled. It was sad, it was raw, it was heavy. But it wasn’t broken. She-they- weren’t broken. A puzzle with a missing piece was incomplete, not shattered.

The hand not around Bart’s shoulders stretched, as Cassie’s finger traced the poem they had Bruce engrave in Tim’s tombstone.

“He was my North, my South, my East and West,

My working week and my Sunday rest,

My noon, my midnight, my talk, my song;

I thought that love would last forever: I was wrong.

The stars are not wanted now; put out every one,

Pack up the moon and dismantle the sun;

Pour away the ocean and sweep up the wood;

For nothing now can ever come to any good.”

The kids that had chosen that poem as immortalization of their grief had been drowning in it, she knew. Had needed a way to let the world know “we are not okay, we’ll never be okay again”. It was, maybe, what saved them back then.

But she wished she could crouch down in front of those lost, overwhelmed kids and tell them ‘you never stop missing him, but you learn to be happy again; and he brings you all together, just like the first time’.

So Cassandra Sandsmark, former Wonder Girl (now something more), lets her head fall back, looks at the setting sun and smiles. Because she can. Because she’s alive, and she’s gonna fucking smile for him, if its the last thing that she does.

-.-.-.-.-.-.-

The shadows of the coming night hide him, embrace him, want to keep him; he puts a stop to that, let’s himself be kept from wandering eyes but avoids the eternal retaking. He’s seen that side of the road and is under no hurry to visit it again.

Instead, he watches the young heroes, bathed in light and laughter, sitting around a dead bird’s grave.

He yearns. He wants, more than anything, to go to them. To join them in the warmth, in happiness. To go back to the only home that never felt anything else than welcoming.

But he has work to do; there’s a new Robin in the streets, and he needs to ensure that what happened to him doesn’t happen to this frail, rough around the edges and full of life bird.

He waits until they pick up and leave, before donning his suit and walking in the opposite direction. Hopefully, a time will soon come when he can smile with them again.

But, for now, the Red Hood has a clown to hunt and a criminal underbelly to conquer.

#my writting #tim drake #kon el kent #cassie sandsmark #bart allen #core disaster week #core four #day 1 #Bart's birthday #angst #hurt comfort #kinda #don't yell at me #I'm sorry I didn't edit this #I'm in Sk8 the Infinity hell right now #no thoughts head empty only Renga from Sk8

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heavyarethecrowns · 3 years

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Wedding Kate Middleton: Prince William’s Hypocrisy? - June 2011

In the beginning, it seemed strange to many, including myself, that a rich, famous, and potentially powerful bachelor like Prince William would choose a Plain Jane like Kate to be with. He could have had practically any woman he wanted, and surely, could do far, far better, right? However, now that I’ve learned more about Kate, I think choosing a commoner with her personality has provided William and The Royal Family with an advantage. As of recent events, it’s clear that William is intent on sending the message that the monarchy’s next generation will be more in touch with the people. This includes a recent series of breaks from tradition, including his marriage to *gasp* a commoner. Could wedding Kate “the commoner” just be part of William’s plan to shape the modern monarchy’s image?

While it’s anybody’s guess as to the intentions of the Royals, it does seem that a plan to modernize the monarchy’s image is beginning to unfold. First of all, William took care to ensure the media communicated his wishes to have a “people’s ceremony” for his marriage to Kate. The ceremony made history in that it specifically excluded many highly esteemed persons and world leaders traditionally invited to British Royal weddings; however, it included commoners like the Middleton Family’s local butcher. Since the wedding, William and Kate have also made a deliberate point to let the public know they won’t have servants – again, a break from tradition. Additionally, Kate is choosing not to indulge in her endless wardrobe allowance. She’s being very modest for what’s available to her and is even recycling outfits from years ago. These highly publicized and unconventional changes, along with Kate’s commoner status, look like a starting point to demolish the wall between the working class and the snobbery of birth-right driven British aristocracy. With Kate’s help, William seems quite serious about setting the monarchy more in line with the times and values of his generation.

The problem is, these actions by William heavily conflict with his other choices. His marriage arrangement and choice in Kate, commoner or not, are anything but modern and in-touch with the working class. First of all, he’s chosen a wife who completely fails to epitomize the modern woman. I think most women want to get married one day, but aside from fulfilling that, Kate’s goals and concerns don’t appear to match up with the career and family ambitions of most women today (In Kate’s case, charity work could constitute a career – it’s a contribution to society). Other than the fact that Kate wasn’t a virgin when she met or married William and that she has a college degree, her life contains nothing contemporary for most women to relate to. Insultingly, her only value as an individual is swiftly and exclusively becoming her potential heir-bearing ability (Yes, Henry VIII would have loved Kate too). Currently, she’s the stay-at-home wife to a rich man, and a decorative-only, seen-but-not-heard, unaccomplished reminder of Britain’s sexist, archaic upper crust.

While Kate comes across as a lazy gold digger, blaming her for her situation is only one-sided. In all fairness, she wouldn’t be where she is today if her attributes and choices didn’t please William and the other Royals – and greatly so. If William and the Royals wanted an accomplished, career-driven, passionate woman, then I believe that’s what they would have found to fill Kate’s position. Actually, their pleasure in a woman like Kate only reveals the stark disconnect of the Royals to the people. Also, I sincerely believe that if being with William required her to be an exemplary member of society – pursuing a career for one thing – that Kate would have at least tried. (She did want into that family, after all.). In part, I think she has lived as she was encouraged to by William. It’s obvious that she’s been rewarded for always being at his beck and call, and that William, high and mighty heir to the throne, wasn’t about to “settle” for a woman with her own itinerary. The attitude conveyed from William has been that, why should a woman – especially a common one – have her own life when she has the honor of accommodating his? Yes, “especially a common one,” is the key phrase here. A noblewoman may not have felt so honored, and hence, willing to be compliant. If you think back, all Kate’s done since she met William is be constantly available to him – although it’s been partially disguised as his treating her to a fabulous and leisurely life. Their chronic, unbalanced arrangement sends the message that he’s more important, whether it’s because he’s a man and she’s a woman or because she’s common and he’s royal by blood. In my opinion, a truly modern royal family wouldn’t welcome female spouses as second class family members. They certainly wouldn’t purposefully seek one desperate enough to accept such a belittling role *cough* William *cough*. What do you think?

Overall, I think William is a complete hypocrite in this area. He’s sadly mistaken if he thinks his trivial efforts to convince us that his wife and current choices tie the monarchy to the middle class are going to cover up his sexist and outdated lifestyle. I’ve never had a reason to truly dislike William in the past; but despite that we all dotingly watched him grow up, he’s not an eternally innocent little boy just because he was born to the beloved Princess Diana. At this point, I think it would be naive to believe William doesn’t know who he “works” for, what their interests are, and that he needs to be loyal to them. In my view, he’s doing just that.

#duke of cambridge #duchess of cambridge #prince william #kate middleton #proof #article

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goneseriesanalysis · 3 years

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Drake Merwin

I am soo sorry, this is super late but I got incredibly distracted with reading and forgot that literally anything else existed. Drake was a really hard character for me to analyse because his characterisation was just so disappointing to me - but luckily my intrinsic desire to have everyone hear my opinions prevailed, and so here it is. I hope you enjoy!!

Spoiler Warning: Major spoilers for Gone, Minor spoilers for the rest of the series and the monster trilogy

Old Opinion: I had a sort of morbid obsession with Drake and thought he was a top-tier villain

New Opinion: So far Drake is tied with Astrid for most-changed opinion. His character has almost no-depth and could be placed in almost any story without changing a single thing about him - and it would make sense. I found myself desperately trying to make him more interesting than he is in an attempt to justify younger me’s obsession - but alas I was unsuccessful. He had a lot of potential, but instead he ended up as a copy-paste villain with no realistic motivations and no real intrigue.

1.) DRAKE’S APPEARANCE:

Drake is, I think, the character who is best (as in most thoroughly) described in the first book. Not only do we get an idea of his actual appearance beyond the vaguest possible descriptions (sorry to Sam, Caine, Diana and every minor character) but we also get some idea as to the effect his appearance has on other people.

In Chapter 14, when we are first introduced to the Coates kids, Drake is described as, “a smiling, playful, mean-eyed kid with shaggy, sandy-coloured hair.” I actually really like this description. Contrasting “smiling” and “playful” with “mean” really brilliantly sets Drake up to be a complex villain – the kind of villain we all love to hate, who cracks a joke while slitting your throat. It has the implication of a layered personality but sadly, this is not the villain we get. In fact his character in the first chapter compared to the character we get as the book continues is so drastically different that it almost seems like mg did a complete 180 on his character. An original description is supposed to give us some indication as to what a character is like – their personality and role in the story, and we know that mg can do this really well. (Sam’s non-descript description setting him up to be the underdog, Quinn’s mismatched attire hinting at his inability to fit in, Astrid’s colour scheme reflecting her innocence and religiosity), and so it seems particularly odd, not to mention disappointing, that Drake’s description gives us…nothing. No real indication as to who he is or his purpose other than to hint to him being an antagonist (which we already guessed from his affiliation with Caine.) I could go on and on about what a waste Drake’s character was, but I’ll save it for a later paragraph.

We will then skip ahead to Chapter 37 where both Howard and Lana describe a similarity between Drake and Pack Leader:

“The one time she had seen Drake Merwin. He had made her think of Pack Leader: strong, hyper alert, dangerous. Now, the lean physique looked gaunt, the shark’s grin was a tight grimace, his eyes were red-rimmed. His stare, once languidly menacing, was now intense, burning hot. He looked like someone who had been tortured beyond endurance.”

“The two of them, two of a kind, it seemed to Howard, stared holes into each other.”

This is a much better example of mg using descriptions to establish the purpose of a character. By drawing a comparison between these two, mg sets up Drake’s later role in the books, where he replaces Pack Leader as the gaiphage’s right-hand man. This almost leads me to believe that mg had decided very early on that Drake was going to desert Caine and this is possibly why he seems so out of place and underdeveloped as Caine’s underling in the first two books. Mg had already moved on from this side of his character…and it shows. Lana’s description of Drake also works as a basis for showing the reader how he has changed since losing his arm (before gaining his whip) and acts as an insight into his current mental state – which is important as we don’t get much introspection during Drake’s POV’s. But, I still have a few issues with this. First of all, his “lean physique”. Now this isn’t really a problem all by itself, but unless I have forgotten what 14 year olds looks like (which is a possibility though I doubt it) I don’t think that they should be muscly with minimal body fat. And Drake is not the only character he does this with. Quinn gets extremely muscly later on in the books (I’ll admit that there is a plausible reason behind this so this example isn’t terrible but it’s mentioned like every 5 sentences) and in Fear Caine is described as having wash-board abs. Why are we sexualising children?? Children should be pudgy and awkward and still growing into their bodies, not lean and muscly!! The attractive, damaged man who hates women for no reason at all is also a really really really common trope and tbh I’m just so bored of it. It’s not relatable (at least it shouldn’t be) and it’s just really unimaginative – although it does help us to understand Drake’s character as we’ve seen him before so many times in all types of media. My second issue with this description is the way it really really highlights how much of a waste of character Drake was. The potential of a high-school bully with a skewed world-view due to the death of his father and the later abuse of his mother at the hands of his replacement father figure trying hard to impress the charming “leader” with unimaginable power (that he so desperately wants) only to be undermined at every turn by a girl who teases him by pointing out his flaws and insecurities taking his anger out on everyone around him (especially women) as a way to cope with his childhood traumas then turning into a heartless monster who not only enjoys others pain but lives for it after being “tortured beyond endurance”, was astronomical. But we don’t get that. Instead we get a cheesy, one-dimensional cartoon villain. The change that his body and mind go through after his maiming should have been pivotal to his character, but that just doesn’t come across in the writing. :/ But more on this later.

And last but not least, the whip-hand, which is very important to Drake’s character. It turns his actual body into a weapon and his excitement over this is indicative of his sadistic nature. Again, I think this is an example of a wasted opportunity. I would have liked mg to have gone in to depth about how Drake’s body undergoing this change affected his psyche (and I’m not counting his one-off line in the monster trilogy). I think it could be argued that Drake’s “change” is a metaphor for him going through puberty. Him gaining the whip that ultimately turned him into his very own weapon shows his transition from a child [a little messed up but still just a kid] into a monster, someone who is capable of committing atrocities without a second thought. It would have been particularly interesting for Drake and Orc’s final battle to put some focus on the fact that they both suffer through monstrous physical changes that can be used to represent their shift from children to young adults but whereas one relishes in this, one is completely disgusted. The whip-hand is described as being an “impossible blood-red snake” and then that “It was stretched. Like it had been turned into dark, blood-red taffy. It wrapped twice around his body.” – Both of these occurring in Chapter 39. I don’t have much to comment about this – other than that I think red is great colour choice for Drake, thematically at least.

I know this point was mostly about what Drake could have been as opposed to an actual analysis of his appearance, but I’m just so tired of the attractive misogynistic villain that seems to appear in every single piece of media. His characterisation really bummed me out and put me into a slump so instead of analysing his appearance I decided to roast him instead. But, onto actual analysis now (I am going to further expand on some of the points I made here I promise).

2.) DRAKE’S PERSONALITY AND CHARACTER

I mentioned in the previous point that a lot of Drake’s characterisation seems like an afterthought at best and one of the things that made me think this, is the inconsistencies with his character and the most obvious example of this is the discrepancies with his birthday. In chapter 20, Diana says that his birthday is “April twelfth, just one minute after midnight.” But, in Chapter 33 we get the line “Sooner would be better,’ Drake drawled, ‘what with me having a month.” This is a really small nit-pick, I know, but it just really bugs me that mg overlooked something as simple as a birthday – especially when birthdays are such an important plot point in this book. But anyway, moving on. I promise this whole review isn’t going to be negative.

Backtracking now to Chapter 14. Drake’s character here seems to differ quite drastically from his later characterisation. He seems here to be an example of the laughably evil trope, he has a kind of dry sarcastic humour that is quite fun and seems to lighten the tone of the story a little bit. Rather than showing us the boringly disgusting misogynistic villain that Drake turns out to be, we instead see a funny, charismatic character who seems to prefer picking on those who already have power – as is seen here:

“Drake paused halfway, turned back, and spoke for the first time. In an amused voice he said, ‘Oh, um, Captain Orc? Have your people – the ones who aren’t injured- line up outside. We’ll work out your… um, duties.’ With a grin that was almost a snarl, Drake added a cheerful, ‘Later’.” – Chapter 33

Now I understand that the reason we don’t see the real Drake here is because Sam is obviously not yet aware of his true personality – my issue lies in the fact that based on just this small excerpt here, I expected so much more from his character. We get hints of his sadistic nature here, with him joking about Cookie’s horrific injury and clearly taking joy in exerting power over Orc, but it is evenly balanced by the fact that he’s kind of amusing and we don’t really like Orc at this point anyway. Can we see that something isn’t quite right with him?? Yes. But do we kind of like him anyway?? Well I did. At this point. I would have really loved it if mg had carried on this idea of Drake abusing those who already have power – him enjoying to take down bully after bully so he can be King bully, instead of him picking on people who he perceives as weak and vulnerable. Mg relying on misogyny as a motivator is just really disappointing to me because there is no depth to it, and it’s pretty lazy. He hates Diana because she is a woman and he sees women as beneath him?? Weak. Over-used. Dull. He hates Diana because she has power over Caine in a way that he never can, which makes him feel insecure in himself and the fragile sense of stability and power that he has struggled to cultivate within his damaged psyche?? Yes pls. Not only would this have made Drake a much more engaging character, but it would also have made his desertion of Caine in hunger much more impactful. And while I think there are aspects of this within his character, which I will go into later, I wish there had been more of it. Again, I’m sorry that this has become more of a “what could have been” rather than an analysis but there really is just so little to analyse without just pointing out obvious facts and statements. There’s no spice here :/

Moving on now to Chapter 16, where we as an audience, as well as the characters within the book, begin to realise what Drake truly is – an unhinged madman. We are told by Sam that Drake has been abusing his power as Sheriff – which particularly stands out as, so far at least, Drake is the only member of Coates who has shown this kind of behaviour (Caine is actually a pretty sound leader until he loses his shit and attacks Sam). And this is the first major distinction that we get between Caine and Drake and their capacity as villains in the story. Caine is a bad person who will do bad things to achieve his goals, he is power-hungry and ambitious but he is not needlessly violent. Everything he does he (in his own mind) is able to justify as it helps him to achieve his vision. Drake, on the other hand, doesn’t really seem to have an end goal. He is violent for the sake of being violent – he is a sadist who enjoys the suffering of other people as we see here, “Drake was more than a little scary. Kids who defied Drake or any of his so-called sheriff’s had been slapped, punched, pushed, knocked down or, in one case, dragged into a bathroom and given a swirlie. Fear of Drake was replacing fear of the unknown.” Now, we still don’t get to see the full extent of Drake’s madness here. Most of the crimes listed are pretty mundane bully things – they’re still wrong, but they aren’t life-threatening. He hasn’t bashed anyone’s head in with a baseball bat. While Caine is playing with politics, Drake seems unable to move past his role of high school bully. If he had played it right, the role of Sheriff would have been perfect for him. I mean, how many actual police officers get away with literal murder in the name of “upholding the law”?? But he is unable of seeing the bigger picture, unable to grow and fit the new world order as Caine does so naturally, and so, instead of properly taking on the role of Sheriff and building up his own authority in this way, he turns back to his tried and tested method – hurt them and they’ll fall in line.

I particularly enjoy this as I think it explains, a little bit more, why he hates Diana and Astrid so much. Now I know the bottom line is simply that he is a violent misogynist – but that doesn’t explain why he hates Diana and Astrid specifically. Is it because they’re both attractive women and he is unable to distinguish sex and violence in his head?? Partly yes, but then Taylor is also described as attractive (and most people find her annoying) and yet he doesn’t seem to hate her to this extent. I think the real reason he hates these two specifically, more than anyone else, is because he simply cannot understand them – and that scares him (although he is unwilling to admit it). Drake only knows how to gain power through violence – he sees this work at home, he used it on Holden, he used it to gain his reputation at Coates and, although he has the ability to gain authority in other ways, he continues to use this method even now in the FAYZ. Diana and Astrid cannot do this, they are not fit to fight, they are not able to use violence to assert their status – and yet they both have more power in the FAYZ than he does. They make him question his whole world view and, as he cannot or will not adapt to the new hierarchy of the FAYZ, he resorts to trying to destroy them, in order to return the world to what it was before. His hatred of others gaining power through (what he sees as) unconventional means is then further established with his dislike of actual powers and the people who have them:

“I’m sick of all this powers crap. You saw what we did to freaks at Coates?? Who do you think it was that took care of that?? All these kids with their stupid so-called powers. Starting fires and moving stuff around and reading your mind and all?? Who do you think it was grabbed them one by one in their sleep and beat them down and when they woke up their hands were setting in a block of cement??

[…]

That’s right. And I didn’t even have a gun then. It’s not about who’s got powers, morons. It’s about who’s not afraid. And who’s going to do what has to be done.”

We get told by Diana that it was Drake’s idea to cement the kids in the first place (and a bad one at that) and I really think that is all the evidence you need to see that Drake’s hatred and fear all stem from his complete inability to adapt. He is trapped in a cycle of abuse that started with his father, a police officer who teaches him how to shoot people (however unwillingly) and is then continued by his step-father (an actual abuser) rendering him incapable of recognising any kind of authority if it is not gained from violent means. And so of course he hates the powers – none of the kids gained their powers through suffering or through causing suffering. They didn’t earn their authority in any valid way, according to him. (This is also another reason why I think Drake was so ecstatic at gaining his whip-hand. He suffered for it and therefore, in his twisted mind, he earned it. It is physical proof of his supposed power over these kids.) It’s tragic really – but mg then goes on to make him so disgustingly unsympathetic that his story loses its meaning. I love mg’s writing but Drake’s character truly was butchered for shock value and plot convenience and it makes me so sad.

Ok back to Chapter 16. Here, not only do we hear about some of the things that Drake is capable of, but we see them as well. His beat-down of Orc is the first indicator we get that Drake is someone we should really be afraid of. Heads up, this is a long quote:

“Nobody move,’ Drake said. Orc pushed Edilio off and jumped to his feet. He started kicking Edilio, landing size-eleven Nike blows into Edilio’s defensive arms. Sam jumped in to help his friend, but Drake was quicker. He stepped behind Orc, grabbed him by the hair, yanked his head back, and smashed his elbow into Orc’s face. Blood poured from Orc’s nose, and he howled in rage. Drake hit him again and released Orc to fall to the concrete. ‘Which part of “nobody move” did you not understand, Orc?’ Drake demanded. Orc rose to his knees and went for Drake like a linebacker, Drake stepped aside, nimble as a matador. He stuck his hand out and said to Chaz, ‘Give me that.’ Chaz handed him the bat. Drake hit Orc in the ribs with a short, sharp forwards thrust of the bat. Then again in the kidneys and again in the side of the head. Each blow was measured, accurate, effective. Orc rolled over on to his back, helpless, exposed. Drake pushed the thick end of the bat against Orc’s throat. ‘Dude. You really need to learn to listen when I talk.’ Then Drake laughed, stepped back, twirled the bat in the air, caught it and rested it on his shoulder. He grinned at Sam.”

“Sam had gone up against bullies before. But he’d never seen anything like Drake Merwin. Orc outweighed Drake by at least fifty pounds, but Drake had handled him like a little toy action figure.”

Orc has already been established as the top bully in Perdido beach – we’ve already seen that our main character is afraid of him – and for good reason. And so for Orc to be defeated so casually and so easily is shocking. It lets us know that the old world order has collapsed and old fears are fading away with it, with new, much more threatening adversaries taking their place. I actually think that this scene was exceptionally clever of mg. Drake is attacking someone who has already been set up as an antagonist, at the same time rescuing Edilio, who the reader has been conditioned to like. But, through context clues, we know that this is not a good thing. It sets up the villainous nature of the Coates kids, Orc’s redemption, Drake and Orc’s rivalry and Sam’s fear of Drake. And it feels natural, even after re-reading the book multiple times. It’s scenes like these that really remind me how great of a writer mg is.

Another thing I really wanted to talk about here IS Drake and Orc’s rivalry because, yet again, I think mg missed a huge opportunity with this. Drake and Orc are very similar before, and in the early days of the FAYZ. Both have abusive fathers (a step-father in Drake’s case but still), both enjoy asserting their power over people through violent means and both are put in positions of power that they are unable to fully take advantage of – Sheriff and Sheriff Deputy. And even as the books continue, similarities can still be found. They both suffer mutations that turn their bodies into grotesque weapons, dehumanising them and alienating them from their peers and That Scene in Plague tells us that Orc and Drake sometimes have similar “desires”. Their stories are constantly intertwined, with them being played off of each other from the start and Orc becoming Drake’s jailor later on (and in turn Drake sort of becoming his). Their differences come from their reactions to the horrific acts of violence they have committed – and of course why they do them. I’m going to make a whole separate post on this because it’s long enough to be a standalone, but my I just wish mg had played up both their similarities and differences more. It would have made Drake so much more interesting.

We also get more hints at his sadism in this scene. He is later unbothered that Betty has been hurt and it seems that the only reason he attacked Orc was because it gave him an opportunity to assert his dominance over him. All in all, this is one of my personal favourite scenes in the book as it establishes characters, themes and relationships very well. I just wish some of these had been developed further – but mg dropping certain aspects of the story does seem to be a common problem.

The final thing I wanted to talk about in regards to Drake’s personality and character is this line we get in Chapter 23, “It was small, just two bedrooms, very neat, very organised, the way Drake liked things.” This was another thing that irked me slightly. It’s such a small aspect of his characterisation but it reinforced the idea that drake is just another cookie-cutter villain with no real personality, nothing that makes him stand out in the sea of white male psychopaths with a hatred for women. His whole character could be replaced with any other misogynistic psychopath at no detriment to the story. My immediate though when reading this was that even the smallest aspects of his character can be seen in other, more developed villains – this line in particular is hugely reminiscent of Patrick Bateman. Nothing seems to be his own. No aspect of his character is even remotely unique. (I think this may also be why some young fans develop an obsession with him. His character is comfortable because we’ve seen it so many times before.) He is so entirely replaceable and replicable - only reason he isn’t completely forgettable is because you are constantly plagued by the horrific things he has done. Mg sacrificed depth and development for shock value and it’s so disappointing

3.) DRAKE’S PAST

Onto Drake’s life before the FAYZ. Not only does Drake receive some of the longest and most POV time in this book, he is also the character whose life before the FAYZ we learn the most about (with the possible exception of Sam). This is especially shocking to think about seen as Drake is arguably one of the most underdeveloped characters in the whole book, but anyway. There are two scenes I’m going to talk about here, both occurring in Chapter 23, with the first being his dad teaching him how to shoot. I apologise in advance for the long quote:

“His father had taught him how to shoot, using his service pistol. Drake still remembered the first time.

[…]

He remembered the way his father had taught him to grip the butt firmly but not too tight. To rest his right hand in the palm of his left and sight carefully, to turn his body sideways to present a smaller target if someone was shooting back. His father had had to yell because they were both wearing ear protection. ‘If you’re target shooting, you centre the front sight in the notch of the rear sights. Raise it till your sights are sitting right under your target. Let your breath out slowly and squeeze.’ That first bang, the recoil, the way the gun jumped six inches, the smell of the powder – it was all as clear in Drake’s mind as any memory he had. […]

‘What if I’m not shooting if I’m not shooting at a target?’ He’d asked his father. ‘What if I’m shooting at a person?’ ‘Don’t shoot a person,’ his father had said. But then he relented, relieved no doubt to find something he could share with his disturbing son. ‘Different people will tell you different techniques. But if it’s me, say I’m doing a traffic stop and I think I see he citizen reaching for a weapon, and I’m thinking I may have to take a quick shot? I just point. Point like the barrel is a sixth finger. You point and if you have to fire, you shoot half the clip, bang, bang, bang, bang.’ ‘Why do you shoot so many times?’ ‘Because if you have to shoot, you shoot to kill. Situation like that, you’re not aiming carefully for his head or his heart, you’re pointing at the centre of mass and you’re hoping you get a lucky shot., but if you don’t, if all you’re hitting is shoulder or belly, the sheer velocity of the rounds will knock him down.”

Ok so the first thing I want to analyse here, is how important this memory clearly is to Drake. He remembers it fondly, in immense detail and seems to call back on it when he needs to clear his head (notice how this memory is placed while Drake is trying to figure out what to do, not while he is doing it.) It seems that rather than just using this memory as a source of useful information, it is also a source of comfort to him. Now there are some things that I really wish mg had told us that would help to analyse this scene better, like: How old was Drake when this memory took place?? How old was Drake when his father died?? How did his father die?? But alas, we don’t know these things (at least not that I’m aware of, and not within this book) so I’m going to try and do the best I can with the information that we have. Now, in Light, Drake makes it seem like his step-fathers behaviour has been significant in forming his worldview – which makes sense, trauma does that. But he spends half of his time away at Coates, which says to me that for this behaviour to have had such a profound effect on him, his step-father must have been around for a while. Right?? I’m gonna take a guess at 3-4 years at the least. Give Drake’s mother about a year to meet and start dating this man after the passing of her husband – this means that Drake would have been around 9/10 at the latest when this scene took place. That’s pretty young. Like, this is a formative memory and from the way it’s written, it seems like this may be some of the only bonding that Drake and his father ever did together. No wonder Drake has such an unhealthy obsession with guns as is seen with these quotes:

“He started from Astrid’s house, which was already beginning to smoke. He worked his way methodically, a hunter, looking for any movement. Each time he spotted someone walking or running or biking, he would take a look at them through the rifle scope, line them up in the crosshairs. He felt like God. All he had to do was squeeze the trigger.” – Chapter 23

“Drake kept all three guns loaded all the time. They were set out on the dining room table, a display, something to be gazed at lovingly.” – Chapter 23

“Drake could not leave the gun alone. He kept thumbing the safety on and off. He rolled down the window and aimed it at stop signs as they passed, but did not fire.” – Chapter 31

Drake shooting Sam and his gleeful reaction – Chapter 34

For him, guns are the ultimate symbol of power and authority. He was introduced to these weapons of incredible power at such a young age – of course he loves them. That being said, it seems that Drake has always been “disturbed” so I suppose we can’t fully blame his father and step-father for his mind-set – and I have to say I don’t really like this. Drake’s issue as a character is that he is completely de-humanised by all the horrific things he does. By having it seem like Drake was irredeemable from the off-set, it just adds to this idea and again removes any possible depth or character development. Imo it would have been much better to present Drake as becoming the way he is AFTER his father’s death. It would bring a sense of tragedy to his character – the way he uses his father’s advice to hunt down Astrid would seem less like a by-product of his sadism and more like a misguided attempt to feel connected to his deceased father.

However, flawed though it is, this scene does give us some insight as to why Drake is the way he is – through the characterisation of his father. Admittedly we don’t get much, but one line really stood out to me, “Because if you have to shoot, you shoot to kill.” Ummm..sir?? I don’t think that’s how police officers work. Isn’t your goal to incapacitate – not to just kill on sight?? The fact that he not only stands by this rule himself, but also gives this advice to his CHILD is disconcerting. Drake is not only receiving this harmful rhetoric from his father figure but also a police officer. Someone who is meant to uphold the law. I think this links back to my earlier point on how Drake only recognises authority if it is gained by violent means. While we get no indication that his real father was ever violent to Drake or his mother, he openly tells Drake that when he is upholding the law (in this hypothetical situation) he does it by using force. That is a dangerous thing to tell a child, especially a child who you already think is disturbed. This twisted-take on a father-son relationship nicely sets the precedent for Drake’s warped perceptions, I just wish it had been developed further. And this leads us nicely into the next scene – the shooting of Holden:

“He remembered with vivid, slow-motion detail the time he had shot Holden, the neighbour’s kid who liked to come over and annoy him. That had been a bullet to the thigh, with a low-level calibre gun, and still the kid had nearly died. That ‘accident’ had landed Drake at Coates.”

Again, first and foremost I just wish we had a little bit more information. It is not clear whether this situation occurred before or after his father’s death – which seems like a pretty important detail to me. Although, we don’t actually find out that Drake’s father is dead within this book, and this omission again makes me feel like mg adding that detail was little more than an after-thought. It feels like in Light he wanted to quickly try and make Drake more of a sympathetic character and so he added in an abusive step-dad to try and tone down or at least explain Drake’s violence and misogyny. It seems like Drake is a plot-point first and a character second and the lack of detail here really highlights that for me. What purpose did these scenes really have in the story?? They did very little to flesh out his character, they introduced no new themes or relationships. It seems like mg just wanted to let us know – “Hey! Drake knows how to use a gun. That’s gonna be important later.” That being said, there are a couple of other things I would like to quickly mention. Firstly, I think the fact that Drake did not aim to kill Holden, even though he could have, is meant to be indicative of his change between then and now. It’s done to tell us that Drake wasn’t always this bad – there was at one point some hope. For this to have the desired effect though, I really think mg should have waited until after Drake lost his arm to straight up try and murder Astrid and Little Pete. Like, you can’t tell us that Drake was a little messed up but still redeemable before his maiming and then go and have him try to kill a random girl and her five year old brother. Because that’s more than a little messed up (and that’s not even mentioning the cementing). And it also contrasts the idea that Drake has always been disturbed. An idea that was introduced to us not even a page ago!! The other thing I wanted to pick up on, which I actually quite liked, is the ambiguous “who liked to come over and annoy him.” Because this is Drake’s point of view – so “annoy” could mean anything. Was Holden actually just an annoying kid?? Was he just trying to be Drake’s friend?? Or was he actually a bully and Drake doesn’t want to admit it?? I guess we’ll never know.

4.) DRAK’ES MOTIVATIONS

For this point, I wanted to focus on three particular motivators: Caine, Diana and Astrid. These are the three people, I believe, who provide, either consciously or unconsciously, the motivation for his actions within the FAYZ. I’ll start first with Astrid and Diana, the two people who Drake hates the most. Throughout this book it is clear that Drake has no real goals – he has no desire to be in control like Caine, no desire to re-invent the world like Albert. All he wants is to cause pain, with his preferred targets being these two. And, as I’ve said before, I think this is partly because he hates the authority that they have within the FAYZ – which stems from manipulation and intelligence rather than violence.

In Chapter 20, Drake explains his hatred for Diana, “Drake had made the time to check out Diana’s psych file the day after the FAYZ came. But her file had been missing by then. In its place she had left Drake’s file lying open on the doc’s desk and drawn a little smiley face beside the word ‘sadist’. Drake had already hated her. But after that, hating Diana had become a full-time occupation.” What I take from this scene, is that Drake’s loathing stems from Diana’s ability to get under his skin, to make him feel inferior – to annoy him. (Perhaps Holden had a similar talent). I’m going to assume that his prior hatred of her can be boiled down to his misogyny and his disgust at Caine’s weakness for her, both of which have been explicitly stated in the text. His hatred after this though, comes from a pretty mundane incident. I mean all she did was get there quicker, and do exactly what he was going to do to her. And so I think this loathing is less about what she did and more about his own personal reaction to it. Diana was able to weaponise Drake’s own anger against him – to make him feel inferior and powerless. She challenges Drake’s fragile perception of authority and takes a diagnosis that he seems to not only be ok with, but is actually proud of, and makes him feel embarrassed. His whole perception of power is rooted in the idea that his ability to inflict pain on others with no guilt or remorse is what makes him better, it is what gives him his power. But she takes this idea and belittles him for it and so his initial reaction is to attack. This is an idea that is again seen with Astrid. Astrid intentionally tries to make Drake feel inferior by bringing up his biggest insecurity, Diana’s treatment of him “Doesn’t it bother you that Diana treats you like some wild animal she keeps on a leash?” And she does escape him – twice. Her and her autistic brother (and we already know how Drake feels about autistic people). She also proves herself to be more intelligent than him, in their little argument over the r-slur. Drake only gets violent after he realises that, in an intellectual sense, she has more power than him. It seems to be his defence mechanism just as much as his pleasure – and therefore Astrid and Diana’s power over him motivates him to use it.

Now onto Caine. Caine and Drake’s relationship is, for me, one of the most interesting aspects of Drake’s character and while I’ll only be mentioning it in its capacity as a motivator here, I have a whole post planed out for it. Drake seems to simultaneously hate Caine and admire him. He is constantly looking to impress him and the only time we ever see Drake think about betraying him in this book is when Caine gives his attention to Diana rather than Drake. And, because of this, I can kind of understand why people ship them (although I personally dislike the idea of Drake being gay). A lot of the time this motivation is completely unprompted by Caine himself, like in these quotes:

“Drake cursed and, again, for just a moment, felt the almost desperate fear of failing Caine. He wasn’t worried about what Caine would do to him – after all, Caine needed him – but he knew if he failed to carry out Caine’s orders, Diana would laugh.” – Chapter 23

“I got him’ Drake announced. ‘I got them all.’ ‘Yes, you did,’ Caine said. ‘Good work, Drake.” – Chapter 34

In Chapter 23, it seems that both Drake’s need to impress Caine and his need to prove to himself that he is better than Diana are his main motivators for his extreme attack on Astrid. I think it’s important to note that he only planned on trying to catch her, until Caine told him to kill her. His sadistic nature is brought out in full because he needs to prove himself to Caine. But why does he?? If he is planning on taking over from Caine in the end, why does he have a “desperate fear of failing Caine”?? Sure, part of it is his desire to prove himself to be better than Diana. But even this has roots in his absolute need for Caine to take notice of him. Drake is drawn to Caine because of his power and authority over people. Caine seems to be the closest thing that Drake can get to an equal, someone who shares the same motivations, ambitions and worldview (of course Caine and Drake do not share these things, but Drake doesn’t realise this…yet.) He seeks validation from Caine because he wants to have these things in common with someone – yet another motivation for his hatred of Diana as she constantly gets in the way of this.

We also know that Caine is, at least, partly aware of his effect on Drake. He is paranoid that Drake will turn on him (because Caine sees being equal to someone as relinquishing power) and he is able to manipulate Drake’s misguided feelings when he wants to – most notably in Chapter 36:

“It’s not Diana or Chunk or even me,’ Caine said. ‘It’s none of us, Drake. It’s Sam. It’s Sam who did this to you, Drake. You want him to get away with it? Or do you want to live long enough to make him suffer?”

This is such a clever moments as it sets up Drake’s whole character in Hunger, and it’s false. Because yes, Sam is the one who burned Drake’s arm and Drake has every right and reason to hate him. But it was Caine who abandoned him to save himself. And it was Caine who refused to let Drake die, even though he was begging for it (and let’s face it, he didn’t refuse to kill him out of any affection – it was a selfish decision.) But Drake is so desperate for that equal, for that validation that his worldview is correct and is shared by another person, that he just idk forgets?? He never brings up this conversation again and just accepts Caine’s word as gospel. I have so much more to say about their relationship but, as I said, I’ll save it for a later post.

5.) DRAKE’S MENTAL STATE

And finally, we have Drake’s mental state. Now I’m not going to try and give him an official diagnosis or anything, but I wanted to make a small point specifically about his mental state after his maiming. I think we can all agree that what Drake went through was pretty horrific, and while I personally struggle to feel any amount of sympathy for him due his own list of horrific crimes, the change he goes through after this is extremely significant, or at least it’s supposed to be. I think mg wants us to believe that Drake’s descent into madness was directly cause by the loss of his arm, and that before that he did have the chance to be redeemed. I think whether you buy into this depends on how forgiving you are, but I want to focus more on the actual proof of change that we see.

I’ve already talked about the physical changes he goes through, and the implications of this so I’m going to focus solely on his mental state during and partly after the whole ordeal. I think the first and most important thing to talk about is the fact that Drake didn’t actually want to survive:

“Don’t cut off my arm,’ Drake cried. ‘Let me die. Just let me die. Shoot me.” – Chapter 36

He would rather die than lose his arm (his gun arm to be specific). Now, while I don’t doubt that the burning was indescribably painful, I’m still not sure that the majority of people would beg for death. Especially when an alternative (in this case losing his arm) is presented. Not to mention, he doesn’t actually talk about the pain when begging for his death – what he talks about is the loss of his arm. Of course it could be argued that the reason he didn’t want his arm to be cut off is because he knew it would mean more pain, but I don’t think that this is the case. Rather, I think that Drake is so scared of losing the power that he has, that he would genuinely rather die. This 14 year old boy is so messed up that his own death is preferable to the idea of no longer being able to hurt people. And so when he gets his power back, he doubles down. He has realised by this point what he truly wants, that he would rather die than be rendered powerless, so he begins committing more heinous acts (like attacking the prees). Pair this with the amount of pain that he went through, which most definitely will have had an effect on his already damaged brain, and you can see how a high-school bully became what he did. The groundwork for an interesting and though-provoking character was right here. I think yet again the problem with his character is the execution. Interesting aspects of his personality are dropped in favour of plot convenience and shock value and it cheapens his character as a whole until all the intended nuances are lost and over-shadowed.

I’m really sorry if this is a bit all over the place and not quite as polished as my other posts. I found Drake so difficult to write about and so my thoughts kept going haywire. Thank you so much for reading (and being patient with my brain). I hope you enjoy!!

#the gone series #Drake Merwin #character analysis #gone

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survivingthejungle · 5 years

Text

everybody wants to rule the world (caliban)

When Sabrina was 8 years old, her life got a little more unusual. Being a half witch raised by her two aunts and cousin (all full-blooded witches) in a mortuary was not a common experience for most children. But things became different when another cousin, from her mother's side of the family, came to live in the Spellman house. Her mother, Diana, had a brother, William; WIlliam married and had a daughter just two years before Sabrina was born. She was named Genevieve Sawyer, and she and her paternal cousin had been very close to one another their entire lives. When it was heard that William had been shot and that Genevieve's mother was not fit to parent, the girl's cousin and family immediately stepped up to take her in and be her legal guardians.

Despite Genevieve's unfortunate circumstances, she never lost her bright personality or kindness. She seemed to stick out like a sore thumb in the Spellman house from time to time, but it was a welcome change of pace for everyone who lived there. For the next eight years after she had gone to live with her cousins and aunts, she had grown into a compassionate, driven young lady. Growing with her were several pets she had acquired over the years. Genevieve had a special love for animals and so had adopted many. She had a spotted turtle named Tucker, whom she had rescued from getting run over by a truck one morning. She also had an orange tabby cat named Tex, a green budgie named Pico, and a blue pit bull terrier named Bambi. The latest addition to the family was an albino ball python, whom she was currently in the process of naming.

"Genevieve. I mean it this time," scolded her aunt Zelda. "No more pets. You have barely enough space for them all, and I won't allow any more of this."

"No more, aunt Zelda. I got it. This guy is the last," she affirmed, gesturing with the snake which was slithering over her shoulders and down her left arm. Her aunt shuddered.

"How you can allow that thing near you is beyond me."

"She's sweet!" she defended. "She's just curious."

"She stays in your room only. If I see a snake slithering about my house I won't hesitate to kill it."

"She won't go anywhere. Promise."

Once her aunt had finished scolding her and left her room, she turned her attention back to her new friend. "What do we call you, huh?" Genevieve said. She set the snake down on her bed and flipped on her record player against the wall to fill the silence, and an old Fleetwood Mac album started spinning. "Well," she said, "I have to take Bambi and Tex on a walk, so I guess we should put you in your tank, huh?" She moved the young albino to the mostly empty tank and placed the lid over it, promising, "I'll get you some decorations while I'm out." Then she put on a pair of socks, laced up her shoes, and grabbed two harnesses and leashes from the footboard of her bed, heading downstairs to find the only two of her pets that were mammals. "Morning, aunt Hilda," she greeted the small blonde woman.

"Oh, g'morning my love! Are you taking Tex and Bambi on a walk?"

"Yeah, once I find 'em." "Well you'll eat first, won't you?" She pointed to the table. "Some toast for you."

"You're the best," Genevieve said, sitting down to take a bite of it. The toast was covered with peanut butter and sliced bananas; simple, but a favorite of the girl's. She finished eating quickly and was off again in search of her cat and dog, finding them in the family room. Tex was lounging on the couch and Bambi had seemingly been banished by him, staring at the tabby from the ground. "You wanna go on a walk?" she said to them both, her voice increasing by about an octave. Bambi's ears perked up and her eyes widened; Tex hopped down from the couch and over to circle Genevieve's legs. "Hey auntie," she called into the kitchen, "Do you know where Beans went?"

"Yes," her aunt called back, "I believe she went to go see Harvey, Roz, and Theo?"

"Okay. Thank you!" She then strapped both of the harnesses onto Tex and Bambi and put them on their leashes, and then made their way outside to their usual walking route. About halfway through their walk she and her two companions made a detour to go to Harvey's garage, where Genevieve had guessed their band would be practicing and where her cousin had gone to find them. Heading around behind his house, she found the garage door unlocked and entered in to find the four of them seemingly discussing something important.

"'Vieve," Sabrina greeted as soon as she saw her cousin. "What's up?"

"I was walking Tex and Bambi," she responded, holding up the two leashes attached to both animals. "What's up with you?"

"Sabrina's trying to take us to Hell," Theo told her.

Genevieve's eyebrows raised and she went to take a seat on the couch closest to her. "Why?" she asked Sabrina.

"Nick." She said his name sadly; she knew her cousin missed him a lot and felt guiltier every day she left him trapped there. "I think I found a way to get him out."

"But, like… He's still…" Genevieve trailed off, not knowing how to formulate her thoughts exactly.

"Yes," she responded, knowing what the girl was getting at. "A flesh Acheron. But I might have a solution for that too."

—

Sabrina had brought the five of them through Dorian's portal to Hell with an incantation, where they landed on a cold, dark beach, coughing up the salt water that had gotten into their lungs. "Wait, so… Hell is a beach?" Harvey asked.

"The Shores of Sorrow," Sabrina whispered hauntingly.

Theo stood up and pointed out at the water. "Guys. Look. What are those?" There were tall wooden structures standing above the waves, and from them came pained groans and wails. Hands were reaching out, desperate to grab whatever would come close to them.

"They're the souls of the damned," called a deep, unfamiliar voice. The group turned their heads to look for the source, and saw a large sandcastle and someone walking out from behind it. He had blond hair and was wearing a flowing white shirt that he had left unbuttoned. "They drown as the tide rolls in. Over, and over," he said, looking out at them, "For all eternity."

"Bummer," Genevieve whispered to Roz.

"Hi," Sabrina greeted him as the group approached him. "We're looking for Lilith." He didn't respond. "Uh, Madame Satan? S-Queen of Hell?" The boy looked pointedly at her, on the verge of a smirk. "She's in Pandemonium, if you happen to know the way." He turned his head and pointed left. Sharp jaw, Genevieve thought.

"All blood flows to Pandemonium." Sure enough, there was a large rock through which blood was flowing, that seemed to turn into a path further up the beach. "Follow the blood-red road where it flows, and there you'll find the throne of Hell," he instructed, still pointing.

"Thanks," Sabrina said. He pushed his hair back from the wind blowing on the beach, smirk still present. What does he know that we don't? her cousin wondered. "And you are?"

He seemed as if he were about to respond, but decided against it. "Never step off the road," he advised. He looked at their feet then. "It's clever you're wearing dead men's shoes. Though… any demon worth his salt can smell mortal flesh a mile away."

Genevieve's brows furrowed. "Ew." The boy glanced at her and then turned back to his project.

"Come on," Sabrina said, "Let's go." The four trailed behind her, but Genevieve stayed still for a moment. "Hey! I like your sandcastle," she called to the boy. He looked back at her, intrigued. "Bye!" she waved. He lifted a hand in return, and she was on her way.

—

The journey through hell had been… adventurous, to say the least. Between the field of crucified people beating eaten by crows, to the forest with a magical flower and a bloodthirsty tin man, to a horrific mock-high school classroom, Genevieve and the others were exhausted, scared, and ready to go back to earth. After being rescued by Lilith's helper, a man dressed in a bellhop's outfit and being seated at some hellish feast, she and Sabrina began a conversation about getting Nick out of Hell and taking care of Theo's uncle's soul as well. The Infernal Kings weren't recognizing Lilith's newfound authority, so she struck a deal with Sabrina- the throne for her boyfriend and her friend's uncle. Sabrina, of course, agreed, and the process had begun.

—

"Infernal court, I bid you welcome," Lilith greeted from the throne. The three demonic kings stood before her in wait. "The city of Pandemonium has an honored guest. May I present to the hordes, Sabrina Morningstar, daughter of Lucifer Morningstar." Sabrina walked to stand next to the woman and looked around the throne room. "In his absence, she has come to officially declare me Queen of Hell. Isn't that right, Sabrina?"

"Yes, that's right," she told them.

"This is treason! Heresy!" the Kings protested. "Lilith is a concubine, not a queen. We do not recognize her. She was Lucifer's whore. The realms are in chaos, and the Earth, the Pit, the Heavens, the Cosmos, they all reject Lilith's claim to the throne."

"And who do you propose would rule?" she shot back.

That was the million dollar question, it seemed, because the Kings got a nefarious look in their eyes. "All hail Caliban, Prince of Hell. Molded from the clay of the Pit itself, native son of the inferno, born to restore and rule our dark domain!"

"Hello again," said the supposed Prince Caliban, in yet another open top. He maintained the smug look on his face that he was wearing at their last encounter.

"Uh, hi?" Sabrina said, mildly confused.

"What is this?" Lilith questioned. "This is salvation," he told her. "Since the Dark Lord's desertion, the Nine Circles of Hell have been breaking down. I, Caliban, will restore stability and do what Lucifer failed to do… conquer the earth. Remake it as our Tenth Circle, and enslave the tribes of mortal and witch."

Before anyone else could get a word in edgewise, Genevieve spoke up. "No? You most certainly will not!" she said. He raised his eyebrows at her. "Dude. You're… you're not even a real person." Her brow furrowed. "Someone gets one good blast with a hairdryer and what happens? You dry up and crack?"

"I'm afraid that's not how it works, darling." He stepped closer. "Though you are clever for that." Yet another smirk. Smug bastard. Closer. And closer.

She glared at him. "Thanks," she deadpanned.

"You are pretty, for a mortal," he said to her. "Maybe I'll have mercy on you." He lifted a hand to beside her face and toyed with a strand of hair that had fallen out of her braid.

"Don't touch me." She slapped his hand away, and he stepped back. Sabrina and Lilith had been whispering to each other from the moment that Caliban revealed his plan. But now, she was seemingly comatic; her eyes and Nick's were both glazed over in red and they were both catatonic. But when her senses came back and her eyes returned to normal, she had adopted a newfound confidence. "No, we won't," she said to Lilith. "I am Sabrina Morningstar," she announced to the hordes, "And that throne is mine. By blood, and by birth."

"Here we go again," Harvey muttered. Genevieve chuckled.

"Yours to give me, you mean," Lilith interjected.

"No. Mine. To claim." She sat on the throne herself, and her cousin had to admit that she looked rather regal.

"We do not accept this!" the Kings argued. "The witch lives on Earth. She cannot possibly rule Hell."

"You've obviously never been to high school."

"You are a child, not a queen," another King shot.

"I am a young woman." Right on, her cousin thought.

"You cannot fulfill your father's duties." "I can," she insisted, looking at Lilith. "With Lilith as my advisor." "What?" "Isn't that what kings and queens do when they're too young to rule?" she argued. "They appoint a…" "Regent," Lilith offered. "Yes. As a matter of fact, yes." "Then you, Lilith, are my regent."

"I dispute this." Caliban, of course.

"Okay, Dirt-Man," Genevieve said. She had begun to harbor a deeply personal sense of loathing for him, especially because of how he disrespected her cousin's authority and was a raging narcissist.

After an attempted challenge for the crown, Sabrina dismissed the court and he and his clique left Pandemonium. She and the rest of the group, along with Nick and his tongue, followed Dorian's instructions and used the flower and the incantation to return home.

—

Sabrina had royally fucked up— no pun intended. After fumbling her first soul retrieval and getting locked in an industrial freezer by her second, she was beginning to lose hope. And she was running out of time. While Lilith was out searching for the wayward queen, the clay prince decided to go on his own adventure.

—

Genevieve was occupied in her cozy, bright room when a gust of spiraling flames interrupted her peace. She had been lying in her bed, reading a book and accompanied by all of her pets (which was a rare occurrence). Pico had nestled onto Tuck's shell and they were both napping. Bambi was curled up against her side and Tex at her feet, and the new snake— whose name, she decided, was Rhiannon— was also curled at the end of the bed. "Quite the companions you've got," he spoke deeply, disturbing the silence. "You!" she said, sitting up and starting all but the python. "What are you doing in my room?" she asked, exasperated.

"Here to see you, of course," he told her, sitting down on the edge of her bed. Genevieve

was still perplexed.

"...Why?"

"You amuse me, mortal. And you've caught my eye. Your friend may be the Queen of Hell—"

"Cousin," she corrected.

"Your cousin may be Queen, but it's you who's really captured my attention."

"I… Okay," she responded, brows furrowed.

"No one's ever spoken to me as boldly as you have. Especially for a mortal. If I wanted to punish you, in fact, it would be well within my rights. Even your cousin could not do anything about it; laws in Hell differ than on Earth."

"So, what. You're here to kill me? Because I threatened your ego?" Genevieve rolled her eyes and got up, Bambi following after her. She grabbed Rhiannon and carried her over to her tank, flipping the switch for her heater and closing the lid. She then grabbed Tuck, as gently as possible to allow him to keep napping, and put him in his tank as well.

"Of course not," he chuckled. "You're much too interesting. It would be a shame for your potential to go to waste." "Potential," she said, disinterested. Walking to her door, she slipped on a pair of shoes that sat against the wall. "For?"

"For you to align with me. You may not like me much now, but I'm sure you'll grow to."

"For me… I'm sorry, what? You expect me to betray my cousin for someone who wants to literally enslave my people and take over the Earth?" He said nothing. "No!" she waved her hand at him, signaling for him to leave. "Be gone. Or... whatever you say to banish demons." She left her room and headed down the hallway and to the stairs, but Caliban was not far behind. Neither was Bambi.

She made a pit stop in the kitchen to make herself a sandwich before she left the house. "Do you think me unreasonable?" Caliban asked, leaning against the counter while she worked.

"Well, yeah. Actually I do."

He grabbed her hand before she could continue. Making sure to never break eye contact, he pleaded, "Please. Let me prove you wrong." She pulled her hand away.

"Why are you so dead set on this?" she groaned. "I said no!" A frustrated laugh left her lips.

"I'll make you a deal," he pressed. She returned her attention to her sandwich and refused to look at him. "Submit to me, and I will abandon my plan to enslave the tribes of Earth." Still, silence. Genevieve pretended that he wasn't even there anymore, slipping Bambi a piece of turkey in between the two of them. Once again, Caliban brought his hand up and grabbed her chin; she couldn't turn away.

"You won't get the chance," she spat. "My cousin is the Queen. Your plan will never happen." He opened his mouth to argue, but in a split second, decided against it.

"If that's truly how you feel, then I concede. But know my offer still stands." Genevieve shrugged, straight-faced, unsure how to respond.

"Will you leave now? I have somewhere to be," she told him, putting her sandwich in a baggie and walking to the kitchen table where a backpack was hanging off the back of a chair.

"Will the lady allow me to escort her?" he countered. She threw her food, a water bottle, and a sports drink into the bag as she considered it.

"Fine, I guess." She slung the backpack over her shoulder before kneeling down to scratch and kiss Bambi's head. "Bye, Bambi!" she said, her voice having gone up at least an octave. The blue pit thumped her tail and opened her mouth in a typical pit bull smile. Without a word, she stood up and passed Caliban to go retrieve her sneakers which were sitting by the front door. He followed, attentive to her every move. She locked the door behind her on her way out and began walking into town.

"Where are you headed to?" he asked her.

"The gym. I coach junior high volleyball."

"Is that a mortal sport?"

"Yeah. I played for a long time."

"Why did you stop?"

Genevieve stayed silent for a beat. "When I was still in high school, a few colleges wanted to recruit me for their teams. I would have gone to any of them, but…"

"But what?" "Well, I don't really know what I want to do with my life. I didn't want to just up and leave my family with no plan. So after I graduated this spring, I decided to take a gap year to figure out what I want to do."

"Have you figured it out yet?" he asked. His tone seemed genuinely interested.

She stayed quiet for a while longer. "No," Genevieve admitted, dejectedly.

"Maybe you should work with animals," Caliban offered. "Really? Why?"

"You seem to like them enough, you've got several as pets."

"Yeah, that's fair. But I don't think I could ever be a vet," she claimed.

"Then don't. Try something else."

"Like what?"

"You're the mortal here, not me," he chuckled. "You know more about your options than I do." Genevieve let out a little laugh as well. "Think about it," he advised her.

"I will. Thank you, Caliban."

—

Sabrina didn't return home until well past midnight. As she walked through the front door and quietly closed it, her cousin broke her silence from the stairs. "Where you been, Beans?"

Sabrina nearly jumped, startled. "I was— Oh, Aunties," she muttered, finally facing all three of them.

"Well, do you care to explain yourself?" Zelda questioned. Sabrina glanced at Genevieve, who was leaning over the top of the banister and mouthed I didn't say anything.

"Oh, I'm sorry I missed your first day at the Academy," she apologized. "I had this prob-"

"How many secrets are you keeping from us?" Zelda interrupted.

Hilda piped up in typical good-cop fashion. "You didn't happen to go to Hell, bring back your father, the Dark Lord, and stick him in the bowels of the Academy without telling us, did you?"

"Putting what's left of the coven, not to mention the entire world, in grave peril, just so you can see your boyfriend."

"That's not why I did it," Sabrina argued.

"Oh, God. Here we go again," Genevieve muttered as Tex jumped up onto the bannister beside her. She gave his head an absent-minded scratch as she watched the scene unfold.

"Oh, I know why you did it. Cassius delivered a stack of books with rituals about soul transference… I thought the Dark Lord was bad. I thought he was dangerous, but Lilith preserve up from his demented, lovesick daughter."

"Aunt Zelda!" Genevieve shouted. "That was so uncalled for!"

"I couldn't just leave Nick in Hell!" Sabrina defended herself. "Every second he was down there, he was in torment. Aunties, every second he was in pain."

"We know, darling," Hilda tried to comfort.

"And it's my fault." Her cousin began to tear up with the thought of Nick's suffering. "He did it for me. I couldn't just… wash my hands of him." Hilda stepped off of the stairs and went to Sabrina to try to comfort her. "I owed it to Nick to at least try and get Lucifer out of his body and into someone else's."

Zelda had begun to abandon her condemnation of Sabrina's actions, instead demanding that she come up with a well thought-out plan. "Whose? Where do you expect to find another vessel strong enough to withstand being turned into a flesh Acheron for the Devil himself?"

In a moment of perfect timing, Ambrose and Prudence appeared in the front hallway with a raggedy, bearded man at their feet. "Aunties," he greeted. "I'm home." It was evident in his tone and lack of breath that he was exhausted. "Any chance of a cuppa?"

Genevieve went downstairs and followed her cousin and Prudence into the kitchen. 'Whatcha want, 'Bose?"

"Something to help me sleep, finally," he rasped. "Thank you, cousin." (They weren't really cousins, but it was how they had referred to each other since Genevieve had come to live with them those 8 years ago.)

"You too?" she asked Prudence. "Yes, please."

—

The next night, Sabrina returned home and immediately headed to Genevieve's room to de-stress from her arduous day. "That jerk Caliban challenged me for the throne," she sighed, laying down on Genevieve's bed. "Again. Legally, this time. And I had to accept it."

Her cousin took a deep breath. "Wow. He's really not letting it go, huh?"

"No. I wish he would, though."

"Well, what was the challenge? What do you have to do?"

"We're both supposed to search for the Unholy Regalia. It's a Hell thing," she explained at Genevieve's confusion. "The first item is Herod's Crown."

"H- King Herod? Like 'kill the babies' Herod?"

"That's the one."

"Jesus," Genevieve exhaled. "...No pun intended." She had been sitting on the floor with Rhiannon, watching as she explored the room, but stood up to sit next to her cousin. "Beans, you've got a lot on your plate right now. Are you sure you're gonna be okay?"

Sabrina considered her question for a moment. "No. Actually, I'm not sure. But I have to do this." She shut her eyes tight for a few seconds before opening them again and sitting upright. "And I have so much homework on top of this."

"You know what? I don't have anything to do tonight. You go to bed, I'll do your homework tonight." Sabrina smiled softly at her cousin.

"Vieve, you don't have to do that—"

"I know. But I want to. You need to rest. Besides," Genevieve said, "I already got through all of those classes once. I can do a few assignments tonight."

—

It was about eleven o'clock that same night and Genevieve was on a productive streak- in terms of getting her cousin's homework taken care of. She had advised Sabrina to talk to Ambrose the following day about looking for the crown and, subsequently, the rest of the regalia. In the midst of her focus, a gust of heat hit her and she could sense a presence in her room. She didn't even bother to turn around from her desk. "Go away, Caliban."

"I take it you've heard about my challenge, then?"

Genevieve set her pencil down and stared at him. "Do you have any idea the shit Sabrina's been going through, lately? I know you don't care, because all you want is power, but she's an actual person with other responsibilities and an entire life that she's dealing with on a daily basis. You're made of clay and you're from Hell, I get it, you must not have any sense of empathy, but this is taking a toll on everyone. You are such a raging narcissist." Caliban's smirk had dissipated by now. "Get out of my house, Caliban. I'm busy."

"You're wrong," he said. He was uncharacteristically quiet. "I can be empathetic." He sat down on the edge of Genevieve's bed, and Tex had allowed him to pet his head. "I do have emotions."

"Showing them from time to time might do you good." He said nothing, focusing his attention entirely on Tex rather than making eye contact with Genevieve. "Why are you here?" she asked, adopting a gentler tone. She felt as if she had been hard enough on him to get her point across. "Don't you have a crown to find, or something?"

"I've not yet located it. I was wondering if you've considered my offer?"

"Of course not," she scoffed. "I don't think you're gonna win. Beans may be busy, but she's smart. And talented."

"Well, she is the Dark Lord's daughter."

"Regardless. No, I haven't considered it. Is that all?"

"I hear there's a carnival in town."

Her brows furrowed momentarily. "What do you care?"

"Would it please the lady to accompany me? Tomorrow night?"

Genevieve went stiff like a deer in headlights. "Um… sure, okay. I guess?"

"You seem confused," he observed.

"Yeah, I- I am. A little. Surprised. Why do you wanna go to the carnival?"

"Is this not how mortals court each other?" he asked, standing up to lean against the desk she had been working at. He seemed his usual self again, another smirk crossing his face. "Or would you rather skip the formalities?" He winked, grinning down at her. Though she was still sitting, it was obvious that he was taller than she was.

She scoffed lightly. "Fine. I will go to the carnival with you tomorrow," Genevieve conceded. "Are you done now?"

"Are you sure you wouldn't have me spend the night?" he teased.

"Don't push it, Dirt-Man."

"As you wish," he told her, and threw his arms up, creating a vortex of fire and returning to the pits of hell.

—

Genevieve finally retired to bed at about quarter till 1 in the morning. Rhiannon was cozy in her tank and Tuck was in his; Pico was sleeping in his cage and Tex was curled up at the foot of her bed. Bambi was laying with her back to Genevieve's, but the blue pit had been awoken by a sudden presence appearing in the room. In the dark, Caliban had returned once more to the girl, this time having astral projected. Bambi's head stuck up, sniffing at him. He put his finger up to his lips and whispered to the dog, "Shh." Bambi was convinced and went back to sleep, leaving the boy to himself. He walked around until he was facing her, and he knelt down at her bedside. He rested his head on one arm while his other hand brushed some stray hairs away from her face. She looked so peaceful he was almost afraid to touch her. "Sleep well, darling girl," he whispered. "And forgive me for what I must do." Without another word, he kissed her forehead and promptly returned to his physical body in Hell.

#caliban #prince caliban #caos #caos pt 3 #sam corlett #caliban imagine #prince caliban imagine #caliban x reader #prince caliban x reader #caliban x oc #prince caliban x oc #chilling adventures of sabrina

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julie-streep · 4 years

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Weekend at Birkhall

Chapter 3

Scotland, spring 1987

The two lovers spent the rest of the evening in bed taking pleasure in each other, kissing, caressing, talking and smiling like the two very happy people they always were when they were together. Camilla had her head resting on Charles' chest, her hand caressing his side and his stomach, while Charles had one hand firmly placed on her bottom while the other caressed her arm softly.

"I could spend all my life, like this, with you" - Charles kissed Camilla softly on her lips, looking at her as if she was the most precious thing on earth, and she was to him, the most valuable person in his life.

"I could too, darling" - Camilla smiled content.

"Life isn't fair, why can we just be together? We love each other and that should be enough for people, it should be enough for my family. They have their precious heirs now, they could at least let me be happy" - Charles smiled faded suddenly, he looked desperate, all he wanted was to spend the rest of his life with the woman he loved, he was tired of pretending to love someone else, tired of pretending his marriage was working, tired of putting on a smile during engagements just so the tabloids would be happy.

"I know darling, but it is complicate, we are both married and you are the heir to the throne. And everyone love your young, beautiful wife" - Camilla stroked his cheek gently, she knew how he felt, she felt the same, if she was honest with herself, but she also knew that no one will ever accept their relationship and she did not want for Charles to risk his position just for her, to risk everything he has worked for his entire life.

"They would love her less if they really knew her, if they knew how she is behind closed door. They will accept us if they knew how much we loved each other, how much we made each other happy. Can I help it if I love you and not her?" - Charles looked sad and hopeless, all he wanted was to live his life in the open with the only woman he ever loved, he wanted to divorce, to end that awful imitation of a marriage. No one was happy, not him, not Diana, so why his family would not allow him to decide about his life? .

“Darling, I know this is not what you want and I would love to spend all my time with you, but it is not possible” - she paused looking at the love of her life with gentle eyes.

“We are together, we love each other and none of this is your fault. Please don’t be sad when we are together, let enjoy the time we have together, let cherish what we have” - Camilla smiled, Charles have always been a romantic, a dreamer and she knew how much he was suffering in this situation. He had a tough and lonely job and he needed someone by his side, someone to support him, to encourage him, someone who would never abandon him and never make him feel inadequate, someone who would be there for him everyday with love and a smile to brighten his life. Camilla was aware that Diana could never be the woman he needed, she too was insecure and needed too much attention and wasn’t willing to let her husband shine in the spotlight, but Camilla was realistic and she knew that she would never be able to support him as she wished, because the situation was too complicate and she was not marriage material. She was just a mistress and the public, as well as his family will never prefer her, they will always stood up for Diana and she did not want to be humiliated and attacked, she wanted Charles to be happy, but they could never be together. Charles sighed, he sat up in the bed and looked at Camilla.

“Sometimes I wish I was normal, just Charles and not the Prince of Wales” - Charles had always looked at his role as an opportunity to help people, to do something important and great and as his family had taught him he had always put duty before everything, before his passions, before his desire and before his love, but now things were starting to be unbearable and he just wished he could be himself and live his life as a free man, free to love who he wanted without having to hide or lie about it. He did not like the situation and he knew Camilla did not like it either, but they could not live without the other, they tried, they really did, tried to be just friends, tried to make their marriages work and tried to be happy without the other, but they couldn’t and he was tired of putting duty before everything, he just wanted to be happy, he just wanted to be with Camilla.

“I love you, Camilla, you are the only one that I want”

“I know darling and I am yours. I love you my favorite prince” - Camilla then kissed Charles so deeply and with so much passion that he forgot everything he was talking about and everything that was worrying him. He forgot that in few hours he would have to say goodbye to the woman he loved, that he would have to say goodbye to his heart, because she always took it with her every time they have to part.

That evening the two lovers went hand in hand to the front door of the house, they looked sad because they had to say goodbye, Camilla was going back home while Charles would stay a couple of more days in Scotland for some engagements. They went to Camilla's car and looked each other in the eyes, for a while they just stayed there without saying a word, their eyes talked for them, they said to the other everything that was too difficult and painful to say with words, until Charles finally broke the silence.

"This is always the worst part" - Charles sighed and stroked her cheek gently, smiling sadly, he did not want to say goodbye, he did not want her to leave, he never wanted her to leave.

"I know my darling, but we will soon find another weekend to be together" - Camilla tried to stay positive, but it was always hard for her too, saying goodbye was always hard for both of them, she did not want to go, she wanted to stay with Charles always and forever, but she knew she couldn't. Charles nodded not very convinced, he knew they would not be able to see each other for weeks and he did not want to think about how much time will have to pass until they could have another entire weekend together.

"I love you, my darling, please never forget that" - Charles said kissing Camilla softly on the lips not wanting to let go of her, he then hugged her inhaling her scent, he hugged her tightly savoring his last minutes with her. Finally he looked back into her beautiful blue eyes and smiled.

"Goodbye darling" - Camilla kissed Charles one last time, smiled at him, entered the car and started the engine. Charles waved one last goodbye before Camilla's car disappeared from his view, but after few minutes Charles was still there looking where the car had disappeared with a tear running down his cheek, one day, he thought, one day they will be rightfully together, one day they would not have to say goodbye so often, one day he would be happy everyday of his life with Camilla and not only on those stolen moment.

English is not my native language, sorry for the errors.

#charles and camilla #c and c #camilla #charles #duchess of cornwall #prince of wales #fanfiction #fanfic #royal fandom #royal family #british royal fandom #prince charles #duchess camilla #love #weekend at birkhall

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charliejrogers · 4 years

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Wonder Woman 1984 (2020) - Review & Analysis

Here’s a non-controversial statement: 2017’s Wonder Woman is a legitimately great film (if you discount the last act’s boring battle). A fun, yet emotional anti-war tale with a great period aesthetic. What elevated it from greatness was its starkly bleak reveal that Ares does not start man’s wars, but he merely gives humans ideas for how to instigate them. Ultimately, it is Man who holds responsibility for our own destruction, and despite this Wonder Woman still chooses to help us poor creatures. Cool themes, cool hero, cool movie.

Wonder Woman 1984 shares the main character from its 2017 forerunner, as well as its dedication to recreating a particular period aesthetic (here the 1980s), but the brilliant writing from the first film is gone. The main themes are essentially… “be careful what you wish for” and “winners never cheat; cheaters never win.” Not the most grand and interesting follow-up to the prior film’s genuine insight into human nature.

But that’s OK. I’m really not sure why this movie is getting so much flak online. If DC’s recent prior history with filmmaking should have taught us anything, it’s that 2017’s Wonder Woman was a fluke. Remember that this is the same studio that brought us the outstanding climax to Batman vs. Superman where one grown man learns that another grown man’s mother is also named Martha. Oh, and did we all just forget that Justice League is one of the worst movies we have all collectively ever seen?

So let’s not be too hard on WW84 for not meeting the quality of 2017’s Wonder Woman. Few comic book movies can. In the more fair comparison to other movies in the DCEU, it sits below Shazam! and Aquaman, and just a smidge below Birds of Prey, but certainly above Suicide Squad, and then literally leaps and bounds over every other movie they’ve made.

Let’s start with the good. Honestly, despite my gripes about the themes of the movie not being very profound, I found the story to be interesting. The movie centers around Diana Prince (Gal Gadot in her role as an archaeologist for the Smithsonian and not as Wonder Woman) stumbling upon an ancient stone whose inscription invites people who hold the stone to make a wish. No one takes it really seriously at first, so two people make wishes without thinking they could come true. The first person is Diana herself who wishes to bring her boyfriend (whom she only knew for about a week, mind you) from the dead. As a reminder from the first film, her boyfriend Steve Trevor (Chris Pine) had died nearly 70 years prior to the start of this film in a dramatic, sacrificial, world-saving act. Apparently, Diana hasn’t moved on at all from the 1910s and still considers her short-time lover to be her forever lover. She’s not really a human and did not grow up a human, so I think we can forgive her for not moving on… but it is weird to imagine that Diana somehow works at the Smithsonian (without going to college? Or did she?) without developing any friends or interest in life. Wouldn’t she have moved on... like a little bit?

Anyways, she wants her boyfriend back, and that’s wish #1. Wish #2 comes from new character Barbara Minerva (Kristen Wiig… who I am shocked to find is 47 years old! She looks fantastic and far younger in this film). Were Barbara a man, the way she is treated by her colleagues would put them in the stereotypical role of a future school shooter. Barbara is a brilliant gemologist for the Smithsonian, but goes completely unrecognized for her brilliance. She is shy and unconfident, and subsequently people frequently forget that they have even met her. Add on to that the fact that she has to work in the same office as Wonder Woman, and her loneliness and subjective feelings of unattractiveness increase as male employees drool over Diana while they ignore and mock Barbara. Therefore, we would forgive her for having a chip on her shoulder. Yet, for all this, Wiig avoids playing her as an angry, emo goth. Barbara kinda has this air about her of “Well, this is just how life is, and there’s nothing I can do to change that.” Given the character’s lack of self-confidence and lack of social grace, it at times seemed like Wiig was just reprising her old SNL character, Penelope, the socially awkward one-upper. But that’s not fair to her character. Wiig portrays Barbara with an earnest goodness to her. She’s one of those people who when allowed to talk one-on-one proves to be more eloquent and interesting than you could have imagine. Far from being angrily envious of Diana’s confidence and beauty, she’s more sadly jealous. Naturally, then, she wishes on the stone to be more like Diana… unaware that this wish might have some unintended benefits.

But then, there’s a third key character to the film (and a third wishmaker), the main villain Maxwell Lord (Pedro Pascal). I cannot tell you if this was a good character or not… and I cannot tell you whether the imperfections of the character are more due to the film’s writing or Pascal’s performance. Lord is another loser, and like Barbara, his “loser” status is the result of being a victim of America’s prejudicial attitudes. But whereas Barbara fell victim to sexism, Lord falls victim to racism. Hispanic in origin, Lord grew up in America with an abusive father at home and racist classmates at school. Beaten down from an early age, all he wants in life is to make a name for himself, to prove he’s not a loser. In a clever twist, Lord (the person who originally ordered the wish stone to come to America before it was confiscated by the FBI and sent to the Smithsonian for analysis) does not simply use the stone to wish for riches and power… he wishes to BECOME the stone. That way, he can get nearly infinite wishes so long as he can con the people around him to wish things for him.

The scenes of Max Lord as a flawed human who just wants to not be a loser show Pascal giving a great performance as a human being at the ends of desperation. The scenes of Max Lord the supervillain are… not good. In a long string of over-the-top, eccentric, hyperconfident supervillains in countless superhero movies, Pascal’s Lord is just not interesting. In fact, he is literally a weak character. He cannot fight for himself as his body is crumbling (a side effect of wishing to become a stone). Furthermore, his initially grounded motivations to finally be respected and successful seem to be just utterly lost by the end of the film when he just wishes for world chaos… only then to turn around and declare undying love for his son. It doesn’t make a whole lot of sense.

Failure to understand a character’s motivations casts a shadow over Barbara’s character arc as well. It is explained that the wish stone takes something in return for granting someone their wish. So as payment for bringing Steve Trevor back to life, Diana loses some of her strength. Still… this strains to fully explain why Barbara, after gaining Wonder Woman-like strength, turns into a walking humanoid cheetah (complete with bad CGI like she walked straight out of the cast of 2019’s Cats.) Like I get that she lost some of her humanity and morality in exchange for strength… but Cheetah girl seems like a little much. And though initially it is fun to see Wiig get to play Barbara as a confident and sexy woman who fights back against the patriarchy, the movie (I think) unfairly pushes her into the villain role. In my opinion, she should be treated as a tragic character, something akin to a Harvey Dent in The Dark Knight, as her villainous tendencies are not really her fault. She literally had the part of her that cares about other humans taken away from her when she naively and innocently wished to be like Diana. Instead, the movie has Diana lecture her that she shouldn’t be so evil. She literally can’t, lady! Stop being so hard on her! In any case, it seems like a failed opportunity to generate sympathy for a genuinely likable character who tragically becomes a villain not through her own accord.

That failure to create genuine emotions extends to Diana’s story as well. As soon as Steve is resurrected, you know by the movie’s end he will be dead again. There’s no other way this movie ends. Yet, the fact that Diana is so stubborn in refusing to give up Steve makes it hard to sympathize with her. She is simply being selfish, making her eventual decision to say goodbye to Steve feel more like her finally doing the right (and obvious) thing, and not some heartbreaking decision. Also the fact that seemingly Diana hasn’t even tried to move on in the last seventy years doesn’t help matters for me: it more just feels like a lazy way to write in Chris Pine’s popular character into the second movie. The move certainly weakens the idea of Diana as a strong, independent woman by making her emotionally stunted and crippled for the last 70 years. It would have been a much more satisfying (and daring) choice if Diana had moved on from Steve emotionally and had to deal with the guilt of having brought him back by accident, particularly if he didn’t want to go back to being dead. Instead... Steve knows he has to go back and Diana feels no guilt keeping him around. It’s weak character writing.

These poor choices I contrast with two of my favorite TV shows that demonstrate perfectly how former lovers who miraculously reunite eventually have to say goodbye for good: Buffy the Vampire Slayer and Jane the Virgin. For risk of spoilers to those still watching Jane, I’ll stick to the Buffy example. There’s an episode of Buffy (though technically an episode of the spin-off show Angel) where Buffy and her vampire lover Angel are fresh off their recent and tumultuous break-up, but through some dark magic that neither seeks out, they are given the opportunity to live a life where Angel isn’t actually a vampire and their love can be fully expressed. Yet, in the end, Angel opts to give up his life as a human and return to being a vampire. The choice is so moving precisely because (due to circumstances I cannot begin to explain) in choosing to give up his life with Buffy, he saves her life as well. Whereas in this movie, Diana choosing to let Steve go is really just her choosing to undo her choice to essentially cheat death. Angel, however, is actively choosing to give up a life of happiness he never wished for but was just given on a silver platter, and will now live in a world where his lover will never know his selfless act and will go on hating him. It’s heartbreaking in a way Wonder Woman dreams it could be.

And not to get too Buffy-heavy… but that show also deals with the emotional consequences of being ripped out of the afterlife much better than this movie. Steve just kinda unrealistically adapts to being alive again in all of five minutes. If, perhaps, from the start he questioned why he was there and hinted to Diana that something was wrong, the emotional aspect of this story, the doomed nature, the feeling of “this is the last chance we’ll have together” could have made this a stronger movie. I wanted to find myself crying when Diana finally says bye to Steve, and I was no where close to that. Gal Gadot shares at least part of the blame. She’s a pretty wooden actress. It’s something I noticed in 2017’s Wonder Woman, but in that movie she was supposed to be a fish out of water so her stilted presence seemed appropriate. Here, where she’s supposedly become an assimilated American for 70 years… it is just bad acting.

Anyways, another aspect of this film that was lacking were the visuals. The bad CGI of Barbara as Cheetah is just scratching the surface here. The opening flashback to Diana as a girl performing in the Amazonian Olympics just… looks fake. I don’t know. The reliance on CGI over practical effects is clear and distracting. It’s only worse in the subsequent scene where Wonder Woman stops a theft from occurring in a mall. The effects are just bad. Like passable for a film in the 1990s or early 2000s. But for a 2020 blockbuster, it’s noticeably bad. And already the scene where Wonder Woman is running towards the camera with a weird green screen behind her seems to have become a meme given just how weird it looks.

And yet, for all the negatives I’ve listed, this is a decent action flick. There’s even some nice set pieces like the one in the White House. As little as I liked Max Lord as a supervillain, I found figuring out the other half of each of his various Monkey Paw wishes (i.e. the downside of each wish) to be clever. unfortunately, each of the main three characters fails to have a story line that takes full advantage of their emotional potential, or they are just poorly acted. With few exceptions, the film eschews “fun” in favor of “seriousness.” Really the only exception is, as in the first film, the chemistry between Pine and Gadot. Their chemistry makes for some of the movie’s best moments, like when Wonder Woman makes the plane they’re flying in invisible and the pair flies over fireworks on the fourth of July. But that sense of whimsy in their scenes is largely absent from the rest of the film. This is particularly true of the action sequences, especially those at the climax. The seriousness makes them rather boring. Really, I’m comparing these action scenes with the last half hour or so of Birds of Prey which really set the bar for superhero movie fight choreography. So in the end, it’s overall an OK movie. It certainly isn’t as bad as others make it out to be, but I cannot believe I’m saying this… in 2020 if you’re in the mood for a fun superhero movie, you’re better off with the Suicide Squad sequel than the Wonder Woman sequel.

**/ (Two and a half stars out of 4)

#wonder woman #ww84 #wonder woman 1984 #gal gadot #patty jenkins #chris pine #kristen wiig #pedro pascal

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autistic-stedebonnet · 4 years

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3x07

•••

3x08

In which Gilbert realizes that Anne’s drunk rambling is not in fact, a no.

Gilbert’s words repeated in Anne’s swirling head, over and over again.

How dare he! How dare he approach her in such a state and tell her to ask him to stay?! She could never do such a thing, why didn’t he understand that? She wasn’t so selfish as to tear him from his dreams and a life that would make him truly happy, just for her own satisfaction. She tried to convey this to him, but with the alcohol coursing through her veins, and the rage and sorrow pounding at her heart, her words came out jumbled and mostly incoherent.

His eyes, a warm honey color in the firelight, searched her face for the answer that he so desperately wanted. Anne had never seen him so vulnerable, but oh how she hated him! She could vaguely hear the girls’ voices, high-pitched and giggly, calling for her, as if they didn’t see the boy sitting beside her. For a moment she resented them for not seeing that she was busy. But did she even want to talk to him? What was she supposed to say? She watched in anger and desperation as he walked from the ruins, lingering for a moment, giving her one more chance. But she was already plunged deep into her thoughts, the vision of the bonfire and her friends even more blurred than they had been before. Her heart sank as the moonshine began to wear off, and she realized that that was probably her last and only chance. Gilbert was going to propose to Winifred and pursue the life that he deserved. And she’d always be plain Anne, a fading memory, a fleeting crush, a simple, stupid Avonlea girl. But wasn’t that what she wanted? For him to be happy? Of course, but she wondered if it was worth breaking her own heart.

•

After waking up to the terrible thing of her dream of Gilbert being cut short, Anne lay out on the hay bales in dismay,gazing up at the barn roof as if it would give her the answers she wanted. Half of her was running through her plan in which to speak to Aunt Jo without breaking out in tears over seeing Diana, and the other half was berating Gilbert. Stupid Gilbert. She fought back tears as she clutched at handfuls of hay, hoping it could serve to ground her, and only plunging further into the abyss. She had always read of heartbreak, but thought it to be simply metaphorical. But how could the anguish splitting through her chest be figurative? It truly felt as if someone had twisted her heart, tied it in a knot and shoved it back into her with no care. She shut her eyes and breathed in shakily.

“Anne?”

Oh dear. At first she didn’t open her eyes, sure that this was her imagination and unsure about whether or not she wanted it to be. When she opened them, she didn’t know if she wanted him to be there or not. Of course, the reality was the former.

“Gilbert?” Anne cried, shooting up from her almost fetal position and furiously wiping her eyes, no onions for him to blame it on now. “What- what are you doing here? Matthew, he’s uh, he’s out in the fields.”

“I’m not here for Matthew,” Gilbert replied hurriedly.

“Oh.” Anne stared down at her slender hands, fiddling with them as a way to keep herself from blurting out all the wrong things, like she always did.

Realizing Anne didn’t plan to say anything else, Gilbert sat gingerly beside her and continued. “I wanted to speak with you about... about last night.”

Anne shook her head. “We don’t have to.”

“Don’t we?” Gilbert inquired.

“Fine. I don’t see what else you have to say though.”

Gilbert chuckled sadly. “Well I must apologize first. I didn’t quite take into account your... state of mind.” He sighed. “I should’ve waited.” Boldly he reached out to grasp Anne’s hands. “But Anne, I couldn’t bear waiting.”

“Gilbert...” Anne choked on her words.

“Anne, I’m in love with you.”

“No, you’re not supposed to be!” Anne declared. “You’re supposed to be in love with Winifred.”

“But I’m not, and I can’t be. Anne, please tell me not to propose to her,” Gilbert pleaded, his voice cracking.

“I can’t.” Anne wasn’t fighting the tears anymore. She hated Gilbert for this. She hated him for putting all of this on her and forcing her to decide his future for him.

“Do you... do you not have feelings for me?”

Anne stood up, enraged and crying. “Of course I do!” She yelled. “Could you think that I don’t? But I can’t hold you back! I can’t be the one that prevents you from achieving your dreams, I simply won’t!”

Now Gilbert was standing as well, his dropped shoulders and begging eyes making him seem so small. “Anne, why can’t you understand? You are my dreams, and you have been since the day you hit me over the head with your slate. I love you, I always have. And I can’t marry Winifred, not when I’ll always be in love with you.”

“Then don’t!” Anne cried out. “But make that decision on your own! Don’t force me to decide on your future and mine! You can’t expect me to purposely hold you back when I know how much potential you have. And I know that me telling you not to propose, it... it would ruin your chances at a wonderful future.”

Gilbert’s eyes dropped to the barn floor. He nodded. “I’m sorry Anne.”

“It’s fine,” Anne murmured.

A beat of silence passed, and another, before Gilbert replied, gently.

“But it isn’t. I put all this pressure on you, and you don’t deserve that.” He reached out for her hands once more, more loving than desperate this time. “I’m going to break things off with Winnie. And don’t you say anything about my dreams, because the Sorbonne is nothing compared to you. It has always been you, Anne.” He caressed her cheek and smiled fondly. “And it always will be. I’d be a country doctor a thousand times over if it meant a life spent by your side.”

Anne’s breath stuttered at his last sentiment, but she didn’t deny anything. “Please Gilbert, promise me that I’m not stealing away your future. I couldn’t bear it if I was,” she whispered, her bottom lip quivering in expectation of impending tears.

Gilbert pulled Anne closer to him, resting one hand on her back and the other on her scarlet hair. “Never,” he said firmly. “You are my future. And there are other schools, other cities, and other opportunities. Being with you Anne, it wouldn’t close any doors, it would just open a million more.”

Anne nodded into his shoulder and her breathing began to even out. “I love you too Gil,” she breathed. “I don’t think I realized it before, I was so confused and stubborn. But I do, I love you and I think that I always have, long before I realized it myself.”

They stood there for a long time. Walls had been broken and promises forged and Anne had come to a bend in the road. She didn’t know what was ahead, but with her arms around Gilbert, she didn’t think that it quite mattered yet.

•••

just a heads up that there’s only one more after this, cause i really loved the way episode 10 ended.

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carrotsofavonlea · 5 years

Text

Even a thousand miles can’t keep us apart (p.1 of 2)

“Well what do you think of this one?” Ruby held up a pink dress that really wasn’t any different from the other ten pink dresses she’d shown Anne in preparation for the upcoming ball.

Anne shrugged, “I think Moody will think you look beautiful in whichever dress you choose.”

Ruby lowered the dress, “So? What if he wants to propose? I have to look perfect .”

“It’s too soon for that, don’t you think? You’ve only been official for a few weeks.” Anne stood up and rummaged through the dresses, finally holding up a choice. “This one is lovely.”

Ruby took it behind the dressing screen, “This ball is the first event at Queens, our first event as adults Anne.”

Anne flopped back onto the bed sighing, “Don’t remind me.”

“I’m sorry…” Ruby poked her head from around the side. “I can’t imagine how hard it must be to have your beau so far away.”

“I don’t even know what Gilbert is.” Anne looked up at the ceiling. “We’ve kissed, and his letters are so romantic. But are we courting? I know I love him, and he loves me. But we’ve never exactly said…”

“You’ve done more than Moody and I…” Ruby shyly reappeared and turned around so Anne could help her button her dress.

“And you’re worried about a proposal?” Anne laughed, raising an eyebrow. “At least you get to see him, I fear I may forget what Gilbert looks like. I miss his eyes, they way they seem to see into my very soul, as if I’m the only one he ever wants to look at….” her voice trailed off as she started thinking about Gilbert.

“What do you think?” Ruby twirled around, showing Anne the dress.

“I think that’s the one.” Anne smiled sadly, how she wished to be going but she had no one to escort her. Cole was out of town or she could have asked him.

Josie suddenly burst into the room, followed by Tillie. “Girls, you’ll never believe this. Tillie has got two escorts to the ball!”

“Goodness! Two ?” Ruby squealed. “How ever will you choose?”

Tillie shrugged, giggling “Who says I have to choose?”

The girls all burst into shrieking laughter, except Anne. She couldn’t get her mind off of Gilbert. She missed him far more than she ever expected to, being in love was most inconvenient sometimes.

“I have accepted an offer from Robert.” Josie said proudly. Robert was a kind young man who had been seen around the boarding house on a few Saturdays. Anne didn’t really know much about him, but she knew he was certainly an upgrade from Billy Andrews - well, almost anyone was an upgrade from that weasel. “And I’ve from Jane that she’s expecting Peter to ask her any day now. What about you Anne?”

“I won’t be going.”

They all froze.

“But you have to!” Ruby grabbed her hand, “How am I supposed to act calm around Moody if you’re not there giving me advice?”

“You don’t need my advice with Moody, Ruby.” Anne patted her hand, “And anyway, the girls will be there too. I don’t feel like dancing, not with Gilbert half-way across the country.”

“Oh yes, do tell us how it’s going with Gilbert Blythe! ” Josie still couldn’t believe it was true.

“We exchange letters every week, but it’s not the same as actually seeing him. And his kiss! I never knew it could feel like that!” Anne could feel herself blushing just thinking about the way his hands had held her back, pulling her closer to him as if he couldn’t get close enough.

They all started shrieking again until Mrs Blackmore knocked at the door. “Ladies, may I remind you that this is a college boarding house, not the circus. Please keep the noise down.”

They nodded solemnly, apologising as she walked away. As soon as her footsteps couldn’t be heard anymore, they broke into silent laughter.

“You’re really not going Anne?” Tillie said once the laughter had died down.

“I don’t think I can bear seeing everyone dancing, when the only one I want to dance with isn’t here.”

“You’re really in love with him…” Ruby sighed dreamily. “I think deep down, I always knew he loved you and not me. But I’m glad it’s all worked out for the best for both of us.”

“Thank you?” Anne laughed.

“Ruby, literally everyone knew Gilbert wasn’t in love with you.” Josie folded her arms. “You’d be looking at him all doe-eyed and he’d be staring at Anne instead with the exact same expression. It was awfully distracting, but thankfully I don’t have to sit next to you anymore.”

“He did?” Anne put a hand across her heart. All this time...he’d been looking at her with what Ruby called “romance” in his eyes. The same way he had looked when he appeared at her door.

“You’re so lucky, Anne.” Tillie said, “To be so certain about the man you love.”

“The man .” Ruby squealed, “My! It sounds so grown up.”

“I feel lucky…” Anne mumbled, “So lucky that he’s a thousand miles away! Well, one thousand and forty-eight miles away to be exact.”

When all the girls looked at her with an expression that said “how on earth did you know that?!” she shrugged as said, “I looked it up.”

“And a ball is just the thing to keep your mind off him!” Josie put her hands on her hips, “You’ll have fun, and soon you’ll be saying “Gilbert who?””

“I don’t know…”

“ Please , Anne?”

“Please?” they all clasped their hands together against their chests, pretending to beg.

“Alright!” she stood up, giving in, even if it wouldn’t be fun without Gilbert there.

////

Anne took a sip of her drink, gripping it tightly as she watched Diana twirling around the dance floor with some mysterious stranger that had asked her to dance. It seemed that everyone was enjoying themselves, and here she was on the sidelines again. The others had managed to convince her to come, and it had been alright but there was only so much polite smiling one could do before it became tedious. She really had wanted to enjoy it, and spending time with the girls was always fun, but when they were all off dancing with boys it was hard not to feel left out. There was no way she’d dance with some random stranger, she couldn’t do that to Gilbert. And besides, she wanted her first grown up dance to be with the boy she loved, it sounded far more romantic than with someone she didn’t know.

“Isn’t this splendid?” Diana appeared, face flushed from dancing. “Although not quite as lively as Aunt Josephine’s balls.”

“That’s true.” Anne tried to give her a convincing smile. “You certainly seem to be enjoying yourself.”

Diana put a hand to her cheek, feeling her cheeks flushed. “Is it obvious?”

Anne put a hand on her shoulder, “You’re positively glowing.”

“I’m sorry Gilbert can’t be here, Anne. I know how hard it must be seeing us all dancing.”

“I just miss him even more now than I already did. Who knew you could miss someone this much?”

Diana smiled sadly, “I’m so happy you’ve finally found love, but being torn apart like this? It’s like one of your stories you used to read to us.”

“I didn’t know I was actually writing out my future.” Anne laughed, but her smile dropped a little. “Diana, the more we’re apart, the more I fear. What if he realises he made a mistake. Giving up the Sorbonne for me?”

“He gave it up thinking you didn’t even love him. Does that sound like a boy who isn’t certain you’re what his heart desires most?”

“I never really thought about that...it’s awfully romantic.” Anne put a hand across her chest and Diana smiled.

“You have a real prince charming.”

“It still sounds so strange to say it out loud. But I love him, I really do.”

Diana opened her mouth to say something, but her breath caught in her throat as she looked past Anne, over her shoulder. “Anne…”

“Diana what are you looking at…” Anne’s voice died in her throat as her eyes followed Diana’s.

Stood there in the entrance hall, eyes frantically scanning the room was Gilbert. When his eyes finally found Anne’s, something in him relaxed instantly, but he was stuck frozen in place.

Anne had to pinch herself to check she wasn’t dreaming. But there he was, like the true prince charming Diana had called him. He looked tired, but like he was trying to hide it. And for good reason, he must have travelled all night to make it here on time. Anne started running to him and he seemed to have the same idea, pushing through the crowds of people, a look of desperation on his face.

“Gil!” she threw her arms around Gilbert, and he lifted her slightly off the floor as he buried his head against her shoulder.

He put her down and held her arms, and even though he was the one to surprise her he was still in shock. Part of him feared that it had all been a dream, that she would recoil from his touch, but the minute he had seen her he had never been so certain of anything except that he loved her.

“What are you-? Toronto? And ...the ball? But you…?” Anne couldn’t find the words, her hands moving to cup both his cheeks and his smile grew.

“I couldn’t miss your first ball. And I needed a reason to come see you.” he gently held her arms, eyes roaming her face.

“Ahem.”

They both jumped, turning to see Diana smiling and Josie, Tillie, Jane, and Ruby all with their mouths agape in shock.

“Gilbert...Blythe?” Josie’s mouth was most agape. She honestly had been a little skeptical when Anne had mentioned Gilbert.

“Good evening.” Gilbert instantly switched from being a lovesick idiot to gentleman, politely smiling at the girls who were gawking in disbelief.

“Gilbert!” Moody called from across the room, patting Gilbert on the back and pulling him away from Anne to introduce him to the other Queens’ boys.

“As wonderful as it is to see you all again,” Gilbert stepped back, casting a glance over towards Anne, “I came to see one person in particular.”

Their schoolmates looked on in half confusion, half relief that finally those two had sorted out whatever tension had been between them for the best part of three years. Gilbert took Anne's hand and they made their way to the dance floor.

#awae #anne shirley #gilbert blythe #shirbert #anne with an e

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