#shawty redd
Explore tagged Tumblr posts
Text
DOOMJEEZY
9” x 12”
By
Jaevonn Harris
#fine art#art#visual arts#doctor doom#dr doom#jeezy#young jeezy#gallery#art gallery#high museum of art#the hundreds#Bobby hundreds#streetwear#thug motivation 101#trap or sue#bun b#shawty redd#chicago#detroit#westside detroit#victor von doom
71 notes
·
View notes
Text
youtube
0 notes
Audio
(THE CORNER® | OPEN MANUAL AUDIO VISUAL)
#SoundCloud#music#THE CORNER® | OPEN MANUAL AUDIO VISUAL#Hip-Hop/Rap#JHarry#rap#what I throw around#blade icewood#peezy#ghetto#cash kidd#7mile#payroll giovanni#jeezy#drich#shawty redd#zaytoven#rap music#hip hop/r
0 notes
Text
Trap, Hip Hop's First Musically Identifiable Subgenre
After 50 plus years of existence, hip hop has become, by far, the number one most influential type of music on the planet. It has evolved from lyricist flowing over disco and R&B records at house parties and underground clubs, to the world’s most powerful music platform. Over that 50 plus years, hip hop has transformed and mutated into an unstoppable monster that has provided a canvas for some of…
View On WordPress
1 note
·
View note
Text
Just came back from London on my way to Bora Bora
2 notes
·
View notes
Text
There's no disputing Snoop Dogg's iconic status.
From that lanky kid from Long Beach in the early 1990s who shot to stardom (and infamy) as the biggest star on Death Row Records, to the venerated elder statesman who might be the most famous rapper in the world; Calvin Broadus is a blueprint for how to do rap stardom the right way.
His early hits set the standard for G-Funk, as Snoop's charisma and laconic drawl made him a superstar and took that Cali-based sound to the top of the charts. He took a turn down South in the late 1990s, signing with No Limit Records for what turned out to be a strong stretch to close the millennium, and he became a pop culture mainstay in the 2000s, scoring monster hits with everyone from Dr. Dre to Timbaland to, perhaps most notably, Pharrell and The Neptunes.
Through it all, he's maintained his near-universal appeal, he's a West Coast icon who isn't bound to any coast; a 90s veteran who transcends era, and a brand and movement unto himself. Snoop is everywhere. We picked 25 of his greatest songs. Believe us—it wasn't easy.
#26
"THAT GIRL" - PHARRELL FEAT. SNOOP DOGG [BONUS SONG]
Our BONUS SONG pick is a celebrated classic guest spot! There are certain artists the superproducer Pharrell just has great chemistry with, and one is the legendary Doggfather. One of the breeziest tunes he ever crafted.
#25
"CALIFORNIA ROLL" FEAT. STEVIE WONDER
Snoop re-embraced AutoTune on this breezy song that sounds like it could be a lost track from Stevie's classic 70s period. The legendary singer/songwriter provides vocals and harmonica to the track.
#24
"LIFE OF DA PARTY"
A West Coast anthem that perfectly captures the club sound of the early 2000s. That specific period after crunk, but before trap found AutoTune and percocets. Too $hort and Mistah FAB do their thing over production from Scoop DeVille.
#23
"SIGNS" FEAT. JUSTIN TIMBERLAKE AND CHARLIE WILSON
Snoop's shift to romantic odes was fairly seamless, and he made it look easy. Grown man Snoop was in full effect on this hit single from R&G: RHYTHM & GANGSTA.
DROP YOUR EMAIL
TO STAY IN THE KNOW
SUBMIT
#22
"YOUNG, WILD & FREE" FEAT. BRUNO MARS, WIZ KHALIFA
Snoop has mastered cross-generational appeal, and nowhere is that more evident than his work with Wiz Khalifa. With an assist from Bruno Mars, Snoop proved he's forever young with this single from MAC AND DEVIN GO TO HIGH SCHOOL.
#21
"G'Z UP, HOES DOWN"
This "lost" track was a standout on the immaculate DOGGY STYLE, but only showed up on early pressings of the album. Because of difficulties getting the Isaac Hayes sample cleared (that's "The Look Of Love"), it was removed from the album.
#20
"UPS & DOWNS/BANG OUT"
Over a flip of the Bee Gees' "Love You Inside Out," Snoop gets real about loyalty. R&G: RHYTHM & GANGSTA is one of Snoop's best efforts, and this single is one of the more underappreciated releases from that period.
#19
"SENSUAL SEDUCTION/SEXUAL ERUPTION"
Produced by Shawty Redd, this monster hit single remains one of the biggest smashes Snoop ever released, and featured the Long Beach legend fully embracing AutoTune. One part parody, one part outside-the-box musicality, it's still Snoop being Snoop.
#18
"LET'S GET BLOWN" FEAT. PHARRELL WILLIAMS
Snoop and The Neptunes were locked in by the time they dropped this follow-up to one of the rapper's biggest hits. The coolass vibe is perfect for latter-period, grown man Snoop.
#17
"LODI DODI"
Snoop almost single-handedly legitimized making outright covers in Hip-Hop, with this remake of the Slick Rick/Doug E. Fresh classic "Ladi Dadi." Snoop takes the famous tale straight to Long Beach, and shows just how much he reveres MC Ricky D.
#16
"FROM THA CHUUUCH TO DA PALACE" FEAT. PHARRELL WILLIAMS
The first single from the hit album PAID THE COST TO BE THE BO$$ featured Snoop's first high-profile collaboration with the hitmaking Neptunes. The song wouldn't smash the charts like the single that followed (more on that later), but is one of Snoop's most recognized early 00s tracks.
#15
"STILL A G THANG"
Snoop had landed on No Limit Records in the late 1990s, and he blended with the NOLA label's rat-a-tat bounce better than expected. But this single made it clear that he was keeping his West Coast G-Funk sound, even at his new digs.
#14
"VAPORS"
After his cover of Doug E. Fresh and Slick Rick's "La Di, Da Di," Snoop set his sights on a Juice Crew classic. Snoop reworked Biz Markie's beloved "Vapors," showcasing just how well the Golden Age sample of James Brown's "Papa Don't Take No Mess" melded with G-Funk's groove.
#13
"WOOF!" FEAT. C-MURDER, MYSTIKAL
As Death Row seemed to be in a state of collapse circa 1998, Snoop (no longer "Doggy") Dogg resurfaced as a soldier for the No Limit tank. Master P's house welcomed the West Coast superstars with open arms, and this is the kind of posse cut only Beats By The Pound could deliver.
#12
"MURDER WAS THE CASE"
One of the darkest entries on Snoop's classic debut album, this tale finds the protagonist facing death and slipping into his own, personal hell. Part cautionary tale, part reference to the rapper's own real-life drama playing out at the time, it's one of the greatest songs in his catalog.
#11
"DOGGY DOGG WORLD" FEAT. THA DOGG POUND, THE DRAMATICS
The pimptastic video is one of the most memorable of the 90s; and the groove is pure 70s funk, highlighting how deeply indebted to that era G-funk had been.
#10
"DROP IT LIKE IT'S HOT"
Again: Pharrell and Snoop's chemistry has always been undeniable. When you put the VA kid and the D-O-Double G in the studio together, you're likely to get summer classics. It's just a given.
#9
"B*TCH, PLEASE"
A new millennium banger that made it clear to everyone that there was still no more potent combination that Snoop Dogg and Dr. Dre, this smash single was a precursor to Dre's stellar 2001.
#8
"G'Z & HUSTLAZ"
Opening with that classic classroom skit, and carried by a winning sample from the late, great Bernard Wright, this coulda-been-a-single is one of the best album cuts on DOGGY STYLE.
#7
"WHAT'S MY NAME, PT. 2"
Snoop teamed up with Timbaland for this lead single from his acclaimed final No Limit Records album, THA LAST MEAL. Another song that became one of Snoop's most recognized of the period.
#6
"LAY LOW" FEAT. MASTER P, BUTCH CASSIDY, NATE DOGG, THA EASTSIDAZ
The second single from THE LAST MEAL was another heater featuring Snoop teaming up with Dr. Dre. This time he brought along No Limit boss Master P, as well as his Eastsidaz homies and Butch Cassidy.
#5
"AIN'T NO FUN" FEAT. NATE DOGG, THA DOGG POUND, WARREN G
A classic Death Row posse cut that would probably get banned if it was released today. Yes, it's one of the most problematic songs of all time. But what a banger! Daz ghost-produced this G-funk staple.
#4
"THE SHIZNIT"
It flips the chorus from Billy Joel's "The Stranger" into something new entirely, and this classic track from Snoop's debut album DOGGY STYLE has one of the most sinister grooves in all of G-Funk.
#3
"BEAUTIFUL"
Forever a vibe! It just sounds like warm beaches and cool drinks, surrounded by your favorite people, soaking up the sun. If that doesn't fit your scene, just enjoy the ambience, homie. It works no matter where you are.
#2
"WHO AM I (WHAT'S MY NAME?)"
It's so P-Funk-like, it's like you can hear George Clinton sitting in the room. Nobody would ever have trouble remembering his name again. Shoutout to "Atomic Dog."
#1
"GIN & JUICE"
Another ode to getting drunk as hell, Snoop's second single cemented him as the most unique new voice in the game back in 1994. All these years later, it's a staple of the sound and era, a true G-Funk classic.
Sent from my iPhone
#hip hop 50#today in hip hop history#todayinhiphophistory#hiphop#hip-hop#hip hop#hip hop music#hip hop history#hip hop culture#music#history#music history#television#rap#rapper#emcee#mc
2 notes
·
View notes
Text
[Chorus: Trippie Redd]
Water on my neck, they won't drip again
I rock Saint Laurent, black cardigan
In the night time, hoppin' out that Don' again
Cartier frames, six point on my lens
In that 'Vette with them baguettes, I can't do no Benz
When she come around, she better bring some friends (Friends)
All that love shit, I promise I ain't on that shit, oh
I ain't on that, uh (Oh)
I ain't on that, uh (Oh)
I ain't on that, uh (Oh, oh)
[Verse 1: Trippie Redd]
Yeah, uh, I can't do no lovin', want none on the block (Block)
Shawty reachin' for my dick and end up grabbin' Glock (Glock, haha, grab that shit, bitch)
Lil' bitch, quit playin', know it's one up top (Top)
Got some shooters on surveillance, they don't like the opps
Know we on that shit, fully loaded with the stick
My lil' homie still a jit, he'll hit you with the blick (Blick, ah)
Tryna blow your ass a kiss, and it hiss, it don't miss (Ah), that's what you get for tryna diss (Diss)
Know we on some shit (Shit), I was broke as fuck and now I'm rich (I'm rich)
Five bands'll leave you in a ditch (A ditch), know I keep the stick (Stick, bah)
Know that bitch a drac', it keep a kick (Kick), none of my brothers fell out 'bout no bitch (No bitch, bah), if it's lit I keep a BIC (Yeah)
All my diamonds gleemin', man, they gliss (Gliss, ah)
Cherish life, it's beautiful, it's bliss, new Patek on my wrist (14, skrrt, uh, 14, yeah)
[Chorus: Trippie Redd]
Water on my neck, they won't drip again
I rock Saint Laurent, black cardigan
In the night time, hoppin' out that Don' again
Cartier frames, six point on my lens
In that 'Vette with them baguettes, I can't do no Benz
When she come around, she better bring some friends (Friends)
All that love shit, I promise I ain't on that shit, oh
I ain't on that, uh (Oh)
I ain't on that, uh (Oh)
I ain't on that, uh (Oh, oh)
[Verse 2: Poundside Pop]
Yeah, yeah, gotta live it up, I might not live again (Might not live again), yeah
Diamonds on my body, they be glistenin' (Glistenin'), yeah
Gotta watch the feds 'cause they listenin'
Niggas tellin' on my brother and them, they snitchin' again (Snitchin' again)
Niggas prayin' on my downfall but I'ma win (Win)
I can never wife no thot, it's not in the plan
The Wock' just came in so baby girl, I'm sippin' again
Rockstar life, I'm trippin' again, I'm trippin' again (I'm trippin' again)
I just fucked the bitch and I don't wanna dub her, man
If I call lil' Chiefy up, they life end
My brodie on ten (My brodie on ten), yeah, my bitches on ten (My bitches on ten), yeah
Nigga, this gangster party and you can't get in (You can't get in), yeah
Nigga, we got yellow bitches, nigga, we got hella bitches
Yellow what I'm never sippin' (Yeah)
Yellow diamonds, they be glistenin', yeah (Yeah, lil' bitch, you know I'm drippin', bitch, you know I'm drippin')
[Chorus: Trippie Redd]
Water on my neck, they won't drip again
I rock Saint Laurent, black cardigan
In the night time, hoppin' out that Don' again
Cartier frames, six point on my lens
In that 'Vette with them baguettes, I can't do no Benz
When she come around, she better bring some friends (Friends)
All that love shit, I promise I ain't on that shit, oh
I ain't on that, uh (Oh)
I ain't on that, uh (Oh)
I ain't on that, uh (Oh, oh)
2 notes
·
View notes
Text
Irreplaceable, tattoos from your neck that drop down to your ankles, Drop top inna Range, shawty you wanna feel good. I wanna feel good too. Don’t I make you feel good?
Yes.
0 notes
Text
Faheem Rashad Najm (September 30, 1984) known by his stage name T-Pain, is a singer, songwriter, and record producer. He popularized the creative use of the Auto-Tune pitch correction effect, used with extreme parameter settings to create distinctive vocal sounds. Others followed, including rappers Snoop Dogg, Lil Wayne, Kanye West, Future, Travis Scott and Trippie Redd.
After signing with Akon’s Konvict Muzik, he founded a vanity label imprint, Nappy Boy Entertainment, in 2005. His debut album, Rappa Ternt Sanga, was released in 2005. In 2007, he released his second album, Epiphany, which reached #1 on the US Billboard 200 chart. His third album, Three Ringz, was released in 2008. The albums included a string of hit singles, including “I’m Sprung”, “I’m ‘n Luv (Wit a Stripper)”, “Buy U a Drank (Shawty Snappin’)”, “Bartender”, “Can’t Believe It”, and “5 O’Clock”.
He has received 12 Grammy Awards nominations and two awards: one with Kanye West for “Good Life” and the other with Jamie Foxx for “Blame It”. He was featured on more than 50 chart-topping singles. His most successful feature to date was Flo Rida’s debut single “Low”, which has been certified diamond (10× platinum) by the Recording Industry Association of America.
He was born and raised in Tallahassee to parents Aliyah, a Bahamian chef, and Shasheem, who founded the Homeboyz to Men program. His stage name is short for “Tallahassee Pain”, and was chosen because of the hardships he experienced while living there. He was brought up in a Muslim household, but he has expressed his lack of interest in the concept of religion. At three years old, he got his first taste of the music business when a friend of the family, gospel jazz artist/producer Ben Tankard, allowed him to spend time and “twist the knobs” at his recording studio. At age ten, he turned his bedroom into a music studio, using a keyboard, a beat machine, and a four-track recorder.
He married Amber Najm (2003). They have three children. #africanhistory365 #africanexcellence
1 note
·
View note
Text
0 notes
Text
SNOWMAN X LAFLARE
by
Jaevonn Harris
#jeezy#gucci#gucci mane#radrick Davis#gucci mane laflare#gucci 1017#the new 1017#so icy gang#so icy summer#so icey boyz#drake#blue tint#unforgettable#thank me later#metro boomin#shawty redd#zaytoven
16 notes
·
View notes
Text
MP3: Jeezy Ft. Shawty Redd – Back 2 The Basics
MP3: Jeezy Ft. Shawty Redd – Back 2 The Basics
Download Jeezy Ft Shawty Redd – Back 2 The Basics MP3 Jeezy returns with a new song “Back 2 The Basics”, which features Shawty Redd and we got it for you, download fast and feel the vibes. Do you Love songs like this one? Then bookmark our page, we will update you with more highly ranked latest music Lyrics audio mp3 and Video mp4 for quick download. Stay tuned, follow or join our various media…
View On WordPress
0 notes
Text
Ive seen this shit so many times
https://www.youtube.com/watch?v=q42ubnsG0TQ&feature=share
2 notes
·
View notes
Link
Hear the gucci., a playlist on #SoundCloud.
#gucci mane#playlist#new#soundcloud#3 for free#woptober#everybody looking#quavo#lil yachty#drake#shawty redd#metro boomin#trap house 3
1 note
·
View note