#sharanas

[zeherili-ankhein]

Lesssgoooo Mass Media exam.... For which I've again studying nothing... 🥰

I should study... But I'm roaming around the house listening to music.... Atleast it's calming me down-

[444names]

Names generated from American, French and German forenames, including the letter sequence "Sh"

Aleasharne Aleorshard Alleonasha Arshane Arshanice Arshaël Arshence Ashale Ashanne Asharidars Ashel Asheliant Ashellie Ashencencie Asher Aularshune Aurshana Aurshelsona...

Basha Bashanck Bashanesam Bashanna Bashelyn Bashert Carshany Carshileine Casha Cashard Cashazellyd Cashe Casheid Cashele Casheliendy Cashelle Clarsheine Clasher Clashian Colbashel Corolashel Coroshara Corshenry Darshanemmy Deasha Debashany Diashermay Dorshew Eashe Emarshein Emarsheord Emarshes Erbasher Ershanny Eugloshari Garosha Garsheinèse Garshell Gislarshle Glarshan Glorsha Hadebashere Hardomarsha Hurshe Jashann Jashawn Jasherrin Jashinath Jashiria Jashurt Jearshune Jeashan Jershle Joharshandy Josha Joshar Josheanne Josheliance Josher Josherry Joshught Karshardold Kashald Katashein Kliashugo Kriasherres Lanloshard Lashaliert Lasher Lorsha Lorshary Loshank Lucashedie Léroshew Marbashan Marshal Marshald Marshan Marshanna Marshannice Marsharigis Marshel Marshelied Marsher Marsherce Marshunin Masheari Masheris Matashango Morshenette Nasharlan Oleasheine Oshanna Oshany Oshle Pasha Pashane Pasharia Pashaël Pasheorel Pasher Rarshara Roshan Roshande Roshanne Roshany Roshein Roshele Roshelie Roshen Rosher Roshuby Sarshael Shadie Shadlexiste Shadolf Shael Shaelan Shaele Shaelfgaël Shaellin Shaelorta Shaeth Shaethew Shalbery Shalde Shale Shalie Shalphiance Shalvine Shana Shanady Shanan Shance Shancel Shancha Shanclie Shand Shanda Shandara Shandel Shandiellia Shando Shandran Shandy Shandys Shangen Shani Shania Shanictona Shanik Shanitabert Shanièlew Shanlorge Shann Shanna Shannaldel Shannatte Shanne Shannerie Shannestodo Shannine Shannorise Shanny Shannya Shant Shantine Shanto Shantob Shantom Shanue Shanuelly Shanuena Shançoise Shara Sharal Sharame Sharana Sharbashell Sharc Sharce Sharcindy Shard Shardandy Shardoldel Shardouid Sharen Sharet Sharia Sharich Sharici Sharicia Sharid Sharieris Sharierobyn Sharietto Sharin Sharinet Sharis Sharisa Sharitne Sharius Sharl Sharlainat Sharlee Sharlian Sharma Sharmar Sharmaulie Sharmie Sharnessie Sharnoreah Sharob Sharoby Sharoydie Sharrany Sharre Sharreen Sharreggy Sharriser Sharristy Sharry Shars Sharsheine Sharsulisy Shart Sharta Sharth Shartris Sharvie Shary Sharyandy Sharyssie Shath Shatri Shatrudoue Shatrutz Shattald Shawrenth Shazelen Shazelina Shaël Shaëll Shaëllaume Shaëlle Shaëlley Shaëllisti Shaëllydia Shean Sheana Shearry Sheathan Shechand Shecia Sheckie Sheckim Sheid Sheidias Sheido Sheig Sheigh Sheigindi Sheil Sheilaud Sheilhein Sheill Shein Sheina Sheind Sheindylary Sheine Sheinelle Sheiney Sheiniel Sheinistine Sheita Shelandre Shelasmunde Shele Sheleangery Sheleanne Sheleodona Sheleterma Shelherich Sheliamina Shelie Shelieve Shelil Sheliste Shelizacil Shell Shella Shellerry Shellettine Shellie Shellyn Shelm Shelma Shelmunth Shelphily Shelsa Shelse Shelsid Shelsie Shelsiert Shelson Shelvia Shelvirg Shely Shelyn Shelyne Shelynn Shencilvier Shend Shene Shenie Shenny Shenrine Shenris Shenthora Sheony Sheor Sheored Sheorg Sheorgane Sherace Sherannas Sherette Sherha Shericase Shericille Sherickim Sherie Sherilaud Sherique Sherl Sherlerna Sherma Shermal Shermanie Shermarlent Sherne Shernette Shernoniced Sherona Sherre Sherretsy Sherryanne Sherst Shert Sherth Shertomine Shery Shessilip Shestobel Shian Shians Shila Shilis Shill Shilla Shillen Shillinthe Shimi Shina Shince Shiney Shinnee Shirkona Shison Shleachrith Shleene Shlen Shlencey Shleoreil Shleoren Shleorgie Shlermannie Shlert Shlette Shlevirmath Shlexis Shlexiste Shley Shlonie Shlore Shlorenadle Shlorenie Shlorey Shlorga Shloseve Shuan Shuannicary Shubelisty Shuber Shuby Shubyn Shubyne Shugerna Shughia Shught Shuglas Shuglaude Shugloisty Shugua Shuguidie Shuguis Shuguist Shuguy Shunta Shunthel Shura Shurie Shurona Shurs Shurt Shurégin Sébashamar Tashandane Tashie Urshar Ursher Vicharshen Werosha Wolashel Wolgeroshar

[hariyali]

Resource Masterlist: Indian Art

Cheap/Free resources:

Wkipedia:

Wikipedia of Indian Art: I'll recommend reading the subtopics from bottom up; it seems more relevant that way!

Wikipedia of Indian Painting: once you go through this article you should further look into whichever style you like, and learn it in depth. It also has links to vernacular art.

Rasa: the classical theory of Indian aesthetics

From Archive.Org (maybe scholarly and/or illustrative. In case illustrations are not there, simply Google them for reference):

Stone Age Painting in India by Romert Brooks

The arts of India from prehistoric to modern times by Ajit Mookerji (If you have no idea about Indian arts, START HERE; it's a short book full of illustrations)

Rajput painting : romantic, divine and courtly art from India by Ahluwalia, Roda

Indian Painting by C Sivaramamurti

South Indian Paintings by C Sivaramamurti

Approach to nature in Indian art and thought by C Sivaramamurti

[There are many books on Indian art, architecture and sculpture by C Sivaramamurti on Archive.org. It's basically a goldmine.]

Kalighat : Indian popular painting, 1800-1930 by Balraj Khanna

Art of modern India by Balrak Khanna [Again, you can check out other titles by Khanna.]

Indian Textiles by John Gillow

Traditional Indian Textiles by John Gillow

South-Indian images of gods and goddesses by HK Sastri

Myths and symbols in Indian art and civilization by Heinrich Zimmer (no illustrations)

The art of Indian Asia, its mythology and transformations by Heinrich Zimmer (with illustrations)

History of Indian and Indonesian art by Ananda Coomaraswamy

A Concise History of Indian Art by Roy C Craven

Deccani Painting by Mark Zebrowski

Indian Folk Art by Heinz Mode; Subodh Chandra

Women of India by Otto Rothfeld (this isn't about art but has few informative illustrations on regional costumes of women)

Dress And Ornaments In Ancient India by Mohini Verma and Keya Bawa

Classical dances and costumes of India by Ambrose, Kay

Cultures and Costumes of India and Sri Lanka by Kilgallon, Conor (o course i had to see other books on costumes)

Studies In Indian Painting by DB Taraporevala

Five Thousand Years of Indian Art by Hermann Goetz

Indian Painiting by Philip Rawson

The Art of Tantra by Philip Rawson

MS Randhawa (different books on Punjabi paintings Basohli, Kangra, Guler and General Themes in Indian Painting)

The imperial image: paintings for the Mughal court by Beach, Milo Cleveland

Wonders of nature : Ustad Mansur at the Mughal court by Dāśa, Aśoka Kumāra

Imperial mughal painting by Welch, Stuart Cary

Painted delight : Indian paintings from Philadelphia collections

India : life, myth and art by Ram-Prasad, Chakravarthi

The heritage of Indian art by Agrawala, Vasudeva Sharana

The adventures of Rama : with illustrations from a sixteenth-century Mughal manuscript

Indian paintings from the Punjab Hills by WG Archer

Art in East and West by Rowland Benjamin

Stella Kramisch (An American art historian and curator who was a leading specialist on Indian art, including folk art, for most of the 20th century. Also a Padma Bhushan awardee.)

The transformation of nature in art by Coomaraswamy, Ananda K

Books available on Libgen:

Art Of Ancient India : Buddhist, Hindu, Jain by Huntington and Huntington

The New Cambridge History of India, Volume 1, Part 3: Mughal and Rajput Painting

Myths and Symbols in Indian Art and Civilization by Heinrich Zimmer

Four Centuries of Rajput Painting: Mewar, Marwar and Dhundhar Indian Miniatures from the Collection of Isabelle and Vicky Ducrot

Ajanta by Yazdani

The Aesthetic Experience Acording to Abhinavagupta

TheHeritageLab is a free website to connect you to cultural heritage through stories, public engagement programs, campaigns, and free-access content.

Also if you're in Delhi, do consider getting a membership of Indira Gandhi National Centre for the Arts (IGNCA) library.

Folk art:

Folk art is an entirely different area that deserve a post of its own. But i love them so here is a long list by Memeraki.com. You can Google each and then look more into what you like. This website also offers very cheap courses in traditional Indian arts by the hidden and disenfranchised masters themselves! It's doing a great work in giving them a platorm. I myself have taken the Mughal Miniature course here. You can consider it.

Illustrated Books:

Note: These are coffee table books with beautiful illustrations that you'd love to looks at.

The Night Life of Trees: In the belief of the Gond tribe, the lives of humans and trees are closely entwined. A visual ode to trees rendered by tribal artists from India, this handcrafted edition showcases three of the finest living Gond masters. THIS YOUTUBE LINK shows the making of the book. The channel also features other works of Gond art.

An Unknown Treasure in Rajasthan: The Bundi Wall-Paintings:  This book celebrates the surviving wall-paintings at Bundi by presenting a stunning photographic survey

Painting In the Kangra Valley: Painting in the Kangra Valley is an attempt to survey the painting styles of Guler and Kangra, which flourished in the 18th and 19th centuries. The painting activity began with Kashmiri painters (...)

Indian Painting: The Lesser Known Traditions: India has an astonishingly rich variety of painting traditions. While miniature painting schools became virtually extinct with the decline of aristocratic patronage, a number of local vernacular idioms still survive and continue to develop.

Madhubani Art: Indian Art Series: Madhubani art's origin is believed to go back to the ancient era of the Ramayana, when the town was decorated by inhabitants of the region for the wedding of Lord Rama and Sita with elaborate wall paintings and murals (...) Primarily a significant socio-cultural engagement for the womenfolk of Bihar, this art was a welcome break from their daily drudgery.

Reflections on Mughal Art and Culture: Enter the splendid world of Mughal India and explore its rich aesthetic and cultural legacy through fresh insights offered by 13 eminent scholars.

Monsoon Feelings: A History of Emotions in the Rain: Through a series of evocative essays exploring rain-drenched worlds of poetry, songs, paintings, architecture, films, gardens, festivals, music and medicine, this lavishly illustrated collection examines the history of monsoon feelings in South Asia from the twelfth century to the present

Sita's Ramayana shifts the point of view of the Ramayana - the saga of a heroic war - to bring a woman's perspective to this timeless epic. Illustrated with Patua painting.

Adi Parva: Churning of the Ocean: a graphic novel that is a revisionist retelling of some of our oldest tales which have inspired and guided generations of people.

Ajit Mookerji, Sivaramamurti and Craven Roy's books are concise from where one can begin and then delve deeper into the subject of interest. Reading history and myths behind the work for context and listening to music from the given time/region alongside will make the exploration even more enjoyable!

[pooma-satsangam]

GURU BASAVA VACHANA தமிழில்

Basava Vachanas - 3

Let not the wax doll wag the tongue of fire and flirt. If you caress butter Benaka with rice cake made of burning embers his teeth would be lost. With the sharanas of Koodalasanga

if you flirt you will be at odds. Guru Basava/16/[1]

The deity made of wax that melts

how could I approve of it?

The deity that shrinks on sighting fire

how could I approve of it?

The deity that is sold on necessity

how could I approve of it?

The deity that is buried out of fear

how could I approve of it?

Natural and truly united Koodalasangamadeva alone is god. Guru Basava/17/[1]

On sighting the king if you forget your husband

it is like losing the grip while climbing a tree.

You will be far from this world and far from the other, as our Koodalasangamadevayya is the linga with the face of jangama. Guru Basava/18/[1]

Rather than being a queen at the king’s place

it is better being a servant maid at the devotee’s home. There they order to bring water, bring bilva leaves, offer food to linga. Even in the mahaamane of Koodalasanga they contemptuously order to eat whatever is given to you. Guru Basava/19/[1]

If the king gets angry, within that province

one can not be. If the husband gets angry within that home one can not be.

Koodalasangamadeva if the jangama gets angry how can I live? Guru Basava/20/[1]

With the knowledge of the knower Rahu called poverty played foul. With the wealth of the haves the Raahu called moha played foul.

With the vision of the discerning the darkness called Kaama played foul. Fearful of the anxiety of my mind I took refuge in you Koodalasangamadeva. -Guru Basava/21/[1]

Ayya bathed fully in turmeric, decked thoroughly in golden dress, like the woman bereft of her husband’s love I am. Smeared with vibhuthi,

fastened with the rudraakshi, Shiva, bereft of your love I am. No one leads an immoral life in my clan. Nurture me is you wish, Koodalasangamadeva. -Guru Basava/22/[1]

Never be neighbors to half devotees never accept their championship never their company on road. Be far from them, never talk to them.

Be a maid among Koodalasanga’s sharanas

who are truly united in the linga. Guru Basava/23/[1]

What if they go wrong with money, what if they go wrong with life, what if they go wrong with pride, Do sharanas look for demerits in other sharanas? Koodalasanga’s sharanas should suffer and bear. -Guru Basava/24/[1]

What use if there is a fortune-line in the palm without life-line? What use if a coward has weapon Chandrayudha? What use if a blind man has a looking glass? What use if a monkey has a ruby? What use if those who do not know our Koodalasanga’s sharanas have a linga in their palm until they know Shiva’s path? Guru Basava/25/[1]

All those wealthy fear the king, all those full of devotion fear the jangama, all those charmed by the harlot eat her leftovers, all those that like meat eat dog’s leftovers. Only Chennabasavanna knows those who became worthy after offering to the linga the leftovers of the offering to Koodalasanga’s sharanas. Guru Basava/26/[1]

Ayya, look, her utterance sweet like jaggery

but her heart has poison. She invites one with her eyes but cohabits with another in her mind.

Listen, Koodalasangamadeva, never trust a mind-thieving woman. Guru Basava/27/[1]

When I consider the wealth of the Asurahe

has a million wives virtuous like Sita, a million intelligent principal ministers, countless brigades and thousands of princes, the guardians of eight directions are in his prison,

he imprisoned and ruled all the chiefs of gods.

Shiva, not living according to your mercy

his desire for the wife of another cost his life.

Knowing this, like a serpent that descends into its hole on spotting the eagle when I see those who desire others’ wives I go hiding Koodalasangamadeva. Guru Basava/28/[1]

If egotism charms the mind where would the linga be? Without letting egotism in

one must embody the linga. Look, without ego one becomes united in Koodalasangamadeva. Guru Basava/29/[1]

Measuring and measuring over they grow weary. Does the measuring pot grow weary?

Walking and walking again, they grow weary. Does the path grow weary? Exercising over and again, they grow weary. Does the club grow weary? Unaware of the truth the devotee wearies. Does the linga grow weary?

Koodalasangamadeva this is sheer unpaid labour unknown to the king. Guru Basava/30/[1]

பசவ வசனங்கள்-3

குரு பசவ வசனம்

உருகும் மெழுகால் ஆன தெய்வம் நான் அதை எப்படி அங்கீகரிக்க முடியும்?

நெருப்பைக் கண்டால் சுருங்கும் தெய்வம்

நான் அதை எப்படி அங்கீகரிக்க முடியும்?

தேவைக்கு விற்கப்படும் தெய்வம்

நான் அதை எப்படி அங்கீகரிக்க முடியும்?

பயத்தால் அடக்கம் செய்யப்பட்ட தெய்வம்

நான் அதை எப்படி அங்கீகரிக்க முடியும்?

இயற்கையும் உண்மையும் ஒன்றுபட்ட கூடலசங்கமதேவன் ஒருவரே கடவுள். குரு பசவா/17/[1]

நீங்கள் உங்கள் கணவரை மறந்தால் ராஜாவைப் பார்த்தவுடன் மரத்தில் ஏறும் போது பிடியை இழப்பது போன்றது.

எங்கள் கூடலசங்கமதேவய்யா ஜங்கம முகத்தையுடைய லிங்கமாக இருப்பதால், நீ இவ்வுலகில் இருந்தும் தொலைவில் இருப்பாய். குரு பசவா/18/[1]

அரசனின் இடத்தில் ராணியாக இருப்பதை விட பக்தர் வீட்டில் வேலைக்காரியாக இருப்பது நல்லது. அங்கு தண்ணீர் கொண்டு வரவும், வில்வ இலைகளை கொண்டு வரவும், லிங்கத்திற்கு உணவு வழங்கவும் கட்டளையிடுகிறார்கள். கூடலசங்க மகாமனேயில் கூட இகழ்ச்சியாக உனக்கு என்ன கொடுத்தாலும் உண்�� வேண்டும் என்று கட்டளையிடுகிறார்கள். குரு பசவா/19/[1]

அரசன் கோபப்பட்டால், அந்த மாகாணத்திற்குள்‌ஒன்று இருக்க முடியாது. அந்த வீட்டுக்குள் கணவன் கோபப்பட்டால் இருக்க முடியாது. கூடலசங்கமதேவா, ஜங்கம் கோபப்பட்டால் நான் எப்படி வாழ்வேன்? குரு பசவா/20/[1]

அறிந்த ராகு அறியாமையால் ஏழ்மை என்றழைக்கப் பட்டது. உள்ளவர்களின் செல்வத்தில் மோகம் எனப்படும் ராகு தவறாக விளையாடினார்.

பகுத்தறிவுடைய பார்வையில் காமா என்ற இருள் கெட்டு விளையாடியது. என் மனதின் கவலைக்கு அஞ்சி நான் கூடலசங்கமதேவா உன்னிடம் அடைக்கலம் புகுந்தேன். குரு பசவா/21/[1]

அய்யா முழுக்க முழுக்க மஞ்சள் பூசிக் குளித்து, பொன்னாடை உடுத்தி, கணவனின் அன்பைப் பெறாத பெண்ணைப் போல நான். விபூதி பூசி,

ருத்ராக்ஷியால் கட்டப்பட்ட சிவா, உன் அன்பை இழந்தவன் நான். என் குலத்தில் யாரும் ஒழுக்கக்கேடான வாழ்க்கை நடத்துவதில்லை. கூடலசங்கமதேவா, என்னை வளர்ப்பது உங்கள் விருப்பம். குரு பசவா/22/[1]

குறை பக்தர்களுக்கு ஒருபோதும் அண்டை வீட்டாராக இருக்க வேண்டாம், அவர்களிடமிருந்து வெகு தொலைவில் இருங்கள், அவர்களுடன் பேச வேண்டாம்.

கூடலசங்க சரணங்களில் பணிப்பெண்ணாக இருங்கள். உண்மையில் லிங்கத்தில் ஐக்கியமானவர்கள் இவர்கள். குரு பசவா/23/[1]

பணத்தில் தவறு நடந்தால் என்ன, வாழ்க்கையில் தவறு நடந்தால் என்ன, பெருமையில் தவறு நடந்தால் என்ன, சரணர்கள் மற்ற சரணங்களில் குறைகளை தேடுகிறார்களா? கூடலசங்கத்தின் சரணங்கள் துன்பப்பட்டுத் தாங்க வேண்டும். குரு பசவா/24/[1]

உயிர் ரேகை இல்லாமல் உள்ளங்கையில் அதிர்ஷ்ட ரேகை இருந்தால் என்ன பயன்? கோழையிடம் சந்திராயுத ஆயுதம் இருந்தால் என்ன பயன்? பார்வையற்றவனுக்கு கண்ணாடி இருந்தால் என்ன பயன்? குரங்குக்கு மாணிக்கம் இருந்தால் என்ன பயன்? நம் கூடலசங்க சரணங்களை அறியாதவர்கள் சிவ வழிபாட்டை அறியும் வரை உள்ளங்கையில் லிங்கத்தை வைத்திருந்தால் என்ன பயன்? குரு பசவா/25/[1]

செல்வந்தர்கள் அனைவரும் அரசனுக்கு அஞ்சுகிறார்கள், பக்தி நிறைந்தவர்கள் அனைவரும் ஜங்கமத்திற்கு அஞ்சுகிறார்கள், பரத்தையினால் வசீகரிக்கப்படுபவர்கள் அனைவரும் அவளது எஞ்சியதை உண்கிறார்கள், இறைச்சி விரும்புபவர்கள் அனைவரும் நாயின் எச்சங்களை உண்கிறார்கள். கூடலசங்க சாரணர்களுக்கு காணிக்கையாக எஞ்சியதை லிங்கத்திற்கு சமர்பித்த பிறகு தகுதியானவர்கள் யார் என்பதை சென்னபசவண்ணா மட்டுமே அறிவார். குரு பசவா/26/[1]

அய்யா, பார், அவளுடைய பேச்சு வெல்லம் போல இனிமையாக இருக்கிறது

ஆனால் அவள் இதயத்தில் விஷம் இருக்கிறது. அவள் கண்களால் ஒருவரை அழைக்கிறாள், ஆனால் அவள் மனதில் இன்னொருவருடன் சேர்ந்து வாழ்கிறாள்.

கேள், கூடலசங்கமதேவா, மனம் திருடும் பெண்ணை ஒருபோதும் நம்பாதே. குரு பசவா/27/[1]

அசுரரின் செல்வத்தை எண்ணும்போது

சீதையைப் போன்ற நல்லொழுக்கமுள்ள ஒரு மில்லியன் மன��வ��கள், ஒரு மில்லியன் அறிவார்ந்த முதல்வர்கள், எண்ணற்ற படைப்பிரிவுகள் மற்றும் ஆயிரக்கணக்கான இளவரசர்கள், எட்டு திசைகளின் காவலர்களும் அவரது சிறையில் உள்ளனர். அவர் அனைத்து தெய்வத் தலைவர்களையும் சிறையில் அடைத்து ஆட்சி செய்தார்.

சிவனே, உன் கருணைப்படி வாழவில்லை

வேறொருவரின் மனைவிக்கான அவரது ஆசை அவரது உயிரைப் பறித்தது.

இதையறிந்த நான், பிறர் மனைவியை விரும்புகிறவர்களைக் கண்டால், கழுகைக் கண்டதும் தன் குழிக்குள் இறங்கும் பாம்பைப் போல, கூடலசங்கமதேவரை மறைத்துக்கொண்டு செல்கிறேன். குரு பசவா/28/[1]

அகங்காரம் மனதைக் கவர்ந்தால் லிங்கம் எங்கே இருக்கும்? அகங்காரத்தை உள்ளே விடாமல் ஒருவர் மனதில் லிங்கத்தை உருவாக்க வேண்டும். ஈகோ இல்லாமல் கூடலசங்கமதேவரிடம் அவர் ஐக்கியமாகிறார் பாருங்கள். குரு பசவா/29/[1]

அளந்து அளந்து சோர்வடைகிறார்கள். அளக்கும் பானை சோர்வடைகிறதா?

நடந்து, மீண்டும் நடக்க, அவர்கள் சோர்வடைகிறார்கள். பாதை சோர்வடைகிறதா?

மீண்டும் மீண்டும் உடற்பயிற்சி செய்வதால் சோர்வடைகின்றனர். உடற்பயிற்சி மையங்கள் சோர்வடைகிறதா?

உண்மை அறியாத பக்தன் சோர்வடைகிறான். லிங்கம் சோர்வடைகிறதா?

கூடலசங்கமதேவா இது ராஜாவுக்குத் தெரியாத சுத்த ஊதியமில்லாத உழைப்பு. குரு பசவா/30/[1]

[conandaily2022]

Patrick Hemingway biography: 13 things about Glastonbury, Connecticut man

Patrick Hemingway is an American man from Glastonbury, Hartford County, Connecticut, United States. Here are 13 more things about him: From 2000 to 2004, he attended East Catholic High School From 2005 to 2018, he attended the University of Connecticut where he studied psychology. From January 2006 to May 2007, he served in the U.S. Army as a light infantryman in Sharana, Paktika,…

[9467273451]

#GodMorningSunday

Guru ki sharana lijiye bhai tate jeev narak nahin jaaye Guru kripa Kate jama fansi vilamb n hoy mile Avinashi

[nasze-zd]

AAA VW Sharan (igła!) sprzedam

BTW, będziemy sprzedawali naszego Sharana, ksywa "Bronzon". Rok 2011, dizelek 2.0 w tedeiku, Niemiec płakał jak sprzedawał, ja też mogę zapłakać, jeśli to podniesie cenę. Przebieg coś ze 225 tys, zakładałem hak rok temu. Komplet kół zimowych. Wszystkie 8 opon po 2-3 lata, w bardzo dobrym stanie. Więcej szczegółów później.

Także myślcie. Ceny jeszcze nie ustaliłem, ale wiadomo, że jak z pewnego źródła, to warto dać więcej niż za jakieś Auto zwei mal bitte z komisu.

[gyanfashion]

Bijapur Chivda, in High Demand in Kalaburagi, is Available Only for 15 Days a Year

Seven to eight bags are emptied from Bijapur Chivda every day. Kalaburagi hosts the Sri Sharana Basaveshwara Jatra Mahotsav every year when devotees flock to the temple premises. Every year, the town of Kalaburagi in Karnataka witnesses a mass gathering of religious devotees from across the country at the annual Jatra and fair which is held at the Sharana Basaveshwara Temple. The temple is…

[ghostlycreatorconnoisseur]

Odia Book Tera janma Sharana By Paramananda Das

The Book"Tera janma Sharana"By Achyutananda Das is one of the extraordinary books in odia litreture.Published by the femous DharmaGrantha Store.Mahapurusa Achyutananda Dasa was a sixteenth century writer diviner and Vaishnava holy person from Odisha, India. He was famously known as Gopala Master. He was considered to have the ability to see the past, present and future. He was a productive creator, and one of the gathering of five, that drove an upset in otherworldliness in Odisha by making an interpretation of Sanskrit texts into the Odia language for commoners.

He was one of the well known five companions of otherworldliness and writing Panchasakha, who interpreted the old Hindu sacred texts into Odia, for individuals of Odisha. Achyutananda Dasa was the most productive author of the Panchasakha and composed various books, a considerable lot of which could be inexactly deciphered as the Book of Predictions. He is known as the Mahapurusa (an Incredible Individual) for his immense information on many subjects like otherworldliness, Yoga, customs, Yantra, Tantra, Ayurveda, and other different shastras.

[unpluggedtv]

A scandal involves the same mutt and its head seer, Shivamurthy Murugha Sharana.

He was taken into custody in October for sexually assaulting two teenage girls, aged 15 and 16, who were residing in the dorms for the course.

In a letter to the superintendent of police of the Chitradurga district dated November 25, 2022, the founder of Odanadi Seva Samsthe, Parashuram M.L., requested an investigation into the admission, care, and discharge of orphans admitted to the two hostels maintained by the Murugha Mutt.

According to Odanadi Seva Samsthe, the Juvenile Justice (Care and Protection of Children) Act 2015 should be followed by anyone or any organisation wishing to provide care for orphans.

Read More: https://unpluggedtv.in/dc-orders-probe-into-hostels-run-by-murugha-mutt/

@chitradurganews #murughaswami #murgaha #MurughaMutt

[kalyan-gullapalli]

Post # 129

The world's first Parliament of Religions...

On 11th September, 1893, the modern world's first Parliament of Religions was convened in Chicago, in order to create "a global dialogue of faiths." In that parliament, Hinduism was represented by a young monk we all know as Swami Vivekananda. When called to the podium, Swami Vivekananda mentally prayed to Goddess Saraswati to get rid of his nervousness, and then began his speech with the salutation, "Sisters and brothers of America!". To these words, he got a standing ovation which lasted for a full two minutes. When silence was restored, he greeted America, the youngest of the nations, on behalf of "the most ancient order of monks in the world, the Vedic order of sannyasins, a religion which has taught the world both tolerance and universal acceptance!"

Exactly 100 years later, in 1993, again in Chicago, a centenary parliament was convened, followed by one every five years or so - in 1999 in Cape Town, South Africa, in 2004 in Barcelona, Spain, in 2009 in Melbourne, Australia, in 2014 in Brussels, Belgium and in 2018, in Toronto, Canada.

But do you know where the first ever Parliament of Religions was held? In a place called Kalyan or Basavakalyan, in Bidar district of modern day Karnataka, in the 12th century. Therein lies a tale.

By the middle of the first millennium of Anno Domini, ie. by the 5th-6th centuries AD, Hinduism vied with Buddhism and Jainism to remain as the dominant religion in the country. However, by then, it had lost its fluidity. It has become rigid, with its uncompromising rules and water-tight hierarchies. It was relevant only to the Brahmin and Kshatriya castes - a small percentage of the population. The majority - lower castes, the casteless untouchables and women - probably found Hinduism stifling and not liberating. Buddhism and Jainism had fewer entry barriers, but their strict austerities were not easy to follow. In this context, The Bhakti movement took birth and provided a solution to the masses.

The Bhakti movement, which began around the 8th century AD and continued well into the 15-17th centuries, was a breath of fresh air into Hinduism. First of all, it was an inclusive movement. It was not restricted to the "classes"; the "masses" could participate. Second, it emphasized on an individual relationship with God, using the most basic of human assets - emotions, rather than on complicated rituals and rites, that needed specialized knowledge. It created saints out of cobblers, potters and untouchables - both men and women.

One such prominent social reformer, poet, philosopher and statesman was Basavanna, also called Basaveshwara, of the 12th century Karnataka.

Basava was born in 1105 AD in a Brahmin family in Northern Karnataka. He rose to become the Chief Minister in King Bijjala's Court. As chief minister of the kingdom, Basavanna used the state treasury to initiate social and religious reforms. One of the many initiatives he undertook was the setting up of the Anubhava Mantapa, widely regarded as the World's first Parliament of Religions, in Basavakalyan.

Mantapa = Assembly or Pavilion; Anubhava = Spiritual experience

The Anubhava Mantapa was a center where spritual experiences were shared by all and sundry. It was a public assembly which attracted men and women across various walks of life, from distant lands to openly discuss spiritual, economic and social issues of life.

It was an academy of mystics, saints and philosophers, called Sharanas. It was presided over by the mystic Allama Prabhu. Other giants like Akka Mahadevi, Channabasavanna and Basavanna himself were participants. The Anubhava Mantapa worked to build a vibrant casteless, creedless society. The Sharanas belonged to all strata of the society.

The main mode of exchange of ideas was through Vachana Sahitya. Vachana literally means - that which is said. In practice, however, they are prose texts - simple to understand, rhythmic poetry.

Great deal of importance was given to dignity of labor and equality of all segments of the society. One of Basavanna's most famous Vachanas is Kaayakave Kailasha - which actually means Work is Worship. Kaayaka = Work; Kailasha = Path to salvation.

This Parliament of Religions also had its own charter. Below is a summary of its founding principles.

The Anubhava Mantapa gave rise to a system of ethics and education, at once simple and exalted. It sought to inspire ideals of social and religious freedom. It even created in a sect of people called Lingayats, who are a significant part of the socio-cultural fabric of Karnataka even today.

Unfortunately, the spirit of the Anubhava Mantapa was crushed when an inter-caste marriage that Basava facilitated was annulled and the couple were punished for the same by the King. Basava's dream of the classless society was shaken as he resigned as Chief Minister in protest and died an year later.

The Anubhava Mantapa still exists in Basavakalyan.

Basava, the Anubhava Mantapa and the Sharana movement were displayed on the Karnataka tableau on 26th January, 2020, as a part of the Republic Day celebrations.

[auggusst-art]

before + after you spot your cross-faction bestie (and crush??) at the faction-neutral event ft. Ahellia Shara’na

[pooma-satsangam]

Basava Vachana - 1

தமிழில்

Look, being brave, why then crave for an arrow?

Being a vassal, why then hanker after life?

Being a bhakta, why then desire life, mind and wealth?

If I turn a doubter, when you restrain or chide me

it ruins my being your vassal Koodalasangamadeva

A warrior’s flight is master’s downfall.

Let me fight and make me win.

As there is no fraud in my body mind and wealth make me win, Koodalasangamadevayya.

Who would I offer the pleasure without the linga?

It could not be, as it is not proper for the bhakti path as it is not proper for the sharana path to be without linga.

The spit that is swallowed without Koodalasangamadeva is poisonous rust.

When the linga becomes a property on your body, it is impossible to bow to an installed god.

Would intercourse with another abandoning ones own man be propriety?

Even as the god is your own palm if you bow to one installed on the earth Koodalasangamadeva will dump you in hell.

Looking at the linga within eyes brimful and tears flowing when would I be like this?

Sight becoming my life breath union becoming my life breath when would I be like this erasing all my bodily passions and uttering linga, linga Koodalasangayya?

Fearing would not rid it, anxiety would not rid it,

lodging inside a diamond cage would not rid it,

destiny's writ would never swerve.

Look, being sentimental, losing fortitude, losing mind’s strength, wouldn’t do. That which must happen can never be missed Koodalasangamadeva.

Like the dog that sits on the palanquin can not rid itself of prior nature is this mind. Shun it, shun this mind, it runs after passions never lets me think of you lord, everyday.

My lord Koodalasangamadeva, I beg you, with my hands folded be compassionate so that I think of your feet.

Do not say then or today or some other time.

Today is the day for him to say I surrender to Shiva, Today is the day for him that says I surrender to Hara. Today is the day for him that thinks our Koodalasanga without break.

It was like spotting water in a forest while one was too thirsty, it was like a blind man gaining eyesight, a poor man gaining hidden treasure.

Look, the arrival of my Koodalasanga’s sharanas is my life breath.

Like a beast lost in the forest, I moo ‘ambe ambe’. Like a calf I cry out ‘ambe ambe’ until

Koodalasangamadeva says ‘live on, live on.’

The elder brother, younger brother the father that begot what if they are kin?

Those without the fellowship of the linga, I would not call them mine. Devotion that keeps relations is deadly hell Koodalasangamadeva.

That I may not wander here and there makes me lame, father. That my eyes do not stray

make me blind, father. That I may not hear another thing makes me deaf, father. Keep me from desiring another thing but the feet of your sharanas Koodalasangamadeva.

Would not a day’s worship of linga be enough than eternal penance under trees and on mountains?

Would not a day’s service at the feet of the guru be enough than eternal worship of linga?

Would not a day’s offer of satiety to the jangama be enough than eternal service at the feet of gurus?

Would not a minute’s spiritual experience of your sharanas be enough than eternal offer of satiety to the jangama Koodalasangayya?

Father is our Maadaara Chennayya, elder uncle is our Doahara Kakkayya, uncle is Chikkayya,

elder brother is our Kinnari Bommayya. Why do you not know me as such Koodalasangayya?

Ayya, like the young calf wearying looking for its mother, I am wearying in your search.

Show yourself up to my mind and grant compassion, be you my mind’s abode,

grant compassion, grant me this much little good ambe ambe Koodalasangamadeva.

பசவ வசனம் - 1

பாருங்கள், தைரியமாக, ஏன் அம்புக்கு ஆசைப்படுகிறீர்கள்?

ஒரு அடிமையாக இருந்து, ஏன் வாழ்க்கைக்குப் பிறக��� ஆசைப்பட வேண்டும்?

பக்தனாக இருந்து, ஏன் உயிர், மனம் மற்றும் செல்வத்தை விரும்ப வேண்டும்?

நான் சந்தேகப்படுபவராக மாறினால், நீங்கள் என்னைக் கட்டுப்படுத்தும்போது அல்லது கடிந்துகொள்ளும்போது

அது உங்கள் அடிமை கூடலசங்கமதேவா என்ற என் இருப்பை அழிக்கிறது

ஒரு போர்வீரனின் விமானம் தலைவரின் வீழ்ச்சி.

என்னைப் போராடி வெற்றி பெறச் செய்யட்டும்.

என் உடம்பில் வஞ்சம் இல்லாததால், செல்வம் என்னை வெற்றி பெறச் செய்கிறது, கூடலசங்கமதேவய்யா.

லிங்கம் இல்லாமல் நான் யாருக்கு இன்பம் தருவேன்?

லிங்கம் இல்லாமல் இருப்பது சரணப் பாதைக்கு ஏற்றதல்ல, பக்தி மார்க்கத்திற்கு அது பொருந்தாது.

கூடலசங்கமதேவன் இல்லாமல் விழுங்கும் எச்சில் விஷ துரு.

லிங்கம் உங்கள் உடலில் ஒரு சொத்தாக மாறினால், நிறுவப்பட்ட கடவுளை வணங்குவது சாத்தியமில்லை.

சொந்த மனிதனைக் கைவிடும் மற்றொருவருடன் உடலுறவு கொள்வது உரிமையா?

கடவுள் உங்கள் சொந்த உள்ளங்கையாக இருந்தால��ம், பூமியில் நிறுவப்பட்டவரை வணங்கினால் கூடலசங்கமதேவர் உங்களை நரகத்தில் தள்ளுவார்.

கண்களுக்குள் இருக்கும் லிங்கத்தைப் பார்த்து, கண்ணீர் வழியும், நான் எப்போது இப்படி இருப்பேன்?

பார்வையே என் உயிர் மூச்சாக மாறுவது என் உயிர் மூச்சாக மாறுவது என் உடல் உணர்வுகளை எல்லாம் அழித்துவிட்டு லிங்கம், லிங்கம் கூடலசங்கய்யா என்று உச்சரிப்பது எப்போது?

பயம் அதை அகற்றாது, கவலை அதை அகற்றாது, வைரக் கூண்டுக்குள் தங்குவது அதை அகற்றாது. விதியின் எழுத்து ஒருபோதும் மாறாது.

பாருங்கள், உணர்ச்சிவசப்பட்டு, மன உறுதியை இழந்து, மன வலிமையை இழந்துவிட முடியாது. நடக்க வேண்டியது கூடலசங்கமதேவாவை ஒருபோதும் தவறவிட முடியாது.

பல்லக்கில் அமர்ந்திருக்கும் நாயைப் போல முன் இயல்பிலிருந்து விடுபட முடியாது இந்த மனம். அதைத் தவிர்த்து விடுங்கள், இந்த மனதைத் தவிருங்கள், அது உணர்ச்சிகளின் பின்னால் ஓடுகிறது ஆண்டவரே, தினமும் உங்களை நினைக்க விடுவதில்லை.

கூடலசங்கமதேவா ஆண்டவரே, உமது பாதங்களை நினைத்து கருணையுடன் இருங்கள் என்று கைகூப்பி வேண்டிக்கொள்கிறேன்.

அன்று என்றோ இன்று என்றோ வேறு நேரமோ சொல்லாதீர்கள்.

நான் சிவனைச் சரணடைகிறேன் என்று அவர் சொல்லும் நாள் இன்று, நான் ஹரனைச் சரணடைகிறேன் என்று சொல்லும் நாள் இன்று. இடைவேளையின்றி நம் கூடலசங்கத்தை நினைக்கும் அவருக்கு இன்று நாள்.

ஒருவன் தாகமாக இருக்கும்போது காட்டில் தண்ணீரைப் பார்ப்பது போலவும், பார்வையற்றவனுக்குக் கண்பார்வை பெறுவது போலவும், ஒரு ஏழை புதையலைப் பெறுவது போலவும் இருந்தது.

பார், என் கூடலசங்க சரணங்களின் வருகையே என் உயிர் மூச்சு.

காட்டில் தொலைந்து போன மிருகம் போல, நான் ‘அம்பே அம்பே’ என்று முனகுகிறேன். கன்றுக்குட்டியைப் போல நான் அம்பே அம்பே என்று அழுகிறேன்

கூடலசங்கமதேவா ‘வாழ்க, வாழ்க’ என்கிறார்.

பெற்றெடுத்த மூத்த சகோதரன், இளைய சகோதரன், அவர்கள் உறவினர்களாக இருந்தால் என்ன செய்வது?

லிங்கத்தின் சகவாசம் இல்லாதவர்களை நான் என்னுடையவர்கள் என்று சொல்லமாட்டேன். உறவுகளைக் காக்கும் பக்தி கொடிய நரகம் கூடலசங்கமதேவா.

நான் அங்கும் இங்கும் அலையாமல் இருப்பது என்னை நொண்டி ஆக்குகிறது அப்பா. என் கண்கள் சிதறாது என்று

என்னை குருடனாக்கு, அப்பா. வேறொரு விஷயத்தை நான் கேட்காமல் இருப்பது என்னை செவிடாக்கி விடுகிறது அப்பா. உன்னுடைய சரணங்களான கூடலசங்கமதேவரின் பாதங்களைத் தவிர வேறொன்றை விரும்புவதிலிருந்து என்னைக் காப்பாயாக.

மரத்தடியிலும் மலைகளிலும் நித்திய தவம் செய்வதை விட ஒரு நாள் லிங்க வழிபாடு போதுமா?

நித்திய லிங்க வழிபாட்டை விட, ஒரு நாள் குருவின் பாதத்தில் பணிந்தால் போதுமா?

குருக்களின் பாதங்களில் நித்திய சேவை செய்வதை விட, ஜங்கமருக்கு ஒரு நாள் திருப்தி அளித்தால் போதுமா?

ஜங்கம கூடலசங்கய்யாவுக்கு நித்திய திருப்தியை வழங்குவதை விட, உங்கள் சரணங்களின் ஒரு நிமிட ஆன்மீக அனுபவம் போதுமா?

அப்பா எங்கள் மாதர சென்னய்யா, மூத்த மாமா எங்கள் தோஹரா காக்கய்யா, மாமா ��ிக்கய்யா, அண்ணன் நம்ம கின்னரி பொம்மையா. ஏன் என்னை அப்படி கூடலசங்கய்யா என்று தெரியவில்லை?

அய்யா, தாயைத் தேடி களைக்கும் இளம் கன்று போல, உங்கள் தேடலில் நான் சோர்ந்து போகிறேன். என் மனதிற்கு உன்னைக் காட்டி, இரக்கத்தைக் கொடு, நீ என் மனதின் இருப்பிடமாக இரு, கருணை கொடுங்கள், அம்பே அம்பே கூடலசங்கமதேவா இந்த சிறிய நல்லதை எனக்கு கொடுங்கள்.

[sherbet-shark]

Zenith Masterlist

💌- Love letter

🫧- Drabble

💭-Theories

✍🏽- Scenario

🧸- Angst

🤔- Headcannon

Alfonse:

{Empty Bottles}

Sharana:

{Empty Bottles}

Bruno:

{Empty Bottles}

Hríd:

{Empty Bottles}

Fjorm:

{Empty Bottles}

Eir:

{Empty Bottles}

Líf:

🫧- Mourning his summoner

Lord Askr:

{Empty Bottles}

「ʀᴇᴛᴜʀɴ ᴛᴏ ᴍᴀꜱᴛᴇʀʟɪꜱᴛ」

[mgkconfessions]

I realised the photographer that papped Megan and MGK today is the same photographer that papped Sharna and Brian. Same photographer hired by this 2 couples which is extremely funny to me. And he also happens to be the same guy who so called papped Megan leaving MGK’S house the very first time. He had somewhat like a bts of him editing the photos of Megan and MGK when she was leaving his house. And someone commented she didn’t look too happy when she was leaving his house and he replied she was, that’s just her face. MGK is just being used and I hope he realises that in time to come. Otherwise he’s down a very very destructive path!

Lmao you're right! Both couples were pictured from Clint Brewer Photography/Backgrid ^^! This is too crazy too be a coincident! Seems like they're indeed still in their weird competition and who has the better relationship or because Megan was allowed to do one staged family day with paparazzi at Universal Studios, it was Brian's turn now! Horrible from both of them! Neither is any better than the other! But I have to give the win to Brian and Sharna. They looked happier and way more engaged with each other than Kells and Megan. If looks could kill, Megan would be dead by the way Kells was looking at her and his exhausted and upset face at the dinner and breakfast...Brian and Sharana gave me still in love vibes while Kells rather looked like he wanted to be anywhere else than having to suffer through another publicity dinner with Megan. Kells isn't stupid, he knew that pictures were taken that day. I mean what else was he thinking when Megan walked off to do a cat walk for the paparazzi and he was smoking in the back watching her? It's honestly so stupid and pathetic, I can't stop laughing about it! ^^ Where are you going Megan?! At least pretend this wasn't staged! Not that Brian's photos look any less staged, but at least they look like a happy couple.

[fullcfterrors]

TAGGED BY: @wclfcrown TAGGING:  @princesncw @goldcnhand @sevnhells @ncrthernfire @lannisqueen @scldsouls @paetriarch @agirlofwinterfell @ladybelmore @theunburntprotector @mxnofhonour @jcimelanniister @crowncdcrow @fallesto @rebxrnbyfire @dragvnflare

* GETTING  TO  KNOW  THE  MUN :

NAME :   sharna NICKNAME :   sharana, sharnell, charlotte, chardonnay. most of the time, whatever ppl hear FACECLAIM :   lucy hale bc she is my bitch and has always been my fc for oc characters PRONOUNS :   she / her  HEIGHT :   5′4′ BIRTHDAY :   28th october  AESTHETIC :   anything edgy bc of my emo phase that still lingers LAST  SONG  YOU  LISTENED  TO :   only one by kanye west ... on REPEAT atm  FAVORITE  MUSE (S)  YOU’VE  WRITTEN :  i’ve never rlly done fandom stuff before so i would have to go with daenerys, otherwise it’s probably caroline forbes. i lover her sm 

* GETTING  TO  KNOW  THE  ACCOUNT :

WHAT  INSPIRED  YOU  TO  TAKE  ON  THIS  MUSE :   i currently have three so for all of them ... i picked up margaery to write with my friends sansa as she had just made a multimuse. when i moved from that general multi and decided to make a strictly asoiaf blog, i added daenerys because she has always been my favourite character. i’ve now decided to add cersei because whilst i love portraying strong and human characters, i felt as though i was lacking somebody who was really brutal and almost holds no compassion like characters i’ve written in the past but i’m still yet to test her out !! 

WHAT  ARE  YOUR  FAVORITE  ASPECTS  OF  YOUR  CURRENT  MUSE :  i’m going to answer this one with dany seeing as she seems to be my main muse but i adore how just she is. like daenerys is one of the most humanised characters in the show despite the awful arch that d&d gave her in the last few eps of season eight. not only is she fair and kind but she holds a resilience and a lot of attributes that i aspire to be like. she doesn’t take anyones shit and i admire that so so much. i just love daenerys with all of my heart 

WHAT’S  YOUR  BIGGEST  INSPIRATION  WHEN  IT  COMES  TO  WRITING :  my biggest inspiration has to be doing her justice bc we all know that season eight went severely south in terms of development and narrative redemption. like they spent all of this time building characters up to just obliterate all of the prior hard work and i want to keep dany alive not just for me but for other people on the dash. things that inspire me whilst i write however is ramin djawadi’s music ... literally drives my ass whilst i write 

FAVORITE  TYPES  OF  THREADS :   i love anything. listen, if you’re shipping with me, you better expect some angst, fluff and smut because i love all of it. i do also adore friendships and even enemies. i wouldn’t say i have a favourite but if you’re just writing plain fluff 100% of the time, do you have any sorta development there to grow tbh ?????

BIGGEST  STRUGGLE  IN  REGARDS  TO  YOUR  CURRENT  MUSE :   i wouldn’t really say i have many struggles with any of my muses right now because i love writing them so much but i am a lil nervous about putting cersei out there. she is just such an incredible character and i really want to be able to give her the justice that she deserves because george rr martin and lena heady really did a fantastic job with her and i’m almost scared of not living up to it