#sf wc au
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rubydubsnuby · 5 months ago
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They're partying together
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rubydubsnuby · 5 months ago
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DUDE??? OH MY GOD????? THIS IS SO AWESOME
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charlie and pim in @rubydubsnuby's warrior cats au :D its a little chopy and the colors are a little off because im trying out a new software but its longer than a second so im happy with it
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laugtherhyena · 2 years ago
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Fuck it, warrior cat-fies your street fighters
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wulfums · 5 months ago
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warrior cats au whatwulf yayyyyy
@rubydubsnuby gave me permission to do WC designs for my SF ocs based on their AU(the allan cat design is theirs so is the concepts for the au) so i did yay (i have gristle thought out too but for now. heres ww)
basically whatwulf (in universe name is Sharkbait ) is one of those really unhealthy exotic pets tiktok users insist on having (hes a lynx/bobcat mix which. Shouldnt even happen.)
mans absolutely fed up with the videos he is made to be in daily which includes scaring him on Purpose which is why even though he doesnt actually care abt the clan drama he joins the sf group anyways.
him and allans owners r neighbors which is how they know each other + how ww found out abt the group.
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deusvervewrites · 7 months ago
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Kinda sucks that Tumblr ate the queried asks and this is likely to occur for the next few days after your ask game.
Wish Carefully AU, the only person holding back Shinso was Shinso himself, especially since this was before his canon character development post Sports Festival.
Though here a good question, while I don't remember what the canonical reason why canon Aizawa would want to train Shinso, do we have a canonical reason other than the fact that Shinso did apply for the Hero Course and that he reached the third round(and that he had a really good Quirk)? Would the Wish Carefully Aizawa even consider training this Quirkless version of Shinso who didn't even try hard enough to pass the first round of the SF? WC Shinso likely applied for the Hero Course but he didn't do anything noteworthy and Aizawa likely assumed that Shinso was one of those students that UA has in the other courses who apply for the Hero Course but never really did anything noteworthy at the Sports Festival(like how canon Shinso did it).
Since we have 42 students with all Hero Course students and Mei and it's declared that Shinso's lack of conviction will prevent him from succeeding in the first round, is it generally accepted that Togeike(or any other student) will replace Shinso for these rounds as the one that Aizawa will train up as she actually tried(if not then Aizawa is doing his job for real for 1-A)?
Heck, even this version of Shinso would likely be more pathetic as from UA's and everyone else's POV, he just a Quirkless student who just happens to be smart enough to know the school material(not counting the fact that Shinso likely wouldn't know the circularium for later on in the year). I would presume that in canon, Shinso had to maintain good grades on top of training with Aizawa in order to be allowed to transfer to the Hero Course but would this version Shinso maintain those same standards?
Now that I know it'll do that I can simply avoid queuing thing when Tumblr tries its shit but it sucks that a lot of asks were lost.
When Shinsou learns that he had a chance for One For All and that he blew it--and that, in his place, Midoriya wouldn't have and didn't--he's gonna be real upset
We weren't ever given a reason for Aizawa training Shinsou, which is in fact one of the main sources of ammunition for people who aren't fond of Aizawa's teaching since he doesn't do this for his actual students, but I digress. I doubt that Aizawa even knows who Shinsou is in this AU; they have so many applicants that he wouldn't stand out without doing something noteworthy. Which he didn't. Also Aizawa probably wouldn't approve of a Quirkless Hero Student anyway
Someone did ask about Togeike and I said yes but alas... the Asks were eaten... I need to use her more, for one thing, and it's also interesting for someone else to get Shinsou's opportunity.
Shinsou's grades are never a problem, not even in the original timeline, but that's not as relevant here as his performance elsewhere
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postsofbabel · 1 year ago
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doomedhowell · 1 year ago
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Phanfiction Bingo Round One Masterpost
unfortunately i did not write as much as i wanted to this round but alas here is what i did manage to write:
@phanfictionbingo
rainy days at the library wc: 1,770 r: general sf: bookworm!dan s: Even on rainy days Dan winds up at the library, but it's not so bad when his company is the cute librarian.
just another stupid holiday wc: 2,362 r: general sf: valentine's day s: Dan hates Valentine's Day. He thinks it's a stupid holiday and wants nothing to do with it. When his co-worker Cat mentions some guy named Phil who happens to be single, who Dan eventually meets when he comes into his coffee shop, Dan thinks maybe this Valentine's Day might be different.
airport meetings wc: 854 r: teen and up sf: strangers meeting for the first time s: Dan is having a bad start to his morning, and you would think a stranger crashing into him, literally, would make things worse, but actually, it makes Dan's morning somewhat better when Dan sees how attractive the man is.
keep the glasses on wc: 1,046 r: general sf: fluff s: Dan has always been insecure about wearing his glasses in public, and he's kept it from his best friend for as long as he's had his glasses. Unfortunately one evening, his cover is blown when Phil stops by.
skip all the small talk wc: 1,812 r: teen and up sf: trapped together s: AU in which Dan and Phil have hated each other for years, but when Dan takes a break and comes back to return to Vidcon, the two get stuck in an elevator together, and Dan learns that maybe he doesn't hate Phil Lester like he thought he did while trapped with him.
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poychachi · 4 years ago
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Common Terms/Slangs in the Writing Community
@writinghaven on instagram 
Writing terms
WIP: work in progress
MC: main character
OC: original character 
AU: alternate universe 
WC: word count
POV: point of view
OTP: one true pairing, favorite couple/ship
A/N: author’s note
LI: Love Interest 
TOC: Table of Contents 
NaNoWriMo/NaNo: National Novel Writing Month 
Plotter: someone who outlines their work before writing
Pantser: someone who doesn’t outline a story before writing 
Plantser: someone who does a combination of plotting and pantsing
Indie: an independent author, usually self-published
Drabble: short pieces of writing without much plot. Usually more reflective and based on characters
Alpha/beta reader: Readers who provide feedback on an author’s book. Alpha readers usually see very early versions of a manuscript, maybe even a first draft. Beta readers will look at versions that are further along, closer to a finished product. Many authors use “beta readers” exclusively, to mean either of those types of feedback
Genre Terms 
CB: Chapter book
CR: Contemporary romance
GN: Graphic novel
MG: Middle grade
NA: New adult
NF: Non-fiction
PB: Picture book
PNR: Paranormal romance
SFF: Science fiction and fantasy
SF: Science fiction
UF: Urban fantasy
WF: Women’s fiction
YA: Young adult
Sources: Your submissions and http://www.racheljrowlands.com/2019/09/26/writing-community-slang-phrases-and-acronyms/
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tarkatan · 8 years ago
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Slenderverse as Warriors?
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I can only manage one sloppy thing while i have an IV in my hand haha but I'll try more once i get outta here!
This is Stan as a Warrior, Stonefleck. I based him off a black silver ticked abyssynian (I have a specific picture if anyone wants to see the color ref) and im inclined to say he's from WindClan! Also he's missing a toe.
He wants to help other Clan members  and even rogues/kittypets with their issues, even considering becoming a medicine cat at one point.
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sin-cognito · 5 years ago
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archiveofourown.org/works/24089707 Short King, by @absurdmageart, 9/?, wc 47186 E, reader/swapfell purple Sans, soulmate AU, enemies to lovers, You reader (female, named, appearance details included), rarepair, 1st person POV (sometimes) There aren't many chapters out yet, but this fic is already really good! A reader fic centered around Swapfell Sans, that's beyond rare but so good! SF Sans needs some LOVE! Beware tho, Reader isn't very neutral (she's almost an OC tbh).
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rubydubsnuby · 5 months ago
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Waow
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[Restauration] Dodge WC 52 de 1943 ⚙🔩🔎🔧 Bravo au comité SF de Saint Cézaire-sur-Siagne 👍🇫🇷
La gamme des Dodge WC est une série de camions militaires légers produite par la société Dodge durant la Seconde Guerre mondiale.
Cette gamme comprenait des weapon carriers (littéralement transporteurs d'armes).
Le sigle WC est un code du fabricant signifiant :
W pour l'année 1941 et C pour la gamme des half-ton. Le code C fut également retenu pour les gammes Dodge 6×6 ¾ ton et 1 ½ ton.
#ww2 #2gm #camion #truck #dodge #WC52 #collection #militaria #SaintCézaireSurSiagne #Siagne #weaponcarrier #camionmilitaire #partageonslamemoire #guerre
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laugtherhyena · 2 years ago
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Couple silly things i made with warriors au Seth alongside with the drawings but decided to post separately
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chicagoindiecritics · 5 years ago
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New from Every Movie Has a Lesson by Don Shanahan: FEATURE: Final 2020 Awards Tracker
FINAL 2020 AWARDS TRACKER
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Welcome to the ninth year of Every Movie Has a Lesson’s “Awards Tracker.”  My goal every year is simple: Help each and every one of you win your Oscar pools. As a member of three recognized awards-voting bodies of film critics (OFCS, OFTA, and Chicago Indie Critics), it’s a pleasure and honor to see my own picks made it into the award season discussion. Here’s how this little page of my personal interest works.  I find value in tracking the trends and following the tea leaves of the all the minor lead-up awards before the Oscars.  I chart the winners of each category with listed winners and comments on the surrounding buzz. 
FINAL TAKE: Prediction-wise, I was a so-so 16 of 24. Not great, but not bad. I’ll take being wrong to watch a night of history honoring women and international film!
BEST MOTION PICTURE
FINAL TAKE:  Folks, in another year of #OscarsSoWhite and questionable gender appreciation, the 92nd Academy Awards dropped (or was it raised, LOL) a microphone of history in favor of diversity. Say it out loud. Parasite is first foreign language film to win Best Picture. Boom! What a boom!
WINNERS:  
26- Parasite (ATL, Cannes, NYO, SEA, PCC, CIC, NC, FCC, Chicago, BO, CO, DC, DET, HOU, LA, NSFC, SE, UT, VAN, AUS, EDA, GA, GAL, OFTA, Online, London, Oscar)
10- Once Upon a Time… In Hollywood (OK, STL, LV, SAT, Globe, CC, SF, IA, HI, ND)
7- 1917 (KC, Globe, DFW, PGA, DEN, HC, BAFTA)
6- The Irishman (HFA, NBR, NY, SD, NT, NM)5- Marriage Story (GI, IN, NV, GW, DUB)
2- Knives Out (CIC, PHI)2- Little Women (Boston, WC)1- The Farewell (Spirit)
OTHERS: 1- Joker (PHX), 1- Jojo Rabbit (TIFF), 1- Ford v Ferrari (SAT), 1- Portrait of a Lady on Fire (FL), 1- The Nightingale (ACT), 1- Avengers: Endgame (PC), 1- Us (AA), 1- Dolemite is My Name (BF), 1- The Last Black Man in San Francisco (AA), 1- The Souvenir (Sight & Sound), 1- Clemency (Sundance), 1- Wild Rose (BAS), 1- For Sama (BI), 1- The Composer (GSA)
BEST DIRECTOR
FINAL TAKE:  We all thought the WOW and WHOA of Parasite ended here. Man, were we surprised. Keep multiplying the history and reverence!
WINNERS:  
27- Bong Joon-Ho for Parasite (ATL, NYO, SEA, Boston, PCC, CIC, NC, FCC, IN, Chicago, BO, CO, DC, GW, HOU, LA, VAN, AUS, CC, EDA, GA, GAL, SF, OFTA, Online, ND, London, Oscar)
10- Sam Mendes for 1917 (KC, Globe, DFW, NT, UT, DGA, CC, DEN, PHX, BAFTA)
7- Martin Scorsese for The Irishman (OK, BF, DET, PHI, SE, DUB, NM)5- Quentin Tarantino for Once Upon a Time… In Hollywood (NBR, STL, LV, IA, HI)3- Josh and Benny Sadfie for Uncut Gems (NY, SD, Spirit)
2- Greta Gerwig for Little Women (CIC, NSFC)
2- James Mangold for Ford V. Ferrari (HFA, SAT)
2- Noam Baumbach for Marriage Story (NV, HC)
OTHERS: 1- Olivia Wilde for Booksmart (HC), 1- Celine Sciamma for Portrait of a Lady on Fire (FL), 1- Kasi Lemmons for Harriet (BF), 1- Jordan Peele for Us (AA), 1- Steven Bognar and Julia Reichert for American Factory (DGA), 1- Jennifer Kent for The Nightingale (ACT), 1- Jean-Pierre and Luc Dardenne for Young Ahmed (Cannes), 1- Matt Pinder for Murder Case (BAS), 1- Jon S. Baird for Stan & Ollie (BAS)
BEST ACTOR IN A LEADING ROLE
FINAL TAKE:  This may have been Adam Driver’s year and arguably his decade, but this made for a platform win for Joaquin. Moved and motivated, his late awards season surge culminated all the way to the biggest stage and microphone.
WINNERS:  
29- Adam Driver for Marriage Story (GI, ATL, SEA, KC, PCC, SD, CIC, NC, FCC, IN, NV, Chicago, CO, DC, DFW, DET, FL, GW, HOU, PHI, SE, UT, VAN, DUB, EDA, GA, WC, Online, OFTA)
14- Joaquin Phoenix for Joker (NYO, SD, Globe, NT, CC, DEN, SAG, PHX, HC, IA, HI, ND, BAFTA, London, Oscar)
8- Adam Sandler for Uncut Gems (NBR, OK, STL, Boston, LV, BO, AUS, Spirit)
7- Antonio Banderas for Pain and Glory (HFA, NY, Cannes, LA, NSFC, SF, GAL)
2- Eddie Murphy for Dolemite is My Name (BF, AA)
2- Taron Egerton for Rocketman (SAT, Globe)
OTHERS: 1- Levan Gelbakhiani for And Then We Danced (NM), 1- Christian Bale for Ford v Ferrari (SAT), 1- Josh O’Connor for Only You (BI), 1- Damon Herriman for Judy and Punch (ACT), 1- Lorn MacDonald for Beats (BAS)
BEST ACTRESS IN A LEADING ROLE
FINAL TAKE:  Rambling speech or not, Renee peaked at the right time, even in an underseen movie. She joins a very exclusive list of multiple Oscar-winning women. Someday like Adam, Scarlett is going to get that make-up award for a late career success that harks back to her growth in Marriage Story.
WINNERS:  
26- Lupita Nyong’o for Us (NY, NYO, SEA, OK, KC, PCC, SD, CIC, NC, FCC, IN, BF, Chicago, AA, BO, CO, DC, PHI, AUS, EDA, GA, WC, SF, Online, HC, OFTA)
16- Renee Zellweger for Judy (HFA, BI, ATL, NBR, LV, Globe, HOU, SE, CC, SAG, PHX, IA, Spirit, BAFTA, GAL, London)
12- Scarlett Johansson for Marriage Story (STL, FCC, NV, SAT, DFW, DET, FL, GW, UT, VAN, DEN, DUB)
4- Awkwafina for The Farewell (GI, Globe, SAT, HI)
2- Mary Kay Place for Diane (LA, NSFC)
2- Charlize Theron for Bombshell (NV, NT)
OTHERS: 1- Adele Haenel for Portrait of a Lady on Fire (NM), 1- Florence Pugh for Midsommar (ND), 1- Cynthia Erivo for Harriet (WC), 1- Saoirse Ronan for Little Women (Boston), 1- Jessie Buckley for Wild Rose (BAS), 1- Aisling Franciosi for The Nightingale (ACT), 1- Emily Beechem for Little Joe (Cannes)
BEST ACTOR IN A SUPPORTING ROLE
FINAL TAKE:  The show led off with lasting popular history. Pitt was the acting lock of the night and the moment did him right. Bravo!
WINNERS:  
29- Brad Pitt for Once Upon a Time… In Hollywood (ATL, NBR, OK, STL, Boston, Globe, CIC, BF, Chicago, BO, DC, DFW, HOU, NSFC, PHI, SE, VAN, AUS, CC, DEN, EDA, SAG, SF, PHX, Online, IA, OFTA, HI, BAFTA, NM)
13- Joe Pesci for The Irishman (NY, NYO, KC, SD, NV, DET, FL, GW, PHI, UT, GA, HC, London)
7- Willem Dafoe for The Lighthouse (SEA, LV, IN, SAT, CO, Spirit, ND)
4- Song Kang-Ho for Parasite (PCC, CIC, LA, GAL)
OTHERS: 1- Tom Hanks for A Beautiful Day in the Neighborhood (NT), 1- Jamie Foxx for Just Mercy (AA), 1- Shia LeBeouf for Honey Boy (FCC), 1- Al Pacino for The Irishman (HFA), 1- Joel Edgerton for The King (ACT), 1- Hugh Laurie for The Personal History of David Copperfield (BI)
BEST ACTRESS IN A SUPPORTING ROLE
FINAL TAKE:  As of this award, the acting prizes went pretty chalk with odds and trends. Laura Dern prevents a Marriage Story shut-out.
WINNERS:  
21- Laura Dern for Marriage Story (HFA, ATL, NY, NY, Globe, DFW, DET, FL, NSFC, SE, VAN, CC, DEN, SAG, PHX, IA, ND, HI, BAFTA, Oscar, London)
14- Jennifer Lopez for Hustlers (SEA, OK, FCC, IN, NV, SAT, DC, LA, AUS, SF, Online, HC, OFTA, GAL)
9- Florence Pugh for Little Women (NC, Chicago, BO, CO, GW, PHI, UT, EDA, GA)
5- Zhao Shuzhen for The Farewell (SD, CIC, HOU, NT, Spirit)
3- Da’Vine Joy Randolph for Dolemite is My Name (KC, BF, AA)
2- Margot Robbie for Once Upon a Time… In Hollywood/Bombshell (STL, LV)
OTHERS: 1- Yeo-Jeong Jo for Parasite (NM), 1- Thomasin McKenzie for Jojo Rabbit (PCC), 1- Kathy Bates for Richard Jewell (NBR), 1- Magnolia Maymuru for The Nightingale (ACT), 1- Ruthxjiah Bellenea for The Last Tree (BI)
BEST ORIGINAL SCREENPLAY
FINAL TAKE:  Bong Hive! I was in the #AnyoneButQuentin camp of one, but this category didn’t become about preferences. This was a win for international cinema. It’s extremely rare for the scene to have attention, let alone victory, in these top categories.
WINNERS:  
21- Bong Joon-Ho and Han Jin-Won for Parasite (ATL, NYO, SEA, NC, Chicago, AA, CO, NSFC, SE, UT, AUS, EDA, GA, SF, Online, HC, OFTA, GAL, BAFTA, WGA, Oscar)15- Noah Baumbach for Marriage Story (GI, STL, SD, FCC, IN, SAT, DC, DFW, DET, GW, LA, VAN, DUB, Spirit, London)
9- Quentin Tarantino for Once Upon a Time… In Hollywood (NY, STL, Boston, LV, Globe, NV, BO, CC, HI, ND)
8- Rian Johnson for Knives Out (OK, KC, CIC, PCC, HOU, PHI, DEN, PHX)
2- Josh Sadfie, Benny Sadfie, and Ronald Bronstein for Uncut Gems (NBR, FL)
OTHERS: 1- Robert Eggers and Max Eggers for The Lighthouse (NM), 1- Lena Waithe for Queen & Slim (BF), 1- Nicole Taylor for Wild Rose (BAS), 1- Jennifer Kent for The Nightingale (ACT), 1- Celine Sciamma for Portrait of a Lady on Fire (Cannes)
BEST ADAPTED SCREENPLAY
FINAL TAKE:  This was quite a late season surge for Waititi. He is beloved and someday Greta Gerwig will get hers. It’s a matter of time.
WINNERS:  
16- Greta Gerwig for Little Women (KC, CIC, NC, IN, Chicago, CO, SAT, DC, FL, UT, USC, AUS, CC, DEN, EDA, OFTA)
9- Steve Zaillian for The Irishman (NBR, OK, BF, GW, SE, GA, Online, HI, NM)
8- Taika Waititi for Jojo Rabbit (FCC, NV, SF, PHX, HC, BAFTA, Oscar, WGA)
OTHERS: 1- Todd Phillips and Scott Silver for Joker (SAT), 1- Anthony McCarten for The Two Popes (HFA, LV), 1- J.C. Lee and Julius Onah for Luce (SD)
BEST ANIMATED FEATURE
FINAL TAKE:  This was the forgone conclusion spot, despite some staunch competition. Go see the other nominees and you’ll find some lovely works.
WINNERS:  
32- Toy Story 4 (HFA, ATL, SEA, OK, KC, STL, PCC, NC, FCC, NV, Chicago, BO, CO, DC, DFW, DET, GW, HOU, NT, PHI, SE, PGA, CC, DEN, GA, PHX, Online, HC, OFTA, IA, HI, Oscar)
14- I Lost My Body (Cannes, NY, NYO, Boston, SD, CIC, BF, FL, LA, UT, Annie, AUS, EDA, SF, ND)
2- Missing Link (LV, Globe)
2- How to Train Your Dragon: The Hidden World (NBR, IN)
2- Abominable (GSA, AA)2- Klaus (Annie, BAFTA)1- Weathering With You (NM)
OTHERS: 1- The Lion King (SAT), 1- Love, Death, & Robots – Helping Hand (BAS)
BEST ANIMATED SHORT FILM
FINAL TAKE:  An excellent winner with a Chicago connection in its director Matthew A. Cherry.
WINNERS:  1- Hair Love (Oscar)
OTHERS: 1- Uncle Thomas: Accounting for the Days (Annie), 1- Grandad Was a Romantic (BAFTA)
BEST LIVE ACTION SHORT
FINAL TAKE:  I didn’t know this category well, but I loved the Zack Gottshagen appearance as the presenter. That made my night.
WINNERS:  
1- The Neighbor’s Window (Oscar)
OTHERS: 1- The Distance Between Us and the Sky (Cannes), 1- The Devil’s Harmony (London) 1- Anna (BI), 1- The Joke That Isn’t Funny Anymore (BAS)
BEST DOCUMENTARY FEATURE
FINAL TAKE:  There was no Obama shout-out or red carpet appearance, but the love was there. I’m still going to be pissed for years for omitting Apollo 13.
WINNERS:  
34- Apollo 11 (CCD, ATL, NYO, SEA, KC, STL, PCC, LV, CIC, NC, FCC, NV, Chicago, BO, CO, DC, DFW, DET, FL, GW, HOU, NT, PHI, SE, UT, AUS, DUB, EDA, GA, SF, Online, HC, IA, OFTA)
8- Honeyland (NY, Boston, NSFC, Sundance, VAN, DEN, ND, GAL)
6- American Factory (GI, OK, LA, EYE, Spirit, Oscar)
6- For Sama (BI, Cannes, IN, IDA, BAFTA, London)
3- One Child Nation (SD, Sundance, PHX)
OTHERS: 1- Diego Maradona (NM), 1- Varda by Agnes (WC), 1- The Black Godfather (AA), 1- Toni Morrison: The Pieces I Am (BF), 1- 63 Up (SAT), 1- Amazing Grace (KC), 1- Maiden (NBR), 1- The Cordillera of Dreams (Cannes), 1- Real Kashmir F.C. (BAS)
BEST DOCUMENTARY SHORT SUBJECT
FINAL TAKE:  Let this be a lesson to me to always follow the IDA Award winner in my picks.
WINNERS:  
3- Learning to Skateboard in a Warzone (if you’re a girl)  (IDA, BAFTA, Oscar)
1- Period. End of Sentence. (CCD)
BEST INTERNATIONAL FEATURE FILM
FINAL TAKE:  This was a no-doubter and the minimum of the top prizes Parasite was thought to win tonight.
WINNERS:  46- Parasite (BI, ATL, NBR, NY, SEA, OK, KC, STL, Boston, PCC, SD, LV, Globe, CIC, NC, IN, BF, Chicago, AA, BO, CO, DC, DFW, GW, HOU, NT, PHI, SE, VAN, AUS, CC, DEN, EDA, GA, SF, PHX, Online, HC, Spirit, HI, BAFTA, ND, NM, GAL, OFTA, Oscar)
4- Portrait of a Lady On Fire (NYO, FL, WC, London)1- Pain and Glory (LA)
OTHERS: 1- Truth and Justice (SAT), 1- The Souvenir (Sundance), 1- Monos (Sundance)
BEST CINEMATOGRAPHY
FINAL TAKE:  The GOAT maintains his GOAT status. Speaking of locks, the technical/artistic lock of the night stayed the lock of the night.
WINNERS:  36- Roger Deakins for 1917 (ATL, NBR, NYO, SEA, KC, STL, PCC, LV, CIC, NC, FCC, NV, SAT, BF, Chicago, CO, DC, DFW, FL, HOU, NT, SE, UT, ASC, AUS, CC, EDA, GA, SF, PHX, Online, HC, HI, OFTA, BAFTA, Oscar)
5- Claire Mathon for Portrait of a Lady on Fire (NY, Boston, GW, LA, NSFC)
5- Jarin Blaschke for The Lighthouse (SD, PHI, Spirit, ND, NM)
2- Robert Richardson for Once Upon a Time… In Hollywood (OK, BO)
OTHERS: 1- Hoyte van Hoytema for Ad Astra (DUB), 1- Adam Arkapow for The Nightingale (ACT), 1- Fejmi Daut and Samir Ljuma for Honeyland (ASC), 1- Mihai Malaimare Jr. for Jojo Rabbit (HFA), 1- Benjamin Kracun for Beats (BI)
BEST PRODUCTION DESIGN/ART DIRECTION
FINAL TAKE:  I may have been a big fan of the massive work in 1917 and not a huge Once Upon a Time… In Hollywood lover, but I cannot argue with the artistic brilliance on display here. All the neon, the dinge, the sets-within-the-sets, and the period architecture were worth this.
WINNERS:  
15- Barbara Ling for Once Upon a Time… In Hollywood (SEA, STL, LV, NV, Chicago, DC, FL, LA, CC, SF, ND, London, ADG, Oscar, NM)
5- Dennis Gassner for 1917 (SD, GA, PHX, BAFTA, Online)
4- Ha-Jun Lee for Parasite (Online, HI, ADG, OFTA)
OTHERS: 1- Charles Wood for Avengers: Endgame (ADG), 1- David Crank for Knives Out (CIC), 1- Ra Vincent for Jojo Rabbit (HFA), 1- Beth Mickle and Michael Ahern for Motherless Brooklyn (SAT), 1- Fiona Crombie and Alice Felton for The King (ACT), 1- Bob Pauley for Toy Story 4 (ADG), 1- Cristina Casali for The Personal History of David Copperfield (BI)
BEST FILM EDITING
FINAL TAKE:  While Ford v Ferrari was the awards season leader going in, the editing work was not the entering favorite. However, this was a superior technical win, which I’ll always respect and enjoy.
WINNERS:  
7- Michael McCusker and Andrew Buckland for Ford v Ferrari (HFA, SD, LV, SAT, DC, BAFTA, Oscar)
6- Thelma Schoonmaker for The Irishman (Boston, Chicago, BO, EDA, HP, NM)
4- Lee Smith for 1917 (CIC, CC, PHX, HC)
4- Ronald Bronstein and Benny Safdie for Uncut Gems (SEA, GW, AUS, Spirit)
3- Jimno Yang for Parasite (ACE, Online, OFTA)
2- Fred Raskin for Once Upon a Time… In Hollywood (STL, HI)
2- Todd Douglas Miller for Apollo 11 (LA, UT)
OTHERS: 1- Louise Ford for The Lighthouse (ND), 1- Tom Eagles for Jojo Rabbit (ACE), 1- Axel Geddes for Toy Story 4 (ACE), 1- Todd Douglas Miller for Apollo 11 (ACE), 1- Bob Ducsay for Knives Out (CO), 1- Peter McNulty and Anthony Maras for Hotel Mumbai (ACT), 1- Chloe Lambourne and Simon McMahon for For Sama (BI)
BEST COSTUME DESIGN
FINAL TAKE:  When in doubt, pick the period piece. This stood as the single consolation spot for all things Little Women.
WINNERS:  
7- Ruth E. Carter for Dolemite is My Name (SD, LV, CIC, SAT, BF, CC, OFTA)
4- Jacqueline Durran for Little Women (Chicago, BAFTA, OFTA, Oscar)
3- Julian Day for Rocketman (PHX, HC, HI)
OTHERS: 1- Jenny Eagan for Knives Out (CDG), 1- Mayes C. Rubeo for Jojo Rabbit (CDG), 1- Ellen Mirojnick for Maleficent: Mistress of Evil (CDG), 1- Anna Mary Scott Robbins for Downton Abbey (HFA), 1- Jan Petrie for The King (ACT), 1- Suzie Harman and Robert Worley for The Personal History of David Copperfield (BI)
BEST MAKEUP AND HAIR-STYLING
FINAL TAKE:  Much like The Darkest Hour, flashy individuals beats volume and that’s perfectly OK. Great to see the wealth spread.
WINNERS:  
6- Vivian Baker, Kazu Hiro, and Anne Morgan for Bombshell (CIC, CC, MH, HC, OFTA, Oscar)
2- Nikki Ledermanm, Tania Ribalow, and Sunday Englis for Joker (MH, HI)
OTHERS: 1- Lizzie Yianni-Georgiou, Tapio Salmi, and Barrie Gower for Rocketman (HFA), 1- Jeremy Woodhead for Judy (BI), 1- Zeljka Stanin, Paul Pattison, and Cheryl Williams for Lambs of God (ACT)
BEST VISUAL EFFECTS
FINAL TAKE:  1917 entered the night a big favorite, but this was not a spot it was favored, making this a very cool win. I was in the #AnythingButTheIrishman mosh pit of one.
WINNERS:  
8- Dan Deleeuw, Matt Aitken, Russell Earl, and Dan Sudick for Avengers: Endgame (STL, LV, NC, NV, CC, PHX, HC, OFTA)
5- Greg Butler, Guillaume Rocheron, and Dominic Touhy for 1917 (CIC, HOU, DEN, BAFTA, Oscar)
4- Allen Maris, Jedediah Smith, Guillaume Rocheron, and Scott R.Fisher for Ad Astra (SEA, SD, Chicago, Online)
3- Joe Letteri and Eric Saindon for Alita: Battle Angel (SAT, FL, HI)
2- Robert Legato, Andrew R. Jones; Adam Valdez, Elliot Newman, and Audrey Ferrara for The Lion King (HP, VES)
2- Pablo Helman for The Irishman (HFA, VES)
OTHERS: 1- Brad Schiff, Travis Knight, Steve Emerson, and Benoit Dubac for Missing Link (VES), 1- Benjamin Fiske, Alex Moaveni, Jesse Erickson, Dimitre Berberov, and Kee Nam Suong for Frozen 2 (Annie), 1- Brendan Seals, Michael Perdew, Andrew Zink, and Adam Gailey for Spider-Man: Far From Home (ACT), 1- Howard Jones for A Shaun the Sheep Movie: Farmageddon (BI)
BEST SOUND EDITING
FINAL TAKE:  Excellent and correct technical win and not a Best Picture sweeper. Well done!
WINNERS:  
4- Donald Sylvester, Paul Massey, David Giammarco, and Steven A. Morrow for Ford v Ferrari (HFA, SAT, HI, Oscar)
2- Oliver Tarney and Rachel Tate for 1917 (BAFTA, OFTA)
OTHERS: 1- Tim LeBlanc, Tom Ozanich, Erik Aadahl, Nancy Nugent, and Jason W. Jennings for Godzilla: King of the Monsters (HP), 1- David Bowtle-McMillan, Joakim Sundstrom, and Robert Farr for Beats (BI), 1- Liam Egan for Danger Close: The Battle of Long Tan (ACT)
BEST SOUND MIXING
FINAL TAKE:  The technical skill of 1917 is fitting for this position. It was going to be between this and the editing winner Ford v Ferrari. This boosted totals nicely.
WINNERS:  
3- Donald Sylvester, Paul Massey, David Giammarco, and Steven A. Morrow for Ford V. Ferrari (HFA, SAT, CAS, HI)
3- Mark Taylor and Stuart Wilson for 1917 (BAFTA, OFTA, Oscar)
OTHERS: 1- Doc Kane, Vince Caro, Michael Semanick, Nathan Nance, David Boucher, and Scott Curtis for Toy Story 4 (CAS), 1- David J. Turner, Tom Myers, David Blanck, and Frank Rinella for Making Waves: The Art of Cinematic Sound (CAS), 1- David Bowtle-McMillan, Joakim Sundstrom, and Robert Farr for Beats (BI)
BEST ORIGINAL SCORE
FINAL TAKE:  I love this moment of history for Hildur and her speech was fitting and matching of the moment. Joker haters, be damned.
WINNERS:
11- Hildur Gudnadottir for Joker (PCC, LV, Globe, SAT, CC, DEN, HC, HI, ND, BAFTA, Oscar)
8- Thomas Newman for 1917 (ATL, STL, DFW, AUS, GA, PHX, IA, OFTA)
5- Michael Abels for Us (CIC, IN, CO, DC, Online)
4- Daniel Lopatin for Uncut Gems (SEA, OK, BO, FL)
2- Alexandre Desplat for Little Women (Boston, Chicago)
2- Randy Newman for Marriage Story (HFA, GW)
OTHERS: 1- James Newton Howard for A Hidden Life (NM), 1- Emile Nommensen for The Last Black Man in San Francisco (SF), 1- Matt Morton for Apollo 11 (UT), 1- Dan Levy for I Lost My Body (LA), 1- Matthew Margeson for Rocketman (NYO), 1- Alberto Iglesias for Pain and Glory (Cannes), 1- Francois Tetaz for Judy and Punch (ACT), 1- Jack Arnold for Wild Rose (BI)
BEST ORIGINAL SONG
FINAL TAKE:  The legend won in the spot where legends win. I would have loved Cynthia Erivo, but who can argue with Elton John.
WINNERS:  
6- “Glasgow (No Place Like Home)” from Wild Rose (HOU, CC, DEN, GA, HC, ND)
6- “(I’m Gonna) Love Me Again” from Rocketman (Globe, SAT, CC, HI, OFTA, Oscar)
OTHERS: 1- “Swan Song” from Alita: Battle Angel (NM), 1- “I Punched Keanu Reeves” from Always Be My Maybe (CIC), 1- “I Can’t Let You Throw Yourself Away” from Toy Story 4 (IA), 1- “Into the Unknown” from Frozen 2 (PHX), 1- “Letter to My Grandfather” from The Black Godfather (HFA), 1- “Stand Up” from Harriet (LV)
ACRONYM KEY FOR AWARD GROUPS
African-American Film Critics Association (AA), ACE Eddie Awards (ACE), Art Directors Guild Awards (ADG), Annie Awards (Annie), American Society of Cinematographers (ASC), Atlanta Film Critics Circle (ATL), Australian Academy of Cinema and Television Arts (ACT), Austin Film Critics Association (AUS), British Academy of Film and Television Arts (BAFTA), BAFTA Scottland (BAS), Black Film Critics Circle (BF), British Independent Film Awards (BI), Boston Society of Film Critics (Boston), Boston Online Film Critics Association (BO), Cannes Film Festival (Cannes), Cinema Audio Society (CAS), Costume Designers Guild (CDG), Chicago Film Critics Association (Chicago), Chicago Indie Critics (CIC), Broadcast Film Critics Association/Critics Choice Awards (CC), Critics Choice Documentary Awards (CCD), Columbus/Central Ohio Film Critics Associations (CO), Washington D.C. Area Film Critics Association (DC), Dallas-Fort Worth Film Critics Association (DFW), Denver Film Critics Society (DEN), Detroit Film Critics Society (DET), Directors Guild of America (DGA), Dublin Film Critics Circle (DUB), Alliance of Women Film Journalists/EDA Awards (EDA), Cinema Eye Awards (EYE), Online Association of Female Film Critics (FFC), Florida Film Critics Circle (FL), Georgia Film Critics Association (GA), Gay and Lesbian Entertainment Critics Association/Dorian Awards (GAL), Gotham Independent Film Awards (GI), Golden Screen Awards (GSA), Greater Western New York Film Critics Association (GW), Hollywood Critics Association (HC), Hawaii Film Critics Society (HI), Hollywood Foreign Press Association/Golden Globes (Globe), Hollywood Film Awards (HFA), Houston Film Critics Society (HOU), Hollywood Professionals Association (HP), Iowa Film Critics Association (IA), International Documentary Association (IDA), Indiana Film Journalist Associations (IN), Kansas City Film Critics Circle (KC), Los Angeles Film Critics Association (LA), London Film Critics Circle (London), Las Vegas Film Critics Association/Sierra Winners (LV), Makeup and Hair-Styling Guild (MH), National Board of Review (NBR), North Carolina Film Critics Association (NC), North Dakota Film Critics Society (ND), National Society of Film Critics (NSFC), New Mexico Film Critics (NM), North Texas Film Critics Association (NT), Nevada Film Critics Society (NV), New York Film Critics Circle (NY), New York Online Film Critics Association (NYO), Online Film and Television Awards (OFTA), Oklahoma Film Critics Circle (OK), Online Film Critics Society (Online), The Academy of Motion Picture Arts and Sciences/Academy Awards (Oscar), People’s Choice Awards (PC), Producers Guild of America (PGA), Philadelphia Film Critics Circle (PHI), Phoenix Critic Circle (PCC), Phoenix Film Critics Society (PHX), Screen Actors Guild Awards (SAG), International Press Academy/Satellite Awards (SAT), San Diego Film Critics Society (SD), Southeastern Film Critics Association (SE), Seattle Film Critics Society (SEA), San Francisco Bay Area Film Critics Circle (SF),  Independent Spirit Awards (Spirit), St. Louis Film Critics (STL), Sundance Film Festival (Sundance), Toronto International Film Festival (TIFF), USC Libraries Scripter Award (USC), Utah Film Critics Association (UT), Vancouver Critics Circle (VAN), Visual Effects Society Awards (VES), Women Film Critics Circle (WC), Writers Guild of America (WGA)
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wulfums · 5 months ago
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Did some edits on my Gnarly, Grim and Gristle WC au designs (Based on @rubydubsnuby 's SF WC au that I am Obsessed w!! Its fun making my own versions inspired by it teehee. )
biggest change is i was thinking abt WC fan designs and realized oh Grim would totally have something like a marking that looks like a broken heart.
Gristle is a chihuahua mutt, but they love him anyways. Grim is a former kittypet while Gnarly used to be in a clan, and Gristle has lived around the same area of the cat clans for a long time(He just leaves them alone and eats their scraps until he found Grim and Gnarly, but he knows enough abt cat culture to work better w cats than he does other dogs) and that is my explanation as to why he gets to be a dog
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cautpensiuni · 5 years ago
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Preturi rezonabile, curatenie si confort maxim! La numai 12 km de Brasov si 5 km de Predeal, pe partea stg a sos nat 1/e60 al sensului de mers Bucuresti - Brasov. Ideal pentru perechi, familii si grupuri!
Descrierea camerelor (vezi si foto cu fiecare camera si nu ezita sa consulti rubrica de oferte speciale! )
Cam. 1 - dubla matrimoniala superioara, baie cu cada mare pe colt cu dus, wc+bideu, lavoar dublu, in camera: pat matrimonial cu noptiere, birou, tv, frigider; Balcon tip terasa
Cam. 2 - dubla super lux. Camera e deosebit de spatioasa. In camera: pat matrimonial cu noptiere, masuta cu minifotolii piele, tv, frigider, birou; Balcon. Baia are cada mare pe colt cu dus, wc+bideu, lavoar dublu
Cam. 3 / 4 - Duplex junior (suita), camera cu doua nivele; Nivelul de jos: living mic cu dulapuri, frigider, masuta, minifotolii piele; Baie cu cabina de dus; Balcon. Spre etajul camerei: scara interioara, dormitor cu pat matrimonial cu noptiere, Tv
Cam. 5 - Garsoniera lux tip suita, camera e deosebit de spatioasa. Camera are doua nivele; Nivelul de jos: Masuta cu fotoliu si canapea din piele, canapeaua este extensibila pt. 2 copii/adulti, dulap, Tv si frigider; Baia cu cada clasica si dus, wc+bideu, lavoar dublu; Balcon; Scara interioara spre dormitorul de la etaj; Dormitor la etaj: pat matrimonial cu noptiere
Cam. 6 - Camera matrimoniala clasica, pat matrimonial cu noptiere, masa si 2 scaune, tv, frigider; Balcon frantuzesc, Baie cu cabina de dus
Mentiuni speciale:
A) check in (intrare) : dupa ora 14,
Check-out (iesire): maxim ora 12. Nu se tine cont de ora sosirii turistului pentru a se amana ora de check-out! Posibila prelungirea cu acordul proprietarului: Max ora 13. 00. Prelungire check-out pana la Ora 19. 00 numai Cu acordul proprietarului Si costa In plus 50% din pretul Pe noapte.
B) in pret este inclus tva de 9% din serviciile oferite + taxa statiune de 1%.
C) In pret nu este inclusa taxa obligatorie de salvamont 2lei/pers/zi, instituita de Primaria Predeal, persoanele exceptate avand obligatia de a avea asupra lor o copie doveditoare ca va incadrati in una din urmatoarele categorii: minor - certificat de nastere / elev - carnet de elev /student - legitimatie de student / persoana cu handicap - adeverinta sau decizie / pensionar - cupon de pensie / veteran de razboi - decizie. Va multumim pentru intelegere.
D) In pret nu este inclus micul dejun (pt copii pana la 8 ani costa jumatate din pretul pt adult, copii pana la 4 ani gratuit) - o cafea sau un ceai sunt oferite din partea casei, chiar daca nu serviti micul dejun la noi! Sau alte mese ori servicii, pe care le puteti achizitiona separat.
E) Pentru rezervare ferma se percepe un avans de 50%.
In caz de neprezentare nu se va returna avansul.
Avansul reprezinta o garantie pentru ambele parti, respectiv pentru turist, care are asigurata cazarea, cat si pentru pensiune, care si-a planificat din timp gradul de ocupare. Pensiunea nu se face raspunzatoare de calatitati naturale, ambuteiaje, caderi de curent etc.
In caz de forta majora, este posibila atat transmiterea rezervarii catre alta persoana, cat si reprogramarea sejurului, dar numai in functie de disponibilitatile de cazare ale pensiunii.
F) In cazul in care nu mai exista timpul fizic de a plati avansul, dar totusi v-am acceptat rezervarea la pensiunea noastra, dar din anumite motive nu mai puteti onora cazarea, avem marea rugaminte de a ne anunta anularea rezervarii din timp. Astfel lasati loc de buna ziua si pe viitor, iar pe aceia, care ajung la pensiunea noastra cu dorinta de a se caza, le putem oferi aceasta posibilitate.
G) Pretul pt rezervarea integrala include folosirea parterului (living, sala de mese, bucatarie modern utilata, gratar pe terasa), precum si intretinerea bucatariei, curatenia dupa plecarea turistilor etc. Indeosebi la rezervarea integrala, in week-end se prefera rezervarea pt min. 2 nopti, pentru a fi posibila pastrarea pretului.
H) Preturile de mai sus nu sunt valabile in perioada unor sarbatori, cum ar fi Craciunul, Revelionul, Pastele.
Va asteptam cu drag!
Dotari:
- afara in curte Nu avem loc de joaca amenajat pentru copii, in schimb in livingul pensiunii exista jucarii si jocuri pentru copii(carti de joc, Monopoly, Remy, tabla de desenat si scris, reviste, carti cu povesti);
- exista curte si terasa cu gratar
- exista frigider cu bauturi racoritoare; apa plata si minerala; bere; vin.
- parcare in curtea pensiunii
- nu avem restaurant, dar putem comanda mancare servita la noi de la pensiunea vecina (este necesar a se stabili cu minim 24 ore dinainte) ! ! !
- grup sanitar in fiecare camera (cabina dus / cada si bideu)
- salon mic dejun
- posibilitatea de a utilize o bucatarie complet utilata (cuptor microunde, cuptor/plita, frigider, congelator),
- internet wireless in camere si in livingul pensiunii;
- living cu semineu, tv si statie stereo
- in curte loc amenajat pentru gratar etc.
- uscator de par la receptie
- pensiunea detine un frigider cu bauturi racoritoare, apa plata si mineral, bere si vin etc.
- sfaturi pentru petrecerea timpului liber;
Dotari contra cost:
- servirea micului dejun (este de preferat a se anunta la rezervare daca se doreste si micul dejun)
- servirea altor mese (este necesar a se stabili anterior, min. 24 ore inainte plus avans! )
- paturi suplimentare!
- bauturi alcoolice si non-alcoolice in frigiderul de la receptie;
- servicii de secretariat;
- servicii de copiere;
- servicii de spalat si calcat;
- preluare de la gara, aeroport etc.
- ghizi montani ori monitori de ski;
- nou! La cerere Atv-uri si excursii off-road in imprejurimi
- baby-sitting
- comenzi taxi
- servicii masaj terapeutic (numai cu programare din timp cu cateva zile inainte! )
- de asemenea organizam mase festive intr-o frumusica cabana in padure, cu un meniu proaspat si variat, la preturi accesibile;
Politica pensiunii privind fumatul
In camere/bai nu se fumeaza! Fumatul in pensiunea noastra este permis pe balcon.
De asemenea se poate fuma in sala de mese si livingul pensiunii, daca nu deranjeaza pe ceilalti oaspeti, indeosebi daca nu sunt copii prin preajma.
Va multumim pentru intelegere!
Pensiunea Casa Timis detine 6 camere duble, cu pat matrimonial, respectiv 12 locuri (cu posibilitate de extindere cu paturi pliante contra cost). Copii mai mici de 6 ani au gratuitate la cazare.
Pensiunea Casa Timis are ca punct de reper Posta, dar si frumoasa biserica de lemn din Timisu de Sus.
Pensiunea Casa Timis ofera oaspetilor sai un prilej de relaxare, asigurand cazare in spatii ample, generoase cu confort maxim, dar mai ales intr-un mediu familial.
Peisajul foarte frumos din zona este caracteristic montan, iar de pe terasa veti putea admira masivul Piatra Mare, respectiv in spate masivul Postavarul.
Ca mijloc de transport in comun recomandam microbuzele Codreanu, care ruleaza pe ruta Brasov-predeal-sinaia-ploiesti-bucurest sau Brasov-predeal-paraul Rece etc. Alta posibilitate ar fi trenul din ambele directii, care are statie in Halta Timisu de Sus (trenul personal).
Atractii turistice:
Statiunea Timisu de Sus este punctul de plecare, pentru toate categoriile de turisti, in drumetii pe cele doua masive, Piatra Mare:
- prin Canionul Tamina, unde se afla si Cascada Tamina, lunga de 15 m;
- prin Canionul 7 Scari, care este o zona salbatica, dar amenajata pentru a fi accesibila tuturor categoriilor de turisti;
- de la Timisu de Sus pe la Cascada Tamina, spre Cabana/hotelul Cioplea din Predeal/clubul Office;
- Timisu de Sus constituie punctul de plecare pentru traseul de vanatoare in Masivul Piatra Mare (vanatoare de caprioare, ursi, lupi si vulpi);
- Pestera de Gheata
- Prapastia Ursilor (trasee de alpinism) si Postavarul:
- prin Saua Cailor, traseu nerecomandat pe timp de iarna, se poate ajunge prin Vf. Masivului Postavarul in Poiana Brasov;
De asemenea amintim traseul Timisu de Sus - Poiana Secuilor - Cabana/hotelul trei Braziï, de unde se poate ajunge la Paraul Rece si la Predeal. La numai 2 km se afla Muntele Bunloc, destinat atat pentru ski, dar si pentru practicantii deltaplanorismului sau al sportului cu parapanta. Foarte usor se poate ajunge pe Tampa si in Poiana Brasov (pentru drumetii usoare, sporturi de iarna, echitatie, restaurante).
Pentru vacante prelungite se mai pot recomanda urmatoarele:
- Rezervatia naturala `masivul Bucegi` (aici fiind posibila practicarea sporturilor de iarna; exista si numeroase trasee atat pentru drumetii, cat si pentru mountain-bike);
- numeroasele partii de ski din statiunile de pe Valea Prahovei;
Ca puncte de atractie culturala pentru sederi mai indelungate recomandam Castelul Peles si Manastirea de la Sinaia, dar si orasul Brasov, care se afla la o distanta de numai 12 km.
Orasul Brasov este un important centru economic, cultural si turistic al tarii, atestat documentar din secolul 13 ca cetate medievala, construita pe teritoriul unei foste asezari neolitice.
Ce puteti vizita in Brasov:
- Bastionul Tesatorilor - cel mai vechi bastion din tara
- Poarta Ecaterinei
- Turnul Alb si Turnul Negru
- Biserica Neagra - cel mai important monument de arta gotica din estul Europei
- Prima Scoala Romaneasca din tara
- Catedrala Ortodoxa Sf. Nicolae
- Biserica Sf. Bartolomeu - este cea mai veche constructie din oras (1241)
- Casa Sfatului - gazduieste actualmente Muzeul de Istorie
- Poarta Schei.
- `parc Aventura` in Brasov
- piscina acoperita in Brasov `paradisul Acvatic`
- piscine in aer liber, `aqua Parc`;
- tot in Brasov va mai puteti bucura de diferitele evenimente/spectacole/targuri organizate de Primaria Brasov - Consiliul Judetean Brasov;
- Patinoar olimpic din cartierul Tractorul;
- Patinoar natural, in aer liber, pe terenul de tenis Olimpia ori Complexul Agrement de sub Tampa!
- Patinoar in Poiana Brasov;
- Pestera Rasnov;
- n o u : La cerere Atv-uri si excursii off-road in imprejurimi
Taxa hoteliera = 3lei/zi/pers
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