#seymour chwast

[forever70s]

Sara's Granny and the Groodle by Joan Gill; illustrated by Seymour Chwast (1969)

[thefugitivesaint]

Seymour Chwast, ''The Push Pin Graphic'', 2004 Originally published in 1967, the "Push Pin" helped influence the "psychedelic fashion" of the late 1960s. Source

[c86]

Endpapers from Funniest Verses of Ogden Nash, 1968

Artwork by Seymour Chwast

[lisamarie-vee]

[cosmonautroger]

Seymour Chwast, 1980

[elegieenbleu]

SEYMOUR CHWAST /

Head Out to Oz Poster 1960s

[hitku]

by Seymour Chwast

[girlsandmachines]

Seymour Chwast, 1960s.

[guy60660]

Seymour Chwast | Print

[jazznoisehere]

Margarita Karapanou "Kassandra and the Wolf"

Design by Seymour Chwast.

[stealfocus]

ARTIST: Seymour Chwast

[domusinluna]

Loving this almanack by design legends Milton Glaser, Ed Sorel and Seymour Chwast, 1955

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[mrdirtybear]

Sigmund Freud had it (1970)Seymour Chwast (American, 1931-). This poster is surely influenced by George Dunning and Heinz Edelmann, respectively the director and art director of the United Artists/Beatles cartoon film ‘Yellow Submarine’ see the trailer here.

[bookmaven]

FANCIES AND GOODNIGHTS: Tales Unlike Other Tales by John Collier. (New York: Doubleday, 1951) Cover by Margot Tomes.

"Bottle Party" from PRESENTING MOONSHINE (1939)

"De Mortuis" (The New Yorker 1942)

"Evening Primrose" from PRESENTING MOONSHINE (1941)

"Witch's Money" (The New Yorker 1939)

"Are You Too Late or Was I Too Early?" (The New Yorker 1951)

"Fallen Star"

"The Touch of Nutmeg Makes It" (The New Yorker 1941)

"Three Bears Cottage"

"Pictures in the Fire"

"Wet Saturday" (The New Yorker 1938)

"Squirrels Have Bright Eyes" from PRESENTING MOONSHINE (1941)

"Halfway to Hell" from THE DEVIL AND ALL (1934)

"The Lady on the Grey" (The New Yorker 1951)

"Incident on a Lake" (The New Yorker 1941)

"Over Insurance" [… cont’d]

(New York: Bantam, 1953) Cover by Charles Binger. • (New York: Bantam, 1957) Cover uncredited.

"Old Acquaintance" from PRESENTING MOONSHINE (1941)

"The Frog Prince" from PRESENTING MOONSHINE (1941)

"Season of Mists"

"Great Possibilities"

"Without Benefit of Galsworthy" (The New Yorker 1939)

"The Devil, George, and Rosie" from THE DEVIL AND ALL (1934)

"Ah the University" (The New Yorker 1939)

"Back for Christmas" (The New Yorker 1939)

"Another American Tragedy" (The New Yorker 1940)

"Collaboration" from PRESENTING MOONSHINE (1941)

"Midnight Blue" (The New Yorker 1938)

"Gavin O'Leary" [chapbook, 1945]

"If Youth Knew, If Age Could" from PRESENTING MOONSHINE (1941)

"Thus I Refute Beelzy" (Atlantic Monthly 1940)

"Special Delivery" from PRESENTING MOONSHINE (1941)

"Rope Enough" (The New Yorker 1939)

"Little Memento" (The New Yorker 1938)

"Green Thoughts" (Harper's Magazine 1931)

"Romance Lingers Adventure Lives"

"Bird of Prey" from PRESENTING MOONSHINE (1941) [… cont’d]

(New York: Time, 1965) Cover by Seymour Chywast.

"Variation on a Theme" [chapbook 1935]

"Night! Youth! Paris! and the Moon!" (The New Yorker 1938)

"The Steel Cat" from LILIPUT (1941)

"Sleeping Beauty" (Harper’s Bazaar (UK edition) 1938)

"Interpretation of a Dream" (The New Yorker 1951)

"Mary" (Harper’s Bazaar 1939)

"Hell Hath No Fury" from THE DEVIL AND ALL (1934)

"In the Cards"

"The Invisible Dove Dancer of Strathpheen Island" from PRESENTING MOONSHINE (1941)

"The Right Side" from THE DEVIL AND ALL (1934)

"Spring Fever"

"Youth from Vienna"

"Possession of Angela Bradshaw" from THE DEVIL AND ALL (1934)

"Cancel All I Said"

"The Chaser" (The New Yorker 1940)

source

[lisamarie-vee]

[k00299471]

Typography part 1 & 2

Typograph is the art and technique of using type to make written language.

Pelo -meaning hair, was the first magazine dedicated to rock magazine , the font was designed by Seymour Chwast in 1964.

Comic Sans typeface designed by Vincent Connare 1994 is considered to be more suitable for dyslexic students, as it has few repeating shapes and letters appear to be less crowded.

Typography is very visual in all parts of our daily lives.

I'm particularly drawn to type that uses strong shapes that form letters. I like a shape being used in one form,it draws the eye then with blink it becomes a word or letter with a different meaning. For me its how we think without thinking ,how our brain processes shapes and form at the blink of an eye.