#serie review

[littlefoxgirlhere]

so 😛 I was watching season 2 of Daredevil again annnnd I realized for the first time that Matt almost never takes off his glasses, even when he's just talking to Karen in a private place or with Foggy, he only takes off his glasses when he's injured or when he's wearing the DD suit. BUT, when he's with Elektra, he almost never puts his glasses on, it's even the opposite, I see many scenes of him taking off his glasses JUST to talk to her.

I found this so cute and so deep about their relationship, it's almost like an unannounced way of saying "I can be myself with you, without fear, without shame" and I think it hurt even more when they're trapped in that building and Elektra is dying and he finally admits that she's the only person who understands him and sees him completely, his vigilante side and his lawyer side (even though she doesn't like his moral side a lot). She accepts him the way he is, she doesn't ask him to stop, of course she tried to corrupt him and make him change (in the sense of not restricting himself to not killing criminals) but she still accepts him and he does that too, he wants her to change but still loves her the way she is.

toxic but passionate, so I love them

[carocineasta]

Gen V | Análise Final da Série e sua Conexão com 'The Boys'

Gen V concluiu sua primeira temporada com uma reviravolta notável que deixou os fãs atônitos no sétimo episódio e em suspense no grandioso desfecho, mantendo a tradição de sangue e moral questionável que os fãs de The Boys adoram, mas também trazendo frustração e nos deixando ansiosos por mais.

Eric Kripke e a equipe criativa teceram habilmente uma narrativa que promete uma transição perfeita para a quarto temporada de "The Boys" e a segunda temporada de "Gen V".

Análise completa

[fandom]

Web Series

You have so much fun on the internet watching other people have fun on the internet.

Hermitcraft +2

Dimension 20 +5

The Amazing Digital Circus +11

The QSMP Minecraft Server -2

Dan and Phil +20

Critical Role -5

Homestuck -3

Fantasy High: Junior Year

The Magnus Archives -1

The Magnus Protocol

Helluva Boss

EPIC: The Musical

Game Changer +10

StarKid Productions +13

RWBY -10

The Welcome Home ARG -10

Watcher Entertainment

Malevolent +10

The Life Series SMP

Nerdy Prudes Must Die +2

Dracula Daily -12

Crow Time +10

Half-Life VR but the AI is Self-Aware +10

Shen Comix -5

Smosh

Alien Stage

Inanimate Insanity

Marble Hornets +8

The Dream SMP Minecraft Server -14

Dungeons and Daddies -13

Lackadaisy -7

Sun and Moon Show

Make Some Noise

Thomas Sanders -4

Pusheen

Desertduo Vigilante AU

Battle for Dream Island

Re: Dracula -12

Parkour Civilization

Animator vs. Animation

Eddsworld +1

The Walten Files

Redacted ASMR -3

Drawfee

Misfits And Magic

Red vs. Blue

Florkofcows

The Adventure Zone

Ghost Files -29

Batman: Wayne Family Adventures -1

The number in italics indicates how many spots a series or group moved up or down from the previous year. Bolded series or groups weren’t on the list last year.

Do you love to yell with other fans on the internet about your favorite series on the internet? Well, here's a bunch of The Amazing Digital Circus Communities to get you started.

[books-and-dachshunds]

French series review; Anna Caritas, Youtumeurs & Les contes Interdits

Good morning! As I said in this post, somehow I tend to pick up french book series more than I would english ones.. which is slightly wierd 😆 I don’t really understand why, ahah. But as I had been reluctant to place individual book reviews on my blog as it’s mainly an english reader based, i’ve decided to just do a overall serie review instead.   Anna Caritas, Patrick Isabelle [SG] # of books in…

[hyunpic]

[thewriteadviceforwriters]

How To Plan A Book Series: Ultimate Guide

Writing a book series can be an incredibly rewarding experience for authors, but it also requires careful planning and execution. A well-crafted book series can captivate readers, build a loyal fan base, and provide a steady stream of income for writers. However, planning a successful book series is no easy feat.

It demands a deep understanding of world-building, character development, and plot progression. In this ultimate guide, I'll help you explore the essential steps to help you plan a compelling and cohesive book series that will keep your readers hooked from start to finish.

Develop a Compelling Premise The foundation of any successful book series is a strong premise. Your premise should be unique, engaging, and have the potential to sustain multiple books. Consider exploring a complex world, a captivating concept, or a character with a rich backstory that can evolve over the course of several books. Ask yourself: What makes your premise stand out? What will keep readers invested in the story for multiple installments?

Create a Detailed Outline Before you dive into writing, it's crucial to create a detailed outline for your entire book series. This outline should include the overarching plot, major story arcs, character development, and key events for each book. Having a solid outline will help you maintain consistency, avoid plot holes, and ensure that each book contributes to the overall narrative. Don't be afraid to make adjustments as you write, but having a roadmap will keep you on track.

World-Building: Crafting a Vivid and Consistent Universe One of the hallmarks of a successful book series is a richly developed and immersive world. Whether you're creating a fantasy realm, a futuristic society, or a contemporary setting, pay close attention to world-building. Establish the rules, customs, histories, and geography of your fictional world. Consistency is key, so ensure that the details align across all books in the series. Consider creating a "bible" or a comprehensive guide that outlines the intricacies of your world, making it easier to maintain continuity.

Develop Compelling Characters Great characters are the heart and soul of any book series. Your protagonists, antagonists, and supporting characters should be well-rounded, multi-dimensional, and undergo significant growth and transformation throughout the series. Craft backstories, motivations, flaws, and strengths for each character, and ensure that their actions and decisions drive the plot forward. Remember, character development is an ongoing process, so be prepared to explore new facets of your characters as the series progresses.

Establish Recurring Themes and Motifs Themes and motifs are powerful tools that can add depth and resonance to your book series. Identify the central themes you want to explore, such as love, redemption, power, or identity. Weave these themes throughout the series, allowing them to evolve and deepen with each installment. Motifs, like recurring symbols or imagery, can also create a sense of cohesion and add layers of meaning to your narrative.

Plan for Cliffhangers and Resolutions One of the key strategies for keeping readers engaged in a book series is the strategic use of cliffhangers and resolutions. Cliffhangers create anticipation and leave readers craving for the next installment. However, be cautious not to overuse this technique, as it can become frustrating for readers. Balance cliffhangers with satisfying resolutions that tie up loose ends and provide a sense of closure, while still leaving room for the story to continue.

Consider Pacing and Narrative Structure Pacing and narrative structure are crucial elements to consider when planning a book series. Each book should have its own narrative arc, with a beginning, middle, and end, while also contributing to the overall story progression. Vary the pacing between books to maintain reader interest, alternating between action-packed and slower, more introspective sections. Experiment with different narrative structures, such as multiple perspectives, non-linear timelines, or frame narratives, to keep the series fresh and engaging.

Manage Continuity and Consistency As your book series grows, maintaining continuity and consistency becomes increasingly important. Keep detailed records of character descriptions, plot points, world-building elements, and timelines. Regularly refer back to these notes to ensure that you're not introducing contradictions or inconsistencies. Consider creating a series bible or a wiki to help you keep track of all the moving parts.

Plan for Character Growth and Evolution In a book series, characters should undergo significant growth and evolution. Plan for character arcs that span multiple books, allowing your protagonists and supporting characters to face challenges, make difficult choices, and emerge as changed individuals. This character development will not only add depth to your narrative but also keep readers invested in the journey of your characters.

Anticipate and Address Potential Plot Holes As your book series expands, the potential for plot holes and inconsistencies increases. Be vigilant in identifying and addressing these issues during the planning stage. Regularly review your outline and notes, looking for any logical gaps or contradictions. Enlist the help of beta readers or critique partners to provide fresh perspectives and catch any potential plot holes you may have missed.

Consider the Overarching Story Arc While each book in your series should have its own narrative arc, it's essential to plan for an overarching story arc that spans the entire series. This overarching arc should tie together the individual books, building towards a climactic conclusion that resolves the central conflict or mystery. Ensure that each book contributes to this larger narrative, advancing the plot and raising the stakes for the characters.

Plan for Marketing and Promotion Finally, as you plan your book series, don't overlook the importance of marketing and promotion. Develop a strategy for building buzz and engaging with your audience throughout the release of each book. Leverage social media, author events, book tours, and other promotional opportunities to keep your readers excited and invested in your series.

Remember, writing a book series is a marathon, not a sprint, so be prepared to invest time, effort, and dedication into crafting a truly remarkable literary journey. Hope this helped!

Happy Writing - Rin T.

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[arbitersart]

THIS IS THE FUNNIEST TOP 3 WE COULD'VE HOPED FOR

[hamliet]

Adolescence Review (by someone who used to work in child protection)

Recently watched Netflix's Adolescence and it was probably the best TV series I've seen. It's superbly acted (how was this Owen Cooper's first role?), fascinatingly filmed (every single episode is shot in one take), and brimming with empathy and nuance.

It also resonates personally with me. Once upon a time, I worked in child protection for a year. I've worked with kids like the main subject of the series, Jamie Miller. I can't and won't give details, but this series probably captures the heart-wrenching, soul-crushing reality of what it's like to work with kids who do horrific crimes.

Episode 1 is an excruciatingly detailed account of the dehumanization of arrest and imprisonment, and that's even with everyone doing their best to be kind to Jamie because he's a child (13, but looks younger). I guarantee you most cops don't try to be nice to most intakes.

There's really only one moment where a cop is cruel until the interrogation, and that's when Jamie's being strip-searched. The man conducting the search tells his father, who asks, in essence, "how would you feel if you were thirteen and strangers wanted to do this to you?" that "I was never accused of a crime." Well, bully for you, jerk-face.

Yet the viewer also understands the cruel necessity of having to conduct such a search, while also wanting to throw up. I do think a lot of the discourse around juvenile criminals resorts to "throw away the key" without considering what that means, and what humiliation and abuse kids go through when they're arrested (rightfully or wrongfully). The show following each and every motion and forcing the viewer to observe the father's face rather than the actual search forces the viewer to face their own thoughts on juvenile justice (especially because, at this point, you don't know whether Jamie did it).

But at the same time as Jamie is dehumanized in this way, you're confronted with the reality of how much he's dehumanized his victim at the end of the episode, when you see that he absolutely, 100% did do it. This thread of how Jamie dehumanizes women in particular continues in Episode 3.

Episode 2 is easily the weakest of the series. It's still great and offers, via a chaotic school with checked-out adults who can't care anymore and adults who do care completely overwhelmed and limited by their own humanity, a symbolic picture of what teenagers face. How can they learn when they aren't willing to listen? At the same time, how can they learn when no one is teaching? How can people teach when they are drowning themselves?

My criticism here is that the school appeared not exactly unrealistic, but also slightly hyperbolized. I think they could have stressed the struggles of trying to care when there's too much to care for even more than they did via an additional episode, an episode I think the second one almost introduced and then left dangling--one that focused on Katie's loved ones.

We hear about Katie's mom, and we meet Jade and see her rage over losing her best friend. We even see one detective voice how frustrating it is that Jamie will be remembered but Katie won't be. I wouldn't quite call this lip service because I do think the aim of the show isn't quite about this, but I do think the show should have spent an episode on Jade and/or Katie's family.

We know Katie isn't perfect as a victim, but that doesn't mean in any way that she deserved to be stabbed to death (or to have her pictures leaked). In fact, the show makes this emphatically clear. But I still think they missed a chance to make her more human, to show the loss through her loved ones.

If Episode 2 is the slightly-less-than-the-others episode, Episode 3 is the standout. The psychologist examines Jamie and he vacillates between inappropriately flirting with the psychologist to childishly requesting more hot chocolate to terrifyingly screaming in rage to sobbing in fear like a child in a nightmare to condescendingly mocking her like a rabid fan of Elon's would to desperately trying to wrench away the reality of what he did and trying to talk himself out of facing reality. And Owen Cooper, the child actor, makes all of this believable.

The reality is that the cruelty of what Jamie's done sinks in during Episode 3. He tells his psychologist that most other guys who have assaulted their victim, but he didn't, so he's better, right? And then he screams and sobs minutes later begging for someone to tell him that they like him, anyone. I found myself wanting to grab the psychologist and beg her to say that she "cared" (something I said in a similar moment during my work doing child protection). But I also understand why she didn't--not just professionally, but in terms of Jamie having to realize that he can't be entitled to people liking him when he's so cruel to women.

The psychologist also asks Jamie if he understands what death is. While he says all the right words to show he does, everyone over the age of 20 knows that he doesn't, and the show knows it too. I genuinely think that, until you get older, you cannot fully understand what it means for someone to be gone from this earth.

And therein lies the paradox of the show: Jamie doesn't fully understand what he's done. At the same time, what he's done has permanent, gruesome, irreversible consequences for everyone around him--and beyond that, because of the internet's influence beyond local boundaries.

Episode 4 is an episode I would call beautiful in a lot of ways, despite the fact that it's jagged and raw. We follow Jamie's family (dad, mom, and older sister) as they try to celebrate the dad's birthday about a year after the crime. We see how they're wrestling with the fallout and agony of knowing they raised Jamie--but they also raised Lisa, who is kind of an awesome kid.

And while Episode 1 actually has detectives musing that the parents might be abusive and that might explain it, this episode removes any doubts: Eddie and Amanda, Jamie's parents, are good parents. They are not perfect. Eddie has a temper. Amanda should have monitored his computer use more. But also? No parents are perfect. Arguably, the detective who interacts with his son in Episode 2 is a worse parent than they are. Yet his son is great, and Lisa is great.

There simply isn't a good explanation. Jamie was hurting, yes, but his pain can't be pinned down to a singular cause. The internet hurt him and gave him messages about masculinity that were harmful to say the least. But he also got those messages at school, even if he wasn't on the internet. And he got love at home, as well as some flawed interactions with his parents.

So who is responsible for Jamie's actions? Jamie himself. He chose.

Yet, the series also acknowledges that Jamie is a child, and he is not just "born bad." We see how other kids, like Jade punching Ryan, and Ryan loaning Jamie the knife, and Tommy joking around, and the bully leaking Katie's pictures--they have no comprehension of the extreme ramifications of their actions... but some of them also don't appear to care to learn. Normally, society would demand they care to learn, but that's not happening.

So then what? If society creates these kids, then what does society owe them? That's a question the series wants viewers to walk away contemplating, rather than giving a simple answer.

And there is some hope: Jamie deciding to plead guilty and accept responsibility. In that, we see how kids are supposed to be able to make mistakes and learn and grow. Yet Jamie's "mistake" is so shattering that Katie will never get to grow beyond it because of him, and to what degree Jamie can after pleading guilty isn't clear either. And in an era where their every action is captured online, can they ever really grow beyond?

I don't know that I have an answer to that. I've seen some kids I worked with grow up to be awesome. And I've lost touch with others, particularly those whose cases were more serious. There is no agony like seeing a child who has done something horrific and is suffering themselves and knowing you can't save them, and not knowing what the future holds for them. All you're left with is being able to hope that they'll learn to accept responsibility and grow, but in a system and society that makes that really impossible, is that even much of a hope?

[v-3-rdure]

morgana if he was silly..

[allieinarden]

I think in the back of my mind I always thought Phineas and Ferb used the term “evil scientist” instead of the more classic “mad scientist” out of not wanting to stigmatize the mentally ill or something, but in retrospect, clearly it’s because the main characters are themselves mad scientists and Doofenshmirtz and his ilk only differ from them by being evil.

[5ummit]

Dune Part 2 + Letterboxd Reviews

[littlefoxgirlhere]

I was watching the second season of daredevil again and I am in the part where Matt is tied up and talking with Frank.

Matt says (something like) "Those lives you took. They deserved second chances. They deserved to try. Try, Frank." and Frank is like "Try what? Try to rape and kill again?" then Matt says "Try to be better. Everyone has a little bit of kindness inside, even you. And if you don't see it, it's because there's something broken inside you that can't be fixed. You're insane."

I was silenced. I realized at that moment that Matt Murdock would HATE me and I would probably hate him too, because I think exactly like Frank, not kidding, i don't believe in second chances and I think Frank's methods are very good. I would probably get into a discussion every week with Matt about how having kindness inside you doesn't erase the mistakes u make.

His sense of justice is based in trusting the law, but let's be real, our society is not ready for that, our system doesn't work the way it's supposed to. Its not bringing justice to everyone, is barely bringing any justice for those who really need it. I mean, yeah, killing is bad and Frank is kinda unhinged but he was right, he takes those criminals off the street in a way Matt never could.

[carocineasta]

Aterrorize sua Sexta-feira 13 com a estreia de Goosebumps no Hulu e Disney Plus - Uma Jornada de Sustos e Nostalgia!

Leia

Assista

[definitelynotisabel]

rachel slander needs to stop. if i knew percy i would’ve shot my shot too

[haveyouseenthisseries-poll]

The full top 100 list can be found here, and this post was inpired by this poll!

[neveromininart]

⚔ An immortal is dead and you're holding the murder weapon. ⚔

Sunset Phoenix is an action/mystery comic about an immortal kingpin and her criminal spy who were framed for the murder of a rival, and are trying to find the real killer before time runs out and the city succumbs to war.

Also I made it and worked hard on it and I think you should check it out because it's cool :)