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ihadaquestion · 1 year ago

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Mastering Semantics SEO: Tips and Tricks for Dominating Search Results

As the digital landscape continues to evolve, mastering SEO has become more important than ever. And while most businesses and marketers are familiar with the basics of SEO, there's a lesser-known aspect of search engine optimization that can take your strategy to the next level: semantics. By focusing on the meaning behind the words on your website, you can improve your site's relevance and authority, ultimately leading to higher search rankings and more traffic. In this guide, we'll explore the tips and tricks for mastering semantics SEO, from identifying and optimizing for semantic keywords to creating content that satisfies search intent. Whether you're a seasoned SEO pro or just starting out, this guide will help you take your search strategy to the next level and dominate search results. So let's dive in and start optimizing for semantics!

Understanding Semantics SEO

To understand semantics SEO, let's start with the basics of traditional SEO. At its core, SEO is about optimizing your website and content to rank higher in search engine results pages (SERPs) for specific keywords. However, search engines have evolved beyond just matching exact keywords to search queries. Now, they use sophisticated algorithms that take into account the context and meaning behind the words on your website. This is where semantics SEO comes in.

Semantics SEO is all about optimizing for the meaning behind the words on your website. This includes not only the keywords you use but also the way you structure your content, the topics you cover, and the questions you answer. By understanding how search engines interpret the meaning of your content, you can create a more effective SEO strategy that will help you rank higher in search results.

How Semantics SEO differs from traditional SEO

The main difference between semantics SEO and traditional SEO is the focus on meaning. While traditional SEO is primarily focused on keywords, semantics SEO takes a broader approach, looking at the overall context and intent of your content. This means that semantics SEO requires a deeper understanding of your target audience and the questions they're trying to answer. By creating content that satisfies search intent, you can improve your search rankings and attract more qualified traffic to your website.

The importance of semantic search

Semantic search is becoming increasingly important as search engines continue to evolve. Google, for example, has been using semantic search since 2013, and it's now a core part of their algorithm. Semantic search allows search engines to understand the meaning behind the words on your website, enabling them to provide more relevant and accurate search results.

By optimizing for semantic search, you can improve your chances of ranking higher in search results. This is because search engines are more likely to show your content to users who are searching for topics related to your website. Additionally, semantic search can help you attract more qualified traffic to your website, as users who find your content through semantic search are more likely to be interested in what you have to offer.

Semantic keyword research

One of the first steps in optimizing for semantics SEO is to conduct semantic keyword research. This involves identifying the keywords and phrases that are most relevant to your content and your target audience. However, unlike traditional keyword research, which focuses on exact match keywords, semantic keyword research looks at related keywords and phrases that are semantically related to your primary keywords.

To conduct semantic keyword research, start by brainstorming a list of primary keywords that are relevant to your content. Then, use a tool such as Google's Keyword Planner or SEMrush to identify related keywords and phrases that are semantically related to your primary keywords. These related keywords and phrases can then be incorporated into your content to improve its relevance to search engines.

Creating semantic content

Once you've identified your semantic keywords, the next step is to create semantic content that satisfies search intent. This means creating content that answers the questions that your target audience is asking. To do this, start by researching the questions that your target audience is asking, either through keyword research or by looking at relevant forums and social media groups.

Once you have a list of questions, create content that answers those questions in a comprehensive and informative way. This could include blog posts, how-to guides, videos, or any other type of content that is relevant to your target audience. By creating content that satisfies search intent, you can improve your chances of ranking higher in search results and attracting more qualified traffic to your website.

Utilizing structured data

Structured data is a way of organizing your website's content in a way that is easier for search engines to understand. By using structured data, you can provide additional context and meaning to your content, making it more likely to appear in rich search results such as featured snippets or knowledge graphs.

To utilize structured data, start by identifying the types of structured data that are most relevant to your content. This could include schema.org markup for products, reviews, or events, or JSON-LD markup for articles or FAQs. Once you've identified the appropriate structured data, implement it on your website using the appropriate markup language.

Optimizing for voice search

Voice search is becoming increasingly popular, and it's important to optimize your content for this emerging trend. Voice search queries tend to be more conversational and natural-sounding than traditional search queries, so it's important to focus on long-tail keywords and natural language.

To optimize for voice search, start by identifying the types of questions that your target audience is likely to ask using voice search. Then, create content that answers those questions in a conversational and natural way. Additionally, make sure that your website is optimized for mobile devices, as many voice searches are performed on smartphones and tablets.

The role of natural language processing

Natural language processing (NLP) is a branch of artificial intelligence that focuses on understanding human language. NLP is becoming increasingly important in search, as search engines continue to evolve their algorithms to better understand the meaning behind the words on your website.

To optimize for NLP, focus on creating content that is written in natural language and that answers the questions that your target audience is asking. Additionally, use tools such as Google's Natural Language API to analyze your content and identify areas for improvement.

Common semantics SEO mistakes to avoid

While semantics SEO can be a powerful tool for improving your search rankings, there are some common mistakes that you should avoid. One of the biggest mistakes is focusing too much on keywords and not enough on meaning. Remember, the goal of semantics SEO is to optimize for the meaning behind the words on your website, not just the keywords themselves.

Another common mistake is neglecting the importance of user experience. Search engines are increasingly focused on providing the best possible user experience, so it's important to create content that is easy to read and navigate. Additionally, make sure that your website is optimized for mobile devices, as more and more searches are performed on smartphones and tablets.

Tools to help with semantics SEO

There are many tools available to help with semantics SEO. Some of the most popular tools include Google's Keyword Planner, SEMrush, and Moz Keyword Explorer for semantic keyword research. For structured data, tools such as Google's Structured Data Markup Helper and Schema.org can be useful. Additionally, tools such as Yoast SEO and SEMrush can help with optimizing content for search intent.

Conclusion

Mastering semantics SEO is an important part of any comprehensive SEO strategy. By focusing on the meaning behind the words on your website, you can improve your relevance and authority, ultimately leading to higher search rankings and more traffic. From identifying and optimizing for semantic keywords to creating content that satisfies search intent, there are many tips and tricks to help you optimize for semantics SEO. So start incorporating these strategies into your SEO strategy today and start dominating search results!

#semantic seo #seo #traditional seo #long tail keywords #keyword optimization

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white-label-blog · 2 years ago

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LSI (Latent Semantic Indexing) keywords are conceptually related terms that search engines use to analyze and understand the content on a webpage. Its main purpose is to assist search engines in providing more relevant results to users. It is the best way to ensure that your brand reaches out to the target audience and builds credibility and trust in this dynamic digital market.

So let's learn the best ways to find LSI keywords, as well as how you can use them in your content to appear higher on SERPs -

Use Google autocomplete platform to identify keyword-related terms.

Determine the Google searches that will perfectly blend into your content.

Use the LSIgraph tool to insert the keywords you want your content to rank for.

Google keyword planner helps in finding target keyword-related terms.

Terms in bold in the Google snippet texts.

Search engines use LSI keywords more frequently to find the context of any content. Hence, it is worth spending the time to learn how to leverage these valuable keywords in your SEO strategy and content marketing campaigns.

#LSI keywords #ways to find LSI keywords #Latent Semantic Indexing #LSI

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all-purpose-dish-soap · 1 month ago

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53 / 2.7k / Alejandro being a man who knows his own sex appeal (with medic reader)

kinktober keywords: medical kink, healslutting, healing sex (so-called)

...

"Excuse me?"

Alejandro pauses at the door, looking back at you blankly for a moment before repeating himself. "You're with me," he says again, slower this time as if to make sure you've heard him. "We have things to discuss in the medbay."

Typical.

You follow him with your arms stiffly crossed.

He leads you to the medbay in relative silence, pushes open the door once you arrive, and gestures for you to walk inside first.

"Sit."

You don't. "What is there to discuss?"

His voice rasps with irritation. He tries to soften it when he speaks again. "Just sit. I'm not asking again." He nods at the table. "I'm suffering too much tension. You already know how I want to relieve it.”

You stare him down for another long moment. Then you yield--just a little--and push yourself up to sit on the edge of the examination table. "Not advisable with your injuries."

"I'm fine," he says. His gaze drifts to your legs, where your skirt has exposed several tantalizing inches of skin. "I prefer your brand of medicine."

nsfw ⬇

"I know you don't care about your injuries, Colonel, but I do."

"I know. It's your job to care. That's why I'm here. And who better to give me release than you?" He lets his fingers graze your knee and lifts them up along your inner thigh. "I need your help. You're going to be a dutiful doctora for me, aren't you?"

Your heart rises into your throat. That tone of voice. You swallow to ground yourself. How can you keep letting him do this to you? How are you still this weak? You shift, wanting to squeeze your thighs together. But Alejandro steps closer, standing between them.

He runs his hand up your leg, stopping just before his fingers brush the edge of your skirt. "You need to help your commanding officer, don't you?"

"You're hardly my commanding officer.

"Semantics," he purrs. His other palm goes to your inner knee, coaxing your legs to spread apart some more. "You're my medic, are you not?

Pulling rank on you? Does he really want to play that game? "I'm not your anything.”

"You think you're the one who's really in charge here?"

"It's not about who's in charge."

"Oh?" He almost finds your snark amusing. Almost.

"You're injured," you snap.

That makes him laugh. "That's what makes you the perfect one for the job," he tells you, letting his hands drift further up your legs. "You can't walk away from a poor soldier telling you he needs your help, can you? Even if he's being a bad patient. Not that you'd ever bring it up to your superiors. Or mine."

"No, I wouldn't. But I'm not going to help you risk popping your stitches just because you want to get your dick wet."

"Always so blunt, doctora. Always so crass. But I have faith you won't let that happen." His hands on your legs press you back on the table until you're leaning on your hands to support yourself.

He pulls the crux of your legs flush against him. The position forces you to either lean back and spread your legs to ease your weight off him or to let him pull your full weight onto his thigh and straddle it. You swallow, eyes darting down to the way your skirt is riding up. You swore you wouldn't do this again. You leave the base with your team tomorrow. You’ve already gone too far with him too many times. "Alejandro..."

"Mm," he rumbles in response to the way you say his name. He grinds his thigh up against you just to see you clench around his leg.

God damn him. There's nothing worse than a man who knows his own sex appeal.

You grab his collar, pull him forward, and close your lips around his pulse point.

He leans into your touch and braces his hand on the table next to your hip, enjoying the way your teeth graze against his skin. His hands find your hips and pull you flush against him. "That's it," he mutters. "This is what I need. Give it to me."

You push off the table and round on him to shove him against it instead. "Get on your back. You're not in any shape to top."

"So demanding." But he takes a seat on the edge of the table. "I suppose if my doctor says I'm not in any shape to top, I'll listen to her."

"For once."

"For you," he murmurs. He falls back on the table and props himself up on his elbows. He lets his legs part. His eyes drag over your body, wanting to see you naked again. "Show me how you take care of a wounded soldier."

But you don't bother stripping your clothes off--just skim your underwear down your legs and climb up onto the table to hover over him. Your eye falls to the stitches disappearing down the neckline of his shirt and running down his right pectoral. You instinctively check it for inflammation or discoloration, but it's clean. Just fresh and tender.

He watches you go through the motions of checking his stitches. He knows that you wouldn't be coming onto him if you didn't think he could do this. But it’s still irritating how focused you are on the state of his injury rather than letting yourself get carried away with his body in other ways. You leave tomorrow. There might not be a next time.

“You always so thorough, doctora?” he asks, a bit of an edge to his voice. “Or are you just stalling?”

"I'm exactly as thorough as I should be," you snap, grabbing the button and zipper of his pants and undoing them with quick, rough movements. "Regardless of what other rules you have me break."

His eyes darken as you take the initiative, but he can’t deny that he likes watching you get demanding. He lifts his hips to let you tug his pants partway down his thighs.

“You break the rules for me and I'll make sure no one can touch you for it.” His hand snakes up to your hip. “You want this? Go ahead. Take it.”

You let yourself sink down on him and hold in a breath as he fills you. You fight to keep your wits about you and you don't quite succeed.

He lets out a low, guttural moan. One hand grips the edge of the table as if he’s trying to hold onto control of himself, but then he gives up and lets his fingers dig into your hips, holding you in place. "That's it,” he hisses, letting his head fall back against the table. “So warm.” He rocks his hips upward, pulling you down at the same time as if he can somehow get you any closer than you are.

You flush as he pulls you forward and runs his tongue up the side of your neck. But when he starts to pump his hips against you in earnest, you push yourself up and force him to lay flat on the table again. "I told you to lay here. Don't move or you'll pop your stitches and we'll have to stop."

"Don't threaten me, doctora," he growls. But his hands fall away from your hips. He lays them flat on the table to show that he's not going to move them. "You both know you couldn't stop him if he wanted to take charge.

Still, he does like the way you're sitting on top of him. he'd just like to do something about the fact that you're still fully clothed. "Lose the shirt," he orders.

"No."

His jaw clenches. "Don't push me. You make me lie here at your mercy, and I'm not used to being controlled like that.”

He knows perfectly well that he can't command you to do a single thing. You, as his doctor, are the one calling the shots here. And despite the fact that being ordered around in his own base annoys him more than anything, you're still breaking the rules to ride his cock.

And you're slipping past the point of no return.

You pump up and down slowly, fighting to keep your breath even. You tell yourself this isn't for you, it's for him. As demanding as he is, as much of an ass he can be, this behavior is an expression of frustration. Of need.

But you make the mistake of looking down at him, and your hips stutter at the heat in his eyes.

He watches you with a need you rarely see in a man.

“Dios, doctora," he mutters. He wants you. Needs you. He runs his hands up your thighs, but he doesn’t try to take over. He lets you keep the control. For the time being, you’re the one calling all the shots. But that doesn't mean he'll be nice. "Faster," he mutters, gritting his teeth. “You can do better than that.”

He watches you as you begin to move faster, your breath coming in pants. He keeps his hands on your legs, but otherwise doesn't move. He lets you do the work--lets you take what you want from him. At least until your muscles begin to clench around him.

You bounce faster. You're still convinced you're keeping your head on straight when you jolt and gasp in a sudden fit of pleasure. An orgasm washes over you. You didn't expect it--didn't mean to do it.

A hoarse sound escapes his throat at the sudden tightening. “Fuck,” he gasps, his fingers digging into your thighs. “You feel so good." The way you jerk in pleasure forces a rough exhale from him. His grip on your hips gets tighter as he fights to keep his hands there, wanting to grab you and push you down in the heat of the moment but restraining himself. “I knew you’d be good to me. You give in just as good as you put out.”

You pant wordlessly. You still for a moment, shuddering in the pleasurable aftershocks. But then a clatter in the next room reminds you there's no time to waste. You get to moving your hips again, sluggish but dogged, to give the colonel the release he needs.

"That's it. Just keep going," he says. His voice is thick with desire, his body tensing as he approaches his own peak. "No te pares," he gasps. "Please, don't stop. Just keep going. I'm close." He's not used to begging, but he can admit to himself that he needs this, and he needs you.

You do as he says, slamming your hips down onto his over and over to jar him loose. The pace is brutal and that’s how he needs it. This is his medicine. He lets out a string of unintelligible Spanish at your pace, his hands squeezing your hips as the fire in his lower abdomen burns hot. He grits his teeth and locks his eyes on yours.

“Madre del Dios, you’re going to kill me,” he mutters. “You’re going to have me bleeding all over again.”

"Don't you dare," you growl. You keep a sharp eye on his stitches to watch for signs of strain.

Alejandro is too far gone to notice. “Or what, doctora?” he asks. He reaches up and hooks two fingers into the neckline of your shirt. The weight of his arm alone threatens to pop the button wide open. “Are you going to punish me?”

You grit your teeth and let him open up your uniform top to see your body as you bounce. You even help him along with undoing the buttons. To shut him up, you tell yourself.

He falls silent. His eyes fix on your chest, on every square inch of skin. "Oh, you are beautiful." He's rapt at the way your body moves. "Teasing me like that. Teasing a wounded man."

Wounded, your ass.

You keep it up, knowing he's close. But before you can stop him, he pulls you against him again, teeth at your chest, pulling a cry of protest out of you at the sharp pain. His hips buck hard. You struggle a little, but you let him pull you close, letting him nip and bite at your skin. He wants to mark you as his, even if you’re only his to own for the moment.

“Take it,” he growls, his voice rough.

"Alejandro-!"

He lets out a guttural, feral moan as his climax washes over him.

He rocks your hips together slowly, riding the waves of his release. He doesn’t let go of you, even though it’s over. You shiver, unable to do anything but let him move your hips for you. He just needs this a bit longer.

Finally, he releases you and lets his head fall back against the table. His eyes flutter closed. His teeth leave indents in your skin. Nothing major, but there will be marks all over you that will be there for a while. Proof of what you've done here with him.

“You wear me out.”

"Good. You need more rest," you mutter, easing off him.

He lets out a huff of almost-laughter. He lets you sit back on the table next to him and swipes a sweat-damp lock of hair out of his face.

“I have to admit… you’ve got an interesting bedside manner,“ he says.

"And you are the worst patient I've had the displeasure of encountering on this base. That's a high fucking bar, too."

“I never liked to stay still for the doctor.” He props himself up on the table on his elbows and looks over at you. “You’ll have worse patients in the States, surely.”

You stand up gingerly, testing your shaky legs before you walk. "You need to watch yourself. No drills. No resistance training. Only physical therapy. You got that? If you tear your stitches again, there will be hell to pay."

“I can handle it,” he insists, a note of irritation creeping into his voice now that you’ve turned the topic to his injury again. “I won’t tear any stitches, I’ve done this before. I’m plenty tough. I can handle a drill or two.”

You round on him and jab your finger into his chest. "No. No drills or else. I'll ban you from training altogether if I have to."

"You’ll ban me?” he asks, raising an eyebrow. “Try it. I'd like to see you try to keep me in bed with your panties on."

"It won't be me. It'll be Rodolpho. He's just as worried about you."

That gets him. He knows damn well that every other Vaquero wants him to heal up. "Fine. No drills. But only because I don't want to spend the next few weeks with those pendejos lecturing me. They're a bigger pain in the ass than you are."

You scoff and turn away. "You were singing a very different song a minute ago."

"And then you start going all doctor on me.”

"Yeah, well. You've clearly demonstrated you're capable of taking orders when it suits you. You're just choosing not to."

The corner of his lips curve in a smug little smirk. “I take orders I'm willing to follow,” he says. “I don’t do well with people telling me what to do. You just have a way of making me forget that.”

Of course. He'll let you get away with ordering him around when he feels like it. And when he's not in the mood, it's a hell of a time getting him to listen to you. Typical.

"Do whatever you want, then," you tell him, buttoning up your uniform. "But don't come crying to the next medic when you bust a stitch. If you're so self-reliant, if you know everything, then you fix yourself."

"Oh, I will, doctora." He lets out a little huff as you leave the room, rolling his eyes. Of course you’d get pissed at him, just like that. He doesn’t bother to call you back and apologize. He’s not the sorry type. Not even if this is the last time he sees you go and it's you going off in a huff.

As a matter of principle, he won't give you the satisfaction of crawling back.

But you’ll still come around. You always do.

...

more Alejandro / masterlist

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diazheartsbuckley · 2 months ago

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🎓🎓🎓

❤️‍🔥❤️‍🔥❤️‍🔥

⛪️⛪️⛪️

Hello dear 💗

Make me write ✍🏻

NSFW under cut

🎓 🎓🎓🎓

“I could get fired if anyone found out about this” Eddie breathes out against the soft curve of Buck’s neck, slipping his hands underneath the hem of Buck’s shirt. A wave of heat connects with his fingertips, almost luring him in and at that moment, he knows that he’s lost. Lost in the feeling and taste and smell of one Evan Buckley. And he knows that he wants to stay there for as long as he possibly can.

Firm hands connect with his hips, pulling him closer and then make their way into Eddie’s hair, slightly tugging at it and Eddie hates how easily that sends all the blood rushing from his head to his already aching cock.

“Better make it worth your while then” Buck murmurs, opening his eyes to look at the man in front of him and their lips connect in a sloppy, passionate and almost dirty kiss as Buck yanks at Eddie’s shirt, sending buttons flying everywhere around them.

“Mhm… I really liked that shirt” Eddie breathes out against Buck’s lips, then glances down at his naked chest and Buck just smiles, looking immensely pleased with himself.

“Liked being the keyword here, professor. Semantics are important, you taught me that” Buck whispers before his lips graze against Eddie’s bare nipple.

❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

“Why the hell do you never know when to shut up?” Eddie hisses through gritted teeth and Buck’s smile just grows bigger, knowing whatever Eddie is going to do to him is going to be the best thing that ever happens to him.

“Guess you haven’t given me reason to shut up yet, lieutenant” Buck tilts his head as he slowly unties his sweatpants, letting his fingertips slip beneath the waistband as he never loses eye contact with the older man.

It sends Eddie’s blood pressure rocketing to see Buck touching himself and he’s barely even doing anything - until he is. Eddie sees Buck’s hand grabbing around his own cock and he slowly begins to jerk himself off without ever breaking eye contact.

“Enough!” Eddie raises his voice but Buck doesn’t stop, it only seems to egg him on and soon he begins to moan too, panting Eddie’s name as he touches himself. It only takes Eddie four long strides before he makes it across the room, grabs Buck by the wrists and pins him up against the wall, ass pressed against his cock and he can tell that it’s giving Buck exactly what he wants.

He backs away and to his surprise, Buck stays in place but reacts to the sound of Eddie opening his belt buckle, pink lip tugged in between his teeth as he watches Eddie getting fully undressed. “Instead of mouthing off, I think we should put that mouth to good use” Eddie spins Buck around and Buck almost instinctively drops to his knees in front of him and all of the dirty fantasies that Eddie has ever had about this moment could never do the real thing justice.

⛪️⛪️⛪️⛪️

“Los Diablos Rojos? Eddie, those guys are bad news” Buck says, frowning a little. He hears how it sounds, coming from him, as if he hasn’t done regrettable things in his life and as if he hasn’t made people hurt and suffer.

But Eddie is out of that life now. At least he’s supposed to be. And Buck feels an instant wave of anger and guilt washing over him, because he has a feeling that this has something to do with him. They’re using Eddie as leverage to make him back out of a deal with another gang.

“Yeah, you don’t have to tell me that” Eddie mumbles, a bitter taste in his mouth forming in his mouth as he gets a moment to think about his past.

This is why he doesn’t let anybody in. This is why he doesn’t trust anyone. Because people get hurt. Because he gets hurt. And the last thing he wants is for Buck to get hurt.

A tag for the wifey @tizniz 💗

#buddie #evan buckley #eddie diaz #911 on abc #buddie wip #buddie fic #evan buck buckley #edmundo diaz #buck x eddie #make me write #priest!eddie x mob boss!buck #bratty probie!buck x lieutenant!eddie #college au #buddie smut

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crippleprophet · 8 months ago

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hey, i don't want to put you out or anything, i was just wondering if like off the top of your head if you knew any disability studies articles/books/whatever that center (or even just feature) tic/involuntary movement disorders?

so the answer to this was pretty much no but i spent a bit of time poking around and turned up this 2023 undergraduate honors thesis (link) by a student with tourette’s which seems like a solid starting point for going down the citation rabbit hole!

that piece is “The Embodied Performance of Tics and Tourette Syndrome in the Academic Environment” by Benjamin Allen; i’m only ~1/4th through rn but they argue for a continuum of ticcing + criticize the diagnostic system so i’m comfortable reccing it on that front! the (non-medical) tic-related works cited there are:

Buckser, Andrew. “Before Your Very Eyes: Illness, Agency, and the Management of Tourette Syndrome.” Medical Anthropology Quarterly, vol. 22, no. 2, 2008, pp. 167-192.

Buckser, Andrew. “The Empty Gesture: Tourette Syndrome and the Semantic Dimension of Illness.” Ethnology, vol. 45, no. 4, 2006, pp. 255- 24. https://www.jstor.org/stable/20456601.

Curtis-Wendlandt, Lisa. “Time and the Tic Disorder Triad.” Philosophy, Psychiatry, & Psychology, vol 27, no. 2, 2020, pp. 183-199.

Curtis-Wendlandt, Lisa, and Jack Reynolds. “Why Tourette syndrome research needs philosophical phenomenology.” Phenomenology and the Cognitive Sciences, vol. 20, no. 4, 2021, pp. 573-600.

Miller, James. “The Voice in Tourette Syndrome.” New Literary History, vol. 32 no. 3, 2001, pp. 519-536. Project MUSE, doi:10.1353/nlh.2001.0039.

Trubody, Ben. “Ticced off: An Interpretative Phenomenological Analysis of The Experience of Tourette’s Syndrome.” Journal of the Society for Existential Analysis, vol. 25, no. 2, 2014.

i also searched a handful of disability studies journals for a variety of keywords (movement disorder, tic, tourette’s, involuntary movement, chorea, huntington’s) but didn’t turn up much unfortunately, so all but the first of this next list include someone with tics and/or involuntary movements rather than being about moving involuntarily.

haven’t read these so i can’t speak to the politics / quality (although i’ll make a post if i’m able to read more) but here’s what seemed potentially relevant! also if anything is paywalled please don’t give T&F your money lol, try SciHub or if you can’t find something i can ask around for somebody with institutional access!

Cultural Differences in Reactions to Tics and Tic Severity (2021)

Using virtual reality to implement disability studies’ advocacy principles: uncovering the perspectives of people with disability (2023)

I had every right to be there: discriminatory acts towards young people with disabilities on public transport (2020)

From comedy targets to comedy-makers: disability and comedy in live performance (2015)

From the Case Files: Reconstructing a history of involuntary sterilisation (2010)

i also want to mention “Movements of the Uncontrollable Body Part Two” by Bronwyn Valentine (2019), a creative writing piece about her experiences of embodiment + ableism with spina bifida that i first read pretty soon after it was published & went looking for after developing my movement disorder a year ago because it was so impactful. @fndportal also has some incredibly vital work.

also if you haven’t already read Rosemarie Garland-Thomson’s Staring: Why We Look, it’s not specifically about involuntary movements but definitely a core text for theorizing any visibilized disability.

i hope some of that is helpful!! if anybody checks any of these out i’d love to hear your thoughts/critiques! all the best to you & i hope these offer some resonance with + understanding of your experiences 💓💓

#tics #ticcing #involuntary movements #movement disorder #disability studies #asks #reading lists #movements of the uncontrollable body

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theskiesareopen · 26 days ago

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One of the neat consequences of the design of the language I'm working on with operatives instead of macros and a modular categorical semantics, is that everything that would be a keyword or special operator in other languages can be an operative in ours, which means they can be replaced and changed and modified in user code. This means that in this language the problem of two different dependencies of the same project wanting to use different versions of the language reduces to the problem of different dependencies wanting to use different libraries, and no system of complicated features pragmas or standard command line arguments that grow and grow and grow over time is necessary. Instead we can just have different versions of the syntax as ordinary libraries, versioned, polyfilled, dependency injected. Similarly, the formally meaningful modular semantics system means that we can add and remove features without that being a global decision; an old library that uses an old semantics can be transported to a new semantics by a functor, and we can prove that the functor implements all the axioms of the original semantics in terms of the new semantics, and then the old library will work just like a native library on the new semantics, with all its types, code, proofs and properties available for use and to the optimizer. A library written next year and proven correct should still run correctly in 300 years with no maintenance specific to that library. The compiler will of course need maintenance to keep it running on new hardware generations and adopt new technology.

But this isn't just a speculative future thing. Right now, modular semantics are useful in writing a project that works on multiple targets. For example, it might be useful to write a library that does some math which can work when compiled to JavaScript, wasm, or native. These targets have huge differences between them, but with modular semantics it's possible to just write using the minimal set of primitives needed, working from abstract high level collection data structures and math operations, and then any project that works in a specific system can just request a version of your package transported to their system, and all the high level data structures and properties will be filled in with whatever their platform uses to interop at full native speed. This also works in reverse; code that runs in a webpage using webgpu can have different primitives available based on which device they will run on, and not only share common libraries and types between them but also use target specific features like garbage collection or warp level parallel operators, even if the code is mixed in a single file to collect both facets of the implementation of a specific feature, and the compiler will give a nice type error if one of them gets used in the wrong place.

#programming languages

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percheduphere · 10 months ago

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Hey! At first, I want to say that really adore your essays. I found your blog shortly after I joined tumblr and it was a great beginning.

My question is not only about Loki. Few times you mentioned that queer subtext always existed in cinema. So I wanted to know more about it. Are there any common tricks which artists use? How can we know that it isn't just our imagination?

And if you could give some literature recommendations on this topic I'd be thrilled :)

Hi Anon!

This is a really important question. I’m so glad you asked it, so I’ve bumped you to the front of my inbox queue.

Superhell (Destiel). Superheaven (Aziracrow). Supertime (Lokius). It’s not an accident these types of tragic queer endings are a pattern in our TV media. Though of the three, Good Omens is the most likely to deliver a happy ending eventually, the resources I provide below contextualize why queer subtext and queer tragedy persists. I believe the paper on Cat on a Hot Tin Roof is a particularly important read as it sheds light on tragic queer tropes and utilization of queer subtext from the 1950s that persist to this day.

I do need to clarify a few things:

1.) I’m not a formal scholar. I don’t have a Master’s, let alone a PhD. I would love to continue my education, but I only just finished paying off my student loans. This is to say, most of what I’ve learned is from self-guided reading, watching documentaries, and talking to literary and cinematic professionals and members of the LGBTQAI+ community.

2.) Subtext exists in all forms of art: literature, music, painting, sculptures, film, and so on. There is no 1-to-1 definition of what subtext could be because subtext, by its very definition, is the communicating of information and/or a feeling without communicating it directly. It’s also important to remember that we use subtext in everyday life without realizing it.

3.) It’s necessary to share foundational resources in order to provide a greater contextual understanding in response to your question. The resources I'll be sharing, which will go from broad foundational to specifically queer subtext in cinema, are as follows: A.) Using JSTOR, B.) Linguistics & Subtext, C.) Film History, D.) Queer Subtext in Literature, Theater, and Film.

USING JSTOR

JSTOR is an incredible academic journal article resource. You can sign-up as a user and have access to up to 100 articles per month online for free! If you don’t feel comfortable creating an account, you can also visit your local library, who more likely than not have a JSTOR membership.

When searching for articles, I recommend using these keywords: queer, homosexuality, subtext, literature, film, history.

LINGUISTICS & SUBTEXT

Pragmatics

-- Jerome Bruner’s “Pragmatics of Language and Language of Pragmatics” (Available on JSTOR; Published by The Johns Hopkins University Press)

-- Kristin Borjesson’s “The Semantics-Pragmatics Interface: The Role of Speak Intentions and Nature of Implicit Meaning Aspects” (Available on JSTOR; Published by Armand Colin)

Iceberg Theory and Theory of Omission

-- Silvia Ammary’s “Poe’s ‘Theory of Omission” and Hemingway’s ‘Unity Effect’” (Available on JSTOR; Published in the Edgar Allan Poe Review)

-- Charles J. Nolan, Jr’s “‘Out of Season’: The Importance of Close Reading’” (Available on JSTOR; Published in the Rocky Mountain Review of Language and Literature)

-- Paul Smith’s “Hemingway’s Early Manuscripts: The Theory and Practice of Omission” (Available on JSTOR; Published by Journal of Modern Literature)

Implicature

-- Catherine Abell’s “Pictorial Implicature” (An important read as it provides academic context on interpretation of the visual medium, which is connected to interpretation of film; Available on JSTOR; Published by The American Society for Aesthetics)

-- Eric Swanson’s “Omissive Implicature” (Linguistic study on implied communication through omission) Available on JSTOR; Published by University of Arkansas Press)

-- Jacques Moeshcler’s “On the Pragmatics of Logical Connectives” (Published in the book: “Aspects of Linguistic Variation)

Exformation

-- David Foster Wallace’s “Laughing with Kafka” (Yes, the same writer of the book, Infinite Jest! A quick 4-page read that explains exformation in literature using Kafka as an example; Available on JSTOR; Published in Log by Anyone Corporation)

-- Stephen J. Burn’s “Reading the Multiple Drafts Novel” (23 pages; can be a slog to read, but it addresses the issues of “canon”; Available on JSTOR; Published by The Johns Hopkins University Press)

FILM HISTORY

Generally, I recommend looking up Hollywood History pre-code (Hays Code aka the Motion Picture Production Code from 1930-1967). Notice that the code’s abandonment was gradual in the 60s, which was when the U.S.’s sexual revolution occured. The MPAA Film Rating System went into effect in 1968.

Sin if Soft Focus: Pre-Code Hollywood by Mark A. Vieira

Available in hard cover on Amazon (looks like there’s only 1 copy left); no digital version that I can find. You may be able to find this at your library.

Forbidden Hollywood: The Pre-Code Era (1930-1934): When Sin Rules the Movies by Mark A. Vieira

Available on Kindle. Similar to Vieira’s first book but considered inferior.

The Celluloid Closet: Homosexuality in the Movies by Vito Russo

Published in the 1980s, a groundbreaking work and the first of its kind. It’s dated but still considered critical reading.

Screening the Sexes: Homosexuality in the Movies by Parker Tyler

Available in hardcover and paperback. This is also considered critical reading to be paired with Celluloid Closet.

Images in the Dark: An Encyclopedia of Gay and Lesbian Film and Video by Raymond Murray

Available in paperback on Amazon (1 copy left); likely to be in the library as well.

QUEER SUBTEXT IN LITERATURE, THEATER, AND FILM

Queerbaiting and Fandom: Teasing Fans through Homoerotic Possibilities

The first book of its kind, published in 2019. A must-read as contributing articles include analysis on Supernatural, Sherlock, and Merlin, among many others. I highly recommend reading the entire book, but it is expensive. You may be able to find this at your library.

My recommended articles from this book:

-- Joseph Brenann’s “Introduction: A History of Queerbaiting” is critical to understanding the Loki series specific place in queer fandom and media history.

-- Monique Franklin’s “Queerbaiting, Queer Readings, and Heteronormative Viewing Practices”

-- Guillaume Sirois’s “Hollywood Queerbaiting and the (In)Visibility of Same-Sex Desire

-- Christoferr Bagger’s “Multiversal Queerbaiting: Alan Scott, Alternate Universes, and Gay Characters in Superhero Comics”

Fandom: Identities and Communities in a Mediated World

About half the price of Queerbaiting and Fandom but significantly more broad in scope.

My recommended articles from this book:

-- Cornel Sandvoss’s The Death of the Reader? Literary Theory and the Study of Texts in Popular Culture

-- Derek Johnson’s “Fantagonism: Factions, Institutions, Constitutive Hegemonies of Fandom”

Sir Gawain and the Green Knight (Reading of epic poem recommended)

-- David L. Boyd’s “Sodomy, Misogyny, and Displacement: Occluding Queer Desire in Sir Gawain and the Green Knight" (available on JSTOR; from Arthuriana published by Scriptorium Press)

Oscar Wilde’s The Picture of Dorian Gray (Reading the novel recommended)

-- Jeff Nunokawa’s “Homosexual Desire and the Effacement of the Self in ‘The Picture of Dorian Gray’” (available on JSTOR; Published by The Johns Hopkins University)

-- Ed Cohen’s “Writing Gone Wilde: Homoerotic Desire in the Closet of Representation” (available on JSTOR; Published by Cambridge University Press)

-- Sandra Mayer’s “‘A Complex Multiform Creature’: Ambiguity and Limitation Foreshadowed in the Early Critical Reception of Oscar Wilde” (available on JSTOR; Published in AAA: Arbeiten aus Anglistik und Amerikanistik)

Tennessee Williams’s Cat on a Hot Tin Roof (Reading the short story [“Three Players of a Summer Game” and stage play and watching the film adaptation highly recommended)

-- Dean Shackelford’s “The Truth That Must Be Told: Gay Subjectivity, Homophobia, and Social History in “‘Cat on a Hot Tin Roof’”. (A must-read, in my opinion. You see a lot of patterns that continue in our subtextual queer stories to this day, concerning since Williams’s play was written in the early 1950s. Available on JSTOR; published in The Tennessee Williams Annual Review)

I hope these resources are helpful and interesting to you! Happy reading!

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piratesexmachine420 · 19 days ago

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Expanding and cleaning up on a conversion I had with @suntreehq in the comments of this post:

Ruby is fine, I'm just being dramatic. It's not nearly as incomprehensible as I find JavaScript, Perl, or Python. I think it makes some clumsy missteps, and it wouldn't be my first (or even fifth) choice if I were starting a new project, but insofar as I need to use it in my Software Engineering class I can adapt.

There are even things I like about it -- it's just that all of them are better implemented in the languages Ruby borrows them from. I don't want Lisp with Eiffel's semantics, I want Lisp with Lisp's semantics. I don't want Ada with Perl's type system, I want Ada with Ada's type system.

One of these missteps to me is how it (apparently) refuses to adopt popular convention when it comes to the names and purposes of its keywords.

Take yield. In every language I've ever used, yield has been used for one purpose: suspending the current execution frame and returning to something else. In POSIX C, this is done with pthread_yield(), which signals the thread implementation that the current thread isn't doing anything and something else should be scheduled instead. In languages with coroutines, like unstable Rust, the yield keyword is used to pause execution of the current coroutine and optionally return a value (e.g. yield 7; or yield foo.bar;), execution can then be resumed by calling x.resume(), where x is some coroutine. In languages with generators, like Python, the behavior is very similar.

In Ruby, this is backwards. It doesn't behave like a return, it behaves like a call. It's literally just syntax sugar for using the call method of blocks/procs/lambdas. We're not temporarily returning to another execution frame, we're entering a new one! Those are very similar actions, but they're not the same. Why not call it "run" or "enter" or "call" or something else less likely to confuse?

Another annoyance comes in the form of the throw and catch keywords. These are almost universally (in my experience) associated with exception handling, as popularized by Java. Not so in Ruby! For some unfathomable reason, throw is used to mean the same thing as Rust or C2Y's break-label -- i.e. to quickly get out of tightly nested control flow when no more work needs to be done. Ruby does have keywords that behave identically to e.g. Java or C++'s throw and catch, but they're called raise and rescue, respectively.

That's not to say raise and rescue aren't precedented (e.g. Eiffel and Python) but they're less common, and it doesn't change the fact that it's goofy to have both them and throw/catch with such similar but different purposes. It's just going to trip people up! Matsumoto could have picked any keywords he could have possibly wanted, and yet he picked the ones (in my opinion) most likely to confuse.

I have plenty more and deeper grievances with Ruby too (sigils, throws being able to unwind the call stack, object member variables being determined at runtime, OOP in general being IMO a clumsy paradigm, the confusing and non-orthogonal ways it handles object references and allocation, the attr_ pseudo-methods feeling hacky, initialization implying declaration, the existence of "instance_variable_get" totally undermining scope visibility, etc., etc.) but these are I think particularly glaring (if inconsequential).

#my thoughts #programming #rubylang

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