#seeing my art like this is always insane and a little emotional for me but it’s especially cool with the same character

[carsickcrow]

october 2022 / november 2024

[goodlucktai]

raised on little light (2/3)

rise of the tmnt word count: 4k pairing: mikey & oc big thank you to  @soldrawss for the art included in this chapter and to  @mykimouser for making me insane about neutral!michelangelo at all hours of the day title borrowed from northern attitude by noah kahan read on ao3

x

2031

Mikey is looking for his little brother. It seems like he spends half his life doing that these days. 

The TV is on in Splinter’s room, door ajar but equally as unapproachable as the door to Donnie’s lab, which is shut tight, as usual. Raph’s door is standing open, but his room is empty, because he leaves early for work on the weekdays. 

Mikey maneuvers past the closed doors and empty rooms like a professional. He doesn’t even have to think too hard about it anymore. 

Rounding the corner to the dining room, Mikey’s stride slows and relief punches an exhale out of him. He doesn’t realize how tense he is until he deflates like a balloon. 

Gio is asleep at the table, face half-buried in his folded arms, crossbow and maintenance supplies spread out in front of him. It’s disappointing, but not surprising. He rarely stays in his own room, as if he’s afraid of taking up space that isn’t really his. As if they’re going to change their mind and tell him they do still need it for storage, actually, and he wants to be ready when they do. Mikey’s pretty sure he never fully unpacked his bag. 

Sometimes he leaves the lair entirely, and since he’s the most unreliable texter Mikey knows, and has never met a phone call he would answer without a gun held to his head, he might as well fall completely off the grid each time he’s gone. Mikey stays up on those nights, keeping busy in the kitchen, worrying worrying worrying. 

He feels too much like Raph when he doesn’t know where the kid is. He understands intimately how overbearing big brothers could be, remembers how a tiny rift had formed between him and Raph when they were young because of it—childish and inconsequential in the grand scheme of things to come, but devastating at the time. 

So he tries to channel Leo instead, who had always trusted Mikey to know when to ask for help if he needed it. Tries to make sure Gio never feels like he can’t come home again, with a smile ready for him as soon as he slips silently back through the door. 

But last night Gio must have stayed in. There’s a blanket draped over him that Mikey didn’t put there, and Splinter almost certainly hadn’t left his room to put there, which leaves two possible culprits. Raph and Donnie don’t know how to make gestures that Gio can see for what they are, hardly know how to be in the same room as the kid without seeing a ghost superimposed where he’s standing. It leaves a lot of the emotional heavy-lifting on Mikey’s shoulders, but it’s fine. A brother could never be a burden to him. 

Mikey can’t give Gio everything he deserves to have, everything that should have been his from the very beginning, but he can give him some things. 

And we’ll start, Mikey thinks with the kind of absurd resilience that wouldn’t have been out of place at the actual end of the world, with breakfast. 

Gio wasn’t trained in ninja like the rest of them were but his senses are as sharp as any other turtle genetically modified for war. Mikey woke him up with a touch once and the fear response only lasted a handful of seconds but it was enough that Mikey made the executive decision that no one would ever do that again, or else. 

Mikey pulls a chair out beside the smaller turtle and sinks into it soundlessly. He traces the newly-familiar white spots on that smoky gray-green face with his eyes, counting and recounting them, even though he knows how many there are. Everything about Gio is at once brand-new and well-loved to him. 

After a moment, the only other sound the ancient Snoopy clock counting seconds in the kitchen, Mikey starts to hum. Three little birds sat on my window…

He can’t help remembering another morning just like this one, what feels like a lifetime ago. Mikey, all of thirteen, had insisted on being woken up to make breakfast so he could try a new crumble muffin recipe, but he’d stayed up too late the night before and sleep clung stubbornly to him despite the row of alarms he’d set. Their resident insomniac had been the only one awake, by virtue of not having gone to bed in the first place, and he’d parked himself in the beanbag under Mikey’s hammock and hummed the same song over and over until Mikey woke up. He had it stuck in his head for the rest of the day. They sang “GIRL PUT YOUR RECORDS ON” in the kitchen at the top of their lungs until Donnie sent the group chat a PDF of a noise complaint form, completely filled out. 

Mikey hadn’t realized he was taking any of it for granted back then. He would do anything— anything—to wake up that way again. Just one more time. 

Beside him, Gio stirs. Once he’s awake he’s alert fast, those big dark eyes sliding open and staying that way, head coming up off the pillow of his arms. He has that look on his face that Mikey would be tempted to call earnest on anyone else. 

“Rise and shine, Clementine,” Mikey says brightly, reaching over to rub the back of his fingers against a spotted cheek affectionately. “I was craving breakfast empanadas today and was hoping my best sous chef would be willing to help me out.” Then, deliberately light-hearted, he adds, “Little turtles who skip dinner have to eat extra breakfast, you know. That’s house rule number one.”

Gio blinks at him, his face giving nothing away to the casual observer. 

“I thought house rule number one was ‘always get it in writing’.” 

Mikey’s smile widens, surprised and pleased every time he plays along. 

“That’s number three, actually. Right behind ‘don’t do anything you wouldn’t want recorded and replayed at family functions.’ If you want, I can tell you exactly why that one’s a rule, and why it’s entirely Donnie’s fault.”

Gio does that thing where he assesses Mikey’s expression and tone as though he’s looking for the trap. Mikey weathers it, makes sure his smile doesn’t slip an inch. 

Donatello is more of an urban legend to Gio than his actual living brother. After a few hesitant attempts to approach the older turtle that had been shut down completely each time, Gio made the informed decision that that road was closed permanently. 

Sometimes Mikey will tell a story, or April, on one of her increasingly sporadic visits to the lair, will lean over and show him a video on her phone, and Gio will listen or watch like he has no idea who the guy they’re talking about could possibly be. 

They do their best, but there’s no way to really introduce the Donnie that they know to Gio, because that Donnie only still exists in their stories and videos. The Donatello who was silly, who loved music and theater, who burst into the living room with some new invention or gadget to boast about, had been replaced by one who rarely spoke, who didn’t even have Spotify on his phone anymore since it took up too much space, who kept the lair running only because it was where his family lived but not because he had any lasting attachment to the place, and he certainly didn’t make any unnecessary tech just for fun. 

I know you’re still in there, Mikey thinks sometimes. 

He’ll bring Donnie lunch and leave it on the table in the lab, and then hold out his arms. Sometimes, Donnie won’t look at him. Sometimes, Donnie will put his tools down and let his little brother crowd in for a hug. He’ll tuck Mikey under his chin and hold him tight, like they were children again and nothing was wrong that couldn’t be made right. 

Thank you for staying, Mikey will think, clinging for every second he’s allowed to. I know it’s hard. It’s the hardest thing you’ve ever had to do. 

The grief is always encroaching, like floodwaters. Rising slow and steady, swallowing up cars and street signs and single level houses, changing the landscape of his hometown until it’s an unfamiliar place. No end in sight. No sign of land. 

Someone send us a boat, Mikey wants to cry hysterically. But he knows how stupid that is.

He is the boat. 

—

When he met Giorgio for the first time, Mikey was twenty-five and Leo had been dead for ten years.

“Sorry,” Mikey said. His fingers felt numb around the phone. “Could you say that again?”

“A turtle,” Hueso had replied shortly. “I would not have called, but he has familiar eyes. He is not aware of any family in the area. Would you like me to ask him to wait for you?”

Mikey hadn’t tried his portals again since the last disastrous time—since Raph had made him promise to stop—so he knew it couldn’t be Leo. He knew it. Hueso would be able to pick his sobrino out of a million turtles and would have led the call with that. And Leo wouldn’t have stopped for pizza before running back to them, he wouldn’t have stopped for anything. Leo would have been the one to let them know Leo was home. 

Still, there was a tiny warbling hope in the bottom of his heart that wailed “maybe, maybe, maybe.” Still, it hurt to feel that hope shrivel up and die when Mikey slammed into the private dining room and found Hueso talking to an unfamiliar mutant with white spots and a black shell and—it was undeniable—Hamato Yoshi’s eyes. 

The turtle was small, dressed in dark grays and greens, a strap across his chest that made it clear he was armed by something resting out of sight on his back. He stood with his arms crossed, in a manner that was probably supposed to read as stubborn or defiant, but Mikey clocked instantly as nervous. 

This kid didn’t know what he was doing here or who the hell Mikey was and he looked about as comfortable with all the attention as Donnie would have been at that age. 

Mikey felt himself soften, some distant part of his heart sitting in disuse and disrepair lurching to life again. Ancestral magic that he had largely turned his back on suddenly stirred, ninpo reaching out fragile feelers toward the person in the room that it recognized as immediately as if it was looking at its own self in a mirror. 

“This is one of my creations,” Draxum announced, confirming what Mikey’s heart had already decided. “It must have survived after all.”

“Elaborate,” Mikey said, in a tone that didn’t match the gentle smile he had for the spotted turtle. 

“How old are you?” the alchemist had asked instead, which seemed an odd first question to have and didn’t explain literally anything. 

“Eighteen,” the spotted turtle replied. Mikey’s brow made a bid for his hairline. He would have been less surprised if the kid had said fifteen. Was he that scrawny as an eighteen year old?

“You hatched at about the same time as the red one,” Draxum said dispassionately, “so you should have been about his age, and he is twenty-seven. And how did you come to be here?”

Gio’s eyes slid away from him, over to Mikey. Mikey didn’t know what his face was doing. He hoped it was encouraging. 

“I went through a yellow door,” Gio said. “And I ended up here.” 

“By yellow door, I’m assuming you mean a rift in space-time,” Draxum said. “What possessed you to walk into it?”

“Felt safe,” Gio said, and that was the last thing he said about it, expression closing up in a way Mikey was intimately familiar with as I’m done talking and liable to bite if provoked. But Draxum was a lot of things, genius among them, and seemed to already have an idea of what had happened. 

Portals could be capricious. The night of Splinter’s mutation and escape from the Hidden City, a machine in Draxum’s original lab had gone haywire as the structure collapsed. Draxum watched as it snatched up various tools and equipment and finally one of the experiment enclosures that Splinter had not been able to reach in time to save its occupant with the four he already carried. 

With the machine destroyed, it was impossible to even begin tracking the experiment down to wherever it had ended up. And there were unfortunately small odds that the creature would have survived long on its own wherever the portal deposited it. Draxum had written it off as dead. 

But there he was. Ten years displaced, but living and healthy and whole. Apparently he’d been in another dimension all this time, and only came back again because a portal he encountered had looked inviting. 

—

And now he’s in Mikey’s kitchen, listening studiously to his brother’s chatter and following instructions with exacting precision, still wearing the ridiculously oversized red sweater Mikey bundled him into the day before. It made Raph’s face do something funny when he saw Gio in it at lunch, but he hadn’t said anything when he saw Mikey hauling it out of the dryer earlier that morning, and he didn’t say anything at the table either.  

Over the years and countless wash cycles it’s been worn to unbelievable softness. It used to be that Raph couldn’t keep it in his closet if he tried, caught as it was in a constant rotation between little siblings who loved to wear it, floppy sleeves and sagging hem and all. It’s almost strange to see it again, here under the kitchen lights in this new country they all live in. 

Stealing clothes was a baby brother right of passage. And it was just collecting dust in storage anyway. 

Gio sees Mikey looking and glances down self-consciously. Then he jolts, and drops the ball of dough in his hands, lifting and twisting his left arm to put it more in the light. Near the elbow of the sleeve is a smudge of flour. 

He thumbs at the spot, preoccupied by it. His body language is shrinking because he always makes himself a smaller target when he starts to get anxious. 

One day, Mikey is going to find whoever taught him to do that and have words. For now, he rounds the island to Gio’s side and leans against it so he can duck down and peer into that little spotted face. He makes sure to plant his own elbow in the flour dusted across the butcher block counter, sending up a little poof of it as he does. 

“Hey, sweet kid, don’t worry about this old thing. It’s already been through everything you can possibly think of,” Mikey reassures, tweaking the hood playfully. “It survived the Paintball War of 2017, it’ll hold up to a little baking accident.”

Gio’s dark eyes lift to meet his, attentive and absorbing everything he sees and so, so careful. 

“Raphael won’t get mad?” 

Mikey keeps smiling, even though he’d like to start crying. 

Of course he won’t, he wants to say. He’s your big brother and he loves you. He’d move heaven and earth for you. He doesn’t know how to say it these days—he doesn’t trust himself to hold people the way he used to, doesn’t know who he is anymore since the shield he used to be was broken—but he’s still Raph. Our Raphie. I promise, it’s still him. 

Gio had never been lifted up into strong arms and tossed in the air until he laughed, caught safely and held tight like those arms would never get tired of holding him. He had never crawled under the blankets in a room humming and blinking with electronics after a nightmare, resting his head on a broad shoulder and falling asleep to a low voice rattling off his favorite explanation of gravity—a force that held everything down, pulled everything together, that could always be counted upon to keep you. He had never snuck out for brunch, just him and someone who saw him more clearly than he could ever see himself, who knew when a stack of French toast and a string of Snapchat selfies and a little mischief was exactly what he needed. 

Gio had never had any of that. He had been alone since he was freshly mutated and abandoned by pure chance, and now he was barely nineteen and he didn’t know how else to be. He didn’t have the first clue, but he was so willing to learn. He soaked up attention like a plant starved for sunlight, petals reaching endlessly for an end to the dark.  

I wish you had been there, Mikey thinks sometimes when he looks at him, heart breaking with the truth of it. We would have held you. You wouldn’t even know how to be alone. You wouldn’t be worried about a stain on a sweater. 

“He won’t get mad,” Mikey says instead. He channels his most charming brother, the one who could sell water to a fish, who could talk his way out of anything, who convinced his family to keep hoping even when all hope seemed lost. “And hey, if he brings it up, we’ll just blame the cat.” 

The corner of Gio’s mouth twitches, and then he smiles despite himself, as buoyed along as Mikey always was when Leo was silly with him, and says, “We don’t have a cat.” 

“Maybe I’ve just been waiting for an excuse to get one!” 

At that point, a burst of white noise from the living room cuts over whatever Gio might have been about to say. It sounds like the roar of wind from an open window of a car going seventy down the highway. It cuts off, and then something clatters noisily, and Gio’s reluctantly amused expression vanishes into alarm. 

They don’t exactly get a lot of surprise visitors down here. He wouldn’t recognize the familiar sound of transportation-by-time-scepter, followed by the even more familiar sound of its clumsy wielder tripping and knocking something over immediately upon arrival. 

“Oops—helloooo?” 

“In here, Renet,” Mikey calls back, nudging his shoulder into Gio’s so he knows not to worry. 

The timestress bumbles in, scepter tucked into the crook of her arm so she has both hands free to fix her braids. She’s smiling all big and crooked and sweet, mouth open to greet Mikey the same enthusiastic way she always greets him, but she stops dead in the doorway when she catches sight of the second turtle in the room. 

Renet takes one look at Gio and says, “Oh! Well, you don’t belong here at all, do you?”

It’s been a long time since Mikey has felt like screaming at her, but the way his little brother absorbs that blow without flinching is enough to get him on his feet. 

“Hey, Nettie, can we talk in the hall?” he says with a brightness he doesn’t feel. “Georgie, I’ll be right back, okay?”

Gio dips his head in a nod, slowly rolling dough in his hands again, and Renet follows Mikey out of the room like someone who knows they’re about to face the firing squad. 

“I did not mean it like that,” is the first thing she says when it’s just the two of them. “You know that’s not what I meant.”

Mikey does know that somewhere in the back of his mind. Renet is his friend and she’s never been anything but kind to him. If they had met when they were children, they probably would have gotten along like a house on fire. 

There was a time when he only saw the best in people, but the idealism had been carved out of Mikey when his portal to the prison dimension failed to open.

Some days, Mikey looks at Renet and can only see the person with time itself at her disposal, the past and future spread out like a choose-your-own-adventure book—the person with the power to help, to change things, who took Mikey’s countless, desperate pleas to be allowed to save his brother and held them tenderly like they were important to her and still told him no. 

Some days, that “no” is the most significant thing she ever said to him. 

“He’s my brother,” Mikey says. “He belongs wherever we are.” 

“Of course he does,” Renet says, brown eyes soft. “Mike, of course he does. That’s not what I meant.”

When they move back into the kitchen, introductions are made properly, and Renet makes it a point to clarify that she’s glad to finally meet him. 

Giorgio is watching them with those eyes that take in everything. Deep and trusting when he looks at Mikey, sharpening into something calculative when he shifts his gaze toward Renet. 

Looking back, Mikey will recognize it as the moment he lost him. 

“Smells pretty good in here, boys!” Renet says, swanning over to the stovetop. “Oh, is that chorizo? Mike, tell me you’re not making empanadas! I already ate on my way over!” 

“Then you won’t need to stay for breakfast,” Mikey sing-songs, feathers still ruffled. Then, because he feels bad for the way she deflates at the blatant dismissal, adds, “If you want to stick around, you can take some back with you to Null Time. Just don’t let that jerk Savanti have any, I don’t like his vibe.” “I swear,” Renet says, hand to her heart. 

“You talk about time travel like it’s something you can do,” Gio says suddenly. “Is it?”

The air in the room suddenly feels much thinner than before. Renet looks at Mikey quickly before answering.

“Sure, Gio. I’m a timestress—or, you know, I’m a student now. Basically an unpaid intern. But one of these days I’ll be the real deal.” She winks at him, and Gio gazes back at her placidly. 

“So you could send someone back in time? To stop something bad from happening?”

Oh, no, Mikey thinks. 

“I could,” Renet says. To her credit, she doesn’t sound as bone-tired of this conversation as she must be. “But I can’t. There are so many rules, and for good reason! One little slip-up could be an absolute disaster. It won’t do you any good trying to change the past if you end up destroying the present and the future while you’re at it, right? I’m barely allowed to look at this thing, much less use it,” Renet goes on, wagging the priceless time scepter around like it’s a rubber spatula. 

“But you could,” Gio says. “If we followed all the rules. If we figured out a way—”

“Georgie,” Mikey interjects. 

“I’ll tell you what I told Mike, baby,” Renet says gently. “It can’t be done. He belongs here.” 

Gio says, “But I don’t. You said that.”

“Stop,” Mikey says, not recognizing his own voice. 

But it’s too late. It was too late when he tried to open a door inside the prison dimension, because Leo was already dead inside. 

He was already dead inside, Draxum had said, clinical in a way that helped to distance himself from the hurt, but also distanced himself from the ones hurting, clinical in a way that made Mikey bare his teeth and say things he couldn’t take back. That’s why you couldn’t reach him. It wasn’t your fault. There wasn’t a point for you to anchor off of, there was no other end for your line to reach. He was already dead inside. He was already gone. 

Mikey stares at Gio, the tuck of his chin as he looks back down at the dough on the counter. He’s unwilling to argue with Mikey, but that stubbornness is an innate family trait. There’s no way he’ll give it up now that he’s got his teeth sunk into the idea. Mikey knows what it looks like when a brother is about to leave. Mikey knows what it feels like when they’re already gone.   

When he was younger, he was so angry. He was bursting with potential, with possibilities, his magic a wounded, snarling creature in his heart. It’s not fair that he failed. It’s not fair that he didn’t save his brother, that his love wasn’t enough to punch through the prison dimension and wrap Leo in warmth and light and bring him home. It’s not fair that no one was willing to help him. 

Fine, he had thought, fine! I’ll do it myself! 

Renet had explained to him over and over that his power had more to do with space than time. Casey Jr. said that he’d been sent back in time by his Uncle Michelangelo, but that wasn’t necessarily true. Casey’s arrival in the past had created another universe, parallel to the former. That was Mikey’s power—he could affect and even create other timelines, which was powerful and amazing, but not true time travel. Nothing he did could change his own reality, the one he was living in, because he had already lived it. He couldn’t get back what he had lost. 

Mikey plunged ahead anyway, desperate. He could make it work. He could make a change. Even if it didn’t change anything here, he could find another world and save its Leo and—and maybe that could be a start. Maybe he would finally get his head up above water, and stop drowning for just one second of the day, maybe he’d be able to take a full breath for the first time since his brother disappeared on the other side of a closed door.  

He didn’t wait for permission or approval. He slunk off into a tunnel a mile away from home and drew the circles himself. Lifted his hands and filled them with power, until it felt like he was holding the sun. And it hurt, of course it did. It burned all the way through. But he was hurting anyway. 

A portal opened, a pale yellow window. Mikey looked through it, and saw himself on Staten Island, ripping open a hole in the universe and saving his brother. 

What?

He looked again, over and over, at least half a dozen times—and every time, he looked into a universe where Leo didn’t die. Where Mikey saved him, or Raph scooped him up before he went diving off the Technodrome to catch Mikey and Donnie, or Donnie flew back up to Leo with a rocket and yanked him back through the door before Casey managed to close it. Over and over and over, Leo didn’t die. 

So it’s just me, Mikey realized. I’m the one who got it wrong. 

Raph followed the detonation of ninpo and hysterical screaming through the maze-like tunnels and found him suspended in midair. Rock and rebar were flying around Mikey, everything not nailed to the earth turned dangerous projectiles, his arms burning and flaking away into pieces that disintegrated when they met open air. 

His big brother’s expression had been terrified as he pulled Mikey down into his arms and held him through the shrieking storm he’d made. One hand on the back of his head to keep his face tucked safely into Raph’s scarred shoulder, the other arm cradling him like he was half his age, like he was still someone’s baby. 

“Angie, it’s okay,” Raph had said, low and aching. His voice was a rumble beneath Mikey’s ear, barely audible but just loud enough. “It’s okay. You can scream, you can bring the whole damn city down if you want. But you gotta let go, sunshine. Let go, Mikey.” 

I don’t want to I don’t want to I don’t want to I don’t want to! Mikey wailed, clutching at Raph’s jacket with hands that felt like two white-hot points of pure agony, clinging, holding on. If he let go, Leo stayed gone. If he let go, he really didn’t love Leo enough to save him. 

But Raph pressed his cheek to the top of Mikey’s head, and his next breath shuddered in his chest, and he whispered, “I know you don’t want to, I know. But this isn’t gonna save him. You’re just hurting yourself and L—Leo would hate that. He’d tell you to stop.” One hand crept over to cover both of Mikey’s, squeezing them tight. “Come on, big man. It’s okay. Let go.” 

He let go. The magic faded, dropping everything it had picked up back to the tunnel floor with dull thuds. His hands spasmed wildly, grip nonexistent, and Raph just kept holding them as he carried Mikey home. 

Mikey sobbed for the rest of the night, what felt like hours and hours. Raph reverted to turtle sounds when nothing he said seemed to get through, and Donnie crept under the blanket and plastered himself to Mikey’s carapace so that they had “A little citrus sandwich!” Leo would cheer, the silliest and sweetest turtle in the world until Mikey finally cracked a smile. 

His family made him promise not to try again. It’s not worth it, they said, a unified front—and as much as the words hurt Mikey to hear, it must have hurt his siblings and father just as much to say them. We can’t lose anyone else, they were ready to beg, because they didn’t know it was his fault Leo was gone. They didn’t understand how badly he’d failed them all. If they did, they wouldn’t have been so grimly determined to protect Mikey’s life from his own hands. 

It felt like a betrayal at the time, but he understands now. 

It’s not worth it, he thinks, staring at Gio. I can’t lose anyone else, he’s ready to beg. 

But Mikey knows what it looks like when a brother is about to leave. Mikey knows what it feels like when they’re already gone. 

What he doesn’t know is how to love someone well enough to keep them. 

[jymwahuwu]

BARKINGN WOOF WOOWF DOES HE LIKE DOGS?? I CAN BARK!! GOOD HEAVENS MR. RECA. MISTER MISTER!! HELLOOO SAILORRRR!!

cough cough, my apologies for that outburst but here are my thinking thoughts on Mr. Reca..

Thinking of him holding you in a headlock to make sure the camera could capture your face. Maybe press down on your tongue with some of his fingers so the camera can capture those lil mewls and such.

He loves to keep going until he sees that doe-eyed blank stare you get whenever he goes too far. Face tear-stained while you drool mindlessly against his fingers. In fact, he always tries to get that one clip in whenever he wants to record(which is always.)

Bondage but it's him tying you up with old film from your previous commercial/scenes of you in other movies. Just so he can see the before and after his special films. He loves you dearly, look at how footage he kept of you from your previous acts!!

(Also on a more romantic topic, thinking him of making roses out of his favorite film tapes of you on the first date. You don't know because it's pitch black but they're actually from the films that you have acted as a romantic love interest. He's very sweet..when he's not insane me think.)

I passed out…Mr. Reca…his movie-related kink, and the way he expressed his love…😩💖💖💖

cw: yandere, dub-con, obsession, humiliation, oral sex, ooc because the official plot has not been released yet

Headlock may be a little rough, but that's the way to get your face on camera! He enjoys making low-budget movies for his own entertainment, without any regard for commerce but only his art and desires. The camera is right in front of you. Are you a little too shy? His arms were draped across your neck, holding your face in place as you bounced on his cock. Now you can't avoid the camera no matter what. He presses his thumb against your tongue as you swallow those sobs. No reason to hide them!

Mr. Reca doesn't show restraint. He pushes you to your limits to see how far you can go. Disappointing that you only need 5-6 orgasms to be brainless. The dazed look on your face is priceless (eyes melting out of focus, tears all over your face, and trembling legs. No quick reaction, just a subconscious whimper as your lips wrap around the cock). He often fails to part with these precious films and adds plots that have no obvious connection. In a movie about human loneliness in the universe, the scene of your orgasm is played. This is what happens at film festivals and cinemas. Anyway, if the audience complains, he will say it is a montage.

He keeps every movie that includes you. Those are his treasures. Even with the technology here, he still keeps these physical movie discs in his collection box. There are handwritten marks on it, such as: "1:15:32 blowjob part", "A must-see during the holidays", "3 hours without breaks version" and so on.

This stems from Mr. Reca's romantic moment. He created a CD collection of movies about you, decorated with fresh flowers and a cosmic gemstone.

Tucked inside is a card:

"To my favorite actor, legend, and sun. (Beautiful cursive writing, but at the last word, the person who wrote it seemed a little emotional, and the ink melted) Only when the sun shines on him, the moon will glow.”

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

[linkspooky]

Are You Satisfied?

As you might have heard chapter 236 of Jujutsu Kaisen ends with the death of Gojo Satoru. The fandom is making a pretty big deal about it. As someone who predicted from the beginning that Gojo was going to lose against Sukuna, the reaction is fascinating to me. This is perhaps the most controversial chapter of Jujutsu Kaisen I've ever seen. So I've decided to throw my hat into the ring.

The central theme of Jujutsu Kaisen is death, so the death of one of the main characters isn't too surprising, but what does Gojo's death mean for the story? What does it say about his character?

As I said above I am a little bit shocked by the extreme controversy over Gojo's death. Gojo was never going to win the fight in the first place, because Jujutsu Kaisen is a story and the story would be over if he defeated Sukuna. He'd easily be able to take care of Kenjaku afterwards and the main conflcit would be resolved. Would it really be an interesting story if Gojo one shotted the villains while the kids just wathced on Television?

The story is also not about Gojo, it's about the students. Gojo may think he's the protagonist of reality but he's not the protagonist of the story.

Once again, Jujutsu Kaisen is a story and stories have themes. We may grow personally attached to characters, but characters are just narrative tools to convey the themes of a story, no different from prose, dialogue, and art. Characters are a tool to be used well or used poorly, and sometimes yes that means killing them. Whether Gojo's death was naratively satisfying though isn't the purpose of this post though we're only asking what does it mean?

Finally, Jujutsu Kaisen is not only a fictional story, it's specifically a tragedy. Full disclosure, it's a manga about death.

The Protagonist of a Tragedy

So, number one shout out to me for making this post 4 months ago where I called the way Gojo would end the fight.

Excuse me while I fist pump for calling it!

The question on everyone's minds is why does one of the most powerful characters in the manga die offscreen in a pretty humiliating way, cut in half and helpless on the ground just like Kaneki. The reason Gojo didn't get a more heroic (or cooler) death is because we're not reading My Hero Academia, this is not a story about heroes or even a typical Shonen manga it is a tragedy.

In poetics Aristotle defines tragedy as:

"an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions" (51).

To paraphrase a tragedy is about human action, actions characters make in a tragedy often have dire consequences. One of the most common consequences if the reversal of a hero's fortune, a hero of a tragedy usually starts out on top and ends up on the bottom because of the bad choices they make. If in normal shonen manga characters overcome their flaws through effort and persistence, in Jujutsu Kaisen we see characters more often than not lose to their flaws.

The reason I posted that Kaneki panel specifically is because it was a brilliant moment of narrative punishment for Kaneki's central character flaw. Kaneki the hero's main flaw is that he always fights alone, and he constantly makes that same choice over and over again to fight alone. One of the characters helpfully explains it as well.

Stories are primarily about change. If a character doesn't change they're not serving the plot, unless that specifically is the point. People have pointed out how abrupt it is for Gojo to get sealed in Shibuya, get let out, and then immediately die afterwards but that's kind of the point. Gojo made more or less the exact same choice (he asked for Utahime's help for a buff but otherwise fought the entire battle himself). The definition of insanity and what not, why would doing the same thing over and over again net him a different result?

Not only did Gojo choose to fight alone, but as I've been hammering on and on about in previous meta the entire fight Gojo cared more about fighting a strong opponent then he did saving Megumi, the child he was responsible for.

Jujutsu Kaisen is not a typical shonen manga where everything is resolved by beating a strong villain in a fight. That's specifically why I used the Tokyo Ghoul reference, because the reason Kaneki is defeated offscreen like that is because he thought the world worked like a shonen manga. He has a fantasy sequence where he's fighting Juzo in a shonen battle tournament like this is Yu Yu Hakusho right before it snaps back to reality and he's limbless on the ground.

Gojo is a major character in the manga Jujutsu Kaisen, literally "Sorcery Fight" and he is the best sorcerer in the whole world. His entire identity revolves around being a sorcerer. Since he is so good and beloved at what he does, he thinks that everything is resolved by exorcising a curse or defeating a strong opponent. He has basically no identity outside of that. Which is why when he's fighting the possessed body of his student, a person he's been mentoring since childhood his priority is not to save Megumi but to beat a strong opponent. Gojo is a sorcerer, before a human being. That's who he is, that's who he always has been since day one.

I think part of the negative fan reaction comes from fans being really attached to this scene in the manga and deciding Gojo's entire character revolves around being a good mentor figure to children.

Which is just incorrect, Gojo's entire character revolves around being the strongest. On top of that though, Gojo can care about children and also care about being the strongest he can care about multiple things at once and have those things contradict each other because humans are complicated. I'd point out even in this panel where he's stating motivation he's not trying to raise these kids up into being healthy adults, he wants them to be strong Jujutsu Sorcerers. Even when he's raising kids, his intention is to turn them into Jujutsu Sorcerers because everything in Gojo's mind revolves around Jujutsu Sorcery. Gojo does not exist outside of the world of sorcerers. Gojo may be the chosen one but he'd never be able to hold down a job at Mcdonalds.

I think in general readers put more investment in the things characters say out loud, rather than their actions. You can say one thing and do another. I can say "I should never eat sweets again I'm going to improve my diet", and then go and eat ice cream five hours later. Gojo can state out loud his intention to foster children and protect their youths, but then fail to properly do that in the story. Characters are not always what they say they are, that's why they're interesting to interpret. This isn't me calling the readers stupid, just pointing out that Gojo is made up of contradictions. He wants to get rid of the old guard and replace them with something new, but Gojo IS THE OLD GUARD.

If the culling games arc has shown us one thing, it's that ancient sorcerers brought to the modern age do not care that much about human life on an individual level, they are all of them egoists. There's a reason Gojo resembles someone like Sukuna more than he does any other character in the manga. I'm not saying Gojo is exactly like Sukuna, he's far more altruistic and uses his genuinely noble ideals but at the same time Sukuna is a shadow archetype to Gojo he represents Gojo's flaws. The flaws that Gojo succumbs to in tragic fashion.

Which if you believe that Gojo genuinely does love his students, and the ideal he's fighting for is to raise up a better generation and allow them to live out their youths, then Gojo throughout the entire Sukuna fight is acting against those ideals. He cares far more about fighting Sukuna then he does saving Megumi, it's shown over and over again in the battle, Megumi is an afterthought to him. If Gojo care moredefeating the big bad and saving the world is more important than helping a child that Gojo is responsible for then Gojo is acting against his stated principles. Why should Gojo win the fight when he's fighting for all the wrong reasons?

Tragedies are like visual novels, if you make the wrong choice the novel will give you a red flag. If you ignore the red flag then you get locked into the route with the bad ending. Gojo always fights alone. Gojo only ever fights for himself, even if he's using that selfishness in support of a more noble ideal like creating a better generation of sorcerers. If Gojo consecutively makes the same changes then in a tragedy he's not going to be rewarded for it.

Gojo wants the old generation out and the new generation in, but Gojo resembles the old generation too much. Old sorcerers like Hajime and Sukuna respect him, Hajime argues that Gojo being able to fight for his pride is far more important than him living to the end of the battle when Yuta wanted to interfere and help him.

Gojo's death isn't a surprise curve ball that Gege is throwing us for shock value, it's a result of his choices throughout the manga. A manga about change, and the change between generations is not going to punish a character for remaining roughly the same. Of course you might find it disappointing that Gege didn't give Gojo the chance to grow and change and experience a character arc like Megumi or Yuji, but Jujutsu Kaisen is a tragedy, and the way Gojo's arc ended is consistent with what Gege wrote.

Jujutsu Kaisen is not just a tragedy though, it's a manga about death. The manga begins with Yuji's grandfather warning him not to die alone the way that he did. His grandfather's dying words are what motivate Yuji throughout the beginning of the manga as he's searching for a "proper" death.

One of the major themes of Yuji's character is a contemplation of death. He accepts that death is inevitable, so he wants to save them from the gruesome deaths they'd experience if they became victims to curses and allow them to have a more satisfying death. Yuji's grandpa died an unsatisfying death because he died alone in a hospital room. Yuji even tries to make his own death a satisfying one because he believes by dying to seal away Sukuna he'll reduce the total number of casualties to curses.

Jujutsu Kaisen keeps investigating the theme of death and what exactly would make for a satisfying death. At one point it's all but stated that death is the mirror that makes humans analyze their lives.

When Yuji fails to save Junpei from the "unnatural death" it calls into question whether or not his goal of saving people from unsatisfying deaths and the gruesome deaths caused by curses is even feasible. Nanami even says that Yuji might not be able to accomplish his goal and warns him away from the path.

We see repeated unsatifying deaths in the manga, each time someone reflecting on their deaths that they weren't able to get what they wanted out of life. This list comes via @kaibutsushidousha by the way I'm quoting them.

Nanami's a character who chose to work as a sorcerer because he didn't want to evade the responsibility of doing all you can to help people, he wanted to believe he's somewhere where he's needed. He never runs away from responsibility like Mei Mei does so he quite literally works himself to death, living and dying as a sorcerer. Nanami or Gojo's dying hallucination of Nanami even says as much, his death is the result of him choosing to go south and returning to be a sorcerer.

Maki chose revenge against the Zen'in over her sister, and as a result Mai is dead. Maki has all the power in the world now, her revenge complete but she's left with a sense of "now what?" She's as strong as Toji now but she failed to protect her sister, and it's the result of the choices she made. Maki's reflection isn't triumph, it's "I should have chosen to die with her."

Even Yuji himself is robbed of his narrative purpose. The manga began with Yuji saying he wants to choose how he's going to die and he'll die taking out Sukuna with him so he can reduce the number of people killed by curses in the world. Both of those things are thrown in Sukuna's face. Number one the amount of people Yuji can save by permanently killing Sukuna is now a moot point because he let Sukuna rampage in Shibuya.

Number two, Sukuna isn't even in Yuji anymore. To build on what Comun said though, this repeated tragedy has a purpose to it and understanding requires understanding that Jujutsu Kaisen is an existentialist manga. Existentialism is basically a school of philosophy centered around the question of "Why do I exist?"

There's nothing about the invetability of death to make you question why you're alive in the first place. In the myth of Sispyhus, Albert Camus boils down all of philosophy to one question.

"There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. "

All of philosophy is should I shoot myself in the head or should I keep living? Everything comes after that question, which is why in Jujutsu Kaisen a lot of the characters motivations revolve around them contemplating death. Sorcerers exist in a world where they can die any moment, and as Gojo says most of them die alone. It might be the nature of sorcery itself that causes so many people to die, not only are they dying because they are trapped in an uncaring system, but the characters themselves aren't really attempting to live outside of it. They live and die as sorcerers, replaceable cogs in the machine.

All of these unsatisfying deaths may just be the result of all these characters making one choice, to live as sorcerers rather than people. Because to exist means to live in the world.

Even in Mechamaru's case, his goal is deeply existentialist by what I defined, all he wants to do is live in the world with everyone else rather than be stuck in his hospital room but his actions contradict that goal. Instead of letting his friends come and visit he's obsessed with the idea of getting a normal body because he feels that's the only way he can exist with everyone else, he makes a deal with the devil, he lies and goes behind their backs. He wasn't living with everyone else in the world and he could have chosen to, he chose wrong and his death is the result of that choice.

Jujutsu Sorcerers aren't living in the world. They're living in a little snowglobe far removed from the world with its own rules, most of them regressive and disconnected from the rest of society. If you define existentialism as just "living in the world' then a lot of these characters aren't, because they only exist in the world of sorcery.

INVISIBLE BUFFY: What are you talking ab- SPIKE: The only reason you're here, is that you're not here. (drinking) INVISIBLE BUFFY: Right. Of course, as usual there's something wrong with Buffy. She came back all wrong. (moving around on the bed) You know, I didn't ask for this to happen to me. SPIKE: Not too put off by it though, are you? (drinking) INVISIBLE BUFFY: No! Maybe because for the first time since ... I'm free. She tosses the sheet aside. Spike looks around, trying to figure out where she's going. INVISIBLE BUFFY: Free of rules and reports ... free of this life. SPIKE: Free of life? Got another name for that. Dead.

Not living in the world with everyone else is the same as being dead.

A lot of these characters either make the choice to act alone, or be a jujutsu sorcerer rather than a person and because of that they die as sorcerers, b/c sorcerers die that's what they do. Mai didn't want to keep living as a hindrance to Maki so she kills herself. Maki didn't want to be anything other than a sorcerer, so her little sister dies and she's not a big sister anymore. Nanami chose to leave his job behind and become a sorcerer again, he dies as one.

Of course I don't think the manga is punishing characters for being too egotistical, but rather too unbalanced. If anything Mai is too selfless and that is why she died, she didn't want to live for herself and chooses self sacrifice for her sister. An unbalance between selfishness or selflessness results in an underdeveloped ego. Jujutsu Kaisen doesn't punish individualism per se, moreso if you're not a fully developed individual you won't last long. Because it's also a manga about growing up in the world, and a person who doesn't have a healthy, mature, well-balanced sense of self is not a grown up.

This twitter user det_critics points out that Gojo (and also Yuki + Yuji's) failures in the manga can be attributed to the fact they don't have real senses of self.

Gojo has an identity crisis as outlined by Geto, "are you Satoru Gojo because you're the strongest, or are you the strongest because you're Satoru Gojo?"

It's a challenge for him to find some reason to live outside of being the strongest, and in tragic fashion Gojo just doesn't find it in time. Gojo lived for fighting others, and proving to himself that he's the strongest, and that's how he dies.

There's something I like to say about narrative punishment in stories. There are two ways to punish a character, you either don't give them what they want, or you give them exactly what they want. This is the latter, Gojo wanted to find someone stronger than him because deep down he believed that nobody could understand him unless they were on his level. He wanted to be surpassed, and that's why he focused on creating stronger young sorcerers, but he never shook himself of the belief that only someone as strong or even stronger than he was could ever be emotionally attached to him so he made a deliberate choice to draw a line between himself and others.

Gojo's essentially gotten what he wanted from that choice in the worst way possible. The student he picked to succeed him Megumi, has his body stolen and kills him. Gojo is surpassed, but it's not by one of his own students it's by an enemy that's not only trying to kill Gojo but is going to massacre his students afterwards.

Gojo's spent his entire life believing that because he's more powerful that makes him inherently different and above others, and being lonely because he himself believed he couldn't relate to ordinary people and he dies like an ordinary person, an unsatisfying death where he wasn't able to bring out Sukuna's best, where he gets unceremoniously cut in half offscreen but yay he's no longer the strongest. He's gotten exactly what he wanted. Megumi is still not saved, Sukuna's probably going to kill more people because Gojo failed to stop him here, but hey at least he stopped to compliment Gojo.

It's empty, but it's empty because of the choices Gojo made in life to just not bother connecting to people or develop any kind of identity besides being a sorcerer. Gojo lives and dies as a sorcerer, and his dying dream is returning to a teenager being surrounded by everyone he was with during his school days, because that's the happiest time in his life. Ironically he was happier before he became the strongest, because that was the only time in his life that he allowed himself to connect to people.

However in the eyes of others, he is someone who has it all. That's why he is always alone. There was no one who could hold the same sentiments and mutually understand him. Geto was the only one who could understand what he was trying to say, and the only one who could communicate well with him.

It's no coincidence Gojo and Geto die exactly a year apart on the same day, if anything I'd say the reasons they die are similiar to at least thematically. They both die because they don't want to live in the world. Geto thinks the world is too corrupt and GOjo doesn't want to be anything other than a sorcerer, both of them fail to adapt.

「 'It's just. . .' It's just that it was what Geto had to do. [...] To someone like him, the reality that the world of sorcerers presented to him was just too cruel. '. . .that in a world like this, I couldn't truly be happy from the bottom of my heart.'」

They can't be happy in a world like this from the bottom of their hearts, so narratively they both die. The things they chose to live for at the end of their life they fail to accomplish, Gojo is no longer the stronget, Geto fails to wipe out mankind or make major changes to the world and they die as normal people unsatisfied because they weren't trying to live in the world and make connections to others. They die almost karmically a year apart because their main connection for both of them, the thing which made them feel connected to the world and other people was each other.

Which is why this panel breaks my heart and is so narratively satisfying because of how unsatisfying it is...

"If you were among those patting my back... then I might've been satisfied."

Gojo reflects that he's not satisfied dying against Sukuna, not because he failed to give him a good enough challenge but because Geto wasn't there to pat him on the back. The one thing that would have satisfied him he couldn't have, because he didn't live to connect to people he lived to be the strongest and he died alone as the strongest. There's just something deeply upsetting about Gojo's dying dream fantasy just him being there talking with all of his dead friends who he never appreciated or connected to properly when he was alive. Knowing that if something had just gone a little differently, that even if he had to die no matter what he could have died happier if Geto was among the people saying goodbye to him because that connection with Geto is what gave his life meaning.

Dazai Osamu: "A life with someone you can say good-bye to is a good life, especially when it hurts so much to say it to them. Am I wrong?" -Bungou Stray Dogs Beast

[ohimsummer]

RANDOM HORROR GAMER! SATORU HCS

— one(1) suggestive under the cut so minors dni, gamer! gojo x reader, established rs, explicit language, some gamer! reader, pet names (sweetums, baby, (my) love), the link has body horror!!, horror-loving gojo in general <3

⭑ ࣪ ˖ sum’z notes.ᐟ gojo playing outlast and resident evil and silent hill and fnaf and and

horror gamer! satoru who always likes you around whenever he starts playing. doesn’t matter if you’re cooking, showering, or out for the day—and prefers you in his lap while in his comfy gaming chair, but if you’re even just on the bed nearby then that’s totally okay, too.

horror gamer! satoru who finds it so cute when the jumpscares actually startle you. laughs when you let out a yelp or a scream, giggling a ‘relax, baby’ as if his heart didn’t stop for a second at the same scare.

horror gamer! satoru who asks your opinions and recommendations on what games to play, even if you know nothing about them. if he’s stuck between two games, he’ll let you be the tiebreaker, shoving the two options in your face for you to choose from even if your reasons are inane. ‘you like the art on this one better? the title sounds cooler? okay, come check it out with me!’

horror gamer! satoru who finds it comforting whenever you’re cuddled under him while he plays. your scent and the warmth of your body soothes him, makes the scares a little less frightening and he calms down way quicker when he gets to hug you so tight. (refers to you as his emotional support y/n)

horror gamer! satoru who’s just about always eating his words about how terrified the game is making him. talks so much shit going ‘oh this dumbass monster isn’t even that scary’ and you just like to humor him even though you can feel his heart pounding in his chest.

horror gamer! satoru who enjoys when you also talk a little trash with him. ‘i could totally take that monster on, right, baby?’ ‘hell yeah, it looks weak as shit, you could destroy that thing.’

horror gamer! satoru and you both frantically talking over eachother when he gets to a fast-paced area of the game, parts that require swift puzzle-solving or thinking quickly on your feet. ‘fuckfuckfuck where do i go, where do i go ?!’ ‘that way, THAT WAY, no the other way, oh my god, run!!’

horror gamer! satoru who likes handing you the mouse/controller and watching you play. guides you through some parts when you get confused, and always returns your victorious grin when you’re able to get past the really scary or difficult areas by yourself.

‘look at my baby gettin’ through the little mini-boss after 26– ow, fine, 18 tries! so proud of you, sweetums, guess my super-awesome gaming skills are rubbin’ off on ya, huh?’

horror gamer! satoru who lets you get jumpscared even when he knows a scare is coming up. ‘didn’t wanna ruin the experience for ya, baby’ while he’s almost spitting out his water from trying to hold back laughter.

horror gamer! satoru who you have to gently drag away from his setup when he starts getting frustrated. he’s been stuck on this one part for hours now because of rng or the boss is just ‘stupid and rigged’ and insanely hard. you can see his jaw clench, his moves getting sloppier in his exasperation.

horror gamer! satoru let’s you pepper kisses up and down his neck, over his jaw and cheeks, on his forehead as you murmur suggestions to take a break in his ear. you hold your own drink up in an offer for him to take a sip, before slipping away to grab one of his favorite sweet treats to hopefully ease his frustrations. ‘give it a rest and come cuddle with me for a bit, my love, you can always try again later.’

horror gamer! satoru who buys another controller (in your favorite color) so he can play co-op horror games with you. he loves watching you improve, proud when he doesn’t have to carry you as hard anymore. and it feels so much more fun because it’s like you’re experiencing the scares together, not the same as when you’re just watching him play.

horror gamer! satoru who goes horror game-hunting with you. he loves that your interest in them has grown so much, and you two can actually talk in detail about them since your ‘horror knowledge’ isn’t at base level anymore.

horror gamer! satoru likes that you’re not just watching him play and listening to him explain what’s going on anymore. you’re more heavily intrigued in the game lore and spotting tiny details or references in the games.

you’re playing a multiplayer horror game with satoru, exploring a different room of the house since you two have split up to cover more ground.

‘oh, wow! satoru, look at this little figure on the desk!’

his avatar makes its way over, and he’s a little excited to see the tiny evil within 2 reference on the piece of furniture.

‘it’s obscura, isn’t that so cool?’ ‘fuck yeah, wonder if there’s any more hidden around here somewhere?’ and you both keep an eye out for any other allusions to more horror game characters.

horror gamer! satoru who convinces you that playing in the dark is so much better. and it is, it makes the whole experience that much scarier, and you hate (love) it. you find yourself peeping into the dark shadows of the room, goosebumps raised on every inch of skin. and also wanting to punch satoru in the throat when he grazes a finger up the nape of your neck, laughing at your fright when you just about jump out of your skin.

horror gamer! satoru who buys little trinkets or figures of horror game characters. bought you a silent hill nurse figurine to go next to his of pyramid head. you both dressed up as said characters for a Halloween party once, and then ended up, um, undressing eachother in someone’s bathroom later that night…

horror gamer! satoru who knows all kinds of horror game trivia and he loves exchanging facts with you, even if you tell him stuff he already knows. again, he just loves that you share his favorite interest! tell him over and over about how [char.] is your favorite horror game villain or how [song] makes that scene so much creepier! he will eat it up again and again and again.

horror gamer! satoru who gets so excited whenever you present a new game to him, especially if it’s one he hasn’t seen before! ‘holy shit, baby is this a new release? fuck, we have to play this tonight!’

a casual (horror-themed) date night with horror gamer! satoru could be going out to see a new scary movie in theatres, or even just staying in to play your favorite horror games together. on nights like those, he likes to suggest cheesy, parody, or nostalgic horror games like slenderman or some .EXE game.

tagz: @anthoosies @staryukis @hellkaiserinphoenix @biscuitsngravie @elusivemoon @rxddxvotion @babytoshiii

[vulpisnocturna]

Binding Vow - Part III

This is the last part of Binding Vow 🤍

Part I

Part II

Read on AO3

I do not condone this behaviour. This is purely fictional. Please read warnings and avoid if you find any of them triggering.

Warnings: Stockholm Syndrome, Chrollo being a pretentious bastard, Chrollo mansplains, Emotional Manipulation, Controlling behaviour, Yandere Chrollo, Kidnapping, Captivity, Reader is struggling, dubcon, NSFW

Word Count: 7.6k

You were insane. You were deranged, and spineless and pathetic. Waking up with Chrollo’s arm holding you to him, possessive and stifling as always, you had actually felt good about it. You, the captive, the prisoner, the trophy possession he had decided to steal for himself. You had liked his touch, and had felt comforted by it. You had wanted the moment to last forever, that feeling of being in Chrollo’s good books and not having to fear for his next move. If you just accepted it, liked the physical reaction of your body, did what he wanted, it was so much easier.

The past two weeks after your escape had almost been... peaceful. Chrollo hadn’t punished you, and so long as you sat on his lap, made out with him and spoke to him, he was gentle, kind and lenient. He was waiting for you to sleep with him, not forcing himself on you, even though you weren’t sure you would even push him away. After all, kissing him felt so disgustingly good. Human contact felt so comforting, and you deserved to feel good, right? You had lived in torment for months now, and now that you had a modicum of normalcy, of happiness, it was normal to want to keep it. It was normal to want Chrollo to be happy. If Chrollo was happy, or whatever the comparable emotion was for someone like him, you were safe, comforted, treated kindly.

But this was Chrollo. Did you really want Chrollo to be happy, to show you that shit-eating smug smirk of his? To get what he wanted?

No. This wasn’t about Chrollo at all. This was about you. You were just looking out for yourself. Escape was impossible, and you would not get any mercy from him a second time even if you tried a second attempt. This was about self-preservation. This was about building a life for yourself with what you had. In that way, wasn’t this also brave?

‘Good morning, my love’ his husky voice reverberated in the crook of your neck, and he placed a gentle kiss on your shoulder, holding you closer, fingertips stroking your stomach. You tensed up a little, but did not attempt to push him away. Good mood. He was still in a good mood. You had learnt to tell his moods apart even though most of the time his face was blank or smug.

He turned you, stroking your hair and smiling at you, his eyes gleaming with some kind of emotion you were unable to name.

‘I was thinking that you have been so good for me lately, darling. I am willing to put behind the whole mistake of your escape if you continue to be so lovely and sweet. And, I was thinking I could take you on a date today. How does that sound?’ he asked, and you tried to contain the way your chest felt light with gratitude. He was willing to take you outside? Apart from your botched plan of escape, you hadn’t been outside for more than two months. You wanted it so badly. You needed it. Needed to see the outside world, needed to stretch your legs, to breathe in the clean air.

‘Uhm- where?’ you asked, still reticent about sounding too enthusiastic. This was still Chrollo, you reminded yourself. Still your kidnapper.

But... he was willing to take you outside. Even if you had tried to escape.

‘If you don’t feel up to it, we’ll stay home, of course. Don’t push yourself’ he said, stroking your cheek. Your breath faltered. No, you needed it.

‘No- I want to!’ you stammered, scared he might just be taunting you. It would destroy you if that was true. But Chrollo simply gave a soft laugh.

‘Relax, darling. I knew it would make you happy. We can go to an art gallery, and then, have some dinner before we come back’ he said, fiddling with the strap of your silk tank top, one of the many flimsy clothes he had bought for you, ‘however, there are some guidelines. They’re non-negotiable. But, if you follow them, you can expect to go on many more outings in the future’

Rules. He was giving you rules. You already had a feel for what he’d say, but you honestly did not care. So long as you got to see the outside world, you would do anything. Besides, trying to escape under his watchful eye would be impossible, especially since escaping when he was supposed to be away for hours had proven itself to be a complete disaster.

‘First, do not try to run from me. You know what would happen if you did. Do not ruin your streak, darling. Second, make no attempts to ask anyone to help you run from me. If you did, I’m afraid I would have to dispose of them, and you do not want that to happen, do you? Third, you must tell me if you are uncomfortable at any point. Do not force yourself to endure discomfort just to be outside. If you wish to go home at any point, we will, no questions asked. Fourth, I want to choose your clothes. It’s only fair, since I know the dress requirements of the place I plan to choose. Alright?’ he said, scanning your face.

You had expected the first two rules, and you did not even question them in your mind. Of course he would say that. But the third? Why would you feel distressed about being outside? It was all you ever needed or wanted. But you supposed you could accept, since it wasn’t going to happen. Chrollo had a nasty habit of picking your outfits anyway, it wouldn’t change anything. As revealing as he could make them, you could put up with it, if it meant you got to go. You doubted his nasty jealousy would allow him to make you go naked outside.

‘Okay’ you only said, and he smiled.

‘Good’ he smiled, kissing your forehead. Again, the fact that you did not flinch surprised you. He had kissed you so much in the past week that now, you saw it as normal. It shouldn’t be. But it was. And it meant you were going outside.

‘We’ll have breakfast outside. I’ll shave and have a shower in the main bathroom. If you wish to have one too, you can use this one. Unless you wish to join me’ he said, voice roguish and tempting, despite the fact that it only brought a grimace and a burning feeling on your face.

‘I’ll take this bathroom’ you muttered sourly. Chrollo did not seem fazed in the slightest as he stretched like a cat and lifted himself off the bed.

‘As you wish, darling’ he said, heading towards the wardrobe. You didn’t even want to see him leer at all the outfits he’d bought you, you didn’t want the anxiety of wondering if he’d pick one of those skimpy skirts that barely covered your ass. So you turned away again, facing the curtains of the wide window that offered a view of the whole city.

‘There. That’s perfect’ you heard, and curiosity (or maybe it was dread?) made you turn again, staring at the sage green dress he’d picked. It was fairly modest for his tastes, you thought. The length was a respectable one, possibly reaching the middle of your thighs, and the top had a cowl neckline that would expose some of your cleavage, but not too much. You were impressed. But perhaps you should have sniffed out the trap, because his other hand was holding matching black bra and panties, both obscene, all lace and barely concealing fabric. You tensed up, your cheeks heating up, mortified rage building up inside you as you glowered at him.

‘Consider this my payment for this date, darling. It’s only my imagination that will benefit from you wearing this, anyway. Unless you plan to seduce me’ he said slyly, smirking at you. You sneered. Of course not. All your physical contact was initiated or brought on by him. You didn’t want Chrollo. You didn’t like him. He was... a prick. He just happened to be unfairly hot. And good at sex.

‘I’m planning no such thing’ you snarled, and he tilted his head, folding the clothes and placing them on the bed.

‘Then I do not see an issue. Of course, you could go without wearing any. Or we could stay home. Your decision’ he said simply, nonchalantly.

Ah. Your decision. The mockery of one, at most.

‘Whatever’ you said, averting your eyes. Chrollo shot you one last look full of yearning before he grabbed a black suit from the wardrobe along with a white shirt and a black tie, exiting the bedroom.

You buried your face in the pillow, unwilling to look too much at the lingerie. Was he genuine when he said it would only be for his imagination? Or did he want you to wear it because he planned to fuck you that night? You hated the tightening of your lower stomach at the thought.

No, you didn’t want it to happen. It was dread, not longing.

You decided to act with the impression that he would not and stood up, snatching the clothes and locking yourself in the bathroom. Chrollo had never walked in on you in the bathroom, for which you were grateful. It was a minimal respect of your privacy, but for someone who crossed almost all of your boundaries with no regard for your say in the matter, it was astounding that he hadn’t picked the bathroom lock to get to you. And perhaps because it was your safest space from him, you had never tried to prolong your time in there or hide in that room, because you did not want him to take away what little privacy you had if he was under the impression you were using it to avoid him.

Perhaps it had to do with his gentlemanly façade, the front he put on, acting as though he was in any way chivalrous. It would ruin that image if he picked the lock of the bathroom to spy on a lady. But coercing her to wear slutty lingerie and keeping her captive were perfectly gallant things to do in his fucked up brain.

Regardless, you were glad to feel somewhat safe as you took off your tank top and shorts, turning the tap and stepping under the shower head. You sighed, trying to make it quick. You found yourself scrubbing and taking extra care in making sure you were pristine, and you hoped you were doing it in some kind of performative ritual because you were going outside and seeing people for the first time in two months and a half, and not because you thought Chrollo was going to see you naked. Although he had already seen you once, and his wandering hands were greedy when he had you on his lap, wearing flimsy silky nightgowns or his shirts. He was like a centipede when he got his hands on you. It felt like he had dozens of them.

When you got out and reluctantly put on the strapless bra and the lacy excuse for underwear he’d chosen, you were both impressed and revolted by the way they both fit you like a glove. How the hell could he know your exact measurements? Though all the clothes he’d ever gotten you always fit perfectly, even though you had never tried any of them before, the fact that he knew the precise measurements of your tits was disconcerting.

And despite how much you might hate him for making you wear that lewd set, you had to admit it was undeniably sexy on you. Which only made you angrier.

You ground your teeth, slipping on the dress he’d chosen, finding that one also fit you perfectly. You even put on mascara and nude lipstick. You got out after drying your hair and putting on the ridiculously expensive perfume he’d bought for you, finding him casually lounging on the armchair by the window, perfectly groomed and dressed. The suit was much classier than his cross-riddled fur coat, and he might even seem a gentleman in it. Well, except for the stupid cloth on his forehead. As out of place and ridiculous as it should have looked, it did nothing to make him look any worse. He only stood out more.

His covetous eyes raked your figure, his lips parting slightly as he stood up, making you feel like prey under his hungry gaze.

‘You look... truly stunning, darling’ he murmured, his fingers tracing the curve of your waist and hips, his lips seeking out yours. You were engulfed by the minty scent of his aftershave and the heady, expensive cologne he always wore, creating a mix that had you squirming in his hold as he kissed you, tongue greedily tracing your lower lip. His mouth traced a feverish line to your throat, and he breathed in, groaning softly, making your thighs press together instinctively.

Was he...?

‘Don’t fear, sweetheart. I won’t trap you beneath me and rip this pretty dress off you... though you are so tempting right now’ he whispered seductively against your ear, teeth nipping at your lobe, and you bit your lip hard, swallowing a whimper.

‘You’re a pretty little thing, you know that? Part of me wants to keep you home and taste your lips again and again’ he continued, hand cupping your ass, squeezing possessively. You swallowed, your eyes widening, pulse shooting up.

‘No- want to go outside- you said-‘ you started, but was shushed by his finger on your lips.

‘I am a man of my word, darling. I said I’d take you on a date, and that is what I’m going to do’ he said, giving you one last heated kiss before he released you.

‘Now, for the finishing touches’ he said, heading to the dresser and opening a box. Gold gleamed between his fingers as he approached you, and you stared at the emerald pendant and matching dangling earrings he had picked up.

‘Did you steal those?’ you murmured, and he let out a soft scoff.

‘Does it matter? Which one would make you feel better?’ he asked, gathering your hair and holding it, his head dipping as you stood in front of the mirror, frozen in place as his lips grazed your nape, sending shivers down your spine with the way his stormy eyes were fixed on you.

‘I guess not’ you breathed, and he smirked, putting the necklace on you and straightening it up on your sternum. Next, he released your hair and put on the earrings. You had to begrudgingly admit they were stunning. But that was to be expected. Chrollo liked to steal beautiful things. According to him, you were one of them.

‘Ready, my love?’ he asked, and you nodded. The shoes that were waiting for you at the door were heels, but luckily, they weren’t too high, and did not look too uncomfortable. Chrollo started to get on his knees, and you grimaced, picking up the heels and sitting on the sofa, putting them on yourself. You also took the dark coat he handed you yourself instead of letting him hold it for you. You refused to be a doll he could just dress up. He nonchalantly smoothed his jacket, seemingly unfazed by your rejection as his aura focused around his hand and his blasted book appeared between his fingers.

You stood next to him, and his hand snaked around your waist, holding you possessively as the lock clicked. The book disappeared, and he guided you outside and towards the lift.

Your fingers were trembling at your sides, and your gaze was greedy as it took in the outside world, the people walking by, your lungs filling with the clean air, your skin basking in the pale sunlight.

Chrollo led you to his car, or at least, the one he was currently using, opening the door for you and insisting on holding your hand as you sat down. He closed it behind you, circling the car and sitting down, immediately locking the door. As tempting as the thought of throwing yourself out of the moving car was, you had no intention of trying to escape, but you knew he would always take precautions anyway. Perhaps it was part of the reason why escaping him was impossible.

He drove through the city centre with a hand steady on your thigh except for when he had to change gear, but you could hardly care. Your gaze was fixed on the window, drinking in the buildings, the shops fleeting by, the statues and houses and the people walking on the pavement.

He parked in an underground parking space next to the gallery, once again feigning chivalry as he opened your door and helped you outside. You let him, because you did not want to cut your time short. You wanted to make the most of this day.

There were a lot of people in line, and to your surprise, Chrollo calmly walked to the end of it and stood there, patiently waiting. You stood next to him, feeling oddly breathless, as though your ribcage had tightened. So many people. You hadn’t seen so many people for so long. Their chattering was loud, they moved around you and you couldn’t keep an eye on all of them. Had being a captive ingrained in you the need to keep a watchful gaze on everyone around you?

You felt slightly nauseous.

‘Everything alright, darling?’ Chrollo’s voice came to you slightly muffled, and you swallowed, nodding quickly, terrified he would take you back home if you showed any sign of discomfort.

‘Too many people?’ he offered, and you focused on a spot far away under the stone arcades.

‘No. I’m fine’ you said much too quickly, your legs feeling slightly weak, to the point you had to lean on Chrollo. Was this why he’d chosen to stay in the line whilst he could have paid to skip it? Just to show you that you needed him in the crowd? To take you back home? You forced yourself to stand tall and by yourself, but Chrollo had already tightened his hold on you, trapping your side to his.

‘I wouldn’t want you to fall, dearest. We can still go home, you know’ he said, a hint of amusement in his voice. You gritted your teeth.

‘No’ you hissed, your throat tightening when you heard how hostile your tone sounded, ‘please. I want to stay, Chrollo’ you added, sweetening your voice, knowing his ego always adored the sound of your begging.

‘Hmh... you’ll need to stay close to me, dear. You seem quite fragile at the moment, so I will need you to hold onto me’ he said, his eyes smug and his smirk self-satisfied.

You pressed your lips together, wishing you could debate with him, tell him no, but his rule and the fact that he had the last say were vivid in your mind. It was his fleeting satisfaction over a day of joy for you.

You leaned against him again, closing your eyes and taking a deep breath.

He kissed the top of your head, rubbing your upper arm, moving along the line. Minutes passed, and Chrollo did not seem to want to let you go, and you did not seem to want to admit to yourself that his closeness, his stable presence holding you in the swarming crowd was reassuring.

You breathed a sigh of relief when you reached the ticket box. Chrollo bought two tickets for the exhibit, leading you towards the first room. You lost yourself reading the brochure, flicking through the different exhibits, your eyes nearly popping out of your skull as they set on Van Gogh. One of your favourite painters, and apparently, most of his artworks were now here for a short time. Had Chrollo known?

‘That is the first smile you’ve shown me that reaches your pretty eyes’ he said, his eyes glinting with some kind of genuine fondness as he stared at you.

‘You knew?’ you whispered, struggling to believe he would do something genuinely nice for you. Not something Chrollo liked, something you liked.

‘That you have a predilection for Van Gogh, or that his paintings would be here? Of course, to both’ he said, and you stared at him, suspicion extending its tendrils in your mind.

‘Are you... planning to steal them?’ you asked, eyes narrowed. Chrollo smirked, tilting his chin up and glancing at you with a sardonic look in his grey eyes.

‘Why? Would you like a specific one? I could arrange that’ he said easily, and you shook your head, disbelieving.

‘No- of course not’ you muttered.

‘A pity. If it gifted me another pretty smile, I would steal all of his paintings’ he said with something akin to reverence, stopping in the middle of the empty room to stroke your cheek, staring intently at you.

‘That��s- wrong’ you stammered, trying to vanquish his stupidly romantic display of affection. He was completely without morals nor did he have any sane conceptions of what was acceptable to do for something as trivial as a smile.

‘Why? Numerous museums have stolen artwork throughout the centuries, and somehow, that is moral? None of these museums paid Van Gogh for his artistry. They are fair game’ he said smoothly, and you stared at him, blinking in disbelief.

‘To you, everything is fair game’ you said. Chrollo smiled, fingers curling on your waist, under your unbuttoned coat.

‘Darling, you are so straitlaced. When you can appreciate something more than the masses, you are entitled to take it for yourself. Beautiful things deserve the right amount of appreciation, which most people cannot provide’ he said, and you had a vague idea of what he was really talking about in more detailed terms as he leaned over you, eyes gleaming with self-assurance.

‘Do you think any of these inane, mediocre individuals could truly love you? See your beauty, appreciate you, know you like I do? I am the only one who can truly give you what you deserve. I can give you anything’ he said in a soft, fervent voice, kissing your cheek, making your head spin with his delusional world views and the headiness of his tone.

‘Do you remember when I fucked you, darling? Of course you do. You were begging and whining for me, for my fingers, my tongue, my cock. Do you think any of these people would know how to fuck you like I do? How to make you scream and sob with need? Or maybe you don’t remember too well. But I will remind you soon. It might be tomorrow, in a few days, a week from now, but you will see. There is so much I want to do to you’ he was practically purring in your ear, voice low and inebriating, full of sinful promises that made your heart drum in your ears and your lower stomach hot with want.

Tomorrow? A few days? Then- he was going to fuck you soon. You felt dizzy, and you were not wholly convinced it was from dread.

‘You’re a creep’ you mouthed, terrified of his effect on you. If you’d been religious, you’d have thought he really was Lucifer incarnate. The temptation of the most beautiful of God’s angels really did feel real when Chrollo made it known what he wanted to do to you.

‘Oh? You think I can’t hear you mewl in your sleep, darling? God, if you knew how much control I need to exert to keep from burying my head between your thighs. Do you dream of me, my love?’ he continued, and your eyes widened, your heart skipping a beat as ferocious shame gripped your throat. No, he was bluffing. You couldn’t have... if he knew-

‘Of my ex’ you said, because he was humiliating you and you couldn’t bear his smug grin and the satisfaction and hunger you could hear in his voice.

Chrollo’s grip on you tightened, and he straightened up, his eyes burning with jealousy, but his lips curled in a nasty smirk.

‘Little liar. We’ll see’ he said, voice thick as honey, and you shivered, hugging your body as you went to look at the paintings. Chrollo followed you leisurely, like a shadow. It was as though there was a string connecting the two of you. Where you went, he was right behind you, if not already touching you.

The paintings in the first five rooms were the oldest, with gold painted on religious imagery, ugly infants and static anatomy. Still, your eyes drank the paintings in like you were dying of thirst, looking for the beauty in a world where Chrollo was the dealer of what you were allowed to see.

When you stopped for more than half a minute to stare at a painting, you had already walked through ten rooms, ignoring Chrollo’s pretentious chiming in with random historical facts and art lessons.

It was beautiful. No. That wasn’t right. It was petrifying. “Judith beheads Holofernes”, the silver plate read next to it. Artemisia Gentileschi. A woman.

There were two women and a man in the painting. One of the women was holding down the man onto a bed, whilst the other one was in the middle of slicing his head with a sword.

The world seemed to stand still as your eyes wandered around the canvas, taking in the colours, the skill, the beauty of it. But it wasn’t the artistic skills of that painting that mesmerised you. No, it was the rage. It was the sheer disgust, revulsion and fury that seeped through the blood trickling down the mattress and spurting in the air, spattering her dress. Punishment. Vengeance.

‘How macabre’ chimed in Chrollo, obviously unperturbed by the gore of the painting, ‘I did not know you had a bloodthirsty side to you, darling’

You ignored him. You’d felt that rage. That need for retribution. You knew what it was for.

‘I hope you’re not picturing doing that to me’ he said, and then sighed, stroking your hair, ‘Artemisia Gentileschi. She was raped by her father’s friend, and though she was tortured, she maintained her story throughout the trial that followed, which resulted in the conviction of her rapist. Her paintings do seem to reflect her exacting vengeance on him’

You looked at the woman in the painting, silently recognising her strength, standing in awe of it.

‘I could steal it for you if you like it so. Though I would not want you to get fanciful ideas’ he said. You couldn’t help but scoff. You could not say you were in the same position as Artemisia had been, but you understood the sentiment well. At times, you had wanted to behead Chrollo with a broadsword and bathe in his blood.

Who would have guessed that now, he was your only source of solace. That you did not shy away from his touch, that you dreamt of it.

‘I’d rather you stole me a broadsword’

‘As captivating as the sight of you brandishing one would be, I’m afraid I cannot do that’ he said, and you nodded absentmindedly. Obviously.

Chrollo bought breakfast at the art café, and you resumed the visit after that.

But nothing else captured your mind like that one painting. Well, until you got to the room where Van Gogh’s painting were displayed. If Artemisia’s paintings had filled you with respect and petrified you with their rage, Van Gogh rooted you to the spot with the sheer emotion of his art.

You could not stop yourself from smiling, and your eyes shone bright. You didn’t even care that Chrollo was staring at you like a hawk.

Again he offered to steal them for you. You denied wanting that, telling him that you wanted as many people as possible to bask in the beauty of them, and that you wanted them to acknowledge a painter who had never been appreciated in his lifetime.

‘You are so sweet, my love’ he said, holding you to him.

You weren’t sure you would not find Van Gogh’s sunflowers staring at you the next morning.

By the time you were finished with the visit, you were ecstatic. Yes, you had had to endure Chrollo’s centipede hands throughout the day, but you had seen so much, and felt alive. And he hadn’t even been too stifling.

‘I- thank you, Chrollo’ you said once you were back in the car, hoping this would happen again. He turned to you, staring at you, his usually cold grey eyes shining with warmth, his smile, for once, genuine.

‘It was my pleasure, darling’ he said, capturing your lips in a soft kiss, devoid of the hunger that usually seeped through them. One that, if you ignored the past two months and a half, would have you swooning.

He smiled against your lips, planting a kiss on your forehead and pulling out of the parking spot.

The restaurant he’d chosen was just as luxurious as you had expected from someone like him. He sat in front of you in the secluded booth, reading the menu. You did the same, tempted to get the most expensive thing just to put an indent in his wallet. Though it probably would be pocket change to him. And if not, he could always arrange stealing something to make up for the loss.

He ordered Cabernet, and you considered getting drunk to make the date with your kidnapper less awkward. But you didn’t think he’d let you down too many glasses of wine.

Still, you sipped it avidly, glaring at him when he scoffed.

‘Darling, am I such bad company that you have to drown your sorrows in wine?’ he asked, clearly a rhetorical question.

‘Yes’ you said, and he let out a soft laugh.

‘Are you sure you want to inhibit your senses around me? Considering I’m such bad company?’ he mused, sipping his wine, his pretty lips stained blood red. You put the glass down, scowling and going back to deciding what you wanted to eat.

You settled for steak, surprised to see he ordered the same. You had expected him to get something pompous like lobster.

The meal was undeniably amazing, even though Chrollo had taken it upon himself to interview you about what you’d thought of all the paintings, clearly trying to exhibit his own knowledge, which turned into you trying to one-up him. That might also have been a ploy from his part to get you to argue with him.

‘Interesting. When you’re not so nervous, you’re quite self-assured, darling. Perhaps the thought of being seen as less knowledgeable than I am is unbearable in your mind. Is it to do with sexism? I assure you, the fact that you’re a woman makes no difference to me in terms of your intelligence. Which is, of course, of the highest degree’ he said, and you groaned, staring at him and taking another gulp of Cabernet, even though no amount of wine could save you from him dissecting your brain and being pretentious.

‘Don’t psychoanalyse me. And stop trying to be a feminist icon to impress me. It rings hollow after what you have done’ you said, thinking yourself bold with your quips. Perhaps you should settle down. After all, this was still your mass murdering captor.

‘Ah. I treat you with the highest regard, my love. It wounds me to hear you be so bitter when this day made you so happy. Have I not earned some affection from your part by spoiling you today? Perhaps you need more from me’ his eyes took a lustful light, and you squirmed, shutting up. Which only earned you a smirk.

Once the bottle of wine had been finished, Chrollo got you water, claiming he did not want you to get drunk. You eyed the price on the bill, astonished that one meal could cost so much. But he merely swiped his card and closed the leather case that hid it from view, standing up and offering you his hand. You got up, walking with him outside.

The ride home was fairly silent, because you did not look forward to be back not knowing when you would get another chance at seeing the outside world, and Chrollo was focused on driving and palming your lower thigh. You looked at the sunset, lost in the orange and purple hues, completely enraptured by the beauty of it. It would be nice to stay out for a while longer, but you knew not to push the buttons. He had said art gallery and dinner, and that was what you had done. Now it was time to go home.

You wondered if he would make you sit on his lap and kiss him again tonight, as he’d done since your escape attempt. Somehow, the thought made you hot all over. Well, he had certainly seemed keen enough at the gallery, you thought, your cheeks hot.

Chrollo parked the car, leading you to the lift and back to the flat, where he locked the door with his stupid book and discarded his coat, taking yours off. You slipped off your heels, your feet sore from a day of wearing them, and started to head to the bathroom to change. If he wanted to make out with you, he could wait for you to get comfortable, as loosely as that word could be used in such a situation.

You had made it to the bedroom when Chrollo caged you in his arms, pulling you into him from behind you, getting your hair out of the way to leave languid kisses on your neck, his hands splayed on your stomach. You stopped dead in your tracks, giggling nervously, already feeling the effects of the wine and Chrollo’s touch getting to you.

‘Uhm- let me change-‘ you muttered, your eyes fluttering close when he started sucking on the junction of your clavicle.

‘There’s no need. I’ll peel it off you soon enough, darling’ he breathed against your ear, voice intoxicating, deep and sultry, and you squirmed, your heart rate going through the roof with the realisation that he wanted to sleep with you now. God.

No, you had to push him away. That was the right thing to do, right? He was... Chrollo, and his tongue was following your artery, and it felt like hell and heaven had combined, and you couldn’t think...

‘I’m tired of waiting. I am going to show you just what I can make you feel, darling. I’ll be so good to you’ he said breathily, hands cupping your breasts, fingers grazing your stiffening nipples. You choked a whimper, torn between the overwhelming pleasure and the equally crushing shame.

He groaned against you, pushing himself against your ass, earning another strangled yelp from you when you felt the hard bulge of his erection against it.

He whispered your name like a prayer, turning your head and kissing you hungrily, teeth sinking in your bottom lip, sucking, licking while he fisted your hair and turned you around, pulling you more into him.

Your mind seemed to shut off completely, taken over by the desire that had accumulated in weeks of torturing make-out sessions with no reprieve, to the point where your body was burning and aching for his touch, and nothing else mattered except the taste of wine in his mouth and the grip he had on you.

He pulled back, pupils dilated and eyes dark with lust, gaze lingering on your lips as he pulled down the zipper on your ribcage, greedily devouring you with a mere stare as you stood there, rapt and consumed by desire, your mind a blur.

He lowered the straps of your dress, pulling it down until it pooled at your feet. You burnt as his eyes trailed down your body, shameless and ravenous.

‘That’s even better than what I had imagined. Oh, darling, if you knew...’ he groaned, his hands immediately splaying on the expanse of your back, trailing down to squeeze and knead your ass harshly while his mouth was busy sucking on your neck, making you whimper as you clung to his shoulders.

He pushed you towards the bed, pulling you on his lap. You straddled him, utterly deranged with pleasure as he licked the valley of your breasts, grinding you on his lap. You let out a moan, pulling at his hair, which only made him rougher as he slapped your ass and gripped it, sending a surge of pleasure to your clit.

‘Get on your knees for me, darling. I want those pretty lips wrapped around my cock’ he groaned against your ear, and you swallowed, shame making your face burn. It was one thing to go with the flow and let him do things to you, quite another to actively pleasure him. But you would be a liar if you said the thought did not make you wet. And it was all unfair and humiliating and yet, and yet...

You pressed your lips together, yelping when your bra ripped under his hands and he threw it away.

‘I’ll buy you another one’ he groaned, pinching your nipples and sucking one into his feverish mouth, grazing it with his teeth until you were rutting against him, your hands cradling his head.

‘On your knees now, sweetheart’ he pressed, and you breathed in shakily, lowering yourself from his lap onto the floor, swallowing your shame as Chrollo stared down at you, taking off his jacket and shirt, unbuttoning his trousers and pulling his cock out, stroking it in his hand. Degrading as it was, infuriating as it was, he was so unfairly attractive. From the expanse of his toned stomach to the thick cock in front of you to the unruly hair that framed his face and the lust-laden grey eyes boring into you.

He let go of his cock to gather your hair into his fist, stroking your cheek and your bottom lip, pushing his thumb inside. You hesitantly sucked it, pressing your tongue against it, and he smirked, eyes gleaming with ravenous lust as he pulled it away and you wrapped your much smaller hand around the base of his cock, unable to touch your fingers with your thumb.

You stroked him, looking up at him as you tentatively licked the slit at the tip, and he let out a soft moan, his lips parting as his fingers tightened around your hair.

Emboldened by his reaction, you wrapped your lips around the reddened tip, tongue twirling around it.

‘Good girl, keep your eyes on me’ he breathed, looking dishevelled for the first time as you sank further in, licking the underside of his cock, hollowing your cheeks.

‘Fuck’ he groaned, his hips twitching, to the point where he reached the back of your throat and you choked a little, breathing hard through your nose. You weren’t even two thirds of the way in.

‘You can take it, darling. You’re doing so well. You look ravishing’ he praised, and you pushed a little more, tears starting to sting in your eyes, your lips wet with saliva as you struggled to keep your eyes on him.

You got a little more used to his size, and you managed to take a little more. What you couldn’t take with your mouth you made up for with your hand, rotating it slightly as you pulled back and forth on him, watching him start to breathe more unevenly, his eyes narrowed, the skin of his neck slightly flushed.

‘That’s my girl. You’re such a pretty little slut for me. I knew it’ he taunted, and despite yourself, you couldn’t help but moan, continuing to pleasure him though it killed your pride.

He started to guide your head, not too forcefully, but he was definitely getting more eager as you picked up the pace and sank to his pelvis, tearing a breathless moan from him that made your panties even more soaked than they already were.

‘Oh, darling. My good girl. Fuck- I’m close. Keep going, and swallow, m’kay? Going to make you feel so good after, I promise’ he huffed out, and you hollowed your cheeks, struggling to breathe, tears running down your face as you kept going, until he stilled, his eyes closing, head facing the ceiling as he came in your mouth with a soft moan.

You swallowed heavily, panting as he slipped out of your mouth. He stared at you for a few seconds, his lips parted, his eyes narrowed with pleasure, before he pulled you up by your arm and threw you underneath him on the bed, kissing you, his hands roving down your body.

‘Such a good girl- let me return the favour, my dear’ he breathed, sucking on your nipples, straying down your stomach and spreading your thighs. You stared at him, panting and hot all over as he pressed his nose against your clit, licking a wet stripe along your labia over the wet lace of your panties. You let out a breathless moan, hips jerking against him, and he let out a soft groan, smirking at you.

‘How I missed this’ he murmured, pulling on your panties until they ripped, clearly unfamiliar with just slipping them off. But your quips were soon forgotten when he flung one leg on his shoulder and dipped his tongue inside you, kneading your ass as he flicked your clit and rolled it in his tongue.

You pulled at his hair, your hands catching onto the cloth of his forehead, which fell on you. He tossed it away, sucking on your clit, his hand snaking between your thighs, two fingers dipping inside you and curling, making you arch your back and let out a loud moan.

He started thrusting his fingers in and out, dragging them along your walls, his mouth keenly occupied with your clit, until you couldn’t take it anymore and started convulsing underneath him, trembling as he pinned you down and forced you through the most intense orgasm of your life.

He switched his mouth and fingers, his tongue slipping inside you, tasting you, his fingers rubbing and rolling your clit through the comedown of your orgasm, until you pushed him away when you started feeling too sensitive.

He wiped his chin with his mouth, sucking his fingers clean and smirking at you, the picture of debauchery as he gave you a sultry look.

He took off the remainder of his clothes, turning you on your stomach and lifting your hips.

‘Does my pet want a rough fucking? You deserve it, after all. You’ve been so patient, squirming on my lap for weeks’ he said against your ear, gripping your hip, his free hand wrapped around your throat.

You only moaned, and he must have been satisfied, because he pushed inside you, tearing a loud whine from you and a grunt from him.

‘Fuck, darling. You’re just made for me, aren’t you? Look at how you’re taking my cock, sucking it in, throbbing around it’ he murmured, immediately bottoming out and thrusting back in unrelentingly, making you tremble underneath him, your head dizzy, your face pressed against the mattress as he pounded into you, pressing into your g-spot straightaway, making you whine and keen for him. It was too much, all at once. You felt him everywhere, consuming you, making you see stars.

‘Chrollo- fuck- too much’ you sobbed, but he did not relent. He slammed against you with reckless abandon, long fingers still wrapped around your throat, his pants and groans echoing your louder cries.

‘You can take it, little slut. You’re my little slut, mh? Your pretty little cunt’s squeezing around me... could it be that you like that, darling? How filthy’ he taunted, but he sounded breathless and full of desire, and it made you feel obscene, yes, but also so so wanted. You had secretly longed for this for weeks, and now, you needed to feel him, needed to cum so badly.

But he slipped out of you and turned you on your back, slipping back into your sopping cunt and lifting your knees to your chest, pressing his body over you.

‘Fuck- Ahh- gonna cum!’ you sobbed, the new position rendering you completely helpless to his rough fucking that pressed against your g-spot and grazed your cervix, making you quiver underneath him.

‘Cum for me, darling. Show me how much you need me to fuck you’ he breathed, and you thrashed your head side to side, tears disappearing on either side of your hair, your mouth open in a silent scream as you came undone, seeing white, sounds fading completely around you, leaving you feeling only pleasure for a moment that felt like several minutes.

Chrollo grunted, cursing loudly, pressing his lips to yours in a sloppy kiss and drowning your moans as his hips stuttered, his rhythm breaking, his fingers curling on your flesh, sure to leave bruises as you felt warmth flood inside you.

He continued to push for a few seconds, head buried in the crook of your neck before he stopped moving. Your legs collapsed on the bed, and you struggled to calm your breathing, your throat dry, your arms loose around his back.

He rolled over to his back next to you, his breath starting to come out evenly even though you were still panting.

‘You were perfect, darling’ he murmured, stroking your hair, pulling you into his arms. You stared at the open window, the night skyline staring back at you with its blue lights and orangey glow from the windows of the buildings on the other side of the street.

Was this a life you could live? You did not know. The only thing you knew was that Chrollo had won.

[missycolorful]

The scene with q!Forever and q!Philza at Global spawn in Pugatory is something that will always kinda sit in the back of my head. Because it truly, truly solidifies the strength in their dynamic, and neither of them will probably realize it lol. Hello, I'm here to be insane about q!philever, so buckle up

Like everyone else, q!Phil was dealing with a lot in Purgatory. He began to lose trust in close friends. He wasn't sure he'd even be able to save his children. While trying to uphold his morality and not kill except in self-defense, he was very much walking a fine, jittery line. All while trying to keep his team organized and motivated. Aside from kind of losing his mind like the others, there was no clear indication that Phil's composure was dangling by a loose thread.

But then he's allowed a moment of peace to exchange information with another team. It's just him and Forever. No kills planned, nothing. Just two people allowed to talk about the absurd situation they've been thrown into. A moment to really take everything in.

During the conversation, Forever doesn't hold judgement toward Phil or anyone else due to the event, even when he comments on Philza's kill on Rivers. Even when Phil tries to justify his actions, Forever doesn't hold it against him. It's hard to say exactly how important this is to what happens next, but I feel like it means something here.

It's when q!Forever says that once they leave Global Spawn, that they become "enemies" again, this is when q!Philza breaks. And I think this moment has been glossed over by many (I want more fan art, dammit >:T) cause it doesn't feel big on the surface. It's not like cc!Philza genuinely sounds heartbroken, his cries sound... a little exaggerated/dramatic, you know? What he cries about isn't anything groundbreaking, it's what many of them feel ("I don't want to be here." "I don't want to kill my friends."), even though Phil fans can sense a deeper meaning here. And after Forever briefly consoles Philza ("Everything is going to be good. This is what we need to go through."), Phil, like a flick of a switch, is right back to his composed, level-headed self. It was like that moment never even happened.

But it did, and it drives me crazy that he did it in front of Forever. cc!Phil made that conscious choice to have his character lose composure, his character that he and his fans knows is an emotionally constipated motherfucker. And the reason it drives me nuts is because how the fuck did we get here?

I can imagine this scenario with lots of characters, and it never plays out like this (i.e. with Tubbo, he'd likely just keep it all in. Et cetra.). I don't see him letting himself be this vulnerable around most others. Hell, before this, I never would've imagined he'd do this in front of Forever, either.

But the more I think about it, it kinda makes sense.

Phil and Forever's relationship is a funny one. Early on, Phil wouldn't trust Forever with a toothpick. He'd never be emotionally open with him. Forever even held a bit of animosity toward Philza after Phil'a final rejection. But that rocky start is honestly a huge part of why it is as strong as it is now. Cause, well, the strength of any relationship comes from accepting all parts of a person. Flaws and all.

Some characters hold Philza up on a pedestal (i.e. q!Missa). They don't really see his flaws. They don't think about his ugly sides. They just see a pillar of a man who is always willing to help, who can do anything and everything, who keeps composed and lighthearted and level-headed in any scenario. q!Forever was kinda like this, at one point.

But Forever realizes that isn't the case eventually. Because Phil's not great at dealing with emotional situations, and Forever learns that the hard way. Phil's not good at talking about feelings, he can be blunt and a bit harsh, because he's a pragmatic sort of guy. But it takes a softer, gentle approach to reject someone, and Phil wasn't ready for that. So, in retaliation to the hurt Phil caused him, Forever had a conflicted relationship with him. It didn't last long, but I digress. This brief shift in their relationship was for the better. By not placing him on this pedestal anymore, Forever began to see Philza in a different light. One that didn't cast Brunim in its shadow.

With Philza, Phil saw Forever at, arguably, his worst in the beginning. Obsessive, threatening, clutching onto a pipe dream with no regard for Phil's feelings. But over time, Phil got to see the much more real sides of Forever. When Tallulah lost her first life, when Forever made NINHO. He saw a passionate and intelligent side to this guy who was obsessed with him, and he respected that person. And with this recognition, he offered his trust to Forever, such as giving one of his presidential votes to Forever.

Both of their perspectives for the other changed throughout the first few months, and I believe they gained some level of appreciation between them because of that. They share this newfound respect and trust. And that is the core to their new relationship. Consistently, Forever and Phil have given each other open and mutual respect and trust. Never is either of these things taken for granted, abused, or manipulated in any way.

When Forever is hooked on the happy pills, he subconsciously seeks out Philza's help, which Phil offers with ease. Before Forever goes to the Nether, Phil expresses his worry and wants to help. But he doesn't push, because he respects Forever's agency, and trusts that Forever is doing what he thinks is best. (also during this scene, when Forever gave him access to the warpstone in that secret part of his base, only Forever and Richas had access to it beforehand, which feels like a big moment according to his fans, so! :D). So when Forever returns to the Nether, while he doesn't believe Fit and Pierre when they say they tried to save him, he absolutely, 100% believes in Philza.

Because he knows Philza by now, and Philza knows Forever. Maybe not on equal levels, but still. After merely a few months, they've slowly begun to understand each other a bit more. So I guess it's only natural that they'd be more open around each other.

I'd even argue that this isn't the first time Philza lets down his walls around Forever. It just didn't happen when Forever was awake.

I wouldn't say that Phil talking to Forever while he was in a coma is the same level of vulnerability as the scene in Purgatory. Because Phil wasn't totally direct with his feelings, he sort of deflected (the story, banging the pots and pans, calling him an idiot, etc). Hell, even when he is expresses how he feels, he's not entirely direct: "We just really care about you. We wanna see you come back. You're making us worry." Like, of course everyone cares, but to say this as we when it's just the two of you obviously feels like a moment of vulnerability but not wanting to admit to it. Cause, hey, under different circumstances, he absolutely would've committed to visiting Forever in the hospital every day. Still, his very open worry did give off a sense that his walls were crumbling.

So with all of this, if Philza can meet with someone alone in practical hell, and that someone, a person he openly trusts and cares about, can look him in the eye and say "I don't judge you" on the things he's has done, maybe that allowed the floodgates to open for a bit. Maybe once Forever said they'd be enemies outside those doors, the situation hit Phil like a truck, and he just couldn't keep it in anymore. And maybe knowing it was just the two of them, Phil knew he could be a person around Forever, not a leader or a mentor or a force to be reckoned with. And Phil really needs someone on equal footing with him like this. He needs someone he can feel safe around. So for him to find this in Forever, of all people, even if it's just for this moment, is extremely important to me.

The way their relationship has progressed, perhaps it would've been simply a matter of time for Philza to be open with Forever. I dunno when Phil will be quite so open around Forever again, but I do say when with a fair enough of certainty (or I could be wrong and I'm simply talking straight outta my ass but who knows). Because to have this moment with Forever was intentional, even if it feels like a blink and you miss moment. It may have been under a minute, it may not feel important to other viewers. BUT to me, it genuinely says so much about their relationship, how far they have come, and where they are now.

[brucebocchi]

brief reviews of all the manga i read while i was procrastinating from finishing my anime reviews

instead of actually watching a lot of the new anime that's coming out this season, and also instead of writing the anime reviews i had been planning to write for the previous three and a half months, i read a ton of manga in my downtime. here's what i read:

kindergarten wars: action romcom? say fucking less. it nails both sides of that dichotomy very well, though i'm still waiting for a little more commitment to the romance side. it gets surprisingly heavy at times and those emotional beats pack some serious punches. this is gonna make a banger of an anime one day.

blue box: save for dungeon meshi and maybe frieren, this is my favorite manga i've picked up so far this year. a damn good slice of life romance and a damn good sports manga at the same time. i'm beyond excited for the anime this fall.

hirayasumi: god, this rips. cozy as fuck, sweet as all get out, but doesn't shy away from portraying its characters as jealous, selfish people when things don't go their way. the art has a lovely sketchy vibe to it; almost gives off "grown up skip and loafer" vibes, and how appropriate that the scanlation group handling it also does skip and loafer! already bought the first volume.

kagurabachi: i hated the memes surrounding this manga when it debuted and never once found them funny, but i eventually gave in and picked it up while it's still relatively new. it's solid! i can see this continuing to improve as the mangaka finds more of a voice. some really excellent splash pages and i can see this being adapted into a really good-looking anime somewhere down the line.

the way of the househusband: it's pretty one-note as gag manga go, but it's a very funny note. seeing an ex-yakuza tackle daily mundanity with the exact intensity you'd expect is always great. it can get a little repetitive, and it even lampshades its running jokes, but it still works most of the time. the art is OUTSTANDING in this too.

telework yotabanashi: i already talked about this when i finished it and it's a short one but it's worth mentioning. kintetsu yamada can do no wrong. i adored sweat and soap so i knew i was gonna like this one, and i was right! very satisfying despite its length and a very lovely story for a very specific moment in time.

tales of wedding rings: yes, the anime drove me halfway insane until i dropped it, and i went ahead and read the manga anyway. it's decent as trashy isekai go. the story goes in a slightly unexpected direction and it's very slowly approaching the finish. the surprising thing was that all of the nudity in the anime was anime-original; the manga doesn't really lean into full-on nudity until a major story climax (lol) and from there the floodgates burst open (lol). my complaints from watching the anime still stand, and the anime still looks like dogshit (especially compared to the source material), but i'll finish it out.

i also read nozoki ana but uh, we're not gonna talk about that today.

[hiemaldesirae]

i have less than 24 hours left before i have to go through one of the most stressful days of my life so. heres a list of my fav radiostatic fic recs in no particular order

clarification: by radiostatic i mean fics where vox is 100% not the dom in the relationship. most of these dont contain explicit sex though, and im not recommending any straight porn fics here because you can easily find those with a click and search through the bottom vox tag lmao

most of these fics are unfinished, so be warned that i will not take accountability if you get attached to these without them being finished properly. in fact ill just laugh at you because then we'll be suffering together

now, that aside- starting off strong with some of the more popular fics:

RHTVS / Radio Healed the Video Star by Aspiring_Forest_Witch

notes: LONG fucking fic. like this guys almost 700k words long fic. one of the best things ive ever read in my life though and it has a plotline thats frankly more engaging than the actual showing of hazbin on amazon. so. you know. if you have the time to read it Please do you wont regret it

Unraveling Emotions by Xaelei

notes: one of my favourite fics ever on god. started my brainrot for dad!husk, portrays one of the most scrumptious radiostatic dynamics and is generally so very well written that i might end up trying to recreate one of the scenes in comic form. genuinely in love with this fic and im so glad i can say i was the first comment on this fic because my God its such a treat to see new chapters drop for this. unfortunately i havent had the time to write out a detailed comment as of now but if someone wants to let the author know that im still in love with their fic and will continue supporting it until i drop dead go ahead for me

Safe with Me by rillyrillo

notes: the prequel and main fic of this series is human radiostatic, though the sequel is set in hell. it comes with gorgeous gorgeous art and frankly one of the most exhilirating endings ive ever had the pleasure of witnessing play out. i recommend you guys check out their other fics too, the art continues in them + their radiostatic is written wonderfully across all universes!

A Month of Rut by Vylad

notes: this fic is very self indulgent to me. i love the way radiostatic is written in this one because theyre very soft and sweet, but others may not prefer it if theyre looking for freak4freak radiostatic. if you just want something to indulge in and relax with at the end of a heavy day though this is my #1 rec. i read this sometimes when i find myself crying at night lmao

Down, Up, and Back Down by CowboyEnthusiast

notes: made me sob like a baby. 10/10 no notes whatsoever read it for yourself because you WILL not regret it. i genuinely am always at a loss for words whenever i reread this because it is among the most gutwrenching but beautiful and poetic works that ive ever read and i think it deserves some recognition

Mind the Gap by ZLynn

notes: again, to reiterate, i do very much dislike the abusive!staticmoth portrayal i see in a lot of fics. but in this one... it's written so perfectly, i can definitely see it actually happening. i enjoy the way that val does still seem to care about vox, albeit in his own twisted way that eventually breaks and fractures their love and trust, and its just. Ugh. So fucking good

+ with the less popular but still wonderful depictions of radiostatic that i love to indulge in:

i'll give you a show (cause it helps fill the seats) by dead_and_dreaming

notes: absolutely shameless plug from me for my dear mk's work because i cant stop thinking about the way that she's portrayed al here. its actually insane how fucked up that stupid little deer is and i just. i really fucking love the way that their alastor is written, it's genuinely probably my Number One depiction of alastor ever. i demand more of this stupid little freak RIGHT NOW!!!!

Any of the fics by Rachello344 in the Hazbin Hotel Fandom Tag on their profile

notes: so remember when i told you guys i wouldnt be linking straight porn. looks away... okay in my defense though i read the smut for the characterization and their unique dynamics. its sooo interesting to see how their radiostatic is explored here and im honestly refreshed by the depiction of their relationship. im here for it !!!

The Read 'Em and Weep Series by TooManyPseudonyms

notes: so from what i was able to piece together (everything flies over my head when im reading, forgive me for my low media literacy) this is an au set before the hotel where (in the first work) al and vox are in a qpr relationship. in the second work this evolves into a romantic relationship, and the exploration of their dynamic through this is just... Yeah. please read it its 100% worth your time and so underrated it hurts my heart

Uneasy by Saezs

notes: this fic is one of the first radiostatic fics i read (the others being RHTVS and... i think i tried the 666 series, but it didnt appeal to me lol) and its actually just wonderful. i really love saezs's genderfluid vox and how supportive the other vees are of them <3 their portrayl of the characters puts a smile on my face whenever i reread their work

Heat Waves by HappyPRAWN

notes: i'll be fr dsmptsd hit me like a truck when i read the title but it is such an interesting debut! only at one chapter as of me making this post but the way the author wrote this is so engaging and it really makes me wonder what they have next in store for the fic

Do I have your attention now? by Chi_Chi25

notes: wow no way we have the same name... anyway ahem. ill be completely honest this ones a bit of a guilty pleasure for me. this fic is a bit fragmented and short, so for people who click off fics when they see imperfect grammar this one may not be for you. however if you can look past that, it has an engaging storyline and quite the juicy concept :)

Killer Ex by FanGirl48

notes: gorgeous, gorgeous little human! radiostatic oneshot. i love the relationship that vox and al have here... the reasons why they both stayed away from each other even though theyre still so very clearly down bad for each other... anyway. i think about this one a lot and i still go back to reread it sometimes lol

Negotiations by FanGirl48

notes: i didnt realize until i started making this list that this fic was also written by fangirl48.... go off queen keep feeding us (me). this one was a fic recommended to me initially by link nonny, and i can 100% vouch for how good it is. its got appletv interactions, radiostatic plus lucifer trying to navigate heaven, angels... basically everything needed for a very varied and well packed with flavour story

The diary of a Serial Killer by ShippersCave

notes: okay im running out of brain juice at this point but. yeah this fic is soooo self indulgent to me. this ones another human au, with al as a serial killer and vox as the journalist trying to conduct interviews with him. its got SUCH a good dynamic between al and vox, i encourage you guys to check it out and give it a chance even if youre not really into human aus.

My heart's been pierced by Cupid by ShippersCave

notes: pirate/siren au !!!!!!!!! RAAHH !!!!! i dont have to say anything else for this if thats not enough to get you to click then i dont know what is

System Shutdown by Swoolie

notes: i cant believe i nearly forgot about this one LMAO... vox goes onto a temporary hiatus and everyone goes crazy about it. im not really sure if this counts as radiostatic frankly because of the way its tagged but its so good i think you should give it a read anyway

Together in Radio Static by Anonymous

notes: QPR media husbands radiostatic au !!!! i love this one especially because it opens off with vox slapping alastor across the face for leaving him LMAOO (deserved)

What Has Been by Tianren

notes: another human au (YEAH YEAH I KNOW. JUST HEAR ME OUT OKAY i swear im cooking) look, as someone with religious trauma deeper than i can properly express and the worlds fifteenth worst parental issues, the depiction of vox in this fic just really hits home. i really adore the exploration of voxs past and how the themes of religious guilt and cults are woven in so far- and it blends very seamlessly with their human au, despite the characters eccentricities

you're too sweet for me by awestruck_atrophy and moonbeanies

notes: basically, vox and al make a deal where vox tries to help him out of the shackles or whatever that are bound to him because of his stupid dumbass lusting for power. its very intriguing so far and i love the setup and worldbuilding the authors have done, so you should check it out if you want a unique perspective on radiostatics relationship

candlelight by curtailed

notes: the best way i can think of to describe this one is like... fake marriage but instead of fake marriage its. fake roommates??? the author probably puts it better than me tbh. its super interesting so far, i cant wait to see where this one is headed especially with how unique its premise is!

Zero Day by Anonymous

notes: this one is like those time regression manhwas. you know, the ones where the protag goes back in time and proceeds to try and avoid everyone who made their life miserable- only to fail because for some reason now they're paying attention to them more than they would have had they stayed the same person. its certainly very promising, though! i do love indulging in time regression stories, especially when the mc is someone i love like vox. i really cant wait to see which direction this one is headed in :)

Never as Good as the First Time by IComeForFanficsNowin403

notes: okay. so, uh. um. so- this one is in spanish. HOWEVER its premise (serial killer alastor meets television star (?? i think. its not quite clear) at a party hosted by rosie, moves into his neighborhood to keep an eye on the pretty prey) is just so unique i honestly think its worth the experience to pull out google translate and try living the machine translated life. really. give it a chance. also its got beautiful art to go along with, so.. you know. thats just a bonus!

+ honorary staticmoth and one-sided/past radiostatic fic rec:

Freak-A-Zoid by Femalefonzie

notes: this fic deserves every single piece of praise its ever gotten because good lord. its SO good. i was not seeing the radiostatic twist come in, but it *is* mostly staticmoth. and also a/b/o but i mean. who *hasnt* indulged in a little bit of a/b/o before honestly

there are other fics that i personally like to indulge in, but i frankly wouldnt recommend to anyone else because they're either the kinds of fics that i myself can only bring myself to read after ive spent 8 hours at work crying into my pillow and need to look at something entertaining, or when im starved of content and cant be bothered to cook myself so i pull out the translator and start going at it. (technically i should know how to read french by now but. urgh. anywway..)

[isa-ghost]

amfmn missa.. p please.. please mother … feed us

I'M BEING ENABLED PPOVERHEAT

He's an actual grim reaper. That's where he's disappeared to so often in canon, reaper duties. It's a very demanding job, you know.

Doesn't stop him from feeling terrible about being gone so often though. He misses his husband and kids and hates how often he's out of the loop :(

Fr though Phil and the kids make him so so happy after spending countless hours working such a sad job. It's also partially why he sings and makes art. That brand of fun is catharsis for the soul.

He has all his canon weapons but I ALSO gave him a reaper deathscythe. And boy is he gonna use it. Fucking AWOOGA MissaSinfonia when he's angry.

Btw as a reaper he can FEEL souls. He can see their power, their condition, feel the surface level emotions and personality of its owner. This will come in handy later in the fic. ;)

As per the post I made asking for Missa appreciation so I can characterize him properly: He's undyingly loyal, he fights hard and loves even harder, he's protective, silly, and goddamn can he flirt.

All his wet cat behavior is a result of getting too overwhelmed by The Horrors. He's seen A Lot as a reaper. But somehow Quesadilla Island and all its... Everything. Always manage to show him a new brand of What The Fuck he's never even imagined before. Hence all his screaming and weeping when he's caught up on what he's missed. Like how tf else is he supposed to react??

Somewhat attached to that, he and Phil rlly were a match made in Federation Heaven bc they both have issues with self-doubt despite being insanely skilled and sharp-witted. Missa is better abt it than Phil though. His only acts up when he messes up a lot or just. Doesn't have a clue how to handle a situation where it's dire that he does. It's more of an insecurity about being unprepared and failing his loved ones than it is a doubt he has skill. He KNOWS he does, he hates when it's not enough. That's how he differs from Phil, who thinks he has none at all.

Btw when you fuck with the people he's protective over, he gets PISSED. We're getting a LOT of pissed off Missa in AMFMN <3 Ofc there'll be a lot of reaper tears too, his husband is suffering and there's little he can do about it. :( But ohohoho when the sad turns into rage. BARK WOOF. Eventually he decides EK is catching these hands and scythe.

He also shakes hands with his husband on being a self-sacrificing little shit. And. Yeah this is gonna happen later in the fic. (He's not dying dw dw)

You have no idea how excited I am that I basically get to build his dynamics with Fit, Etoiles, and Bagi from scratch. I'm so hyped. People are welcome to reply with this with any crumbs we have of their dynamics in canon but afaik they've rarely interacted outside of very minor moments, so AMFMN will largely be a sandbox for me to establish what I THINK they'd be like. Which in my fic plan so far, is largely taking each character's personality and applying how I think they'd react to a situation, and how that would look when two of them are interacting in that situation. Ex: at one point Etoiles has to comfort Missa bc he's just having a ROUGH time with this saving Phil stuff. But Etoiles is NOT a comfort guy. So he does his Etoiles thing: hearing Missa out while also cracking his usual brand of jokes in an attempt to lighten the mood.

I also have a plot point planned with him and Bagi when shit is hitting the fan the hardest and OUUGHHH. That self-sacrificing shit am I right.

God I'm being so mean to him specifically in AMFMN though. Ender King is a sack of shit, he knows exactly who to harass most using Phil's body >:/

See in my AMFMN Fitza headcanons, I said they're each other's confidants. Which IS true. However, no one in the fic gets the honor of Phil FINALLY communicating with someone about his issues other than his husband. Missa is the person he caves and confesses things to. Missa gets the HC Deity lore and what's been happening to him lately. This is actually what Chapter 3 is :D

Also I am so sorry but I'm sliding a Missa Romantic Love Confession attempt into the fic and it gets interrupted by The Horrors. But yeah Missa is romantically in love with Phil, he just respects that Phil sees things platonically. He still wants to communicate his feelings though.

[dovand]

i am as always thinking about 14 and the nobles... specifically 14 & shaun. CRIMINAL lack of 14 & shaun content . excuse me that is my emotional support deranged lovers-in-law prongs of a queerplatonic throuple V. that is my little scrinkly wet cat and his chill saint bernard friend. that is my symbiotic relationship weirdos who sleep back-to-back to 14 can a) leech his body heat b) cuddle donna c) not fall off the bed. that is my favourite “both wake up early but one of them is being clung to like they are a teddy bear and it is Not Shaun, who is making ‘too bad’ faces at 14 and tiptoeing away” dynamic.

(14 either ends up dozing again after he wakes up early or just lays there curled up thinking—but, either way, when shaun shows up with breakfast in bed every sunday, he is treated to the beautiful sight of the two huge autism creature eyes peering up at him from behind the most bedraggled mop of hair ever seen. whether there are any thoughts behind those eyes depends on whether their owner has been napping or Pondering)

(yes this is all made up in my head!!! yes i am dismayed by there only being FOUR FICS (4!!) using it as a tag and none of them (afaict) doing it in a qpr way. where is my deranged weirdplatonic polycule!!!)

further insanity under the cut pleasseee please please read. please i need to be insane about this with people

(also btw this post is about queerplatonic doctordonna, doctordonna shippers i love you and you are welcome to contribute but it is a Little squicky for me so if tag ur additions (so i have a heads-up) that would be so lovely and i would adore you forever <3)

shaun likes listening to people ramble and 14 likes rambling so it is a regular occurrence to find the two of them like. standing in the kitchen holding cups of tea except one of them is actually drinking the tea and one of them is talking too rapidly about equivalent exchange to remember to blink, let alone have a sip of earl gray that has veered violently past lukewarm and is headed straight for room temperature

if 14 is in a not-wordy mood tho… thru shaun’s expert tutelage he has mastered the art of the Dad Nod. he passes shaun in the hall and gives him a little nod. shaun gives him one back. 0 words are spoken but they understand each other on a deeper level than if there had been.

they go on a Family Outing to a thrift store. rose and donna disappear to the dressier sections. shaun creeps along the racks of trousers, solemnly comparing seemingly identical pairs of jeans. 14 follows him and stares for a while, then silently hands him a loudly patterned pair of shorts. shaun takes them without question and adds them to his basket & sylvia loses her mind just a little bit when she sees him wearing them

(^ this inspired by going thrifting w my friend and looking @ everything and then finding her dad looking thru the racks of shorts comparing two beige ones, and my friend handing him a pair of pink shorts with penguins on and him buying them. because he has some . i think plaid shorts? at home and when he wore them his wife said he looked gay. so he’s trying to do it More) (it's an incredible family dynamic there. i have no idea what is going on)

god jesus. 14 learns how to cook so he can be the housething (as opposed to housewife or househusband. he is just a weirdgenderthing. little creature). someone buys him a nice apron and he wears it with so much delight. chases everyone else out of the kitchen so he can concoct something lovely. runs out into the garden to stick something into an oven in the tardis kitchen because “i am not working with enough ovens, here, people!”. organises the pantry and gets this crazed look if anyone tries to stop him. “how will i know where things a—” “it will be LABELLED.” brandishes a label maker that DEFINITELY is not from modern-day earth given that it seems to take dictation as input and can print in colour and has not needed a refill of paper even though he has extensively labelled EVERY PLASTIC BOX of stuff in the pantry

sometimes he gets into Moods where he needs to solve a problem before it makes his head explode and that used to be a like. tinkering in the tardis thing. where he’d have himself and whatever poor companion he was with just floating in the time vortex for a week while he tries to make this bit of the tardis do what he wants it to. now it’s a day or two spent almost entirely in the kitchen trying to find the scientifically optimal method by which to make meringues. he starts gesturing dramatically with a spatula forgetting it is not a sonic screwdriver. makes a sonic spatula. realises he doesn’t often need to like. scan a pancake for malware. sadly puts the sonic spatula away

he is absolutely a nightmare to watch movies with btw bc a) can’t sit still b) so tall. either he is bouncing his leg and shaking the whole couch or he is stretched out across the entire sofa. no in between. donna buys a thick rug so he can just lay on the floor. the rug is TOO comfortable and he starts just spending time laying on the floor which would be fine if he thought to turn the lights on because people keep almost stepping on him while he’s having 4am Floor Time (on the nights he's not drooling all over donna's pillow)

if anyone else has thoughts about Them PLEASe share i will love you so much and forever. doctor~donna/shaun weirdcule is the only thing in my head

[etinceelle]

The more I'm on internet and the more I see harassment and call out posts every single day on various fandoms/artists spaces for all possible reasons and honestly I don't even know what to say outside of the fact that this is so freaking dangerous and wild to put labels and accusations on people you don't even know, or to not even try to understand and seek knownledge about the situation outside of what you want to see and understand. There are real predators doing illegal stuff who need to be stopped and yet people having fun and imagining things for ocs, various characters and ships are being accused of the worst things ever and it follows them everywhere. Tiny things are took as obvious signs of predatory behavior or racism or whatever and this is supposed to be fine.

I don't even mean to bring back the topic of my own story but experiencing dog piling and rumors and serious accusations for months because of a follow is just completely wild when I think about it. With some distance, I think I could have handled everything better when I spoke about it publicly. But I never should have wrote this post in the first place.

Block button exist and report button exist as well for serious problematic elements. My take is that no one deserves harassment and cruelty. But when you say "I'm against harassment and I don't want this person to be harassed", people take it as you defending "problematic" elements and completely distort it anyway. It's honestly exhausting and stupid.

Everyone has something that make them uncomfortable or that triggers them and I have my own standards as well. There are things I consider seriously weird but we don't know people and we don't know any of the intention behind the art. The way you explore something, how you do it, for what reason is what should matter. There are so much things you don't know. Nothing is black and white. I honestly think that as an artist, your art is connected to you, but the themes you work on are NOT reality. Again it's about the intention and how you go about something. I just think media literacy should really be teached at school because wow.

I just thought about expressing myself on this because it's just too serious and harming a lot of people who did nothing. I got attacked over a FOLLOW for someone who did nothing but imagine a future AU for characters and I think that's insane. Everything should be analyzed case by case. There are a real dangers who need to be exposed but this is never a reason or a justification to become cruel or to wish harm to anyone and assume the worst on people you never met. Just take a breath, go outside and learn how to block people, because that's insane the amount of people I had to block because they were being shitty but didn't block me or were still even following me.

I'm trying to not let my emotions get the better of me but that's honestly insane many others and myself got caught into this. The only thing I always did is drawing Nuts and Dolts because that's the only ship I could ever care about in RWBY. Being against harassment is not about defending "bad" people. It's so easy to judge people and make your little assumptions harming REAL people like that.

[animentality]

heyheyhey idk if u know how cool and important it is to have a badass assassin story with something other than cis gays and have it be Not a Big Deal but,,, it’s literally one of the first legit published books I’ve ever found like it?? And in a genre that I love??? And written well?? And genuinely funny as fuck?? Idk I’ve never seen an enby that gets to exist without it being A Tragic Plot Point or something To Overcome so thank u??? Like so much???? I can’t tell u how much???? I definitely didn’t cry at all about it nope not even once

:DDDDDD omg, my heart started pumping faster when I saw this ask. I am always so giddy when people talk to me about my books, especially the specifics about characters and tone and things they liked!

Yeah, I wanted to include every goddamn color in the pride flag!!

Pansexual/ bisexual assassins, nonbinary demons, a transgender assassin, an unrealistic number of gay and lesbian demon summoners! That's my fantasy world. It's not talked about, because it's simply normal.

Irvine in particular I adore because I am nonbinary myself, but also because they are just so powerful, and they don't even know just how much yet!

I always disliked how many nonbinary characters in fantasy and sci fi are just token "they/them" body guards, robotic or asexual leaning non-humans, or quiet, unassuming love interests who only exist to show a character is pansexual or something.

Irvine was my love letter to my own identity because I thought hey what if there was a nonbinary character who just fucks shit up, every time they appear? What if there was an enby who just kicks ass and is sexily never showing their face, and wears a badass hood all the time?

And then Irvine was born. My little storm demon :)

Also, I don't know if you ever saw the commissioned art, but I will post it in this ask for your viewing pleasure:

so glad you love my child. my baby blorbo.

who i intend to put through the wringer, lemme tell you, because i like to put all my favorite characters through it.

So glad you find it unique too! I honestly was feeling so badly about it, after months of querying and beta swapping, and getting feedback from dozens of people who only found things to criticize as being too strange or too different or stylistically confusing.

I went through a year of being told it wasn't good, and-and I'm a little emotional and overcome with appreciation and gratitude to all the people who not only bought or downloaded the book while it was free, but who also actually read the whole thing, and found it GOOD.

Like people...think i...write well??? oh gosh. oh god.

chills.

The asks I get keep me going through this mundane, dull little world. They give me something to look forward to, in between the doldrums of normalcy...

They also validate me for thinking someone...someone out there must find this good...

Thanks for taking the time to send this ask :))) it means the world to me.

I save them all in my drafts so I can look at them when I'm sad...

Also, THANK YOU FOR NOTICING THAT THE BOOK IS FUNNY.

in between the angst and the action and the blood-filled fist fighting and crazy sniper/melee battles, there is a lot of dark comedy!

I love dark comedy. I love satire.

As much as I love being edgy, I think a story without any humor at all is unbearable.

I want you to hurt with my characters...but you should also laugh with them! Laugh at them! Be amused by their stupidity...or by their cleverness.

Be charmed by their vulnerability, but also their insane, abnormal, bizarre points of view!

AAAAH, I'm so glad you found it funny AND heart-breaking!

That is exactly what I want every story of mine to be.

Thank you thank you thank you for this ask!!

Link to referenced book here, for all the poor spectators who have to see me blubbering like a child.

Please leave a review on Amazon/Goodreads if you haven't already, but if you have, thank you for that too! Every review helps me out so much!

[capn-twitchery]

do you have any tips for drawing expressions? it’s one thing that I always notice about your art, I love how expressive your characters are.

thank you so much!! it really means a ton bc expressions are one of the things i've focused & worked the hardest on over the years :D ♥

which ALSO MEANS--HA, YOU ACTIVATED MY SPECIAL INTEREST TRAP CARD i am now going to talk at you all for far too long about it >:) buckle up!

prefacing this by saying i Love animation, this makes me biased as hell with where i get my sources + how i study art. anyway!

i think my biggest #1 tip is don't be afraid to get goofy with it--characters don't have to look cool and stoic all the time, they can be silly! if an expression reads better, but looks a little off-model, do it anyway! make that guy look weird!

i draw little thumbnail expressions a Lot, whether for actual art or for just fun doodling. i don't have any recent ones to hand-- but here's some from a while ago. they help a ton to figure out what works quickly without worrying about actual facial features

they also help to see if i can push an expression further, it's easier to test out weird things on a tiny round doodle and then translate that into an actual drawing later on. pushing expressions To The Limits is a really good exercise in itself!

gonna put the rest under the cut bc it's getting long & i have a lot more to say

ok this in itself is a whole topic i can go on about for hours, but i'll try to keep it semi brief--i Love considering how different characters would show emotions! how one character would express sadness, how that would be different to another, how one character would smile vs. another, stuff like that!

related, giving characters individual expression quirks. twitch's :3 mouth & lazy lidded eyes if you could see them anyway & Very Smug Eyebrows, while grace has heavy low eyebrows & sad puppy eyes & usually looks at least 10% unsure at all times. it makes every single twitch smile look slightly not genuine and makes grace look. well. you know. the quirks are really fun to think of, and it makes drawing expressions feel a lot more fun when you personalise them!!

expressions can be easier to think of when you put characters in scenarios & consider how they'd react. it can also help to think of the character Moving/talking, instead of as a static image. mini comics or just adding dialogue to art helps a lot with this, i've only just started doing it and i'm having a blast!!

ok this one is weird and hard to explain and might only be applicable to me bc i can't see images in my brain-- but i'll throw it out there just in case! lots of artists make faces in the mirror to reference their own expressions, but it's never worked for me

i Do still act stuff out in my brain & make faces irl, but instead of doing it in the mirror, i just make the expression & consider how my face is moving in Words? ok for example This Comic, last panel for twitch--i'd run through the dialogue in my head and move around how i feel like they would, and list it off in Words--raised eyebrows, closed eyes, tilted head, etc etc. then i have a framework to base the expression on! and i don't need to stare into my own face in the mirror for reference. no mirror needed at all, actually. win/win. i do this for body language too

(yes this makes you look insane btw. sorry. if you do it too long best case scenario you get very dextrous eyebrows and worst case scenario you might start making cartoon character faces irl (or both) (i'm both))

not sure how much it helps specifically with expressions outside of animation, but it's a fun exercise--learning the limits of a character's face, animation calls it squash & stretch. drawing a face in the two most extreme states. so on character expression sheets you'll see weird faces like this⤵️ that's what that is

another exercise, i always have a ton of art saved that i like the expressions of. usually a lot of concept art for films. i'll do studies of them & redraw them, and/or take ocs and redraw them with those expressions! it's a great way to look at how other artists do stuff and yoink bits you like.

you'll hear this a lot if you look up Any art tips, but references & studies are great. i get a lot of inspo from disney concept art bc their artists are very talented people, but currently i hope disney studios' own hubris eats it alive. i want to see mickey mouse buried in a hole, the rat bastard. anyway some places i personally take inspiration from:

i look at a lot of animation concept art, some good sources are characterdesignreferences, livinglineslibrary, there's pdfs of animation art books all over the place too.

specific concept artists i like are jin kim & shiyoon kim !! they do Great expressions.

outside of film industry, tealin and tracy butler of lackadaisy cats are some inspirations! tracy butler has a great expressions tutorial here

if you find this stuff interesting & like reading, the illusion of life by ollie johnston & frank thomas is an incredible insight into the thought process behind stuff like this! there's a pdf here, unfortunately just a scanned copy but worth a read if you like this stuff!! specifically chapters 'character development', 'animating expressions & dialogue', and 'acting & emotions'

sorry that was an essay and a half but hopefully it was a little bit helpful!! i always love talking about this stuff so if you want anything clarified/just wanna talk about it more i am Always ready to go off >:3

[lovelyelbowleech]

All's Fair is incredible! I am on my third re-read and it is just as much of an emotional gutpunch as it was the first time. The emotional impact sneaks up on me every time, even when I know what's coming. It blows my mind how carefully woven everything is. Even just small characterizing details that help make the characters and situations feel so real. You also have a way of writing that flows so smoothly with the emotions each character is feeling, like I don't know how to describe it but it's so well-paced and descriptive and I can picture and feel everything when reading it both from the characters POV and also in a more objective sense at the same time, which is extremely difficult to pull off in my opinion. It is insane to me how easy you make it seem with your writing.

Another thing, too, is that this doesn't even really feel like an alternate universe. It's like you shifted one thing in the beginning with a little flick and we're seeing the ripple effects of that play out naturally, as though you're just sitting back and reporting your findings instead of crafting an entirely new story from thin air. Everyone is so in character that I can hear their voices in every line. Even your OCs feel 'In character' even though you literally created them for the story lmao?? Like I actually forget they're not canon characters sometimes.

ANYWAY- I got sidetracked. my intention for this ask was to actually ask how you pictured some of your characters in more detail. I want to draw art of my favorite scenes and am trying to compile little snippets of character appearances, particularly of Guo, Yuxuan, and Haoyu. I have sincerely contemplated starting a google doc to catalogue all the little details of every character, even the minor ones, like a Pokémon deck I can flip open and consult whenever I want to refresh my memory.

Thank you so much for such a lovely comment, it was wonderful to wake up to! I am glad you are enjoying the fic so much (enough for a reread or two even!) There is some really high praise there, and it makes me feel all warm and fuzzy 😂❤️

It is always very exciting when folk say they want to draw art of the fic (even if its just for themselves!) So I will try to add a more detailed description to the character description page I have somewhere. There is not too much in the way of description of the OC's in the actual fic - and there is certainly no wrong way to depict them in art! What is in the fic is not hugely detailed 😂 but a very brief collection of the descriptions would be:

Guo: Short and stocky, facial hair, and a wide craggy face. Big broad hands. Hair currently short (post East Lake) gruff and grumpy to look at.

Haoyu: on the shorter side of average, about 18, round face, green eyes and dark brown hair, currently cut short (post East Lake). Very earnest and open looking face (which has been used to get him out of trouble more than once)

Yuxuan: a year or two older than Haoyu, long dark brown/black hair and honey coloured eyes. Good looking, and has a certain amount of rakish charm.

I am not sure if that is helpful or not! I will try to update the character sheet with additional OC's this week if I can. And thank you again for the wonderful ask!