#secret fifth option: all of the above
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dreamonminecraft · 8 months ago
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she also said she hung out with george and dream after the fact but she says she knew caiti was uncomfortable so im confused because that’s a shitty thing to do
And lied to Dream about it too like either her moral compass is fucked, she's a clout chaser, she's a bad friend, or she's lying
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amywritesthings · 6 months ago
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silver underground. | chapter 22
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( Read on AO3 )
Pairing: levi ackerman x f!reader (attack on titan / shingeki no kyojin) Word Count: 5k Summary: the past and present; levi's version Warnings: 18+ MINORS DNI - flashbacks, levi's pov, graphic imagery, sickness, medical conversations, panic / paranoia, mentions / canon divergence of the recently published 'bad boy' chapter (extra warnings under the cut)
Previous Chapter. / Next Chapter. | Masterlist.
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CHAPTER 22.
note: there is a presumed major character death in this chapter. please do not read if you are not in the right headspace for this content. mental health first xo
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He can’t shake the adrenaline.
Kinetic energy thrums through his veins, destroying his focus.
For the fifth time since he returned to headquarters, Levi’s hands dip generously into the pool of ice-cold sink water in the corner of his bedroom.
His wrists flick up, quick, to splash it across his face like the whiplash sting will somehow calm the fever in his heart.
A sixth time.
A seventh.
He’ll keep going until that look on your face from the forest is wiped from his mind.
(Until he stops thinking of the before, when he wasn't enough.)
His lungs constrict as he forces himself to breathe, slow and steady, though the exhales exit like strangled gasps.
White knuckles resign themselves to the mouth of the sink as he leans in. His shoulder blades detangle themselves, sorting out the tension, while his eyes wearily stare at his reflection from the watery mirror below.
I know you, you said.
Of course you know him.
You said a long time ago you’d always know him, as if he’s an extension of your arm leading directly to the beat of your very heart.
How could I forget someone like you? you'd muse. If anything, you'd forget me.
(As if that was ever a fucking option.)
When you were just kids wasting away in the bitterness of the Underground City, you likened yourself to a shadow following Levi’s every footstep.
How could you look at yourself as a shadow when you were always the only light in his goddamn life?
You may not remember everything that's happened to you, everything that's made you, but Levi has silently volunteered to carry every burden in the interim.
Yours and his.
Up a hill, down a slope, through the mud, against raging snow — he'll carry the essence of you until you come back.
Because he was there.
For most, if not all, of it, he was there.
Twin fingers, reaching high for the stream of morning sunlight.
Shoulder to shoulder in a mess of sheets; you swore you’d never get over the sensation — the warmth of the light.
He'd never forget.
Levi would come to know warmth far better than the sun above — like the ghost of smile peppered over your lips.
He rolled over to selfishly block your view.
You were better than the goddamn sun, he'd quickly come to realize for himself.
He'd never forget.
"Can you believe there's really a world out there like this that can be real?" you murmured into the hollow of his throat as he peppered a crown of kisses against your forehead.
That the two of you could lay on a mattress easily fitting the both of you, not threatening to cave in on itself.
That you both could live this secret life, as Captain and Lieutenant, until you were old and gray.
For a second he so foolishly believed you could, too.
In comparison to the Underground, the surface could be considered paradise.
Maybe still hell on earth in its own right, sure, but at least it wasn’t a life buried in a tomb.
The vibrant green of the trees. The dirt that didn’t always stink of rot. The endless blue sky above.
Warmth was a comfort so many took for granted.
You knew. You both knew.
Caked sweat and congealed blood. Green bruises and busted lips. An abyss of gray, nothingness.
That's what he understood best.
 — especially after she died.
His mother; the first concept he had of the sun.
And for the short few years she was alive, she was radiant. 
The withering city wasn’t so bad under her wing, even if the men who berated and belittled her were. 
Levi vowed he’d grow strong enough, brave enough, to make sure one day they wouldn’t have to live in a cramped space surviving on the niceties of traded goods — bodies for money, lies for survival.
Then Kenny entered his life and everything became violent.
Bared teeth and closed fists. Selfishness and territories.
Mine, mine, mine.
Except it was all his — that bastard took every damn cent he could make off of him and then some, oftentimes working him to the bone.
(You got a meanness, boy. Meanness that can’t be taught. No, that’s deep in your blood.)
And Levi believed him.
He believed him because no matter how easy it could’ve been to lie down and die, to maybe one day see his mother at the end of his dining table again, he was fully prepared to do whatever he had to in order to survive. 
To endure. 
To come out on top and never let anyone — not even Kenny the Ripper — destroy him.
Because he had memories to hold onto. 
People.
The rest of the world may have forgotten his mother, but Levi refused.
Hell, it was his only driving force.
He might have known violence, it may have infected his blood, but he wouldn’t lose his humanity and disappoint her.
And when Kenny set him up for a betting fight, usually it was with men twice his size and triple his age.
Little kids were never on the roster, but you — you were an exception.
New, but just as ferocious.
A girl, sure, but you landed the punches on him so many others couldn’t.
He remembers the way your neck felt under his bony fingers. How your teeth clenched together. How you growled like a feral animal.
One more second of that fight and you would have been able to overtake his lead — he was too busy staring, searching.
Memorizing someone who had endured, too.
You said you were a shadow.
Levi knew shadows.
If you were a shadow, then maybe he would've ignored you.
Maybe he would have left you the hell alone.
(Because at the end of the day, all of this is his fault. The memory loss, the injuries — all of it.)
After the gun fired and the crowd scrambled, Levi couldn’t leave you well-enough alone.
He couldn’t let you find your own way in the maze of a miserable mausoleum where your bodies would eventually find peace together, perhaps even side by side.
All Levi could do was selfishly keep tabs, watch your fights, see that piece of shit you called Mother berate and harass you in the comfort of alleyways hidden from plain sight.
If you didn’t die in the rings, then chances are she would have sold you off — resigning you to live out the rest of your days like his mother.
He saw the way the world was cruel to her.
He’d be damned if he didn’t stop the world from being cruel to you.
So at the end of the day, yeah, it’s all his fault.
If he hadn’t convinced you to join his two-person operation all those years ago;
If he had pushed you harder before the final job to hate him;
If he had figured out a loophole in Erwin’s ignorance of what you are to him to push you into another division that wasn’t the goddamn Scouts, claiming disruption or inciting violence—
If, if, if—
So many possibilities, so many scenarios, where he holds your fate so selfishly against his own chest in fear of dissolving it.
Yet he was so willing to finally let you go.
To do the right thing now that you’re on the surface.
Now that you are free.
An invisible string that gleams crimson is tied to his ring finger.
It dips under the sink and snakes across the wooden floorboards of his bedroom, into the hallway, and straight to you.
If only he had caught you the first time.
If only.
.
.
.
.
.
.
  In the aftermath of falling straight to the forest floor, dust kicks up all around him, invading his lungs and choking him out.
It burns, but it doesn't deter him.
Here he has only one objective.
One goal.
“James?”
He calls your name, hoping to hear something.
Anything.
The only sound that answers is the bristle of the tree branches above.
A scene so ghastly concludes with serenity and the weightless chirps of birds.
Coughing, Levi swipes at the cloud of dirt with his hands, dropping his dulled blade to the earth.
It clunks as violently as he’s moving, scrambling to find your silhouette anywhere in this goddamn mess.
"C'mon, damn it," he growls to himself, swiping at the murky air.
One step, then another.
You can't be far.
He'd fallen down with you, trying to break both of your falls, but the momentum was far too great.
At the last second, he rolled away from you thinking you'd lean in and follow.
You did not follow.
—then he sees it.
You’re not vertical, head up and feet outstretched in a daze.
You’re horizontal, lying face-down in the dirt.
Motionless.
“James?!”
Levi repeats your name, louder this time, before nearly vomiting from how much debris he’s inhaled.
He wretches, arm wrapped around his stomach, teeth grit.
He manages to get ahold of himself, to stave off the sickness, before he drops to the ground and crawls to you on hands and knees like a child.
“James, hey—”
The world stops, then and there.
You don't move. You don't respond.
His hand halts in a hover over your body, painfully aware that he cannot pull you upright carelessly.
It's so quiet down here.
Quiet, as if...
Slowly his watering eyes widen, his mind going to the place where logic can follow.
“...James,” he murmurs, voice dissolving. 
He decides to then scoop the once-hovering hand to inch it under your wrapped emerald cloak. His other hand cradles the back of your neck, mindful of the worst case scenario.
The sickening heaviness of your body greets him as he turns you over, carefully, to find your lips parted and eyes closed.
He can't tell if you're breathing.
You look like you're sleeping.
No.
No, this isn't what it looks like.
“James, shit, wake up—”
His words crack, throat dry.
“Wake up.”
Louder this time, like anger might jolt you.
Where he goes, you’re meant to follow. 
You’ll follow his voice. You’ll follow it and you’ll wake up and he’ll never forget how you scared the living shit out of him.
(Even if he will eventually forgive you for dedicating your fucking heart to a cause you didn’t even believe in.)
Logic battles with emotion.
Reality fights with fate.
Cradling the back of your head with immense care, Levi takes action and head ducks to press against your chest, desperate to find —
There.
It’s faint, but a heartbeat is still there.
“Don't do this,” he pleads under his breath. “Don’t you up and fucking quit on me now. I know you can hear me.”
The wheeze of overworked gear flies past his head in a semi-circle.
Several boots land to his west, hasty in their descent.
Luckily his head is turned to the east.
(He can hide the growing terror from his squad. He can buy himself more time to harness his panic and push it away.)
“Captain?” It’s Eld, wasting no time to rush over. He hears the quick taps of his boots running right for him. “Captain, what the hell happened?”
“James?!” Petra yelps, and he can hear Oluo gasp with finality.
No.
No, you aren’t dying.
Not today. Not tomorrow.
“Wait, don’t,” Gunther interjects suddenly.
Levi assumes it’s to keep the rest of the squad back from crowding the scene.
The blonde scout drops to his knees beside his captain, panting heavily. Levi can smell the stench of sweat and exertion radiating from his uniform.
“Captain Levi,” Eld urges once more.
“We have to get her back to the Walls," he forces himself to say, voice steady.
Levi lifts his head with practiced precision.
He meets Eld's worried gaze with a deadened stare.
"Is she...?"
"Her heartbeat is faint," Levi answers the question Eld doesn't have to finish, "but it’s there.”
Eld's face falls.
Levi hates it.
I just said it's there, damn it. Don't consider her dead. Don't.
“She saved us!”
A meek voice peeks out from behind Eld's back.
Levi Squad turns in unison — a well-oiled machine built for crisis — to find Miro Squad riding to the clearing with the extra horses.
The entire squad looks haunted, worse for wear, but they still stayed.
They still fought to the bitter end.
Like true Scouts.
Miro hops off of their horse, running over to the group first.
“Several titans attacked us. If it wasn't for the Lieutenant, we would have all been eaten alive. Please, if we can help in any way, we owe her.”
They bow as one of the other shaken Scouts pulls Levi's horse by the reins from around the back of the formation.
“Sir, Scout Rini is a doctor," Miro continues.
“A doctor?” Oluo blurts incredulously. “Out here? In the field?”
“Formerly a doctor,” Rini anxiously states while dismounting from his horse, "before I joined the cause. I — I would say I could treat her here, but there’s nothing I can do. Too much blood loss. If we can get her inside the Walls—”
“Are we going to keep wasting time talking?” Levi growls, glaring daggers at the rest of the group. “I’m not letting her bleed the hell out. Help me get her on my horse.”
No one hesitates.
Both squads rush to his aid, lifting you with utmost care.
Twenty pairs of hands and ten bodies working in tandem to make sure they don’t jostle your neck or hurt your spine.
The captain only lets go of you to hoist himself up on his black stallion, before bringing you close to his body in a side-saddle.
He can ride one-armed and keep you steady.
He refuses to believe otherwise. 
Because Levi sees it on their faces — beyond the faintest breath against his hand, there’s next to no indicators that you’ll survive.
But they don’t know you.
Not like he knows you.
“Don’t you die on me,” he murmurs against the crown of your head, lips close enough to count as a kiss.
Then he’s off.
He speeds off like a bullet on his horse, crouching over with his jaw so clenched he can feel his teeth nearly cracking.
Forward. His only goal is to push forward — past the trees, past the old villages, and doesn’t stop to look back.
“You’re not allowed to die.”
From this distance the other won't be able to hear, but you might. So he keeps talking.
Come back to me.
“Still got all that shit you wanted to do up here, right? You remember that?”
Levi wishes you could answer.
He wants to believe you would if you could.
“You still gotta get those dumbass cats of yours. You know how many of those filthy things are on the streets? You can fill an entire fucking house for all I care.”
Anything.
He’ll do anything, at this point.
“Didn’t give me a chance to… to find a damn house, to figure everything out—”
A whole world left to discover.
(You asked for his last name. A last name worth nothing, yet somehow it still held something for you. God damn it, he’d give you that last fucking name in every lifetime so long as he could still keep you in this one.)
He stops speaking when Gunther and Eld take it upon themselves to push their horses to their limits, flying past him.
They surge forward in their journey to the nearing Walls, determined to carve a seamless entrance for Levi to enter. 
Eld leans back and holds an arm up high, shooting off a red flare for the Garrison Regiment stationed at the perimeter to see:
Danger.
(Once they reached the gates, they could explain everything. A red flare is enough for now.)
Flicking his wrist to snap the reins, his horse picks up the pace and gallops harder.
Levi pulls you into his chest, ignoring the tremble in his limbs.
From fear or adrenaline. 
From both.
“We have an injured Scout, but she’s still alive!” Eld shouts to the Garrison Regiment above with an urgency Levi’s never heard from the typically stoic man. “We need a wagon and medics, now!”
Between the flare and Eld’s command, the action is already set in motion.
The gears churn, slowly opening the large stone gate just enough for humans to clear in passing. 
Eld and Gunther are first.
Levi, not far after. 
The others, including Miro Squad, arrive seconds later.
Several Garrison soldiers pull up to the gate with a wagon suitable for approximately eight, maybe ten people.
Levi continues to hold you protectively to his chest as they prepare, cradling your neck with the utmost care.
One false move and the light goes out. 
(He knows how easy it is to take a human life.)
“Levi!”
He hears the wail of Hange’s voice in the midst of the panic.
His eyes search for them in the commotion, body stonelike, only to spy their unruly ponytail flying in the wind — with Moblit not far behind.
And...
Commander Erwin?
The tall blonde causes the crowd to divide in half, shoulders adorned with the Scout emeralds.
Hange and Moblit look just as horrified as he feels.
They run right up to the side of his horse calling your name, but their voices are all but mumbles to him.
Not when Erwin’s eyes bore into his.
Although the commander's expression is one of stone, Levi can sense what Erwin wants to say.
Unspoken deja vu; they’ve seen how this played out before.
Except this time, Levi has you in one piece.
He made it back this time.
He didn't forsake you.
(And he isn’t letting a titan take you from him. Not like Isabel. Not like Furlan.)
“Levi, what happened?!”
Hange rips him out of his trance, bringing him back to gruesome reality.
Medics finally arrive on the scene. Below him he can see Scout Rini directing them, immediately stepping back into his former occupation with ease.
On the sidelines, the remainder of Miro Squad huddles together.
Eyes watery and body trembling, some cry into their hands.
Some hide their faces in the shoulders of their comrades.
She’s not dead yet, he wants to snap at them. Don’t act like she’s gone. Not yet.
(If he repeats it enough, then can he make the impossible true?)
“She played hero, that’s what fucking happened," Levi seethes after he manages to find his voice, forcing it not to crack. "Saved a goddamn squad on her own against orders. She needs a doctor. I don’t know—”
“They need to take her, Levi,” Hange interrupts with an understanding softness in their tone. “Let her go.”
The captain’s under eye trembles.
“I’m going with her on the—”
“You will,” Hange promises, nodding quickly, “but you have to let her go so they can start working — before it’s too late.”
They're right.
The medics are waiting, just on the other side to receive her.
Slowly Levi unfurls his arms, one by one, and helps gently transfer you to the people he's entrusting your life to.
As soon as you're off of his lap, however, Levi swivels his legs off of his horse to follow suit.
Hange’s eyes widen as he dismounts, but Levi’s too busy watching them set you down in a sea of blankets and gauze. 
“Levi, your shirt. It’s…”
Briefly he turns his chin to glance up at his comrade, registering what they're saying before looking down:
Maroon.
Deep, deep maroon.
His once-white button down is stained with a mixture of grimy dirt and blood.
“It isn’t mine," is all he can think of saying back.
Hange's expression shifts in seconds, a certain slant of pity he hates witnessing.
He doesn't have the energy to fight Hange, Erwin, any of them.
Not when he has to get to you.
He has to stay with you no matter what.
With that statement lingering in the air, Levi abandons Hange to trudge over to the wagon. In one swift motion, the captain hops over the siding of the transport.
His knees fall just above your head, settling in place for the ride to the hospital.
Most of the medics are too busy ripping up your uniform to check for deep gashes and broken bones, documenting them as they gear up to leave, but a few glance at Levi with uncomfortable shock.
Then one brave soul speaks.
“Sir, we’ll need you to stay back.”
“I’m not going anywhere,” Levi firmly states.
“But it—”
“The wagon fits ten. If you have a problem with it, we can talk later. She's on my squad.”
She's my responsibility, damn it, and I'm failing her.
The wagon dips once again in newfound weight, and a pair of knees come into view.
On the other side of James’ head rests Hange.
“I’m going, too," Hange states firmly.
Levi can feel his expression smoothing, one of reluctant gratitude.
He catches the sentiment, buries the emotion down his throat, and drops his chin to focus on James.
“C’mon, c’mon!" they shout to the medics for him. "Let’s go! We can't waste anymore time, damn it!”
With Hange’s order, the wagon takes off. 
In the initial jolt, Levi abruptly reaches both of his bloodied palms to rest on either side of your head, keeping it in place as the horses run the wagon to the Trost hospital.
The medics and Doctor Rini continue working amongst themselves, with Hange on the ledge observing.
Seconds feel like hours.
It's agony.
“We’re almost there,” he murmurs under his breath, to you and you alone. “Just a little longer, alright? We’re in the Walls. You went back and saved almost an entire squad by yourself, you overachieving piece of shit. So don’t give up now, damn it. Keep fighting.”
Despite not being alone this time, the captain is unwilling to stop talking for a single moment.
He can sense Hange’s eyes boring down the back of his neck, but he doesn’t care for decorum.
He doesn’t give a shit if this brings more questions at his front door.
This may be your last few moments with him.
So he won’t leave.
(He never left Mom, and he sure as fuck isn’t leaving you.)
“She’ll need extensive surgery.” 
A rogue murmur catches his attention.
When Levi looks up, he sees one of the medics addressing the doctor scout. Gravity brings a grimace to her face. 
A second medic frowns. “Do you think she’s going to—”
“Don’t say it,” Rini replies softly. “What she needs is our undivided attention. This is a Lieutenant of the Scouts, and she saved my life. Treat her life as your highest priority.”
Levi decides to say nothing.
There is nothing to be said — no argument will change the outcome.
As the wagon finally arrives at Trost medical, they’re received by staff with a gurney.
They begin prepping you to be transferred, but—
In a flurry, Hange gasps and leaps out of their seat to fiddle with your neck.
The sudden touch completely throws him off, causing him to protectively curl around you.
“The hell are you doing?”
“Her necklace, Levi,” Hange swiftly states, their own voice shaking. “The doctors could break it during surgery. You know she’d never let us live it down if they destroy it.”
His heart seizes.
Hange’s act of kindness isn’t lost on him.
You loved that damn thing. 
No, you love.
You’re still there.
It isn’t just a mere memory yet.
Belatedly nodding, the dark-haired man clears his throat. "Yeah, she'd be pissed."
"I thought so," Hange exhales, finally detaching the clasps.
It's the first time he's seen you without it since you were teenagers.
(Doesn't look right, being off your neck like that.)
Eventually the medics successfully transfer you to the awaiting gurney.
Without another word to Hange or himself, the team dedicating to saving your life run into the building.
Everything was a flurry until there was nothing.
Silence.
Levi’s shoulders slump as he’s forced to watch you disappear from his sight.
There wasn’t a chance to save Furlan or Isabel.
They’d been destroyed, limb from limb, before he could stop it from happening.
He’d managed to get you this far, but…
Now it was out of his hands.
His fists clench, determined to keep your blood close, protected, in his palms.
(Helpless.)
“Do you want to hold it for her?”
Hange’s voice enters his mind as he slowly turns his chin, blue-grey eyes finding the taller scout frowning.
Their eyes are glassy in a way he refuses.
Mourning.
Slowly they extend their arm, unfurling their fingers.
A lump forms in the middle of his throat at the sight of the glittering silver in their palm, the pendant still just as beautiful as the day you accepted his gift.
“Keep it, Four Eyes, and give it back to her when she wakes up.”
(If he touches it, then you might actually disappear. He already possesses enough keepsakes from the dead with a self-inflicted burden to carry them all. The world may have forgotten them, but he hasn’t. He won’t.)
“Levi…”
“She’s going to live, Hange.” 
Whether he says it to convince Hange or himself, Levi doesn’t know. Perhaps it’s for both of them.
He knows how much they adore you.
He’s no stranger to the fact that you’ve made your own home outside of him — they love you as much as he loves you.
“She’s a fighter. Always been once, ever since we were kids.”
The lack of shock in Hange’s gaze makes him wonder how much you’ve told them about the two of you.
“She’ll fight tooth and nail to get the hell back here.”
“I know she will,” Hange laments.
A blanket of silence envelops them as they continue to wait for any news outside of the hospital, together.
The longer he waits, the closer he feels to being ten years old again.
Alone.
So fucking along and so goddamn terrified to wait for the truth.
Because it’s either one or the other.
You live, or your story ends.
Levi inhales, holding his breath.
And holds.
And holds, childishly wishing it could be enough for the both of you.
Like if he doesn’t let go until you gasp for life, then he can save you.
He can keep you.
.
.
.
.
.
.
  He finally exhales, giving in to the collapse of his shoulders.
He can’t save you, just as much as he can’t keep you.
Levi knows this.
He’s known it since the second you woke up in that hospital bed without an ounce of warmth in those eyes of yours.
That was when he made his choice to leave you be, to give you a running shot at the life the two of you had always talked about.
He thought one day was grueling.
Impossible.
One day became one week.
One week into months.
He stayed away, but at what cost?
He hasn’t slept right in this bed.
He barely eats.
He opts to show his face at the mess hall with his standard cup of black tea to keep up the appearances.
If the real you died that day, then he was certain he died right alongside you.
Now, within six agonizing months, you’ve saved yourself — chose yourself — to still somehow end up right back where he left you.
(That kiss, tattooed with the permanence of the loss of you, still burns his lips from yesterday.)
You might remember.
You might know who you really are.
You might know him.
The sink below rattles.
It takes a second, but when he shifts his dissociative stare to his thumb, he notes the tremble.
He grips tighter, squeezing, before giving up. He pushes away from it altogether, cradling his forearm to suppress it himself. 
Focus.
Find your sanity and ease it back.
Maybe you won’t say what he wants to hear, but he promised like a fool.
Don’t push me away. Don’t shut me out.
I won't, he promised. I’ll never.
Hearing the horses whinny to a halt outside, he scrubs his face with his hand and chooses to turn on a heel to stalk towards the door.
He’ll scope out how everyone’s doing, make a cup of tea, mull all this shit over—
Then he opens his door to your face.
You stand before him, hand raised like you were about to knock.
Frozen in time just like he feels.
James.
Levi can’t feign indifference when he stares back at you, not when it’s almost unsettling how much more… you, you look right now. 
Life radiates from a dead body. You’re not apologetic in getting caught, just apologetic that you nearly slammed the knuckles of your fist into his face.
For a moment, there’s silence. 
He can hear the other scouts talking amongst themselves downstairs.
And before he can say a word, you speak.
“Can we please—”
“Yeah.”
He doesn’t let you finish.
There’s no reason.
Rip the bandage off the congealed blood.
Call it a day, if he is meant to lose it all.
His hand extends the door on its hinge, inviting space for you.
“Yeah, might as well.”
You step in, and Levi prepares for the worst.
.
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author's note: a lot of you had asked for levi's pov on the events that went down, and i've been waiting to get his side of the story.
thank you for reading the final few chapters of this journey. you are all so very wonderful for the encouragement, the engagement, etc. on both here and ao3. i hope all of my rebloggers have a good night's sleep and a little treat; you are the soul of this story.
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suzukiblu · 1 year ago
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Day four of fic NaNoWriMo, obligatory sugar daddy Tim/sugar baby Kon AU.
"Dead," Tim says, because it's not like it's a secret in the community or anything. "Joker happened to him."
And a lot of other things. Sheila Haywood and Felipe Garzonas and Bruce's eternal control-freak paranoia and constant inability to just talk, to name a few. But Joker, in the end.
Still, Tim can't help thinking about the chances to have avoided what happened to Jason. Especially when thinking about what's currently happening to Kon.
If Kon gets taken advantage of or hurt or killed because no one's paying enough attention . . .
Tim takes another drink.
"That sucks," Kon says with a grimace. "No wonder Batman goes all weird mama Bat on you all the time."
Tim chokes on an incredulous laugh and also a mouthful of soda, because Bruce is definitely not that and this isn't something to make light of either, but–
But also, he thinks about how no one ever goes "weird mama Bat" on Kon. No one ever has, as far as he knows.
No one takes care of him at all.
Tim really, really doesn't like that. Kon shouldn't have to rely on working for people who think they can build custom-designed personal-use superheroes based off of stolen dead bodies and are constantly making clones that are just inhuman-looking enough to not be able to blend into society outside the lab, and therefore don't have a choice about where they live or what they do with their lives.
Maybe it's not as bad as it sounds, or at least not as malicious as it sounds, but it's still the results of what Cadmus is doing either way. Kon has the option of being a superhero, at least, but he also has a custom-designed face that looks exactly like the face of one of the most famous heroes in the sector and was given absolutely no idea how to either establish or support a civilian life, so that's just about his only option.
Aside from, again, just working for Cadmus for the rest of his life.
Tim definitely hates the world.
"Please don't call it 'going mama Bat'," he says to distract himself.
"Please tell me what else you'd call it," Kon says.
"Micromanaging," Tim replies matter-of-factly, and Kon chokes on a laugh of his own.
"What, is being Robin your after-school job?" he teases. Technically it is, Tim supposes, but he doesn't exactly think of it that way.
"I consider it more of an unpaid internship," he says, since explaining the whole "emotional support sidekick" thing would probably damage Bruce's Bat-mystique, and if he tells Kon the full story there he's basically telling all of Young Justice. Kon barely seems to understand the concept of secrets, much less the concept of keeping them. "Like I get an expense account but not a paycheck, you know? And sometimes we get cookies in the Batcave."
"Cookies. In the Batcave," Kon echoes, his eyebrows shooting up. "Are they bat-shaped?"
"Wouldn't you like to know," Tim replies with a pleasant smile. Alfred doesn't usually bother with anything quite that on the nose, but according to Dick there are Halloween cookie cutters in the kitchen that he's not above bringing out when Bruce has been being especially ridiculous, so . . .
"Oh my god," Kon says delightedly. "Does he make them himself? Is there a Bat-apron? A Bat-oven? Or does he just order them special from the Bat-bakery?"
"There is not a Bat-bakery," Tim says, trying not to laugh again. Goddammit, Kon shouldn't be so fucking funny all the time. He's not even that funny, objectively; Tim is just a smitten idiot.
"So there is a Bat-apron?" Kon says with a smirk.
"I plead the fifth," Tim says, since explaining the novelty Halloween apron Jason bought Alfred when he was thirteen is not actually on the table. Details compromise identities, loose lips sink ships; all that.
"Listen, man, Cadmus doesn't have a bakery unless you count the test tubes they cook us up in," Kon says with a snigger, grabbing himself another slice. Tim thinks thoughts about incendiary devices. "They buy our cookies frozen or just get the industrial-sized pudding cans. Or make bread pudding, the bastards. So you gotta tell me about the Bat-cookies."
Tim winces at the thought of industrial-sized pudding cans and bread pudding, because that sounds absolutely horrifying and he never, ever wants to taste industrial pudding. Ever.
"Well, they're definitely not frozen," he says. "But Nightwing started being Robin a lot younger than I did and the last Robin started younger than me too, so I think I'm just reaping the benefits of younger kids needing after-patrol snacks and everyone else getting in the habit of it."
"I could get into that habit," Kon says musingly as he tears a bite off his newest slice. Tim immediately resolves to order takeout after every possible Young Justice mission that he can. Or they could go get ice cream or something, he doesn't know. "What do you think, wanna make me Bat-cookies sometime, Rob?"
Every weekend for the rest of their respective lives, although Tim would never actually say that. He's not even a good baker. He doesn't even like to bake.
This crush is definitely a problem.
"You're not Gothamite enough to handle Bat-baking, Kon," Tim says dryly, and Kon sniggers.
He also ducks his head a little, looking . . . oddly soft, for a moment. Tim doesn't understand why, until he realizes–oh. It's because he just called him "Kon", isn't it. He wasn't even thinking about it; just did it reflexively.
Tim is pretty sure he needs to ruin the credit of every single "responsible" adult in Kon's life for not naming him sooner. Well–Dubbilex can have a pass, considering he was also made by Cadmus and his own name is Dubbilex, so it probably never occurred to him that "Superboy" wasn't a perfectly acceptable name. And also he probably doesn't have credit either. But all the rest of them, definitely and for sure.
Superman is getting an envelope of powdered Kryptonite in his fucking mailbox, to start. Or maybe Tim could aerosolize it and pepper-spray him with it. That might work.
"You don't know, I could be," Kon huffs, putting on a mock-offended expression. "I was born and raised in a lab, I'm way tougher than the average guy."
"A Metropolis lab," Tim says pityingly. "Might as well be a kindergarten science class."
"Oh fuck you, Batboy!" Kon protests with a laugh. "Tell that to the next alien invasion."
"Aliens know better than to invade Gotham," Tim says. Kon laughs again. It's–weirdly nice, honestly. Usually Kon's too busy trying to act cool in front of whatever "audience" he thinks they have to actually, like . . . just talk all that much or anything. And also usually he gets offended really easily or starts being annoying about something he doesn't know as much as he thinks he does about or just . . . something.
Tim admittedly is less and less annoyed and more and more endeared by that kind of stupid behavior these days, but still. It's the usual pattern their interactions follow.
He guesses they're actually just, like, hanging out right now. It's not like there's a bad guy or a crisis or even any teammates around or training to do, so . . .
Yeah. He guesses they're just hanging out.
Kon decimates the pizza and wings, Tim pretends to be helping and takes a few mental notes on how much Kon is eating and what that may or may not say about his required caloric intake, and they just kind of keep . . . hanging out, really. And they talk, at least as much as Tim lightly interrogating Kon and subtly evading providing any personal identifying information counts as "talking".
Tim really doesn't know if the guys at school or Young Justice are more authentically his "friends", at this point, but at least Young Justice knows there are things they don't know. Everyone from school . . .
Not so much, with them. They all only know Tim Drake, and none of them have any reason to suspect the existence of Robin. Young Justice only knows Robin, but at least they know there is a Tim Drake somewhere, whether they know him or not.
Maybe they are the ones who are more his friends, thinking of it that way.
It'd explain why things never really go anywhere with civilians and he's developed this stupid inadvisable crush on Kon, at least. Though not why things fizzled with Steph, since she knows Robin better than anyone in Young Justice. If he should be having a stupid inadvisable crush on anyone, at least it could've been someone with an equally stupid and inadvisable crush on him.
Unfortunately, he and Steph have officially friend-zoned each other and also Kon exists, so Tim is having his stupid inadvisable crush on an alien hybrid metahuman clone in a terrible living situation with stupid taste in sunglasses and a mysteriously infinite-seeming supply of leather jackets. So now Tim is in this situation and his supervillain timeline needs recalculated, and also he's going to be buying Young Justice so much takeout to make sure Kon gets to eat something that isn't cafeteria food in a way he won't get offended by.
Hopefully, anyway.
"Well, I'm glad the new job's working out," Tim comments eventually, after some very careful conversational maneuvering, and Kon . . . pauses.
"I guess," he says after a moment, picking olives off the remains of his current slice and not quite looking at him as he says it. Tim resists the urge to absolutely pounce on the blood in the water and makes himself wait. "I mean, it's fine, it's not like it's bad there. Like, I don't love that it's my only real option and I don't love the same lab that made me out of DNA that it literally got out of a literal grave being in charge of me, but it's not like Westfield's still running the place or anything. So like, could be worse."
Tim hates the world. All of it. Seriously. Alfred's snickerdoodles get an exception and that's it. Nothing else.
"I'm sure it'll all work out," he says, because yeah, he officially needs to actually do something about this. He doesn't know what something, but something. If he doesn't, who else is going to?
Kon puts on a fake grin and says something stupid and easy in reply, the comment lighthearted and dismissive and a screamingly obvious coping strategy from someone who doesn't see any way out of their current situation but through, and Tim . . .
Tim finishes his Zesti and starts to think.
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catboymoses · 4 months ago
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Questions about In trousers incoming because I am trying so hard to understand what is happening but damn this stuff is confusing. I probably have like a hundred questions and if you know of a good in depth analysis or something along those lines please share because this musical is all I can think of at the moment. Anyways... Questions!
Starting with the ones that confuse me the most... I wear a hat. What is happening. What does the hat represent. Is it actually Miss Goldberg or is it just in Marvin's head? (That last one actually goes for the whole musical...)
High School Ladies at 5 o'clock. Just the whole song, I cannot understand what is happening
The Rape of Miss Goldberg. Again, is it actually happening? Is Marvin being super unreliable and something else entierly is actually happening? Is it all a metaphor? All of the above? A secret fifth option that I can't even imagine? I have literally driven my girlfriend insane trying to discuss what's happening in this song please send help
In Trousers (The dream) again just... what is happening? Where did the fourth woman come from? Is it his mother? Are they the four women he then proceeds to mention (Jessie, May, Sis, Bette)? Ex girlfriends? What about the five men? What does the whole "In trousers" metaphor even mean? Is it Marvin's performative heterosexuality? Trousers being masculinity? Is it something else? Sorry for the whole rant, but I've been listening to this soundtrack on loop for like two weeks and the fact that I still can't understand what's really happening is driving me crazy. Don't feel pressured to answer all the questions, or anything, thanks for just reading this far at all!
Omg so many questions!!! (/pos i love questions!)
For a general analysis of In Trousers I'd refer you to this post by @/elflady. It begins with this quote from William Finn that really helped me understand the piece:
"The form of the show is simple: whenever things get too hot for the older Marvin, he reverts back to himself at fourteen. After 14: he has a high school sweetheart, isn’t big with the intimacies, gets married, isn’t big with the intimacies, and leaves his wife for a man. So Marvin grows up (after a fashion), says goodbye to the ladies (more to the point), and learns to live with always getting what he wants- which is the story of In Trousers."
Ok now onto the smaller questions!
I Wear A Hat- Marvin and Trina's wedding. I think the hat symbolizes marriage, as it protects both of them from the elements of society (Trina from single parenthood, Marvin from homophobia). It also works to conceal things like sunglasses in the Marvin trilogy. The idea of covering your head is important in Jewish culture, Marvin would be wearing a yarmulke at his wedding and many Jewish women choose to cover their head once married.
The show takes place in Marvin's head, so the ladies aren't exactly like they would be outside of his mind. They represent their real-life counterparts but are parts of Marvin's psyche.
High School Ladies- you're in good company, William Finn doesn't know why he wrote this either. A lot of songs in In Trousers were mostly him learning how to write the sort of things he wanted to write. Personally I think this song is about Marvin's experience with his high school sweetheart and his underlying anxiety about wanting to screw his male friends, which leads him to trying to convince himself he's straight in The Rape of Miss Goldberg
The Rape Of Miss Goldberg- I wrote out the main points of my analysis here, I'll write a more in depth post someday!
In Trousers (The Dream)- Some of the ladies have similarities to the women in The Dream, but I don't the characters correlate directly. I think this song is more generally about the relationships between men and women under patriarchy. My interpretation is that there are four straight men, four women, and Marvin. Marvin first remarks on the relationships between men and women, then points out that he himself never fit into that structure and eventually left it.
I think the "trousers" represent the patriarchal societal structure we live under and the cishet nuclear family model it uses to replicate itself. Marvin shows how this structure keeps men and women both unhappy and out-of-synch with each other. He tells us he used to wear these trousers, but has now left them behind.
Thanks so much for the ask, I love an excuse to ramble!
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stealth-black-leg · 2 years ago
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accirax · 1 year ago
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A Brief and Highly Speculative DRDT Thought
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This damn character order. I don't get it. It vexes me.
Because, as far as I can tell, they aren't ordered in any particular way. It's not alphabetical first name order, alphabetical last name order, alphabetical talent order, death order, order of introduction, Class Trial seating order, gender order (like doing all the girls, all the boys, and then Nico), rainbow order of official colors... And, as far as I can tell, that remains true if you do any of the options in reverse, or if you remove Teruko.
I don't think they work if you remove Xander either, or even Charles too. I say that just because I think those three could be first as, like, a top billing sort of thing. At the start, I think you're meant to believe that (following standard Danganronpa protocol) Teruko is the protagonist, Xander is the support character, and Charles is the antagonist. As arguably the three most important characters, it would make sense to put them first. Of course, that's not exactly how their roles actually turned out, but that's what you want the audience to believe as a spoiler-free first watcher.
So, if it's not any of those things, what is it? I started thinking about what the most likely possibilities are.
#1: The Order is Completely Random
As in, DRDTdev took the finished cast, put all of the names (minus Teruko, and maybe Xander and Charles) into a randomizer, and this is how it turned out. That would be a good way to avoid giving us any hints as to the characters' development or stories. Honestly, fairly likely, but bear with me here.
#2: The Order is Something Story-Relevant We Haven't Learned Yet
And thus, once we get to Chapter 6 or whatever, we'd be like, "oh, so that's why they were put in that order." This could be something like "order in which characters were accepted into Hope's Peak" or "order in which characters met Mai." Potentially interesting, although such an open sandbox that trying to pin down what it means is basically as good as it being random.
#3: The Order is Order of Creation
This is the real "Brief and Highly Speculative Thought" the title promised. I think there's a chance that this order appears random to us because it's the order that the characters were developed in. We know from the July 31st Q&A that Arei was the subject of the "first ever drawing of DT," which could imply that she was one of the characters who was created/confirmed first. However, she's currently fifth, so, what about the characters before her?
Well, Teruko is the protagonist, so it would make sense if she was the first character DRDTdev created. She also has a lot of mysteries and secrets surrounding her, which, as the protagonist, are surely strongly interconnected with the main plot. Hell, it's even possible that the protagonist of altDRDT is Teruko's brother! Having brainrot about Teruko may have been what inspired altDRDT in the first place, which would mean that Teruko would have to exist for longer than altDRDT has. Why am I talking so much about Teruko. This is not a hard sell.
It might seem strange that your literal first death, the character with the least screen time, is the second one you create, but when it's a character as intriguing as Xander, it becomes less of a hurdle. The dramatic scene that occurs to bridge the silly times of pre-first death and the oh-shit entirety of post-first death is an important enough moment that I would believe it was conceptualized very early. It's a big tone-setting moment. Xander also seems to be pretty interconnected with Mai, as "Unnamed Student" once asked him to find something for her (it's uh... in that document somewhere). That implies big overarching plot relevance, which potentially implies early creation.
As stated above, Charles is meant to look like the antagonist archetype of DRDT, so it would make sense if he was developed third. Basically, "I have my protagonist and my support character, so who should my antagonist be?" Charles is alive for at least two Class Trials, and his fear of blood and bodies seems like something that would need to be planned around long in advance. He also has a lot of parallels to Teruko, which could be important to her development. Charles third doesn't seem like a stretch.
Ace fourth, however, feels like a bit more of a stretch. I still don't think it's impossible, though. Many people (including myself, more or less) believe that Ace will be a survivor. Being at the sixth Class Trial is reason enough to be important, but if Ace was designed to do something important at that Trial (god knows what), it could make sense if Ace was created early. Ace also has a number of important relationships-- Levi, Nico, and Hu, to name the most prominent. The fact that Ace is at the center of most of those conflicts, being the one inciting the main problem, makes me think it would have been much easier to plan out the daily life if he were in it from very early on.
And then, we're back to Arei. I wouldn't have guessed that our apparent second victim was developed as early as fifth place, but, that's canon, baby! I don't have to explain this one!
The characters being listed in order of creation would have a number of interesting implications on the roles that characters play. For instance, you would probably imagine that the mastermind would be amongst the characters you would develop first, right? If so, that would diminish the likelihood that characters such as Veronika, J, Whit, or Nico were the mastermind (that actually covers a lot of really popular options, damn). Conversely, it could implicate that characters like Ace, Rose, Hu, or Eden are more likely to be the mastermind.
From a writing standpoint, later characters may have also been created for the purpose of solving problems. Going back to Ace, let's say that (as Hu has already been developed 7th at this point), DRDTdev knows that Ace and Hu need to have a big conflict in Chapter 3 that, I don't know, leads to Hu being the blackened and Ace starting to regret his foul mouth or something. To solve that problem, let's create Nico, a character who Hu likes and Ace hates, who does something highly controversial. Hu defends this "Nico", Ace insists they're in the wrong, and the arguing causes Hu to snap. That's 1) a huge oversimplification of the character creation process and 2) wildly speculative about the future of DRDT's plot, but my point is to say that one character can be inspired by the needs of the plot and still be a cool and beloved character that perfectly fits in regardless.
(To be clear, I am of the firm belief that there are no losers/unimportant or underdeveloped characters in DRDT. That's part of what makes it so great!)
(And, when I referred to "loser" characters there, I am referring to my own writing, not anybody else's fangans.)
That's not to say that there aren't any issues with the concept that the characters are in development order, though. The one that most immediately jumped out to me was David being 12th. Like Charles, he also has a lot of parallels with Teruko, and his big reveal could be something that was in the cards from early on, like Xander's death. Honestly, though, I could seem him being a surprisingly late addition. If DRDTdev perhaps realized that Charles wasn't as antagonistic as he initially intended, he may have wanted a new character to become an antagonist in Chapter 2 to replace Charles. Or, once DRDTdev decided that Teruko wouldn't (outwardly) mourn Xander, he may have wanted a character that would to keep the idea of Xander as a good guy in the audience's minds. Maybe that's just me being delusional, though.
Min's 11th place creation is also kinda weird to me. On one hand, she is the Chapter 1 killer, so a character with a short lifetime and limited important character relationships could have been added closer to the end. Then again, if Xander (the victim) and Teruko and Charles (major baits) were created so early, it kinda feels like DRDTdev would have come up with the actual killer earlier too, right? Min also has connections to XF-Ture tech, which, if not that important to DRDT, certainly seems to be important to altDRDT. However, I guess those could have been "problems" too-- "who can I create that would kill Xander to save Teruko?" and "how can I incorporate XF-Ture tech into the story in a natural way?"
The inclusion of Bonus Episodes also adds some spice to the discussion. We don't technically know that the Chapter 2 victim and killer will get their own episodes once the chapter is over, although I think most people are assuming it at this point. Min, for example, could have also been conceptualized based on a need for an early bonus episode to drop some lore about American Hope's Peak. Thus, her talent of "Ultimate Student" could have been designed to lead to a conversation about the school in the future. The same could be true of some later killers and victims as well.
Also, going back to the "actual killer" bit, things may have also been confused if any characters were ever replaced. Maybe there was originally a different character intended to be the Chapter 1 killer. This hypothetical character could have been discarded entirely or moved somewhere else-- like how, in THH, the original Chapter 1 was Hifumi killing Hiro, but after the plans changed Hiro became a survivor, and Hifumi a third victim. It's another way to potentially explain the gap between first victim and first killer.
Anyways, in conclusion, I don't know if I really believe in this theory or not. I just thought it was interesting, and decided to serve it up to y'all as food for thought.
The creation and writing of DRDT is fascinating to me, so I'll have to ask you to bear with me as my theories get less concrete and relevant and more speculative and meta as the hiatus goes on. That's just the manner in which my brain is rotting at the moment. Are my discussions of reasons for character creation peeling back the layers of the Matrix, or am I just donning my tin foil hat and pretending to know more about writing than I do...? I guess only time will tell. Thanks for reading!
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hungrydogs-if · 2 months ago
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so before i head to bed i have a little quick poll for ya.
if i was to start a kofi, what sorta stuff (besides monthly updates for the game) would you like to see?
it's not a given that i would start one, just doing an interest check for now since apparently finland is kinda garbage when it comes to taxing this sorta stuff.
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reneeub · 2 years ago
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Sooo I started celebrating ides of March a year ago bc I like Ceasar as a historical figure, like some guy just went on and changed history, kinda cool, but I don't think that's what's going on this year so
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rosetta-j-stone · 1 year ago
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( images taken from this video: https://youtu.be/ovqDepp75cw?si=Uk8XbiNBRAV6qA73 )
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marypsue · 3 months ago
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I think I'm going to pull the plug on my Stranger Things ageswap AU - there are just too many questions in the back half of the story that I still don't know the answers to, and a lot of my enthusiasm for the show has waned, so I don't think I'm really going to be able to finish it. But I'm very happy with how what I do have written of it has turned out, and I'd like to put it up onto AO3 so people can read it. I've written five chapters, and I have some bits and pieces of what would have been to come written out, as well as the skeleton of an outline and plans for a reveal closer to the ending.
So I think the question is: how would you most like to see this posted to AO3? The options I'm considering are:
Posting chapter by chapter, on a preset schedule, with a final 'chapter' that would include what I had outlined, the snippets and scenes that I'd written ahead, and what plan I had for how it might have ended
Posting the whole thing at once, with a final chapter like above
Posting chapter by chapter on a preset schedule, with brief author's notes hitting the highlights of what the rest of it might have looked like and the reveal
Posting the whole thing at once, with author's notes like above
(If your opinion is 'don't post it to AO3 at all', please keep it to yourself.)
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disenchanteds · 4 months ago
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let's play a game called why am I so tired these days and I spin a wheel with options of "didn't eat enough" "didn't sleep enough" "disability related" "still sick" "secret fifth option" and "all of the above somehow"
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hotchfiles · 8 months ago
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oh! oh! r realizing they accidentally gave hotch a hickey and being all nervous/apologetic cause their ex got mad about it. hotch's reaction is:
a) ask for more
b) give them one right back (inner thigh)
c) not asking but trying to get them to do it again
d) all of the above
e) a secret fifth option
pick ur headcanon
- @ficmeoutofthisworld
OH
OH
it's either a or b it just depends on how horny he is and how far lost he is into it, if he's already given up on any sort of control he's just gonna groan a hoarse do it again tbh IF he's still trying to tease you then it's gonna be b, for sure
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jinghestation · 1 year ago
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not romantic not platonic not familial not sexual but all of the above and also a secret fifth option (so completely devoted to each other that any attempt to put their relationship into a single category fails)
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kimije · 10 months ago
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Argh idk
So the idea is that these circles are little windows that show a year in the life of an apple tree.
There are a couple of problems with that:
The best I can manage, as seen above is the impression of apples which might not be a bad thing from several steps back so that's neither positive or negative.
The next issue is I've got too many design elements going on in these doors. Pond with fishies down the bottom, tibouchina round the edges and fancy swirly bits. Adding an apple tree seems like overkill.
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Ideally this circle of circles would tie all this together.
My options at this point are:
1. Full steam ahead, apple tree or bust.
2. Pick a different background and cut all those circles again, not ideal, would need more wood.
3. Use only the front frame, it does look like there's supposed to be something behind it though.
4. Redesign the front frame, same downsides as point 2.
5. Some secret fifth thing that will take another 6 months to come up with.
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The fifth one is looking more likely the longer I look at this.
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100ducksizedfolignos · 2 years ago
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WILD FREE-FOR-ALL BRAWL: END OF ROUND 2
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another set of rounds done! round 3 starts wednesday, april 26 at 12pm CDT (gives me two days to hopefully remember to set things up)
one little problem though. doing the stats for this, i'm facing a pretty big dilemma for this bracket. while obviously i love engagement with these polls and want to abide by the results, the vote disparity for the fiala/zucker poll was so much bigger than every other poll in this bracket (188 votes vs the next-closest 78) that i'm worried the larger pens fanbase will just rig him to win the rest of his matchups (which, to be clear, i do not blame them for. we would do the same. also he potentially would have won that last poll anyways, just not by so wide a margin.)
that said. what do i do here.
thanks for your help with this in advance :) will update with the winning option for this when the poll's done
because i can't possibly forget setup two days in a row (tempting fate), see you all on wednesday!
STATS TO TIDE YOU OVER:
most votes: kevin fiala vs jason zucker, 188 votes
most votes (non-exes): matt boldy vs connor dewar, 78 votes
least votes: TIE: dakota mermis vs jesper wallstedt & tony dacosta vs cody mcleod, 46 votes each
biggest margin: dean evason vs chris o'hearn, 96.2% to 3.8%
slimmest margin: michael russo vs ryan carter, 52.8% to 47.2%
winners i was surprised by: reavo and zucker by as big of margins as they did, brooksy
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jonsnowunemploymentera · 1 year ago
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Secret fifth option, bend the pretty blonde who has wanted to jump your bones for the last half year over the desk in your solar while your friends descend into chaos.
and also a secret sixth option which is to do all the above and in no particular order
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