#second book syndrome

[nanowrimo]

How to Write Through Second Book Syndrome

Second Book Syndrome is a unique experience that can affect any writer. Today, author Uju Asika talks about what she learned while tackling Second Book Syndrome and gives advice on navigating it.  There’s something immensely powerful about completing your first book. For a brief moment, you feel invincible. After all, pretty much everyone you meet thinks they have a book in them, but not many people actually sit down to write it.

I wrote my first book, Bringing Up Race, in the midst of a global pandemic. Writing my next book, a picture book for younger readers, was a much less stressful experience. So it was actually with my third book, aimed at grownups again, that Second Book Syndrome kicked in.

You’ve probably heard of sophomore album syndrome (see Lauryn Hill, The Stone Roses) aka the sophomore slump that, apparently, can happen to anyone from athletes to second year college students.

Second Book Syndrome isn’t talked about as much and yet it affects almost every author on some level. Whether you’re a million-copy seller, a mid-list author or a relative newbie, you grapple with the same insecurities and nightmare scenarios. How do I write something as good as or better than my last book? If my first book did well, was it just a fluke? If my first book sold poorly, is this book my last shot? Will it meet my readers’ expectations or am I going to get troll-bombed on Goodreads? Am I establishing an author brand or have I niched myself into a corner? Can I experiment with voice or will I get laughed at by critics? Do I even have it in me to write a WHOLE OTHER BOOK?

Now that you’ve finished at least one book, you might feel like you’ve got this shit nailed. But the tricky thing about writing is that every time you open a blank page, you are starting from scratch. And every time you face a blank page, you are forced to meet yourself there, again and again. No matter whether you’re writing fiction or nonfiction. There’s no escaping yourself and that’s what makes it so hard, so vulnerable and potentially, so transformative.

My latest book, Raising Boys Who Do Better: A Hopeful Guide for a New Generation, came out last month. Foolishly, I had it in the back of my mind that writing this book would be a relative breeze. In some ways, it was harder. I had so much Resistance — the negative force that pushes back when you try to do something that matters, as Steve Pressfield talks about in The War of Art.

I also had to deal with the impostor syndrome (a close cousin of Second Book Syndrome) that whispered in my ear that I didn’t have another book in me. That I had used up all my smart ideas and pretty words. That I should stick to short form content and leave the real writing to the professionals.

So how did I get over this? What can you do when you’re in the throes of Second Book Syndrome and feeling like you’ll never write another sentence again? Here are a few things that helped me:

Make a Plan

If you identify as a ‘pantser’ rather than a ‘plotter’, you’re probably shaking your head at this. But it doesn’t have to be a full proposal or outline. Your plan can be as simple as a journal entry, a short mission statement, a sentence describing your premise, or a note to self about what you’d like your reader to learn, feel and experience. Making a plan and reviewing it from time to time can help keep your project alive when you’re suffering from self-doubt, comparisonitis and other symptoms of Second Book Syndrome.

Give Yourself Permission

The only way to release yourself from the pressure of writing your next book is to liberate yourself. Give yourself permission to write badly. I mean, really really badly. Permission to write something that sounds nothing like what you wrote before. Permission to play, to dream, to procrastinate. Permission to research until your head is bursting. For every project, I always keep a notebook so I can write by hand and make a mess and scribble pages of absolute drivel. I can spend hours writing around the edges of what I’m actually trying to explore. I encourage you to start every new project by writing yourself a permission slip. When you give yourself permission, the words might stick and splutter for a while but eventually, they flow. After that, the magic is in the edit.

Drown Out the Noise

We’re surrounded by noise all day, from social media traffic to our own mental chatter to those Amazon reviews (gulp). It’s hugely distracting and can be a drain on your creativity and confidence. Look for ways to drown this out, whether that’s through meditation, writing retreats, long nature walks or journalling. My simplest trick is to put on some noise-cancelling headphones and turn the music up. This might sound counterintuitive but listening to music puts me in a headspace for writing without any filters. Also, as a mother who writes around her family life (the kitchen table is my office), I’ve used headphones for years to signal that I’m at work and to keep the cacophony of my kids at bay.

Get Drunk

When you have another book to write, it’s easy to feel lost at the beginning. What to write and how to say it? When this happens, I immerse myself in storytelling. The poet Charles Baudelaire famously said one should ‘Always Be Drunk’ and it’s a quote that I live by. I don’t mean Hemingway-style binges, I mean being drunk on stories. I consume books, podcasts, films, TV shows, songs, art shows, conversations, eavesdropping, everyday life. I feed my habit and my habit feeds my writing.

Focus on What You Can Control

Creativity is mostly trial and error. Art is subjective and you can’t control how your work will be received by an audience or by critics. Often, success hinges on an indefinable mix of luck, talent, hard work, timing, money, network, reputation and… did I mention luck? Through all this, the only thing you can control is how you show up. I do my best to show up for my readers in a way that’s engaging, impactful and entertaining — both on the page and in real life. Other than that, the rest is not up to me. All I can do is keep showing up.

Track Changes

When you’re editing a piece of work, it can be helpful to track changes on a document. But this isn’t what I’m talking about here. What I mean is keeping track of the changes that happen because you had the courage to put your work into the world. I screenshot comments from readers on social media who tell me my books have changed the way they think about race and identity. I save a file of testimonials from parents who say I’ve shaped how they talk to their children about these tricky topics. I also keep notes on what I’ve learned and how I’ve grown while writing a book. All this is a reminder that so much of writing (and reading) isn’t just about the product or the story but about who we are becoming through the process.

Lean On Your People

Probably the most useful thing you can do as a writer is to find your people and lean on them. Obviously your closest friend/partner/family member who enjoys your writing or offers great advice can be invaluable. But as a writer, your people are other writers and it’s essential that you seek them out. Follow #writercommunity hashtags on social media, join a writers’ group or membership, befriend other newbie authors when your book comes out. You need to be in community with other writers who get it. Especially when Third Book Syndrome comes knocking…

NaNoWriMo Writers Board member Uju Asika is a multi-award nominated blogger, former journalist and TV screenwriter. She is the author of Bringing Up Race: How to Raise a Kind Child in a Prejudiced World and the picture book A World for Me and You (Where Everyone Is Welcome). Her new book Raising Boys Who Do Better: A Hopeful Guide for a New Generation came out on June 1. You can order the book for free worldwide delivery on Wordery: https://wordery.com/raising-boys-who-do-better-uju-asika-9780241608418

Uju is launching a creative writing service for developing and aspiring writers, learn more here!

[illicthearts]

Second book syndrome strikes again

[angeldaisies]

cc cannot write a fast paced second book to save her life i fear 😭 gun to my head i could not tell you what happens in any of her second books

[walkingintheamm]

I hope colin knows how to fight because I just saw a clip of penelope and lord debling... I moved... I see the vision... colin will really have to fight for his life

[tananais]

reading the atlas complex for novacaine and novacaine only

[kbookblurbs]

Dark Force Rising - Timothy Zahn

4/5 - Crazy Jedi, Luke being too nice for his own good, Leia with some killer diplomacy skills

Leia works to get the Noghri to join the Republic, Luke is insecure about his use of the Force, Mara is still weirdly attached the the Emperor, and Han is a worrywart. <3 love him <3

Solid second installment as well! I liked Luke's internal battle in this novel, his worries about his capability to teach and understand the Force were very real and grounding and I felt they added some depth to the character. It also made it all the more satisfying when Luke tells C'Baoth to fuck off, for all intents and purposes.

The realization that the Noghri were kept in their subservience by force by the Empire is a really good example of giving a tangible evil that the Empire has an active hand in. Like obviously we all know that the Empire is a fascist evil overlord state, but seeing the cost of it in people and welfare makes the whole situation that much more hard-hitting.

As with any good trilogy, the second book ends on a loss. They've won the battle but lost the necessary ships and supplies. They've fended off the Empire, but the Thrawn has other tricks up his sleeve. All stands on the precipice!

[greatprotector-if]

Escaping the confines of limited choices

YOU GOT THE PIC!! YEAH YEAH LITERALLY

[booksandboba]

"Then why don't you choose me? Don't you have any feelings for me?"

"I don't have the heart to do that to you. They say there's only so much emotion one can pour into another. I spilled all mine before I even knew the name of the emotion, like tea spilled on a carpet.

I'm incapable of loving someone at this point Cedric, and you deserve to be loved. Someone as empty as me isn't right for you."

"Then I'll fill you up again, like an infinite spring that never dries. Even if you're empty, even if you spill over again, I will keep filling you up.

I'll always be waiting, Rowena."

The Mistress Runs Away, Lichi (Tappytoon)

[im-out-of-it]

shit i think this is part five of season 2, episode 3 of save Alec campaign “parabatai lost”

77. I’m having fun watching jace fight for his life. it’s only fair because Alec is fighting for his

78. Maia is basically asking us all to love her lmao girl, we loved you from the second we saw you chasing jace, beating him to almost death, and not falling for his games

79. back to Simon and of course clary makes it about herself (his mom is missing but yeah it’s all about you clary)

80. I don’t think clary gets what Simon is risking if he tells his mother what he is. he has fear of losing his mother forever, of losing the family, (I mean he’s going to lose them eventually) and knowing the truth about what she thinks of Simon. it’s easy for clary because Jocelyn is a self conceited shadowhunter like herself but Simon risks a lot more

81. her smile looks so fake

82. Simon thinks clary is the world yikes guess he will learn the hard way

83. sweet Magnus is a lovely Magnus but angry Magnus is a whole other story

84. Magnus showing he’s not the one to fuck around and fight out

adding these: (more of these are on the last part- part seven)

MAGS AND IZZYS FACE:

I have a few more to do so jumping to part six and see y’all in a minute ✨

[evandore]

this is how shes looking ^_^ still needs to be fiddled with but wowww shes looking so much better !!! i really do need doll stands tho i wanna pose them better + lots of room to fit in more things as i need :)

[intomybubble]

Tfw arranging shelf but its been like 5 hours total and I have like 11 inches of dead space which makes it harder for this to look right and my books keep falling over, even with book ends ㅠㅠ

At least it’s not hot yet today but this is annoying. I wish I could just buy the rest of the manga I’m planning to a buy eventually so I can just fill in the gaps (most of it) but I can’t bc I’m out of money and some aren’t even released yet

[merry-kuroo]

I did not expect to like Baek Dohwa 😂 He's so cute

[bighitfics]

jeon jungkook fanfics that deserve to be turned into kdramas and selling books.

(a recommendation you badly need) ⭑.ᐟ

Sauvage ౨ৎ by @tljunglebook

— grumpy x sunshine, cold and detached jungkook (who turns into a whipped puppy later on) office romance, slow burn.

(starting off strong! this book’s got the most delicious slow burn to ever exist! screaming at how sexy, dirty minded, down bad & protective for oc jungkook’s in this fic ugh the wattpad girlies already know that they’re my adopted parents)

10 Seconds ᥫ᭡ by @deepdarkdelights

— yandere jungkook, abduction, stalking, stockholm syndrome.

(this series is my first love, i would do anything to read this for the first time again!)

Penpal 𓍯𓂃 by @laughing-with-god

— yandere prisoner jungkook, stalking, breaking in.

(gotta contact some directors and producers to turn this into a drama! it would slay so hard with its refreshing plot line! and tbh no words are enough to describe her writing abilities, she’s a pro✨)

Risqué ✧˖° by @mercurygguk

— age gap, forbidden romance, smut, angst.

(the time stamps and drabbles are the essence of this fic, the smut is so well written! ALSO THE SEGSUAL TENSION AND OVERALL YEARNING MA’AM!? can someone already turn this into a mini netflix series please!?)

About Time ִ࣪𖤐 by @yoonia

— time travel au, major angst, second chances, smut, fluff.

(if i had the chance to devour a book, i’d eat this one (obviously) it’s one of the best books of my life, i would die to see a live version of this)

I Want You To Stay ʚɞ ⁺˖ by @ahundredtimesover

— ceo jungkook, strangers to lovers, slow burn, angst, smut.

(no slow burn ever slow burned the way this story slow burned! lemme warn ya’ll this fic will keep getting better as you read it!)

Bride Of Devil ♰ 𓏲 ๋࣭  ࣪ ˖ by @jasminefanfics

— dark romance, gangster au, enemies to lovers, forced proximity, age gap, kinda yandere husband jungkook.

(my youtube fanfic girlies assemble! this is the best mafia jungkook fic i can recommend for ya’ll! the bgm is so addictive and perfect)

An Abundance Of Luck And A Sprinkle Of Fate 𐙚 by @borathae

— strangers to lovers, romance, found family, smut, angst, healing.

(I remember being unhealthily obsessed with this lord, aaol!kook & oc will forever be my babies TT this book tugs at your heart in a way that’s inexplainable)

ps — have a good read girlies <3

follow for more.

[happy2bmyownboss]

Flea Market Finds and a Special Delivery from Zoe's Toolbox!

We recently went to the local Flea Market for a family outing and we found a few interesting items… not as many as our last Flea Market shopping trip but still a few. We didn’t really have anything in particular that we were looking for… just some fun, quality time as a family. Continue reading Flea Market Finds and a Special Delivery from Zoe’s Toolbox!

[pearwaldorf]

I hate that you can't see a tweet thread anymore if you're not logged into Twitter (as a gesture of disrespect I refuse to call it by its rebranded name). Here is a copypasta of a thread from Dan Olson, a Canadian documentary filmmaker, expanding upon camera quality, the guilt trips Somerton used to goose his Patreon subscriptions, and how the best tools will never make up for lack of dedication or patience. I have added clarifications in [[double brackets]] where I feel it is necessary.

START OF THREAD

Okay, so, back in April I snapped at James in reply to a tweet that was linking to this video (which James has since delisted but not deleted) and I want to talk about the full context of that but I don't want to make a video, put your beatdown memes away. [[The video has since been deleted. I can see the title of the video is "Maybe the end (not an April Fool's Day thing".]]

The first bit of context is that I initially got keyed into James to fact-check his claims about indie filmmaking in Canada. As a filmmaker the entire Telos venture was immediately obvious as a juvenile fantasy dreamed up by someone with no idea how to make a movie.

Just wild claims about their plans that weren't worth debunking because they bordered Not Even Wrong. But in watching one of these pitch videos I noticed that he had a $4000 current-gen camera in the background as a prop, and that seemed both pretentious and weird.

You don't use your best camera as a prop, you use your second best camera as a prop. So being an obsessive weirdo I needed to know, and I watched his BTS stuff until I spotted his main rig, a $6000 camera with about $1000 in accessories.

Now, these in isolation are unremarkable because his Patreon at the time was bringing in ~$8000 per month, his channel was a full on Business business, and so investing in some professional equipment of that level is maybe a bit indulgent but justifiable.

What was weird is that he doesn't shoot multi-cam, doesn't shoot outdoors, doesn't shoot on location, and in a studio the two cameras kinda really step on each others' toes. Basically if you already have one and don't need a B cam there's no reason to get the other.

Again, on its own, this says nothing, it's just indicative of poor financial decisions, maybe impulsive purchasing, Gear Acquisition Syndrome. Biblical sins, but not crimes.

Paired with the constantly inflating fantasy scope of the Telos films it was clearly an expression of a very, very common bad filmmaker habit of "if I just get the right gear then my movie will basically make itself" Buying stuff because it feels like progress.

At the end of February he tweets "I want to start shooting anamorphic" and then three weeks later in March he posts the worst, out of focus, under-exposed "I just got a new lens!" video I've ever seen, showing off his trash-covered bedroom.

Based on what's available for his cameras and the lead time, that's enough time to get a Laowa Nanomorph or Sirui Saturn from B&H but not enough time to get a Great Joy from the UK or a Vazen from China. And with the flaring blah blah blah, $1300 lens.

Again, [gear acquisition syndrome] is not a crime and these lenses are budget options. Bit of a pointless impulse purchase since he only used it for the Showgirls video. But this is what he was doing just a few weeks before that above video came out: effortlessly impulse purchasing lenses.

James has (had?) a habit of regularly, aggressively driving viewers to Patreon by claiming that videos were getting demonetized. While tacky, it is something a lot of queer YouTubers have dealt with, so there's precedent there. But people were noticing he did it a lot.

Mid-March he humble brags about needing to work so hard to make 6 videos in April because he has over-booked sponsorships.

Then March 29th James posts this whole incel screed on Twitter about how sex work should be "subsidized as a mental health service."

[two image descriptions.

1. "For the majority of people sex (and human contact) can be imperative to a healthy state of mind. A kind and talented sex worker can make someone feel wanted for the first time in their life. I know sex workers who have pulled people back from suicide just by being there for them." 2. "Not only should (sex work) be legal, but it should be subsidized as a mental health service."]

He spends several days getting absolutely *roasted* for this, just dragged across the pavement and read for filth, and doubles down in the replies the whole way.

So this is the context immediately surrounding James waking up on Friday, and posts the above video and the below tweet.

[image description: "We just got the lowest Patreon payout we've gotten in well over a year. Like, a "maybe we need to rethink things" kind of amount... NOT an April Fools Day thing btw. But I don't know if we'll be making videos much longer."]

Now, this unfolds in kinda two directions. The first is that I'm convinced he was just lying about this income shock in the first place.

There's a million theoretical edge cases about what maybe happened and if maybe he just misunderstood the data or saw a glitch and panicked, maybe one of those happened, I don't believe it, I think he just lied because he was salty about getting dragged and felt owed a win.

A big tell to me is that he doesn't blame Patreon. He says he doesn't know what happened, but let's be real, Patreon screws up all the time, they're the first people anyone blames if anything confusing happens, just as a reflex action, even if it's completely not their fault.

The only reason to not blame Patreon is if you already know that it's not their fault and that any investigation on their part might reveal embarrassing details.

Instead he indirectly blames his viewers for not watching enough, not sharing enough, and not turning on auto-renew.

So regardless of the unknowable truth, this segues into the second, far more offensive direction of the messaging itself. "I don't know if we'll be making videos much longer." "Maybe the end" He explicitly framed this as an immediate existential threat to his channel.

In the video he is vague about everything, leaves a ton of hazy room for plausible deniability on how long the channel can keep going, but the messaging is "I need more patrons right this minute or my YouTube channel is over."

He repeatedly evokes all the "fun stuff" they had planned that would never see the light of day if this didn't turn around right away.

And his audience received this message loud and clear. Tons of people making far, far, far less than him left very heartfelt messages about digging a little deeper to subscribe or up their pledge or unsubscribe from other channels to move their pledge to his.

1200 new patrons in one day.

Since I simply don't believe the income shock was real in the first place that would put his post-"Maybe the end" Patreon income at around $10,000 per month. US. Add YouTube income, he's spent the last seven months making around $18,000 per month.

I have seen creators scale back their capabilities to the bone purely to keep making videos for the love of just, like, making stuff even as their funding evaporated and they needed to go back to a desk job to cover their bills.

You'd have to be so outstandingly reckless with your finances as a channel that a one month spook leads immediately to "channel over, sorry about all the fun stuff we won't get to do with you, our patrons, specifically because you, our patrons, aren't giving us enough money"

And not a spook where you then spend a couple weeks crunching numbers. Oh no. A shock so violent where less than two hours later you're weeping on camera about the channel being over.

Three weeks later he brought a brand new Sony FX6v for $8000 CAD to add to his pile of cinema cameras despite the fact that he was, but scant moments earlier, in such a precarious position that a single bad month would kill his channel.

He stole your money, and for that I'm profoundly sad and angry. That's why I snapped at him in April. I'm sorry I couldn't give you the full context then, and I'm sorry if that anger upset you.

END OF THREAD