#scrifies

[viqlentas]

這一切都是一場夢，我希望我不要醒來

𓊌͟ ͟ ͟ ͏ ͟ ͟ ͏ ⠀ ･ﾟﾟ･｡ ㅤㅤㅤㅤ▗▬̸̎͞/̄͆̅ ̎ ̎̿͞͞͞͞͞͞͞͞ι̚━─ㅤ ☕

[geargoyle]

It makes me so happy that two of my favorite sci-fi / fantasy series are so closely matched in this poll.

Queer Adult SFF Books Bracket: Round 1

Book summaries and submitted endorsements below:

The Locked Tomb series (Gideon the Ninth, Harrow the Ninth, Nona the Ninth, and others) by Tamsyn Muir

Endorsement from submitter #1: "An extremely fun, humorous romp! A heart-breaking, soul crushing catharsis inducing tragedy! A thoughtful piece on imperial structures and trauma. On queerness, Muir flawlessly and without announcement, cracks gender open like an egg and spills its disproven guts across the page. The Locked Tomb does it all also bones, bitch."

Endorsement from submitter #2: "Lesbian necromancers in space. So many fascinating, sort of fucked up sapphic relationships going on."

The Emperor needs necromancers.

The Ninth Necromancer needs a swordswoman.

Gideon has a sword, some dirty magazines, and no more time for undead bullshit.

Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service.

Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier.

Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.

Fantasy, science fiction, horror, mystery, humor, series, adult

The Javelin Program by Derin Edala (Time to Orbit: Unknown series)

When Dr Aspen Greaves signed up for the Javelin Program, humanity's first foray into colonising deep space, they expected to wake up to life in a thriving colony on a distant planet. Instead, they find themself five years away from their destination on a broken spaceship full of complex mysteries, dead astronauts, and a very unhelpful AI.

Aspen wasn't trained for any of this. But if they can't keep themselves alive, get the ship in working order, and find out what went wrong by unravelling a chain of mysteries leading all the way back to distant Earth, then neither Aspen nor the five thousand sleeping passengers in their care will ever see a planet again.

Science fiction, mystery, series, adult

[greatqueenanna]

Hi! Nice analysis posts about Frozen, I found them very interesting! I love the franchise and the characters very much and I rewatched the first movie over and over again! ^^ While the 2nd one, while I liked it, I couldn't just bring myself to watch it again. Entirely for personal reasons, but in truth I'd like to see it again, so I hope you could help me with my first impressions considering your very good analysis..!

First problem is Elsa's arc. I identified myself a lot with her in first movie and in Let it go; (while I was much older, the song reminded me of my adolescence time). I also have a problematic family and a very conflicted (if not almost abusive) relationship with my mother. So when I see Elsa's part in the 2nd, that begun with the voice, then reach athollan in her self scrifying path, and discovers that the voice was her mother and Elsa validation of who she is, basically pass only throught her mother, it got me a bit angry. (And also following that voice, it ends up with her death.) I admit I jumped over a bit, but it seemed to me that the only validation Elsa accepted of her own self and worth, was that of her mother, and Anna's words never count a lot at the end. Like, at that point of the movie, Elsa's arc only involved just her and her mother, while for example for Anna has always been her and Elsa (or her, Elsa, and her parents). It's only at the end that Elsa remembers Anna and realize what she's done (and what she'd lost).

Second problems is the ending. While I read what you wrote about it, I still do consider they end up separated. Sure, Elsa with Nokk is just mins away, but it's not like been in the same house, seeing each other for breakfast, meeting casually in the halley, etc. It's kinda like living in the city nearby, where yes, you could go whenever in a mins, but at the end, there are obligations, and things you need to do and you end up going more less than what you liked. Sure, you could tell me that it would be the same once Anna got married, but I don't think so. Also well, there's the thing that Elsa is immortal. She's a spirit, already dead once, and while Anna is the bridge, is the human part of it, and human dies.

I always thought the ending was very mature, realistic even, very adult in the meaning of them going separated way, kinda when you and your bf do it in real life, both for study or other life choices. A bitter ending that is more a "Life goes like this" than a fairytail untruth ending. That's what I always thought about it. Being older probably made me see things in another prospective? Maybe..!

Anyway, I hope these walls don't scary you away xD Also, sorry really, it's just that you seem knowledgeable enough to be able to give me a serious rational imput and I decided to wrote it all..! Thank you in advance for reading everything and for any ev. answer! ^^

P.s. also sorry for any mistakes, since english is not my first language..!

Firstly, thank you for your kind words, and I'm glad you enjoy my posts haha. Now, I'll try to give you my perspective on these topics you pointed out, but know that my opinion isn't like...the golden standard lol. People are allowed to not like something, so if you read my points and are not convinced by my opinions, that's perfectly fine!

Let's break this down a bit. We'll start with the easy one.

Elsa's Supposed Immortality

There isn't actually anything confirming that Elsa is immortal now. This idea was mostly theories from fans that were scared about it because of how Elsa was described as a Mythic Character; leading to some debates on whether Elsa's humanity was removed. I talk about this idea more here.

But going back to Elsa's Immortality - considering that Elsa and Anna's love for each other is the bridge between magic and non-magic, I highly doubt that one side of the bridge is meant to live forever while the other side dies. Wouldn't really fit the message. Also, Myth: A Frozen Tale confirms that the Fifth Spirit is the human spirit - Thus, Elsa would need to still be human, (Anna as well) in order to fill this role as the Fifth Spirit.

Over time, a fifth spirit was born: the human spirit. Together, they created a dazzling harmony, and our world danced.

2. Elsa's Arc

In this section, I'm going to break it down based on the points you made.

Elsa's Validation Through Iduna

Firstly, I'm sorry to hear that about your mom. I know what it's like to have a complicated relationship with your parents and trust me - it's never easy to see cartoon characters so easily get validation from parents. But it is what it is.

I think the reason that Elsa needed to hear validation from Iduna (and indirectly, from Agnarr) is that she feels that they sacrificed a lot to protect her, including their livelihoods. Elsa doesn't really blame her parents for the childhood separation - she blames herself because of her magic. When Anna tells Elsa that she isn't responsible for their choices, Elsa still thinks it's her fault that they died.

Thus, the last thing holding her back is her guilt - that she doesn't deserve to feel happy about herself because her magic caused so much pain that she can't change. That's why she's so reluctant to follow the voice even though she wants to, why she pushes Anna away, why she basically puts the weight of the world on her shoulders - because she feels she caused people pain just by existing, and that she owes them something - like unwanted protection or her life.

However, when Iduna tells her to embrace herself - she's hearing straight from someone that sacrificed a lot for her (according to Elsa), that she is allowed to be herself without guilt. She doesn't owe anyone anything for existing.

Elsa and Anna

You question why Anna's validation wasn't enough - and that is because Anna wasn't the only one Elsa felt she hurt. As said above, Elsa blames herself for her parent's actions, so she feels she hurt them too. Elsa already got validation from Anna in Frozen - Anna showing her that she doesn't care about Elsa's magic being dangerous or whatnot, and is willing to sacrifice herself even after being struck by them.

However, the problem here is that Anna starts to become Elsa's only source of validation. And after a while, one person constantly making you feel better about yourself isn't enough - you need to start giving yourself your own validation. Elsa needed to stop depending on others and love herself - the last thing she needed was the validation from her parents to finally put her guilt to rest.

Now, a lot of people hate it when I bring this up but it's still something important to discuss - Elsa and Anna had a co-dependency. Elsa, as said, was getting emotional validation from Anna - whenever she was self-hating, she needed Anna to pull her out because she couldn't do it herself.

On the other hand, Anna was getting purpose from Elsa - Anna sort of focused her whole life on protecting Elsa because she is the last blood relative she has - the last thing from her childhood that wasn't taken from her. Anna was in this mindset that she needed to protect Elsa and be present at all times in order to keep her from leaving or disappearing again. However, by doing this Anna has become more of an overbearing mother to Elsa than a sister, scolding her and guiding her like a mother does to a child.

This is another reason why Anna's validation was starting to become more...not meaningless, but a bit hollow. Elsa needed to stop depending on Anna for validation, especially since Anna was starting to become dependent on it herself.

However, when Elsa dies, Anna gets a sort of reality check. No matter how hard she tries, she can't stop change from happening. She can't make things stay the same because she can't control outside forces, and she certainly can't control other people's agency, no matter how stupid or reckless their choices are. You can try and guide them the best you can, but in the end, the more you push against them, the more they push back. It hurts - I know from my own life that change sucks when you're used to something for so long or you see people you love making stupid choices. But change is inevitable, and people are not always going to see your side.

Elsa Sacrificing Herself

Elsa sacrificing herself - was her own choice, not so much because she followed the voice. Once Elsa reached Ahtohallan, accepted herself, and found self-validation - that was the end of the following the voice arc. She pretty much had the freedom to leave at that point, and there was nothing really forcing her to follow Runeard's memory.

Elsa going deep into Ahtohallan was hinted at as being a bad choice - the same motif from All is Found keeps playing over and over again as Elsa goes deeper. "Dive down deep into her sound, but not too far or you'll be drowned." As if Ahtohallan (or maybe even Iduna herself) is telling her to stop, but she insists. And as she freezes, the music becomes tragic - followed by Bruni and Gale showing hurt when they hear Anna's cries.

All of this hints that Elsa made a bad choice - that it was nothing but a tragedy that Elsa felt she needed to do this to save the forest. This is why Elsa is often described as a Mythic Character - Mythic characters carry the weight and sins of the world on their shoulders, and their stories often end in tragedy because of this. This is where Anna's fairytale side comes in - her triumph over adversity brings Elsa back.

3. The Ending

Not liking change can also be applied to the ending. For many fans, Anna and Elsa being together and being static is a source of comfort. It's something we can fall back on because that connection they have is reliable and gives us happiness. F2 showing change is going against a lot of established ideas in Disney animation. For example, Disney characters always wearing the same outfits or never aging, or always being together with loved ones. Ralph Breaks the Internet and Toy Story 4 also did this (TS4 being even more extreme).

F2 shows the sisters taking on different roles, living separately, and even changing their iconic hairstyles and costumes. That thing we relied on so much is now different, and that doesn't sit well with many people. Now we are told that even our safe, comfort areas can change and it's uncomfortable, to say the least.

I figure you're coming from my post on my side blog where I mentioned how people tend to put too much emphasis and importance on Elsa and Anna's sisterhood rather than their individual characters - which is also relevant here. Not that you specifically are doing this, but some have become a bit too reliant on that sisterhood connection, and seeing them apart removes that comfort zone from them.

However, at the end of the day, Anna and Elsa are sisters, and many times siblings discover something they like and go to pursue it because they are individuals with different interests and lives outside of each other. It's realistic, but again uncomfortable for those that relied on their connection as a comfort zone, not a meta for how change is inevitable. Many didn't really want or maybe even needed this message - but it's still an important one nonetheless.

----

I hope I answered all your concerns and maybe given you a bit of comfort.

[futurezone77]

Scrifying...​

[wildwechselmagazin]

35. Michaelismarkt in Treysa mit Top Act Barbarossa

Barbarossa in Treysa | Foto: Gerhard Reidt Jedes Jahr am 3. Sonntag im September findet der beliebte Michaelismarkt in Treysa statt. Diesmal mit der Schwälmer Rocklegende Barbarossa.Ein Buntes Treiben in der gesamten Altstadt lädt zum Bummeln und Erleben ein. Seit 1985 wird der Michaelismarkt bereits am frühen Morgen mit dem Treysaer Stadtlauf eröffnet. Um 09:00 kann im Schwalmstadion Jedermann teilnehmen. Für Jung und Alt und für Groß und Klein sorgen in den Straßen u. Gassen jede Menge Musik, Walkacts wie Clowns, Gaukler oder Stelzenläufer, sowie mobile Musikgruppen für gute Laune. Von 12 – 18 Uhr haben viele Geschäfte geöffnet und auch etliche Vereine stellen sich vor. Die Treysaer Vereine sind wesentlicher und wichtiger Bestandteil des Marktes. Was wäre der Markt ohne die vielfältigen Angebote und Informationen aus ihrem jeweiligen Vereinsleben. Einige stellen sich vor und informieren, andere präsentieren sich über Spiele mit Kindern, wie der DLRG Schwalmstadt am Kugelbrunnen in der Wagnergasse, der mit Wasserspritzen u. viel Spaß für die Kinder die Infos  etwas auflockert. Kirchliche Vereine u. Gruppen bieten Waffeln, Kaffee und Informationen an. Der Stadtgeschichtliche Arbeitskreis gibt sich immer wieder sehr viel Mühe mit speziellen Themen und Ausstellungen und erzählt in diesem Jahr die Geschichte des "Neuen Bahnhofs" in Treysa, der mittlerweile 111 Jahre alt ist. Der Stadtgeschichtliche Arbeitskreis ist im Hospitals Gebäude in der unteren Steingasse zu finden. Nicht zu vergessen die Gulasch Kanone der Reservistenkameradschaft. Musik satt auf dem Michaelismarkt Treysa 2019 Vor allen Dingen wird musikalisch immer wieder besonderes geboten. Organisator Gerold Stiebeling besteigt dieses Jahr selbst die Hauptbühne am Marktplatz. Sein Künstlername ist seit Jahrzehnten ein Begriff: Barbarossa wird mit weitern acht Musikern frei dem Motto "Barbarossa Rock'n'Roll Circus" Rockgeschichte erlebbar machen. Allein die Bühne wird schon Eindruck machen: Der Showtruck „BlueStar“ erinnert in blau an den amerikanischer Traum. Als Gastmusiker werden bei Barbarossa so bekannte Namen wie Ralf Lippmann ehemals "Scrifis" und Bernd Kühl, ehemals "Wolle Petry Band" und auch in der letzten Petards Besetzung an Bord sein. Zuvor werden die Newcomer Ages und die Band Lyspinon mit den beiden Sängerinnen Sisi und Tanja spielen.

The Racers spielen beim Michaelismarkt Treysa 2019 Auch die Nebenbühnen haben was zu bieten: Die Kasseler (Rentner)-Band „The Racers“ (Gesamtalter 270 Jahre) mit dem Ex-Schwälmer Peter Strömer, gehört nicht zum alten Eisen, sie entführen die Zuhörer mit Oldies der 60er in die gute alte Zeit. Auch der frühere Basssist aus der "Bernd Hampel Showband" ist in dieser Band mit dabei ! Ob fliegende Händler oder Kunsthandwerk, der neue Programmpunkt „Wrestling Workshop“ im Bereich der Totenkirche, der Traditionsmarkt im Stadtteil Schwalmstadts hat jede Menge zu bieten. Dieser Besuch lohnt sich. Das Michaelismarkt Programm: Hauptbühne, Rathausplatz 09:00 Uhr Stadtlauf Schwalmstadion 12:00 Uhr Marktplatz, Hauptbühne: Ökumenischen Gottesdienst 12:50 Uhr Eröffnung u.a. mit Blasorchester Schwalmstadt 15.15 Uhr Ages 16.15 Uhr Lyspinon 17:15 Uhr Barbarossa Bühne Wagnergasse 13:00 The Racers, Oldies Walkacts "Schwälmer Jungs" mit ihrem Programm "Vom Walzer bis zur Zillertaler Blasmusik" Clown Toni mit der Clownin Elfriede Stelzenläufern – Mittelalter Walkact "Juicytones" HNA Stelzenmann Künstler- und Bandinfos: Gerold Stiebeling, alias Barbarossa: In vielen Bands hat er sein Unwesen getrieben, bis er Anfang der 80er Jahre die erste "Barbarossa" Besetzung aus der Taufe hob. Von Austria bis England und von Irland bis Kroatien war er in  Clubs und Hallen unterwegs und hat mit einigen Musikern aus bekannten Bands wie Udo Lindenberg, Peter Maffey, Richy Blackmores Rainbow, Roger Chapman, Lake, Randy Pie u. natürlich den Petards  u. Bernd Hampel zusammen gearbeitet. Kontakte bestehen bis bis heute. Der grösste Erfolg sei noch erwähnt. In 1985 schaffte er mit einem Produzenten aus Frankfurt und dem Titel "Nobody does it better" den Einzug in das Finale des Irischen Song Contest in Castlebar Irland. 2600 Einsendungen aus 26 Ländern der Welt und "Barbarossa" war für Deutschland unter den ersten zehn Finalisten. Über 20 Millionen Zuschauer haben weltweit den Auftritt von "Barbarossa" am Samstag, 25. Oktober 1985 im Fernsehen! Bernd Kühl, Gitarre. Er war in der letzten "Petards" Besetzung dabei. Bernd hat die Bühnen ganz Europas rauf und runter gerockt, seine Hauptband war die "Wolle Petry Band", er hat mit Größen wie "Wanda Jackson" Lets have a Party genauso gespielt wie mit Robin Beck, "Coca Cola Song", Tourneen in den 80ern gerockt. In der ersten "Late Night Show" RTL mit Thomas Gottschalk bediente er genauso wie bei "Rudolf Rock u. die Schocker" ebenfalls die Gitarre.  Ralf Lippmann, Keyboard. Auch kein unbeschriebenes Blatt. Iin den 80ern vor allem mit der Band "Scrifis" in sämtlichen angesagten Musikclubs in Deutschland, der Schweiz und vielen anderen Ländern unterwegs. Scrifis galten in den 80ern als einer der Bands, die Auftritte spielten, als gäbe es kein morgen. Ralf hat mit etlichen Grössen aus dem Musikgeschäft gearbeitet, George Mc Grey "Rock me Baby" oder Pell Mell aus Marburg, "Die Moldau" oder auch "Donovan". Bei vielen Studioproduktionen, taucht er als Keyboarder oder auch Sänger auf. Lyspinon. Aus der Schwalm, mit den herausragenden Stimmen der beiden weiblichen Mitglieder der Band gibt es ein breites Spektrum an neuen und älteren Titeln, die allesamt mit viel Spielfreude interpretiert werden! Von "In Zaire" aus den 70ern, bis hin zum brandneuen "Vincent"  haben sie eine bunte Vielfalt an Pop- und Rockmusik im Programm. Ages. Die Band aus Neukirchen darf zwar als Newcomerband bezeichnet werden, hat aber mit Norbert Schmidt einen Routinier an Bord. Er spielte schon in den 60ern mit "Percy and the Fellows" in der Schwalm erste Auftritte. Formiert in 2017 spielen sie Rockklassiker die jeder kennt.

Barbarossa 2018 Baunatal 50 Jahre Rock in Nordhessen | Foto: Gerhardt ReidtGerold mit Bernd Kühl aus der Wolle Petry Band

Barbarossa fordert sein Publikum

Barbarossa mit Ralf Lippmann 2018

Barbarossa 2004

Barbarossa in Dublin 1994

Barbarossa in 1982 » 14.-15. September 2019, Michaelismarkt, Treysa » Weitere Veranstaltungen in Schwalmstadt Read the full article

[paulamoon1]

It makes me feel sad how this non exciting theory has basically torn the SPN family up. Like this people with all due respect are freaking nutshops like they talk about “proof” “evidence” about Castiel and Dean’s relationship that are just not there.

When castiel was introduce in season 4 I liked him a lot because he was great help, a very useful tool to keep dean protected. I have watched supernatural since it came out in 2005 when I was just a child. Quit it cause I didn’t understand well the show and came back to watch it once I have gotten a little more life experience and could understand things like subtext.

In all the years castiel has been with the Winchesters he has grown attach to them, but that is due to him being “heaven’s” most wanted. Castiel when it comes to choosing he does what he thinks with his angel logic that is the correct thing. He doesn’t always picked dean or dean’s best interest. Their fighting have always been about idiology. They can’t seem to find a middle ground when it comes to seeing what the other wants or needs.

Castiel dislike, mistrust, and basically not understanding of Sam’s spot in Dean’s life is what have cost him most arguments with Dean. Cas doesn’t understand why Dean is willing to go so far for his brother when he knows as well as dean that Sam is potentially the key to end things.

But with Dean they dont Understand each other at all. How can you love someone when you don’t understand them as person. Castiel is not capable of ever knowing how human emotions work, or even if he was to “fall in love” he will never be able to love like Dean does. Because angel are things created by God but with a different purpose than humans were created. Castiel’s loyalty to his original cause has never completely disappear. He always seem to bail out in the worse possible moment when Dean needs him to protect or save someone dean loves. It happened with Mary and Sam in season 8 finally, in season 9, Sam in season 13x21.

And speaking of subtext which is basically the only “proofs” this fans have. Which most of them are over analyzed, or completely made up BULL SHIT. Because if we have talk about subtext then Sam and Dean should be considerate a couple already. There is so many heavy text and subtext spoken about Dean’s feelings for his brother and Sam’s feelings for his brother that could totally be taken out of content. Not just that but as well as pretty much all the girls that have reach a level of significant in dean and Sam Winchester life have always known that Sam is more important than them in dean’s life and the same goes Sam. Lisa, Jessica, Madison, Amelia, and Ruby, Cassie. Even Bobby, castiel, Charlie, Kevin, Rowena, and Crowley. They all know how much Sam is means to dean.mLike their obsessive codependency. Not be able to have normal relationship with opposite sex while the other is around.Not carryin to scrified themselves, the world, the game, their love ones, their friends just so the other can remain save and with them.

If Sam wasn’t Dean’s brother and was a girl they would have considers a power couple or dean’s ultimate mate.

That is why the writers are putting Castiel and Dean on their places this season so the audience finally see where this character stand.

Dean said at the beginning of this season where he stands. “You and me against every soul in hell.. I like those odds” so basically what dean said there is;

He only sees Sam as true allied.

He only cares about him and Sam making it out alive.

That Sam is his fighting partner and there is no one he rather be with in that situation than Sam. Dean did mention this back in season 2 I believe when he told Sam that he felt his best driving baby down the road with him sitting by his side.

Everyone else is a tool in dean’s eyes.

Dean sending castiel into hell without carying if he had a way to get back, with a malfunctioning powers that seem to be use is the most useless moments but are MISSING In the most important ones. Not carrying that belohagor could have kill cas or when Belphagor cost the ruptured of hell castiel would be suck in there forever.

Belphogor confirm this theory why telling castiel that he learn the hard way that the Winchester seem to “care” but deep down they don’t. They just using him, and ditshing him when he is not a his best.

Proof to that. Dean kicking human Cas onto the streets witrout food, money or shelter. Or much understanding of human interaction.

Resolution. Castiel leaving dean to worry about what matters to Dean. “You and Sam have each other”

“You used to trust me (season4 and 5)

Now you don’t listen to me (6,7,8,9,10,11,12, 13 and 14) pretty much anytime Castiel wanted dean to follow his plan and dean always went with his heart and went to get Sam.

You don’t care (finally seeing he is just a tool to dean since he pulled him out of hell)

“I’m dead to you” ( he acknowledges Dean’s anger yet he can’t understand or identified the reason of Dean’s anger, which only helps to fuel Dean’s anger towards him) ( he still doesn’t understand what is like to be human. BECAUSE HE iS NOT HUMAN. He is an angel. Useless but angel.

“I think is time for me to move on” here is where castiel drew his line. He knows his purposes and sees the field more clear. He is an angel and he has to move on from dean. He helped him the best he could, and grant him knowledge of angels, arch angels and demons and how to fight Them. Dean has his fighting partner, and Dean never really saw him as that. And even if Sam and dean died. Or he dies. He is a warrior of heaven and he has a duty too, and that is to save humans, not just the Winchester.

And the kicker is dean’s face. The biggest confirmation. He didn’t give a shit that Cas left because he is honestly disappointed in his preformence, and that yet again they lost an important allied and now he only has Sam left to lose with absolutely no line of defense to put in front of Sam.

So here is my take on castiel. I liked him when he first came in. But after season 5 he pretty much only has cost the boys the PROTAGONISTS of this show unnecessary damage and lost. His powers suck! He used to be so powerful in comparison to other angels and now he can’t do shit. He can’t never heal or save someone when is needed. But then his powers magically reappear in the most useless scenario ever.

Like in the cave in season 13x21 Sam’s death was completely unessesary and you could see how angry Dean and Jack were with castiel. castiel and Gabriel were with them. An arch angel and an angel and they couldn’t do shit. Sam and dean kill more vamps then castiel and Gabriel.

Gadreel a fallen angel, a broken angel, with a wounded Sam’s body shown to be so much more powerful than castiel in 12 seasons. In my option Gadreel was a more interested angel to be kept around. He wanted to redeem himself. And his last words were his orders. “ to protect those who can not protect themselves”

That is angel’s only purpose. To aid humans. That is why luci when crazy.

So I’m sure they will bring castiel back, in latter episode, maybe two or three he won’t be present but I’m sure he will be doing more on the side as an angel and will appear for eaither his dramatic death, saving the boys or a dramatic cliche exit.

Even misha said At the San Jose con that he wants Castiel’s death to be before the boys so that the protagonists can have their moment. And he also said he was a regular in the show not a protagonist. Even I think he gave himself too little credit his correct name is an antagonist.

OH and one more thing PLEASE LEARN TO TAG.

No one other than misha’s fans or crazy fans that think misha and Jensen are In love affair or fallow all the stupidities misha says to gain attention. Or destiel idiots.

Thank you 🙏🏼

King rewards,

the rest of the fandom who doesn’t give a shit about your fake and delusional as hell canon ship.

Are we gonna see Cas and Dean actually kiss? All signs point to Destiel becoming canon. Does this mean there’ll be a scene where we see Misha kissing Jensen? Because I might actually spontaneously combust 🤯

[viqlentas]

⠀⠀⠀⠀ 🩸⠀⠀♱ 詩是唯一的真理 | 🥷🏻 𑜞 𓉸

[madhatterdoom25blr333555]

Truly this is one of the most amazing tribute my heart and eyes have ever come across. You made a tribute that truly all must know and see. But what truly toich my soul is how you show who is thia man who is this amazing man who love his games and the people who play them what he did and and scrifie for them and thr company he willing to save half of his own salary for yhe company for the people not many can do such and before he past granted a next step of gaming to us all a step that will changed not only how games are played but changed how that one can changed the world one can do the impoble no matter what happens. My only regret i only known of thos man so reaent and yet i been playing and loving his works for yrs. For this i say i own and love ans greatful for all you done for the world of gaming and may your legecy never be forgoten

This comic has been reposted with permission from the original artist.

I found this excellent and touching comic by Reddit user AbelHagen earlier.

Happy Birthday Satoru Iwada!

Nintendo is doing just fine.