#sck episode 15

[mrsgreenworld]

Sen Çal Kapımı Episode 15 aka Soulmates

I know it's never taken me this long to gather my thoughts on a new SCK episode. But as I mentioned in my previous post Mike Flanagan's shows happened to me 😭😩😱

However, I also think it's because I had some mixed feelings regarding the episode. I guess while I was trying to watch it live (trying being the operative word here) the problems with the live stream influenced my overall first impression. I wasn't able to watch a good chunk of the episode and, of course, it got me annoyed and that, I guess, mixed up with my feelings about the episode. But after having rewatched it with subtitles I have a full and clear picture.

All in all it was a nice episode, very light compared to a much heavier angst of earlier episodes. I liked that light-hearted moments and humour were back. It was also a shorter episode which served it well. However, it felt a lot like a filler episode which, in my opinion, did nothing to move the story forward.

The things I loved / liked:

☑️ Eda: she was a true star ⭐ (ahah, pun intended) and the main highlight of the episode for me;

as a woman I was so proud to see her handle this situation with such strength, dignity and self-respect;

unfortunately, despite the old gender stereotypes slowly dying out, despite the fact that women are becoming more and more independent and aware of their value, we are still often portrayed as a weaker sex; I am not talking about physical strength, of course;

we are the ones left, we are the ones who suffer, we are made to love men with everything we have, we build our whole lives around them, we let our world revolve around them... so, when they leave or we lose them for any other reason - it's the end, everything falls apart, we fall apart; I am so sick of still seeing it on screen; that's why I freaking LOVED seeing Eda not fall apart, or at least she didn't fall apart for long;

I loved that she allowed herself to grieve, to cry, to be angry and to express this anger straight to Serkan's face; I think we saw Eda go through her own 5 stages of grief; but she didn't let depression take away more than one night of her life;

I love that Eda found out that Ayfer had contacted the grandma and, while her reaction might have been a bit too emotional (which is actually normal and understandable given she's still hurting after having had her heart broken and stamped on), I really enjoyed Eda protecting her personal boundaries and basically saying to stay the *uck out of her life - you go, girl!👏💪😎

I enjoyed the way Eda handled herself at the office and how she behaved around Serkan; she wasn't stealing lovesick glances at him or just brooding, she wasn't overly hostile, she wasn't running away;

oh, and when Seyfi brought that box, how she handled that - a standing ovation👏👏👏, everyone bow down to my Queen! 👑👸

speaking of that box where Serkan asked Seyfi to gather all of Eda's things, how he ordered to put away all her gifts - as Eda put it "he's trying to get rid of any trace of me"; in a way she's right; Serkan is trying to get rid of everything that could remind him of her and their shared moments but we know it's not because he doesn't love her (like Eda thinks), it's because he does and it's too much for him; and it's such a contrast to Eda who actually said to the girls that she wouldn't throw away or burn or whatever any of Serkan's gifts or other things that remind her of him and them, she openly said that she's not the one to run away from the memories; and it was so powerful - seeing the writers make a woman so undeniably stronger than a man👌👏

I also liked Eda around Efe, there wasn't anything romantic, I think it was completely professional and it didn't feel or look (at least to me) like Eda was trying to use Efe for petty reasons like make Serkan jealous (but of course our boy was jelly nonetheless 👽😁)

the little moment with Aydan: it was nice to see Aydan trying to comfort Eda (I guess she earned a few points for that) and I really liked the message she was trying to deliver - you can find love and happiness again;

I loved seeing Eda take that in, accept the message, agree that she will be ok one day; and I also liked seeing her not accept Aydan's support which felt a little bit like pity; Eda didn't want to be pitied and she said what she thought to Aydan's face; was it a little harsh? maybe, yes; but I understand where it came from and, given how insensitive, hostile, rude Aydan had been towards Eda in the past, Eda not really buying this whole support thing is pretty understandable;

☑️ Edser: whatever state these two are in - deliriously in love, flirty, pissed off, annoyed, lovesick, heartbroken - if they're together on screen it's always glorious;

do I like seeing them angsty and heartbroken? of course NOT! but the longing between them is SO GOOD!😍🤩

I loved that they introduced this soulmate theme; it wasn't there front and center but rather woven subtly through the episode: first, of course, pretty openly stated at the very beginning of the episode, in the parallel conversations Eda / the girls and Serkan / Engin; then symmetrically at the very end of the episode - the papers with the names of the drivers for the race, then Serkan being the one to notice Eda's absence, him just feeling her and being led by his heart until he found her - not bad for an emotionless robot, huh?😏😉

THE RINGS!😍😍 glad that they brought Eda's💍ring back into the picture; she demonstratively put it on the middle finger of her right hand; obviously she did it on purpose, she even explained the reason behind this decision - from now on it will serve as a reminder what kind of person Serkan Bolat is; but of course I think there's something deeper at play here; Eda could have easily put the ring on her left hand but she went with her right hand instead, with the middle finger which is so close to where it used to be, where an engagement ring should be - on her ring finger; so I think it's also a way for Eda to be closer to Serkan, it's almost like a phantom of what they used to have as well as of all the things they won't have... I am also 99% sure I am overthinking here and the intentions of writers were much simpler 🙈😆

anyway, I loved that Eda and Serkan both noticed and pointed out aloud that the other was wearing their ring; also Serkan's reasoning "to keep other women away" - why don't you tattoo "I am the property of Eda Yıldız" on your forehead, mister?👀🙈😆 could he be any more obvious?

the coffee scene was priceless 🤣🤣🤣 Serkan was so damn confident that Eda poured that cup for him and then him mumbling "for Efe" under his breath... like an offended child 🙈😆

them fighting looked a lot like flirting and the electricity⚡generated during their arguments could easily power their whole office building - I am sure;

the car ride to the presentation and that presentation itself - while I didn't entirely enjoy it and how controlling Serkan was I cannot help but admire the way his mind works; I also think he was doing it for Eda, it was his way of supporting and looking out for her without being too obvious; this way they also get to work together and even if it's just for work he will be closer to her;

Serkan showing up at that sport motivation thing like a boss 😎 and shamelessly checking Eda out 😏 I mean, was he aware there were other people around? and how is it possible that Eda was still buying the emotionless robot crap? the emotions the guy was looking at her with were enough to melt the glaciers 🔥🥵

and finally - that moment at the sea when Eda told Serkan that he wouldn't have apologized if he hadn't feared for his life; his immediate response was that it wasn't about that, "what if something had happened to you?"; when Eda answered with "Does it matter?" I swear I thought Serkan was gonna take her by the shoulders and shake her;

that jaw tick? man, he was pissed 😤

at Eda - for saying something like that, for being so careless with her life;

at himself - for allowing her to think that it wouldn't absolutely destroy him if something were to happen to her;

but the moment Eda left all anger left him and Serkan just looked... defeated;

☑️ Eda and Efe: might be an unpopular opinion but I actually liked their dynamic in episode 15; as I have already mentioned I didn't see or feel anything romantic and while I still don't trust Efe (him being from Mardin - a coincidence? nope, don't think so🧐) I liked how supportive he was with Eda; I think she needed that push to get back to work; okay, there is very likely some ulterior motive here but at least in this episode he seemed pretty genuine and it didn't look like he was using Eda; he wasn't provoking Serkan that much either;

☑️ Selin and Serkan: a short scene with the two of them in Serkan's office and Selin's reaction to Serkan and Eda's breakup; maybe to someone it may seem too strong but I actually liked Selin calling Serkan out on it like that; honestly I half expected her to find excuses for his behaviour;

☑️ Engin: keeps being a loyal friend who doesn't just offer silent support; I like how he always tries to reason with Serkan, doesn't shy away from telling him unpleasant truth;

glad he was there for Serkan at the very beginning of the episode;

loved how he checked on Serkan at the office and then tried to convince our RoBo that it's ok to not be ok and maybe take a vacation;

then the exchange:

Engin: "So, out of sight, out of mind?"

Serkan: "Exactly"

Engin (spotting Eda coming into the office with Efe): "Interesting how that's gonna work out for you" - interesting indeed 🙈😆;

Things I didn't like / was annoyed with:

❎ Serkan: yes, my baby boy made it into this category - there's first time for everything 🙈😆

just to be clear - he is still my cupcake and I love him dearly but here's the thing: we don't always like those we love;

I think in episode 15 Serkan was controlling and childish; and I completely understand where these tendencies come from but it doesn't mean I am gonna turn a blind eye on this or try to justify his behaviour;

that "Efe left but Serkan is here" scene was intented to be funny and endearing I guess but it was highly manipulative; and when during the car ride Serkan commented on Eda behaving like a teenager I was like "excuse me?! have you met yourself, mister?!" because that manipulation to make Eda go with him was worthy of a 12-year-old 🤨;

❎ Selin: when is she not annoying?🤔 while I liked that she didn't take Serkan's side and called him out on his change of heart, unfortunately, she still managed to make it about herself; it never fails to amaze me how selfish and self-centred this character is;

❎ Alptekin: what a poor excuse of a father and a man he is... almost feel sorry for him;

don't apologize on behalf of your son - he's a grown ass man who is capable of speaking for himself;

apologize for yourself, your mistakes and if you're not ready - then don't go to Ayfer just to make yourself feel better 😤😡;

❎ that almost copy-paste from Erkenci Kuş at the end:

getting lost and falling down into a pit in the forest? been there, done that in EK episode 19;

okay, we had beautiful sea views and they placed it at the end to add more suspense but all in all it was awfully similar and also kinda came out of nowhere;

after that emotional scene between Eda and Serkan we were whooshed into "Eda is not here, let's go find her"; I have no problem with the absence of the moment where she actually fell into that pit - wasn't that necessary - but a scene that could have served as a building block to this would have been good - show Eda going for that walk.

And... that's pretty much it.

Gonna get down to episode 16 now

[bookdork1]

HIM STILL BEING UNABLE TO TAKE OFF THE RING EXCUSE ME WHILE I SOB

[djemsostylist]

This is not Eda Yildiz's Story...

With SCK’s return in season 2 and this highly polarizing plot, I’ve seen a lot of talk and debate about plot and character and the direction of the show. I’ve complained enough on my tumblr that I think it’s pretty obvious where I stand, but lately I’ve been thinking less about what I hate and rather why it doesn’t work. Like it or hate it, I think we can all agree that the plot and direction of the show is strange. The story has been a mess, arguably, since the early teens. Once we’d finished Ayse’s initial arc, it was clear we were moving into “plot” controlled territory, and that trend continued. I don’t think anyone can deny that the new story follows a similar narrative “shift” that seems to have dominated the story since the 30s. It feels different, and I think that feeling has continued even with the return of the original writer. It sort of crystallized for me when I was watching one of summer’s new show, Cam Tavanlar. 40 minutes in and we had yet to meet the male lead, and it was then that I realized that’s it.

I’ve seen a lot of talk about how feminist SCK is, and how this is “Eda’s” story. Fans have long asked the question “when is Eda going to graduate?” and it’s a valid question if Eda is our main character, since that is one of her two primary motivations. It's worth noting before we begin that I like Eda--I loved her for the first 28 episodes, her portrayal by Hande is excellent, and she is a fun and easy character to love. But rewatching the early episodes of the show and then watching Cam Tavanlar made me realize the issue at hand: this isn’t Eda’s story, and she is not, nor has she ever been, the main character. The story of SCK is the story of Serkan Bolat--I just don’t think anyone realized it.

Let’s think about Eda for a moment. When we meet Eda, she is a down-on-her-luck college drop out. She’s lost her scholarship and is stuck working at her aunt’s flower shop until she figures out what to do with her life. From the first episode, we learn a few things. She has two main goals--graduate, and be with the man she loves. We also learn a little about her character--she is determined, strong-willed, stubborn, impulsive, kind-hearted, and loving. She believes in seeing the best in people (unless their name is Serkan Bolat), and she values family and friends above almost everything else. Her introduction shows her as slightly frazzled, a little overwhelmed, and very young.

Over the next 11 episodes, we learn surprisingly little else about her. These are the things we know:

She lives with her aunt after her parent’s untimely death which affects her to this day.

She blames her grandmother for their death and is scared of her control.

She and Melo have known each other since they were children.

She works with orphans and loves the idea of helping children.

She loves plants and flowers.

She likes dogs.

She has plans for two children someday.

She wants to study in Italy.

She used to own a charm bracelet.

She is claustrophobic, which is likely connected to her fainting when she is stressed because of a claustrophobic situation when she learned of her parents’ passing.

What we don’t know could fill books. We don’t know exactly why she blames her grandmother for their death. We don’t know if Eda actually knows/has met her grandmother after her aunt took her and left. We don’t know how she met or knows either Ceren or Fifi. We don't know why she wants to be a landscape architect, or what drew her to want to study in Italy. We don’t know why she never pursued any other options when she lost her scholarship. We don’t know how she got the scholarship in the first place (grades, essay, project, some combination?). We don’t know her long term goals other than graduate and get married. Does she want her own company, is there a project she really wants or a company she would love to work for? We don’t really even know her feelings on relationships and marriage. How long did she date Cenk? How did they meet? What did she hope for their future? We don’t know anything about her childhood or how she was raised, and we aren’t even that clear on her relationship with her aunt, since it vacillates from almost no guidance at all to extremely controlling and manipulative. The point is, Eda is still, even 39 episodes in, more a collection of traits than a fully realized character.

Eda starts Episode 1 as a headstrong, independent, impulsive, kind, strong-willed, determined woman who wants to graduate and be with the man she loves. She ends episode 12 exactly the same--different man, same goals, same traits. She ends the way she starts.

The next 12 are the same. Eda starts as a headstrong, independent, impulsive, kind, strong-willed, determined woman who wants to graduate and be with the man she loves. She ends episode 24 the same way. This time, everything is the same as it was 12 episodes ago--same man, same goals, same traits. Again, what changes does Eda truly go through in these episodes? Any? Does she learn to think before she acts? Does she learn to temper her stubbornness? Does she define her future goals?

Let’s look at Serkan Bolat. When we meet Serkan, he is the successful CEO of an architecture firm returning from a business trip. His main goal--his only goal--is to achieve success and recognition in business. We also learn a little about his character--he is a stubborn, strong-willed, independent, closed-off man who prioritizes work over everything. He believes love is a fairy tale, and that all relationships are ultimately contracts no different from work contracts. His introduction is calm, cool, collected, and in control.

Over the next 11 episodes, we learn A LOT about Serkan. We learn:

He had an older brother he was very close to. His brother was the golden child and the center of his family, who was a musician. We learn that Serkan was very close to him, and that his brother’s death rocked the foundations of his entire family.

He was sent away by his father to boarding school at an early age because his mother had a mental breakdown and couldn’t cope and his father wasn’t capable of handling it.

A lot about his relationship with his parents, their goals and expectations for him, and why he is so closed off and has a hard time making meaningful connections as a result of how he was raised.

That he has wanted to be an architect since he was a child, which is how long he has loved magic and the stars.

He studied astronomy in college.

He believes in supporting the education of young people.

He rescued his dog.

He moved home to be close to his mother who suffers from agoraphobia.

Where he met all of his close friends and enemies.

His feelings on relationships and marriage.

His fears and insecurities.

His hypochondria.

His various talents (horseback riding, car racing, swimming, guitar playing).

In fact, there is very little we don’t know about Serkan Bolat.

Serkan starts episode 1 as a strong-willed, closed-off, business minded asshole who believes all relationships are contracts and doesn’t believe in love. He ends the first 12 as a more open, giving, softer version of himself, who believes in love and the importance of a relationship and whose goal is no longer just to be a businessman, but to prioritize the needs of the woman he loves over his own.

Over the next 12 episodes, we see Serkan learn to navigate what it means to be in a relationship--to learn to trust, to give and take, to let go of control, or let his feelings guide him, and to be open and honest with what he feels and how he loves. We go from a Serkan who couldn’t say the word “love” when talking in private to his best friend and thought apologizing by email was the best choice, to a man who can sit in a room full of people and declare openly his love for the woman beside him. When the series comes to a close in 28, we have a Serkan Bolat whose priority is love and family, and whose main goal is to become a husband and father.

Serkan, from episodes 1-28, experiences an entire arc, from consummate businessman to family man. He goes from closed and cold to open and warm. From a man who can’t even bring himself to explain that he doesn’t love his ex-girlfriend, to a man who can openly sit and talk about how much he loves his fiancee. He goes from a man whose friends drift around the periphery of his life, to a man whose newest friend is a former business rival. He grows and changes and develops, and each of the storylines, from the fake contract in 1-12 to the breakup in 13-24, to working towards marriage in 25-28, all bring this about.

Even the story is shot to show us Serkan's pov. How many times do we see Eda through his eyes? How many times do we get to focus on Serkan and his reactions, whether it’s to Eda, to news, to his feelings? Think about it. If the story is really about Eda, then all the focus in the teens should be on Eda. And while we certainly see her reactions, the story is squarely centered on Serkan and his feelings. 13 is about his relationship with his father, dealing with his company in crisis, and making the choice to go to Italy with Eda. 14 is about him coming to grips with the news and deciding what he wants to do. 15/16 are watching him deal with the fallout and the loss of Eda in his life. 17 is about his fears and hopes for children and a family with Eda. 18/19 are him coming to realize how desperately he wants and needs her in his life. Eda gets reaction time sure, but she’s not the focus--Serkan is. Think about the episodes I just described--what does Eda really do in any of them?

Even their family and friends. Eda’s life is filled with people who are less characters and more set dressing for her story. Ayfer begins and ends our series as a character who seems to be whatever the narrative requires--she has no real defining personality traits, and her backstory is nonexistent. She has no life beyond Eda and the girls, and it isn’t even until after Ayse is gone that we start to see hints of her maybe becoming a real character. The results were disappointing, but I give props to the writers for giving Ayfer some kind of plot beyond “the flower shop is suddenly in a monetary crisis”. Fifi, Ceren, and Melo don’t fare much better. Ceren we know has the desire to be a shoe designer and has a rich lawyer daddy. She at least gets a side plot with Engin where we can see her as more of a person than Fifi, who was basically never a character at all. Melo fares the best, although much like Eda, she is boiled down to a few basic traits that don’t change. Eda’s life is otherwise devoid of color and life--no neighborhood friends or acquaintances, no backstory for her childhood. She seems to spring into our story like a fairy fully formed, and there is no real effort made to develop her at all.

Contrast this to Serkan’s family, where we get to watch not only his parents, but also Engin and even Piril and Ferit, grow and change. We see Aydan go from a stubborn, nasty, judgmental woman to a woman who is kind, open, and supportive of her son and the woman she wants to be her daughter. We see his father is more than merely an absent dad, but a man who is so stuck in his ways he is unable to open up--until Eda. (That his story is ruined is neither here nor there). Engin goes from a goofy sidekick to a competent husband and. Even Piril learns to unclench, Ferit goes from a doofy, hanger on to one of Serkan’s greatest supports.

The point is, the story of SCK is the story of how Serkan Bolat learned to open himself up to love, family, and the possibility of a life beyond work. That Eda is an essential part of that story goes without saying, but it is, ultimately, his story. It’s funny, but I remember at the end of 28 saying that I missed Serkan Bolat. My friends laughed at me “he’ll be back next week” and while at the time I was being dramatic, I realized it’s true. Because Serkan Bolat’s story was done at the end of 28 episodes. When he made the decision to get married to the woman he loves, to prioritize her over everything, to become a husband and father, his story came to a beautiful and natural close. Their love story was really his story, the story of two people who came together and loved each other, and the ways in which that love allowed him to live a full life.

Any story that would come after centered on Serkan wouldn’t make sense. At best, we could have a few episodes of Serkan as a married man, but really, he doesn’t have much else to give us. So, if the story was going to continue, something had to change. And that means finding a new character’s story to tell. Eda, naturally, fits the bill. Since her story and growth has taken a back seat to Serkan, it makes sense to pivot and make her the main character. At the end of 28, one of her goals has been fulfilled--be with the man she loves. Therefore, naturally, the next part of the story, the story she will now be telling, will be the other half of that goal--graduate and become a successful architect.

As Eda steps into the lead role, we no longer have a need to focus on a story about two people falling in love and how that love grows and changes them. That story was Serkan’s story, and the new story we are telling has Serkan in the supporting role, while Eda learns to navigate the corporate world. Her story is that of a woman who must balance work and life, motherhood and the job, family and friends while also running a successful business. In this new story, we have a time jump (5 years, which is necessary both because with covid we can’t have babies on set and also because they have found the perfect actress to portray their daughter). Serkan is taking more of a backseat role, having already achieved so many of his professional goals, so while he still is a successful CEO, he also has time to take care of their child and run the minutia of day to day business life while Eda stretches her wings and becomes the business woman she has dreamed of being.

In the final episodes, we would watch as Eda goes from a headstrong, willful, stubborn, impulsive young woman, to a strong, smart, business savvy boss who continues to put her family--her husband, children, and friends--in the forefront of her life. Their love story is now merely a backseat to Eda’s growth and journey.

Except, that’s not what they did. They made Eda the main character but then tried to retell a love story that had already concluded. And to do that, they needed to reset. Everything. After all, how do you retell a love story that has already finished? How do you retell a love story that we’ve already seen playout? How do you tell a love story between two people that has had a beginning, a middle and an end? The answer, it seems, is to start over. Scrap all previous growth, character progress, and storytelling from the first arc with one of your characters, and set him right back at square 1. Or, as it appears, square -10. Take your new main character, and change her. Tweak her just enough to make her work for this new and improved story by removing enough of her core to fit in the plot. Then, move forward from there, and pray the audience doesn’t see what you’ve done until it’s far too late.

So there it is. The fundamental problem with SCK. It’s not about liking or hating it--people like what they like, and this isn’t a judgement on anyone who is fine with the new plot. I’m hardly an expert writer, and perhaps I’m overlooking some missing nuance. But I don’t think you can argue that this new direction is good. It may be enjoyable, which is always subjective, but it’s not good. I don’t think it’s the sort of thing people will look back on and say “Oh, what an excellent piece of writing and characterization!” Hardcore Ayse stans will, I think, they seem impervious to critique or critical thinking, but a read on the fandom at large seems to indicate that most people accept that the plot itself is nonsensical, but they are here for Hande and Kerem and a cute little actress and not much else. To them, having Hanker on screen for another 10 episodes is enough, and there’s nothing wrong with that. I just think that it could have been so much more, and that’s what makes this so strange. But I guess maybe that’s what happens when not even the writer realizes who her own main character truly is.

[lizacstuff]

SCK/EDSER asks

My inbox was full again, so questions under the cut. Some of these are from today and some are from earlier. 

(asks under the read more)

Anonymous said: Random things that amuse me: 1. When they met, Serkan didn’t seem all that mad that Eda keyed his car but was way more angered by her disdain for him. 2. I always forget about Eda’s ex because I think Eda forgot about him too. Cenk cheated on her and brought his new gf to break up with her, and Eda was more peeved that he implied Serkan was out of her league. (1/2)

The only time he’s brought up again is when Eda pretends to be texting him instead of Serkan (because Ayfer would be madder at her talking to Serkan lol). 3. Whenever Melo is supposed to be mad at Serkan in solidarity with Eda, she just cannot bring herself to dislike him. (2/2)

I LOVE THIS ASK! 

1. I have always wondered about that. Even current, softer Serkan would get PISSED at someone keying his car. He keeps all of his things pristine. You know under normal circumstances he would be infuriated by that and not let it go. The car would have had to go to the body shop and everything.  I think the fact that he didn’t seem all that bothered, other than threatening to call the police of course, is that he was just so gobsmacked by this insanely beautiful, but also beautifully insane, lady yelling at him and handcuffing him that he couldn’t think straight. The fact that she had seriously vandalized his car became inconsequential. 

Additionally, I think when he found out ArtLife had cancelled her scholarship, he became embarrassed and didn’t want to make any more of an issue about it. 

2. I forget about him too. What a tool he was. It also seems a bit out of character for Eda now.  All of her friends and her aunt knew that he was ghosting her, and they made it clear they thought it by their reactions, but Eda didn’t get it? Eda was ready to marry a dude she hadn’t seen for a year? That does not sound like the Eda we know. Independent, fiery Eda? It’s true that she’s grown a lot, but that much? It seems like they designed that relationship to put Eda in the right frame of mind to kiss Serkan on the podium and then, thankfully, forgot about it. 

3. Yes, Melo is all of us. In the early episodes especially, Serkan could be a real jerk, but I know I never held it against him for long, just like Melo.  None of us can resist him, I’m sure we were all cheering her on when she was the one to give up Eda’s Saturday morning location.  And I love it when she calls him enişte. It’s also sweet that he’s fond of her as well. 

Anonymous said: What are your thoughts about Engin and Piril? Sometimes I think they are cute and sometime I just don't think they are meant for each other. I hope Piril's father brings a new story and dynamic that will help us see whether they work as a couple or not.

My thoughts are pretty much the same as yours. In the beginning I really thought they were pretty flat and wasn’t really rooting for them.  Partly because I loved Engin’s character and I was pretty “eh” on Piril. She was so laser focused on work that I didn’t like when she would try and guilt Serkan because he was spending time with Eda. I found that annoying and I thought Engin could have a more interesting relationship (like Melo!).

Alas, that wasn’t to be, however I surprised myself by actually cheering when he proposed, and I really liked their heart to heart talk in the NY episode. On the other hand I wasn’t really charmed by their disconnect when it came to entertaining people. They were SO FAR apart.  Piril was so uptight and Engin so lacksodasical, I think they’ll end up driving each other bonkers and it’s hard to see how that will work, and I’m not sure it’s something I want to watch all that much of. 

Same as you, I’m hope that Piril’s father turns out to be interesting. What’s going on there? Will we find out this episode?

Also, honestly, I’m still pressed they didn’t call Serkan to come to the wedding. (But I assume that had more to do with how quickly they shoot and needing to have scenes without Hande and Kerem in them. H/K were in tons of scenes that episode so it was probably tight with scheduling and they were doing A and B units etc.) 

Anonymous said:  Hi Liza, I hope you are well and you and your loved ones are staying safe. SCK really helped make 2020 better and I'm glad we have the show in 2021 too! Sometimes the letter count in these asks really get to me because I feel like I have so much more to say and ask but oh well. In this ask i just want to say I hope Seyfi and Melo both get their very own happily ever afters. They're my favs and totally deserve it. Leyla too! That actress is so pretty, I wish we got to see her dress up more!

Hello! I’m well, thank you for asking.  I’m not even joking when I saw that SCK was a highlight of 2020 for me. I’m so appreciative for the happy and joyous distraction it’s been over the last few months. 

I LOVE MELO AND SEYFI.  They are two of my favorite supporting characters, and two of the only ones that have stayed at the top since the beginning. Now Aydan is up there with them, but she wasn’t in the beginning, lol! 

Those two deserve all good things. Leyla is also a great character and I wonder what her feelings are towards Erdem. Does she really like him?  

Anyway, I’m not sure what they might be planning for any of them, but I can tell you I’m more interested in how they might end up, than I am with Ceren, Ferit, Fifi, or Piril.  

Anonymous said: This ask may not be worth answering but I've always wondered about Eda's family on her mom's side. I don't think they've ever mentioned it on the show and if they have I may have missed it but it's interesting. It's most likely that her grandparents died and her mom didn't have any siblings but it would be really cool if she did have a family member who understood her and supported her and Serkan unlike Ayfer.

It would be interesting to know, you’d think she would have some relatives on her mom’s side.  We’ll have to see if the show ever mentions it.

Anonymous said: Ok it may be the overthinker in me but unlike everyone else I'm actually worried seeing Serkan wear his engagement ring. If he and Eda reconciled and he knows the truth about her grandma threatening her, wouldn't their game plan be keeping their relationship a secret and not flaunting his ring. But then that's what the fans want, and maybe the writers have a different idea. I'm freaking out with worry that maybe Serkan and Bulca got engaged! But then it looks like his original ring! let's see!

Anonymous said: I'm the one who feared the engagement ring in a previous ask. Well today's pics/videos that show Serkan, Aydan and Seyfi at Eda's home with flowers seem like they are asking for her hand in marriage. It's an assumption but I feel much better. Lol!

See, this is why I always say not to borrow trouble by worrying about the disaster scenario.  Why would he ask Balca to marry him the day after he sexed up Eda? Even if they were hiding it and using Balca for subterfuge, why would they need to go all the way to engaged to do that? 

I’m glad you’re feeling better. I agree that the video posted today with them all at Eda’s house with the flower and the chocolate looks very much like they’re doing the traditional asking for her hand for serious this time! 

WHEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!!!!!!

Can’t wait to see them with their rings back on, we’ve been waiting so long. 

Also, I have no idea why they are able to get away with this... maybe Eda found something while investigating that neutralized Babaanne?  At least for the moment? 

Anonymous said: Sometimes I hate being the audience, we know things that the characters don't and I want to yell at my tablet screen. I don't though because I don't want to confirm my parents thoughts that I am crazy, lol! Anyway I wanted to say that I appreciate you and the SCK community because none of my friends watch the show and I'm glad I have people to discuss this with, otherwise I'd actually go crazy. Edser & Hanker & the cast and crew make me happy! They're just amazing and I'm thankful for them!

Me too!  I appreciate the cast and crew AND I appreciate the fandom. There are some very lovely people here, and I’m thrilled that I have you all to discuss the show and ship with because none of my friends or family in real life watch either.  I’ve told many people about it, and sometimes I will drop words or phrases in Turkish that I’ve picked up watching and all they do is roll their eyes at me.  (I enjoy that) 

Also... talk back to that screen, I do. It’s fun. LOL. 

Anonymous said: Thoughts on the fan theory that Eda & Serkan are actually already working together to bring her grandma down? Not sure that I really saw any clues throughout the episode that a scene of the two of them talking together was cut out but guess we could always get flashbacks to show it. I think for me that might make a little sense because how does Serkan not suspect that Grandma flat out made Eda breakup with him? He knows she wants them kept apart, he got arrested and then magically released which coincided with Eda staying away from him, entry of a prince interested in Eda and Eda being chummy with her Grandma 🧐. Or maybe he does suspect all of that but finally understands the risk that she poses to all of them so he agreed to end things? Very interested to see how the show gets us from that heartbreaking breakup to Serkan & Eda being jealous at the restaurant.

My apologies, I know this ask was sent before some of the recent spoilers including the second promo with the... uh... explosion. (sex) So at this point I do not think they are working together, the break up appears to be real. So it will be interesting how the first 2 hours of this episode plays out. I assume the sex will be in the last 15 minutes. 

It looks like Serkan’s tact is to pretend he’s over her and moving on and let that drive her crazy. So I’d say that in order to do that, he has a pretty good idea why Eda broke up with him and knows it’s because of Babaanne and threats against him.

Anonymous said: Can I just say - I really dislike Ayfer. And I just realized that she has had like no growth at all in these 25 episodes. I guess she has an instagram business now? There is such a huge contrast between how they've developed her and Aydan, not only in how they view EdSer's relationship but on their own as well. Aydan is a new woman while Ayfer is still just a hater and a negative nancy about everything. You'd think they'd give her a better storyline with her mother in town but I don't see it

Since you sent this I’ve answered another ask about Ayfer here.  I very much agree with you.  She reacts negatively to everything, I’m not sure why the girls like to hang out with her so much, they have to hide everything and she is like a damp rag covering any bit of excitement. 

On rewatching some of the early episodes, I have noticed that she was negative  from the beginning.  She was even annoying in her first second on screen, when she was waking Eda up to go help with the soil delivery. I hate that shrill voice she uses to say Günaydın over and over again. 

You’re so right that she hasn’t had much if any growth.  Neither she nor Aydan were excited by the Eda/Serkan pairing from the beginning. Aydan was more vocal, but Ayfer was just as disapproving.  And frankly, even though between the two of them, Aydan might have seemed like the more formidable foe to the relationship, Ayfer actually always had more power.  Just because Serkan Bolat is going to do whatever he wants to do and he’s not going to be swayed by his mother’s disapproval, but as we’ve seen in episode 21 Eda is more susceptible to her aunt’s guilt and disapproval. Remember when she asked Eda if she could trust Serkan’s positive assessment of her work because he might lie if he has feelings for her!?! GRRRRRRRRR. 

The other big difference is that once Aydan saw how absolutely heartbroken Serkan was, she completely changed her tune and became supportive of the relationship. Her son’s happiness mattered to her. While Ayfer sat there last week and watched her heartbroken niece and reacted with glee.  Eda’s happiness is apparently not important to Ayfer.  

If indeed the Bolat’s have come to woo Eda, it will be interesting to see how Ayfer reacts.  Will she come around on her own or will Eda have to give her an ultimatum. I wouldn’t mind that, actually.  Give Ayfer a reality check on the way she’s been behaving, just as controlling as her mother. 

Anonymous said:bHey Liza! Thanks for your thoughts on ep25, was looking forward to them today cause you're always rational and I pretty much agree with all you've said lol. The number of ppl mad at Eda/saying her character is ruined is wild, did they watch the same episode?? Eda HAD to end things because of the shit her grandma was pulling, like it wasn't small things she has serious connections, obviously Eda isn't gonna endanger serkan!! I really hope the people being irrational read your answers lol. The only thing that's bothering me about the episodes is that this is supposed to be a romantic comedy and I'm missing that (gotta be honest I fast forwarded thru the Alex ayfer aydan stuff lol) but hoping for some funny Edser stuff at least lol. Also THE PRINCE REALLY DO BE CRAZY lmao

This was also sent before some of the recent schedules. It looks to me like we’re are in for a bit of romance the next few episodes. 

I’M SO EXCITED!!

Anonymous said: the prince is very specifically credited as a guest actor, so i think that maybe he'll only be here for 1 or 2 more episodes max. which makes me think that this arc at least with him directly involved won't last very long. i'm excited about the bombshell to be dropped though because as of right now neither eda or serkan know exactly what babaanne's plan for him is in regards to eda.. and not to mention his other creepy motives that have to do with his dead wife.

I haven’t seen him mentioned in any BTS stuff for 27... maybe he makes his exit is 26? We shall see. 

Anonymous said:  while i understand where serkan was coming from in his decision to not tell eda the truth, it was coming from a purely selfish reason (even he says that) eda's decision is bc of a very real 3rd party threat that would have consequences for serkan's family, business, and his wellbeing. and eda has no time to prepare a plan or anything of the sort; she's basically backed into a corner. i really wonder why serkan is granted so much more understanding in the fandom than eda's character..

I don’t agree that Serkan was coming from a “purely selfish place.”  I don’t remember Serkan saying that and if he did, I’m sure it’s because he’s attributing all his motives to the one he’s most ashamed of feeling.  Because while there was something selfish in not wanting her to know the truth and not wanting her to think of her dead parents when she looked at him, I think it’s clear he was also trying to protect her from those thoughts. He was trying to protect her from the heartbreak of dredging up their deaths, protecting her from having to make the decision to leave him. It was a lot more complicated then just him being “purely selfish.” Remember he inflicted the greatest heartbreak on himself, you don’t do that for purely selfish reasons. 

It would be nice if anytime something went wrong, there wasn’t a knee-jerk reaction to vilify one or the other characters. 

[disisphlebotinum]

Baht Oyunu - Episode 1

Smells like potential.

We’re talking to the camera in this one.

Her family fears first love more than anything?

SHE FULL ON RUN THAT COUPLE DOWN!!!

I kind of like the song in the opening credits.

6 months ago this girl was really lying to herself.

Wait, they are married?!?! I’m so confused.

This guy is so gross and so rude. That whole bit about the ring I could have done without.

The translation on the video I’m watching sometimes just has ??????????????????????????????.

I don’t think this dude even likes her.

I like her friend. Her friend’s being honest.

I’m not trying to compare everything in Turkish to SCK, but you cannot tell me that the first thought wasn’t Serkan Bolat when the dude driving the car showed up. He looks like he could play Kerem’s younger brother.

Does that count as first slowmo?

This isn’t against the scene or tropes. I just really don’t enjoy second hand embarrassment and that is all that chick and the suave dude were giving me. Is that meant to be a blind date?

Oh I get it now. If her first love leaves her then she will be unhappy for the rest of her life. I guess in the long run we are going to learn that she never actually loved him? We know he definitely doesn’t love her.

Oh great this dude is an ass too.

This shit about meat is not for me.

He doesn’t need a date, he needs a mirror.

I don’t think there is a man in the world handsome enough that they could convince me to eat raw meat for the first time in 15 years.

I think I hate this guy. I’m glad his date made a scene.

I do like her telling him he is soulless and deserving.

Damn. They do have chemistry.

I wish I could have understood the insults she called him. I’m not going to complain about the translation. I know they did the best they could. I’m just bringing it up to explain that there is some context missing for me.

I literally forgot about this dude, the one Ada is married to.

Is this present day? Are we on our way to run a dude over?!

I love when they say “bye bye”

Damn Ada is good at lying to herself.

So the chick that Ada’s husband is kissing is a close friend of the ass that got her friend? We’re so messy already! Oh he works for him! That’s so much weirder!

I hope he gets to see Ada run them down.

Oh she didn’t hit them! He hit her! I did not see that coming.

I am enjoying her yelling at him for being an idiot way too much. Like marriage and a few kids later too much.

JUST TAKE HIS DAMN HAND

For a selfish asshole he is kind of taking good care of her, while her husband drools over other people in the bath. Nice! I want his earbud to fall into the tub.

His excuse for being a poohead is that she loves everything too much and works too hard? Never mind, it’s just that another girl is more beautiful and more talented than she is. Fuck this guy.

I’m saying it now, if they make me watch this show where this couple with chemistry get close to getting married, but don’t survive the first wedding, I am rage quitting.

I need people to stop telling Celine to shut up. She is the only one who speaks to Ada with any kind of sense.

I’m too distracted by them arguing in his office to think of anything to type.

Ew. I hate Ada suggesting she change herself to be more like another girl for a guy. That all just here.

I love her ripping the lock off the door to just read to him. That was adorable. The fact that he looked almost amused felt nice, but I knew he was going to trash it.

I don’t know why he isn’t surprised someone took a video of him being a dick at the restaurant.

What does Bursa mean? Is that a place?

She really threw his shit out the window.

These aunts are going to kill his guy. The aunts showed up. We went from crying to having some food to literally bouncing on a dude’s stomach.

I wish she hadn’t had to blackmail her way to a job, but I appreciate that she is clever when it is not about the idiot who I hope isn’t too big a part of the show.

[venti3dieci]

THE DIZI TAG GAME

Rules: Answer the questions and then tag people you want to participate! (Also tag it #The Dizi Tag Game so we can see everyone’s lists)

Tagged by: @missloislane and @aslibekroglu thank you SO SO SO much! I was planning on doing it anyway even if I was never tagged because this seemed so fun so thank you for not letting me jumping off of someone else’s post

1. your first dizi & how you discovered Turkish dramas :

So, this is a long story so TL;DR: Kiralik Ask and facebook groups. 

Now, for the long story. It might have been 10 years ago now? probably less? I don’t know, since the end of highschool I have lost consciousness of time and what a year is and when it ends. Anyway, Kiralik Ask was all the rage in Italy and in the facebook groups I was in, people were talking about this and Cherry Season a lot (I’m pretty sure this wasn’t 10 years ago but I’m dramatic) and I became obsessed with all the videos and things and everything (of KA, I didn’t care for Cherry Season) BUT I did not watch it then. Years later, like maybe three years ago? maybe 2? No idea. I discovered Vatanim Sensin thanks to @rescuemeifyoucan and her posts about it and became obsessed with that as well so, like a normal person, I searched for Hileon videos on YouTube and found every single scene they were in (only Hileon scenes) and watched a lot of those videos, probably 3/4 of the first season, stayed up all night (fun fact, I went to sleep at like 8 in the morning and when I woke up a couple hours later I got called and did my stage/started working at the place I’m at) and that was my initiation to Turkish shows but since I did not actually watch it, only precise scenes, that is not technically my first dizi. About 2 weeks of VS and only VS I decided that it was time to watch KA (because I found a playlist of YT of every episode from the beginning with Italian subtitles and others in English subtitles if the Italian ones were missing) so technically this is my first actual turkish dizi watched, since it is the first dizi that I have seen complete episodes of, from the first episode.

2. show(s) you’re currently watching:

Technically none but also technically thousands. So, technically (expect this word to be the most used in this post) I am currently watching Menajerimi  Ara (haven’t watched since more than two months ago probably), Alev Alev (last watched I think last month) 50m2 (again, last watched last month), Kiralik Ask (it’s been a few years actually BUT I haven’t given up on it yet and I will continue it... someday), Her Yerde Sen (last watched probably last year? Maybe start of the pandemic, maybe before that), Kuzey Yildiz (last watched I think the end of last year), Halka (I have no idea when I stopped with this honestly), Kara Para Ask (last year? maybe? Before Her Yerde Sen I think), Benim Tatli Yalanim (around the time of HYS), Kimse Bilmez (again, around HYS time). I haven’t seen any of these for some time but they are all shows that I plan to continue sooner or later. It’s all shows I loved but put aside because I found a new obsession but I do get back to them sometimes.

3. your favorite genre of dizi (romcom, mafia show, contemporary drama, historical/fantasy, etc.):

Romcom. I do like some dramas but I tend to hate almost all of the characters except a selected few and I can’t handle all that hate, my liver cannot survive it.

4. the show you rewatch (parts of) the most:

I think KA? or MA? or HYS? They are my favorite shows of the ones I have started. Also Ask 101 (the only Turkish show I have actually completed and only because it’s not 10 thousand episodes long and it’s easily available on Netflix so it’s easy to rewatch again)

5. favorite Turkish actor and actress (feel free to pick multiples):

I have this problem, it’s names, I rarely know the names of actors, if I know them I forget them, I sometimes mistake the character’s name with the actor’s name, sometimes the opposite so let’s try this and see what mess comes out: 

Aybuke Pusat, the guy who played Demir on HYS, the two friends of Selin from HYS and the receptionist. Elcin (?) and Baris (?) from KA, Burcu (?), Alina, Kubilay, and the other kids from Ask 101, Dicle and Baris and Julide from MA, Hilal and Leon from VS, Cicek di Alev Alev, Cagatay Ulusoy (I remember his name! my beloved CaCa), The female protagonist of KPA (she was also in the first episode of MA which is the reason why I started that show), Hande Ercel, Kerem Bursin, Elcin (?), Melisa, the one who played the third main friend, the red headed girl, all from SCK, Ismail (?) and the actress of Yildiz from Kuzey Yildiz, also the three girls from there. Most of the cast of Hercai, although I hate more than half of the characters. 

I feel so bad that I don’t remember their name. I swear I love them!

6. a show you quit before finishing:

A few. First and foremost Sefirin Kizi (couldn’t get past episode 1). Erkenci Kus (hated the direction it was going, which was in circles), Ask Laftan Anlamaz (hated hated hated the lie that guy protagonist said. Wanted to watch after but I can’t do that to myself). Sad to say but also Sen Cal Kapimi. I loved it SO MUCH and then first he does that stupid break up thing that I hate (because it similarly happened in ALS and that is the whole reason why I never finished that show so already not a good start), then it seems to be picking up and we got the amnesia thing so yeah, nope, not doing it. Afili Ask (I liked it but not enough to continue and I have to give up on a few shows). Also probably Hercai since I enjoy how it ended in season one and never felt the urge to continue.

Technically most of the answers from the 2 question apply here as well but I do intend on continuing those, these ones, however, I will not continue. 

7. favorite song(s) you’ve discovered in dizi’s:

Birakman Dogru Mu 2 by Zeynep Bastik and Anil Piyanci, heard on Menajerimi Ara and the song that started my love for pop songs made in Turkey

8. the show whose plot disappointed you the most:

Sen Cal Kapimi and Ask Laftan Anlamaz are the ones that first come to mind. And Erkenci Kus. God, Erkenci Kus disappointed me SO MUCH.

9. a show that was cancelled too soon / ran too long:

Ran too long: definitely EK. And SCK (sorry not sorry, it should have ended right before the amnesia).

Cancelled too soon: I don’t usually watch shows that get cancelled soon (in the sense that I usually wait a bit before watching a show because I wouldn’t want for it to be cancelled while I am passionate about it) and technically I do not yet know if they were cancelled too soon, but I would say HYS and Benim Tatli Yalanim because I was loving them and I have less than 10-15 episodes left to watch

10. favorite character(s):  

The children in every drama are my favorite so Gul (Hercai), the children in Alev Alev, the child in Sefirin Kizi (the only character to save themselves in that show except for Gediz), the girl from BTY, Bulut (?) from Dolunay. Also CeyCey (EK), Baris and Dicle from MA, basically the entire cast of SCK (I might hate the direction where this is going but I do love the characters), the main characters from ALA (except for the main male protagonist, he can choke), the main characters from Atesbocegi, Suna from BTY, Reyyan (Hercai), a lot of others, I just don’t remember the names.

11. your favorite romantic pairing(s):

ReyMir (Hercai), LeyEm (Erkenci Kuş), Edser (Sen Çal Kapımı), Defom (Kiralık Aşk), SelDem (HYS), Suna x Nejat (BTY), DicBar (MA), Bahar x Kaan (Halka), Ibo x Ayda (?) (HYS), YilKuz (Kuzey Yildiz), probably others. 

12. favorite side character(s):

Cey Cey (Erkenci Kuş), Julide (MA) (I know people hate her but to the moment I’m at, I still love her), Ayda (?) (HYS), Burcu (BTY), again, others but I don’t remember the names.

13. best kiss:

I love the fire side (?)  kiss between Selin and Demir from HYS as well as their kiss when she thinks that he stood her up when in fact he didn’t even know that he was supposed to go on a date with her and so she gets pissed off (rightfully so) and he chases after her and OMG I love them! Also the first and second kiss between Nejat and Suna. These last three I have made gifs of, and they were my first gifs, unedited, kinda ugly, but I love them (not saying that I make good gifs now because I do not, they are still ugly and unedited but not my firsts anymore).

14. an underrated show more people should watch: 

Her Yerde Sen. And Benim Tatli Yalanim. And Menajerimi Ara (although more people were getting into it). And Alev Alev.

15. a show everyone loves that you aren’t interested in:

The one with Demet Ozdemir (BOK I believe is the tag). Never was interested in it but based on gifs alone, I think they had the character who is either played by an actor whose name is Ismail or the character is called Ismail make a 180 from season 1 to season 2 and I hate it when they do this kind of things in books and series (I might be wrong though) so now I have even less interest in it. Also Son Yaz. The gifs, I love them, but I don’t want to actively watch the show. I’ll enjoy it from gifs and posts about it.

16. a show you want to recommend right now:  

Menajerimi Ara, Kara Para Ask, Her Yerde Sen, Alev Alev, Benim Tatly Yalanim. 

17. the next show on your list:  

none, to be honest. I mean, I already have a LOOOONG list of shows to finish so it’s better that way. 

tagging: @rescuemeifyoucan and, for people who heve not been tagged yet, take this as the sign that I am tagging you.

[matthias-helvr]

THE DIZI TAG GAME

Rules: Answer the questions and then tag people you want to participate! (Also tag it #The Dizi Tag Game so we can see everyone’s lists)

Tagged by: @missloislane <3

1. your first dizi & how you discovered Turkish dramas :

My first dizi was technically ask memnu in 2011/12 and it was my aunt watching this with farsi dubs. for some reason I thought it was a spanish telenova lol until I saw one of my mutuals on tumblr reblog it. then I became interested in Beren Saat more and watch Fatmagulun Sucu Ne in 2012/13? And the rest is history!

2. show(s) you’re currently watching

LOL only watching Son Yaz.

3. your favorite genre of dizi (romcom, mafia show, contemporary drama, historical/fantasy, etc.):

Rom Coms  and some rom dramas.

4. the show you rewatch (parts of) the most:

Medcezir. I’ve watched episodes like 5 times lol. watched the entire show 2-3 times at least.

5. favorite Turkish actor and actress (feel free to pick multiples)

Cagatay, Kivanc, Burak Deniz, Ekin Koc for the guys. Beren Saat, Serenay Sarikaya, Demet Ozdemir, Hazal Kaya, Hande Ercel for the girls.

6. a show you quit before finishing:

omg so many and its only due to lack of english subs. Most recently SCK cause of trashy wriiting, Erkenci Kus I stopped like 10 episodes before it ended. A lot of rom coms....

- OMFG seferin Kizi. I wish i could take back the time and energy spent on this shitty show.

7. favorite song(s) you’ve discovered in dizi’s:

SO MANY!!! here are the ones I can think of now

Sil Bastan, by sezek Aksu

nil karaibrahimgil - kanatlarım var ruhumda,

Isyan by halil sezai

seni unutmaya ömrüm yeter mi- from ask laftan anlamaz!!!

8. the show whose plot disappointed you the most:

ugh all the dizis run too long and then the plot sucks. But probably ask laftan anlamaz cause Burak’s character literally turned in a psychopath :/

- also The protector, tbh I don’t count Netflix turkish shows cause they all suck and even the bad turkish tv shows look good next to the Netflix ones :)

9. a show that was cancelled too soon / ran too long:

- tbh a lot of the shows deserve to be cancelled, its a cut throat industry!

- lol why is Cukur still on ffs

10. favorite character(s):  

- Mira Beylice from Medcezir

- Sarp Yilmaz from Icerde

11. your favorite romantic pairing(s):

Mira + Yaman (Medcezir), Murat +Hayat (Ask Laftan anlamaz), Sanem ve Can (Erkenci Kus), Reymir (Hercai)

12. favorite side character(s):

Selim Serez from Medcezir (literally all the side characters from Medcezir)

13. best kiss:

- Yoooo they don’t kiss like they do in Medcezir anymore, RTUK :/

14. an underrated show more people should watch:  

- SON YAZ!!! PLEASE THE RATINGS ARE SO LOW HELP

15. a show everyone loves that you aren’t interested in:

- LOL CUKUR #freeAras please the poor kid needs to move onnnnnnnnn

16. a show you want to recommend right now:  

 - Son Yaz!!!!! Its so relaxing for me tbh and I love Funda!!!!

17. the next show on your list: 

- So many new shows coming out, probably the Cagatay one on BluTV if I can get my hand on it!

Tagging: anyone who see’s this!! I love reading these so please do it and tag me!

[blackjack-15]

All Aboard the Hardy Boys — Thoughts on: Last Train to Blue Moon Canyon (TRN)

Previous Metas: SCK/SCK2, STFD, MHM, TRT, FIN, SSH, DOG, CAR, DDI, SHA, CUR, CLK

Hello and welcome to a Nancy Drew meta series! 30 metas, 30 Nancy Drew Games that I’m comfortable with doing meta about. Hot takes, cold takes, and just Takes will abound, but one thing’s for sure: they’ll all be longer than I mean them to be.

Each meta will have different distinct sections: an Introduction, an exploration of the Title, an explanation of the Mystery, a run-through of the Suspects. Then, I’ll tackle some of my favorite and least favorite things about the game, and finish it off with ideas on how to improve it. 

There will be an additional section between The Intro and The Title on the Nancy Drew/Hardy Boys Supermysteries, as this game is the first to pull from them and because the game (and the Hardy Boys) benefit from exploring and understanding that universe.

If any game requires an extra section or two, they’ll be listed in the paragraph above, along with links to previous metas.

These metas are not spoiler free, though I’ll list any games/media that they might spoil here: TRN, mention of ICE, mentions of WAC, mention of John Grey in SAW, SPY.

The Intro:

Yeah, I’m not sorry for that title.

Coming off a solid, in-joke heavy game like CLK, Last Train to Blue Moon Canyon could have been anything — and it rose to the occasion like few other games in the entire series. It was the unprecedented 13th game in a 12-game series, and boy did they start the next phase with a bang.

Our next jet-setting game, we leave 1930s Titusville behind in favor of the modern day — albeit the modern day inside a train from the late 1800s, staffed with every kind of celebrity from the 2000s — socialites, authors, tv personalities, and Miami-Vice-meets-Ice-T cops.

Honestly, had they included a teenybopper pop star, I would have said that this game wasn’t just an excellent game, but a time capsule for 2005.

This odd location for a game not only solidifies its place in the Jetsetting Games, it also behaves as a Locked Room Mystery, the first one in a while (FIN being the only other one so far). Nancy can’t leave the train until 2/3rds through the game — but neither can anyone else, resulting in not only the perfect place to commit a crime, but also the perfect place to interrogate suspects.

TRN is perhaps most famous for its on-screen appearance of the Hardy Boys, who invite Nancy with them on this invite-only trip to make it more fun for themselves (and so that HER could experiment with playing from a non-Nancy [and even better, a Frank] point of view, even if it is just to make cheeseburgers). Honestly, it should be famous for it. 

Not only is this a huge mechanics change, but it also blasts open the Nancy Drew Universe — the Drewniverse, if you will — and introduces both the games and players to the world of the 80s/90s Supermysteries by basing itself on #8 of the series, aptly titled Mystery Train (which we’ll talk about in the following section).

TRN also boasts one of the largest casts in the Nancy Drew games series, with 7 voiced in-person characters, two phone friends, and 3 extras. The choice to put in more characters into a smaller location really helps the locked room feel of the game, and leads to a game that is slightly more centered around interrogation than concrete investigation (which is the correct choice for a locked room mystery).

While TRN’s historical backstory isn’t quite prominent enough to get its own section here, it is worth dipping our toes in it here in the intro section. This game’s backstory (handled with a light hand) takes place during the late 1800s and finishes early years of the 1900s — 1903, to be exact, during the Edwardian Era and before World War I — when Jake Hurley’s beautiful train is found abandoned with only the dead engineer onboard. It overlaps with the Colorado Gold Rush in the United States, where Americans and immigrants alike made a mad dash out west in order to strike it rich.

This was a time when trains were the beautiful and incredibly fast (relatively) way to travel in America, especially out west as they were safer and quicker than taking the route in covered wagons or handcarts. Public trains were well-furnished and comfortable, but private trains like Jake Hurley’s were luxuriously and gorgeously decorated with all the amenities that were possible at the time and were meant to entertain guests as well as convey them from point A to point B.

The lush decorations in Camille and Jake’s cars are especially good representations of just how comfortable and flashy private trains could be; these trains that exist today in museums or private collections recall a bygone age where travel was a thing to look forward to, rather than a necessary evil to be suffered through.

The last bit of introduction I’ll do for TRN proper before we delve into the Hardy Boys/Nancy Drew supermysteries is its wonderful way with locations. By limiting its locations to really one at a time, TRN very neatly creates a semi-linear playthrough while still allowing the player the freedom to solve Jake and Camille’s mysteries in most any order they choose. It’s a great trick to make the game feel a bit more open while still telling a linear story, and TRN pulls it off better than most other early Nancy games.

Now that we’ve introduced the game, let’s get on to the Drewniverse.

The Supermysteries:

Pairing Nancy Drew actively with the Hardy Boys (live and in person) was hardly a new thing in 2005, even though it was the first time it had been accomplished in the game series’ history. The Hardy Boys and Nancy Drew TV series from the 70s was the first big screen meetup of the two sleuthing parties, both owned by the Stratmeyer Syndicate. 

While the earlier episodes of the show trade back and forth between Nancy and the boys, the second season saw increasingly frequent mashups of the two separate storylines, allowing for much bigger risks and much more satisfying stories — and, of course, the now famous love line between Nancy Drew and Frank Hardy.

After the TV show, there was now an uptick in Nancy/Hardy Boys interest — the two had become linked by more than just the Syndicate. That interest created the space for the 80s/90s series of books referred to as the Nancy Drew/Hardy Boys Supermysteries (not to be confused with the series of the same name that came out after the turn of the millennium, which are less flirty, less well-written, and much shorter as a series).

Wildly popular, the Supermysteries have 36 titles to their name and span over a decade of heart-racing, Nancy-tingling fun. The Hardy Boys and Nancy Drew are either assigned to sister cases or discover the other party on the same case, and take turns helping the other out. Often, Joe separates (sometimes with whatever party Nancy brings along or with a pretty suspect) and leaves Nancy and Frank to work in tandem, giving opportunities for the two sleuths to flirt (and sometimes more) in relative peace.

If there’s one thing that the Supermysteries are really famous for, however, it’s the relationship between Nancy and Frank. Seemingly every book starts with reminding us that Frank and Nancy both have “steadies” back home, to use Dave Gregory’s terminology, and then promptly describing Frank as an Adonis and setting Nancy’s “tingle” (80s/90s code for arousal) ablaze as they work in closer and closer quarters and have some Experiences together, including an on-screen kiss and a sexy fade-to-black — and then reluctantly going back to their boyfriend/girlfriend at the end of the book.

TRN is based specifically on parts of Supermystery #8, Mystery Train, where the Hardy Boys are lured in by the promise of $25k if they can find the Comstock Diamond, stolen 15 years earlier. Nancy happens to be on the same train, accompanied by the best of the best sleuths of the day — and a beautiful actress that catches Joe’s attention.

You can see the ties to TRN — a ‘beautiful’ socialite, a band of detectives and researchers, a lost treasure — all present in both the book and the game. Though the game takes a slightly different course, it owes its strong foundation to the Supermystery that proceeded it.

The Title:

Harking back to Supermystery #8 (Mystery Train), Last Train to Blue Moon Canyon is one of the finest titles that HER ever came up with. Appropriately pulpy, it gives a sense of urgency, history, and mystery all at once while still pointing to the focal point of the game: the train.

After playing the game, it’s also a little ironic — it might be the last train to Blue Moon Canyon, but it’ll hardly be the last visitor to the historic spot, once the world gets wind of exactly what was there and the history behind it.

Last Train to Blue Moon Canyon is honestly a much better title than Mystery Train, and the title (plus the wonderful cover art) is part of the reason that this game is so well-known among casual and hardcore fans alike.

The Mystery:

Summoned by her good (phone) friends the Hardy Boys, Nancy embarks on a train ride to Blue Moon Canyon, the last known location of wealthy eccentric Jake Hurley’s personal train, and rumored to be the spot where he left his treasure. The train having been purchased and restored by socialite Paris Hil — ah, I mean Lori Girard, it once again houses the notable travelers of the day…and possibly the spirit of Jake Hurley’s wife, Camille.

Not 10 minutes into their journey, Lori disappears with a scream and a crash, and the hunt is on — not only to find their missing hostess, but to unravel the secrets of Jake Hurley’s train, Camille’s ghost, and the treasure that may be hiding in Blue Moon Canyon. It won’t be an easy task even for three seasoned teen sleuths, not with a cagey wonder-cop, irritable historical romance writer, and techy ghost hunter all trying to keep their motivations and actions a mystery.

TRN is superb in most respects, so it shouldn’t come as any surprise that the mystery is 90% perfect — barring one unfortunate plot point, which I’ll cover in at least 3 sections below, and the next paragraph. Tightly paced with suspicion spread thickly and nigh-evenly, TRN doesn’t run into the trouble of knowing who the culprit is from the first 20 minutes of the game and doesn’t feel the need to clear one suspect earlier than the others so that they can help Nancy — Frank and Joe take that job instead, leaving a pretty clear field through most of the game.

The biggest problem with TRN is the identity of the “final” culprit — that is, the culprit who leaves Nancy behind in the crumbling mine in order to generate some good publicity for herself and who knows about Jake Hurley’s final “treasure” all along: Lori. Her reveal as the first culprit is wonderful and logical, even if it’s not too hard to figure out that she kidnapped herself. Her reveal as the second culprit, however, is so odd and against her character that it doesn’t just feel like a mistake — it actually reads as a mistake as well.

To have the entire game culminate in a culprit that 1) doesn’t make any sense to be the culprit and 2) must behave in a completely out-of-character way in order to be the culprit is the one black mark on TRN’s otherwise spotless record. Other than that, this mystery is one of the best of the series so far and is a fully enjoyable ride from start to almost-finish.

The Suspects:

Lori Girard, Paris-Hilton-expy and socialite extraordinaire, is the hostess of the little trip down to Blue Moon Canyon with a streak of ruthless camera-whoring that nearly matches the level of the other camera whore on board (see next suspect).

Lori is, rather gloriously, the first culprit — the one who kidnapped herself, showing her love for flair, her smarts, and her enjoyment of detective stories. Kidnapping herself is right along with the character we see she has, and makes so much sense that it doesn’t feel like a let-down that the player (and a few other characters) figure it out — rather, it feels like her character is introduced strongly and well.

Lori is, completely unbelievably, the second culprit as well. Lori’s previous stunts — i.e. her previous ‘kidnapping’ before the story begins, the train disappearance — involve herself, have no danger to them at all, are intensely theatrical, and rely on the willing cooperation of others. Trapping Nancy in the mine and trying to kill her doesn’t involve Lori at all, has a ton of danger (not to mention a death toll), and isn’t theatrical at all — it happens all ‘off camera’.

We’ll get to more problems with this in The Unfavorite, but making Lori the second culprit was a huge mistake, and her character — and the game — suffer from it.

Tony Balducci is a self-described wonder cop and sometime lover of Lori who wants nothing more than to toot his own horn…provided he leaves out some of the less flattering notes. Having caught two bank robbers by luckily being in the right place at the right time, Tony now tries to live up to the name of ace detective — mainly by being a giant douchebag towards everyone.

As a culprit, Tony would have been an interesting choice, as someone driven by the hanging spectre of his own ego, desperately trying to catch it while knowing deep down that he’s just not good enough to do so. He’s just a little too obvious, a little too hateable, and a little too in-your-face to be the proper culprit for this game.

He instead lives to fight another day to show up in ICE, where no one asked for nor wanted him. A douche to the end.

Charleena Purcell of Secret of Shadow Ranch fame is live and in person this time, having accepted Lori’s invitation out of curiosity for what really happened to Jake — and a bit of a guilty conscience.

As a reoccurring character, Charleena wasn’t going to be the culprit, but I do love that she’s a character who does some morally questionable things — like taking Lori’s suggestions for a new book and incorporating them without crediting Lori. While legally she’s fine, it is a total dick move, and she deserves to get reamed for it.

I love that Charleena’s a bit uptight and snappy while still being a ‘good guy’ (or at least not a baddie), and I do love that she did something wrong that has no impact on the actual crime at all. While she’s not in my top 5 of reoccurring characters/characters that appear in more than one game, she is a nice representation of what most authors are like (dedicated researchers and hard workers, not people who have wacky hijinks with the mystical people in their head that talk to them).

John Grey is a ghost hunter who relies more on tech than on spiritual intuition and hosts his own TV show dedicated to proving the existence of ghosts and spirits. He’s convinced — or rather really hoping — that he can prove the existence of Camille’s ghost and attribute her power to all the wacky things happening on the train.

He also really hates it when Nancy plays the piano around his sensitive audio equipment, which is the biggest reason to play the piano around his sensitive audio equipment that I can think of.

Heartbreakingly, John is the perfect culprit; he lies just under the radar enough not to be immediately obvious, but isn’t immediately discounted either. He also has the perfect motivation: with his show failing, he really needs a show-stopping apparition like Camille’s ghost to boost his ratings and save his show. He’d be an Abby Sideris-type culprit Writ Large, but this time he’d be manipulating people’s perceptions of an actual ghost that truly exists on the train.

John’s status as, frankly, no villain at all is the single biggest flaw in TRN, and it makes me sad every time I play it.

Listed officially as a suspect, Fatima of Copper Gorge is a Charleena fangirl and taffy enthusiast, with a temper as wide as Copper Gorge itself. She constantly wears an old-timey miner’s costume — foam head mask and all — and can apparently even sleep in it.

As a culprit, Fatima would have obviously been a poor choice for a Nancy Drew style game — she barely appears, and is there for a puzzle and a task and that’s pretty much it. She is however incredibly intriguing, as…well, she never takes off the mask. As a fair-play mystery, Fatima was never an option; she does stand out among all masked characters as one of the few that is never revealed to the player/Nancy.

Though they’re not officially suspects, the Hardy Boys both deserve a breakdown in this area.

Franklin Hardy is the elder of the two and barely counts as a teenager (being 19), though he does work for ATAC (American Teens Against Crime, which is the funniest acronym in the world). Detail-oriented with a dry sense of humor, Frank is the de facto leader of the Hardy Boys and far less hot-headed than his brother Joe.

A great researcher and planner, Frank knows a little bit about almost everything, and is more cautious (as most older siblings are) about the danger of any particular situation than either Joe or Nancy tend to be. Fiercely loyal and indisputably protective, Frank believes in the power of teamwork and is constantly on watch for people who might want to hurt his friends and family. In SPY, his bio specifies a “strong connection to [Nancy]” as not only an example of this loyalty but also as a point towards his feelings for her.

It would do Frank a disservice to boil his entire characterization down to his relationship with Nancy, but it is worth mentioning briefly. There are hints of his affection towards Nancy pre-TRN, but it’s really post-TRN that it kicks into high gear (probably because of working in close circumstances with her during TRN).

TRN is, possibly coincidentally and possibly not, the last game where Wayne Rawley voices Frank, as the man/myth/legend Jonah Von Spreecken takes over in the next game Danger by Design. Not only is JVS’s Frank a little less subtle about his feelings for Nancy, he’s also a little younger sounding (more like his actual age) and a little more enthusiastic (while still being very dry). As any reader of any of these metas could probably tell you, I find JVS’s Frank to be the best of his VAs, and he’s only enhanced when Nik takes over from WAC on.

Joseph Hardy, to contrast, is the 18 year old younger brother (and, if HER is working off the supermysteries, skipped a grade to be in Frank’s graduating class) and the more impulsive of the two. Generally laid-back in contrast to Frank’s meticulous nature, Joe is no less quick and is noted in his character bio from SPY to be an “extremely proficient tactician” — a role generally reserved by lesser writers for more uptight characters.

While easily distracted and a bit prone to conspiracy theories, Joe is quick to discover interpersonal links and motives and is at least somewhat handy with mechanics. His seemingly odd fixations usually lead (in a roundabout way) to finding out the truth behind crimes and leading him to a cool treasure or historical fact along the way. He’s big-picture in a way that Frank is not, which helps him both as he sifts through Nancy’s mysteries, and when he and Frank are on the job for ATAC.

As of Lani’s departure as Nancy Drew, Rob Jones (Joe’s voice actor) is the only VA to have voiced the same character for the entirety of their presence in the series. As much as I praise JVS in all of his roles (Frank and others) Rob really deserves 90% of the credit for Joe being as loved and wonderful as he is. Rob’s voice gives Joe the correct amount of youthful enthusiasm, glee in bad puns, and continual just plain enjoyment of the world he lives in and the job he has.

The Favorite:

If it wasn’t obvious, TRN is one of my favorite Nancy Drew games — definitely in the top 5, almost definitely in the top 3 — and that makes this section really easy.

First off is the physical presence of the Hardy Boys. It feels really natural to have them appear after being in most of the games leading up to TRN, and they make every second of this game better. From Joe’s cheeseburger face to playing briefly as Frank and eavesdropping (a minigame that would reach its Pinnacle in WAC) to watching Nancy sit down with the boys and pow-wow to figure out the mysteries, the Hardy Boys are a delight from beginning to end,

My favorite moment in the game is that lovely moment where Nancy sees Camille’s ghost dancing along the train window. Camille’s spirit looks so cheerful and effervescent, gently bubbling along her beloved husband’s train, and it’s a beautiful moment. 

It’s also a crucial moment in the Nancy Drew game series and lore as a whole, as it, for the first time, clearly and plainly establishes what it’s hinted at since MHM — that in the Nancy Drew universe, ghosts and spirits are real. They’re almost never the culprit, and they don’t often look like Scary Cartoon ghosts, but they’re real all the same. This moment does so much for the game and for the series that it will forever be one of my favorite moments in the series, not just in this game.

My favorite puzzle would have to be finding and placing all the gemstones. I’ve always loved gemstones, and this game really increased my love of them (and interest in their meanings/folklore). Figuring out which animal goes with which stone — and mastering what the “hand from the deep” actually looks like — is a lot of fun, and the animatic of all the different parts whirring and coming together is beautiful. It’s often placed alongside one of the best quotes of this game: “above all…let nothing happen to my train; it holds wonderful things”.

 I also love the “true treasure” of the game; sure, Nancy’s line about friendship is a bit corny, but ND has always been a bit corny, and it’s a wonderful sentiment that a true gift can simply be your ability to make connections, rather than any material possessions or social standing.

Camille is one of my favorite “historical characters” in the series, and I know I’ve mentioned her ghost just above, but I love how personal and friendly she feels; you really do get the sense as the player that she’s there, helping Nancy along. It’s Jake’s mystery, and Jake’s mine, Jake’s friends, and Jake’s treasure, but to me, Jake Hurley’s train forever belongs to Camille.

The Un-Favorite:

As far as my least favorite puzzle in TRN goes…I don’t think I have one. I enjoy all of them for their varied styles, their tie-ins to the time period and to palace trains in general – they don’t exactly feel like puzzles, even, more like well-integrated plot points. I think this is one of the few — if not the only one — that absolutely no puzzle comes to mind, so good on TRN.

Alright, you knew it was coming. My least favorite moment in the game is where Lori reveals herself as the second culprit and tries to trap Nancy in the crumbling mine (and the fallout in the letter Nancy writes). I’ve already gone into how Lori makes no sense as the actual culprit from a characterization point of view — and TRN runs on characterization — so I won’t repeat it. But I do have problems with it besides that.

TRN feels like it was set up to have a “culprit” — Lori, kidnapping herself — and then an actual culprit. Lori wanting to find Jake’s treasure as a publicity thing is totally fine, but the whole mystery feels like there’s another sinister presence working on Lori and the rest of the cast the entire time, trying to steer them to where they want them for their own machinations.

It would shock me not at all to find out that this scenario was the original plan, cut for time. TRN came out in mid-September of 2005, not even two months after CLK. While I know that different games are worked on simultaneously, that’s still quite a quick schedule to keep — especially since game #13 (TRN) wasn’t in the cards at all, the game series meant to be 12 games in total.

The ending feeling slapdash — “ah, we don’t have time to work out a criminal, let’s just have it be Lori again” — isn’t shocking looking at the timetable and circumstances behind TRN even becoming a game. While I understand it, I feel like the lack of thought put into the last 5 minutes or so of the game is really noticeable, and undermines both character and theming.

The Fix:

So how would I fix Last Train to Blue Moon Canyon?

Unsurprisingly (and since the rest of the game is borderline perfect), the one change/fix I would make is to the identity of the final culprit. John’s ‘arc’ is somewhat anticlimactic — he’s the only character to sort of drop off the face of the game at the 2/3rds mark — and I truly believe that it’s because the seeds are there to reveal him as the true villain, but it was never carried out.

My proposal is this: the vast majority of the game stays exactly as it is. Lori kidnaps herself, is found by Nancy, and rewards her by giving her all the information she has about the location of the mine — there being a small reference to Jake receiving a letter from an “important friend” or some such descriptor.

Nancy, of course, wonders briefly about the letter and then moves on to solving the location of the mind, working in tandem with the Hardy Boys — but because John has listening devices all over the train, he hears about the letter and begins to research on a hunch that this letter has information that can help him “establish” Camille’s ghost better and make her hauntings more plausible.

In this canon, of course, John’s show really is on the brink of being cancelled without being picked up by any major network, and his paranormal tours that the player finds out about in SAW (and is referenced again in TMB) aren’t doing so well either, so he needs a huge boost to his credibility. Camille’s story — and the treasure/letter that Jake Hurley left behind — is the perfect thing to get him back on top, if he could just get the nosy detectives out of the way.

By listening in on Nancy and the Hardy Boys, John knows just as much as they do — and more, thanks to his research team for Ghost Chasers turning up a connection between Jake and Abraham Lincoln — and decides that the best way to frame this for his show is to have “Camille’s wrath” come upon the uppity teen detective, collapsing the mine to protect Jake’s treasure as soon as she finds it (and he can take it from her).

Used to working in the dark and moving quietly, John, directed by Lori (who he’s manipulated into having him follow Nancy with cameras to capture the moment), follows Nancy into the mine, helping out with a few “good guesses” (actually his knowledge from listening in and researching) and snapping a few pictures of the treasure when they find it. After asking Nancy to hand him Lincoln’s letter so that he can film it better, John runs out of the room and blocks up the exit, standing outside to gloat to Nancy.

John talks about how he manipulated Lori, how he listened in, how this is the thing he needs to boost his show up to be the most-watched program in the ghost hunting business, how clever he was to run rings around Tony, Lori, Charleena, and most of all the Hardy Boys and Nancy herself. He then tells Nancy that she won’t live to tell the tale, but he’ll get footage of “Camille” causing a quake in the mine to protect her husband’s treasure — running as the mine begins to collapse.

From there, the game would continue as normal until Nancy catches the culprit (the only difference being who the culprit is) and rides to safety.

While this section seems really long, this change isn’t actually that big in the scheme of things — it just makes far more sense to have Lori only be the first culprit while having the second culprit be someone with a lot more to lose and a lot more to gain. In general with mysteries, your culprit should always be the person with the most to lose (though the detective and/or player shouldn’t know how much everyone has to lose from the beginning), and John suits that far more than Lori does.

That being said, this is the only change I’d make; I think the rest of the game not only was great at the time of its release but has also stood the test of time a decade and a half later. The change I’ve proposed would simply take the game from being a classic with a slight blemish to a truly perfect game.

[aslibekroglu]

Not anon, but I believe when shows get multiple seasons, it's that they look a deliberate break and skipped an airing "season" to come back as a re-entry for another "season." Like DEK has two seasons, but has only aired 29 episodes - they skipped the summer. For SCK to have another season, they'd need to take it off the air now and bring it back in July or something - but they'd have to have faith that it could hold up against new summer shows and I don't think we'd last 15-20 more eps?

But I think DEK, like many shows during 2020, was forced into a new season because of covid. Plus I think in general the dramas are more likely to get multiple seasons than the romcoms.

[yourpakichic]

Episode 24 Thoughts

-What a fucking entrance by Babaanne. I hate her already. Like she really came prepared and attacked Serkan, Eda, the company and their relationship all in less than 15 minutes. SHE BROKE THE DAMN FLOWER CASE. I fucking hate her guts. I like how Serkan was in control of his emotions and even tried to help Eda process through the surprise of events. It’s funny she think she’ll build a relationship with Eda by forcing her to marry someone and ruining Serkan. Ma’am give it your best try.

-Okay look. I’m completely on Serkan’s side regarding this. I understand Eda is taken aback by the grandmothers appearance but I think Serkan deserves better to just be abandoned. Again. They were finally moving on and getting to the point of making steps to fix their relationship and now suddenly Eda wants to run away.

-Not the grandma trying to make it seem like Eda wants to talk to her in front of Ayfer. Like woman, she was raised by Ayfer. Don’t play dumb games.

-I think Serkan has a plan on how to deal with Grandma. No way would Serkan Bolat let someone come in and threaten his company and his family. Even if he is changed and more softer now. Serkan does not mess around when it comes to work. I’m actually okay with Grandma threatening Serkan’s company because if that means we’ll get to have the smart, tricky, and always-one-step-ahead Serkan Bolat back. The one who ruined Kaan. The same one who was intelligent enough to dumb down his own presentation in order to work with Eda during their separation. I miss the fire and conflict that Serkan used to bring. I love soft Serkan but I want him to have his edge back, especially in regards to Art Life and the holding.

-That stand off between Eda and Grandma gave me life! Honestly Grandma knows how to make a threat, like even I was scared! But she doesn’t know Eda Yildiz like she thinks she does. Eda Yildiz has gone through too much loss to lose anyone else. And to give into anyone else. It’s clear that grandma has a soft spot for Eda. And I think somewhere deep down, Eda has a soft spot for grandma too that we haven’t seen. It’s clear that Grandma is going to use Eda’s love for Serkan as her weakness. I just hope Eda doesn’t give into it. Both her and Serkan have been through too much to lose each other now.

-Why does every other couple have honest, deep conversations about their relationship and problems and childhoods than Eda/Serkan? Jeren and Ferit have had a more direct and honest conversation about thier upbringing and struggles and relationship. Engin and Pyril had a honest conversation about theirs. And we’re playing back and forth and games with Eda/Serkan. This is absolutely ridiculous. Where as we should know more about Eda/Serkan as individuals and have more progression in their relationship, it’s the complete opposite. Don’t get me wrong, their games and back and forth is cute and I certainly enjoy it but there are so many missed opportunities for honest and deep conversations that would strengthen their relationship.

-You know what really confuses me? How Eda when she knocks at Serkan’s door, says she can’t be with him and she tells him nothing can happen between them all night but then she acts all touchy and girlfriend type with him. Like she’s so fickle with it, it makes me cringe. That man has been honest with her and is really trying and she like.... plays with him. It’s just so stupid.

-I knew that Balca was crazy but this bitch is straight up PSYCHO! The fact that she set all this up just to gain some sympathy points with Serkan!

-And people used to say Serkan’s pride is high? Have you seen Eda’s pride? She complains he’s not there but she won’t even call him or anything!

-I feel like Eda only wants to be with Serkan to spite the grandma. Because on one hand she’s like there’s nothing between them and then the next in front of grandma, she acts as if they are together. I know that she’s been through a lot and the grandma is a huge problem for her but she shouldn’t play around with Serkan. He has proven himself. Bettered himself. He deserves to be happy. She deserves to be happy. And clearly, they are happy. Together. So for once, can she throw her logic away and listen to her heart.

-Not at their happiness lasting 2.5 seconds. My babies really can’t catch a break.

Overall: it was an enjoyable episode. I’ve come to terms that SCK is going to be nothing but a mess. It’s all over the place. Both with characters and plot. But I will still watch it and enjoy it. I will complain about it too because honestly how can you not. I want nothing but happiness for both Eda and Serkan. I am so happy to see the growth in Serkan upto this point. The way he handled himself in this big situation with grandma. It was mature and responsible. He didn’t let his emotions get the best of him. I also understand Eda’s reaction to her presence. She has every right to be emotional and want her out of her life. I enjoyed Eda and Serkan scenes even though some of was absolute crap writing. It’s all really due to Hande and Kerem’s acting. And their ability to make me enjoy the scene even if it makes zero sense. Honestly I want a little bit of the old Serkan back. When it comes to his business. One of my favorite things about him was his ability to put people in their places when it comes to work. I want that same fire and edge when fighting grandma and fighting for his company. As for Eda, it is time for her to grown up and show some maturity. I could excuse her behavior toward Serkan because he did hurt her. He broke her trust. And her heart. And she had every right to question his love. But I think he has proven himself beyond point. She needs to make a decision because Serkan has a limit too. In all honesty, I have very low expectations from the show from this point on. I will just continue on this journey and hope for some enjoyable scenes.

[mrsgreenworld]

Ok, seems like we're on a commercial break. Or it's just me having a problem with live stream. Anyway, wanted to note down some thoughts:

⚡ I love this light-hearted angst we've got going on; it's not even angst

⚡so proud of Eda for picking herself up real quick

⚡ I kinda like Efe in this episode; maybe he's being way too friendly and nice towards Eda but I don't smell any romantic interest

⚡ Eda's ring 💍 is back!!!! And Serkan noticed her wearing it (although on a middle finger of her right hand) and commented on it and she commented right back on him still wearing his - BOOM! that's my Queen!

⚡ where the hell is Melo???? and Sirius???? and Leyla???

⚡Eda found out that Ayfer had been in touch with the grandma; she got REALLY mad - Ayfer and Serkan could be best buddies now, discussing who managed to piss Eda off more 🙈😆🤣

⚡Alptekin came by the flower shop and kinda sorta tried to talk to Ayfer - nope, didn't work out

[mrsgreenworld]

Okay, having a complete bummer with the live stream. So, no live blogging 😟😭

[mrsgreenworld]

Ok, SCK Fandom, who's seen the second fragman? What do you think?

Looks like Efe will come straight to Eda's house 👀 and convince her to work with him. Which of course our boy won't be happy about 🙈😬

I am also really curious about the car situation. How did they even end up there together?🤔

And fragman aside, I have also read some info about the ratings and how they've considerably dropped. It looks like there's a legitimate reason to worry 😟😱 What do you, guys, think? Anyone else got any info?

[mrsgreenworld]

SCK episode 15 fragman 1 is already out 👀

So much cold wind blowing from Eda. The winter is coming, my dear friends 🥶😆🙈

(sorry, I am a bit hysterical)

[mrsgreenworld]

Working on the second chapter of "It's not easy to let go of the past". A short sneak peek at Serkan's mood: "<...> plaster on a smile while feeling completely out of his element on the inside".

Also just working. Or trying to. Because I am again busy thinking about SCK and my Edser babies. It's embarrassing how much they own my ass 🙈😆

So, here's what I have been thinking about: I really hope that the writers don't turn Serkan into Can Divit 2.0

Those who watched Erkenci Kuş will understand what I mean. Remember after Can broke up with Sanem around episode 30? Then a new guy came into the picture and Can went completely off the rails. From that moment on he turned into a highly unlikeable character for me. I hate when a man (or a woman) has this "I wanna have a cake and eat it too" kind of attitude. It's selfish, it's immature, it's disrespectful.

So I really hope that Serkan doesn't get possessed by the same green monster and won't demonstrate the same jealous tendencies.

[djemsostylist]

Hi, would you be able to rate all the dizis you’ve watched in order of favourite to least favourite?

Excellent question anon! I decided to answer this in reverse order because it's honestly easier to go from the worst and then work our way up.

The Bottoms--don't bother watching tbh

Winning the worst of the lot is...Sen Cal Kapimi. Technically it would be a three way tie with the other romcoms on the list, except that at least no one hid a whole child for 5 years in EK and KA so, SCK wins for having the single worst love story ever.

Erkenci Kus is next, mostly bc Can Yanem has a very annoying face and also bc the relationship between Can and Sanem was borderline uncomfortable to me (she seemed like a child in so many ways) plus they were both annoying as fuck tbh.

Kiralik Ask actually wasn’t bad, and I did like both Defne and Omer, but I hated the drawn out secret plot and it was just very blah in general. Turns out I think I just don’t love romcoms.

Bu Sehir Arkandan Gelecek actually had a good central story and I quite enjoyed the lead and his whole family plot. But this show featured two of the single most annoying female characters to ever exist, so in the end, this has to go far down on the list. I literally got to the point where I fast forwarded all of their scenes, they were that insufferable.

Kurt Seyit ve Sura is one I technically didn’t finish, but it was my first so I feel like I need to mention it. It was good but overly dramatic and also the ending was bs, and yes I know it was a true story.

The Middles--these are all kind of interchangeable depending on my mood

Yeni Hayat was a very boring show but the little girl was adorable and I love Serkan and Melisa is very pretty so idk. Take that as you will.

Icerde was actually really good, and the performances were excellent. It dragged on for about 10-15 episodes too long and I didn’t love the fridging but it was quite good overall.

Carpisma was the dumbest show with the dumbest characters I have ever watched in my whole life and it was supposed to be dramatic and sad but honestly I laughed the whole time and it was the funniest show ever. I loved all the stupid foursome and also the main bad guy who ended up being the best. I mean, you might not find it funny, but the whole thing was a riot tbh. It’s all about perspective.

Muhtesem İkili was excellent for the family storyline but honestly I either didn’t watch or fast forwarded through literally every single police plot. It was exceedingly dull. But the main family was excellent, I loved the actors together, and the chemistry was good. I just didn't watch 70% of the show.

Zemheri was excellent. Excellent acting, excellent drama, excellent plot, and also--excellently short. There was one very small storyline that pissed me off that could easily be handwaved, but otherwise, it really was very well done and short enough not to get exhausting. Melodramatic, perhaps, but in all the best ways. The two leads are just phenomenal.

Her Yerde Sen was also very good, and I loved it while I was watching it, and it’s probably the only romcom I’ll ever like. That being said, I literally forgot it existed the moment it ended so…

The Tops--these 4 are my favorite.

Seref Meselesi is a beautiful show. It has this sort of timeless, dreamlike quality to it, and there is a feeling almost of a stage play. From the sets to the lighting to the drama and characters, SM tells exactly the story it means to tell. It is heartbreaking, but beautiful for it. It ranks as 4th only because it’s not the type of show you’d watch over and over, but it is excellent.

Son Yaz, Halka, and Meryem are tied for tops. They combine the best of all possible categories--excellent central cast of characters, phenomenal chemistry, excellent ships (romantic and otherwise), beautiful core friendships, excellent pacing, minimal to no skippable side plots, tons of rewatchability (both as a whole and individual scenes), fantastic acting, and characters that won’t leave you alone. These were shows I couldn’t put down, ones I wanted to watch and watch and watch until they were over, and then turn around and watch all over again.