#schmincke horadam artist gouache

[wallpaperpainting]

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[doodlewash]

My name is James Gurney, and I was born in Glendale, California and raised in Palo Alto. I’ve loved drawing since I was a kid and taught myself drawing by reading books by my child heroes, Norman Rockwell and Howard Pyle. By the time I was in high school, I had learned how to do hand-lettering and made my very first income by designing wedding invitations.

After high school, I attended college at UC Berkeley. I majored in archeology, as I always found it fascinating, and though I graduated with an archeology degree, I always wanted to be an illustrator. So I packed up all of my belongings into a tiny car and headed down to the Art Center College of Design in Pasadena, never having seen the place.

I had read old books about the French Academy, and I somehow imagined art school would be this hushed atmosphere with high ceilings and north windows and plaster casts of Greek gods, with the walls covered with academic studies. It was not like this at all.  It was shiny and corporate and minimalist. The emphasis was on product design, abstraction, and “concept” illustration, whatever that meant. I wanted to dissect cadavers! I wanted to make pictures that told stories!

I left school for the summer and never came back. I think I was dizzy from all the marker fumes and art theories. I wanted to see America. I said good-bye to all of my friends, loaded my backpack with peanuts, and sketchbooks, and jumped onto an open boxcar eastbound from the LA freight yards.

All summer long, I slept in graveyards and on rooftops and sketched portraits of gravestone cutters and lumberjacks. To make money I drew two-dollar portraits in bars by the light of cigarette machines.

My first real art job was doing engraved line illustrations for ring ads in the newspaper. It was a start, but it didn’t pay the bills. My big break was getting a job painting backgrounds for an animated film called Fire and Ice, co-produced by Ralph Bakshi and Frank Frazetta, and released in 1983. It was a marathon of painting, because I had to paint about 600 paintings in a year and a half.

The best thing about the film work was the feeling of living inside my paintings. When I saw my pictures projected on the screen with action and music, it really felt like I was inside the world I was painting, not just looking at little flat rectangles. Howard Pyle always talked about jumping through the picture frame and breathing the air you just painted, and that was the first time I completely experienced that feeling.

Next, I started painting fantasy book covers and working for National Geographic as an archaeological illustrator.  When I started there, National Geographic still sent its artists and art directors to meet the archaeologists on location. On some of my first assignments I had a chance to see Rome, Tarquinia, Cerveteri, Norchia, and Populonia for an article on the Etruscans. We visited some newly discovered tombs with an archaeologist named Rick Bronson. The archaeologists and paleontologists were always incredibly helpful, as was the National Geographic staff, which includes full-time art researchers.

Later, I stopped doing freelance for a couple of years to focus on writing and illustrating a book that would become Dinotopia: A Land Apart From Time.  The idea for the book grew out of my love of archaeology and lost worlds, but the idea of combining lost worlds and dinosaurs came a little later.

One of the reasons I wasn’t too obsessed with dinosaurs as a kid was that most books showed them as evolutionary failures, dull-witted cold-blooded sluggards. When I took a fresh look at dinosaurs as an adult, I quickly discovered that many scientists now regarded them as dynamic, warm-blooded creatures who had more in common with birds than with reptiles.

Any kind of imaginative realism: paleoart, concept art, wildlife art, or historical painting is totally different from a still life because you start with a hazy mental image and you have to provide the convincing details in stages. I’m thoroughly old-school. I start with small thumbnail sketches in pencil or watercolor. If it’s an architectural subject or a dinosaur, I’ll build a maquette out of any material at hand.

Most of my paintings try to make the impossible look inevitable. I like to think beyond a single work of art and imagine things from many angles, or imagine how they would look in a thousand years. What would happen if an object were picked up by an alien culture and used in a different way? Such leaps of imagination are what an engineer is doing all the time, and most science fiction people aren’t too far removed from that kind of thinking.

My Watercolor Supplies

I have a 12-color set of full-pan watercolors and a small, changing set of gouache. I keep a several different brands in play at any given time, and combine colors from more than one brand in any given painting. I use a heavyweight, medium-textured watercolor paper for all my water media paintings and sketches.

My preferred watercolors include a Schmincke Horadam 12 Color Set, Holbein (gouache), M. Graham (gouache), Winsor & Newton (gouache), Shinhan Pass (watercolor/gouache hybrid), Richeson (casein).

For brushes, I use a Winsor Newton series 995 flat, Winsor Newton long flat bristle brush #8, Richeson short-handled travel set and Richeson “Grey Matters” brush set.

Watercolor & Gouache Video Tutorials

Here are some examples of how I paint with watercolors and gouache:

Conclusion

I would advise anyone beginning to draw and paint to forget about style and to draw and paint as naturally and faithfully as possible, especially at the beginning. I think it’s a mistake to dwell on developing a personal style, because sometimes the style gets in the way of really seeing.

Though, there’s no doubt that it’s a tough time right now to make a living as an illustrator. But that can change. We have to win back the public by coming up with new ways to tell stories with pictures. We have more resources at our fingertips than any of our artistic ancestors ever dreamed of, and there are unlimited opportunities if we can just try to rise to the high ideals and standards that they came before us.

Illustration is a proud calling. We should never forget how lucky we are to be able to conjure dreams out of thin air.

James Gurney Website Instagram Facebook YouTube Twitter

GUEST ARTIST: "Conjuring Dreams Out Of Thin Air" by James Gurney - #WorldWatercolorMonth #doodlewash #watercolor #watercolour #gouache @GurneyJourney My name is James Gurney, and I was born in Glendale, California and raised in Palo Alto.

[sadiesavestheday]

Learn all about gouache in my new course! https://skl.sh/2JSE768 Or directly from me here : https://gum.co/CIYZT Want the swatch sheet? Get it here: https://gum.co/PamEFi My Shop! http://bit.ly/2wpGqpR ↓ Everything you want to know is down here! ↓ Sandra Ruberto’s Channel: https://www.youtube.com/channel/UCyERR3Ivg8mPBDLjFzXeLLQ Linel extra fine gouache: https://ift.tt/2IhL9i2 Schmincke Horadam: https://ift.tt/2HZZnVu https://ift.tt/2IhL2TE Schmincke Akademie: https://ift.tt/2HZBZYy Holbein: https://ift.tt/2IhLbXc Sennelier: https://ift.tt/2HWMxHF Lukas: https://ift.tt/2IhL7GW https://ift.tt/2HYf3Zs Pebeo: https://ift.tt/2IhLeSS https://ift.tt/2HY0uVS Maimeri https://ift.tt/2IhLfpU Reeves: https://ift.tt/2HZZsbK https://ift.tt/2IhLgtY Royal Talens: https://ift.tt/2HZZu3m Turner acrylic gouache: https://ift.tt/2IbZ7lB https://ift.tt/2HXQThU Windsor and Newton foundation brushes: https://ift.tt/2IhLjpE https://ift.tt/2HZZvnW Daler Rowney system 3 sword brush: https://ift.tt/2IhLlhg https://ift.tt/2HZZwZ2 Daler Rowney system 3 acrylics: https://ift.tt/2IhLlOi https://ift.tt/2HYNoaY Shinhan poster color: https://ift.tt/2IcACol https://ift.tt/2HZZzEc Caran d'Ache: https://ift.tt/2IhLmSm https://ift.tt/2HYf4fY ★YOU can help me make more videos!★ For behind the scenes updates, exclusive reference photos, tutorials, and secret hangouts, support my work on Patreon! https://ift.tt/2mqvZdL Or give me a tip on Ko-fi! https://ift.tt/2tfGPtS Thanks for watching! · · · · · · Did you like the video? Want more speedpaints, tutorials, and art supply reviews? Subscribe to my channel! - http://bit.ly/23dTSSz Contribute Subtitles Here: http://www.youtube.com/timedtext_cs_panel?tab=2&c=UCtTQbFqjapIrCgtm3BGzvcg If you have any questions or comments, leave them below! Don't forget to leave a thumbs up. :) · · · · · · Materials: Winsor and Newton Designer's gouache (http://amzn.to/20KwNXq) M Graham Artist’s Gouache (http://bit.ly/mgrahamgouache) Mijello Fusion Palette (http://amzn.to/2cj6sxN) Check out my Amazon wishlist!: http://amzn.to/2pxqDhZ Get the supplies I love to use! : https://ift.tt/2p5yWnw · · · · · · Shop! Originals | https://ift.tt/2ensoeV Prints | https://ift.tt/2jezg1Y Commission Me | https://ift.tt/2dUeYn7 Watercolor Templates | https://ift.tt/2sijOBi Courses and Tutorials | https://ift.tt/2kIErD7 · · · · · · Want to keep in touch? Connect with me below! Patreon | https://ift.tt/2mqvZdL Website | https://ift.tt/220GJgC Instagram | https://ift.tt/220GJgA Twitter | https://twitter.com/sadiesavesit Pinterest | https://ift.tt/1Xn4sqY Facebook | https://ift.tt/220GK44 Tumblr | https://ift.tt/1Xn4sr0 · · · · · · Music:Chris Zabriskie "Tech Tools" - (Creative Commons license: https://ift.tt/qdXal7) · · · · · · Some of the links above may include affiliate links. If you click on them, I might receive a small commission. While this is at absolutely no additional cost to you, your support can help me to continue making videos for this channel. Thanks!

[somniaandram]

painted from a picture i took in the south african savannah. this pretty guy is called blister beetle. encounters can be painful. fortunately i never made the experience :) i used my new schmincke gouache, love painting with it! also noticed that i'm getting along with my moleskine art journal a bit better now 🙃

[jennifercharleeart]

🌿🌱🌿🌱🌿 Open me for all the good stuff 🌿🌱🌿🌱🌿 Thank you so much to my video producers (Christine, Jason, Jaqueline, Shaina, Jasmo, Jennifer, Ines, Jessica, & Jolene!!!) over on Patreon.com/jennifercharlee!!! I know this is a long one but I wanted to go into a lot of detail if any of you were considering spending your hard earned money. Here are some timestamps so you can skip around if you'd like!... 🌱Timestamps: - 05:10 - Initial Product Overview - 05:19 - Premium Watercolor Pad - 06:07 - Expert Watercolor Pad - 08:38 - 100% Cotton Watercolor Pad - 11:56 - Premium Watercolor Book - 15:40 - Making Swatches/Tests Final Thoughts: - 22:54 - Premium Watercolor Pad - 25:14 - Premium Watercolor Book - 26:19 - Expert Watercolor Pad - 27:20 - 100% Cotton Watercolor Pad 🌱Supplies*: ***Arteza Coupon Code: 10% Off until May 31, 2019 - JenniferCharleeArt3 *** Papers: ◹ Arteza Premium Watercolor Paper -(http://bit.ly/2GCusM7) ◹ Arteza Watercolor Hardback Book - (http://bit.ly/2UZxdkG) ◹ Arteza Expert (Wood Pulp) Watercolor Paper - (http://bit.ly/2GCutQb) & search: "Expert Watercolor Pads 9x12” 32 Sheets" ◹ Arteza 100% Cotton Watercolor Paper -(http://bit.ly/2UX3yZj) Watercolors in Brand Section: ◹ Schmincke Horadam Artists Watercolor - 12 pan set linked - (http://amzn.to/2BjGUf6) ◹ Similar Metal Watercolor Tin Palette (http://amzn.to/2D8LFJa) ◹ Jane Davenport Brights Watercolor (https://amzn.to/2KzQxiV) ◹ Arteza Premium Watercolor Tubes (http://bit.ly/2vj35Bp) Other Water Media: ◹ Dr. Ph. Martin’s Hydrus Liquid Watercolor (http://amzn.to/2DpFkd6) ◹ Arteza Premium Gouache (http://bit.ly/2V08MDy) ◹ Colorit Watercolor Brush Pens (https://amzn.to/2L5hCHb) ◹ Arteza Professional Watercolor Pencils (http://bit.ly/2PuTHnE) Other Supplies: ◹ Waterproof Black PITT Pen - (https://amzn.to/2XydPb1) ◹ Daiso Watercolor Brushes (https://amzn.to/2MagenE) My Favorite Supplies: https://amzn.to/2V1sfjs All art created & owned by Jennifer Charlee Website: http://bit.ly/2PUFBui 🌱I'm teaching over on Skillshare! Make sure to follow my profile to see when I upload new classes!: https://skl.sh/2UYUHCG 🌱Get 2 months of Skillshare Premium for FREE: https://skl.sh/2INxIns Come join the party on 🌱 PATREON 🌱 for exclusive content, self-care resources for creatives, newsletters, store coupons, brainstorm sessions, and special announcements ^_^ Join the art journey! 😍 http://bit.ly/2pJ1JxM 🌱Support & Shop: 💖 ◹ Prints/Originals/etc- https://etsy.me/28TEqZ4 ◹ Totes, Shirts, etc- https://rdbl.co/1TTD18D ◹ Donation/Tip Jar: http://bit.ly/2l0WJ6m ◹ Support the channel with ANY Amazon purchase: http://amzn.to/2FvZl2m 🌿🌱🌿🌱🌿 Let’s Be Friends ^_^ 🌿🌱🌿🌱🌿 Instagram ◹ http://bit.ly/25CQT9m Twitter ◹ http://twitter.com/JenniferCharlee Facebook ◹ http://bit.ly/1TTCKlZ Twitch ◹ http://bit.ly/25CQBPU Pinterest ◹ http://bit.ly/28Wr9BJ Tumblr ◹ http://bit.ly/2jLWibl 🌿🌱🌿🌱🌿🌱🌿🌱🌿🌱🌿🌱🌿🌱🌿🌱🌿 🌿Happy Mail:🌿 ◹ PO Box 21841 El Sobrante, CA. 94820 ◹ Amazon Channel Wishlist - http://bit.ly/JenniferCharleeWishList 🌱Check out my favorite traditional/digital art supplies 🎨 & filming/live streaming 🎥 equipment: https://amzn.to/2V1sfjs *Affiliate links are included above. A small percentage of any purchases made through use of these links will help support me & the channel at no cost to you! Thanks! 💕💕💕 __ ♫Music By♫ Intro/Outro: Before I Sleep - by Muciojad http://bit.ly/2l0OC9V Music by Joakim Karud http://youtube.com/joakimkarud #artezapaper #artezareview #artezaartsupplies by Jennifer Charlee Art

[doodlewash]

Hi, I’m Jean (originally Gyöngyi) and I am from Romania. I am a passionate illustrator, full of imagination and lots of love for watercolor painting. I work with my cheeky assistant, Felix, a cat I found on the street when he was just a kitten. We make quite the team together: we both love the visual arts, music and nature.

How I Started

Head In The Clouds

Just like every other kid, I was always interested in art and loved experimenting, drawing and painting, not only because it was a fun activity, but because it allowed me to express myself freely. When I was a teenager, I knew I had a passion for the art world, but I still thought I should study something a bit more serious, something that would offer me a real life job.

So I picked up mathematics and computer science as main subjects. Although my personality is quite pragmatic, I often felt numbers and computer science were not for me… and you could see me doodling on the last pages of my notebooks during classes. I finished high school and I felt hopeless, so I decided to follow my heart and study art.

I became a graphic designer student at the local university and I had the opportunity to study multiple subjects, including illustration. After the first few weeks I already knew I fell in love with it, and I started dreaming about my future career as an illustrator.

Sleeping Fox

After graduating university, I started working as a designer and later as an illustrator, but during the course of many years, I would often put aside my illustration projects in favor of graphic design. Why? Because it was a more popular field and everyone was so hyped up about it. I slowly started to feel crushed because I couldn’t express myself as an artist.

Monochrome Forest

I’ve always had a huge hunger for learning new things, exploring art and different mediums. I had lots of illustrations in my mind and I needed to express myself, but even while working as a freelance illustrator, I couldn’t. So I was dreaming about becoming an independent illustrator, where I could express my own ideas and emotions, and create the illustrations that I love.

Forest Adventure

For 10 years I designed vector illustrations and I loved it, but after such a long time I needed a change. I remembered that I always loved watercolors, but found it a very difficult technique to work with. I even created watercolor textures that I added to my vector illustrations so they would look more like watercolor illustrations.

365 Days Of Art Challenge

In 2017 I took a break from digital art and I started to experiment with watercolors. I really loved it, I loved it so much that last year in December I made a brave decision: to complete my 365 days of art challenge with watercolors. So right now I have a whole year ahead of me to express myself, to bring out all the illustrations I’ve been wanting to create and to get better and better at it.

Spring Flowers

Spring Is Here

I’m very happy for this challenge and the progress I’ve made in such a short time, and I am looking forward to seeing where this journey brings me as an artist. Another reason why I love this project so much is because it’s quite difficult… and that challenges me.

Creative Process And Materials

I have a very vivid imagination and often get a clear image about what I want to illustrate next, but sometimes, nothing comes to mind. So I keep browsing photos and materials until I feel inspired. I love to illustrate idioms or surreal things, and anything with a positive or funny message.

Rising

I also love to create botanical illustrations, landscapes, character designs, children illustrations and so on. For sketching I sometimes use reference photos that help me understand the shapes and subject details better, but when it comes to children illustrations, I often draw from memory.

Tuscany

Once I am happy with the sketch, I trace it (I’m quite old fashioned and use my window for this) on watercolor paper and start painting. While sketching I need silence, but when I paint I love to listen to calm/relaxing music.

Usually, I paint the first layer with simple colors, then work on the second layer where I add more colors, follow up with darker tones, shadows and finally the black layer. I love to use gouache or acrylic for white parts or highlights, and sometimes watercolor pencils for details. I scan the finished painting and adjust the colors, and edit if necessary before publishing.

Winter

I use the Schmincke Horadam watercolor tubes to paint, and most of the time, Canson Aquarelle 300 gsm cold press watercolor paper. I love to use watercolor pencils too, mine are from Raffine Aquarelle. The brushes are all different, but most of them are from Daco and Milan.

Hyacinth

Don’t Forget Your Dreams

While painting for my 365 days of art challenge I often start with something simple, and during the process, I find more and more meaning and inspiration connected to my illustration. So, in the end, it turns into something I haven’t even thought about at first. I love when that happens! I even try to write stories for some of my illustrations.

Conclusion

I decided to film my painting process whenever I can and post it on Youtube. If you are interested in how I create my illustrations, I invite you to check out my channel at the link below. To see all of the illustrations I create for the 365 days of art challenge, you can visit my Instagram link below.

Somewhere Only We Know

I’m very thankful for being featured as a guest artist on Doodlewash, among so many talented artists. Thank you so much Charlie!

Jean Balogh Instagram YouTube Tumblr Facebook Behance

GUEST ARTIST: "Painting In Watercolors: The Passion That Never Stops Growing" by Jean Balogh - #Doodlewash #WorldWatercolorGroup #watercolor #Romania Hi, I’m Jean (originally Gyöngyi) and I am from Romania. I am a passionate illustrator, full of imagination and lots of love for watercolor painting.

[somniaandram]

I got myself some nice Schmincke Horadam gouache recently (couldn't resist the temptation 😳). One sheet of my boesner watercolor paper was just enough to mix all the 10 colors i have in my set with each other. First impression: never want to paint with anything else again 😍

[doodlewash]

Being creative was always a part of my life. The first time someone gave me watercolours to play with was in kindergarten and I remember learning to paint a rose back then. This was some decades ago and I think my art has improved a little since then. My name is Lana and I live in Germany. My mother played a huge role in discovering different media and improvement of my art. Back in Soviet Russia, where I was born, she would let me use her artist quality supplies when I could barely walk, gave me her inks and dip pens to try and gave me tons of great advice. She pushed me to become better and learn techniques, but was also my biggest critic.

After going through a pencil and charcoal phase in my teens, I used acrylics and oils a lot. Then, during university, I was so busy with studying, that I barely found time for creative adventures. The more I rushed into art after having my degree in history, philosophy and psychology. Watercolour and inks were my mediums of choice, while I still explore and try other mediums from time to time. Watercolour is what brings me the most joy. I love how expressive it can be and how exact at the same time. It‘s a joy to experience how the pigments flow in water, separate and behave.

The curiosity lead me to exploring watercolours more and trying different brands, papers and combinations. So my journey began. I created a YouTube channel and shared reviews of the paints I tried there as well as on my blog, which I already had. Sharing my experience, process and results is very important for me, as gathering and sharing of knowledge was one of my goals in anything I’ve ever attempted.

A new project was created when I started a database of the paints I purchased and tried, to share the knowledge with others. Also it‘s the place where I share the results of a lightfastness test I do with basically every tube of paint that I can put my hands on. Thus, Sun & Colors was born.

When it comes to paper, I tend to be picky. My favourite is the Fabriano Artistico cold press. It‘s thirsty, but feels smooth when touched by the brush. When it comes to brushes, I try to choose them depending on what I want to achieve. The Da Vinci Casaneo brushes are great when I attempt to paint loosely and without a sketch. The Silver Black Velvet brushes hold a perfect point and are great for exact and detailed work. Both hold lots of water, which is important for me.

​

The Da Vinci Nova series turned out to be great for gouache as well as details in the tiny sizes. Having tried out some brands of watercolours, my favourite is still my custom Schmincke Horadam palette, with some pans of Daniel Smith scattered here and there. The set of White Nights is a close second. The colours seem intensely bright, both brands rewet easily and are just fun to use. Most of all, I like how vivid they are and how much they flow once I touch the brush to the paper.​

My creative process often starts by being inspired by random things. Sometimes it‘s people, situations, things, colours, but most often nature and animals. Endangered species are a recurrent topic in my paintings. So far I‘m not sure if I have a consistent “style”, because it‘s so much fun trying something new and including new techniques into the painting process. In 2018, I attempted Inktober creating 31 ink paintings of endangered species without sketching first. Trying new techniques gives me a feedback about my abilities but also about my process. I was given the advice to stay consistent, it‘s just not what I want to be.

Consistency when it comes to a style feels very limiting to me as it doesn‘t give enough room to experiment. My process is lead by excitement for the medium, curiosity and a little of the feeling of a challenge. “Can I do that?” is a question I ask myself often and it‘s fun to explore whether I really can. Wood turned out to be a fun surface to be painted on using watercolours, of course it needs to be covered with watercolour ground before being worked on. Gouache is another medium that found its way into my collection as well as black watercolour paper.

The creative process is a meditative phase, where I get to relax and experience the world and subject I paint in a way that is unique for me. My full-time job is not very creative and I need the time that I spend with art to ground myself. Right now I‘m staying home due to the corona crisis and lock down so there is plenty of time to paint and go on adventures I don‘t have in real life. Art is a journey full of fun new things and techniques to try out.

My goal is not only to share my passion for art with the world, but also to encourage others to do so no matter if they are beginners or not. The art community I found online is a very passionate, kind and understanding one. The pressure many experience with following a style or using supplies in a certain way seems not as important as finding joy in what you do, express yourself and just have fun in being creative.

Lana (Swetlana Fink) Instagram YouTube Website Sun & Colors 

"Find Joy In What You Do" by Swetlana Fink - #doodlewash #WorldWatercolorGroup #watercolor #watercolour Being creative was always a part of my life. The first time someone gave me watercolours to play with was in kindergarten and I remember learning to paint a rose back then.

[doodlewash]

Hello, my name is Erhan Orhan and I am a self-taught watercolorist, living in the Netherlands. I am glad to share some of my watercolors with you on Doodlewash. I was born in Turkey, and as a child I always liked to draw. But my first contact with watercolor was in 1981, after I settled in the Netherlands. I attended a watercolor workshop, which was held in the same building where I followed a Dutch language class, and it was love at first sight.

In the absence of the Internet, the next logical step after the workshop was to search for books about watercolor. The first book I bought was simply titled Watercolor by John Pike, and I tried to copy every picture in the book. The next book Watercolor Energies from Frank Webb became a reference book for me. I still have it and read it again and again, if I need inspiration to paint.

Unfortunately, due to having full time work and children, I stopped practicing this new hobby too soon, before I could develop myself further. It was only after my retirement in 2016, that I decided to start painting again. This time with more affection and devotion than before. I try to paint every day, if possible, and otherwise, I follow the works of other artists to learn more and to generate new ideas.

There are lots of great artists I like, in fact too many to name them all, however I would like to mention at least the following names (in random order) as a reference for starting watercolorists:  Bill Vrscak,  Dean Mitchell, Frank Francese, Josep Cruañas, Ong KIm Seng, Orhan Gurel, Richard Sneary, Tony Xu. And the Taiwanese artist Chien Chung-Wei is my absolute favorite.

I paint mainly from a photograph in my studio, so I have not much plein air experience yet. Partly due to my background as a city planner, urban environments and particularly old architecture fascinates me, so the majority of my subjects are buildings and street scenes.

I usually don’t have patience for a long preparation. If I am attracted by a subject, I want to start painting as quickly as possible. On the other hand, I often use PhotoShop to manipulate the photo; eliminate color, rearrange objects, add figures, reduce tonal values etc., and I always begin with a pencil drawing, and spend time to get the drawing right.

I am not trying to develop an own ‘style’. Sometimes I paint quite realistic, and the next painting can be a very loose one. For me, to paint in a loose style seems to be more challenging than a realistic approach.

Among the three painting tools; paper, paint and brushes, I find paper is the most critical one. I like Arches Cold Pressed paper, but lately I also paint on Saunders Waterford (extra white) and Fabriano, all 300 gsm.  I buy my paper in full sheets (56×76 cm) and cut down into quarter sheets, which is, at this moment, my favorite size to paint. The purchase of paper in large quantities greatly reduces the sheet cost, and a large supply of paper seems to encourage more painting.

In the beginning, I bought a few expensive sable brushes, but I noticed that they lose their point very quickly and are not necessarily much better than good quality synthetic brushes. I have several watercolor brushes from various manufacturers, such as Rafael, Da Vinci and Winsor & Newton.

My paints are mostly Winsor & Newton watercolors. I also have a few colors from Daniel Smith and Schmincke Horadam. I use only tube paint and a limited palette with mainly classic colors: Burnt Amber, Burnt Sienna, Yellow Ochre, Cobalt Blue, Ultramarine Blue, Winsor Blue, Viridian, Lemon Yellow, Cadmium Red, Cadmium Orange, Alizarin Crimson, Neutral Tint and White Gouache.

I have tried various types of palettes and at this moment I use the aluminum Holbein palette, which has place for 13 colors. In addition, I use a round porcelain palette for color mixing. I use two separate containers for water; a rinse bucket for rinsing my dirty brush and another one with clean water for mixing paint.

Thanks for stopping by and reading my watercolor story. I wish everyone a joyful watercolor time. You can see more of my works at the links below.

Erhan Orhan

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GUEST ARTIST: "Watercolor's Energy" by Erhan Orhan - #doodlewash #WorldWatercolorGroup #watercolor #watercolour Hello, my name is Erhan Orhan and I am a self-taught watercolorist, living in the Netherlands. I am glad to share some of my watercolors with you on Doodlewash.

[doodlewash]

My name is Dominik Neuffer, and I’m from Germany, but I currently live in Switzerland. Maybe you know me from the Urban Sketching Group here on Doodlewash. I started sketching as a kid. My mother was a textile designer and I could learn a few things from her, like our daughters are currently learning from me, by watching and trial and error, of course.

Later, when I was older and more experienced, I also could help my mother every now and then. However after trying to study landscape architecture and lots of drawing and breaking up with it after my mother died, leaving me with a whole bunch of responsibilities, there followed a long hiatus over the years, where I did not sketch very much.

When I started to study computer science and successfully finishing it, I did computer graphics. But, I barely picked up a pen during the best part of ten years. Finally when our oldest daughter told me in 2015 she’d liked to start sketching seriously, I thought, well, that might be a good opportunity to reboot my sketching habit.

Since 2017, also thanks to World Watercolor Month, I’m back at a daily sketching routine. I think I’m a mixed media type. In school, I scribbled with pencil and fountain pen. I also liked crayons. After dabbling a bit on the iPad, the first sketches, I made again, were ink and color pencils. But, I was very fascinated by wet media and soon I bought my first watercolor set from Winsor and Newton.

Currently I’m most of the time sketching directly in document ink and adding washes of color. For ink, I use Sailor Jentle Kiwa Guro ink or Platinum Pigment ink in a Kaweco AL-Sport or Lamy AL-Star, because they‘re sturdy, not too expensive and easy to clean. I also like adding highlights in white with gel pens. Sometimes I throw the good old crayons in the mix or even use brushpens or ballpoint pens.

For brushpens I have a Tombow Calligrapy pen and a few identical Pentel brushpens, I refill with Kiwa Guro as well. The Akashiya Sai color brushpens are also nice for a change. For water soluble black ink for a broad stroke I recently discovered the Pilot Sign Pen.

For ballpoints, just a cheap pack of Bic Cristal from the supermarket. I also use Pelikan Skribtol directly out of the bottle (caution not for the faint of heart) With gel pens I had good experiences with the Jelly Roll and Uni Ball Signo in broad, but a Pentel Correction Pen can be fun as well (also not suitable for control freaks).

As for watercolors, I started with Winsor & Newton Cotman, switched to Prima Marketing and Van Gogh, but am currently most of the time using Schmincke Horadam because of their quality and availability. Also, The Schmincke work well with the old Schminke Gouache I have left from my mother which are still workable after 20 plus years. Sometimes I also use Kuretake Ganzai for plain color wahes.

Paper and sketchbooks, I’ve used a phletora. I really can recommend Seawhite of Brighton Mixed Media, they‘re affordable and can take a few washes of watercolor, but I have used so far with no complaints: Moleskine watercolor (good but expensive), Sennelier, Canson, Talens, Field Artist, Khadi and Pentalic.

For more watercolor work and loose sheets, I currently work with Arches Hot Pressed (satin) which I also use for bookbinding, but I‘ve also had very good experiences with paint on à grain from Canson. I‘m currently still searching for the perfect paper to combine ink work and watercolor or mixed media with crayons.

It was really eye opening when I realized that I’m a sketchbook person. I’m not that good with single sheets of paper. That doesn’t mean I don’t use them at all, but generally not much. I like to keep my visual notes, as I call them, in a bound book. Seeing it filling up day by day is something I find extremely satisfying. Also, keeping the mistakes and looking back at them later is really helpful for getting better, accepting and working on your shortcomings at the same time. As sketching became a daily routine, the motive of the sketch became less important.

If I wanted to get better at sketching, I realized, I had to sketch and not to be picky about what to sketch. The subject of the sketch doesn’t really matter. So, some sketches are really done for the purpose of sketching alone and that can be satisfying on their own. Basically, it really doesn’t matter what you’re sketching when you get immersed and enter the meditative sketching zone.

Most of the time, I like to catch moments and memories, though. For that I set the bar not very high. I like trivial things that become interesting the longer you look at them. Abandoned places, people on the train, old cars, I like to collect as I spot them. Also, living in Bavaria, the typical Swiss architecture is interesting to me. Most locals just fade it out. Since I’m doing this on a daily basis for 18 months now, I’m getting bolder. I’m sketching in restaurants, bars, at reunions and meetings. Just starting with a little scribble can be very beneficial as it opens your eyes and sharpens your senses. All of a sudden you’re starting to see motives everywhere around you.

Most of my work is done on the go. On the train, during lunch break. I enjoy jotting down the things I encounter on a daily basis. For example, when I was taking a short walk after having a quick bite for lunch, heading into a direction, I haven’t been yet, I discovered an old tower from 1542, which served multiple purposes throughout the centuries (prison, storage, sleeping place for soldiers). A nice motive for the 20-30 minutes I had still left of my lunch break.

When sketching from life, I first define the shapes with quick strokes in ink. Sometimes I start with pencil. After that I lay down a few washes of watercolor to define the basic shapes of the composition further. As finishing touches, I often add a few highlights with a white gel pen. When sketching on the go, watercolor is a convenient medium to add color.

For the composition itself, I feel free to move around things or leaving them out. That’s one of the benefits when sketching from real life. It’s more easy to distinguish between the interesting and uninteresting stuff. When looking at a photograph, for me, making that distinction is not as easy.  Generally, I try to work my way from the foreground to the background and trying to keep everything in between balanced and interesting, leaving details out where there isn’t my main focus.

I use too many sketchbooks. I’m trying to get the numbers down this year, but there isn’t the perfect sketchbook – at least not for me. Also last year, I learned how to bind my own books, that multiplies the possible combinations of papers and formats. It’s easier than it looks and it can be also a satisfying occupation on its own. You should absolutely try it.

For me, it all started with a sketchbook. I made myself on out of paper, my aunt gave me. Heaps of it. And since I’m not good with loose sheets, that was the perfect moment to plunge into bookbinding. The paper was decent, but nothing great, just right for quick visual note taking without worrying about wasting expensive paper.

When I have more time to sketch, I use better paper, preferably 200 gsm or higher. That’s when I bring at least three sketchbooks with me. Then I might draft the basic shapes with pencil or watercolor pencil as guides for filling in the colors. I also might use a pencil or graphite stick or even a black brushpen or diluted indian ink for adding value before coloring.

After the washes of watercolor, I add contours where necessary with fountain pen and black ink, highlights with a white gel pen and more contrast with crayons if necessary. Sometimes, however, I like to change things a bit and use ballpoint pens or red document ink for the outlines. Also sketching directly with water soluble ink before coloring can be a wonderful and freeing experience.

In 2018, I collected lots of memories that can be revisited by flipping through my sketchbook pages. Like the guys I sketched on the train and showed them the picture afterwards. An especially nice couple, even made a Polaroid of me as a gift in exchange. Another very particular and treasured moment is meeting three retired teachers in San Francisco and being invited by them on a day trip, because they enjoyed seeing me sketching.

Also in 2018, was the wedding of my cousin. During the festivities, I made 12 sketches of the event. That was my present for the newlyweds. For myself, I made five sketches on top of that to remember it. Being the “official” sketcher in addition to the hired photographer, I had a really great time, chats and drinks of course.

Besides that, the most treasured moments when it comes to sketching are the sketching ventures with our six year old. Kids of that age totally immerse themselves into the drawing. Usually, I can only get a quick sketch in while we’re out together, but I do enjoy having a memory of our shared moments.

Then, of course, there is the chatter you sometimes have with likeminded artists who spot you sketching or people who want to try sketching for themselves or start it again. I try to be very supportive when it comes to that, knowing how it made my life more colorful.

Then there is of course the “OMG, you’re so talented, I couldn’t do it” comment. I like to disagree on that with a soft but distinct statement. Because I don’t consider myself as very talented. Kids are naturally talented, but most of us stop sketching when entering adulthood. It’s all about practice and actually doing it.

I’m a fan of grinding. Back in the day when I was playing computer RPG games, grinding meant killing the same small monsters over and over to level up. While playing computer games didn’t teach me much about drawing, one thing I learned was that there can be quite a bit achieved by grinding. Or like the Japanese proverb says “Even Dust, When Piled up, Will Become a Mountain.”

Same goes for drawing. Constant practice makes you better and confident. Don’t venture out and attack the level boss first. Fight the smaller ones. If you’re overwhelmed by complexity, break it down into digestible bits or try something easier. I usually try to start as easy as possible.

Everything mustn’t be great, everything can’t be great, but by sketching regularly you eventually will get better and end up with a few good sketches, even great ones, you can be confident about and show with pride, because you deserve it. You don’t always have to share it. The sketchbook is yours, you can keep it all alone for you and keep it private. But, my advise would be to share at least some of your pages. It’s totally worthwhile.

Don’t try to judge yourself by the work of others. Only you can sketch like you can. Your line work is unique to you. Have fun and sketch often, then you’ll get better inevitably. While sketching from pictures can be good practice and I do it also as a second choice – preferably from pictures I made myself, going out and sketching from life is best in my opinion.

Also working with limited timeframes can be liberating. Knowing I cannot produce a masterpiece in 20 minutes can be a delightful experience. For me that means, getting a scene into my book without having the time to fret about mistakes. And that shows. Some of these quick drafts have a boldness that is hard to replicate when having all the time that would be needed.

Look forward and from time to time look back to see your improvements. Experiment to broaden your knowledge but also come back to the things you love and improve them. That way you’re building a solid foundation and confidence. Always carry a sketchbook with you, because the moment you’d like to catch probably won’t be waiting for you to be ready.

The new year is still young and now is a good time to start a sketching habit. As for my “resolutions”, I’m trying to get the number of my sketchbooks, that are in use, down as I’m trying to complete as much as possible before starting new ones. Also this year is all about reviewing and refining my style.

I’m also very interested in your goals. Let me know about your goals in the comments!

Dominik Neuffer Doodlewash Instagram YouTube

GUEST ARTIST: "Collecting Memories" by Dominik Neuffer - #doodlewash #usk #urbansketchers #urbansketching #watercolor My name is Dominik Neuffer, and I'm from Germany, but I currently live in Switzerland. Maybe you know me from the…

[jennifercharleeart]

vvvVvvv All the good stuff vvvVvvv Hey everyone and happy year of the dog! Get out your sketchbooks and learn about new and fun ways to fill a page as I fill my sketchbook and explain what skills I am building while I do. Do you have a fun exercise you do to help break in a sketchbook or get yourself working in one? Share it down below and I may feature it in this periodic video series ^_^ This video is not sponsored but the ARTEZA water brushes were sent to me for free to try out. 🌱Products Mentioned/Used*: ◹ Original sketchbook blob idea from https://www.youtube.com/olikane Oli Kane's video referenced: https://www.youtube.com/watch?v=mdKCxuvWrOw&list=PLjFNHcR4cM8098dNGzdpB95Ran6Yk6Hd3&index=3 ◹ ARTEZA Water brushes & other supplies - http://bit.ly/ArtezaJenniferCharlee (10% discount on ARTEZA site with code - QTL-EJY-552) ...or on Amazon (http://amzn.to/2HvWuZo) ◹ Canson XL Watercolor Sketchbook (http://amzn.to/2BhdNJ9) ◹ Watercolor/Gouache hybrid paints from https://www.youtube.com/inliquidcolor ◹ Prismacolor Premiere Colored Pencils (http://amzn.to/2Dz9k9M) All art created & owned by Jennifer Charlee Website: http://ift.tt/2l0QWhh Check out my 🌱 Patreon 🌱 for exclusive content, newsletters, blogs, store coupons, and special announcements ^_^ Come join the party 😍 http://ift.tt/2pJ1JxM Support Me & My Channel: 💖 ◹ Prints/Merch- http://ift.tt/28TEqZ4 ◹ Original artwork- http://ift.tt/2rzjMsK ◹ Totes, Shirts, etc- http://ift.tt/1TTD18D Buy me a coffee/Tip Jar: http://ift.tt/2l0WJ6m 🌱Help support the channel & prioritize supply reviews: 🌱 Amazon Channel Wishlist - http://bit.ly/JenniferCharleeWishList Most Used Supplies*:🎨 🌱Traditional🌱 ◹ Prismacolor Col-Erase Sketching Pencils (http://amzn.to/2mTuZPV) ◹ Canson XL Watercolor Paper Pad (http://amzn.to/2FXTOTn) ◹ Canson XL Watercolor Sketchbook (http://amzn.to/2BhdNJ9) ◹ Prismacolor Premiere Colored Pencils (http://amzn.to/2Dz9k9M) ◹ Koi Watercolor Sketchbook Set (http://amzn.to/2DUDmT8) ◹ Grumbacher 6 Round Watercolor Brush (http://amzn.to/2BhFTUw) ◹ Princeton Snap Round 4 Watercolor Brush (http://amzn.to/2DT7jD3) ◹ Princeton Snap Round 8 Watercolor Brush (http://amzn.to/2mTxVMr) ◹ Schmincke Horadam Artists Watercolor (12 half-pan set linked) (http://amzn.to/2BjGUf6) ◹ Dr. Ph. Martin’s Hydrus Liquid Watercolor (http://amzn.to/2DpFkd6) ◹ Dr. Ph. Martin’s Bombay Ink (http://amzn.to/2DvERJJ) ◹ White Gelly Roll Pen (http://amzn.to/2DSHTWb) 🌱Digital🌱 ◹ XP-Pen 22" Tablet Monitor (http://amzn.to/2DhOubz) ◹ Clip Studio Paint Software (http://amzn.to/2Dl1jSH) 🌿 Help support the channel with ANY purchase: http://amzn.to/2FvZl2m *Affiliate links are included above. A small percentage of any purchases made through use of these links will help support me & the channel at no cost to you! Thanks! 💕💕💕 ▽▽▽▽▽▽ Let’s Be Friends ^_^ ▽▽▽▽▽▽ Instagram ◹ http://ift.tt/25CQT9m Twitter ◹ http://twitter.com/JenniferCharlee Facebook ◹ http://ift.tt/1TTCKlZ Twitch ◹ http://ift.tt/25CQBPU Pinterest ◹ http://ift.tt/28Wr9BJ Tumblr ◹ http://ift.tt/2jLWibl △△△△△△△△△△△△△△△△△△△△△△△△ ♫Music By♫ Intro/Outro: Before I Sleep - by Muciojad http://ift.tt/2l0OC9V Adventures by A Himitsu http://ift.tt/1Cl9C80 Creative Commons — Attribution 3.0 Unported— CC BY 3.0 http://ift.tt/15faYU2... Music released by Argofox https://youtu.be/8BXNwnxaVQE Music provided by Audio Library https://youtu.be/MkNeIUgNPQ8 by Jennifer Charlee Art