#say what you want about this episode but it DID give us 'i would take a bullet for that dog'

[hephaestuscrew]

I'm sure Minkowski never forgot that Cutter was the first person ever to call her Commander. After recruiting her in Once in A Lifetime, he starts to call her Lieutenant, then breaks into laughter, before correcting himself: "What am I saying? Commander Minkowski." He draws attention to himself granting that title, stressing its significance. By initially calling her by a lower ranking, then conspicuously correcting himself, Cutter emphasises that he's the one granting her that title. Right at the beginning of Minkowski's employment with Goddard Futuristics, Cutter plants the seed for his line in the finale: "People cared about you because of what I made you: A soldier. A leader. A commander. I gave you that, and now? I taketh away."

And he does take it away. Cutter makes a point of calling her Commander in that first meeting, but he hardly ever calls Minkowski Commander after that. He almost always calls her Renée. He makes the point in that first interaction that he has the authority to grant her that title, and then in every subsequent interaction he tries to make the point that she doesn't have command over him. Having called her Commander once makes every time he doesn't call her by her title seem more deliberate. It's not that he never uses titles - it's that he uses them selectively. He gives her a taste of that sense of authority, but he doesn't want her to feel worthy of it.

In the liveshow, he cuts her off by shouting "I AM SPEAKING, LIEUTENANT!". Minkowski is the Commander of the Hephaestus in official terms at this point and Cutter even refers to her as "a mission commander" later in the same episode. So there is a deliberate malice to Cutter calling Minkowski Lieutenant here. Not only does it emphasise the use of authority structures as a means for control and the abandonment of first-name-basis false friendliness, calling her by another title makes his choice not to call her Commander even more explicit, denying her that authority.

Apart from when he recruits her, the only other time I can think of when Cutter directly calls Minkowski Commander is in Ep60, when he lays out his offer to let Minkowski leave on the Sol: "How does that sound to you, Commander?" Again, calling her Commander is a kind of power play, an attempt at manipulation, highlighting the sense of responsibility that motivates so many of Minkowski's actions. Cutter is prompting her to ask the question she would be asking herself anyway: what choice would a good Commander make? Just as he did when he recruited her, Cutter offers Minkowski something she desperately wants, and the use of her title here only draws attention to the idea that Cutter is the one with the power, choosing what to give her.

[mintycandycrumb]

The Blatant Sexism and VA Harassment in The SAMS Fandom.

Not the first Ramble I fully wanted to make on this account, and I'm a little late to the party, but I feel this can no longer be held back as something to keep inside. I have been in the SAMS fandom now since Nexus was first born as New Moon, and in that year and a half since Moon first died I've seen this fandom take some of the lowest falls ever.

I would like to start this simply by saying to Kat (Earth's VA); that I am so sorry the fandom is treating you the way they are, and allow this message from me to at least somewhat help you know there are people in this fandom who respect you and the work you do for us. As an aspiring writer and voice actor myself, you and the rest of the crew are inspiring, and I'm sorry the fandom has thrown so much hate at you for no reason.

To everyone who has been harassing Kat or any other VA; You suck. Plain and simple. These VAs create, write, portray and produce free daily content for you, and you feel entitled to 'good' writing when none of them are professional writers who HAVE to give it to you. These are people with their own lives, and creators do not owe their audience anything, and they are in every right to take it away from us if they feel necessary.

I do have my own issues with the writing at times, but I can look at TSBS for what it is, a simple online show that will have its flaws, plotholes, mistakes, and 'bad' episodes. But it's a show I still love regardless, for the characters and their stories, not the overarching plot. No writing is perfect and the VAs are not professional writers, those who expect movie-quality writing in these shows are not seeing it for what it is

And finally, the blatant hatred towards the female characters in TSBS. Earth, Roxy, Nebula, Pollux, Puppet, Ballora, I've seen so much despisal for these characters for seemingly no reason, and I myself admit I enjoy most villains over them, but that is my own personal love for Villains and NOT a dislike for these characters. They are just as well written as others, flaws and all, as it makes them more human. I will mostly be touching on Earth as she is my biggest point of anger here.

Earth is ALLOWED to be selfish for once in her life, it is not something to demonize her for while you woobify Lunar, someone who has outright admitted he is selfish and by that logic should face the same hatred. Earth is a sweetheart who wants to see the good in people, even those others demonize, like Eclipse, but for some reason, she is despised when she finally wants to do something for herself.

Earth currently is living with chronic pain due to Lunar's rage and selfish (though justifiable) hatred towards Eclipse, and she currently is confused about whether she should forgive him or not, that's good writing, not something to hate her for. The female characters of TSBS are written to be realistic and more human, they are not your punching bags just because you don't like them for some reason.

If you demonize the female characters, yet woobify the villains and claim they can do not wrong, you suck. I admit once again, some of my favorite characters are the deplorable villains (Nexus, Ruin, BloodMoon, etc), but that does not mean I will say they did nothing, they are horrible people but I love them for it. And I love Earth, and the other female characters, for their flaws and the mistakes they make.

In short: Leave the VAs alone, creators owe you nothing, the female characters are flawed and that's okay, you are allowed to like villains despite their deplorable actions, and I hope for the sake of everyone working on these shows our fandom gets better. All of this coming from the perspective of an aspiring VA, Writer, and a woman. Do, Better.

[shhrrroooommmmmyyyyyy]

S1: The Birb's Feelings

(pt 1.5 for episode 7 and 2 for season 2 idk when cause shit's crazy rn)

Stolas is one of the most morally controversial characters in the show. With the show revolving around Blitz's relationships, it's natural that the show gives us the most information about him because he is arguably Blitz's most complicated relationship at the moment (I'm not going to include Barbie bc we've literally only seen her for like 5 minutes in one episode which isn't enough information). I wanted to do a quick overview of how I perceive Stolas's feelings throughout the duration of the show in sort of a timeline format

~Episodes 1, 2, 5~

So, at first, it's obvious Stolas doesn't really think of Blitz too romantically and mostly sexually. Ok, completely sexually. However, there's a reason why that people often overlook sometimes. Stella openly said in the season 2 premiere that the only time him and her had sex was to have Octavia. Man's literally been deprived of anything enjoyably sexual his whole life. So when he finally does have sex that's enjoyable for the first time, he naturally wants more of it

As we all know, Stolas isn't the most self aware king (or should I say prince) out there (which is okay; he's still growing and developing as a character). The way he treats Blitz in these first few episodes sort of gives off sex toy vibes. Obviously, this is where Blitz gets that mindset from, that all he is is just a toy for Stolas

But after seeing what Stolas' true personality is now, I highly doubt Stolas knew exactly how he was treating Blitz during this time. Again, self awareness issues. Natural part of his character that, after watching Viv's writing since the Hazbin pilot first released (yeah og right here), I'm positive will be developed on later in the show. So hold your horses people, we're just now 2 episodes away from only being halfway through with the show. Give it time, it'll happen

Anyways, Stolas isn't a bad person (I'll fight anyone over this take, dont play). But he does the wrong things with the right intentions. He treated Blitz the way he did in these first few episodes because Blitz was the first person he's ever enjoyed having sex with. It's a big deal to him as it sort of "awakened" him. I think he was so happy about the sex after around 35 years of nothing, he didn't fully realize how he was treating Blitz in the process

*Not an excuse, but simply a possible explanation for his actions*

~Episode 6~

My favorite episode. Stolas shows up when I.M.P.'s sort of cornered by the agents and scares them shitless with his scawy big birb form. First he makes sure Blitz is okay, then he scolds him for getting caught. Almost like a mother who's mad but cares for their well-being (crying in ghostfuckers)

This may seem small to you guys, but for me this was when Stolas became my favorite character. Not only did this moment show he's more than just the cringy comedic horny relief, it also showed that he cared. Why would he ask if Blitz is okay if he didn't care about him? That has nothing to do with the book. If it got in possession of humans he could literally just kill them in like a second and take it back. Tbh (dont come after me pls) but before this episode I didn't like my first impression of Stolas. Despite the many takes calling the cringiness of his lines in the first few episodes "iconic", I hated it. It was just too much

And in this scene it's not just that he's asking in general, it's how gentle he's being with Blitz. Holding his face and speaking a bit softer with a caring expression on his face. I love it so much (aggghghhghghgahhaagh). I know his attitude changes after a few seconds, but still it was a nice moment that reshaped my perspective on his character for basically the rest of the show

*Like I said before I'l give episode 7 it's own post cause i'm too tired and there's so much to talk abt in that episode*

[arttsuka]

Ok here are my thoughts about arcane season 2, buckle up

I wana say, I liked the second season, less about what we saw, more about the story they wanted to tell.

It started fine but as soon as episode 4 came the problem was clear. The pacing was bad. Everything was happening too fast, there was no time for smaller moments. A lot of character development was off screen too.

I've heard they were supposed to have more seasons but decided last minute to cut the show short because 'there are more stories to be told'.

Caitlyn had most of her arc off screen which is such a shame, I really wanted to see how she realized she was being manipulated, I wanted to see her dictatorship era. But we got none of that, it's implied it happened but we didn't get to see it.

Sevika was relevant up until ep4 and then we see her again in ep8. I don't think she has any speaking lines after ep4. Such a waste of her character, she was really interesting.

Isha. She came to the series as suddenly as she left. I have a lot of problems with her character, one of them being that she wasn't introduced organically. She randomly fell on Jinx (by accident). Arcane relies way too much on 'right place right time', on coincidences so, when that can be avoided, it definitely should. Make her fall on top of the first person that passed through on purpose so she won't get hurt (that person being Jinx is the only coincidence here). Her sacrifice felt a bit unearned because we didn't get to see her a lot, and after ep6, they never speak of her again (it affected Jinx sure but they don't even mention her once).

Mel. They did her dirty this season. They speedruned her arc (and the whole thing felt so out of place). I've heard that maybe the next show was going to be focused on Noxus etc which, if it turns out to be true, would be a bad decision. If they are actually planning on making something about Noxus, I'd at least expect Ambessa to be there and also, it would be a great opportunity to learn about Mel and her powers in greater detail instead of whatever we got.

Viktor as the herald, ultimate life form or whatever was so short lived. Make you wonder why they decided to include it only in the last episode instead of implementing a bit earlier.

Vi was also so, useless this season. She did almost nothing. She was a punching bag for the most of it.

Jinx felt a bit ooc, less about what she was doing and more about how there wasn't any time to see her get over Silco's death. Silco had such a negative effect on her mental health (all these hallucinations from s01) but he dies and boom, mentally stable? I would have liked to see her become healthier (it would also tie nicely with getting to know Isha better).

Vander. They brought him back. It was actually foreshadowed in the first season. Him being back is not my problem, on the contrary I think it was a great way to naturally bring Vi and Jinx back together. My problem was how we see him for 2 episodes (and then he 'dies'). It felt like a waste of time honestly, time that could have been used to see something else.

Episode 6 has to be the worst episode of the whole show. The pacing is pretty bad. The events that take place in it feel like 3 episodes, not 1. We get not 1 but 2 different artstyle montages, making the episode look, weird...

The best episodes were probably ep03 and ep07. Both had nice pacing (especially ep07, it felt like it was straight out of s01) and the story explored in them was pretty captivating. But I do have a problem with ep07. It's where Ekko got his 'time powers' from and honestly, they were pretty underwhelming? Also not at all well implemented to the story. We literally see him use them 3 times. 1: when he finds out about them, 2: when he saves Jinx and 3: when he goes back to try not to get captured by Viktor's mannequins. The last 2 on the same episode. That 4-second-limit was never really relevant (at least I don't think it's was). They wasted an entire episode giving him powers only for him to never really use them and for the machine to act as a bomb.

Also I didn't like the dancing scene with Powder and Ekko. I understand the vision behind it but I felt like my TV was dropping frames. It felt choppy, cheap (such a shame for a beautiful scene).

Now, I liked the lesbian sex scene in ep8, I really did, but it felt so out of place. Jinx basically implied she was going to kill herself, Vi was on the verge of tears because she was insecure about how she seemed to only make the wrong choices and then, that scene happens. It leaves a bitter taste in my mouth. I've seen people compare it to the s01 'Jayce/Mel vs Viktor dying' scene and while I understand where the comparison is coming from it's definitely not the same. In that scene, Jayce didn't know Viktor was dying (he knew about his deteriorating health, but he was clearly shocked and left Mel to go check out on him etc etc).

Also, Caitlyn should have gone down on Vi. I think they image would have been stronger. Vi was at the bottom of the barrel her entire life (literal plot point, being from the undercity etc) so seeing Caitlyn, someone of higher status and power, being the one to 'bow' would just be more powerful. Just a thought.

I just feel like I liked their relationship and dynamics more in s01. They had more casual moments, more natural dialogue. Yes we won but at what cost? Their relationship was so sweet in s01. In s02 it started sweet, turned out to be manipulative on Caitlyns side*, they break up and then they're fine again.

*in ep3 it's clearly shown that while Caitlyn loves Vi she's willing to manipulate her to reach her own goals. That first kiss we see was definitely more of a 'I'm gonna play with your emotions so you don't doubt me' rather than 'let's just kiss now'.

I liked how Jinx cut her hair. The whole 'hair holds memories' and how she was ready to move on. Too sad that scene didn't have the proper gravity it deserved because the lesbian sex was happening (probably) the same time.

Ep9 was, something. I'm conflicted about it. On one hand I really liked how they tied up Viktor's and Jayce's plot lines, on the other hand everything else was so rushed. Caitlyn and Mel were a team (they didn't feel like one honestly), they fought Ambessa and then she randomly died from the black rose. It felt like they just wanted an excuse to kill her. 'She needed to die so Mel could become the wolf' no, not really. She could still be alive, have Mel 'spare her life' or something. It would be more on track with Mel's ideals that way.

Jinx sacrificing herself to save Vi was also so forced**. It felt specifically written so she could 'die'. I do believe that 'Jinx is alive' theory because Caitlyn looking at the vents while holding that monkey head Jinx's bomb had + that air balloon Powder said she'd fly away with are all too specific to be coincidences.

**her sacrifice was forced but foreshadowed. Isha was acting as an 'archetype' of what Jinx had to become. Her whole existence in the show was so Jinx could become an icon for Zauns revolution and for her to sacrifice herself so Jinx could see and do the same, break the cycle.

What really bothered me was how Jayce and Viktor seemed to be the only characters who had a complete story, everyone else had a lot missing scenes (they did too but way less, there never was a point where I thought 'where does this come from?', everythingwas explained about them. I wish I could say the same about the 'arcane', magic). It's so unfair, on the female lead show about 2 sisters for the male characters to be the final focus. Also another thing that bothered me how they did a seemingly better job at writing Ekko/Powder, the straight ship we got to see for 1 episode on a different timeline, rather that Vi/Caitlyn, the lesbian ship AND main focus since they're both main characters from the timeline were following.

Something else, I feel like the score for s01 was better/more memorable than s02. Sure s02 has some pretty good songs but s01 felt more diverse on that? Maybe that's just me.

Kinda lazy how they used the same song for the opening credits while using visuals way too similar (if not the same) to the artstyle of the show. Although, truth to be told, the s01 opening was way too good for any standards, it would be very hard if not impossible to make something better. Still, I feel like they could have done a better job.

Also maybe that's just me but there were a lot of predicable moments. Sometimes a scene would start playing and I'd know exactly where it was going (something I can't say for season 1).

I really liked in s01 how in each episode, before the opening, we got to see some glimpses from the past of each character. It was a great way not to have too many random flashbacks and include these scenes organically in each episode. In season 2 we don't get that. I understand that we already know these characters but it's still something I adored from s01.

What made s01 so appealing was how they handled the story, didn't rush things. How they took their time to make us understand and like the characters. With s02 we didn't get that luxury.

Season 1 was a masterpiece and unfortunately, season 2 didn't meet the expectations.

I still enjoyed watching it but it was definitely not as good as the experience of watching s01.

[camillomea]

Child of crime alley episode 7:camera records

helluuuu. here is the new episode. thank you for your support with comments. please state your thoughts in the comments. enjoy reading -cami

Jason had returned to the cave after dropping Tim off at the cafe. There was no one there at this hour. He went to the main computer. He sent a message to Barbara

j- Hey Barbara, I have a favor to ask you. Of course, if you are not awake, I will write to you tomorrow

I-I am awake. But I will sleep. What happened at this hour?

j- About Tim

There was no answer but his phone started to ring. It was Barbara. She answered. Jason said “Hey I can ask you later”. He said to Barbara “I am awake, talk”. Jason asked “Do you know where he lives?” Barbara asked “I have no idea. Why are you trying to find him?” Jason said “I am not trying to find him, I already found the area where he lives. He lives in the Alley”. Barbara said “WHAT” in shock. Jason said “Yes. I met him in the evening”. Barbara asked “Did you find out exactly where he lives?” Jason remained silent. Barbara said “Jason”. Jason said “I don’t think he lives anywhere”. He asked Barbara “What”. Jason said “I’m having one of my men investigate but I think he’s homeless.” There was a boom from the other end. Jason said “Barbara.” Barbara said “Please tell me you’re exaggerating or lying.” Jason said “I’m sorry Babs but I don’t think it’s an exaggeration.” He cursed Barbara “Okay what can I do for you?” he said after taking deep breaths to calm himself down for a while. Jason said “I want to access the old camera footage of the cave. I want to know what the hell is going on.” Barbara said “Okay I’ll give you access.” Jason said “Thanks” and turned on the computer. Barbara said “But I want to know every detail.” Jason said “Okay.” They started investigating. The two of them spent the next hours looking at the security footage. They went all the way back to the first footage, they had seen Bruce’s handling of Jason’s death, how crazy he was, how suicidal he was. Then they saw how Tim had dragged himself into this incident, how he became Robin. Jason had stopped the recordings when he first saw Tim. “It’s too small,” he said in a low voice. Barbara remained silent. Jason said, “Babs, how did you not notice this, he is so young,” in hushed tones. His eyes were glowing green. Barbara remained silent. Jason cursed angrily. He took a deep breath to calm himself, then continued to watch. Then, when he saw Tim training with Bruce, Jason was going crazy, he was going crazy. When it was finally over, Jason had to work really hard to calm himself. Every time Tim got hurt, he used the infirmary after every training session to take care of his own wounds, and he had to dress his own wounds, over and over again. Barbara couldn’t say a word either. Jason tried to calm himself for a while, and then he calmed down and said, “Babs, do me a favor and reach Cass, she’s been in town for a while, hasn’t she? Send these to her.” Barbara asked, “Okay, what are you going to do?” His tone was full of anger. Jason said, “I’m going to find Bird and take him to Dr. Leslie. I don’t think he’s even been to a doctor in years. I’m going to make sure everything is okay. Even though I want to beat Bruce to death right now, my priority is Bird,” he said. Barbara said, “Okay, let me know what the doctor says,” and hung up. Jasom got up and took out his phone

J-hey bird. Did you get off work, are you awake?

T- my shift just finished, I’m going to eat something and go to sleep. Why?

J- oh well

He wrote and paused. *How will I convince you? How will I convince you* he thought. Then *I’d better get straight to the point* he thought.

J- hey Timmy well… I’m going to see Dr. Leslie for a check-up. Would you like to come with me? You know Dr. Leslie likes to check all the bats regularly

T- I’ve never been there before

Jason slammed his fist on the table. He took a few deep breaths to calm himself down. then

J: but you should go, it’s very important for your health, Bird. How about I come get Semi. Then we'll go to Dr. Leslie's and have a nice meal when we get out of there

T-…

t- okay

Jason was relieved

J – okay then I'm coming there bird. See you

He wrote. There was a message from Barbara.

B- I told Dr. Leslie that you were coming. He'll pick you up right away

J- thank you Babs.

He wrote. He closed the screen, got on his motorcycle and left the cave

Notes:

rip bruce. he completly deserve it

[seasononesam]

Stackednatural- 239/327

Scoobynatural (13x16) March 29th, 2018

[muffinlance]

Hi ! prompt idea : What if Zuko was armed during the first episode and was stranded with the water tribe while the avatar left with Katara and Sokka, Iroh on his trail for white lotus reasons.

Oh we are going to have us some FUN with "stranded with the water tribe", say no more.

---

Zuko was dripping, and steaming, and staring down two dozen women and their gaggle of small children, plus that old not-the-Avatar crone from earlier. They were all cowering away from him. Which was--

Good. It was good. If they were cowering, then they hadn’t noticed how steam was not flames. He wasn’t sure he could make flames, not after the arctic water he’d landed in, with that last sight of the Avatar glowing; not after surfacing under the ice pack, after swimming, after kicking slamming breaking through and his ship was gone and there was only ocean all around and

and he’d made it back to this pathetic little camp of the Southern Water Tribe, because that was the only place he knew for sure would have shelter, and he wasn’t going to die just because they were all staring at him, even if felt like he would.

Even if the old not-the-Avatar woman could probably take him, right now. But she didn’t know that.

Zuko pulled himself up, taller than her by at least a few inches, and blew steam from his nose.

“I am commandeering one of your huts,” he said. And added, because Uncle said even a prince should be gracious: “You may choose which one.”

---

She choose her own.

...The only one without children that flames might scar, or younger women to catch a soldier’s interests.

Zuko sat by her fire and determinedly started struggling out of his wet clothes and she was still in here with him--

Zuko pulled one of her animal pelts over himself, and finished fighting off his clothes. When he stuck his head back out, cheeks still reddened from what was obviously the cold, she dropped a parka on his head.

“Dry clothes, Your Highness,” she said.

The parka was much bigger than he was. He fell asleep hoping that the camp’s men were on a long, long hunting trip.

---

He woke up again. Kanna tucked her favorite ulu knife away, newly sharpened, and stopped contemplating the alternative.

---

“I am commandeering a ship,” he said.

The crone led him across the village, all twenty paces of it, to a row of canoes.

“Take whichever one you want,” she said. “Will you need help getting it to the water?”

Zuko looked at the canoes. Looked at the ocean. Watched a leopard seal, easily the size of the largest canoe, dozing just past the ice his own ship had broken through the day before. It was frozen again, a great icy arrow pointing from the waves to the village, snow already starting to cover it over.

Beyond was blue sky and gray ocean and white ice, floating in blocks like stepping stones, like boulders, like cliffsides.

There wasn’t even a hint of gray steel, or smoke. Or any land, besides what they were standing on.

He looked down at the canoes again. Somehow, they seemed even smaller.

“I, uh,” Zuko cleared his throat. “I’ll require supplies. Before I go.”

---

They... did not have supplies. Not extra ones. This didn’t stop them from trying to give him supplies, food and blankets and anything else he could think to ask for. But each blanket was a pelt hunted by someone’s grandfather, had been inked with images and stories by someone’s mother, was the favorite of someone’s husband or brother or uncle or cousin--

They couldn’t go to the nearest market to replace things, here.

And when they talked about food, about what they could spare, they kept sneaking glances to their children, who were sneaking glances at Zuko from the huts, sticking their heads just over the snowy ledges like their fur-trimmed hoods would hide them. Their mothers and aunts shooed them away, and they crept back, like barnacle-crabs. Zuko glared, and they disappeared.

“When are your men coming back?” he asked. “They’re hunting, aren’t they?”

Oh. So that was what they looked like, when they weren’t trying to hide their hate.

---

Zuko wrapped himself up in the same blanket that night. It was printed inside with fine lines and images, telling a story he didn’t know. He wondered whose favorite it was.

---

Kanna wondered how quickly he’d wake—if he’d wake—if she built the fire up with wet driftwood and tundra grass, if she had one of the younger girls boost up a child to plug the air hole, if she let the smoke draw its own blanket down over this fire child.

---

It was hard to know when to wake up, because the sun never set. So everyone was up before him, and they all had spears and clubs and—and nets, and trap lines, and snow googles with their single slat to protect the eyes from snow blindness. Zuko had seen those once, at the Ember Island Museum of Ethnography, where they’d gone when it was too rainy for anything more exciting.

Oh. They were going hunting.

“Give me that,” Zuko said, and took a spear.

The women looked at him. One of them adjusted her googles.

“I can hunt,” he scowled.

He did not, in fact, know how to hunt.

---

“Give me that,” the Fire Prince said, and Kanna almost, almost gave him her ulu. Humans, like most animals, had an artery in their legs that would bleed them quick enough.

She kept skinning the rabbit-mink one of the women had snared.

“I can help,” he said, with less grace than most of their toddlers. Likely with the skinning skills of a toddler, too. She wasn’t going to let their unwanted visitor ruin a perfectly good pelt.

“Chop the meat,” she said, and gave him a different knife. “It’s dinner.”

“...This is really sharp,” he said a moment later, looking at the knife with some surprise.

“Is it,” said Kanna.

---

Things the Fire Prince was convinced he could do: hunt (until he realized he couldn’t tell the tracks of a rabbit-mink from a leopard-rabbit apart); spear fish (at least he could dry himself); pack snow for an igloo (frustrated princes ran hot); ice fish (the prince was a problem that kept coming close to solving itself).

Things the Fire Prince could actually do: mince meat, increasingly finely; gather berries and herbs, once he stopped trying to crush them; dig roots, under toddler supervision; mend nets, after the intermediary step of learning to braid hair loopies.

“Can’t I take him ice fishing again?” asked one of the women, as she watched Prince Zuko put as much apparent concentration into braiding her daughter’s hair as his people had into exterminating hers.

“Wait,” said another woman, sitting up straight. “Wait wait wait. I just had an idea.”

---

Three words: Infinite. Hot. Water.

---

Summer was coming to an end. The sun actually set, now, and the night was getting longer, and colder. The salmon-otter nets were mended and ready. The smoking racks were still full of cod-lemmings. The children were all a little older, the women all a little more used to doing both halves of their tribes’ chores; a little more used to not watching the horizon, waiting for help to come.

The Fire Prince was staring at the canoes again.

“Are you actually going to try leaving in one of those?” Kanna asked.

“...No.”

“Come on, then; someone needs to watch the kids while the women are hunting.”

She didn’t leave him alone with them, of course. But she could have.

---

Elsewhere, the war continued.

The moon turned red, for a moment none could sleep through; they did not learn why.

The comet came and went, leaving their castaway prince laying on the beach, his breath fogging up into the night sky above him, as the energy crashed from his system as quickly as it had come. Above, lights began to dance in the sky; Zuko pulled his hood up, so none of those spirits—children, dead too soon—got any ideas about kicking his head off to be their ball.

The war had ended. The world didn’t feel any different; no one in the south would know until spring came again.

---

Suffice it to say, Sokka and Katara were not prepared for this particular homecoming.

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[not-so-mundane-after-all]

I know plenty of people have already made a version of the "Jinx is alive" theory post but I've also seen so many of you mourn her death that I decided to gather all the evidence and make another post, turning this theory into a fact.

Because Jinx is alive. It's not a speculation. It's literally there.

The first thing I'm going to mention are the context clues Jinx gives herself. First, the last thing the ghost of Silco tells her. I think the cycle only ends when you find the will to walk away. Then, the realization she comes to when Vi hugs her in the cell. You're never gonna give up on me, are you? What she tells Vi after she leaves her in that cell. You don't need to worry about me anymore. [...] And yes, her initial plan is to kill herself, because she thinks the only way for Vi to move on is for her to be gone. And Ekko gets there just in time to stop her but it looks like he doesn't convince her to abandon her plan, just change it.

And later, when she joins Vi in the final fight. What does she tell her? Still don't get it, huh, sis? I'm always with you. Even when we're worlds apart.

Everything that happens after is constructed specifically to let us and Vi believe that Jinx died. Until we get to this scene:

Caitlyn is studying the Hexgates designs.

She's looking through the pages depicting the place where the final fight happened, specifically focusing on the air vent shafts, while toying with a monkey bomb head - the same monkey bomb that Jinx used in her supposed last monents.

She looks down at the monkey...

Watch the eyes. The realization hits her...

And she smirks, knowing. Jinx used one of the air vents to escape before the explosion.

I've studied the explosion frame by frame. First, a small yellow explosion goes off - Jinx sets off the monkey bomb.

As it becomes bigger, she shoots out of there

this is still the beginning of the blast when we can still see her, and the big boom that destroys everything starts 10 frames later

Last context clue is a reference to the very first episode, which is clearly depicted in this gifset here, so instead of explaining, I'll just send you there to check for yourselves.

One thing that is speculation here is, how exactly did Caitlyn come into possession of the monkey bomb head? I doubt she found it there because it would have been turned to dust. And I'm thinking, Jinx took it with her and left it for Cait to find as a clue. She didn't want Vi to know but maybe she wanted Cait to figure it out. I imagine her sneaking into her house and maybe leaving it somewhere for Cait to find, like her desk or something. It gives Cait an idea, a gut feeling she needs to check, and that allows her to figure it out. Just like we are supposed to figure it out on our own.

Bottom line, Jinx is alive. She escaped the explosion through the air vents, then boarded the airship and left the city, convinced that the only way to give her sister a happy ending is to take herself out of the equation. The glitching closing shot saying The End in Jinx's colorful handwriting is a sign that she is telling us that this is where this story ends, like she's saying "don't look for me. It's over." That's also probably why we aren't shown what Caitlyn does with the information she now possesses.

I hope this helps take away from the grief 💙

[ifwebefriends]

My thoughts during “The Sign” [SPOILERS!!!!!]

ID in ALT

More thoughts under the cut

So I think most of us can agree that this is the best episode of Bluey so far. It was so emotional and satisfying in ways that are kinda new for Bluey. It answered so many questions while giving us a few new ones. I’ve been waiting for this episode for months and it did not disappoint in any way.

This is just a Chekov’s firing squad of an episode. As in a lot of stuff that was set up in earlier episodes all pay off in this episode. I kinda understand why people love soap operas now lol. I will say that this episode was a tad overwhelming for me in the best way possible. As in I had to pause and rewind every 30 seconds or so so I could emotionally process what was happening before moving forward (but that’s a me thing). There was just so much going on and I’m happy about that.

Now onto individual thoughts about specific things:

The callback to Baby Race (“you took your first steps in that house!”) really got to me because Baby Race was the first episode of Bluey that I watched and it immediately made me fall in love with it so it just got to me.

When Chilli said “Frisky and I came up here as teenagers to…um…think,” my mind started racing immediately with “what the FUCK happened at the Lookout?” “Who hurt Frisky and/or Chilli?” And I’m just so curious about what made Chilli say that line like that but we’ll probably never know what happened.

So yeah that scene at the end when the music was playing and Bandit ripped the sign out of the ground and Chilli tackled him to the ground ABSOLUTELY CHANGED my brain chemistry y’all. I can’t articulate my feelings any more than that.

I know some people were upset that Brandy ended up getting pregnant but I thought it was great for her! I’m happy for her! And I think that even though she got what she wanted in the end doesn’t negate the feelings she had about her infertility earlier. But I think we’re all wondering who the father is and I don’t know if the show really needs to answer that.

The whole message of “we’ll see” in terms of if something is good or bad is such a mature message that I never really thought of like that so I will be taking that philosophy forward in life. Congratulations Bluey, you managed to teach a 22-year-old childless person something new and insightful about life that I don’t think I’ve learned from another show.

I want to know more about what Bob was going through and feeling and why he went to India, but again, we’ll probably never know.

I just love how the wedding photos were beautiful but imperfect. Like of course we’re not perfect and nothing will ever be perfect but it’s beautiful and worth remembering anyway.

So many little jokes and moments were so funny in a mature way (I.e. “are we allowed to do that?” And Nana thinking there was about to be a baby announcement) were just so funny and memorable.

I think some people would say it’s a cop-out to end up not selling the house after building it up for 2 episodes but I don’t know, I think it works. I think Bluey and Bingo learned a valuable lesson and Bandit (and Chilli kinda) learned it’s not always about making their kids lives “perfect” in their eyes. Also I’m just personally glad they didn’t end up selling the house and I also kinda like that it wasn’t entirely their choice to keep it.

On a more serious note I think this episode has some interesting commentary on like gender roles and gender relations in straight relationships. In this episode Chilli and Frisky (both women) have to deal with their male significant others pressuring them to move with them far away from what they know and love. In the end they don’t end up moving and the men didn’t seem to have like malicious or selfish intent with it, they were just kinda basing their choices off their jobs instead of what’s best emotionally for their loved ones. But I think it’s interesting to have this conflict where gender is kinda brought up in a way (“because your husband is making you”). It kinda plays into the traditional idea of like men are the breadwinners and the family has to move with them regardless of what they actually want. And this episode kinda like deconstructs that and says “no, it’s not always about the job or money, it’s also sometimes about connections and emotional attachment.” And I’m not saying that you should never move or whatever, but really weigh your options. I just thought that it was interesting that this episode kinda touched on that.

So yeah that’s kinda the main thoughts I had on this episode if you made it this far thank you for reading my rambles and have a good one!

[greengoblinswifey]

Symbol of Love— Rafe Cameron x Pogue!Reader

summary— based off sofia and rafe’s cute moment in s4 ep 9 so slight spoilers. rafe is on mission to catch groff and he gives you something to treasure before he leaves.

warnings— spoilers, fluff, mentions of death.

a/n— saw the scene and immediately decided to write this, my heart is melting omg ugh that should be me and him. these new batch of episodes have been such a roller coaster, can’t wait to finish and see how everything plays out <3

Rafe’s hands were tense as walked around the sand, jaw tight as he tried to process what he’d just learned. Chandler Groff had stolen his money, and he boated off the island. You leaned against the tree, eyes wide as you tried to absorb the news. Hollis’ death had hit you harder than you let on, and whispers were circulating that JJ Maybank might have been involved. Nothing felt certain anymore, but what you did know was that Rafe had always been the one constant—until now.

“Okay, but listen,” Rafe said, his voice sharp and urgent. “Unless I catch up with Groff now, that money is long gone.”

“Where is he, Rafe?” you asked, your heart pounding. You didn’t want him to go, especially not alone, but you knew you couldn’t stop him.

“Don’t worry about it,” he muttered, his gaze fixed somewhere past you. “I’ll track him down. I’ll get it all back.” There was a steely resolve in his voice, a familiar determination that reminded you of just how far he would go to keep what was his.

But before he could take off, he turned to you, his eyes softening just and took a deep breath. “I want to say something first.”

You opened your mouth, the confession about Hollis and everything that happened burning on your tongue. “Rafe, I- I need to tell you something too.”

Before you could finish, he startled you by dropping to one knee, pulling out a beautiful ring from his pocket. Your heart skipped a beat, and suddenly you felt like the world was spinning.

He held it up to you, his gaze never leaving yours. “It was my mom’s,” he said softly, his voice breaking just slightly. “Been in my family forever. I know it’s some kook bullshit, but I just- I wanted you to have it before I left. So you’d know this, us- we’re real.”

“Rafe, wait,” you whispered, your voice trembling. “I- I did something. It’s about Hollis. There’s more I didn’t tell you—”

He cut you off, shaking his head and cupping your cheek, his thumb brushing your skin. “Don’t. There’s things about me you don’t know. And trust me, they’re way worse than anything you could say. I don’t care what you did, and I don’t care to know.” His voice softened, but his eyes stayed intense. “I want you, and that’s all that matters to me.”

You could barely breathe, tears leaving your eyes and he slipped the ring on your finger, his eyes pleading.

You were crying now, overwhelmed by the depth of his acceptance. You could feel his hands tremble as he slid the ring onto your finger. “Say yes,” he murmured, his voice rough with emotion. “There’s no more pogue bullshit, okay? No more of that. I want you to quit that job and move in with me.”

The weight of his words settled over you like a promise, and you nodded, barely able to find your voice. “Yes, Rafe.”

He smiled, relief flooding his face as he pulled you into a kiss, his hands cradling your face as if you were something fragile he had to hold onto. You kissed him back, fingers curling into his jacket, your tears mixing with his warmth.

When you pulled away, he pressed a key into your palm, closing your fingers over it. “It’s to the house. I’ll be back in a few weeks. Stay there for me, okay? At my—no, our place.”

He brushed a kiss across your forehead, and whispered, “I love you.”

“I love you too.” And with one last look, he turned, walking toward his boat as you watched him go.

The salty breeze whipped around you, and you looked down at the ring, feeling a bittersweet ache settle in your chest. It was beautiful and strange, the symbol of a life you were about to share with him, a life you’d always dreamed of. You traced the ring with your thumb, marveling at its age, its history, a part of him that would stay with you even as he left.

Tears blurred your vision as he boarded the boat, but you stood there, rooted, until he was nothing but a speck on the horizon, clutching the key and the promise he’d left behind.

As you watched Rafe disappear over the horizon, a wave of fear washed over you, heavier than the ocean air around you. You knew how dangerous Groff could be, how far he was willing to go to keep what he’d stolen. And now, Rafe was chasing him down. Your heart twisted, the thought of something happening to him tugging at every corner of your mind. But then you shook yourself, forcing the doubt back. Rafe was tough, stronger than anyone you knew. He could handle himself. He’d be okay.

He’d come back.

You took a deep breath, letting the thought settle over you like a warm blanket. He’d come back, and when he did, you’d spend the rest of your lives together. There would be reward, there would be sunshine after the storm. Your love, this wild, all-consuming love, could survive anything. It had to. Everything was going to be okay.

You glanced down at the ring he’d placed on your finger, feeling its weight, its history pressing against your skin like a quiet promise. Your fingers tightened around the key in your other hand, holding onto it as if it could anchor you to this moment, to him. This key was a piece of him, a piece of your future together, the home you’d share, the life you’d build once he returned.

With one last look out at the horizon, you whispered a silent promise of your own. Then you turned back holding the ring and the key close to your heart, holding onto the hope that soon, he’d be back in your arms.

[sitepathos]

From Gold to Mold

Chapter 6: The Return

A/N: Did this chapter during a slow day in class. Enjoy this mini chapter!

You tried to keep your promise to Alfred about taking regular breaks to stop for food and sleep, but the Megamycete gives you unlimited energy, reducing your need for food and rest and allowing you to focus only driving as much as you can before night because Alfred is no doubt keeping track of when you tell him you’re stopping and resuming your journey.

Finally, after forty hours (you wished you could’ve turned into a giant flying creature and carry your car all the way to Goodsprings, but you’d never be able to explain that to Alfred), you pulled into the driveway of your childhood home and you feel tears swelling up in the corners of your eyes.

(Your feelings for this home are quite profound,) it remarks as you make your way up the driveway. (May we ask a favor?)

“Yeah, of course?”

(Allow us to establish a root system around your house. We promise our roots will not damage anything.)

“Can I ask why?”

(You have longed to return to this house for years. We wish to ensure its protection. With a root system, we will be able to watch over your house and keep out undesirables, be they man or pest.)

“Sure,” you chuckle, bending down and touching the lawn and from your finger, a sliver of mold extends from your skin and disappears into the dirt.

(We thank you. Should anything threaten your home, we will intervene.)

“Thanks, buddy,” you chuckle as you walk up to the front door, pulling out the key that the Clark County Probate Office sent you after you turned eighteen.

As you insert the key into the keyhole, you realize that you’re holding your breath. You’ve dreamed on this moment for years and now that it’s here, you’re worried that the home you’ve wanted to return to won’t bring you the joy you thought it would.

(Do not let your fears stand in your way. This home contains memories of a time of your life that you cherish. You will also be able to walk through the halls of this house without fear. Within these four walls, you will create a new life that will bring you happiness.)

You’re thankful for accepting the Megamycete into your body. Not only has it given you powers and abilities that you could never dream of, but it’s provided you comfort and companionship. It’s been very helpful to have your own Jiminy Chricket, whispering guidance and help from your shoulder.

With that, you turn the key and push the door open, stepping into the small foyer. Sure, the house has that type of smell that says it’s been empty for years and it’s pitch black since the curtains are drawn, but you’re overwhelmed by so many memories all at once. You and your Momma chasing each other down the hall in a game of tag, you sprawled out on the couch in the adjacent living room to watch the latest episode of one of your favorite cartoons, and so many others.

As you make your way through the house and notice every piece of furniture is covered in white sheets, protecting them from being covered in dust. Probably Sheriff Foley, he was the last one here the day your left and from what you remember of the distinguished sheriff, he’d do everything in his power to preserve the house and make sure nothing happened to it.

Finally, you pass throgh the dining room attached to the kitchen, walk down the small hallway and stop at the door on the left.

“Momma’s study,” you say, looking at the door before you.

(A room she spent most of her time. Many hours spent at her desk, working on her books. And you would stay in here to watch her.)

You open the door to see her bookshelves, desk, and chair covered in white tarps and the curtains drawn just like the rest of the house. You walk over to the other side of the desk, pull the tarp off the chair, and plop down on it.

“Feels just like I remember it,” you say, spinning around in it.

(What will you do with this room? Will you keep it as a study, or repurpose it?)

“I can turn it into my own study. With all that money Lex gave me for Bruce’s secrets? I can buy one hell of a PC that’ll be perfect for making games.”

After the study, you head upstairs, which has your old room, your Momma’s room, an upstairs bathroom, and a bedroom she had turned into a storage room. Your old room’s empty since you took most of your belongings when you moved to Gotham, the only things left are a bed that you’ve long since outgrown and a small dresser, so you decide otherwise set up in your Momma’s old room, which has a large bed that’s been covered in a tarp for years, a large dresser perfect for your clothes, and a sizable private bathroom.

(This house seems perfect for your purposes. And your mood has definitely improved since arriving.)

“Yeah, we have the house all to ourselves and there’s no Waynes in sight. This is definitely better than Wayne Manor.” You look around at the dark room and sigh. “We have a lot of work to do.”

And you did. For a week, you worked tirelessly to get the house livable, making calls to utility companies to get power, water, and gas turned back on, airing out the house, taking down the tarps and making everything look presentable, and clearing out your Momma’s belongings. You kept as much of you could, like her books, movies, jewelry, and everything else in between, but her clothes were boxed up and donated, along with appliances that date back to the early 2000s.

You had a lot of shopping to do, replacing the old appliances you donated, groceries for the new refrigerator, and a new mattress for your new room since the thought of sleeping on a decade old mattress made you itch all over. If you could’ve, you would’ve done all the shopping online, but you didn’t want to risk attracting attention to your finances with so many large purchases, so going to stores and paying with cash was your only option.

The best part of all this was converting your old bedroom into your gamer cave, full of your Pokémon plushies, toys, and posters, LED strips lining the corners of the room, and a giant desk and a top-of-the-line gaming PC. As much as you loved your trusty laptop, this PC makes it look like a relic from over a hundred years ago, and you can now play more modern games without any kind of lag. You’re really looking forward to future video game sessions.

After your gamer cave came your office. You boxed up your Momma’s old books and placed them in the storage room, replacing them with a few art books and game guides and bought another top-of-the-line PC full of digital art and video game creation software and placed it on the desk. You also found a fancy pen stand and placed your Momma’s pen on it, retuning the pen to its proper place. Plus, it can give you inspiration while you work.

Thankfully, the Megamycete made this undertaking easier, giving you stamina and energy that allowed you to work for hours on end without getting tired and allowing you to summon tendrils so you can do something upstairs while your body’s downstairs.

“Finally,” you sigh, plopping down on the living room couch after finishing the second coat of paint in the living room. “We’re done.”

(You have turned this house into a place anyone would kill to live in. You should be proud.)

“You helped. Getting this place into shape would’ve a few weeks, probably a month.”

(What is your next course of action?)

“Right now? Rest. Tomorrow? Time to get back to work.”

(That is right, your game. With your new tools, you should create a masterpiece worthy of you in no time.)

“Glad to know you think so highly of me, bud,” you chuckle.

That’s when you hear your phone go off, indicating you have a text. You take the device off the table, which had been playing your playlist of video game soundtracks, and see a message from Alfred.

Alfred: I hope your first week back in Goodsprings and that you’re taking proper care of yourself. I was thinking about you earlier today and decided to make my chocolate chip cookies.

The text is accompanied by a picture of said cookies and you instantly start salivating at the sight of the baked goods.

(Yes, the butler’s treats were very palatable to you.)

That’s a gross understatement.when it comes to any form of cooking, especially baking, the man is a god, able to conjure up food that would bring tears to anyone’s eye. While you’re ecstatic to be back home and away from the Waynes, you miss the man and his cooking. Now, you have to make do with either what little restaurants Goodsprings has or try your hand at cooking your own meals. And while there are many in the Megamycete’s records that were good in the kitchen, none of them held a candle to Alfred.

Me: Looks delicious! Making me drool up a river in my living room.

Alfred: I certainly hope that’s a joke. A young man as respectable as you should never be caught doing something as disgraceful as drooling.

You laugh at the text. Bless him, the poor man really thinks of you as a member of the “prim and proper” Wayne Family instead of the product of a one-night stand. When you first moved in, he tried to teach you all the ways of high society, but none of it ever took. You are who you are and nothing’s going to change that.

Alfred: Is it too early to ask when I can expect a visit from you?

You feel your heart drop a bit. You miss Alfred and would do anything to see him again, but you promised yourself that when you left Gotham, you’d never step foot in that hellhole again. And you know the man’s been trying to get the Waynes to get their shit together and remember the third child brought to live with him, but you hate all of them more than anything and if you never saw them again, it would be too soon.

Of course, you can’t tell him that. It would break his heart and make him feel guilty for not doing more. So, instead, you say:

Me: Sorry, I’m still getting things cleaned up around here and I’m trying to get my game working. Don’t know when I’ll be able to.

Alfred: I understand, my boy. I just ask that you try to carve out a little time to come back to Gotham and visit home when things calm down.

Home and Gotham definitely do not belong in the same sentence. Not for you, at least. Nevertheless:

Me: I promise!

Of course, you have no intention of going back there. You miss Alfred, but that city isn’t a place where good people end up. You were dragged there against your will and if it wasn’t for that drunk driver, you never would’ve lost the best years of your life to it and the Waynes. No matter what, you will never step foot in Gotham again.

You’d rather die.

[kianamaiart]

Hello your magical girl story looks really intriguing, the premise feels very creative, the art style is simple but good with its own identity, and the characters seem to be fleshed out with depth, personality, and backstory. In short, I love it, and I do have a few questions.

One: Is the story character driven, story driven, or something else

Two: Is the story rated G, PG, PG-13, or something else

Three: Would the story be a web comic, web show, or something else

Four: Will there be a lot of lore and world building, yes or no

Five: what other inspirations did you have for the story's characters, plot, and art style

Six: What humor do you use for the story

I'm only asking these questions out of curiosity. This is just because I love your story, and would like to know more about.

So please be free to not answer all the questions if you want. I'm also fine if you ignore this ask. so please, no pressure.

At the end of the day, please have fun, relax, work hard, take your time, and have a nice day.

I'm so glad! Thanks so much for your interest <3

Character driven (always)

PG/PG-13

Dunno! I've been reached out to already for a few opportunities but right now, I'm just trying to have fun with it and keep it mine until I feel like the idea is fully realized and ready for something bigger. Right now, I'm shooting to make a lil pilot animatic mostly on my own with help from a few friends

Depends on what you mean by a lot but I'd say a soft yes

For Aika, just generally other anime protagonists from shoujo and shonen. I feel like when you're doing a spin on something you do have to rely on the tropes from the genre at least a little bit. For Zira, Toko Fukawa was the jumping off point but they're very different. They're also both based off of aspects of myself (I feel like most artists do this with their ocs tho). Style and story-wise, I was definitely looking at Doremi and Panty&Stocking. That chunky cute look that's distinctly anime but takes some notes from Western cartoons. But mine's flipped where it's more based on my own style from working in Western animation but then having anime influence. And story-wise I like how they're more episodic with an underlying story. The magical girl stuff is more a backdrop that helps the story move forward and enhances the slice of life stuff that's being focused on.

I'm not sure what kind of humor to say other than my own? But my sense of humor has been shaped by Big City Greens (obviously) Adventure Time, Jimmy Neutron, Bob's Burgers, Smiling Friends and many other things but hopefully that gives you the gist

[adalindofcabinsix]

that kind of love never dies | chapter one

summary: the one where barbara thinks about an act of rebellion.

pairing: jake x mc

word count: 1.3K

warnings: tkolnd takes place after the events of episode 10; cover images found on pinterest; english is not my first language.

author’s note: even though she lives in the usa, my main character, barbara, is brazilian. i added terms and expressions that we use in our country, as well as cultural elements, to this fanfic. the words that appear in portuguese are highlighted and you can contact me if you have any questions.

masterlist

Barbara was sprawled out on the dorm carpet, reading a Lucy Maud Montgomery novel she found by chance in the university library, when her cell phone began vibrating on the nightstand. Without wasting time, she closed the book and got up, waiting to hear from her roommate, Meera, but, when Barbara swiped her finger across the lock screen, she found some text messages from an unknown number.

i would like to invite you again to eat something at that chinese restaurant

if you want to meet me, just show up there tomorrow

i'll be waiting for you :)

Her head started to throb just at the possibility of it being who she was imagining, but she quickly pushed the thought away.

Jake wouldn't put himself in danger like that.

After everything that happened in Grimrock, Duskwood's chief of police, Alan Bloomgate, personally went after her to conduct the interrogation, and, more than once, made it very clear that it was best for her to stay away from her new friends for a while. He didn't go into detail when he told her about what happened at the Ironsplinter Mine, but he confirmed that Richy was alive — despite having some serious injuries — and that Jake had fled from the FBI agents during the confusion caused by the explosion.

All the messages she sent and received during that time became evidence. Barbara had what it took to close Hannah Donfort's case literally in the palm of her hand, including the kidnapper's confession.

Consequently, she also had the means that could lead the people who were after Jake straight to him.

She was interrogated by the FBI countless times for months, until Alan decided to intervene and convinced her to hand over her cell phone to them in exchange for her old life. Since then, Barbara has not been part of the joint investigation. Or at least that's what they say — she's too smart to really believe that.

For a few seconds, she considered the chance that it was someone trying to play a trick on her. The video Lilly Donfort posted accusing her of kidnapping had gone viral across the Columbia University campus. Even her grandmother, who lived in the interior of Brazil, found out about her involvement with a hacker wanted by the North American government. However, no one else knew about the brief conversation they had about the chinese restaurant.

Except, of course, the FBI.

Without a doubt, it was a trap. Barbara felt her face turn red. It seemed that solving an old international murder case, giving up her privacy, being forced to abandon her group of friends and possibly cheating on the guy she was in love with was not enough. She also needed to act as bait when it was convenient.

Barbara huffed, irritated. Little did they know that Jake had no contact. Their partnership in crime had ended almost a year ago.

Still, there was no reason to decline the invitation. She could very well take advantage of the opportunity to tell some truths to those nosy agents, and as a bonus she would have an excuse to go to Germany without Alan being able to question her too openly.

Her lips lifted into a smile as the plan emerged in her mind.

After going through customs at Zurich Airport, picking up luggage and going to an exchange office to exchange some notes, only an hour and fifteen minutes by car separated Barbara from Duskwood. Luckily, there were several yellow taxis forming a line next to the sidewalk, because it would be a nightmare to have to deal with someone trying to compete for the same vehicle as her.

She walked out of the lounge, pulling her hot pink rolling suitcase, and turned on her smartphone to announce on the family's group chat that she had arrived safely. But before she could check her contact list to see if her parents were online, she collided with a young man's broad chest.

She jumped away from him, apologizing — or at least trying to — in german. He laughed softly, grabbing her arm to stop her from tripping over herself, and for a moment, Barbara forgot to even breathe. The young man seemed to be a few years older than her, he was tall, had dark hair and prominent round eyes that resembled the curve of a teardrop, he was wearing a white sweatshirt with a hood and black jeans.

“I'm sorry, I didn't see you.” He spoke in english, with a slight accent.

“No problem, it was my fault.” Barbara quickly straightened up, realizing that she had somehow stared too long.

The young man analyzed her from head to toe with amusement before bending down and picking up the cell phone that had flown out of her hand during the impact.

“I believe this is yours.” He joked, handing the device to her.

“Thank you.”

He nodded curtly and turned, making his way through the travelers entering and exiting the airport, as silent as a wraith.

She was inexplicably disappointed to see him leave, however she had more important things to deal with. Then, she handed the luggage to the driver to put in the trunk and got into the taxi, giving the address of the Gates Hotel, on the outskirts of Duskwood.

Barbara ran across the room, feeling the cold floor beneath her feet. She was considerably late, but as far as she remembered, she had never arrived on time to participate in the interrogations, so whoever was waiting for her at the restaurant wouldn't mind too much. She put on a black strapless dress, put on her highest heels and curled her wet hair with her fingers, leaving a small trail of water on the floor.

Through an opening in the peach curtains, she noticed that the rain had picked up outside, beating violently against the window pane. She cursed under her breath, hoping someone at the front desk could lend her an umbrella, and before Barbara could procrastinate her meeting with the FBI Special Agent any further, she took one last look at the floor mirror near the entrance hall, realizing that she was dressed for revenge.

“Someone would definitely approve of that.”

Smiling to herself, she went down a small flight of stairs to the ground floor, where the girl at the reception was reading a magazine with Nicholas Galitzine's photo on the cover.

“How can I help you?” She asked in english, without taking her eyes off the celebrity gossip.

“Hey, how you doin'? Could you lend me an umbrella, please?”

“Of course.” She said, reaching for the object under the counter and handing it to her. “A fee of two euros will be added to your room bill.” Barbara sighed, surprised, as she mentally converted the currency. “What?” The receptionist looked up, frowning. “Did you think it would be free?”

“No, obviously not.” Barbara lied, smiling politely.

“Return it by midnight or I will have to charge the full value of the item.” The girl announced, turning her attention to the magazine. Then she added: “Nice dress.”

“Okay, I'll pay when I check out.” She assured, walking towards the glass doors while opening her rented umbrella. “And thank you.”

“Have fun, Cinderella!”

Barbara regretted walking out the door as soon as she set foot on the sidewalk. Not just because of the rain, but because of the wind blowing your hair back. In any case, she had come too far to give up, and despite the storm, she could see the lights of the chinese restaurant through the blue haze a few meters ahead, on the other side of the street.

Before she could take another step, someone grabbed her arm and turned her around.

“What?” She blinked in amazement at the handsome young man she had met at the airport.

“Come with me.” He said, pulling her away from the hotel entrance.

“You are crazy? I do not know you!” Barbara shouted, dropping the umbrella near her feet. The rain completely drenched them both in moments. “Me solta!”

“Barbara, please.” He asked, breathing short.

The sadness in his voice stopped her struggling.

“How do you…?” She gasped, eyes wide. “Jake?”

taglist: @daniiiworlds; @labemquarts; @deinily

[totheseok]

☆ boynextdoor reaction to you biting them

requested: no

genre: fluff ig?

warnings: none that i can think of

word count: 1.1k

a/n: more self indulgent things because I have a biting problem.

sungho:

gobsmacked

yk that really shocked face he makes where his mouth is open and his eyes are wide?

that's his face when he realises you bit him

it's a light bite but it's unexpected

you two are in the lower homes living room just chilling. sungho is playing fifa while you just mindlessly scroll on your phone. eventually you get tired of your phone and now you need your boyfriends attention. but sungho is locked in on the game and you know simply asking for his attention wouldn't work. so naturally you do what must be done. and you bite his arm. you bit him lightly but you've never bitten him before so man was s h o c k e d. he looks towards you eyes wide, mouth open and then looks at his arm, then back at you.

"hi"

"hi? did you just bite me?"

"mhm"

"why?"

you bit him again and cuddled up in his side 😌

riwoo:

goes silent

riwoo.exe has stopped responding

like remember the funnextdoor episode where he went quiet and woonhak was like "riwoo is trying to think of something funny to say"

kinda like that

riwoo gives me yapper vibes so...

you two are sitting at the table in the kitchen just enjoying some snacks while talking about your day. he's probably telling you about a new dance he's learning or something stupid that happened at dance practice. you're just listening and watching your absolute cutie patootie of a boyfriend yap away. as he's doing this you cant help but notice how cute his cheeks look. and how biteable they look.... and so to preserve your own sanity you do just that. you bite his cheek 😌. following your bite all you hear is, well, nothing. sanghyeok is just sitting staring at you with wide eyes, bite unfinished. man is shocked, flustered, flabbergasted and so much more

"riwoo?"

"..."

"baby?"

"..."

"sanghyeok?"

"..."

jaehyun:

menace pt1

bros probably going to start singing bite me ngl

but we know hes a dramatic pookie

so that too

you and jaehyun are in his room. hes studying some english. youre having the time of your life, laying with your head in his lap, watching him struggle to pronounce "yacht". you offered to help him but noooo, he can do it. refuses to let you help because he wants to prove he can do it himself and with any other word you wouldnt doubt him. he's quite good at english and hes improving rapidly but the word "yacht"... its a pain in the ass to learn at first even if english is your first language. i mean look at it it should be pronounced "ya ch t" or something. he had first said "ya ch t" and was convinced that's how it was pronounced until he looked at your face and realised he was wrong. but was going to ask for help? no? but manz could NOT figure out what else it could be.

after about 5 minutes of watching him struggle you got fed up and decided to MAKE him listen to you. so you leaned your head down. and but his thigh. surprised at first, bamboozled even. but once he realised what had happened he started giggling soon followed by you. after recovering from the laughing fit, he did not miss a single beat and started singing in that voice he uses to annoy sungho.

"its you and me in this world 내게로 다시 와 tie me"

"seriously? thats you first response?!?!"

"날 구원할 거라면 just come kiss me and bite me"

"sure but say 'yacht' first"

"HEY"

taesan:

bites back.

thats it

thats the headcanon

jk but fr

i cant find it now but theres a video of taesan biting jaehyun and bro just nommed in jaehyuns arm

which is why im 100% sure he would bite back

honestly wouldnt even be phased

its probably your love language as a couple

you and taesan were at the studio, taesan was working on some new songs while you sat nearby doing some assignments. eventually the words you were typing started floating around the screen and you didnt even know what you were typing so you decided it was a good time to take a break. but if youre taking a break then taesan should also be taking a break because 1. he was probably tired too and 2. how dare he work while youre taking a break instead of giving you attention. so you decided to give him a few minutes so that he wouldnt lose his train of though. plus he looks so cute when hes focused so...

HOWEVER a few minutes turned into 10 minutes. 10 minutes turned into 20. and eventually half an hour passed. you realised taesan wasnt about to take a break any time soon, so you decided to take matters into your own hands. you slowly crept up behind him and attacked. bro did not move. just looked at you smiled and pulled you into his lap. you may not have gotten a reaction but hey, now you get attention from your boyfriend. with no consequences... right? err❌ wrong.

"whats up?"

"you should take a break youve been working for so long. nonstop"

"okay"

"youre just going to listen? that easily?"

"hmm?" *bites you*

leehan:

menace pt2

takes it as an opportunity to flirt

teases you to no end

i keep thinking about that boynextdoor 2night video where while spinning bottle the jaehyun told him he was doing it the wrong way

and he was like ill do it how i want

so like

think abt that

you and leehan were watching a kdrama while cuddling. initially both of you were very invested and you kept fangirling over the male lead (me every time i watch unlock my boss) and leehan would laugh and jokingly complain about it. after about two more episodes you noticed that leehan hadnt said anthing in a while so you looked towards him and saw that he had dozed off. but this was unacceptable how could he leave you to watch people try to kill each other on your own. no absolutely not. this was not allowed. how dare he. you first tried slightly shaking him awake, it woke him up but he just mumbled something unintelligible and closed his eyes again. time for plan b. biting him.

it worked. quite well. too well.

"why???"

"why what?"

"baby i know i taste good but if youre hungry the gummies might serve you better"

"you left me alone to watch mr.oh be mean to my husband 😔"

"hey its ok i didnt hear anything he said about me~"

"oh god you know what go back to sleep"

[trillscienceofficer]

from Sci-Fi Universe magazine, October 1996

KISS ME DEADLY: In REJOINED, one of the season's finest episodes, a kiss proved to be more than just a kiss

Maybe it's another sign of format maturity, but the modern Trek era has never seen anything like the controversy that erupted over the airing of DS9's Rejoined, which takes the science fiction story opportunity made possible by Dax's Trill host/symbiont race and twists it into a social comment on sexual orientation Gene Roddenberry would have been proud to call his own.

"Last July," begins Terry Farrell, whose Dax character is at the heart of the story, "Rick Berman called and asked me if I would kiss a woman, and at that point I guess I didn't take it that seriously. I said, 'Yeah, as long as she's beautiful I don't care!'

"And then it spurred me to thinking about it before it actually happened, and I felt bad I had been so flip, because I didn't realize how serious a love story it would be—and how nervous I would be about it, really want to be sure I'm honest and I'm doing the story justice, and I really want people to talk about it and think about it afterward. It really meant a lot to me.

"I think it's really important to love people for who they are, and spiritually it was a great show for me too, because it just reinforces that all of us—whether we want to admit it or not—can really be judgmental at times. That was a really important show to say, to the smallest degree, you've got to remember that people's lives are always so much more complicated than you think they are."

"We had a lot of advance buzz, but we also sat on that show a bit,' adds producer Steve Oster, who recalled the flap in 1969 when Kirk and Uhura made history with television's interracial kiss in Plato's Stepchildren. In fact, the show didn't go looking for attention.

"Because it had a kiss in it, and because of the Roseanne hoopla a few years ago (concerning the high-profile star's on-screen lesbian kiss), our publicity people wanted to have them come over and take pictures of 'the famous kiss scene,' have a news crew like Entertainment Tonight there—and we opted not to do that for a couple of reasons.

"For one thing, because we didn't want to become the Roseanne issue where stations were deciding not to air it, and secondly, to Rick's credit, he did not want to make that what the episode was about. It was not about two characters kissing—it was not about making that a tantalizing factor of the episode."

As directed by Avery Brooks, the episode maintained a remarkably naturalistic feel through the acting of all concerned, including Farrell and guest star Susanna Thompson.

"They chose to play it as real, as we would any other scene with those emotions going on: not 'Okay, a girl is going to kiss a girl,' but it was 'This is someone you were in love with before and you still are,' and that's the arc of the scene. It was not about the kiss," says Oster.

"I think we were trying to be as realistic as possible," Farrell agrees. "Really, the only scene I remember going way out and pulling back was the last scene were I give her the ultimatum—where Avery let me basically go all out and cry my eyes out and then pull me back. So that was the only time I remember going from one extreme to the other, trying a range; otherwise it was pretty natural."

In fact, the scene with Sisko was one of the easiest to play, she revealed, because of the natural affinity she feels tor Brooks, the actor. "He was so supportive of me during the first year of DS9 when it was really difficult for me, he was the only one who reached out and really made me feel comfortable, and tried to help me build my self-confidence and self-esteem in really healthy way," she says. "So I felt like I didn't need to do a lot of homework."

Farrell reveals that, in fact, the hardest scene for her as an actress was the moment in which Dax and Lenara Kahn realize at dinner, without voicing it directly, that they are still in love. Aside from the new situation of seeing Dax giddy like that, Farrell recalled it was the first day of shooting on the episode. "I felt a little uncomfortable and was feeling nervous about the whole thing," she says, "and I remember trying to make her comfortable at the same time."

The chemistry that sparked between Farrell and Thompson—finally out from under the makeup as a Romulan and Tilonian, both on TNG [on The Next Phase and Frame of Mind respectively]—came as no accident, since the producers had taken pains to have Farrell read with those who came in during casting for the role.

"We auditioned and auditioned and auditioned," Oster reports. "We needed to find that chemistry, someone who can play that role as a human being, not as someone who's wondering about kissing another woman. And if someone has delivered for us, we'll bring them back if they've been in makeup before because that can change."

"And," agrees Farrell, "we made sure we had a meeting before we started the show—Susanna and Avery and I—to discuss the show. Usually we don't have time for those kinds of things to happen on our show, but they just made the time. And it really made a difference, I think."

Before the show aired, executive producer Rick Berman said he hoped it would be "received with some controversy."

"I think it does deal metaphorically with homosexuality in the sense of how society puts taboos on certain sexual orientation," Berman said. "It deals with it from both sides, I believe. And I'm sure there are those in the gay community who will probably feel that, again, we haven't gone far enough. But our objective in this story was very specific and very related to the big points that are exhibited in the story—it was never designed to be 'how far can we push this?' It's another step in our attempts to supposedly open stories that deal with a variety of sexual orientation [sic]."

The low-key strategy seemed to have worked: among the affiliates who knew what was coming, Oster reports, none ever dropped the show completely. All ran the episode on first airing—with a parental advisory added by the Atlanta station—and "two or three" others cut the scene out when repeated.

"The studio was very supportive of it; it was one of those things that when Roseanne became the cutting edge and it passed by, it suddenly became not much of an issue."

—Larry Nemecek

"Negative callers couldn't make the leap between seeing this kiss and the famous one between Uhura and Kirk in 1969 as both being a matter of prejudice."

—Producer Steve Oster