#savage hetty

[liar-or-lawyer]

Could you make gifs of the scene from Season 6's Inelegant Heart where Hetty says 'She's a woman'?

[sergeantpixie]

my thoughts after watching the sixth episode of the Artful Dodger

1. Gaines can’t chill for like one minute, can he?

2. “the only fit response would be to fill my pockets with stones and walk into the sea” “sea’s that way” 🤣🤣🤣

3. Hetty taking charge bc all of the doctors are out getting trashed, HELL YEAH BABY GIRL

4. “Hetty have you eaten anything at all?” “no time” someone take care of my girl 😭

5. “i’d run away like your wife” JACK WAS READY TO THROW HANDS BUT BELLE IS A SAVAGE

6. “lady bloody cheekbones” why do ppl who dislike belle have the best nicknames for her tho

7. RED, MY QUEEN

8. can’t believe they walked into a cupboard to argue, not makeout 😤

9. “do you think you’re frightening? well you’re not.” there’s something about her that is so fucking electrifying, that speech gave me shivers

10. “are you going to kiss now?” franny is all of us tbh

11. “all right then, silver spoon, don’t mess it up” “i don’t think i can do it alone” “you’re not, i’m here” my three girls together in one scene, i am being blessed

12. “what are you going to do captain? hang her corpse?” YEAH BELLE!!!

13. “thievery is still thievery” “your family are the biggest thieves in port victory” YOU TELL HER RED

14. THEY DRANK THE PISS

15. belle booping franny on the nose was so unexpected and sweet

16. KISSING IN THE STREETS

[sepublic]

Jokes aside, I’d argue Belos isn't openly homophobic because there's no point to it; There's no point in trying to 'redeem' witches and demons by changing their lifestyles if he's convinced himself they're all going to Hell anyway, so the only thing he needs to do is kill them. "Why bother teaching them anything if you can just wipe them out?"

Belos only changes aspects of witches' lives that are directly necessary to his plans; In this case, applying sigils by justifying the lack of them as 'wild magic', and then keeping magic divided with different covens so they can't easily rebel against the system that's applying sigils, thereby allowing it to keep doing that and marking as many targets as possible for the draining spell. It's really quite simple. That's why he'll refuse to replenish the Palistrom forests but then promote women like Hettie and Terra to coven heads; Because Hettie and Terra will be killed by the draining spell anyway, but Palismen won't be.

And let's be real... He's a Puritan white guy. He absolutely believes that queerness is inherently a threat to society not just on a spiritual level but a biological one, because it discourages people from making babies because they're more focused on partners of the same sex they can't reproduce with. He probably thought Boiling Isles queerness was contributing to an inevitable decline that he merely hastened and that's why he allowed it. And Belos can't be openly bigoted because people wouldn't listen to him that way.

He's also definitely racist. Belos making an 'exception' for Luz is totally meaningless because white racists make exceptions for brown and gay folk all the time, while still clinging to their beliefs. Luz just happened to be the only human around since centuries, and that's better than no humans because the lowliest one is still above the greatest demon. And he still tried to murder Luz when she didn't flatter his white savior complex, and didn't adhere to his idea of what a proper human should be.

Even if Belos didn't try to kill Luz... Genocide isn't just murdering people. It's also erasing a culture, such as when white people assimilated Native American children, forcing them to convert to Christianity and dress like white people and speak only English, under the claim that they were 'civilizing' them. So even if they were alive, it was still genocide and it was still racism in the form of the White Man's Burden.

He was a white boy raised in a colony, everyone would've taught him that the indigenous people were 'savages' and Philip not only devoted his life to exterminating an entire culture he deemed evil and demonic, but actively enjoyed it too. Why would he stop at brown humans, unlike Caleb who already unlearned one major prejudice of his. If he never learned of the Boiling Isles, he'd have gone after women in Gravesfield (which would've been misogynistic in practice regardless of Philip's intentions), and probably Native Americans too because his witch hunting games are no different than Cowboys VS Indians.

Like I dunno man these white racists do have fellow white people they care about, and are willing to make exceptions and humor brown women too. But they're still racist and will refuse to listen to those people when called out over their bigotry, and ultimately choose that. Any argument that Belos wouldn't be guilty of other human prejudices is purely wishful thinking, and fairly contradictory to his characterization and whole narrative.

And we can wax poetic about why Belos doesn't openly disparage Luz for being brown, queer, and/or a girl, but we know the real reason why; It's because Disney censors would throw a conniption over portrayals of bigotry, and the show was already shortened for 'not fitting the brand'. Look at how Texas banned critical race theory. They think discussing racism is inherently racist, kinda like Twitter users. But with the added difference that they know it's a callout of the people running corporations and the government and investors (AKA themselves) and they hate that.

This kinda gets me back to an earlier point I made; I think the fundamental disconnect fans have with the show over Belos is that Belos stans (not necessarily fans) recognize their character's backstory and motives are something gross that can't be romanticized, and that's why they work so hard to reframe the focus towards Philip's dynamic with his brother Caleb, emphasizing codependency, and religious suppression and guilt. Because they can romanticize that, but not the intentionally pathetic core of Belos' character (itself a satire of certain subgroups).

They're seething over the reminder that their sexy aesthetic will always be second-banana to a 4channer complex, and salty that the crew chose to discuss something topical instead of making a sexyman villain, because their complaints can be boiled down to tastes and preferences, not actual objective critique. That's also why they claim the finale 'retconned' Belos and stripped him of nuance, because all the show really did was just frame and acknowledge his desire to be right as cowardly and selfish, instead of flattering him with tortured abandonment angst over a brother he never cared enough for. As if we didn’t have the ghosts in the previous episode for that purpose.

[coffee-n-bagels-comic-universe]

Brainwaves Bios: Doctor Heather Nieto-Jorge (1984)

The Face of C.U.P.S Doctor Heather Nieto-Jorge, PhD

The face of the Columbia University Paranormal Society (or C.U.P.S), Nieto-Jorge is an Agriology, Demonology and Anthropobiology professor, she's one of the founding four professors, though her focus is more on disproving the paranormal, favouring 'real world over real weird' solutions. She's both the face and voice of the group.

"Look for truth, not for fantastical lies, students. Dismissed."

Name

Full Legal Name: Heather Bárbara Yasmin Nieto-Jorge

First Name: Heather

Meaning: From the English word 'Heather' for the variety of small shrubs with pink or white flowers, which commonly grow in rocky areas.

Pronunciation: HEDH-ar

Origin: English

Middle Name(s): Bárbara, Yasmin

Meaning(s): Bárbara: Portuguese and Spanish form of 'Barbara', derived from Greek 'Barbaros' meaning 'Foreign'. Yasmin: Means 'Jasmine' in Arabic and Hebrew, derived from Persian 'Yasamin'

Pronunciation: BAR-ba-ra. yas-MEEN / YAZ-min

Origin(s): Portuguese, Spanish. Arabic, English, Hebrew, Portuguese, Spanish, Urdu

Surname(s): Nieto, Jorge

Meaning(s): Nieto: From a nickname meaning 'Grandson' in Spanish. Jorge: From the given name 'Jorge', the Spanish and Portuguese for of 'George', from the Greek name 'Georgios', which was derived from the Greek word 'Georgos' meaning 'Farmer, Earthworker', itself derived from the elements 'Ge' meaning 'Earth' and 'Ergon' meaning 'Work'

Pronunciations: NYEH-to. KHOR-kheh

Origin(s): Spanish. Portuguese, Spanish

Titles: Doctor, Professor, Miss

Nicknames: Barbie, Hettie

Characteristics

Age: 32

Gender: Female. She/Her Pronouns

Race: Human

Nationality: American Citizen. Born in Panama

Ethnicity: Hispanic (Panamanian)

Birth Date: November 7th 1952

Sexuality: Bisexual

Religion: Catholic

Native Language: Spanish

Known Languages: Spanish, English, Portuguese

Relationship Status: Single

Astrological Sign: Scorpio

Actor: Jennifer Beals

Geographical Characteristics

Birthplace: Panama City, Panama Province, Panama

Current Residence: Central Park West, New York, New York

Appearance

Height: 5'8 / 170 cm

Weight: 152 lbs / 68 kg

Eye Colour: Brown

Hair Colour: Black

Hair Dye: Bleached blonde streak in the front

Body Hair: N/A

Facial Hair: N/A

Tattoos: (As of Jan 1984) 2 (Matching roses on her hips)

Piercings: Ear Lobe (Both)

Scars: None

Health and Fitness

Allergies: None

Alcoholic, Smoker, Drug User: Social Drinker, Smoker

Illnesses/Disorders: None Diagnosed

Medications: None

Any Specific Diet: None

Relationships

Affiliated Groups: Columbia University (Staff Member), Columbia University Paranormal Society (Founding Member)

Friends: May Keaton, Allison Wada, Nova Teufel, Janine Melnitz, Mars Teufel

Significant Other: None

Previous Partners: None of Note

Parents: Roberto Nieto (60, Father), Maria Nieto (63, Mother, Née Jorge)

Parents-In-Law: None

Siblings: Isabella West (38, Sister, Née Nieto-Jorge), Victor Nieto-Jorge (35, Brother)

Siblings-In-Law: Leon West (40, Isabella's Husband), Daisy Nieto (37, Victor's Wife, Née Cox)

Nieces & Nephews: Joel West-Nieto (6, Nephew), Georgina West-Nieto (3, Niece), Forrest Nieto-Cox 94, Nephew)

Children: None

Extras

Level of Education: Agriology PhD, Anthropobiology PhD, Demonology PhD

Occupation: Scientist & Professor of Agriology, Anthropobiology & Demonology (Agriology: The comparative study of primitive, illiterate or 'Savage' cultures. Anthropobiology: The biological study of the human species. Demonology: The study of demons with religious belief and myth)

Employer: Columbia University

Expertise:

Agriologist

Anthropobiologist

Demonologist

Charismatic

Observant

Persuasive

Leadership Skills

Sane Minded

Eager to Work

Faults:

Hates neon colours (especially yellow)

Impulsive

Crass

Perverted

Fear of Rats

Opinionated

Vaguely Narcissistic

Backstory: Doctor / Professor / Miss Heather Bárbara Yasmin Nieto-Jorge was born in Panama in the year 1952. She came to America in the pursuit of an education at the age of eighteen. Nieto-Jorge met and befriended Janine Melnitz in 1972, at the age of twenty, both studying at Columbia university. Nieto became a student-professor for a while, teaching Agriology while studying Anthropobiology, after finishing that course Nieto became a full-time professor for both subjects while learning Demonology.

[ejzah]

NCIS LA Season 14 Countdown, Day 3

A/N: For “A Fait Accompli”, because I will never be over it.

***

Don’t Sell Yourself Short

“Deeks, seriously though, are you ok?” Kensi checked as they wandered out of the mission, Hetty’s terse instructions to celebrate on Saturday ringing in their ears.

“Well, I started out today, thinking I was excelling but trying to hide an injury so I didn’t get kicked out, then very shortly thereafter was summarily dismissed from FLETC, and now had our AWOL boss scare the crap out of me while virtually presenting my badge,” Deeks paused, pursing his lips. “It’s been a day.”

“I’m sorry, baby,” Kensi apologized. “I swear I didn’t know what Hetty had planned until I went to pick you up.”

Deeks chuckled, the sound humorless. It was such a Hetty thing to do, and he honestly didn’t know how to feel about it. Though he did mean what he said about her being savage.

“You know, the whole time I was packing, on the plane, I kept trying to figure out what I’d done wrong. Did somebody figure out I was hurt? Did I fail that last exam I thought I aced?” He scrubbed his hands through his hair, looking beyond Kensi as he tried to process it all. “Then I just couldn’t thinking about how I screwed up again. So many people pulled in favors to get me into FLETC, bypass the age requirements, and I blew it.”

Kensi put her hand on his arm, drawing him to a stop, and she turned to face him with a horrified expression.

“Oh my god, Deeks. Why didn’t you tell me? You could have called or texted.”

“For one, I was busy clearing out my room as fast as possible. For another, I knew you were busy and didn’t need my whining while you tried to focus,” Deeks explained with a shrug. He couldn’t quite look at her fully, still a little embarrassed and ashamed.

“Baby, that is not whining,” Kens told him firmly. When he didn’t respond, she grasped his cheeks between her palms, not as gently as he expected so he was forced to meet her gaze. “You need to tell me when you’re feeling like that.”

“I didn’t really feeling talking about it anyway,” he admitted. As much as Kensi was the person he trusted most, he’d been too consumed with his self-loathing thoughts. And, the certainty that she would be disappointed. “It seemed like I was just fulfilling what everyone already knew.”

Kensi gave his head a firm shake, smoothing her thumb across his cheek a few times to take the sting out of the gesture.

“Hey, do not talk like that. You are not a screwup.” He started to object and she pressed her index finger to his lips. “Yes, you faltered a little bit in the beginning, but that’s just because you were nervous from all the pressure. You figured it out in the end though, and proved what I already knew about you.” She paused a beat. “That you are a strong, intelligent, courageous man who can overcome anything the world throws at him.”

Smiling finally as she said the last part, she slid her up the sides of his face to loop around his neck. Deeks blinked a couple times, almost in tears for the second time in about minutes. It felt like emotional whiplash.

“Wow, Kensi…” he looked up for a second to stave off tears, but they escaped anyway. “You have no idea how much that means to me.”

“It’s the truth,” Kensi insisted, running her fingers through his hair. It was perfectly soothing after everything that happened today. “You are so, so strong. And I love you.”

“I love you, too,” he murmured. He kissed her, only holding back because they were in the middle of the parking lot. “I guess we better go home.”

“We don’t have to.”

“Well, you heard what Hetty said.”

Kensi shrugged her shoulders, a mischievous smile crossing her lips.

“Since when have we ever followed directions? And who cares what Hetty says? Let’s celebrate tonight,” she suggested. “I think we both earned it.”

***

A/N: I can’t believe we’re almost to the season premiere!

[windrunnered]

WILDER GIRLS REVIEW.

“His skin peels off like strips of paper, gathering under my nails, soft and pulpy.” Wilder Girls by Rory Power is a story of three young women living in a rampant, disease-infected boarding school for girls as they try to survive. The Tox came during the spring, infecting everything it could touch: the nature, the animals, the teachers at the prestigious boarding school for girls—Raxter, and the girls themselves. It takes your eyes and makes your muscles bulge out of your skin; it eats away at your flesh and leaves you rotting and moving; it gives you second spines, second hearts, makes you throw up bone. The Tox destroys you, and it’s already inside. The story follows an entire boarding school of girls as they die one by one, either through choice or the Tox takes them through animal or through self, but specifically three girls. Hetty Chapin, Byatt Winsor, and Reese Harker living through the world of the Tox. Their lives are entangled by choice, but striking jealousy still makes it way through—each of them has a piece of the other inside, and it’s impossible to untangle each knot they hold one another with. I was told, either by Google or by word of mouth looking up things about this book, that it was some kind of Lord of the Flies retelling. As I’ve never read Lord of the Flies, and only seen its message through various other parodies, I thought it was an excellent retelling. And also just an excellent, ghoulishly graphic, and heart-wrenching story regardless.

TL;DR if you don’t want to read the spoilers below: It’s highly graphic (intense body horror and fighting), some tws for suicide, and super gay. It’s first-person through the main character Hetty Chapin, who’s easily jealous and oblivious and guilt-ridden. I cannot recommend it enough.

Spoilers below.

“He kisses like he’s afraid of me. And he is, but I don’t think I mind it.” I cannot tell you how graphic Wilder Girls is. The gore is most of the horror in the book, but it never gets repetitive. The first second you think, “this is okay, this is is the worst body horror can get,” something awful appears in the woods outside of Raxter’s gates or some off-handed blister-puss that a girl is throwing up while she convulses down the stairs is mentioned. There’s no time to get used to the horror, and that’s the point. Rory Powers’ horror not being something you get used to is exactly what she’s going for. I loved the horror. I thought I’d like the horror since I’ve always loved the concept of familiar bodies turning alien from the inside and then the outside until they’re completely unrecognizable, and Wilder Girls does just that. There’s so much death, intentional either by losing fights with more desperate girls, or through the nature of the Tox, that each death is another knife in the reader’s ribcage. It matters, and it leaves a hole in Hetty’s heart, but you keep reading. I had a hard time putting it down. Also this book is hella gay. I thought it was one pair of girls, but it was the other in the end. It didn’t make the pain any easier—at no point was being in love helpful to the girls’ survival. The knots they had entangled themselves with by relying on anyone else was swiftly ripped apart and torn from the girls’ chest. It was satisfying. It was gruesome. “What I meant, what I wanted. They don’t matter anymore. We’re here, and that’s the rest of our lives.” It isn’t very long—it’s 350 pages about and the text is fairly big and her writing is incredibly fast-paced. I went through it in two days, reading about 160 the first day and the rest the next. I don’t know if this story was good because of what it was inspired by—again, Lord of the Flies, I’ve heard—or because it was human. Each step Hetty, the main perspective we see the book from, is guilt-ridden. She is selfish and savagely jealous and incredibly knotted, not knowing whether to be angry at the lies that’s surrounded her or satisfied that she’s made it this far at all. I really thought I wouldn’t like Hetty. As I said above, she was jealous and selfish and rude, she acted with her feelings, not her thoughts. Her instincts controlled her at times. But I also think that’s what makes her a good protagonist—she’s flawed by nature, and never truly overcomes her flaws. It’s satisfying to see her overcome her challenges, but it’s also cathartic to see people get angry at her for the awful things she says. I was equal parts thrilled and despaired at every turn of Wilder Girls. Highly recommend. “I’ll never let go of Raxter, no matter how far away I get. It’ll never let go of me.”

[typingtess]

NCIS: LOS ANGELES – “A Fait Accompli” Act Five

Kensi and Sabatino are just behind Fang as Fang pulls into a parking structure.  Lewis’s Lexus is on the roof of the structure.  Kensi comes up and yells “federal agents”.  I think we all know where this is going.  Kensi shoots Latu’s nephew, who Fang used as a human shield.  Sabatino gets Lewis as Fang gets a big weapon and makes mincemeat out of an unnamed SUV.  

Ducking behind another SUV, Sabatino shots Fang in the feet.  Everyone is safe.

Lewis set up Okoye.  Still don’t know why Okoye was at the warehouse but hey, Lewis set up Okoye.  All the stolen technology is found so all is well.

Kensi and Sabatino finish the case singing “Come On, Feel the Noise”  I think you all know what will be the header for the Rewatch.

The Admiral is in the upstairs office.  He sees Hetty’s fingerprints on everything.  He also hopes that Callen’s personal matter went well.  

Callen is up in the woods where he thinks Anna is with the ring.  He remembers breaking up with his college girlfriend.  She’s crying, he’s sorry as he walks away.  Callen is taken in a limo by Hetty.  He’ll never learn who his father is or what his real name will be if he stays.  They drive off – Callen and CGI Hetty.

Deeks arrives at the office with an order from Hetty to go to Hetty’s office.  Hetty surprised Deeks, who wants to change his underwear.  Hetty tells Deeks to open to top drawer.  He does – slowly.  There is an NCIS badge and ID.  Deeks, stunner, is NCIS.  Kensi knew for the last hour.

“Henrietta Lange, this is the most savage, inhumane, messed up, greatest thing that anyone has ever pulled on me.”  He calls the badge pure gold.  Strangers at FLETC were never giving Deeks his badge.  The team is having a party on Saturday – when Callen returns.  Deeks wants to party now – his badge is 12-years in the making.  Kensi tells Deeks she’s proud of him.  And the two of them can celebrate.  The broken ribs come between them.

Callen arrives at a hotel in the middle of the wildfires.  The hotel is empty.  Rebuild USA isn’t rebuilding the area – Anna isn’t around.  Callen is stunned.

Kam calls Sam. She is coming to LA in the following weekend.  She’s walking through a parking lot.  As she gets to her car, a man comes up from behind and kidnaps her.  

Since there won’t be a new episode for another month, a generic bumper and a promo for FBI: Most Wanted.  See you on Valentine’s Day show.

[surejaya]

Wilder Girls

Download : Wilder Girls More Book at: Zaqist Book

Wilder Girls by Rory Power

Everyone loses something to the Tox; Hetty lost her eye, Reese's hand has changed, and Byatt just disappeared completely. It’s been eighteen months since the Raxter School for Girls was put in quarantine. The Tox turned the students strange and savage, the teachers died off one by one. Cut off from the mainland, the girls don’t dare wander past the school’s fence where the Tox has made the woods wild and dangerous. They wait for the cure as the Tox takes; their bodies becoming sick and foreign, things bursting out of them, bits missing. But when Byatt goes missing, Hetty will do anything to find her best friend, even if it means breaking quarantine and braving the horrors that lie in the wilderness past the fence. As she digs deeper, she learns disturbing truths about her school and what else is living on Raxter Island. And that the cure might not be a cure at all...

Download : Wilder Girls More Book at: Zaqist Book

[writer59january13]

Quiescence Pervades Medulla Oblongata

Outward brain stem hummock

analogously, (asper bound

minuscule magnum opus)

figuratively paginated with drowned

atavistic animal instincts

roar back to life upon found perceived or real threat adrenaline

splashes cerebral hemispheres

triggering body electric

to become alert as a bloodhound

countless millenniums ago

the flight or fight reaction apropos when savage beasts

threatened tribe with bro

whizzing primitive creatures

some forced tweet crow

wing, thence railing, swooping,

trouncing dough

main housing small cluster of emo ting primates (gabbling in primal

grunts and groans witnessing ruminants

scurrying to and fro

survival of the fittest danger field

thus by dint of inherent smarts didst grow

outwitting wily coyote, or other lion eyes, hoe

ping automatic saving grace tactics recalled,

when looming predator doth woof

and warp emergency arises,

when debacle fore stalled for time against getting mauled

whereby each subsequent ruse

out foxing fierce-some, hungry non a mew zing potential breakfast, lunch,

or dinner as the sorry loo

sir aye sic newton, sans

this non nonsense game of "Life",

which thru countless millenniums strategies grew

layered upon left and right cerebral hemispheres few till hetty became diminished

as proper contra bands of bipedal hominids drew

upon accumulated storied history

learned from Bubba Zayda's

many times over motley (foolish) crew

squirreling modus operandi

wove (traversing eons)

corpus collosum hair

(more so nerve fiber weave

a microscopic whirled wide web linkedin

left and right fist size gray matter

coated with transparent integument

custom made swiftly tailored sleeve

ah...proving grounds,

when forebears of Homo Sapiens

touch and go tagged on permanent leave

on par with imagining dragons easy to believe.

[ejzah]

Well said! The more I think about it, the more it bothers me that Hetty messed with Deeks when he was already concerned about making it through FLETC. I think him using savage, among other terms, to describe Hetty’s little “suprise” kind of reflects his annoyance.

And again, if it feels like this is showing my biased opinion of Deeks, would this have happened to any other character (besides Eric perhaps) if they were in a similar situation? Probably not.

Reblog or like this post if you enjoyed A Fait Accompli.

I’ve had enough of the negativity. For all we know, Hetty wanted to be at Deeks’s graduation, but knew she’d never be able to get away from wherever she is, so that’s why she had it be at her office. (plus, she WAS correct in her ‘known Deeks longer then any of those instructors’ quote.) And also, She was the one responsible for getting Deeks into FLETC, so, wouldn’t it be a bit disrespectful if she wasn’t able to be there?!

Sheesh. And some think my constant complaining about the lack of any Hetty material is annoying. What I’ve seen in the past 24 hours is 10 times more annoying!! (both here AND Twitter!)

[sprigxfthyme]

((Fun fact, Hettie ( @anatomiist ) sent a guy to the hospital once. Knocked him out cold. Savage.

[sergeantpixie]

my thoughts after watching episode five of the Artful Dodger:

1. SARDINES

2. “the whale’s wife” oh fagin can turn a phrase

3. “being spurned by a woman is a great boon to our profession” DON’T REMIND ME

4. “i want a win” 😭😭😭

5. “i keep seeing these in my dreams” FANNY 🤭

6. Belle’s red coat is Stunning, i envy her wardrobe

7. “WHY” Belle is so funny pls

8. NUTMEG

9. Jack is only thinking of Belle 🥺

10. BUTT - 2/10 not juicy enough

11. i know fagin is just lying to buy them more time but it’s so nice of him to throw jack an interesting case and give him an excuse to talk to belle after their fight 🤭

12. “we all thought that that smell was coming from you” CHILDISH but so funny

13. Fanny is actually a great sister, we stan

14. THROUGH THE WINDOW, YAS

15. he’s eating her soup, i love them

16. “apparently a tree” HIS FACE

17. they’re in love, your honor

18. “it is so dangerous.” “yeah, but you love that, don’t ya”

19. “but i don’t really know how to talk to women, i’ve never really found the need to” “i am similarly rarely interest in what a man has to say” and that’s on soulmates (also same @ belle)

20. “not all of you.” i think they should kiss 😊

21. “tell me why you like being a navigator?” god belle’s bedside manner has improved so much

22. jack being honest with him and letting the man decide if he wants to take the risk!!! what a man!!!

23. i love the quiet scenes after surgeries between them, it’s so intimate

24. “i’d never had my own bed before” 😭😭😭

25. “it was the best and the worst times” love these fanfic writers for letting the dickensian character quote dickens lol

26. the way he looks at her 🥺

27. THEY SLEPT THERE ALL NIGHT!!! THAT’S MY SHIP!

28. the glove slap, i snorted 🤣🤣🤣

29. Belle’s mama is a savage

30. Sneed saying “christ” and stumbling back when he says Belle coming at him at least says he’s not a complete fool

31. SHE SEASONED HIM, I’M DYING 💀💀💀

32. the wink, this idiot lmao

33. “oh.” THAT’S ALL YOU HAVE TO SAY JACK

34. “hmm, lobster bisque.” PLS SHE’S SO FUNNY

35. i don’t trust youuuuuu fagin!!!

36. fagin trash talking sneed is funny tho

37. the tears in jack’s eyes when fagin has to take his place in the duel, a soft boy 🥺

38. HE SHOT SNEED THAT IS SO FUNNY PLS

39. the navigator mocking sneed 💀

40. sneed being put in the position of begging jack to save his leg is delicious, pls sir i want some more

41. belle, jack, and hetty working together is everything i’ve ever wanted, ot3?

42. ngl i kinda enjoy hetty calling jack out

43. THEY SHOULD SHAVE OFF HIS EYEBROW

44. THEY KISSED!!! FINALLY!!!

[stopsubstanceabuse1-blog]

Professional Exam Study Materials < Cisco 210-065 Brain Dumps Topics, Latest Version 210-065 Brain Dumps Braindumps

New Post has been published on https://www.substanceabuseprevention.net/professional-exam-study-materials-lt-cisco-210-065-brain-dumps-topics-latest-version-210-065-brain-dumps-braindumps/

Professional Exam Study Materials < Cisco 210-065 Brain Dumps Topics, Latest Version 210-065 Brain Dumps Braindumps

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[georgiapioneers]

Carteret Co. NC Genealogies and Histories #northcarolinapioneers

Carteret County Wills and Estates

Carteret County was named for Sir George Carteret, English Lord Proprietor, or possible his heir, John Carteret, the 2nd Earl of Granville. County Seat: Beaufort, North Carolina. The county seat is Beaufort.Carteret County Wills and other Records Available to Members of North Carolina Pioneers Indexes to Wills

1741 to 1799

1741 to 1839

1760 to 1880

1829-1866

1860-1868

1898-1916

Carteret County Wills

Abstracts of Carteret County Wills dating from 1726 to 1770

Images of Wills 1760 to 1880Testators: Always, Keziah; Arthur, Jacob; Arthur, Seth; Backhouse, John; Bagwell, Robert; Baker, William; Barrenton, Nathan; Bartell, John; Bell, Abigail; Bell, Abner; Bell, Caleb; Bell, David; Bell, George; Bell, James; Bell, Joseph; Bell, Malachi; Bell, Nathan; Bell, Solomon; Bell, Susan; Berkley, Aylworth; Berry, James; Biggott, John; Black, Martin; Bordeau, Benjamin; Bordeau, William; Brees, Henry; Brees, Ross; Brees, William; Brion, Nathan; Brooks, Lydia; Brown, John; Bryant, Nicholas; Buck, Francis; Canaday, Richard; Canaday, Thomas; Chadwick, James; Chapman, Joshua; Chadwick, Samuel; Church, Constance; Cooke, Esther; Davis, Joseph; Davis, Nathan; Davis, Susanne; Davis, Whittington; Davis, William; Dickinson, James; Dickinson, John; Dill, Edward; Dixon, James; Dixon, John; Dudley, Christopher; Dudley, Elizabeth; Dudley, Elizah; Dunfy, Peter; Easton, John; Eavey, Richard; Ellis, Freeman; English, Thomas; Fisher, Charity; Fuller, Belcher; Fuller, Edward; Fuller, Nathan; Gabriel, Benjamin; Garner, Frances; Garner, John; Gaskill, Joseph; Gaskill, William; Gillian, Thomas; Gilliden, Alexander; Goodwin, Lucreshia; Goodwin, Oliver; Goodwin, Thomas; Goulding, Thomas; Green, Elisha; Green, Francis; Green, Henry; Green, Samuel; Hall, Daniel; Harker, James; Harpe, John; Heady, Daniel; Hellen, Jonathan; Herbert, Hillary; Hibbs, John; Hill, Edward; Hill, Elizabeth; Hill, Isaac; Hill, Jonathan; Hill, William; Huff, Robert; Hunter, Ezekiel; Hunter, Lebbeus; Hunter, Stephen; Jackson, Francis; Lewis, Thomas; Lewis, William; Longest, Joshua; Lupton, Christopher; Marshall, John; Maulben, Samuel; May, Hannah; McKinny, Brooks; Moore, Joseph; Morgan, John; Morse, Abigail; Morse, James; Morse, Theodore; Nelson, Edmund; Nelson, Joshua; Nelson, Mary; Nelson, Robert; Nelson, William; Oglesby, John; O' Neal, Francis; O'Neil, William; Owens, William; Pigott, Oliver; Planter, John; Robinson, Allen; Robinson, Ann; Robinson, Joseph; Russell, David; Rustell, John; Sanders, Samuel; Saunders, Thomas; Savage, Robert; Shackleford, John; Shaw, John; Simpson, John; Smith, John; Smith, Thomas; Stanton, Benjamin; White, Solomon Wicker, Joseph Images of Wills 1794 to 1818.Testators: John Adams, Nathan Adams, Keziah Always, Capt. Benjamin Appleton, Jacob Arthur, Seth Arthur, John Backhouse, Major Denis Beaufort, William Baker, Abigail Bell, Abner Bell, Absalom Bell, Caleb Bell, David Bell, Elijah Bell, George Bell, James Bell, Joseph Bell, Josiah Bell and William Adams. Images of Wills 1829 to 1866Testators: Adams, Nathan; Arthur, Richard; Bell, Josiah; Bell, Sarah; Bell, Thomas; Bell, William; Bell, William (2); Biston, S. S.; Bordeau, Joseph; Chadwick, Anson; Chadwick, Ganabas; Chadwick, Mary;; Chadwick, Mathias; Chadwick, Oliver; Chadwick, Solom; Chadwick, Thaddeus; Davis, James; Davis, John; Davis, Richard; Davis, Samuel; Dickerson, David; Dickinson, Daniel; Elliott, James; Fisher, William; Games, William; Garner, Asa; Garner, Elijah; Garner, Samuel; Garner, Samuel (2); Gaskill, Anson; Gaskill, Pleasant; Gaskis, Esther; Gibble, James; Gibble, John; Gooding, Rachael; Guthrie, Frederick; Hancock, James; Harsley, Barton; Haskill, John; Haskitt, Michael; Hill, B. H.; Howard, John; Howard, John (2); Hunt, James; Jeremy, Isaiah; Jones, William; Jordan, Joseph; Lewis, William; Lupton, Allen; Mades, Rebecca; Marshall, William; Mason, Matthew; Mendell, Bridges; Merritt, John; Oglesby, Levi; Patton, Alis; Pelletier, Sarah; Pigott, Abram; Pigott, Culpepper; Pigott, David; Pigott, Elijah; Pigott, Margaret; Pigott, Mariah; Pugh, John; Robinson, Judith; Robinson, Thomas; Sikes, Abraham; Taylor, Isaac; Taylor, Joseph; Taylor, Joshua; Taylor, William; Thomas, Marcus; Tolson, Sidney; Wade, Caleb; Wade, Joseph; Ward, Avis; Wicks, Elijah; Willis, Benjamin; Willis, Britton; Willis, Daniel; Willis, Mihala; Willis, Seth; Willis, Thomas; Willis, Littleton; Willis, WilliamImages of Wills 1860 to 1898Testators: Adams, John; Alexander, William; Arendell, Sarah; Beeton, Mary A. E.; Bell, Levi; Bell, Ralph; Bell, Rufus; Bell, William; Bell, William (2); Brook, Mary; Canaday, Francis; Carraway, Peter; Chadwick, Oliver; Daniels, Brian; Daniels, Jesse; Daniels, Josiah; Davis, Abram; Davis, Alexander; Davis, Charity; Davis, John; Davis, Joseph; Davis, Julius; Davis, Mary; Dickinson, Wallace; Dill, George; Doyle, Edward; Dudley, Elijah; Dudley, Stephen; Ellis, Joseph; Felton, Rosanna; Fields, Lemuel; Forbes, Edward; Foreman, Charles; Fulcher, John; Fulcher, Wallace; Gabriel, Samuel; Garner, Dexter; Garner, Francis; Geffroy, William; Gillet, Jacob; Gillikin, Rebecca; Gillickson, J.; Gooding, R.; Gray, John; Guthrie, Elijah; Guthrie, John; Hall, R.; Hamilton, Elijah; Harker, John; Harris, Matilda; Haskitt, Borden; Higgins, Wiley; Hill, Isaac; Jones, Ambrose; Jones, J. B.; Jones, John; King, Sarah; Lawrence, Watson; Leecraft, Mary; Lewis, Josephus; Lewis, Riley; Lupton, Silas; Lupton, Wilson; Markett, Frederick; Marshall, Thomas; Martin, Mary; Mason, Preston; Nelson, John; Oaksmith, Appleton; Parker, David; Perry, Benjamin; Pigott, Eliza; Pigott, Jennings; Pigott, Mary; Pigott, Sarah; River, William; Roberson, Sally; Roberts, John; Robinson, Francis; Robinson, Robert; Rumley, Rachael; Russell, Nevil; Sabiston, William; Sanders, E. W.; Sewill, Charity; Shepard, William; Small, Stephen; Stanton, Jonathan; Stewart, Oliver; Sutherland, Mary; Swindell, Elizabeth; Tagler, Sidney; Taylor, B. F.; Taylor, Timothy; Thomas, Charleston; Wade, Benjamin; Ward, Jane; Waters, Henry; Whitehurst, D. W.; Whitehurst, Rachel; Wiggins, William; Willis, Henry; Willis, Josiah; Willis, Lola; Yates, William Images of Wills 1898 to 1916Testators: Arthur, Martha; Bell, D. W.; Bell, Eliza; Bell, George; Bragg, James; Carson, Laura; Collins, John; Davis, J.; Davis, J. H.; Davis, Josiah; Dickinson, Daniel; Dill, E. H.; Dill, Hettie; Demis, J. T.; Duncan, J. F.; Evans, Edward; Fodric, A. J.; Fodric, John; Fodric, Mary; Franklin, Dorea; Fullord, Lewis; Gaskill, D. B.; Gaskill, Elijah; Gilbert, Leander; Goodwin, J. H.; Guthrie, Angelina; Guthrie, John; Hansfield, David; Hardesty, Elizabeth; Hartfield, Henry; Henry, Ann; Hester, Charles; Jones, Elizabeth; Jones, Major; Laffey, Edwin; Lewis, Enoch; Lupton, Joseph; Marshall, Ann; Marshall, Caroline; Marshall, James; Mason, C. N.; Mason, Francis; Mason, John; Mason, Joseph; May, Henrietta; McCall, Henrietta; Mitchell, Kendrick; Morris, John; Nelson, Henry; Nichols, Asa; Norris, John; Oglesby, Levi; Pate, Jackson; Pelletier, Edward; Pigott, Albin; Pigott, Elisha; Pigot, Jennings; Price, George; Read, Charity; Reiger, Francis; Reiger, Henry; Roberson, Mary; Roberts, Denard; Robinson, Mason; Rose, John; Rumley, Mary; Russell, John; Simmons, Christopher; Simpson, G.; Smith, Joseph; Springle, George; Stanly, J. B.; Thomas, Alonzo; Weeks, Daniel; Williams, Edward; Williams, Lucretia; Willis, David; Willis, Effriam; Willis, Henry; Willis, Martin; Willis,, Mary  Find your Ancestors Records on North Carolina Pioneers SUBSCRIBE HERE

via Blogger http://ift.tt/2Aa3IRX

[ejzah]

Deeks must be so exhausted and defeated and Hetty pulls one of her “I’m so clever and funny” bits.

Also “Henrietta Lange, this is the most savage, inhumane, messed up” is about right.

[londontheatre]

Joining the previously announced David Tennant who plays the title role, Adrian Scarborough as Stan and Gawn Grainger as Louis are Theo Barklem-Biggs (Pete), Mark Ebulué (Aloysius), Mark Extance (ensemble), David Jonsson (Col), Dominique Moore (Lottie), Emma Naomi (ensemble), Alice Orr-Ewing (Mattie and Ruby), Himesh Patel (Vagabond), Adrian Richards (ensemble), William Spray (ensemble), Danielle Vitalis (Elvira) and Eleanor Wyld (Dalia) who complete the cast for Patrick Marber’s Don Juan in Soho.

“Please don’t be charmed, he’s not a lovable rogue…” Loosely based on Molière’s tragicomedy ‘Don Juan’, this savagely funny and filthy modern update transports the action to contemporary London and follows the final adventures of its debauched protagonist – a cruel seducer who lives only for pleasure.

Rehearsals begin next week for the production which previews at Wyndham’s Theatre from 17 March 2017, with press night on 28 March 2017. Don Juan in Soho will complete its strictly limited eleven week run on 10 June 2017.

Direction is by Patrick Marber with set and costume designs by Anna Fleischle, lighting by Mark Henderson, compositions and sound by Adam Cork, video design by Dick Straker, movement by Polly Bennett and casting by Robert Sterne CDG.

[See image gallery at http://ift.tt/1FpwFUw] David Tennant (DJ) has worked extensively in theatre, television and film winning numerous awards for his work including the Critics’ Circle Award for Best Shakespearean Performance and the National Television Award for Outstanding Drama Performance. For the Royal Shakespeare Company his credits include Richard II, a role he reprised last year at the Barbican and at the Brooklyn Academy of Music in New York, As You Like It, The Herbal Bed, The Comedy of Errors, Romeo and Juliet, A Midsummer Night’s Dream, Love’s Labour’s Lost and the title role in Hamlet, as well as co-hosting the live broadcast of Shakespeare 400. Tennant was last in the West End playing Benedick in Much Ado About Nothing. His film credits include What We Did On Our Holiday, The Decoy Bride, Fright Night, Nativity 2: Danger in the Manger!, St Trinian’s II: The Legend of Fritton’s Gold, Harry Potter and the Goblet of Fire, Bright Young Things, LA Without a Map and the forthcoming Mad To Be Normal, Fish Without Bicycles and Bad Samaritan. On television he is best known for playing the tenth incarnation of the Doctor in the BBC’s classic series Doctor Who. He is soon to appear in the third season of ITV’s award winning series Broadchurch and starred in the US version, Gracepoint. His other television credits include playing Kilgrave in Netflix’s Jessica Jones, and The Escape Artist, The Politician’s Husband, Spies of Warsaw and Casanova, all for the BBC.

Adrian Scarborough (Stan) was last on stage as The Fool in Sam Mendes’ production of King Lear at the National Theatre where his many credits also include After the Dance, The Habit of Art, Time and the Conways, Henry IV Parts 1 & 2, The False Servant, Rosencrantz and Guildenstern are Dead, The David Hare Trilogy, The Day I Stood Still and The Wind in the Willows. In the West End his credits include Betty Blue Eyes and Humble Boy. He has also been seen in Hedda Gabler at The Old Vic, Platonov and Vassa for the Almeida Theatre Company and Accidental Death of an Anarchist and To The Green Fields Beyond for the Donmar. His film credits include On Chesil Beach, Les Misérables, The King’s Speech, Elizabeth: The Golden Age, Notes on a Scandal, Vera Drake, Gosford Park, The History Boys, Bright Young Things, The Madness of King George and Dirty Pretty Things. Scarborough’s many television credits include two seasons of the US series Blunt Talk opposite Patrick Stewart, Stella, Crashing, Miranda, Up The Women, Professor Branestawm, Plebs, Edge of Heaven, Death in Paradise, The Paradise, Restless, Doctor Who, Mrs Biggs, Upstairs Downstairs, Gavin and Stacey, Cranford and Psychoville.

Gawn Grainger (Louis) was most recently on stage in The Entertainer for the Kenneth Branagh Theatre Company at the Garrick Theatre. His other theatre credits include The Cherry Orchard at the Young Vic, Macbeth at Shakespeare’s Globe and The Recruiting Officer at the Donmar as well as Onassis, Absolutely Perhaps and The Crucible all in the West End. For the National Theatre where he was part of Olivier’s South Bank inaugural season, his credits include Three Days in the Country, A Woman Killed With Kindness, Some Trace Of Her, Sing Yer Heart Out For The Lads, The Passion, The Seagull and The Misanthrope and at the Almeida he has been seen in No Man’s Land, Party Time, Mountain Language and The Last Days of Judas Iscariot. His film credits include Blood Royal, A Christmas Carol and The Little Drummer Girl and on television Labyrinth, The Nativity, Big Deal, The Black Tower, Dalziel and Pascoe, The Darling Buds of May, Foyle’s War, Gentlemen and Players, Hail, Caesar!, Heart of the Country, A Helping Hand, Hetty Wainthropp Investigates, Macbeth, Man at the Top, Men Behaving Badly and Midsomer Murders.

Theo Barklem-Biggs’ (Pete) theatre credits include Les Liaisons Dangereuses for the Donmar and Chapel Street for the Bush theatre. His film credits include Journey’s End, The Greatest Man, Kingsman: The Secret Service, The Inbetweeners Movie and the forthcoming Hunter Killer. His many television credits include Wasteman, Ballot Monkeys, Cradle to Grave, Tatau, Homeboys and Miranda.

Mark Ebulué’s (Aloysius) theatre credits include Macbeth for the Young Vic, Julius Caesar for the Royal Shakespeare Company, Phaedra’s Love for the Arcola and touring productions of Hamlet for Tara Arts and Othello for Frantic Assembly. His film credits include Kingsland, Dark Ascension and Way of the Monkey’s Claw. On television his credits include Stan Lee’s Lucky Man, Doctor Who and Julius Caesar.

Mark Extance’s (ensemble) recent theatre credits include Correspondence at the Old Red Lion, Three Days in the Country, Scenes from an Execution, Travelling Light and London Assurance for the National Theatre, Pygmalion at The Old Vic and Yes, Prime Minister in the West End and on tour.

David Jonsson’s (Col) theatre credits include Mary Stuart for the Almeida Theatre, Pigeon English at Bristol Old Vic and the Edinburgh Fringe, Romeo and Juliet at the Riverside Studios and Ghosts for the Rose Theatre Bankside.

Dominique Moore (Lottie) is best known for playing Chanel O’Grady in Footballers Wives: Extra Time. Her other television credits include Murder in Successville, Quacks, Horrible Histories, Red Dwarf and PhoneShop. Her theatre credits include Gutted for Theatre Royal Stratford East, Aladdin for the Lyric Hammersmith and The Lion King at the Lyceum Theatre. Her film credits include First and The Physician.

Emma Naomi’s (ensemble) theatre credits include Deathwatch for the Print Room at The Coronet, The Crucible for Bristol Old Vic and This Man Right Here for the Hen and Chickens. On film she has been seen in House Girl.

Alice Orr-Ewing’s (Mattie and Ruby) theatre credits include An Enemy of the People for Chichester Festival Theatre and Hay Fever at Theatre Royal Bath and Duke of York’s Theatre. Her film credits include The Theory of Everything, Mr Turner, The Scapegoat and Atonement and on television she has been seen in Victoria, Oakfield, Pramface and Blandings.

Himesh Patel (Vagabond) played the role of Tamwar Masood in EastEnders for nine years. He was last on stage in Le Bossu at the 2016 Edinburgh Fringe Festival.

Adrian Richards’ (ensemble) theatre credits include Wild Honey for Hampstead Theatre, The Suicide for the National Theatre and Advice for the Young at Heart for Theatre Centre. He has also performed in Die Entführung aus dem Serail at Glyndebourne.

William Spray’s (ensemble) theatre credits include Hamlet, Twelfth Night and But a Dream for Sovereign Arts and Punk Rock for Pocketful Shows. His opera credits include The Indian Queen for English National Opera and Dido and Aeneas for Silent Opera. On film he has been seen in A Little Chaos.

Danielle Vitalis’ (Elvira) stage credits include Girls Like That for Synergy and Primetime at the Royal Court. Her film credits include Afro Punk Girl and Honeytrap and on television she has been seen in Youngers and The Riots: In Their Own Words.

Eleanor Wyld (Dalia) was last on stage in The Alchemist at the Royal Shakespeare Company where her credits also include Don Quixote and Doctor Faustus. Her film credits include Johnny English Reborn and Freestyle and on television her credits include Thirteen, Father Brown and Misfits.

Patrick Marber’s plays include Dealer’s Choice, After Miss Julie, Closer, Howard Katz, Three Days in the Country and The Red Lion. His film credits include Closer (directed by Mike Nichols), Notes on a Scandal (directed by Richard Eyre), Old Street and Love You More. For television his co-writing credits include The Day Today and Knowing Me, Knowing You With Alan Partridge. In December last year Ivo van Hove directed Marber’s new version of Ibsen’s Hedda Gabler for the National Theatre starring Ruth Wilson and Rafe Spall. As well as directing a number of his own plays, his other directing credits include Travesties by Tom Stoppard at the Menier Chocolate Factory, which transfers to the Apollo Theatre this month, The Caretaker at the Comedy Theatre, Blue Remembered Hills at the National Theatre, ‘1953’ by Craig Raine at the Almeida and The Old Neighbourhood by David Mamet at the Royal Court Theatre. His plays have won Evening Standard, Olivier, Time Out, New York and London Critics’ Circle and Writers’ Guild Awards. His TV work has received BAFTA, British Comedy and Royal Television Society Awards. His screenplays have been nominated for Golden Globe, BAFTA and Academy Awards. He received the British Independent Film Award for Notes on a Scandal.

Wyndham’s Theatre 32-36 Charing Cross Road, London, WC2H 0DA

Additional Information Age Restrictions: Not recommended for anyone under the age of 16 Booking From: 17th Mar 2017 Booking Until: 10th Jun 2017

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