#saundarya

[vellhighbandi]

Ajao saare in (@mera-mann-kehne-laga) madem ko batana kitni awesome hai yaar ye

[s4und4ry4-c1ty]

5 posts!

[kusumasposts]

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[dam-blue-ribbon]

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[manimart-plus]

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[enlightcbse]

Parvat Pradesh Mein Parvat Pradesh Mein Pavas Summary In English | पर्वत प्रदेश में पावस | Enlight CBSE

Parvat Pradesh Mein Parvat Pradesh Mein Pavas Summary In English | पर्वत प्रदेश में पावस | Enlight CBSE

Parvat Pradesh Mein Pavas – पर्वत प्रदेश में पावस (more…)

[talonabraxas]

Jai Kali Ma!!♡

Maa Kali Talon Abraxas

On The True Meaning Of Kali Standing Above Shiva – The ‘Dark’ Devi Uber Alles

“Kali is standing over Shiva with Tongue out in contrition and embarrassment. He is underfoot, having been trampled upon – as Her Fury had burned out of all control and stood the risk of initiating the unravelling of the Worlds Entire. Thus necessitating Her Husband, Mahadev, throwing Himself down into Her Path in order to sacrifice Himself to shock Her out of it and bring things to a safe conclusion. And thus the aforementioned expression of acknowledgement of an error and having been shamed via lapse of self-control.”

Except here’s the thing. That’s not actually how the story goes. At all.

Instead, what I’ve just relayed in the passage above is a kind of post-facto ‘reading into’ the overt symbolism of the iconography by persons who were evidently not acquainted with what these elements are actually intended to mean. Or who wanted to simply reinforce particular narratives – whether sexist or ‘merely’ sectarian – accordingly. Probably both.

Now, where there is a substantive point of agreement between the ‘pop-(mis-)perception’ and the authentic understanding is when it comes to Shiva. Namely, how He appears to be lying there like a corpse (‘Shava’).

The point of difference comes in terms of how He got there in the first place.

You’ve heard the rendition above wherein Kali and Her Insurmountable Rage effectively ‘kill’ Him.

Except in reality, it’s the opposite.

Kali is standing above Shiva as Shava because She’s bringing Him to Life.

Because, after all, without Her – well, the Purusha (‘Man’, ‘Cosmic Man’ – ‘Universe’) is not animate, is simply inanimate ‘matter’ lacking the investiture of Shakti that brings the universe to life.

This is the similar notion to that which is so eloquently expressed by Adi Shankara in his well-known Saundarya Lahari [‘The Waves of Beauty’] –

“sivah saktya yukto yadi bhavati saktah prabhavitum

na cedevam devo na khalu kusalah spanditumapi”

Which, to render word-by-word:

“Shiva with Shakti joined (Yukta), if (Yadi) comes to be (Bhavati) empowered / endowed with (Sakta) is able to influence / manifest / effect (Prabhavitum)

If Without (Na Cet), the God (Devo) is indeed (Khalu) not capable / competent (Kusala) even (Api) to ‘pulsate’ / ‘move’ / ‘engage in mental activity’ (Spanditum) .”

Or, in rather more conventional English:

“If Shiva is joined with His Shakti, then He becomes empowered to Manifest and Impel the Universe

But without Her, Even the Mighty God is indeed unable to even Move nor Mentally Conceive”

This also helps to explain, in a roundabout way, just why it is Kali Who is depicted in such a fashion.

The simple answer is to be found in Her Divine Complexion. It is the Night Before (and Between) Worlds. The Black Infinity.

Exactly as one should expect in the ‘poised’ time imminently afore the Universe at large should spring into being – and into Life.

To quote from one of my earlier pieces in this particular direction:

“Hence, that idea of the ‘corpse’ ‘stirring’ to life – and we would note the PIE *h₃er- – to ‘rise up’, to ‘stir up’, and yes, ‘to fight’; that has a likely expression also in the ‘Erinyes’ of ‘Demeter Erinyes’, or various other epithets and theonymics quite salient to our purpose here.

If we are to conceptualize the Universe as a ‘Body’ – then without Her, it is a Body not in motion. It is static, it is still, it is suspended and stopped. Indeed, we may go back steps further and note that it is a body that is not even extant to *be* in such a frame.

If we are to conceptualize the Universe and its unfurling as a Dream, a Vision – the ‘mental activity’ we had spoken upon earlier – then without Her, even Lord Shiva is unable to Dream, to experience and then actively bring to immanentize, His Vision.

Or, we may say – Her Dream, Her Vision – the one that She had Inspired Him to express !

It is a good thing, then, that She never truly leaves Him – not for too long, anyway.

His Shakti is always there – it is just simply a matter of divining how to reach out to Her again.”

So, given that we know Kali does not, in fact, bring about the corpse-like status of Her Husband (at that point in the cosmology and mythic cycle, at any rate), but rather is fulsomely engaged in preparing to bring about the exact opposite …

… what to make of the situation as to Her Outstretched Tongue? It cannot be a gesture of contrition, after all – She has nothing to be contrite for.

Well, for that we would suggest turning back to the major mythic episode in which Her Protruding Tongue is saliently mentioned: the Slaying of Raktabija.

There, Devi’s Tongue surges forth in order to be able to dart about the battlefield – intercepting each and every drop of blood of the demon Raktabija [‘Blood-Seed’] so as to disrupt the effect of a boon he had been given … that ensured another Raktabija should spawn every time a drop of his blood hit the ground.

The effective purport of meaning to this can be reasonably easily observed:

Namely – that Her Tongue ‘gets in everywhere’ (It has to – that was why this was deployed ‘gainst Raktabija, after all) and is unstoppable.

This, too, can be interpreted in multiple not-necessarily-exclusive ways. Whether in terms of being able to drink blood & receive offering in such a broad and pervasive, unrestricted fashion; or being, as we say, unstoppable and unable to be warded against and kept at bay (Death, after all, as with the onrushing maw of Nightfall – an Inevitability); or, at the risk of being somewhat ‘heterodox’ myself – noting that the Tongue is a ‘bridge’ , a ‘conduit’ of its own : one which does not simply go ‘up’ in the manner of consuming, but also radiates back out in the sense of communing.

It is fitting, we might suggest, that the same Tongue which is so all-pervasive in power and conquest against the demons (including the seemingly insurmountable Raktabija) … well, it is the significant organ in many ways for the production of Speech.

And, as we know – there is no mightier weapon in all of the universe. Not least because that is precisely what the universe is.

In short – we are used to hearing about these two salient features: Kali standing over Shiva (as Shava), and with Her Tongue Protruding out … with each as emblematic of Her being ‘limited’, ‘disempowered’, and otherwise ‘submissive’.

Yet upon closer and more perspicacious insightful inspection – we find it is the exact opposite. Kali is not ‘limited’ nor ‘disempowered’ – She is the Limitless [you shall recognize the Sanskrit theonymic reference there – Aditi] and Empowering. And standing tall in the opposite of a ‘submissive’ posture – yet at the same time, tacitly enabling Her Consort to also begin to Rise to Stand Up (and thence, of course, to dance) with Her in Union.

Jai Mata Di

[gulaab-jaamun-galaxy]

She isn't the only sunflower in the garden, but she's the one I'd always pick.

While she's in deep sleep, I stay awake to think about her, and when I think, I realise I owe her the world and the moon, and if possible, I'll get her other planets and galaxies as well. And to be honest, no one in my life will ever matter more than her.

Devi Ji of my life @bareilly-wala-jhumka 💕

premā pramāṇa-rahito’nupamā guṇa-śrīḥ saundarya-sampad asamā ruciraṁ ca śīlam |

tāruṇyam adbhutatamaṁ sakhi rādhikāyāḥ kṛṣṇaḥ kathaṁ na bhavitā vaśago guṇajñaḥ ||

Pure love is boundless, Her virtues incomparable, Her beauty unequalled, Her character perfectly charming, and Her youthfulness supremely wonderful. Lord Krishna is well aware of all Her virtues. Why then should He not be completely under Her dominion?- Govinda Lilamrta 7.120

Mera prem mera ishwar hai.... fir ishwar ko poojne mein kaisi sharam?

[desisutra]

🔥 **Layla's Nava Rasika Raga: Unleashed Depravity in Living Color**

Embark recklessly on Layla's explicit odyssey, where each snapshot immerses you in a fresh canvas of unbridled debauchery, an unfiltered view of desire.

**Part 1: Prarambha of Prakriti - Carnal Prelude**

In this vivid encounter, Layla's silver nose ring gleams wickedly against twilight, hinting at the unveiled secrets within. Her eyes, lasciviously undressing, promise an uncharted plunge into decadence. The lakeside transforms into a primal stage for Layla's introduction, a raw celebration of desire soaked in unabashed allure.

**Part 2: Vilasa of Viraha - Voluptuous Dance of Luxurious Depravity**

Layla, draped in a sheer black saree with a golden border, boldly reveals explicit shoulders and cleavage, transforming into a living canvas of unabashed desire. Provocative jewels in sinful hues cling to her, accentuating every provocative curve. Each movement she makes becomes a daring dance, a rebellious declaration in the art of seduction—an explicit symphony of carnal pleasure painted in vibrant, unapologetic color that sets the senses ablaze. This is no ordinary affair; it's a brazen celebration of unbridled pleasure, tearing through the conventional boundaries of sensuality. 🔥💄💋

**Part 3: Avrta Saundarya - Lakeside Ballet of Tempting Filth**

Layla's backless allure takes center stage in this tempestuous dance of unleashed passion. The black saree, like a conspirator, whispers against her explicit form, tracing enticing contours that mirror the forbidden desires playing out. The sleeveless blouse, adorned with a minuscule strap, becomes an obscene symbol of Layla's gradual unveiling—a symphony of filthy temptation that pushes the boundaries of explicit desire. It's a provocative narrative, leaving no room for subtlety in this unapologetic celebration of passion. 🔥💦👠

**Part 4: Drishti Samvrita - Gaze Amidst Rippling Temptation**

Layla, under the twilight's enchantment, becomes an irresistible fixation. Her explicit form, shaped by the teasing waves, is an object of relentless desire, each fucking curve and contour a masterpiece of lust. Every goddamn touch and whispered obscenity fuels an insatiable craving, compelling an involuntary response— a carnal rhythm echoing the explicit dance. Layla, reduced to a captivating fixation, turns the twilight escapade into an explicit symphony of arousal, where the boundaries of desire are pushed to their absolute limits. 🔥🍆💫

**Part 5: Ananda Rasa - Lakeside Orgasmic Depravity**

At the zenith of this twilight narrative, Layla becomes an untamed masterpiece against the lakeside's allure. Waters echo with whispers of unrestrained explicit pleasure, inviting you to lose yourself in the scorching embrace of Layla's lakeside revelation, an encounter with the embodiment of explicit satisfaction.

In this grand finale, Layla emerges as the epitome of explicit indulgence, an absolute sensation whose purpose is to serve the viewer's most depraved desires, each moment a new chapter in the scintillating embrace of her lakeside debauchery. 🔥💋

[vishnavishivaa]

Saundarya: Seraphic Oneness (Trailer + Aesthetics)

This is a modern AU on NagnajitiKrishna, along with RevathiBalarama and UlupiArjuna.

*****

Manohar Vasudev

Kamalaa Srivatsan Iyengar

Trailer:

Manohar could feel something ancient awaken in His veins, something primal, beyond the human body, something intimately connected with the Soul, and for that moment, He felt the same from Her too, if Her parted pink lips and the widening of Her neelotpala eyes meant what He thought they did; surprise and knowing, a reflection of His own mixed emotions.

He was unsure what to think; He did not even know what He felt.

But He knew He was overwhelmed, that He felt too many things- who was She? Why did She awaken in Him something He had not felt before?

She was imprinted in Him. He rolled down His window, just to get a clearer look at Her, and it was exactly then that the traffic started to move slowly. He sighed, looking at Her as if to say sorry, before slowly driving away, watching Her for as long as He could, Her eyes never leaving Him either.

'Shankara, bless me so that She and I will meet again, and soon!'

****

Kamalaa could not forget those delightful dark brown eyes, like the soil of the rich earth, that had read her Soul that day. She even remembered those beautiful molten gold specks that danced all over His eyes, even from the distance, amidst heavy rain. The cold She had gotten due to dancing in the rain did not bother Her, but not knowing the identity of the man with the captivating eyes bothered Her.

She wanted to meet Him, get to know Him. Something about Him- it told Her clearly that He was the One.

The One She had always dreamt of.

Somehow, She just knew.

**************

@vibishalakshman @thelekhikawrites @celestesinsight @krishna-sahacharini @kaal-naagin @krishnapriyakiduniya @nirmohi-premika @chemicalmindedlotus @whippersnappersbookworm @sakhiiii @ambidextrousarcher @willkatfanfromasia @nspwriteups @dr-scribbler @rupkatha-banerjee @theramblergirl @hinsaa-paramo-dharma @moon-880 @thegleamingmoon @thereader-radhika @balladedutempsjadis @dr-scribbler Please let me know you thoughts, and do let me know if the rest of you want to be added to the list. 

[vagmis-blog]

Aaj mai shivrinarayan ja rahi hu, mai subah 4 baje se jagi huyi hu. 5 baje ki train thi, aur ab mai safar per hu, train ki khidki se bahar dekhti huyi, ye train smoothly chal rahi hai, bahar barish ho rahi hai aur khet, nadi aur pahaad ke nazaare, maja aa raha hai.

Main do dino se online nahi ayi kisi ke msgs nahi padh payi, per aaj jab mai prakriti ke saundarya ko dekhne ke sivaay kuch nahi kar rahi hu, to maine ek dost ke msgs padhe, uske msg padhkar 100 saal pahle jab log ek dusre ko khat likha karte the waisi hi vibe aati hai.

To usne likha tha -

"im really sorry for my rude behavior, oh wait if i rant now, I will not waste ur time and u will read it in a while. I was really confused and i am right now, Why i cried and why i was kinda upset. I cried whole evening. And then i cried in night for sometime then i stopped. I thought i again lost someone special from my life. And whatever i might feel, in the end we just met online, Aur ab mai soch raha hu mujhe kya haq hai itni bakbak karne ka. Good morning wake up now and my mood swings are over now, I am overall glad that i got to talk to you again. Just give me a hug and we are even 😤.."

Mai waise hi muskura rahi hu jaise koi apni ankhon me anshu lekar muskurata ho.

Mujhe nahi pata ki main use kya kahu

[s4und4ry4-c1ty]

[kanikathedreamer]

Saundarya is the Prettiest Human Being ever🤍🧿

[medixic]

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[swapnilsaundarya]

Trailblazer In Hindi Fashion |

About Swapnil Shukla | Swapnil, a dynamic jewellery designer, IGI certified Polished Diamond Grader, and pioneering Jewellery Journalist, educates readers on intricate topics in Hindi. With double M.A degrees and a knack for export management, she freelances as a designer, runs the popular blog 'Swapnil Saundarya', and founded 'Swapnil Saundarya Label' focusing on art, sustainability, and livelihood programs. Featured as a 'Trailblazer in Hindi Fashion' on 'POWER CODE', her 'Swapnil Saundarya Chemo Dolls' gained media acclaim. Appointed 'MIVDO Goodwill Ambassador' for 2020-21, Swapnil continues to innovate in the design and art industry.