#sandstone carving
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Sandstone carving beside Hell Lane ancient trackway. Dorset, UK. September.
Photographer: Mike Read
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Saint Maurice
Sandstone statue with pigment and gold
Cathedral of Saints Maurice and Catherine, Madgeburg, Germany
ca 1250 CE
#art#archaeology#sculpture#medievaltimes#medieval art#medieval europe#saint maurice#african culture#african history#roman empire#roman history#stone carving#stone sculpture#sandstone
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Ganesha with his consorts
Eastern Rajasthan, India, early 11th c.
Sandstone, 105.1 x 68.6 x 33 cm (41 3/8 x 27 x 13 in.)
On display at @mfaboston 1989.312
#IndianArt #HinduArt
“Ganesh[a], the elephant-headed god of good fortune and auspicious beginnings, sits enthroned with his wives on his thighs. One wife may be Riddhi, ‘prosperity,’ holding a lotus, and the other Siddhi, ‘accomplishment,’ carrying a bowl of sweets. Below, the rat, Ganesh's vahana (complement) nibbles at a sweet that has fallen from the bowl.”
#animals in art#museum visit#11th century art#Indian art#South Asian art#Asian art#Hindu art#Ganesha#Ganesh#elephant#Museum of Fine Arts Boston#carving#sculpture#stone#sandstone
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Got myself a little gemstone Narrator (and a pengy!)
Now he'll judge me for whatever I do
#wysty's photos#stp narrator#i'm not sure what gemstone was used to carve narry#maybe obsidian or onyx? it's probably one of those#the pengy is carved from blue sandstone
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Angles. India 2023
#travel#photography#india#backpacking#architecture#delhi#summer#mughal#arches#palaces#tombs#monuments#historical#sandstone#marble#carving#engraving#design#cielings#passages#doors#history#ancient#angles#minarets#windows
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i just spent like. two hours researching motorbiking in cambodia for fic research purposes and it's SO stupid and silly to do that like. why on earth. it's a rarepair fic i don't need to go that hard i'm dying
#the research was interesting but i don't think i can realistically write it#i did like the detail that little cambodian pop up stalls often sell gas for bikes in old coke bottles#and the chaos of the roads the dust the random animals the families of six crammed on one bike#the rubber plantations the rapids along the river the sandstone statue carved bridges in the jungle the potholes#i am going to set it in the east coast US instead lmao
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Further reading:
The Met: The Met to Return 15 Sculptures to India, March 30, 2023
Hyperallergic: Met Museum Repatriates 15 Objects to India, March 30 2023
~ Celestial dancer (Devata).
Period: Chandela period
Date: mid-11th century
Culture: Central India, Madhya Pradesh
Medium: Sandstone
#Madhya Pradesh#Indian#art#repatriation#The Met#Hyperallergic#art history#Subhash Kapoor#conservation#11th century#stone#sandstone#figure#devata#Chandelas of Jejakabhukti#Chandela period#sculpture#carving#religion#hinduism#Metropolitan Museum of Art
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GRP Marbles WhatsApp No. - 9599728891 For more details, You can go to this link - https://grpmarbles.com/
#Fountain#Stone fountain#Carved fountain#Water fountain#Stone water fountain#Sandstone carved water fountain
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Not So Surprising After All
Remus Lupin x fem!reader following Surprise! We're Making Love [1.3k words]
CW: a sort of epilogue to Surprise! We're Making Love but can be read as a stand alone, no plot at all - just vibes, pure fluff
Remus isn’t sure exactly how this all started for him.
One minute he was on his (figurative) knees, apologising for turning whatever this was between the two of you into love, and silently begging you not to leave.
And the next minute…
Remus stepped out of the cottage and breathed in the sea air, blinking against the sun still fairly high in the sky. He could see the faint outline of his parents cottage on the crest of the hill in the distance. A stone and wood dwelling surrounded by a few out buildings, the grass dotted by sheep, and the landscape pockmarked by their gardens enclosed in simple wooden fences; Hope’s floral and Lyall’s vegetable. The image made Remus smile.
Foregoing shoes, Remus stepped off the stone path in front of his door towards the side of the property; running his hands across the tallest plants and flowers in the gardens that a life lived with the likes of Hope Lupin prepared Remus to help tend to as the grass flattened beneath his feet.
There was a well worn trail carved through the too long grass leading down a small hill; so worn that there were places that grass gave way to earth and stone, but the route was so practised by Remus that - even in his barefoot state - he knew where to step in order to avoid the rocks in the path.
“You ought to clear the path, Cariad,” his mother had scolded him once, “make the journey easier for the two of you.”
But the two of you were very familiar with journey’s being anything but easy, though no less worth it. The risk of acupuncture by way of old red sandstone or carboniferous limestone formations that could be found along the Welsh coast was more than worth the end result.
The end result came into Remus’ view as he watched where the worn path through the grass and heather disappeared between the trees and shrubs.
He could hear the stream trickling and babbling along the rocky Welsh terrain before the clearing permeated his view; for as rocky and rough the terrain on this edge of the property tended to be, relief could be found under a grand willow tree about ten feet from the streams edge that the two of you frequented regularly.
Two small, clumsily made wooden chairs called the clearing home with a side table settled comfortably between them. Remus had strung some fairy lights through the branches of the willow, as well as down some of the long vines that hung below it.
And on the other side of the willow - hanging almost directly above the stream's edge - a white fabric hammock swayed in the gentle breeze.
It was cosy. It was quaint. It was home.
“I had a feeling I’d find you down here.” He said as a way to announce his presence; your head popping up from the hammock when you shot Remus a beaming smile which you treacherously covered with the top of your book.
“Were you looking for me?” You asked as he made his way over to you, pulling the edge of the hammock away so he could see you better.
“I’m always looking for you.” Remus teased before leaning forward for a kiss that you readily accepted before offering him two more of your own.
“I’m never very far.”
Remus hummed in acknowledgement as he folded his lips over his teeth, relishing in the feeling of you on his lips for as long as he could. “I like that about you.”
“That I’m easily accessible?” You giggled.
“That you’re always close by, you minx.”
You had your damned book covering your mouth again, but Remus could see your smile turn soft by the crinkling around your eyes.
“How are the boys?” You asked then, referring to the floo call Remus just had with Sirius, James, and Peter. The boys would have loved to catch up with you as well - Remus had told you as much - but you were determined to provide them some privacy and left the cottage to Remus.
Looking around at your refuge, he thought perhaps your motives weren’t as selfless as you made them out to be.
“They’re good. They miss you.” He responded, causing you to snort a laugh.
“I’m sure they’re just dying without me.”
“They are!” Remus insisted. “Sirius told me that he was trying to brew a polyjuice potion, and Regulus insisted on watching but refused to help him at all. Ended up at St. Mungo’s for three days afterwards, and Regulus laughed so hard he passed out; ended up in the bed beside him for the night.”
“Oh, Reg.” You sighed.
“Sirius said, and I quote, ‘Trouble would never have let that happen to me’.”
You let out a long suffering sigh accompanied by a dramatic eye roll - both of which Remus could tell were entirely for show. “He’s right, I wouldn’t.”
“What happened to you, L/N?” Remus taunted then. “You used to be cool.”
You scoffed in faux offence before smacking him with your paperback. “I became a Lupin, is what, you cheeky bastard.”
Remus roughly grabbed either side of your face to press a searing kiss to your lips, humming into it when he felt you break out in a smile. “That’s right. My apologies, Mrs. Lupin.”
You rolled your eyes, but Remus could tell he’d flustered you when you tried to hide behind your book again.
“They want to come out for the next moon. The boys, that is.” Remus continued.
“Yeah?” You murmured then, book falling away from your face once again and Remus’ heart stuttered at how happy and hopeful you sounded on Remus’ behalf.
“Yeah; they wanted to make sure that was okay with you first, though. James said he doesn’t want to ‘bother the missus’ if it’s not a good time. Sirius said ‘I don’t care if it bothers her for shit, tell her to stock up on ice cream, I’ll bring the face masks’ and then Pete looked very uncomfortable and seconded James’ earlier sentiments.”
“Of course they can come; that’ll be good, yeah? Like the old days?”
Remus wondered if you didn't look slightly insecure by that sentiment. “Well, perhaps not like the old days. You’ll be there, yeah?”
You made a face like you were going to decline, but Remus beat you to it. “I should warn you, Sirius said he ‘wouldn’t come if Trouble’s not there because Moony does not behave well for the rest of us anymore’.”
“Is that so?” You laughed, eyebrows almost to your hairline as you looked at Remus incredulously.
“‘Fraid so.” Remus agreed quickly. “So…what do you say? Gonna get the pack back together?”
You pursed your lips in a way that Remus knew was you trying not to smile as you pretended to consider it. “Okay. But Sirius has to sleep in the dog bed.”
Remus let out an uncharacteristic bark of laughter that had become relatively characteristic of him in the years since the two of you graduated Hogwarts and he brought you home to his parents.
After the chaos that was your childhood, something about your soul wholly unclenched here in the rugged Welsh terrain, and you found that you simply couldn’t imagine yourself living your life anywhere else.
And Remus? Well, Remus couldn’t imagine himself anywhere without you, so he had no problem going back to his roots. In fact, he found that the coastal Welsh countryside had never felt more like home.
#marauders era#marauders au#marauders fanfiction#reader insert#self insert#remus lupin#surprise! we're making love#remus lupin x reader#remus lupin x you#remus lupin fic#remus lupin ficlet#remus lupin drabble#remus lupin imagine#remus lupin fanfiction#remus lupin blurb#fem!reader#remus lupin x fem!reader#ellecdc fics
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Stone With 1,600-Year-Old Irish Inscription Found in English Garden
A geography teacher, Graham Senior, stumbled across a rock with mysterious incisions while tidying his overgrown garden in Coventry, England. The discovery of a small stone carved with an early form of Celtic script has caused excitement among archaeologists.
The rectangular sandstone rock was found by Graham Senior in Coventry during lockdown in 2020 while he was weeding, but its true value was only recently understood.
The 11-centimeter-long and 139-gram rectangular sandstone rock had cryptic inscriptions on it that suggested a history spanning over 1,600 years, all written in the mysterious Ogham alphabet.
Ogham is an early medieval alphabet used to write the Archaic Irish language from the 4th to the 6th century and Old Irish from the 6th to the 9th century. It is usually found carved on stones in Ireland, Wales, and western Britain. It was the first written language in Ireland. The majority of the 400 or so known inscriptions from the Archaic Irish period are family name pillars that were built to announce land ownership.
Ogham is an extremely unique writing system among all writing systems, with lines arranged in groups of one to five only. The stones provide insight into the Irish language before the use of the Latin insular script.
Finds liaison officer for the Birmingham Museums Trust, Teresa Gilmore, told RTÉ’s Morning Ireland that the discovery on an Ogham stone in the English midlands was a rare find.
“These finds do not turn up in the midlands. The bulk of Ogham inscriptions are found over in Ireland,” she said.
Professor Katherine Forsyth of Celtic Studies at the University of Glasgow conducted additional research that shed more light on the stone’s provenance. Her findings point to a period suggesting a timeframe ranging from the fifth to sixth centuries, with the possibility of an even earlier date in the fourth century.
The stone is inscribed on three of its four sides. The inscription on the stone, “Maldumcail/S/ Lass,” puzzled researchers, with interpretations pointing towards a version of the personal name Mael Dumcail, but the meaning of the S and LASS is unclear. Given the usual purpose and significance of ogham stones, it may be a location reference.
Theories regarding the origins of the stone abound, with speculations ranging from migration patterns to the presence of early medieval monasteries in the region.
The rock will be displayed at the Herbert Art Gallery and Museum in Coventry, to which Senior has donated it permanently. It will feature in the forthcoming Collecting Coventry exhibition, which opens on 11 May.
By Oguz Kayra.
#Stone With 1600-Year-Old Irish Inscription Found in English Garden#Coventry England#Celtic script#sandstone rock had cryptic inscriptions#Ogham alphabet#ancient artifacts#archeology#archeolgst#history#history news#ancient history#ancient culture#ancient civilizations#celtic history#irish mythology#celtic art
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Petra, Jordan: Petra is an historic and archaeological city in southern Jordan. Famous for its rock-cut architecture and water conduit systems, Petra is also called the "Rose City" because of the colour of the sandstone from which it is carved. The city is one of the New 7 Wonders of the World and a UNESCO World Heritage Site. Wikipedia
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Petra, Jordan: Petra is an historic and archaeological city in southern Jordan. Famous for its rock-cut architecture and water conduit systems, Petra is also called the "Rose City" because of the colour of the sandstone from which it is carved. The city is one of the New 7 Wonders of the World and a UNESCO World Heritage Site. Wikipedia
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Glorious. India 2023.
#travel#photography#india#backpacking#architecture#delhi#summer#mughal#arches#palaces#tombs#monuments#historical#sandstone#marble#carving#engraving#design#cielings#passages#doors#history#ancient#art
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Located in the Air Massif of Niger are two of the largest animal rock petroglyphs in the world. Known as the Dabous Giraffes they have been dated to about 8,000BCE. While the artist will forever remain unknown, this area of Niger has over 900 similar carvings of animals and humans. The period of these glyphs (12,000-7,000BCE) was known as the Neolithic Subpluvial, a time when the Sahara was a much wetter savannah that stretched thousands of miles and could sustain animal and human life. The giraffes are carved into a sandstone outcrop and depict a large male and smaller female. Shifting desert sands possibly covered the glyphs for millennia before they were discovered in 1987.
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