#san Francisco state alumna

[impala69mala]

So lost so lonely without her fame

[heavenboy09]

Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To A Very Amazing & Radiant Talented Asian Actress Of Korean🇰🇷 Descent That Has Starred In Various Roles in Popular TV Shows & Films Of Her Acting Career

This Korean 🇰🇷 Born Actress Was Born Here In San Francisco & Went To The Same High School As Me. 4 Years before I arrived in SF

She is an American actress and former reality television personality. She began her career in 2004 as a cast member on the MTV reality series The Real World: San Diego and subsequently through her appearances on its spin-off show, Real World/Road Rules Challenge: The Inferno II. She is regarded by many as the Real World alumna with the most successful media career.

She was born April 10, 1983 in San Francisco, California, where she grew up. She and her older sister are second-generation Korean-American, raised by "traditional" parents who moved to the United States in 1980, and ran a hamburger restaurant. After graduating from Lowell High School in 2001, She attended and graduated from the University of California, Riverside with a B.A. in economics in 2005. She was a member of Kappa Kappa Gamma sorority.

She later transitioned into acting and has since become known for films such as Dragonball Evolution, Grown Ups, Premium Rush, Sorority Row, The Hangover Part II, Sucker Punch, and Big Hero 6 (2014). She received critical acclaim for her lead performance in the independent drama film Eden. She played the lead role in the miniseries Samurai Girl, was a series regular in the two seasons (2017–19) of the superhero drama series The Gifted, played the recurring role of Mulan in the ABC fantasy television series Once Upon a Time, and has been a series regular, since 2017, as the voice of Go Go Tomago for the animated Big Hero 6: The Series – the role she voiced in the 2014 film. Beginning in August 2020, She appeared in the recurring role of Ji-Ah on the HBO series Lovecraft Country.

Please Wish This San Franciscan Native A Very Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊

The 1 & Only

Ms. Jamie Jilynn Chung 🇰🇷 💛 Jamie Chung

Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To You Ms. Chung 🇰🇷

#JamieChung #GoGoTomago #SamuraiGirl #Big 6 Hero #Dragonball Evolution

[beardedmrbean]

They present themselves as rebels against the system, fighting to preserve a piece of local woodland.

Yet many of the terrorist suspects arrested and charged over occupying government property and the violent attack in downtown Atlanta on Saturday are children of pampered privilege from out of state.

Hundreds of far-left activists, including Antifa, had gathered on Saturday evening at the Five Points neighborhood in downtown Atlanta to protest the death of their comrade who died in a shootout with police earlier in the week at an occupation south of the city.

On Jan. 18, Manuel Esteban Paez Teran, of Tallahasse, Fla., shot and severely injured a Georgia State Patrol trooper at the so-called “autonomous zone” before being killed by returning fire from police. The year-and-a-half long occupation is at the heart of the “Stop Cop City” movement to shut down the construction of the future Atlanta Public Safety Training Center, a proposed training site for law enforcement and first responders. They hate it because it’s a police center, but also claim that they are protecting a forest.

At Saturday’s gathering, masked militants dressed head to toe in black marched in the streets, shouting: “If you build it, we will burn it.”

They then smashed up businesses, cars and the Atlanta Police Foundation building. An Atlanta police cruiser was set on fire with an explosive. Livestream videos recorded at the scene showed the violent extremists working in an organized manner, such as using a large vigil banner to hide the rioters who torched the vehicle and grabbing large rocks from a shared bag to use as projectiles.

Some of those arrested represent the sort of professional leftist agitator who have popped up across the country after George Floyd’s death:

Francis Carroll is the son of a yacht-sailing, multi-millionaire family.

Carroll was already out on bail for a domestic terrorism arrest at the Atlanta autonomous zone last month. He is the son of a yacht-sailing, multi-millionaire family and hails from the wealthy Maine city of Kennebunkport, also home to former president George W. Bush.

Carroll, who lived in his parent’s mansion before going to Atlanta, was among six people arrested and charged with domestic terrorism, aggravated assault and other crimes on Dec. 13 following a string of property attacks around the area, a carjacking and assaults on officers. They were all bailed out by activists who crowdfunded their legal defense using Twitter.

Madeleine “Henri” Feola is orginally from the wealthy Portland, Ore., suburb of Happy Valley.

Feola is a trans nonbinary activist and 2022 alumna of Oberlin College, where they studied archaeological studies with a focus on decolonization. They’re from the wealthy Portland, Ore., suburb of Happy Valley before relocating to Spokane, Wash. Feola authored a February 2022 blog post on the American Scientist titled, “It’s Time to Stop Gatekeeping Medical Transition.”

Emily Kathryn Murphy says her own family “doesn’t fully understand what being vegan means.”

Murphy is a middle-class vegan activist who previously served as the at-large chair for the Chicago chapter of Al Gore’s “Climate Reality Project” organization before becoming further radicalized into eco-ideology. “I have been vegan five and a half years now, and, no matter how much explaining I do, my own family still doesn’t fully understand what being vegan means,” Murphy complained once in a blog post for the group.

Ivan James Ferguson is an award-winning classically trained clarinet player.

Ferguson is a 23-year-old award-winning classically trained clarinettist from Henderson, Nev. who studied at the prestigious San Francisco Conservatory of Music. Before becoming radicalized, Ferguson regularly performed in classical concerts in California and Nevada.

They’ve each been charged with: felony domestic terrorism, felony interference with government property, felony first-degree arson, felony second-degree criminal damage, riot, unlawful assembly, willful obstruction of a law enforcement officer and pedestrian in roadway.

At an emergency press conference following the riot, Atlanta mayor Andre Dickens revealed a shocking discovery: “Some of them were found with explosives on them. You heard that correctly, explosives.”

The Georgia Bureau of Investigation and other law enforcement agencies have tried multiple times to end the violent occupation of the woods. Yet militants have regrouped and continued to occupy the area, heeding the call shared on anarchist sites for comrades to “defend the Atlanta forest.” At the first police raid in May 2022, police were met with Molotov cocktails. The GBI also said it found gas masks and edged weapons at the raid.

During the protest, an Atlanta police cruiser was set on fire with an explosive.FOX 5

Among the previous arrests were more privileged protesters:

* Teresa Yue Shen, a Brooklyn woman arrested on Jan. 18 who graduated from Barnard College before working at Reuters and CNN, according to her LinkedIn. She is charged with domestic terrorism.

* Abigail Elizabeth Skapyak, of Minneapolis. Skapyak is a former Justice Department intern who graduated from American University. She was arrested on May 17.

* Marianna Hoitt-Lange, a violinist who graduated from New York University. She was arrested on May 17.

* Madeleine “Matthias” Gunther Kodat, of Philadelphia, is the daughter of the former provost and dean of faculty at Lawrence University in Appleton, Wis. who was arrested on May 17.

Protesters torch police car, damage businesses in Atlanta after activist killed

In November, rioters tried to set a man on fire who drove into the area.

“It seemed to me like they were going to burn the truck with me in it,” Richard Porter told 11Alive News at the time. He was forced to flee for his life as his truck was torched. In early December, two under-construction homes next to the occupation were burned to the ground. The same month, another raid resulted in six being arrested and charged with domestic terrorism.

Serena Hertal, of Sun Valley, Idaho, was one of the militants charged with domestic terrorism, aggravated assault and criminal trespass. She graduated from Pitzer College, a private liberal arts university in Claremont, Calif. where yearly costs are over $82,000.In addition to the weekend violence in Atlanta over the shooting death of the gunman, far-left sympathizers from around the country have held solidarity direct actions and urged retributive violence. “Scenes from the Atlanta Forest,” a collective that represents the autonomous zone, called for “reciprocal violence” against police in a heavily shared post on Twitter.

In solidarity with the Atlanta occupation, the trans child of Democratic House Minority Whip Katherine Clark was arrested for alleged vandalism and assault of an officer. Jared “Riley” Dowell, 23, was charged with assault by means of a dangerous weapon, destruction of injury of personal property and damage of property by graffiti.

In Lansing, militants attacked a bank, writing, “Stop cop city.” Six were arrested. A Portland UPS center was also purportedly set on fire, with a claim of responsibility posted online saying it was retribution over their comrade’s death.

“We call for more actions directly toward the companies that are donating to and funding the Cop City project in Atlanta. Forest defenders have a right to stay in the forest, and groups will continue to retaliate until the Cop City Project is canceled,” reads the anonymous statement.

[jkdanu]

2 dead after vehicle plummets down cliff at Devil's Slide, Highway 1 closed http://dlvr.it/TBDgXX http://dlvr.it/TBDgXc http://dlvr.it/TBDgXj http://dlvr.it/TBDgXm

[lboogie1906]

Dr. Michael Vincent Drake (born July 9, 1950) is a university administrator and physician who is the 21st president of the University of California. He was the 15th president of Ohio State University (2014-20). He was the chancellor of the University of California, Irvine (2005-14), and before that served as vice president for health affairs for the University of California system.

He was born in New York City and raised in Englewood, New Jersey, and Sacramento. He is the son of a doctor and a social worker. His mother graduated from East High School in Youngstown, before attending college in Baltimore. The family lived in Baltimore, Nashville, Tennessee, New York, and New Jersey before settling in Northern California. During college summers in the early 1970s, he worked at the original Tower Records.

He graduated from C.K. McClatchy High School and attended Stanford University. He received his MD from the UC San Francisco and holds three honorary degrees.

He spent more than two decades on the faculty of the UCSF School of Medicine, ultimately becoming the Steven P. Shearing Professor of Ophthalmology and senior associate dean. He then served for five years as vice president of health affairs for the University of California system. From July 2005 to June 2014, he served as chancellor of the University of California, Irvine. He served as a Professor of Ophthalmology (School of Medicine) and Education (School of Education).

In 2017, he led the establishment of the Ohio State Tuition Guarantee, which freezes tuition, mandatory fees, housing, and dining for four years for incoming, in-state freshmen. He increased the value of Ohio State Land Grant Opportunity Scholarships to cover the full cost of attendance while doubling the size of the program in 2018.

He is married to Brenda Drake. An alumna of Stanford and Berkeley Law, she is an attorney. They have two adult sons and four grandchildren. #africanhistory365 #africanexcellence

[conandaily2022]

Kimberly Wong biography: 13 things about University of Washington alumna

Kimberly Wong was an Asian-American woman who attended the University of Washington in Seattle, Washington, United States. Here are 13 more things about her: She was a resident of San Francisco, California, USA. She was in a romantic relationship with Scott Fisher. She and Fisher lived together in an apartment in Presidio Heights, San Francisco. She enjoyed cooking, doing yoga, doing…

[acrostical]

Safe Haven

On December 8, 1941—the day after “a date which will live in infamy”—then-president Aurelia Henry Reinhardt wrote a letter to all Mills families. With the hindsight of nearly 80 years, it’s a surreal read; the main point of the letter was not to offer solace or organize war efforts, but to reassure parents that the Mills campus was unlikely to face any danger from a Japanese attack. “The English Channel is 26 miles wide; New York is 3,500 miles from Europe; California is 5,500 miles from Japan and 2,500 miles from our nearest possession in the Hawaiian group,” she wrote. “May I assure you that there exists no reason to change in any way the schedule and curriculum of this college in the spring term which begins Monday, January 5.”

At that point, no one knew that many students of Japanese descent would soon opt to leave Mills, hoping to avoid separation from their families as they were forced into internment camps across the United States. In the years leading up to World War II, President Reinhardt had approached a number of European artists and intellectuals to offer them a place at Mills as the Third Reich marched across the continent and sent to concentration camps anyone it deemed a threat, including Darius Milhaud and other notable figures in the College’s history, but that welcoming spirit couldn’t protect some of her own students.

When it comes to political and cultural forces outside the campus gates, the College has historically been limited in what it can do to protect its students. But as an institution, Mills has long welcomed members of marginalized communities, and outside restrictions have not altered the campus culture of acceptance.

In recent years, the term “sanctuary” has become a buzzword in our charged political environment. But in a historical sense, the concept originated with the sacred. In ancient Greece, spaces that honored the gods provided some measure of immunity to individuals escaping laws of the state (with limited success), and in Rome, Romulus established a zone on Capitoline Hill where asylum seekers from other places could find refuge. For centuries, places of worship have operated as spaces where people could take shelter, and it’s still happening today—churches around the world house migrants seeking to avoid deportation back to war-torn homelands.

The idea of sanctuary gained popularity in the United States in the 1980s when Central Americans began to flee their home countries in the wake of civil unrest, but Mills took on the responsibility of offering it 60 years earlier in the early days of World War II. In the 1961 book Aurelia Henry Reinhardt: Portrait of a Whole Woman, Chaplain George Hedley wrote that President Reinhardt contacted the Emergency Committee in Aid of Displaced German Scholars (later Foreign Scholars) to invite intellectuals to Mills as soon as Hitler took power in Germany in 1933. Hedley noted that legends were told of Reinhardt physically transporting those scholars to campus herself.

A number of professors soon made their way to Oakland, including Alfred Neumeyer, who taught art history and directed what was then the Art Gallery, and the married couple Bernhard Blume and Carlotta Rosenberg. A German playwright, Bernhard headed up the German Department at Mills until 1945, and Rosenberg was a proponent of educating workers and women.

Of course, the most well-known Mills expats were the musician Darius Milhaud and his wife, Madeleine. In speaking with the author Roger Nichols in 1991, Madeleine detailed her family’s reaction when the Nazis entered Paris in June 1940: “We knew… that Milhaud was among the first on a list of intellectuals to be arrested because he was well known in Germany as a Jewish composer, and also because he did not share their right-wing ideals.”

The Milhauds made their way to Lisbon with plans to fly to New York, using an invitation from the Chicago Symphony Orchestra to obtain visas. But upon arrival in Portugal, their plane tickets were declared invalid because they had been bought with French francs. The three—Darius, Madeleine, and their son—were just about to board an American freighter to cross the Atlantic when a telegram arrived with an offer to teach at Mills. The San Francisco-based French conductor Pierre Monteux had contacted President Reinhardt after learning that Milhaud was fleeing to America and connected the two.

Milhaud cabled his acceptance of the position and, a few months after arriving on campus, Dean of Faculty Dean Rusk (later US Secretary of State during the Vietnam War) wrote to the State Department to plead his case for Milhaud’s continued residency in the United States, which hinged on his history of contribution to the arts. Milhaud taught on and off at Mills from 1940 until 1971.

Milhaud’s influence on the Music Department (and the rest of the College) is well known, though he was not the only academic who molded Mills in indelible ways during this time. Helene Mayer, a champion German fencer at the 1928 Olympics, was studying at Scripps College when Hitler rose to power in her home country. She then enrolled at Mills for a master’s in French. While on campus studying for her MA and, later, teaching German literature, she founded the Mills College Fencing Club, jump-starting an organization that lasted for decades. And it’s to the credit of these scholars that the German Department at Mills built a strong enough foundation to eventually send many of its students abroad as Fulbright scholars.

The situation with students of Japanese descent was not nearly as easy to solve, however, with President Franklin D. Roosevelt establishing internment camps less than three months after the Pearl Harbor attack.

Alumnae who were at Mills during the attack remember that day as a sunny one, with word of the incident filtering in as they arrived back in their residence halls after Sunday chapel service. Japanese American students soon found their freedoms curtailed bit by bit, starting with an Army-ordered curfew that restricted their movement even on the Mills campus.

May Ohmura Watanabe ’44, who was born in California to American citizens, wrote about her experiences in multiple issues of the Quarterly. “I remember Dr. Hedley, the chaplain, was very upset and angry. I can still feel his hand tightly holding mine, his body slightly bent forward as he hurried to look at the curfew proclamation posted on the telephone pole just outside the campus,” she wrote in 1985. “He even took me to the Army’s headquarters in San Francisco to protest and to state his disbelief. All in vain.”

Watanabe soon left Mills and returned home to Chico so that she wouldn’t be sent to a different internment camp than her parents and brother. She spent a year at the Tule Lake Relocation Center near the Oregon border, then was released as part of a program allowing some detainees to work or attend school in special approved zones. Watanabe was allowed to transfer her credits to Syracuse University, where she studied nursing. “I remember the special arrangements Mills made for me before evacuation to take my exams in Chico supervised by my high school dean,” she wrote.

The late Grace Fujii Kikuchi ’42 made a similar choice to leave Mills to avoid separation from her family. As a senior, she was more easily able to bring her time at Mills to a close, though it wasn’t a happy time. “My professors at Mills had arranged for me to take my [exam] at a nearby high school,” she wrote in the same Quarterly issue. “All I know is that I was graduated in absentia with my class. Not to be able to attend my commencement after four hard years of work was a bitter disappointment to me.”

The frustrations of the Mills administration during this era were captured in a play by Catherine Ladnier ’70, which she based on actual letters President Reinhardt received from students who left the College due to World War II, including Japanese American students in internment camps. Titled A Future Day of Radiant Peace, the play details the personal turmoil these students experienced as they abandoned their bustling lives at Mills for the uncertainty of the camps. It also demonstrates what little power anyone on campus had to prevent the exodus.

In the aftermath of the war, however, Mills was able to provide sanctuary to several students whose home countries were suffering. Catherine Cambessedes Colburn ’47 and Noramah Sumakno Peksopoetranto ’56 traveled to the College from France and Indonesia, respectively. In the spring 1997 issue of the Quarterly, Colburn wrote about the strangeness of going from a country recovering from war to a land of plenty.

“Mills had sent a list of what I would need, and I owned next to none of the items, nor could I get them. Coupons, given out rarely, were required to buy anything. Besides, the stores were next to empty,” she wrote. “I exchanged my wine ration with a friend for her fabric coupon and my cigarette ration with another for hers, and got enough material for two clothing items.”

Peksopoetranto earned her opportunity to attend Mills through a one-year scholarship from the Edward H. Hazen Foundation. At the end of the year, Dean Anna Hawkes offered her room and board for a bachelor’s degree in education; she spent that summer staying in the home of Librarian Elizabeth Reynolds.

On October 29, 2018—two days after 11 were killed in a shooting at the Tree of Life Synagogue in Pittsburgh, Pennsylvania���President Elizabeth L. Hillman sent an email to the Mills community. In it, she harkened back to the College’s history of providing sanctuary to Jewish scholars during World War II and the inspiration they provided to generations of students. “Higher education institutions like Mills have a special role to play in creating and sharing knowledge across boundaries of faith, race, gender, and background,” she wrote. “We can only fulfill our mission when everyone in our community is safe, respected, and able to grow and learn.”

In the last few years, President Hillman has sent a number of similar emails to the campus community after attacks, in the United States and abroad, that have targeted historically marginalized groups. According to Dean of Students Chicora Martin, the typical campus response finds its roots in Mills history. “Whenever an incident happens, we’re among a community where people may not always know what to do, but they are prepared to do something,” they said. “It’s part of our culture.”

“In times of immense crisis and identity-based violence, there is this depth of emotion and despair, but also a desire to be in community,” says Dara Olandt, campus chaplain and director of spiritual and religious life. “It has been very moving for me to see the ways in which students have offered leadership and shown up for each other.”

Olandt attributes the campus-wide attitude of acceptance and protection to the College’s past religiosity—in particular, President Reinhardt was the first woman moderator of the American Unitarian Association. (Olandt herself was ordained by the Unitarian Universalist church.) The chapel “is a refuge, and a place of deep hospitality. That’s what the forebears [who created] this chapel were really about,” Olandt says. “There’s power in this symbolic place where people are welcome in the fullness of their lives, no matter their identities.”

She also counsels those who travel to Mills from outside the country and hail from distinctly different societal and religious backgrounds than their US-born peers. That demographic has naturally been part of the student body for decades, but provides a different set of challenges due to the requirements of F-1 and J-1 student entry visas. Dean Martin serves as the principal designated school official on the Mills campus, so they are the first point of contact for the US government. “Every year, we have someone who can’t make it here because they can’t get a visa,” they say. “There are lots of restrictions with international students, and there’s a lot of documentation that you have to provide just for them to do normal-ish things, like getting a Social Security card or a driver’s license.”

Over the last four years, the legal status of undocumented students has been called into question across the country, and as a Hispanic Serving Institution, Mills has been prompted to respond. Under the Deferred Action for Childhood Arrivals (DACA) program, which began in 2012, undocumented immigrants who arrived in the US before they turned 18 could be granted renewable two-year periods where they would not be deported. When Donald Trump was elected to the presidency, he pledged to end the program—and set off a chain reaction at colleges and universities across the country, which became known as the “sanctuary campus” movement.

On November 16, 2016, President Hillman was one of hundreds of signatories to the Statement in Support of the Deferred Action for Childhood Arrivals (DACA) Program, which underscored the contributions that its recipients have made to college communities across the country. “America needs talent—and these students, who have been raised and educated in the United States, are already part of our national community,” the statement reads. “They represent what is best about America, and as scholars and leaders they are essential to the future.”

Hillman also joined with more than two dozen college leaders in December 2017 as founding members of the Presidents’ Alliance on Higher Education and Immigration, which advocates for fair treatment of DACA and international students, and she continues to contribute to amicus briefs compiled by the alliance on behalf of DACA students.

In practical terms, Martin says that Mills provides grants to affected DACA students to cover the legal paperwork required to renew their statuses, and the College will provide financial assistance to any undocumented student in the same amount the student would have received from a Pell Grant, which is a federal program and therefore off-limits to non-citizens.

But in terms of sanctuary? If immigration officials asked Mills to turn over student records, the College is theoretically protected by the Family Educational Rights and Privacy Act (FERPA), which prohibits the disclosure of student information, including immigration status, to parties beyond those that need to know for the purposes of that student’s education. Nothing like that has happened yet, but administrators say that it’s really not the point. The last few years have, in the end, cemented the kind of institution Mills wants to be.

“We were asking questions about our own values. The government’s now actively not supporting [these] students, so we have to come out very strongly with concrete statements and actions that clarify for our community where our values lie,” Martin says.

“Aurelia Reinhardt was deeply motivated by her values, which had roots in her religious and spiritual background,” Olandt adds. “She was very much anchored in a spirit of service and what we call today solidarity with marginalized folks. How can we uphold the best of humanity and live a moral and ethical life in the face of challenge?”

[uwmspeccoll]

Jennifer Foerster in Special Collections

Today, Mvskoke poet and scholar Jennifer Foerster offered a craft talk in Special Collections this afternoon as part of our long-standing Craft Talk Lecture Series of Native American writers. The talk was sponsored by the Milwaukee Native American Literary Cooperative (of which UWM Special Collections is an active member), the UWM Electa Quinney Institute, and the National Endowment for the Arts.

Foerster gave an absolutely inspiring lecture on “Seeing in Invisibility: Poetry as Revelation and Recovery.” She discussed what she calls “the poetics of in-seeing”: what happens when Native people locate themselves, their stories, in a homeland that is, in this current geopolitical landscape of the United States, largely invisible. At the end she offered a reading of four new erasure poems that beautifully expressed the import of her lecture.

Jennifer Foerster has PhD in English and Literary Arts from the University of Denver and an MFA from the Vermont College of the Fine Arts, and is an alumna of the Institute of American Indian Arts (IAIA). She is the recipient of a National Endowment for the Arts Creative Writing Fellowship, a Lannan Foundation Writing Residency Fellowship, and was a Wallace Stegner Fellow in Poetry at Stanford University. Jennifer teaches in the IAIA Low Residency MFA Creative Writing Program and at The Rainier Writing Workshop. Foerster is the author of two books of poetry, Leaving Tulsa (2013) and Bright Raft in the Afterweather (2018), both published by the University of Arizona Press. Foerster is of German, Dutch, and Mvskoke descent, is a member of the Mvskoke (Creek) Nation of Oklahoma, and lives in San Francisco.

View our posts on some of the other writers who have appeared in the Craft Talk Lecture Series.

[sfaioffical]

SAN FRANCISCO BAY AREA:

Kota Ezawa: National Anthem, and Mike Henderson’s At the Edge of Paradise Opening Friday, November 8 at Haines Gallery. On view through December 14, 2019.

National Anthem, the artist’s most recent project is a stirring and timely body of work that offers a powerful meditation on protest, patriotism, solidarity, and hope, depicting professional NFL athletes “taking a knee” during the national anthem to protest police brutality and the oppression of people of color.

Mike Henderson: At the Edge of Paradise, Henderson’s thirteenth solo exhibition at Haines Gallery, features a suite of newly created, large-scale abstract paintings whose complex palettes and carefully worked surfaces explore the tension between gestural and geometric abstraction.

The Qualitative Validation Principle - Marc Horowitz (2001) Ever Gold [Projects] presents The Qualitative Validation Principle, Marc Horowitz’s second solo exhibition with the gallery. On view November 9 – December 21, 2019.

BoundarySpan – a group exhibition featuring Michael Arcega (BFA 1999), Jimin Lee (MFA 1997), Paula Levine (MFA 1988), Sherwin Rio (MA 2019), Desiree Rios (MFA 2017) In a time of increasing divisiveness, separation, polarization, and fortified walls, artists can serve critical roles in building indirect associations, nurturing connections, and reminding us of the importance of considering a multitude of perspectives. BoundarySpan is a group exhibition at the Natalie and James Thompson Art Gallery displaying works by artists Michael Arcega, Jimin Lee, Paula Levine, Sherwin Rio, and Desiree Rios. On view November 12, 2019 - February 21, 2020

Shaw & Co. - Richard Shaw (BFA 1965, Martha Shaw (BFA 1966), Alice Shaw (MFA 1999), Virgil Shaw & Friends Gallery 16’s exhibition “Shaw & Co.” presents a collection of work by members of the Richard and Martha Shaw Family, plus a plethora of SFAI-affiliated artists—faculty and alums—including Richard Shaw, Martha Shaw, Alice Shaw, Rebeca Bollinger, Mike Henderson, Don Ed Hardy, Bob Hudson, Sahar Khoury, Alicia McCarthy, Jim Melchert, Ruby Neri, Cornelia Schulz, Wanxin Zhang, and more!

Völva Saga, Silenced – Monet Clark Join Monet for the opening of Völva Saga, Silenced, a 24 hour projected performance video at AP/SE on November 15. The piece will run 24 hours starting at noon with a request to gather at dusk 4:45, to 6pm

Savor The Moment and Table Testaments - Nancy Willis (MFA 2005) Nancy Willis will feature in two upcoming exhibitions this month. The first is Table Testaments which opens November 16 at Arts Benecia, then Savor The Moment opens November 23 at Chandra Cerrito / Art Advisors in Oakland.

Fresh Focus: Small Works Exhibition of Recent Bay Area MFA Artists - Jordan Taylor Holms (MFA 2019) On December 11, 2019 SFMoMA Artists Gallery opens this exhibition featuring small-size artworks by recent and current MFA artists of the Bay Area, including alumna Jordan Taylor Holms. The show will be on view through February 23, 2020.

NEW YORK

Urbanites and Ur-Beasts – Olive Ayhens (MFA 1969) On view October 30 – December 20, 2019 at Bookstein Projects, Urbanites and Ur-Beasts is Olive Ayhens fourth show with Lori Bookstein and the second at Bookstein Projects.

Umwelt - Christine Davis (BFA 1992), Patricia Olynyk, Meredith Tromble (SFAI faculty) Umwelt exposes the multilayered work of artists who engage with the sciences, while offering visitors a nuanced view of what science both is and can be. Meredith Tromble, Patricia Olynyk, and Christine Davis are artists who approach science as material for art. Through their works in digital media, installation, sculpture, and photography, Tromble, Olynyk, and Davis orient viewers to a playfully provocative and imaginative world of questioning. On view at BioBAT Art Space November 1, 2019 – March 30, 2020

Women in Possession of Good Fortune - Kira Nam Greene (BFA 2002) Women in Possession of Good Fortune, an exhibition by Kira Nam Greene, refers to the opening lines of Jane Austen’s novel, “Pride and Prejudice” and alludes to both the persistence of sexist assumptions and the achievements made by women from different races, ages and sexual orientations. On view at Lyons Wier Gallery November 7th - December 7th, 2019.

Catch and Release - Carolanna Parlato (MFA 1980) Often employing only a few colors and compositional elements, Parlato’s newest paintings are efficient in their drama and demonstrate the sheer power of limits: just this much is just enough. Carolanna Parlata’s solo show, on view at Morgan Lehman November 7 – December 14, 2019.

Liz Atz and Gelah Penn: Splice - Gelah Penn (MFA 1973) Please join us in celebrating alum Gelah Penn during the opening of Splice on November 22 at The Yard: City Hall Park.

Los Angeles, CA

Units by Seth Lower (MFA 2008) On January 9, 2020 Seth Lower will host a book launch and signing for his latest, Units at Book Soup in Los Angeles. “Units contains photographs taken from 1994–2017. The images depict a variety of everyday materials and situations, many seen in sets, parts, or multiples. Within such scenes, Lower seeks out a kind of integrity (or lack thereof): standards of measurement, materiality, vague questions about the boundaries of entities and experience.”

NEW JERSEY AND ONLINE

Show Me Your Neon and Winter Solstice – group exhibitions featuring Holly Wong (MFA 1995) Show Me Your Neon is on view November 18 – December 31, 2019 at Gallery 1202.Holly creates installations, assemblages and works on paper, integrating non-traditional approaches with more traditional sewing techniques associated with the history of women. Her approach is both non-conventional but also deeply rooted in her history and culture. Winter Solstice opens November 16 at MarinMOCA and is on view through December 22, 2019.

Paul Valadez (BFA 1997) Visiones Latinx: Selections from the Permanent Collection and Mucho Caramelo If you are in New Jersey before December 11, 2019 check out Paul Valadez’s group show Visiones Latinx: Selections from the Permanent Collection, and click the link above to view Mucho Caramelo, an online exhibition of Paul’s recent gift to the Latin American Studies program at University of the Pacific in Stockton, California.

Seattle, WA

Boundaries – Claire Brandt (MFA 2005) Boundaries, opening Nov. 14 and on view through December 9, 2019 at The Factory in Seattle, WA is an exhibition of Claire Brandt’s paintings and a performance of States of Being Traced, her interactive drawing project.

Austin, TX

Allochory – Jamie Spinello (MFA 2007) Jamie Spinello’s 7 foot tall sculpture, "Allochory”, will open on Saturday, November 16 as part of an outdoor sculpture group exhibit, "Convergence". “Convergence” is a collection of public art works that were funded by the City of Austin for 2019 as part of the Art In Public Places, Tempo Program. This is an official registered East Austin Studio Tour Event located at #456 on the tour map.

Top image credit: (left) Jordan Taylor Holms, Holy Grails and Zero Degrees, 2019, Acrylic on canvas, 24 x 20 inches. (right) Jordan Taylor Holms, Look the Part, 2019, Acrylic and oil pastel on canvas, 13 x 11 inches.

[nsula]

40th Folk Festival spotlights rich, diverse culture of Louisiana

By Dr. Shane Rasmussen

Photos by Chris Reich, NSU Photo Services

 NATCHITOCHES – The audience at the 40th annual Natchitoches-Northwestern State University Folk Festival held on July 26-27 was entertained and educated about the rich and diverse cultural offerings of the state. The Festival featured traditional Louisiana foods, Kidfest activities, music, traditional crafts, narrative sessions, musical informances, and cultural exhibits. This year’s Festival theme “Vive la Louisiane!” was a great success, with a very happy audience.

 The Festival opened with a rousing dance, beginning with Cajun dance lessons, followed by Gal Holiday and the Honky Tonk Revue, and the night closed out with Bruce Daigrepont Cajun Band. Side stage performances included Natchitoches gospel group Joyful Sounds, 50 Man Machine, which includes NSU faculty Paul Forsyth, Collier Hyams, and Oliver Molina, and an open jam with Max & Marcy, Ed Huey, and Cane Mutiny.

 Saturday’s events included performances in Prather Coliseum by 50 Man Machine, Creole la la with Goldman Thibodeaux and the Lawtell Playboys, the Louisiane Vintage Dancers, Brandy Roberts, the Rayo Brothers, Tab Benoit, Jamie Berzas & the Cajun Tradition Band, the Stewart Family and Friends Bluegrass Band, line dance lessons by the Cajun French Music Association Dance Troupe, the Canneci N’de Band of Lipan Apache, zydeco dance lessons by Avila Kahey, Wayne & Same Ol’ 2 Step, Hardrick Rivers and the Rivers Revue Band, Celtic Music with the Kitchen Session of Baton Rouge and a jam session with Max and Marcy.

 In addition to stage performances there were narrative sessions and music informances, including conversations about American songwriting, culture & costumes of 19th century Louisiana, Tab Benoit’s The Voice of the Wetlands Fondoution, and the musical journey of Vanessa Niemann (aka Gal Holiday). Also featured was a music informance by Tab Benoit. Outdoor activities included demonstrations by the Central Louisiana Dutch Oven Cookers, the Red River Smiths, the Southern Stock Dog Association, and Wash Day, presented by the West Baton Rouge Museum. This year the Festival continued a series of free workshops for Festival attendees. Festival goers attended a Cajun accordion workshop by Jamie Berzas and Bruce Daigrepont.

 The annual Louisiana State Fiddle Championship was also held on Saturday in the Magale Recital Hall as part of the Festival. Fiddle Championship judges included Steve Birdwell, Steve Harper, Henry Hemple, and Clancey Stewart. The new Louisiana Grand Champion is Ron Yule of DeRidder. Second place winner was Joe Suchanek of Merryville, with Owen Meche of Arnauldville placing third. Meche also took first place in the 21 and under championship division.

Suchanek took first in the 60 and up championship division, with Yule coming in second, Birgit Murphy of Opelousas in third, Mark Young of Balise in fourth, Wilfred Luttrell of DeRidder in fifth, and Ron Pace of Alexandria in sixth. Luttrell and Yule also took first place in the twin fiddles competition.

 As the new Louisiana State Fiddle champion, Yule also performed on the main stage in Prather Coliseum. Dr. Lisa Abney managed the fiddle championship. Dr. Susan Roach from Louisiana Tech University emceed the championship.

 Four musicians and a renowned filé maker were inducted into the Louisiana Folklife Center’s Hall of Master Folk Artists. Inductees included Louisiana Music Hall of Famer Tab Benoit, who also served as honorary Festival Chair, Cajun musicians Jamie Berzas and Bruce Daigrepont, filé maker John Oswald Colson, and country singer Vanessa Niemann.

Dr. Shane Rasmussen, director of the Louisiana Folklife Center, led the induction ceremony, assisted by State Representative Kenny Cox and Dustin Fuqua, Chief of Resource Management at Cane River Creole National Historical Park. In addition, the honorary award of Folklife Angel was given to long-time Festival crew chief James Christopher Callahan, an NSU alumnus.

In addition to 4 book signings and 8 exhibits by such groups as state parks and archives, over 70 craftspeople displayed their traditional work on Saturday. These craftspeople demonstrated and discussed their work with the Festival patrons. Craftspeople displayed accordion making, beadwork, baskets, Czech Pysanky eggs, filé making, flintknapping, folk art, knives, music instruments, quilting, pottery, spinning & weaving, tatting, walking sticks, whittling and needlework, wood carving, and more. 8 food vendors provided a cornucopia of traditional Louisiana foods to the Festival audience.

 Support for the Louisiana State Fiddle Championship and the Natchitoches-NSU Folk Festival was provided by grants from the Cane River National Heritage Area, Inc., the Louisiana Division of the Arts Decentralized Arts Fund Program, the Louisiana Office of Tourism, the Natchitoches Historic District Development Commission, the National Endowment for the Arts, the New Orleans Jazz and Heritage Foundation, and the Shreveport Regional Arts Council.

Much needed support also came from generous sponsorships from Acme Refrigeration of Baton Rouge, C&H Precision Machining, Chili’s, City Bank & Trust, the City of Natchitoches, Cleco, John Clifton Conine, Atty; CP-Tel, Domino’s Pizza, the Donut Hole, El Patron, Family Medical Clinic, Grayson’s Barbecue, Hardee’s, the Harrington Law Firm, D. Michael Hayes, Atty; JB & M Enterprises, Jeanne’s Country Garden, La Capitol Federal Credit Union, McCain Auto Supply, Jason O. Methvin, Atty; Morning Star Donuts, the Natchitoches Area Convention & Visitors Bureau, Natchitoches Regional Medical Center, NSU Men’s Basketball, the Pioneer Pub, Pizza Hut, Raising Cane’s, Ronnie’s Auto Glass, Save A Lot, Sonny’s Donuts, Southern Classic Chicken, Natchitoches Super 1 Foods 604 and 613, TOTO, Inc; Trailboss, UniFirst, Walmart, Waste Connections, and Weaver Brothers Land & Timber. In addition, numerous newspapers, online venues, and radio and TV stations assisted the Festival by generously printing articles, airing interviews, free promotional PSAs, and/or participating in on-air ticket giveaways.

 The success of the Festival was made possible due to the many volunteers from NSU’s faculty and staff, who gave generously of their time and talents. The Louisiana Folklife Center is grateful to Phyllis Allison, David Antilley, Kay Cavanaugh, Corieana Ceasar, Jason Church, Sherrie Davis, Matt DeFord, Christine Dorribo, Michael Doty, Bruce Dyjack, Alexis Finnie, Ashlee Grayson, Charlotte Grayson, Dr. Hiram F. “Pete” Gregory, Dr. Greg Handel, Wesley Harrell, Jackie Hawkins, Diana Hill, Kristie Hilton, Carla Howell, Leah Jackson, Dr. J. Ereck Jarvis, Melissa Kelly, Suzanne Kucera, Dr. Chris Maggio, Barbara Marr, Terri Marshall, Coach Mike McConathy, Byron McKinney, Valerie Meadows, Gwendolyn Meshell, Dr. Jim Mischler, Melinda Parnell, Julie Powell, Kathy Pylant, Charles Rachal, Chris Reich, Stephanie Stanton, Bethany Straub, Anna Vaughn, Randi Washington, Mary Linn Wernet, David West, Taylor Whitehead, Emily Windham, Dale Wohletz, and Sharon Wolff. NSU students included Francisco Ballestas-Sayas, Caleb Callender, Makayla Fisher, Valentina Herazo-Alvarez, and Ina Sthapit. NSU alumni included Michael Cain, Michael Taylor Dick, Hammond Lake, Greg Lloid, De’Andrea Sanders, and Daniel Thiels. Many thanks are due to the Louisiana Folklife Center staff, including administrative coordinator Shelia Thompson, student workers Macey Boyd, Jalima Diaz, Heather Jones, Caitlin Martin, and Taylor Nichols, and graduate assistants James Harrison and Erica McGeisey.

 Thanks also go out to Andy Adkins, Myranda Adkins, Alexandria Arens, Robert D. Bennett, Jennae Biddiscombe, Rebecca Blankenbaker, Derek Boyt, Erin Boyt, Melanie Braquet, Sherry Byers, the Central Louisiana Dutch Oven Cookers, Don Choate, Jr., Catherine Cooper, Hailie Coutee, Helen Dalme, Cameron Davis, Eli Dyjack, Sheila Dyle, Adam Edwards, Justin French, Jennifer Gallien, Reagan Guillory, Grace Hardy, Dr. Don Hatley, Sue Hatley, Lani Hilton, Ed Huey, Peter Jones, Leonard King, Michael King, Abagael Kinney, Dan Martin, Deron McDaniel, Ivan McDaniel, Charity McKinney, Sheila Ogle, Sara Parnell, Kimberly Perry, Audrey Rasmussen, Gidget Rasmussen, Susan Rasmussen, Wyatt Rasmussen, the Red River Sanitors, Sukrit San, Rick Seale, Lorie Speer, Lori Tate, Margaret Thompson, Sara Vaughn, Emily Ware, Briton Welch, Justice Welch, Shirley Winslow, and the Natchitoches Parish Detention Center trustees and officers Derek Booker and Larry Willis.

 Natchitoches Area Convention and Visitors Bureau staff members included Arlene Gould, Kelli West, NSU students Anne Cummins and Megan Palmer, and NSU alumna Heather Dougan.

Special thanks go to Craig Routh for his generous permission to use his painting, Dixieland Jazz Fleur-de-Lis, for the Festival t-shirt.

[wendellcapili]

UP Alumni Association in America (UPAAA) Immediate Past President and UP (Nursing) / University of San Francisco (Public Administration) alumna Daisy Magalit Rodriguez passed away on 24 October 2022. She was attending a UPAAA meeting in Houston. She was 79. She was in Manila on 19 May 2922 to receive the 2021 UP Alumni Association (UPAA) Most Distinguished Service Award for an Alumni Chapter. She was supposed to receive the 2022 UPAA Distinguished Service Award for an Alumna next month. Born and raised in Aklan, Daisy was a UP Entrance scholar. After a long distinguished career as a nurse and nursing educator, she became President of the UP Nursing Alumni Association, the Philippine Nurses Association of Northern California, and UPAA, Berkeley Chapter. She also taught nursing at San Francisco State University and the University of California, San Francisco. Her book entitled The Balance Concept in Nursing (UP Press, 2016) was a 36th Philippine National Book Award finalist. She raised funds for many scholarships and professorial chairs across the UP System. Daisy is known for her leadership and dedication as a nurse and as a civic leader. She was also a skilled dancer. She will be missed 🙏 (at University of the Philippines) https://www.instagram.com/p/CkLnGoxPTFL/?igshid=NGJjMDIxMWI=

[synergydentalgroup]

About Dr. Kimberly Quan Hubenette, DDS, MAGD Sonoma Dentist

Dr. Kimberly Quan Hubenette earned her Doctor of Dental Surgery from the University of Southern California in 1993. Participation in the Advanced Dental Aptitude Placement Training program allowed her to complete her undergraduate studies in two years and Dental School in four years.

She comes from a family of dentists; her father and several cousins. Dr. Kimberly Hubenette enjoys all phases of dentistry, and has a special interest in whole body health as it pertains to dental needs, airway issues, enhancing smiles, cosmetically, as well as into proper form and function. Integrating the oral systemic link, Airway-Focused Dentistry, educating patients with prevention, and being the liaison with an individual's medical professionals are her passions.

Through extensive continuing education, Dr. Hubenette remains at the forefront of dental advances. Dr. Hubenette is an alumna at the L. D. Pankey Institute for Advanced Dental Training in complete comprehensive care. The program is distinguished from any other by its dedication to treating Occlusion and Temporal Mandibular Joint disorders. She was also Associate Professor at University of California, San Diego. (UCSD) and helped with the UCSD pre-dental program. In 2009, she began volunteering as an Off Site Community Dental professor for University of the Pacific Dental School (UOP)and University of California, San Francisco( UCSF).

Dr. Kimberly Hubenette is a member of the American Dental Society, and is a board member of the local chapter of the Academy of General Dentistry. In 2004, she was elected president of the San Diego Chapter. She received her Fellowship award from the Academy by passing an extensive 16-subject, written examination, finishing 500 continuing education credits; she has maintained her membership with the organization for 20 years. In 2010, she received the distinguished Master Award from the Academy of General Dentistry; there are only 149 practicing dentists throughout the state of California whom have received this award.

A Southern California native, Dr. Hubenette has always played an active role in community events and was a member of the Pacific Beach Chamber of Commerce & Town Council in San Diego. She has donated services to various charitable organizations including St. Vincent DePaul, The Braille Institute, and the Muscular Dystrophy Society.

Her current endeavors include serving as a community leader by working with the Chamber of Commerce of Sonoma, Christina’s Smiles, the Sonoma Valley Mentoring Alliance as a mentor, and is an active Rotarian. She is a member of Sonoma Impact 100, and sponsors annually to Red and White Ball, Sonoma Valley Hospital, and Children's fundraising and sports teams. In 2013 she became California's co-chairman for Freedom Day USA, a national organization to thank Veterans and active Military for their services. She helped inspire Sonoma to create Freedom Week Sonoma, an extension of Freedom Day USA.

As for dentistry, she has a Fellowship with the Academy of Craniofacial Pain, a fellowship for the International Congress of Oral Implantologists, and United States Dental Institute for Orthodontia. After selling her practice in San Diego, she relocated to Sonoma with her late Husband, Mark, and helped form Synergy Dental Group.

She now resides in Kenwood with her dogs, Rosco and Dakota. When she is not providing dental care, she enjoys fishing, hiking, rollerblading, camping, motorcycling, and especially time with family.

[heavenboy09]

Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To A Very Amazing & Radiant Talented Asian Actress Of Korean🇰🇷 Descent That Has Starred In Various Roles in Popular TV Shows & Films Of Her Acting Career

This Korean 🇰🇷 Born Actress Was Born Here In San Francisco & Went To The Same High School As Me. 4 Years before I arrived in SF

She is an American actress and former reality television personality. She began her career in 2004 as a cast member on the MTV reality series The Real World: San Diego and subsequently through her appearances on its spin-off show, Real World/Road Rules Challenge: The Inferno II. She is regarded by many as the Real World alumna with the most successful media career.

She was born April 10, 1983 in San Francisco, California, where she grew up. She and her older sister are second-generation Korean-American, raised by "traditional" parents who moved to the United States in 1980, and ran a hamburger restaurant. After graduating from Lowell High School in 2001, She attended and graduated from the University of California, Riverside with a B.A. in economics in 2005. She was a member of Kappa Kappa Gamma sorority.

She later transitioned into acting and has since become known for films such as Dragonball Evolution, Grown Ups, Premium Rush, Sorority Row, The Hangover Part II, Sucker Punch, and Big Hero 6 (2014). She received critical acclaim for her lead performance in the independent drama film Eden. She played the lead role in the miniseries Samurai Girl, was a series regular in the two seasons (2017–19) of the superhero drama series The Gifted, played the recurring role of Mulan in the ABC fantasy television series Once Upon a Time, and has been a series regular, since 2017, as the voice of Go Go Tomago for the animated Big Hero 6: The Series – the role she voiced in the 2014 film. Beginning in August 2020, She appeared in the recurring role of Ji-Ah on the HBO series Lovecraft Country.

Please Wish This San Franciscan Native A Very Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊

The 1 & Only

Ms. Jamie Jilynn Chung 🇰🇷 💛

Happy 40th Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To You Ms. Chung 🇰🇷 

[growhunter407]

Alcina Handel

French soprano Patricia Petibon sings one of the biggest handelian arias. Her voice in this recording is just amazing, and she adds a lot of dramatism. Handel’s Alcina Handel’s Alcina ● by Chris Lynch This February, Indiana University Opera will present Handel’s fantasy opera Alcina in a new production designed by Robert Perdziola, directed by Chas Rader-Shieber, and conducted by Arthur Fagen. On musical grounds, this is a more-than-competent reading of Handel's classic opera, with some fine singing throughout. Naglestad is a lovely Alcina, and other principles are strong (notable standout is Mahnke's Oberto). Conductor Hacker coaxes a good reading out of the Stuttgart forces. Handel: Alcina / Curtis, DiDonato, Rensburg, Beaumont Release Date: Label: Archiv Produktion (Dg) Catalog #: 4777374 Spars Code: n/a Composer: George Frideric Handel Performer: Kobie van Rensburg, Vito Priante, Joyce DiDonato, Sonia Prina.

Mio Bel Tesoro Handel Pdf

Quite possibly Handel's most magnificent opera, Alcina is filled with extraordinary musical riches & a lot of magnificent magic. Two exceptional women lie at the heart of the story: Alcina is a potent sorceress, which Bradamante counters with her self-confidence and determination on her quest to rescue her lover Ruggiero from Alcina's spells. If she succeeds, they will escape and no doubt live happily ever after. However, if not, Ruggiero will be transformed into the newest trophy in Alcina's enormous gallery of former lovers. Which will it be? Can he resist her magic?

Now in his fourth season as music director of Orchestra Seattle and the Seattle Chamber Singers, Clinton Smith also maintains a position on the music staff of Santa Fe Opera, where he most recently served as cover conductor for Leonard Slatkin on a production of Samuel Barber’s Vanessa. During the 2017–2018 season, he will make three company debuts, conducting Il barbieri de Siviglia at Dayton Opera, Le nozze di Figaro at Tacoma Opera and Alcina at Fargo-Moorhead Opera. He will also return to Pacific Northwest Opera to conduct Turandot, and to Atlanta Opera to prepare The Seven Deadly Sins. Clinton’s recent conducting credits include The Mikado for Kentucky Opera, Hansel und Gretel and Norma for Pacfic Northwest Opera, Il barbieri di Sivigliafor the University of Michigan Opera Theater, and La finta giardiniera for Baldwin Wallace University.

He has served on the music staff of Santa Fe Opera, Juilliard Opera, Minnesota Opera, Atltanta Opera, Portland Opera, Kentucky Opera and Ash Lawn Opera. Other recent posts include four seasons as artistic director and principal conductor of the St. Cloud Symphony, assistant conductor and chorus master for San Francisco Opera’s Merola Opera Program, assistant conductor for Glimmerglass Opera’s productions of Tolomeo and The Tender Land, music director of Western Ontario University’s Canadian Operatic Arts Academy, and guest coach at the National University of Taiwan.

For four seasons, Minnesota Opera engaged Clinton as cover conductor and chorus master, where he led mainstage performances of La traviata and Madama Butterfly and covered the St. Paul Chamber Orchestra and Minnesota Opera Orchestra in over 20 productions. During 2011, Clinton conducted a workshop and prepared the world premiere of Kevin Puts’ opera Silent Night, which subsequently won the 2012 Pulitzer Prize in Music. For Minnesota Opera’s New Works Initiative, and as an avid fan of new music, Clinton prepared workshops of Douglas J. Cuomo’s Doubt, Ricky Ian Gordon’s The Garden of the Finzi-Continis and the North American premiere of Jonathan Dove’s The Adventures of Pinocchio, as well as Dominick Argento’s Casanova’s Homecoming and Bernard Herrmann’s Wuthering Heights.

Patrick Hansen continues his unique career throughout North American as an operatic stage director, conductor, and vocal coach. His stagings have garnered praise in both Canada and the United States. Opera Canada wrote, ' Patrick Hansen captured the opera's bohemian vitality - the city of Paris itself was the characterful backdrop to the action. When he ran out of space in Act II, the crowd simply spilled down into the auditorium . . the comic business was well handled . . . The acting, indeed, was a strong point throughout.'

Mr. Hansen has been on the musical staffs of the Lyric Opera of Chicago, Pittsburgh Opera, Tulsa Opera, Opera Memphis, Des Moines Metro Opera, Ash Lawn Opera, The Juilliard Opera Center, Fargo-Moorhead Opera, and Glimmerglass Opera as well as being the Director of Artistic Administration for Florida Grand Opera during the opening of the Miami Arts Centre.

At ease in opera and musical theatre, his stage directing credits encompass the entire spectrum of repertoire now being presented in opera companies; Alcina, Orfeo ed Eudridice, Cosi fan tutte, Die Zauberflute, L'elisier d'amore, La traviata, Dialogue des Carmelites, Albert Herring, Hansel and Gretel, La Boheme as well as the musicals Camelot and Trouble in Tahiti.

Alcina Handel Opera

Currently the director of Opera McGill in Montreal at McGill University, Mr. Hansen is the former director of the Young American Artist Program at Glimmerglass Opera, and has presented masterclasses and coachings with the Young Artists of Virginia Opera and for many years served as the stage director at the Kennedy Center with the Washington Chorus' Essential Verdi. Mr. Hansen returns to Fargo-Moorhead after successful stagings of Fille du Regiment, Suor Angelica/Gianni Schicchi, and The Magic Flute in previous seasons.

Miriam Khalil is an acclaimed Lebanese-Canadian soprano specializing in opera and concert performance. She has been lauded as a 'skilled, versatile artist' with a “signature warm lyrical voice” by Musical Toronto and described as 'dark, dangerous and alluring” by Opera Going Toronto. Miriam is a graduate of the prestigious Canadian Opera Company Ensemble Studio, the Steans Institute for Young Artists (Ravinia) and the Britten-Bears Young Artist Programme in England. While in her last year of the COC Ensemble Studio, she advanced to the semi-finals of the Metropolitan Opera Council auditions and represented the Great Lakes Region on the Met stage, during which she was featured in the documentary film The Audition.

Miriam has appeared on numerous opera stages across Canada and Europe, including a stint at the renowned Glyndebourne Festival Opera in the United Kingdom. Notable roles include Mimi in La bohème (Minnesota Opera, Opera Hamilton & Against the Grain Theatre); Musetta in La bohème (Edmonton Opera); Donna Elvira in Don Giovanni (Opera Tampa & Against the Grain Theatre/The Banff Centre/Ottawa International Chamber Music Festival); Mélisande in Pelléas et Mélisande (Against the Grain Theatre); the Governess in The Turn of the Screw (Against the Grain Theatre); Cleopatra in Giulio Cesare (Glyndebourne Festival Opera, U.K.); Almirena in Rinaldo (Glyndebourne Festival Opera, U.K.); and Susanna in Le Nozze di Figaro (Pacific Opera Victoria, Opera Lyra Ottawa & Against the Grain Theatre).

Holly Flack is a coloratura soprano praised for “wielding an impressive range, effortlessly reaching higher than high notes” with her unique vocal extension beyond an octave above high C.

Ms. Flack has performed with the Bel Canto Opera Festival, Astoria Opera Festival, and Operafestival di Roma. She made her debut at the Trentino Music Festival in Mezzano, Italy singing the role of the Vixen in Leos Janacek’s The Cunning Little Vixen. She was most recently seen on the FM Opera stage last season as the Queen of the Night in The Magic Flute.

Additional roles include Serpetta (La Finta Giardiniera), Frasquita (Carmen), Despina (Cosi fan Tutte), and Peep-Bo in The Mikado. In 2015, Holly was part of the Gate City Bank Young Artist program where she covered the role of Marie in Daughter of the Regiment with FM Opera.

Originally from Portland, Oregon, Ms. Flack holds a Bachelors degree in Vocal Performance from St. Olaf College, and a Masters degree in Vocal Performance from The University of Kentucky, where she studied with soprano Cynthia Lawrence.

Lyric mezzo-soprano Holly Janz is a versatile singing actress with a voice that is evenly blended with clarity, richness and warmth. She has performed with opera companies across the country including Skylark Opera, Fargo-Moorhead Opera, Wichita Grand Opera, and Union Avenue Opera Theatre (St. Louis). Past credits comprise a variety of characters from the trouser roles of Cherubino, Hansel and Prince Orlofsky, to the ingénue roles of Nancy (Albert Herring) and Valencienne (The Merry Widow), to the more dramatic roles of Carmen and The Secretary (The Consul).

In addition to her operatic stage credits, Ms. Janz is a compelling concert artist in both oratorio and recital. Orchestral credits include the Indianapolis Chamber Orchestra, the Indianapolis Philharmonic Orchestra, the Greater Grand Forks Symphony, the Fargo-Moorhead Symphony as well as the Central Wisconsin Symphony Orchestra.

Ms. Janz, a native of Marshfield, WI, is an alumna of the University of Wisconsin – Stevens Point (BM). She has also received degrees from the University of Colorado (MM) and the University of Kansas (DMA, with honors), and is an associate professor of voice at Concordia College in Moorhead, MN.

Called “winningly wily and dauntless” by Boston Classical Review, American Mezzo-soprano, Kate Jackman, is multifaceted musician and actress who excels in a variety of musical expression. As a2017 Gate City Bank Young Artist, Kate was seen as the Waitress in “Speed Dating Tonight!” as well as the Sergeant of Police in FM Opera’s recent production of “The Pirates of Penzance”. She also sang the role of Giovanna this summer in Ash Lawn Opera’s production of “Rigoletto”. Other roles that Kate has performed include the lead role in Oliver Knussen’s “Higglety Pigglety Pop” at the Tanglewood Festival of Contemporary Music, Hansel in “Hansel and Gretel”, the title role in “Carmen”, Dorabella in “Cosi fan tutte”, Bloody Mary in “South Pacific”, and Dinah in Bernstein’s “Trouble in Tahiti”.

An avid performer of new works, Kate has premiered roles in “Piecing It Apart” by Paul Matthews and “Lux et Tenebrae” by Douglas Buchanan for The Figaro Project’s Contemporary Opera Trio. She also premiered the role of Megan 2 in Robert Patterson’s “The Whole Truth” with Urban Arias, and Patricia Hutton in Joshua Bornfield’s“Camelot Requiem”, in which she “expressed emotional intensity with the weight of her soothing mezzo-soprano voice” (Maureen L. Mitchell, Opera Today)

Ms. Jackman holds a Master of Music Degree from the Peabody Institute and a Bachelor of Music Degree from the University of North Texas.

Alcina Opera

Tenor Jianghai Ho has appeared most recently as tenor soloist in the DePaul Symphonic Choir’s presentation of Rossini’s Stabat Mater, Rinuccio in Puccini’s Gianni Schicchi, Nerone in Monteverdi’s L'incoronazione di Poppea, Orfeo in Monteverdi’s L’Orfeo, Abraham Kaplan in Kurt Weill’s Street Scene, and Dr. Blind in Johann Strauss Jr’s Die Fledermaus with DePaul Opera Theater. He has also performed with the Duke Vespers Ensemble in Dietrich Buxtehude’s rarely-performed Membra Jesu Nostri at the Boston Early Music Festival, as well as the Chicago Symphony Chorus.

Born in Johor Bahru, Malaysia, Jianghai first discovered his passion for opera under the tutelage of Professor Susan Dunn at Duke University, where he graduated with a B.S. in music and biology. He graduated in vocal performance from DePaul University, where he studied with David Alt and Michael Sylvester.

Mark Billy is a lyric baritone and Native American (Choctaw tribe) from Finley, Oklahoma. Mark’s undergraduate studies in voice at the University of Oklahoma were under the mentorship of baritone Richard Anderson. Mark has also had additional study with the legendary mezzo-soprano Marilyn Horne.

Mark made his operatic debut as IlCommendatore in 2012 with OU Opera Theatre's production of Mozart’s “Don Giovanni”. The following season he appeared as Thoas in Gluck's “Iphigénieen Tauride”. In 2014 Mark appeared as Simon in OU’s choreographed production of Haydn’s oratorio “Die Jahreszeiten” and in 2016 Mark was featured as Moralès in “Carmen” with Indiana University.His graduate studies at Indiana were with soprano Carol Vaness.

Handel Operas Youtube

Mark most recently concluded a traveling production at OU opera theatre of John Davies mash-up children’s opera: “The Billy Goats Gruff” where he played the role of Osmin, the bully billy goat; this brought opera to Norman, OK area schools and carried the important message against bullying. In the Spring of 2017 Mark placed first in the Oklahoma NATS competition graduate level division. This past summer Mark sang Melisso in Handel’s “Alcina” as well as covering the role of Marcello in “La bohème” for the Red River Lyric Opera Festival. As a 2018 Gate City Bank Young Artist with the Fargo Moorhead Opera Mark will be reprising the role of Melisso in Handel’s “Alcina”as well as the role of the bartender in Michael Ching’s comic one act opera “Speed Dating Tonight!”

[visualandpublicart]

Students can register with their school account and use the code STUDENT to get free access to the event.

REGISTER

Join Virtual MMA for a live conversation with artists Amy Díaz-Infante and Angelica Muro on April 8th at 4 PM, as they share insights about their creative practices and their personal journeys as artists and educators. In our dialogue with Amy and Angelica we will explore their experiences teaching, leading, and creating and discuss how to advance equity in the art world and museums.

Amy Díaz-Infante is a visual artist living and working in San Francisco. Díaz-Infante is a full-time faculty member in Printmaking, Drawing, and Design at the City College of San Francisco. She holds a BA in Art from Yale University, an MFA from the Rhode Island School of Design, and a Collegiate Teaching Certificate from Brown University. She has exhibited nationally and within México and is an alumna of the Djerassi Resident Artist Program. Community engagement has been a key component of her arts practice; and as an educator and administrator, she has been active in the fields of youth arts and youth leadership development.

Angelica Muro holds an MFA degree from Mills College and a BA in Photography from San Jose State University. Recent exhibitions include Photo ID, Santa Cruz Museum of Art; Chico & Chang: A Look at the Impact of Latino and Asian Cultures on California’s Visual Landscape, Intersection for the Arts, San Francisco, CA; Chica\Chic: La Nueva Onda/The New Wave of Chicana Art, California Institute of Integral Studies, San Francisco, CA; You’re Breathing in It: Exploring the Studio and Alternative Art Strategies, Riverside Art Museum, Riverside, CA; Domestic Disobedience, San Diego Mesa College, San Diego, CA; Better to Die on My Feet, Self-Help Graphics, Los Angeles, CA; and FiveXFive: Artist, Writers & Social Justice, Southwest School of Art, San Antonio, TX. She is the recipient of the Herringer Family Foundation Award for Excellence in Art, the Trefethen Merit Award, and the Champion of the Arts Award, Arts Council for Monterey County. Muro’s curatorial projects have been awarded grants from the Center for Cultural Innovation through the Creative Capacity Fund, the James Irvine Foundation for Intersections: Adobe Youth Voices, the National Endowment for the Humanities, the Robert and Florence Slinger Fund, Community Foundation for Monterey County, and the Walter and Elise Creative Work Fund. These projects include Public Space, Space 47 Projects, Chafismo: New Artforms of Art Post-Raquachismo, and Yo Soy Chinatown/I Am Chinatown: Cultural Revitalization and Urban Public Space. Muro is Principal and co-founder of Public Space/Chinatown, Director of the Visual and Public Art Gallery @ CSUMB, and Chair and Associate Professor of Integrated Media and Photography in the Visual and Public Art Department at California State University, Monterey Bay. Muro teaches photography, media analysis courses, and community engaged practices.

https://montereyart.org/event/two-journeys-a-conversation

Zoom link will be sent to participants by email on Wednesday, April 7, please contact info@montereyart.org with any questions.

General Public $15

Members $10 with discount code MEMBER (memberships will be checked upon registration)

MMA is committed to making our programs accessible to all regardless of ability to pay. If you would like to attend but require special accommodation, please email info@montereyart.org for a special code.  

Image: Angelica Muro, Agricultural Workers in Gucci (from EPA: Guide for Agricultural Workers), 2007-2017, mixed media on archival pigment prints, triptych (one of three panels)

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[lboogie1906]

Dr. Michael Vincent Drake (born July 9, 1950) is a university administrator and physician who is the 21st president of the University of California. He was the 15th president of Ohio State University (20014-20). He was the chancellor of the University of California, Irvine (2005-14), and before that served as vice president for health affairs for the University of California system.

He was born in New York City and raised in Englewood, New Jersey, and Sacramento. He is the son of a doctor and a social worker. His mother graduated from East High School in Youngstown, before attending college in Baltimore. The family lived in Baltimore, Nashville, Tennessee, New York, and New Jersey before settling in Northern California. During college summers in the early 1970s, he worked at the original Tower Records.

He graduated from C.K. McClatchy High School and attended Stanford University. He received his MD from the UC San Francisco and holds three honorary degrees.

He spent more than two decades on the faculty of the UCSF School of Medicine, ultimately becoming the Steven P. Shearing Professor of Ophthalmology and senior associate dean. He then served for five years as vice president of health affairs for the University of California system. From July 2005 to June 2014, he served as chancellor of the University of California, Irvine. He served as a Professor of Ophthalmology (School of Medicine) and Education (School of Education).

In 2017, he led the establishment of the Ohio State Tuition Guarantee, which freezes tuition, mandatory fees, housing, and dining for four years for incoming, in-state freshmen. He increased the value of Ohio State Land Grant Opportunity Scholarships to cover the full cost of attendance while doubling the size of the program in 2018.

He is married to Brenda Drake. An alumna of Stanford and Berkeley Law, she is an attorney. They have two adult sons and four grandchildren. #africanhistory365 #africanexcellence