#samuel zelig

[bebemoon]

look for the name MAARET (requested by anonymous) | samuel zelig "wilson" chore coat in brown/dark brown embroidery, salter house organic cotton wrap skirt in "coco" brown, chopova lowena "starboard" mohair beanie in brown, alkemia "ydalir" perfume (fossil amber, oakmoss absolute, siberian black pine, smoked juniper tar, balsam pine), jil sander "high" leather platform clog boot in black

[veryaliveinsp]

[familyabolisher]

At times in the writing of wine history, wine itself has been treated as a historical actor. This is the case in many of the sweeping histories of wine, such as Hugh Johnson’s original Vintage: The Story of Wine, Paul Lukacs’s recent Inventing Wine, John Varriano’s Wine: A Cultural History, or Marc Millon’s Wine: A Global History. These lucid and entertaining histories, written by great narrators with serious wine expertise, follow a similar narrative arc. Wine is the central protagonist, the potable Zelig, popping up in different historical moments in different parts of the world. The story begins in the Fertile Crescent, where Wine is born, or in the ancient Mediterranean, where Wine enters a boisterous adolescence in the symposia and bacchanalia of the ancient Greeks. The reader is invited to pause and appreciate the wine-themed mosaic and shards of amphorae. The story then skips a few centuries and a few hundred miles, to medieval Europe (we are left to wonder what Wine has done in between), where Wine joins forces with powerful and institutionalized Christianity and canny monks create a patchwork of orderly clos on the Côte d’Or: bless them! Wine remains in France, or perhaps summers in Germany, and Bordeaux emerges in the seventeenth century, eventually finding its way to Britain (we are treated to a Samuel Johnson quote, or Pepys). Port and sherry have their seafaring adventures. The nineteenth century opens with Champagne surviving war, producing widows and conquering Russian markets; France produces Pasteur, who produces better wine, a triumph of science and the Enlightenment; wine is enjoying its golden years. Then, three-quarters of the way through this drama, tragedy strikes, in the form of the vine disease phylloxera. Wine is dealt a staggering blow and its very survival is threatened. Fortunately, a new world of scientists, mavericks, and neoliberal entrepreneurs emerge: capital is found, the plucky New World steps in to help, and new vines are grafted. Wine is saved! This cannot be criticized as being a Eurocentric narrative, because the tale concludes in California, or Uruguay, or China. Undeniably, at the conclusion of this story there is incredible momentum and optimism. Global wine production is the highest it has ever been, consumption of wine is high, and wine is (relatively) cheap. Were he a wine historian, Francis Fukuyama would declare it the end of wine history.

This hagiography of Wine is a great read: a mouth-watering tale of high drama, blind monks, and supple tannins. And it is not necessarily inaccurate. But it is, on the other hand, what British historians have called a Whiggish narrative: one that presumes continual progress, culminating in the current era, which is assumed to be the best ever. This Whiggishness may overlook some of the current difficulties in the market, or shrug off past problems in the wine industry, since all ended well. Geographically and chronologically it is uneven, such that the producers studied here generally do not merit inclusion until they have become major global actors. This type of narrative structure is what gives the false impression that South Africa produced a great wine called Constantia in the eighteenth century, and then produced nothing again until 1994. The place of Wine as the embattled protagonist who overcomes many hardships (vine diseases, consumer apathy, high taxation) and emerges triumphant and affordable in the late twentieth century, is also what is known in Marxist terms as “commodity fetishism.” As Bruce Robbins has argued, in the new commodity histories, “each commodity takes its turn as the star of capitalism.” The commodity itself, rather than the social and economic relationships that led to its production, becomes the driving force of the narrative.

Jennifer Regan-Lefebvre, Imperial Wine: How the Empire Made Wine's New World

[holodrome]

Letter to the New York Times: New Palestine Party: Visit of Menachem Begin and Aims of Political Movement Discussed To the Editors of the New York Times: Among the most disturbing political phenomena of our times is the emergence in the newly created state of Israel of the “Freedom Party” (Tnuat Haherut), a political party closely akin in its organization, methods, political philosophy and social appeal to the Nazi and Fascist parties. It was formed out of the membership and following of the former Irgun Zvai Leumi, a terrorist, right-wing, chauvinist organization in Palestine. The current visit of Menachem Begin, leader of this party, to the United States is obviously calculated to give the impression of American support for his party in the coming Israeli elections, and to cement political ties with conservative Zionist elements in the United States. Several Americans of national repute have lent their names to welcome his visit. It is inconceivable that those who oppose fascism throughout the world, if correctly informed as to Mr. Begin’s political record and perspectives, could add their names and support to the movement he represents. Before irreparable damage is done by way of financial contributions, public manifestations in Begin’s behalf, and the creation in Palestine of the impression that a large segment of America supports Fascist elements in Israel, the American public must be informed as to the record and objectives of Mr. Begin and his movement. The public avowals of Begin’s party are no guide whatever to its actual character. Today they speak of freedom, democracy and anti-imperialism, whereas until recently they openly preached the doctrine of the Fascist state. It is in its actions that the terrorist party betrays its real character; from its past actions we can judge what it may be expected to do in the future. (...) Discrepancies Seen The discrepancies between the bold claims now being made by Begin and his party, and their record of past performance in Palestine bear the imprint of no ordinary political party. This is the unmistakable stamp of a Fascist party for whom terrorism (against Jews, Arabs, and British alike), and misrepresentation are means, and a “Leader State” is the goal. In the light of the foregoing considerations, it is imperative that the truth about Mr. Begin and his movement be made known in this country. It is all the more tragic that the top leadership of American Zionism has refused to campaign against Begin’s efforts, or even to expose to its own constituents the dangers to Israel from support to Begin. The undersigned therefore take this means of publicly presenting a few salient facts concerning Begin and his party; and of urging all concerned not to support this latest manifestation of fascism. ISIDORE ABRAMOWITZ, HANNAH ARENDT, ABRAHAM BRICK, RABBI JESSURUN CARDOZO, ALBERT EINSTEIN, HERMAN EISEN, M.D., HAYIM FINEMAN, M. GALLEN, M.D., H.H. HARRIS, ZELIG S. HARRIS, SIDNEY HOOK, FRED KARUSH, BRURIA KAUFMAN, IRMA L. LINDHEIM, NACHMAN MAISEL, SEYMOUR MELMAN, MYER D. MENDELSON, M.D., HARRY M. OSLINSKY, SAMUEL PITLICK, FRITZ ROHRLICH, LOUIS P. ROCKER, RUTH SAGIS, ITZHAK SANKOWSKY, I.J. SHOENBERG, SAMUEL SHUMAN, M. SINGER, IRMA WOLFE, STEFAN WOLFE. New York, Dec. 2, 1948

[mundaneandmagicalcreature]

Samuel Zelig ballet crew neck embroidered sweater

[lemondeabicyclette]

Pourquoi les USA soutiennent-ils Israhell ?

Pourquoi Albert Einstein a-t-il dénoncé Israhell dans sa lettre au New York Times le 4 déc. 1948 ?

« Aux rédacteurs du New York Times :

L'un des phénomènes politiques les plus inquiétants de notre époque est l'émergence dans l'État d'Israël nouvellement créé du "Parti de la liberté" (Tnuat Haherut), un parti politique étroitement apparenté dans son organisation, ses méthodes, sa philosophie politique et son attrait social aux partis nazi et fasciste.

Il a été formé à partir des membres et des adeptes de l'ancien Irgun Zvai Leumi, une organisation terroriste, de droite et chauvine en Palestine. (…)

Un exemple choquant a été leur comportement dans le village arabe de Deir Yassin. Ce village, au large des routes principales et entouré de terres juives, n'avait pas pris part à la guerre et avait même combattu des bandes arabes qui voulaient utiliser le village comme base.

Le 9 avril (NYT), des bandes terroristes ont attaqué ce village paisible, qui n'était pas un objectif militaire dans les combats, ont tué la plupart de ses habitants : 240 hommes, femmes et enfants et ont gardé quelques-uns en vie pour parader en tant que captifs dans les rues de Jérusalem.

La majeure partie de la communauté juive a été horrifiée par l'acte, et l'Agence juive a envoyé un télégramme d'excuses au roi Abdallah de Transjordanie.

Mais les terroristes, loin d'avoir honte de leur acte, étaient fiers de ce massacre, l'ont largement rendu public et ont invité tous les correspondants étrangers présents dans le pays à voir les cadavres en tas et les ravages généraux à Deir Yassin. (...)

Les divergences entre les affirmations audacieuses actuellement faites par Begin et son parti, et leur bilan de performance passée en Palestine ne portent l'empreinte d'aucun parti politique ordinaire. C'est le cachet indubitable d'un parti fasciste pour qui le terrorisme (contre les Juifs, les Arabes et les Britanniques) et la fausse représentation sont des moyens, et un "État leader" est l'objectif. (…)

Les soussignés prennent donc ce moyen de présenter publiquement quelques faits saillants concernant Begin et son parti ; et d'exhorter toutes les personnes concernées à ne pas soutenir cette dernière manifestation du fascisme.

Signataires : ISIDORE ABRAMOWITZ, HANNAH ARENDT, ABRAHAM BRICK, RABBI JESSURUN CARDOZO, ALBERT EINSTEIN, HERMAN EISEN, M.D., HAYIM FINEMAN, M. GALLEN, M.D., H.H. HARRIS, ZELIG S. HARRIS, SIDNEY HOOK, FRED KARUSH, BRURIA KAUFMAN, IRMA L. LINDHEIM, NACHMAN MAISEL, SEYMOUR MELMAN, MYER D. MENDELSON, M.D., HARRY M. OSLINSKY, SAMUEL PITLICK, FRITZ ROHRLICH, LOUIS P. ROCKER, RUTH SAGIS, ITZHAK SANKOWSKY, I.J. SHOENBERG, SAMUEL SHUMAN, M. SINGER, IRMA WOLFE, STEFAN WOLFE. »

Dommages massifs causés par les forces d'occupation à l'hôpital pour personnes âgées Al-Wafa, dans le quartier d'Al-Rimal, dans la ville de Gaza.

[arearchive]

Samuel Zelig Collection 001

[popsixsquishcicerolipschitz]

Unsatisfying

Ignacio M

During the summer of 2016, created and directed a video about unsatisfying situations: the frustrating, annoying, disappointing little things of everyday life, that are so painful to live or even to watch. We quickly realized that there are a lot of other situations that would be fun to see animated, so we decided to run an animation challenge around this idea. 

Direction Animation and illustration : Parallel Studio 

Sound Design : Zelig Sound 

Music : Samuel Barber 

Special Thanks to : Hugo Leick

[spidergirlsrpt]

✶ — › hello birdies !! under the cut you will find 128 jewish names. some families make their name choice based on tradition, therefore, be sure to search the meaning of these names. click the ♡ button or reblog this post to spread the word !! enjoy !! 

first of all, a couple articles that may help you:

jewish name pratice

jewish baby naming rules 

female:

adah

adinah

asnat (asenath)

avigail (abigail)

batya

bilha

bina

chava (evie)

chaya

devorah (deborah)

dobah

eliana

eliza

elizabeth

ellie

esther (asheirah)

freeda

freida

gelleh

genana

genesis

golda

hadassah

hannah

hila

ilana

illa

iris

kayla

leah

lila

malka

margola

matilda

miriam

naomi

nechamah

noa

odeya

peninah

puah

rachel

reyna

rivkah (rebecca)

roda (rhoda)

ruth

sadie

sarah

shira

shoshanah

shulamit

simchah

talia

tamar

tehilah

tzipporah

tziviah

yael

yehudit (judith)

yiska (iskah) (jessica)

yonah

zelda

zissa

zlata

male:

abbah

adam

aharon

ariel

asher

azriel

baruch (benedikt)

berekhyah

betzalel

binyamin (benjamin)

chanoch

chayim (chaim)

dan

daniel

david

efrayim

elazar (lazarus)

elimelech (elimelekh)

eliyahu (elijah)

erza

ethan

ever (eber)

feivish

fishel

gad

gavriel (gabriel)

gedaliah

gershom

immanuel

kalonymus

lemuel

levi

lieber

matthew

menachem

meshulam

michael

mordechai (mordecai)

moshe (moses)

naftali (naphtali)

natan (nathan)

netanel

noach (noah)

omer

pinchas (phineas)

refael (rephael)

shabtai

shalom

shaul (saul)

shefatyah

shimon (simon)

shlomo (solomon)

shmuel (samuel)

toviyah (tobias)

tzvi (hirsch)

uri

yaakov (jacob)

yechezkel (ezekiel)

yehoshua (joshua)

yehudah (judah)

yeshayahu (isaiah)

yosef (joseph)

zelig

zundel

[eduardomarin90]

Microsoft Icons | Brand Film from Tendril on Vimeo.

Microsoft has paid incredible attention to detail in the design of the Office Suite and Surface hardware products. That same unique, thoughtful design thinking has extended into the design of the Office icons. Every corner radius and angle has meaning and purpose, aimed at enhancing the user experience.

Tendril collaborated closely with the team at Microsoft to create a reveal film that captures the essence of these values—The craftsmanship of the the icons and the design thinking that went into them—Drawing parallels between the design engineering of the Surface devices and the the icon designs. Read more about the process here:

tendril.ca/work/microsoft-icons/

Client: Microsoft Microsoft Creative Director: Nando Costa Executive Producer: Ashley Monaghan Creative Directors: Chris Bahry, Alex Torres Producer: John Szebegyinszki Production Coordinator: Jill Wilkie Art Director: Nidia Dias Design: Evaldas Cesnavicius, Nidia Dias, Somei Sun,
 Joey Recoskie, Nicolás Castro, Yeseong Kim Edit: Alex Torres
 Animation: Somei Sun, Mauro Borba, Samuel Bohn, Joey Recoskie, Jeff Briant Lighting & Render: Jeff Briant, Brad Husband, Nidia Dias Compositing: Chris Bahry Storyboards: Greg Boychuk Sound Design & Music: Zelig Sound Voice Talent: Amie Breedlove

[oh-never-leave-me-out-blog]

New audios added to list *audio information correction added

Gifting Status is back open! Slowly responding to request, so please be patient. All audios are up for trading and gifting!

Message can be sent to blog: @notfallingbehindorrunninglate and email listed on site! DO NOT MESSAGE TO THIS BLOG: @oh-never-leave-me-out I WILL NOT RESPOND

READ RULES BEFORE CONTACTING ME

New audios added:

Hamilton - Audio

August 29, 2018

Michael Luweye (Alexander Hamilton), Daniel Dreaker (Aaron Burr), Lexi Lawson (Eliza Hamilton), Mandy Gonzales (Angelica Schuyler), Bryan Terrell Clark (George Washington), James Monroe Iglehart (Marquis de Lafayette/Thomas Jefferson), Anthony Lee Medina (John Laurens/Philip Hamilton), Wallace Smith (Hercules Mulligan/James Madison), Alysha Deslorieux (Peggy/Maria), Euan Norton (King George), Thayne Jasperson (Samuel Seabury), Neil Haskell (Charles Lee), Terrance Spencer (George Eacker); Ryan Vasquez (James R/Philip Schyuler/Doctor), Lauren Boyd; Lexi Garcia; Sasha Hollinger; Tanari Sade Vasquez; Erin Clemons, Zelig Williams

October 31, 2018

Michael Luwoye (Hamilton), Denee Benton (Eliza), Mandy Gonzalez (Angelica), Gregory Trecco (u/s Burr), Andrew Chapelle (u/s Lurens/Phillip), Wallace Smith (Mulligan/Madison), James Monroe Iglehart (Lafayette/Jefferson), Carvens Lisant (Washington), Alysha Deslorieux (Peggy/Maria), Euan Norton (King George), Roddy Kennedy (u/s James Reynolds/Philip Schuyler/The Doctor), Thayne Jasperson (Samuel Seabury), Neil Haskell (Charles Lee), Terrance Spencer (George Eacker), Lauren Boyd, Christina Glur, Sean Green Jr., Sasha Hollinger, Raven Thomas, Tanairi Sade Vasquez, Zelig Williams

Denee's third (may also be listed as Denee’s second) show

In The Heights - Audio

March 8, 2007 (Off Broadway)

Lin-Manuel Miranda (Usnavi), Karen Olivo (Vanessa), Mandy Gonzalez (Nina), Christopher Jackson (Benny), Robin de Jesus (Sonny), Olga Merediz (Abuela Claudia), Priscilla Lopez (Camila) John Herrara (Kevin), Andréa Burns (Daniella), Janet Dacal (Carla), Eliseo Roman (Piragua guy), Michael Balderrama (Graffiti Pete)

Includes some lyric changes & cut song, Hear Me Out

Into The Woods - Audio

1994 (Singapore)

Lea Salonga (Witch), Jonathan Lim (Narrator/Mysterious Man), Alex Abisheganaden, Almodovar, Kit Chan, Jingle Cortes, Prince Gani, Nicholas Goh, Karla Gutierrez (Cinderella), Eugene Hong, Jeff Isidro, Geraldine Kok, Irene Lim, Carmila A. Lopez, Rob Narita, Adrian Pang (Jack), Deborah Png, Fay Rusli, Cindy Sim, Selena Tan (Little Red Ridinghood)

Singapore Repertory Theatre production. Excellent audio for its age

The Little Mermaid - Audio

June 6, 2016 (Hollywood Bowl)

Jodi Benson (Ariel), Darren Criss (Eric), Norm Lewis (Triton), Rebel Wilson (Ursula), Tituss Burgess (Sebastian), Joshua Colley (Flounder), John Stamos (Chef Louis)

Includes pre-show and post-show with Brad Kane, Susan Egan, and Jodi Benson

READ RULES BEFORE CONTACTING ME

[gbumr]

Microsoft Emojis Film from Tendril on Vimeo.

Case study coming soon at tendril.ca. For now read more about the project here medium.com/microsoft-design/emotionality-at-work-398182387adc

Film Credits

Client: Microsoft Client Creative: Nando costa, Claire Anderson, Jason Custer Production Company: Tendril Creative Director: Nidia Dias, Chris Bahry Executive Producer: Ivelle Jargalyn Director: Leo Mateus, Facu Labo Producer: Emily McCallen Design: Jordi Pages, Lenar Singatullov Modelling: Flavio Diniz, Lenar Singatullov, Jordi Pages Animators: Lenar Singatullov, Samuel Bohn Lighting and Render: Brad Husband Compositors: Brad Husband, Astrid Cardenas Sound: Zelig

[poettier]

Microsoft Emojis Film from Tendril on Vimeo.

Case study coming soon at tendril.ca. For now read more about the project here medium.com/microsoft-design/emotionality-at-work-398182387adc

Film Credits

Client: Microsoft Client Creative: Nando costa, Claire Anderson, Jason Custer Production Company: Tendril Creative Director: Nidia Dias, Chris Bahry Executive Producer: Ivelle Jargalyn Director: Leo Mateus, Facu Labo Producer: Emily McCallen Design: Jordi Pages, Lenar Singatullov Modelling: Flavio Diniz, Lenar Singatullov, Jordi Pages Animators: Lenar Singatullov, Samuel Bohn Lighting and Render: Brad Husband Compositors: Brad Husband, Astrid Cardenas Sound: Zelig

[emzeciorrr]

UNSATISFYING from PARALLEL STUDIO on Vimeo.

During the summer of 2016, We created and directed a video about unsatisfying situations: the frustrating, annoying, disappointing little things of everyday life, that are so painful to live or even to watch.

We quickly realized that there are a lot of other situations that would be fun to see animated, so we decided to run an animation challenge around this idea. Join the Unsatisfying Challenge Here : unsatisfying.tv/

Direction Animation and illustration : Parallel Studio Sound Design : Zelig Sound Music : Samuel Barber Special Thanks to : Hugo Leick

Follow us on facebook.com/parallelstudioparis/ dribbble.com/Parallel_Studio instagram.com/parallel_studio_/

[liuxiang]

Microsoft | Dynamics 365 Connected Spaces from Tendril on Vimeo.

Client: Microsoft Partner Director of Design at Microsoft: Nando Costa Product Design Manager: Juliette Weiss Mixed Reality Product Marketing Manager: Alexis Goodrich Production Co: Tendril Creative Director: Alexandre Torres Director: Joseph Recoskie Executive Producer: Ramona Gornik-Lee Producer: Georgie Patching Coordinator: Jelena Sibalija Art Director: Zachary Corzine CG Supervisor: Alexandre Veaux Design: Samuel Bohn, Yeseong Kim, Benjamin Luthold, Zachary Corzine, Alexandre Torres, Joseph Recoskie, Linus Zoll, Marico Flausino Animation: Samuel Bohn, Zachary Corzine, Joseph Recoskie Light + Render: Alexandre Veaux, Brad Husband, Aiden Riekenbrauck Compositing: Astrid Cardenas, Corey Larson Music: Zelig Sound

[tonin-terets]

Microsoft | Dynamics 365 Connected Spaces from Tendril on Vimeo.

Client: Microsoft Partner Director of Design at Microsoft: Nando Costa Product Design Manager: Juliette Weiss Mixed Reality Product Marketing Manager: Alexis Goodrich Production Co: Tendril Creative Director: Alexandre Torres Director: Joseph Recoskie Executive Producer: Ramona Gornik-Lee Producer: Georgie Patching Coordinator: Jelena Sibalija Art Director: Zachary Corzine CG Supervisor: Alexandre Veaux Design: Samuel Bohn, Yeseong Kim, Benjamin Luthold, Zachary Corzine, Alexandre Torres, Joseph Recoskie, Linus Zoll, Marico Flausino Animation: Samuel Bohn, Zachary Corzine, Joseph Recoskie Light + Render: Alexandre Veaux, Brad Husband, Aiden Riekenbrauck Compositing: Astrid Cardenas, Corey Larson Music: Zelig Sound