#sam winchester & bodily autonomy
Explore tagged Tumblr posts
crowleysmistress ¡ 2 months ago
Text
What do you call being tied to a bed, held against your will and having something shoved into your body painfully?
You begged not to have it done. Plus others (more expert in soul matters) have counseled against it but your brother, who your father bequeathed ownership of you to, has decided it has to be done because you need to be “you”again.
He said NO/please/Don’t 14 times in 1 minute and 20 seconds.
It infuriates me that 95% of people forget about this scene or even justify it. It’s super triggering. The rapiest one by far on the show. Appointment in Samara. Started a new fic set in the panic room and it brought me to this.
Tumblr media
289 notes ¡ View notes
peanutbutterandbananasandwichs ¡ 2 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
BTVS: S6 - E8 - Tabula Rasa
SPN: S9 - E10 - Road Trip
SPN: S9 - E12 - Sharp Teeth
SPN: S9 - E13 - The Purge
104 notes ¡ View notes
beautysurvives ¡ 2 months ago
Text
CASTIEL What about you? DEAN What about me? I don't know. Honestly, I'm good. I can't believe I'm saying that, but I am, I'm really good. CASTIEL Even without your brother? DEAN Especially without my brother. I mean, I spent so much time worrying about the son of a bitch. I mean, I've had more fun with you in the past twenty-four hours than I've had with Sam in years, and you're not that much fun. It's funny, you know, I've been so chained to my family, but now that I'm alone, hell, I'm happy. DEAN looks over; the shotgun seat is empty. His smile falters.
5x03 Free to Be You and Me
55 notes ¡ View notes
dareduffie ¡ 5 months ago
Text
loving sam winchester is a trap that you will not ever find your way out of. i've been here for over a decade. i keep thinking i've escaped. and then it's 2 in the morning. a tuesday. i'm crying because sam winchester fought tooth and nail to break free of his upbringing's teachings that his life is not his own, only to learn that it isn't, it never was, and he was destined from birth to belong to the devil
144 notes ¡ View notes
chxrrywines ¡ 2 months ago
Note
I need to know more about cat dad Sam omg
instead of a dog, dean instead rescues a scruffy little calico cat and calls her miracle. he’s the one who takes her home, baths and feeds her, so it’s the end of his bed that she sleeps on, it’s him who she follows around the bunker meowing for food or to play. sam gets stared down across the room when he comes in to ask dean a question or to grab something from the fridge.
he doesn’t manage to even touch her before dean dies. dean is gone and the only living things in the bunker are sam, and little miracle.
he doesn’t even see her for a day. in that time he takes dean home, wraps and burns his body, and cries outside until he can make himself go inside and shower. it’s only when he comes out of the shower that he sees miracle outside of dean’s shut bedroom door (the one he shut so he didn’t have to see the lack of dean inside) meowing to get in. he goes to pet her but she doesn’t let him, and he gets that, so he backs off and reluctantly cracks the door open to let her run inside.
he doesn’t expect her to then follow him into the kitchen, still meowing. and he’s upset and grieving and just wants some silence so he just puts her food out in hopes of shutting her up. it works, she was just hungry, and he feels guilty when she skulks away once she’s fed. he hears her meowing outside of dean’s bedroom door later on and it makes him cry again
this continues for a few days, he only sees her when she gets hungry, and he only hears her when she’s meowing for deans bedroom door to opened that he keeps shutting when he walks past it and having to re open when she wants in. “guess it’s your room now huh?” he grits out one evening, eyes stinging and throat clogging and feeling so horrible about everything
it’s that night that he’s in bed so tired that he can’t fall asleep that his door creaks open, and there’s a little mrrr as miracle jumps up on his bed. he reaches to touch her, she doesn’t let him, so he rolls over and let’s her curl up beside him where eileen used to sleep.
it’s like that for a week, until she finds him crying in the library because he found some photos that he wasn’t ready to look at. he doesn’t notice that she’s there until she’s nudging his leg and when he reaches a hand down she lets him pet her, leans into his touch and purrs at the contact. he pets her until he stops crying, by which point she’s curled up in his lap asleep. that night she sleeps beside him, only after he’s sat and pet her again, and it’s only the next day that he leaves the bunker for the first time in a week to buy a cat collar, some cat food, and a cat bed.
she doesn’t sleep in her bed, she sleeps beside him in the spot she claimed as hers
40 notes ¡ View notes
lambmotifz ¡ 6 months ago
Text
“sam doesn’t care about dean!” he literally offers dean to use his body as a punching bag every time dean’s angry because he knows violence is the only way for dean to get some relief and sam doesn’t want him to keep all that grief & anger in so he’s always willing to take dean’s fists and even urges him to lash out. it is about caring for dean and making him feel better!
89 notes ¡ View notes
sammygender ¡ 1 year ago
Text
spn 7x15 was truly crazy. having the resurgence of the narrative showing us sam’s hallucinations of lucifer in the same episode where we see ex-vessel of a demon, his entire life wrecked by the possession, completely obsessed & in stockholm syndrome-y love w the demon that possessed him. i want to analyse this episode scene by scene. who wrote this one. what did they mean by it
139 notes ¡ View notes
hexedwinchester ¡ 9 months ago
Text
Why Being Manipulated into Letting Gadreel in a Huge Deal for Sam?
I know a lot of Dean Girls were very upset (and will be upset after reading this post) with Sam when Dean asked him if the roles were reversed if he would have done the same thing (letting an angel possess him to save his life). Sam simply says no! Some fans have gone to the extent of calling him selfish but no, Sam is not being selfish in that scene. It wasn't that he didn't care about his brother. He really does and that is why him saying no is actually a good thing.
Now see, Dean never had to go through the whole loss of bodily autonomy due to a possession issue (not until after he was possessed by Michael but that's way after the Gadreel plot) like Sam has been and disturbingly a lot more number of times than Dean's single rodeo with Otherworld Michael (or is it AU Michael? whatever!). Just to keep the argument simple, I am purely focusing on the loss of bodily autonomy purely from a possession POV.
When Meg possessed Sam in S2, she used his body to kill other hunters, to assault Jo and to beat Dean. Maybe she did a lot worse than that, we don't know. Who is left with the trauma of that knowledge? Sam!
The Gary-Sam body swap. This one though seems funny on the surface, it's actually kinda disturbing because Gary used Sam's body to have sex and the kid. Kinda gross enough already but that dumb kid could have easily handed over the vessel to Lucifer. Imagine, that's how it played and Sam was back into his body. Now who is trapped with Lucifer, the Devil? Sam!
Speaking of, understandably saying yes to Lucifer was Sam's call to put him back in the box but it didn't go down without blood on his hand. The moment Lucifer took control of Sam's body, he killed the demons from Sam's life that deceived him. I am guessing these were possessed people he killed in the process and not just wisps of black smoke. At Stull cemetery, he exploded Cas to bits, snapped Bobby's neck and beat up Dean to pulp! all by whose hands? Sam's!
Gadreel's possession did help Sam get better but at what cost? Kevin's death? How many nightmares did Sam have seeing his hands burning Kevin hollow? Now let me point out the aftermath of this possession which is somehow even worse than the actual possession: Crowley skewered Sam's brains with needles, hell, he even possessed Sam to wake him as if one possession was not enough. Sam literally had two supernatural beings possessing him at one time! Don't even get me started on the painful, torturous grace extraction process. Sam was willing to die in that moment because he believed his life wasn't worth saving, definitely not at the cost of Kevin's life!
Before this role reversal scene, Dean wasn't possessed by anything, so he doesn't understand how horrible it is to lose autonomy over one's mind and body. I don't expect him to grasp the gravity of it. He sees it as a healing from within. For him, if 'ends justifying the means' that's all that matters.
When every single possession has caused nothing but grave trauma to Sam Winchester, tell me why would he or anyone for that matter, in their sane heads do this on their own brother, especially when they love them so much?
Here's another very real life perspective for all those who feel Sam saying 'no' if the situation was reversed was a horrible betrayal and proof that he doesn't love Dean enough: Ever had someone you love on life support or gone through a situation where you had to put down your beloved pet? Why do we do this? is it because we don't love them? because we don't care? no! Because sometimes, it is better to let them go than to prolong their suffering by putting them through this pain. So next time you feel Sam was being selfish, or disloyal to Dean or that he didn't care enough, think about a loved one suffering through something horrible because you didn't have the guts to let go!
71 notes ¡ View notes
spnintheyearofourlord ¡ 2 years ago
Text
Thinking about Sam and how central autonomy and violation is to his character. How many times and ways he had his choice taken away throughout the series. All the things we don’t know about his time with Lucifer, but are also so heavily implied that we do.
Imagining he eventually gets out of The Life and becomes a victim’s advocate. He ultimately decides not to try and pursue law school at this stage in his life—it’s been so long and so much has changed—but finishes his bachelor’s and pursues a master’s in social work. He never expected to end up here: the boy with the demon blood, no longer living out some doomed and twisted fate, helping people. He’s passionate about representing those made most vulnerable and unsafe in their own skin, supporting others as they come out the other side survivors, lending the compassion he’s always struggled to have for himself. Every time he listens to someone else’s story, helps connect them to resources, advocates for their case, he heals a little bit too.
233 notes ¡ View notes
marginofthought ¡ 5 months ago
Text
I am admittedly drunk but have I ever mentioned that I have a lot of feelings about my hc where whenever Sam isn't Sam his body finally gets the amount of food it should?
He is 6'4" that man needs to eat much more than he does. He probably is careful to keep his nutrients up but he doesn’t nearly eat as much a he should.
He comes back to himself and all of a sudden not even his body is as it was before.
23 notes ¡ View notes
deansguns ¡ 7 months ago
Text
I might be an idiot but sam and dean didn't share a heaven, right??? like I thought that it was very central to the episode that their heavens were complete opposites???
31 notes ¡ View notes
peanutbutterandbananasandwichs ¡ 2 months ago
Text
A tale of two wrecked Impalas . . . .
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
2x01 vs 7x01
So, I want to talk about two superficially similar scenes that are actually very different in terms of what they say about Sam and Dean's relative agency and autonomy.
Let's start with how they are, on the surface, similar. Both scenes occur during season openers in which the Impala had been heavily damaged to the point of being almost beyond repair in the season finale of the proceeding season. In parallel with the Impala in both cases, one of the brothers has suffered some kind of life threatening situation. Both scenes feature a conversation between one of the boys and Bobby about the state of the car. In both cases, the state of the car is explicitly being used as a means of talking about the state of the other brother and a desire for them to recover. The scene in 2x01 is particularly interesting to me because it is one of the only times in which the Impala acts as a mirror/stand in for Dean. As is pretty well discussed on Samblr at this point, often throughout the series, the Impala serves as a mirror to Sam and to his place within The Roles (x, x). "Looks like Dean's taken care of this old beast. Seems like he's taken good care of you too." As Lucifer (as John) says, calling back to John's S1 line "I wouldn't have given you the damn thing if I thought you were going to ruin it." These lines reflect the idea of the Impala, and by implication, Sam being passed down from John to Dean as a possession. The possession aspect is amplified in these lines in particular to me because of the notable lack of female pronouns used in reference to it "the damn thing" "ruin it" "the old beast", all of these serve to strip Sam of his personhood, dehumanising him. Dean's place in the position of power within his and Sam's relationship is reflected here.
Whilst the scene in 7x07 does use female pronouns (and that they are female pronouns is important) for the Impala, it still tacity treats Sam as an extension of the Impala (an extension of Dean) - "we'll glue him back together too" - both the Impala and Sam are objects, with the illusion of personhood, but who ultimately belong to Dean. The scene demonstrates Dean's sense of entitlement and ownership over Sam's agency, his body, his autonomy. "No matter what shape he's in. . ." It doesn't matter what is done to Sam as long as "Sammy" is preserved in some form. By contrast, the scene in 2x01 begins with "[Dean] is gonna wanna fix this" - immediately, this embodies the agency with Dean, if the Impala in this scene is acting as a mirror to Dean then it is saying that the ultimate agency over his own body here belongs to Dean. "If there's only one working part, that's enough" whilst, again, similar sounding to "No matter what shape he's in", I think does have fundamental underlying differences in intension and tone. Sam's line, especially in combination with the first line, suggests that he will look for a working piece, and if he can find it they can help to rebuild the Impala (Dean) around it, and ultimately, Dean will be the one to conduct the final repair. Despite the comparison to the object of the Imapala, I find Sam's approach here to be humanising of Dean. "Working" is I think, especially relevant here when drawing a comparison to 7x01. Dean's line doesn't care whether the parts of Sam they "glue back together" are "working" or not, and there is certainly no indication here that Sam would be involved in the process. Dean will shove parts of Sam back together whether he likes it or not. The 2x01 scene also reflects the relative balance of power in their relationship, Sam as neither the intention, or the power to claim ownership of the Impala and by proxy Dean, the way Dean does over the Impala and Sam in 7x01.
Ultimately, whilst these scenes may appear similar, they are profoundly affected by the relative positions of power Sam and Dean inhabit within the bounds of The Roles, and the effect this has on their relative agencies.
125 notes ¡ View notes
motelnatural ¡ 2 years ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
a study on the seductive nature of fate ; regarding jessica moore + lucifer + sam winchester
helen oyeyemi, “white is for witching” / katy perry, thinking of you / lisa marie basile, from andalucia / postcolonial love poem, natalie diaz / somatoparaphrenia, lennelle
202 notes ¡ View notes
twochildreninamoteldemo ¡ 2 years ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
In ten years I need to swing by your house for a little something, that's all.
“Ptolemaea” by Ethel Cain / Supernatural (2005-2011)
299 notes ¡ View notes
crowleysmistress ¡ 1 month ago
Text
One thing about Sam is that there was always something interfering with his ability to make the decisions to consciously be in relationships, demons, addiction, grief, being soulless, love potion, sex assault, mind control, God’s direct manipulation etc
I think that’s why I ship Dr. Cara Roberts the most - bc yes he was actively taking demon blood- but that binded him to Ruby, as his dealer/supplier. Yes, he had a drink with Cara but he wasn’t drunk. In all of the show Cara and Piper (the waitress in Baby episode) are the only two that Sam is uninfluenced as in not under the influence of something or some manipulation or coercion or responding to the weight of grief which we know for him leads to mental disassociation.
Just replying on another app and decided to share here.
Tumblr media
8 notes ¡ View notes
panicroomsammy ¡ 1 year ago
Text
Sam Winchester, queer coding, and CSA themes
I’ve been thinking about this for a long time but what finally got me to write it down was this post about Sam and queer coding. For this reason (and that this got ridiculously long) I will not be restating all of the points made in that post, though I do agree with them.
I think the reason so many people refuse to see that Sam is queer coded is that he is queer coded in unpalatable ways, including being csa coded. I am only on season seven, but I am going to try and break down some of the ways that he has been queer coded so far. I must begin by explaining what I mean by queer coding and what coding is in general. When I say the word “queer” I do not necessarily mean “gay” or “bisexual” or any other lgbt label. I mean outside the norm. This is because “queer coding” is not so much about purposefully portraying a character as a certain sexuality, but about othering that character from those around them. Sam is clearly an othered character. We will start, as all things in Supernatural do, with Azazel.
When Azazel makes his deal with Mary that ultimately results in the othering of Sam via his psychic powers, the deals are csa coded in a variety of ways. The most obvious is that he possesses Mary’s father’s corpse to kiss her and make the deal. Hunting families are already incest coded in that it is a secret and something that children raised in it are taught no one outside of their family will understand, and in this case hunting is something Mary is trying very hard to escape. Her love for John (who is also her means of escape) seems to be a love for his “innocence” in the way that he does not know of the supernatural. She tells Dean that what she fears more than anything is her own children being raised into hunting. This is a very typical incestuous family melodrama plot (that I could cite in many academic articles but alas this is a tumblr post). Besides the explicitly incestuous kiss and the familiar plot, there is also the way that Azazel obscures what exactly he is asking for in the deals. When he makes the deal with Mary, he has taken both the familiarity of her family and her route of escape from her. He then offers the escape back to her, in exchange for something. He never tells her what this “something” is. This is a more insidious piece of csa coding. Mary lacks the knowledge necessary to consent to the deal - the same way that a child lacks the knowledge necessary to meaningfully consent to sex. All demon deals in the show are sa coded in that they are extortive and about owning someone and depriving them of autonomy, but in this particular case Mary not knowing what she is consenting to is highlighted. He also phrases is as “permission” (to do what he’s going to do to baby Sam), similar to language of asking for consent and implying that whatever he does that she does not understand she will have allowed so she cannot take issue with it later.
Fast forward ten years. Azazel comes to collect on his deal. Two significant things happen - he feeds baby Sam his blood and he is caught in the act by Mary. Let’s focus first on the latter. Azazel kills Mary because she walked in on him with Sam. The way he talks about this in the show has a stomach turning amount of innuendo to it. Specifically, he says she had to die because “she walked in on us” to Sam. The use of “us” is very clearly supposed to invoke an abuser’s attempt to convince a victim that they did in fact have agency in the situation and were just as active a participant as the abuser, though the audience knows this cannot be the case as Sam was an infant.
When Azazel feeds Sam his blood this is without consent which already gives it a csa implication. The way that he made the deal with Mary in the first place does the same. Then there is the way that Sam feels dirty because of the demon blood in him. “Something that I could not control happened to me as a child and now I feel dirty forever” is glaringly a metaphor for csa. The way that Sam says “so he could bleed in my mouth” made me pause the episode and sit there for a moment because of how much it sounded like a euphemism.
Then Sam becomes addicted to demon blood. The parallels would almost make me laugh if they didn’t make me nauseous. Ruby forces herself on Sam sexually before she starts feeding him her blood, and then later it seems that their routine is feeding Sam the blood and then having sex. This creates an association between demon blood and sex. There is also a more sinister undertone to it if you read with this in mind. Sam’s desire for demon blood invokes, for me at least, queer desire. Unlike what some people on tumblr would like to believe, sexual desire isn’t something that people only start feeling when they turn 18. It isn’t even something that we only start feeling when we reach puberty. Everyone has a human body that is capable of feeling arousal from the moment they are born. This is a simple fact of life, but it is one everyone likes to ignore. With this in mind we can understand the quote “within childhood sexual trauma, the experience of violation may be viewed in the moment as uncontrollably stimulating and overwhelmingly arousing” from this post. When someone experiences violation as a child, they may at the time feel pleasure in it or desire for it to happen again. What I am saying is that his whole life after Azazel fed him his blood maybe Sam, for all his fight against being a freak, deep down felt some kind of desire for something even without knowing quite what. And then Ruby gave it to him. This is an unacceptable desire and therefore coded as queer (sexual) desire. But as it is not just queer desire but one associated with both childhood and non consent, which makes it unpalatable to many people who may otherwise enjoy reading for queerness in subtext, therefore the queerness here is missed.
Sam’s fight against being a freak is also part of his queer coding. Some may see this and take it at face value, but truly what queer person can honestly say they have never tried to fit into heteronormative society? When one is constantly told by society that they are wrong, they will try to change to fit - even if just out of a desire for safety. Sam trying and failing at normality (including the ideal heterosexual romantic relationship which is taken from him with Jess’s death in the first episode) is a glaring example of queer coding.
Yet another aspect of Sam’s sexuality that I believe leads to his queer coding being ignored is that the vast majority of sexual situations we see him in are non consensual and he makes it explicitly clear that he wishes not to be in those situations. The first time we see him in such a situation is the pilot where the woman in white forces herself on him and tells him that he will be unfaithful to Jess. At the time this felt pretty extreme to me for putting in the first episode, even for trying to establish that a character highly values their morality. From there they just don’t stop putting Sam in these situations. The next time this happens is with Meg touching Sam sexually while she has him and Dean tied up with no motivation other than that she wants to. She later possesses him, which is used throughout the show as a sexual assault allegory. The next time I remember something like this happening is Becky groping Sam and refusing to stop when he asks her in season four. Later in season seven she roofies him with love potion and kidnaps him. When Sam and Dean investigate the mental hospital in season five, one of the patients grabs both Dean and Sam and makes out with them at different times. While Dean goes with it and does not resist, Sam tries to push the girl away. While neither of these situations had consent, it is much easier for the audience to swallow Dean’s reaction than Sam’s, as Dean’s reaction plays into the notion that men cannot be sexually assaulted because they should always want to have sex with women, while Sam’s forces one to confront that men are capable of not consenting. In the very next episode a high school boy uses a spell to swap his and Sam’s bodies. While in Sam’s body the boy has sex with a woman. Throughout much of season six I would argue something similar occurs. While I’m a bit fuzzy in the metaphysics of what exactly is happening here, Sam is functionally anywhere from two to three people over the course of the season. Despite the fact that they are all technically Sam, I would argue (as a system myself) that any one person within a system using the body to do things that the others would stop them from doing given the chance is non consent. We also know that soulless!Sam slept around with a lot of people during that year and a half. Again, as a system, I would say that is noncon. There is also the fact that during all of this Sam-in-hell (soul!Sam?) was being tortured and more than implied to be raped by Lucifer. All of this makes Sam and sexuality a much less palatable thing to focus on than Dean and sexuality. (Though Dean has his fair share of sa coding as well he covers it up with jokes that make it easier to ignore. But that’s another post.)
The bottom line is that Sam’s demon blood addiction is coded as queer in that it is a desire that is taboo, but it is a bit too taboo for most fans to enjoy or even acknowledge, leading them to voice outright denial of it, with the unpalatable themes of rape surrounding Sam and sexuality adding to the lack of desire to discuss this aspect of the character.
86 notes ¡ View notes