#saawariya

[smudgedhenna]

RANI MUKERJI 🦚 Saawariya (2007) dir. Sanjay Leela Bhansali

[desicinema]

SAAWARIYA (2007), dir. Sanjay Leela Bhansali

[musiquesduciel]

Fitoor (2016) is in red what Saawariya (2007) is in blue and you cannot tell me otherwise.

[masalafilmsrevival]

Saawariya (2007)

[salmankhanholics]

★ Celebrating *16 Years Of Saawariya*…

-Nov 9, 2007

[tfgadgets]

Do you know what promise Anil Kapoor made to Ranbir Kapoor on the sets of Saawariya? | Hindi Movie News

Ranbir Kapoor and Anil Kapoor were last seen together in Sandeep Reddy Vanga’s Animal. The film had set the box office on fire and catapulted the careers of everyone involved in the film. But not many know that Ranbir and Anil Kapoor, who played son and father in the film, were destined to come together and it was all a result of a promise. ‘We All Are Being Strong’: Arbaaz Khan On Salman Khan’s…

[getthrawnin]

This artwork is called, Saawariya or My Love.

Le Vernissage Something about that ARC SHOT filmmaking that tells a story that makes ThrawnxSabine plot element very interesting.

Keep reading

[frasesdelivros03]

- Saawariya Apaixonados

[saawariyaseth]

Wedding Lawn near Rohini sec-10

Saawariya Seth Tent and Decorators is the best wedding venue in West Delhi for your wedding ceremony. Best wedding venue in North Delhi for large wedding occasions.

Wedding Lawn near Rohini sec-10

[l1ghtbr1nger]

my elia martell fancasts

1. actress rekha in umrao jaan

2. sonam kapoor in saawariya

3. priyanka chopra in bajirao mastani

[krishakamal]

𝐒𝐀𝐀𝐖𝐀𝐑𝐈𝐘𝐀

— Krishna x Rukmini

SYNOPSIS : Krishna has yet to meet his Sri but that doesn't mean that he does not know her heart.

KAMAL'S NOTE : Hey guys, I'm back with another RukminiShyam fic. This is a really short one.

Sakhi = Friend, Kaki = Aunty, Priye = Beloved, Sri = Mahalakshmi/Rukmini, Saawariya = Krishna/Tall, Dark & Handsome, Jaganath = Vishnu, Jagatmata = Lakshmi.

𝐍𝐀𝐕𝐈𝐆𝐀𝐓𝐈𝐎𝐍 // 𝐏𝐑𝐎𝐒𝐄

"Why do you look so downhearted, sakhi?"

Malini asked when she noticed the princess sitting on the window seat with a frowning face. Rukmini casted her a side glance before looking outside again, showing her friend that she had done something which upsetted the princess.

Malini thought back about the past events but she could not think about anything bad enough to upset Rukmini. Rukmini was not someone who would care about small mistakes.

Malini dropped the cloth she was folding and rushed up to Rukmini, "Sakhi, did I do something wrong?"

Rukmini nodded her head in 'yes'. Her lips curled up in visible a pout.

"What is it?"

Rukmini turned to Malini, "It rained this afternoon, right?" Malini nodded her head hasitentaly, she could already guess where this was going, "But none of you called me? Mina kaki told me, she saw you, Vijaya, Ridhima playing in the rain. Without me."

Rukmini snapped her face towards the window again. To be honest, Malini did feel a little bad for her sakhi. She knows just how much Rukmini loved rain.

Malini grabbed Rukmini's hand, "Please, don't be mad Vidharbhi. You were sleeping at that time and we didn't want to disturb you. You looked too peaceful sleeping."

"Stop buttering me." Rukmini muttered under her breath, "You are not the makhan chor."

"Ohhoo." Malini teased Rukmini, "Then why don't you tell you makhan chor to make it rain again?"

"D-Don't speak nonsense." Heat rushed up Rukmini's neck and cheek, colouring her red.

If I ask them he will, right?

Time passed in a flash and it was already night. Malini had left after making sure Rukmini was not mad at her. Of course she wasn't mad, Rukmini can never be angry with her sakhis.

Stars surrounded the moon in the sky. The kingdom of Vidarbha was lightened with lamps and lanterns. In the royal palace, Rukmini sat on the bed, reading a chapter of a novel before going to sleep as per her daily routine.

Suddenly, a sweet flute music started playing. The candle flickered on the nightstand when a gush of cold wind blew past the blinds, followed by the roaring sound of thunder. The thought of raining again made her lips curl up in a smile. Madhav!

Closing the book, Rukmini dropped it on the bed and rushed up to the window, pulling back the red and golden curtains. The one sparkling was now covered in kala megha. In no time, one raindrop hit the ground, then another and then another till it started pouring and wetting everything.

Rukmini grabbed the fabric of her skirt, lifted it up, and ran out of the room. Her feet stopped when it reached the garden. Standing in the middle of the garden closed her eyes and tilted her back. She raised her hand, palms facing the sky.

Rukmini felt the cold drops hitting her golden smooth skin. She felt his love pour on her in the form of rain. In an instant her long black hair soaking all the rain. They stick to her skin like glue. A sudden burst of joy hit her heart.

The surroundings disappeared. Only the sound of rain mingling with the sweet flute and the thought of her beloved. Her body moved on its own, spinning in circles. Soft laughs escaping her heart. The long skirt and her now wet hair whirling with her. The chiming of anklets joining the moment.

Rukmini danced without any care for the world. Between the colourful flowers Rukmini bloomed like a lotus does between dirt. Spinning, Rukmini bumped into something hard. She instantly grabbed it to steady herself. As she was about to open her eyes a hand palmed her eyes and another one wrapped around her waist.

"Mm-mm. It's not the time yet, priye." He teased her.

Rukmini huffed and shook her head, "Even now you are teasing me, Madhav."

"Just wait a little more? The day is near." Madhav said with a plea hidden in his voice.

"For you, Saawariya." She replied softly.

Krishna released Rukmini before grabbing her hand in his, He started twirling her, "So, is my beloved still sad that she couldn't dance in the rain earlier?"

Rukmini laughed, following his lead, "How can I be sad when you are here?"

The garden filled with laughter of two eternal consorts. The nature, the rain and the life witnessed their Jagannath and Jaganmata relish the moment. They witnessed Krishna doing maya leela for his Sri. They witnessed Lakshmi with her Narayan. They witnessed Rukmini putting all her trust in him and going along wherever he takes her.

Time flew by in a blink of an eye and it was close to dawn. But neither of them wanted to stop. Rukmini wanted to be with him as much as possible and Krishna wanted that just as much but that was not possible and they both knew that.

"Rajkumari Rukmini!" A panicked servant called and Rukmini's hand slipped off from Krishna's. Rain gradually came to a stop.

The smile never left her face as servants crowded her, throwing a warm and dry cloth over her shoulder. They started dragging her into the palace before she caught a cold.

Rukmini looked back where Krishna was supposed to but was now empty. Then Rukmini looked in her hand, the peacock feather he left behind. Only one man dazing in her head.

Saawariya.

Madhav.

Murli.

Krishna.

Krishna.

"KANHA!" Balram shouted, snapping his brother's attention, "What are you doing here at this time?"

Balram went out for a walk because his sleep broke early only to find his brother sitting on a stone, playing flute without any break and when he called him, Krishna didn't even hear him.

"Ji, Dau?" Krishna jumped down from the stone.

"What are you doing here?"

"Prem, Dau. Prem. Aap nehi samjhenge." Krishna gave him a mischievous smile before marching towards the castle.

© 𝐊𝐑𝐈𝐒𝐇𝐀𝐊𝐀𝐌𝐀𝐋 𝟐𝟎𝟐𝟑, 𝐀𝐋𝐋 𝐑𝐈𝐆𝐇𝐓𝐒 𝐑𝐄𝐒𝐄𝐑𝐕𝐄𝐃 — all content rights belongs to KRISHAKAMAL. Do not plagiarize any works and do not repost or translate onto any other sites.

All the rights and credits of the characters, gifs, songs and pictures used here belongs to their rightful owners.

[maester-of-spreadsheets]

There’s been so much content of old people wearing red and white on my tumblr that I sort of feel compelled to reblog gifs from saawariya (young people wearing black and blue) as a counter balance at this point

[mai-sau]

You got me feeling like I been too mean And everything that I say I believe Tuck a knife with my heart up my sleeve I am disgusting I've been corrupted And by now I don't need no help to be destructive I've been gone Yeah, I've been on this road too long

a silvergifting playlist (listen on spotify here!)

eng translations for saawariya, caramella, khayef, crushed coffee, ala babu

[yesterdayandkarma]

Saawariya by Subhankar Ghosh

[musiquesduciel]

Watching one unwatched movie after another everyday on my watch-list. Since the year started, I've watched:

Kalank (Jan)

Harry Potter and the Dealthy Hallows: Part 2 (Jan)

Delhi Belly (Jan)

Mujhse Shaadi Karogi (Jan-Feb)

Kal Ho Naa Ho (Feb)

Mujhse Dosti Karoge! (Feb 8)

The Zoya Factor (Feb 10)

Daawat-e-Ishq (Feb 11)

Fitoor (Feb 12)

Aashiqui 2 (Feb 13)

Cirkus (DNF)

OK Jaanu (Feb 17)

Malang (Feb 19)

Gori Tere Pyaar Mein (Feb 20-21)

Luv Ka The End (Feb 23)

The Night Manager (Feb 23 going into Feb 24)

A Gentleman (Feb 24-25)

Indoo Ki Jawaani (Feb 26)

Tamasha (Started the first 41 minutes 2022 fall/winter, but finished Feb 27)

Matru Ki Bijlee Ka Mandola (DNF Mar 1)

Band Bajaa Baarat (Mar 1)

Rajneeti (Mar 3 - just started because what a long movie - finished Mar 6)

Sui Dhaaga (Mar 4)

Mimi (Mar 4)

Tu Jhoothi Main Makkaar (Mar 13)

Pathaan (Mar 15)

Ae Dil Hai Mushkil (Mar 20)

Rockstar (Mar 20 - DNF)

Mere Yaar Ki Shaadi Hai (April 30)

Farzi (May)

Gumraah (June 13)

Luka Chuppi (June 21)

Shehzada (June 23)

Love Aaj Kal 2 (June 24)

Ek Villain Returns (June 25)

Bhediya (finished June 28)

The Night Manager Season 2 (June 29)

Sonu Ke Titu Ki Sweety (July 3)

Pati, Patni aur Woh (July 4-5)

Jab Harry Met Sejal (July 7-11)

Main Tera Hero (July 14)

ABCD 2 (July 15-16)

Dilwale (July 17-18)

Dishoom (July 18)

Judwaa 2 (July 19-21)

Stree (July 21)

Oppenheimer (July 22)

Ek Villain (July 23-24)

Coolie No. 1 (July 25-29)

Jugjugg Jeeyo (July 30)

Ittefaq (Aug 1-2)

Sandeep Aur Pinky Faraar (Aug 3-5)

Thank God (Aug 5-6)

Barbie (Aug 7)

Mission Majnu (Aug 8)

Made in Heaven Season 2 (Aug 9-12)

Ishaqzaade (Aug 13)

Kidnap (Aug 14-16)

Baaghi (Aug 17-19)

Gully Boy (Aug 19)

Dhoom 3 (Aug 20)

Karthik Calling Karthik (Aug 21)

Shaitan (Aug 26-27)

War (Aug 27)

Heart of Stone (Aug 30)

Sadak 2 (Sep 1)

The Big Short (Sep 3)

Neerja (Sep 4)

Udaan (Sep 7)

Bawaal (Sep 8)

Neeyat (Sep 8)

Satyaprem Ki Katha (Sep 10)

Jaane Jaan (Sep 28)

Rocky Aur Rani Kii Prem Kahaani (Sep 29-30)

Rock On!! (Sep 30-Oct 1)

Uri: The Surgical Strike (Sep 30-Oct 1)

London, Paris, New York (Oct 4)

Chor Nikal Ke Bhaga (Oct 5)

OMG 2 (Oct 7-8)

Jayeshbhai Jordaar (Oct 7)

PK (Oct 8)

Happy New Year (Oct 17)

83 (Oct 18)

Good Newwz (Oct 19)

Bewakoofiyan (Oct 7-20)

Guns & Gulaabs (Nov 3-6)

Kai Po Che! (Nov 8)

M.S. Dhoni: The Untold Story (Nov 14)

Tiger 3 (Nov 18)

The Archies (Dec 7)

Sam Bahadur (Dec 8)

Half Girlfriend (Dec 9-10)

Saawariya (Dec 11)

Dream Girl 2 (Dec 12)

Kuttey (Dec 13-15)

Hindi Medium (Dec 16)

Friday Night Plan (Dec 17)

Chennai Express (Dec 19-23)

Kho Gaye Hum Kahan (Dec 26)

A Perfect Pairing (Dec 28)

Jawan (Dec 30)

[mi4012sayakagunasekara]

Sanjay Leela Bhansali

A renowned film-maker in the Indian film industry, prolific in his works, Bhansali is known for his opulent works that delve further into the character’s emotions. His works are acclaimed within the Hindi film industry, which is known for its grand costumes, colourful palettes, dance sequences, and emotionally charged Bhansali embraces these characteristics and goes beyond with them. 

Bhansali is fluent in visual language as the audience is always awed. 

A feature that is definitely noticeable within his films, is the grand set design, as he constructs these sets with a skilled team. Bhansali is very clear and specific with the set he desires and pays great attention to detail, as seen in his work Gangubai Kathiawadi where even the utensil shop’s utensils were placed and made in a similar fashion to that of a common one found on the streets. 

His more grand sets are noted within his period drama films, Bajirao Mastani, Padmavat, and Devdas are his most expensive sets. As extensive research had gone into these works spanning from months to years and the overall budget spent on these films were approximately in crores. However all of his works do contain elaborate set designs that fully encapsulate the viewer for every second.  

In his film Saawariya, it perfectly encapsulates a dream, where clock hands move backwards, a buddhist statue in a muslim town and so on. This set was so out of place and bizarre that many did feel that it was almost stepping into a world in Bhansali’s mind

Bhansali would often work with highly skilled costume designers, who go into extensive research about the setting of the films to procure almost couture pieces. The costumes along with the jewelry can sometimes weigh to about 5 to 15 kg, and each costume is delicate and of extremely high quality. 

The costume designer of Guzaarish was criticized for his unrealistic, maxi outfits of Sofia’s nurse outfits to which the designer responded that he simply creates the outfit based on the director’s style and preference from his works. 

In terms of capturing these shots, Bhansali is almost infamous for his long sweeping shots which are known to span for a minute or so. It is most evident in his dance sequence shots as well which are also known to be long, in this said sequence we can also note the overhead eagle eye shot which is used to showcase the formation of the dancers as well. 

Also utilizing close ups to further dramatize the emotional moment of the characters or to simply make it more impactful. 

He also takes advantage of the physicality of his characters to highlight the dynamic of the relationship. This nature of blocking does not prevent the characters from moving with grace which further adds to the opulence of the film. 

Bhansali’s works revolve around dauntless characters and their emotional journey, around emotions such as anger, lust, vengeance, jealousy, and sadness. These emotions can also be highlighted by the use of colour in his films. Colour grading within his film is fully utilized to translate the theme of the film or the scene, in his film Black which focuses on light and shadow to represent Michelle’s blindness. 

In short, it can be agreed upon the genius of Bhansali's works in terms of the visual language to engage the audience with every second.