#s3:ep6 “Party Politics”

[har-har-harvey]

also, since tumblr won’t let you post more than one video unless they’re links or embeds, here’s a link to another clip i posted that adds a bit more context to the scene :)

[stitching-in-time]

Voyager rewatch s3 ep6: Remember

I love B'Elanna episodes, and this is one of her best. There's so much good material for B'Elanna here, and Roxann Dawson gives a fantastically nuanced and hearfelt performance, playing both her and the character of Korenna in this one.

This is probably one of the best episodes of the whole series in terms of directly, confrontationally taking on a relevant social issue, in the way that the original series did in the 60s. The absolutely terrifying thing about it is how much more revelant it's gotten since it first aired, and it just shows how important Star Trek is in terms of saying things that no other show would talk about, or would even be allowed to talk about, in today's political climate.

It starts off nice and normal, with some aliens, the Enarans, visiting Voyager and helping them make some improvements in engineering. B'Elanna is working with two of the scientists, who have been there for a few days, and who she has a good rapport with. We get a little scene with B'Elanna being Harry's wingman with the younger scientist, who likes him (B'Elanna and Harry are such cute bffs!!! I love it!!!) and then B'Elanna goes back to her quarters, where she goes to sleep and has a very racy dream, and has to be woken up from it the next morning because she missed the start of her duty shift. She then tells her other bff Chakotay all about her racy dream, and he's all like 'get it girl, I won't telll anybody you were late for work because of your sex dream, I got you fam.' (Because on Star Trek, people just tell their friends about their sex dreams, or the sexy candle ghosts they inherit, whatever. Nobody has any boundaries on a starship, I guess! lol)

But she keeps having the dreams, and in them she seems to be experiencing someone else's life. Eventually the dreams break through when she's awake, and when she collapses in the corridor, they realize their telepathic alien visitors must be behind it somehow, but they deny intentionally doing anything.

Meanwhile, the dreams go from being fun and romantic to more and more serious. Korenna, the woman whose life B'Elanna is experiencing, is torn between her lover, who comes from a culture outside her society's mainstream, and her father, who's part of the ruling class that oppresses her lovers people. We learn the love affair is clandestine because his people are subject to curfews, and ID checkpoints, and forced deportations. Korenna starts out sweet and innocent and sympathetic to his people, but as he tells her more of what's really going on, she doesn't want to believe that her father could be involved in something so terrible. Her father uses every manipulation tactic to justify his actions, and preys on his daughter's fears to win her over to his side. It's an absolutely devastating scene. Watching her descent into radicalization is horrifying and tragic, and all too familar a sight in our real world of alt-right conspiracy theories- chillingly, the things her father says are the same right-wing talking points we see today on the news.

B'Elanna eventually learns the memories belong to Jora Mirell, the older scientist she was working with, who regretted what she'd done, and wanted someone who would care and understand to know what her society had tried so hard to scrub from their history. When she dies, B'Elanna interupts the farewell party for the Enarans, and confronts their leader for the cover up of the genocide his people perpetrated. He denies and makes excuses, the other Enarans don't want to believe it, and the Voyager crew looks uncomfortable, and suggests that she shouldn't say it in the middle of the party. But B'Elanna's not anywhere in the vicinity of fucking around, and she says it all right there, where everyone can hear it.

Later, Captain Janeway tells B'Elanna she believes her, but that Voyager can't interfere with another society, and they must let the Enarans go, and leave them to do what they will, even if it means burying the knowledge again. B'Elanna is still distraught and outraged that no one will acknowledge what happened, and that no justice will be done. But Janeway tells her to go talk to the younger scientist she worked with before she leaves. B'Elanna does, and appeals to her to open her mind and think about what she told them. The Enaran woman agrees to telepathically link with B'Elanna so she can experience Jora Mirell's memories and see what happened for herself. The last shot is of her in the first memory, in Korenna's place, just like B'Elanna was. We're left with the hope that now that someone on their planet had the courage to look the truth in the eye, maybe their society can acknowlege it, and change for the better.

This whole story just hits so hard in light of current events. Are there Israeli parents, right now, telling their children the same things the father in this episode told his daughter, to justify their govenment's genocide against the Palestinians? Somewhere, on some news network, right now, I guarantee there's a right-wing pundit making the same speech the father makes in the town square in this episode, telling his followers how immigrants, or trans people, are dangerous, and undermining our society, and must be controlled or exterminated, for our safety. It's happened so many times in the US, and around the world, and then they say it was for the best, or that it didn't happen at all, so that when they do it again, they can claim that they would never, that it could never happen, don't be ridiculous, we're not evil, what we're doing is right, and for your own good. It makes me want to scream with rage, and I teared up watching B'Elanna march into that party full of complacent people, and speak truth to power, and force them to confront their own complicity in the evil system they benefit from. B'Elanna was and is such an important character to me, because here was a female character who was allowed to express her rage, and the audience was allowed, and even encouraged (some of the time at least), to sympathize with her. I hate when they try to write off her anger as being 'just Klingon things lol' because that is absolutely not what it is, at all. It's the anger of someone who's been marginalized, who's seen injustice, and won't fucking stand for it anymore, anywhere. Who knows everyone deserves better, and will fucking fight for it, whenever, wherever. I love that this episode lets us see that, and that in this story, her outrage is what drives the first steps for these people to start down the path to healing and change. The Enarans are telepathic, so Korenna choosing B'Elanna to relive her experiences wasn't just because she was there. She must have felt that B'Elanna was the person who would feel it the most deeply and fight hardest for what was right.

This episode makes me sad and angry, but it's supposed to. In a country where people are trying to ban teaching our history in our schools, an episode like this is more important than ever. Maybe in some state where schools aren't allowed to teach children about slavery, or the holocaust, or the genocide of Native Americans, or any queer history, maybe some kid will see this Star Trek episode, because their conservative parents think it's just a show about spaceships. And maybe this story will stick with them when their parents try to tell them that it's okay to hate one group of people or another. Maybe they'll hear their parents echoing a villain's words, and they'll start to consider that maybe their parents are wrong. And maybe they'll start to think critically enough to resist the poison of bigotry and break free one day. All it takes is one person to start questioning, and that's how things start to change.

I'm sure there's someone out there who doesn't like this episode, who could find plot holes, or something to criticize, but not me. That's not what's important to me here. This story is what Star Trek is about, at it's core. It's anti-fascist, anti-racist, it's about challenging and dismantling systems of oppression. Since 1966, it's been there to say something hopeful for all us who believe humanity can do better, and I'm profoundly grateful to have it.

Tl;dr: A hard-hitting episode that explores how easily even good people can become indoctrinated to bigoted, xenophobic ideas, and which shows us how even one person standing up and looking it in the eye can make a difference. Absolutely top notch, essential Star Trek viewing.

[transmutationisms]

hi !! i know you've touched on food + succession before so i was wondering if u had any thoughts on why roman seems to be eating for almost all of the shots he's in with mencken in what it takes? (s3 ep6) the cokes been picked apart beautifully but ive never seen anyone mention him nibbling all the way through the party

honestly, i hadn't noticed him nibbling any more than usual in that episode. that's pretty typical to how roman eats i think—most often we see him do it with fruit (medieval fasting girl ass), but there's also the cake he takes a bite of at connor's bachelor party, whatever he's eating in the beginning of 'dundee,' etc. it's pretty common for him to graze like this.

in 'what it takes' in particular, though, i think you could read the food, similarly to the coke, as signalling the relationship between waystar and american politics, and between logan and specific politicians as a consequence of that. acting as a representative of waystar and an emissary for logan, roman is flirting with mencken, and eating the rich people party nibbles is part of that. additionally, the entire event is playing with the tension of being simultaneously the very highest echelons of corporate and political power, & yet at the same time being something that has to be kept somewhat discreet, on account of the subversion of liberal democratic ideals. eating the food can thus be indicative of roman's overall willingness to buy into the whole arrangement, and to take in mencken's verbal bullshit as he takes in the bullshit food—again, roman's body as a site of waste and a means of clinching a deal. of course, the 'waste' is powerful political rhetoric and catered food, because in truth the event is not a deviation from capitalist democracy but its normal mode of functioning. finally, because of the implications that mencken is also catholic, you could read roman's eating as echoing taking communion, an act that plays into some of the homoerotic tension between them, roman's view of sex and intimacy as cannibalistic, and the show's running elision of the father, ceo, dictator, and god figures.