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mariacallous · 1 year ago

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Let me just be honest: Patrick Stewart brings out my daddy issues. That keen gaze, alternately steely and compassionate. That warrior-monk profile, disciplined and ascetic. And, of course, the Shakespearean cadences that wash over your mind and soul like a lullaby. For more than three decades, as Star Trek’s Jean-Luc Picard and the X-Men’s Charles Xavier, Stewart has embodied a sort of kind and courtly Master of the Universe, trusted by all to wield awesome power exclusively for good. What more could you want in a father?

Well, perhaps it’s more complicated than that. Stewart, who is 83, has just published his memoir, Making It So. The title, from Picard’s signature command, is a nod to the starship captain’s primacy in his life, and also perhaps a tease, a hint that herein lie the secrets to the creation of that galactic sense of empathy.

The book recounts Stewart’s trajectory from Yorkshire, where he grew up poor and left school at 15, to Hollywood megastardom. It wasn’t an easy one. When a producer working on the planned Star Trek reboot chanced to see him in a Shakespeare reading at UCLA, Stewart, by then aged 46 and with two decades in the Royal Shakespeare Company under his belt, had almost never had a high-profile role on either stage or screen. His first Star Trek audition went badly (unbeknownst to him, the show’s creator, Gene Roddenberry, ordered that Stewart’s name “never, ever be mentioned in my presence again!”). While waiting to hear back, he had such a profound midlife crisis over his modest achievements that he briefly tried to retrain as a professional squash player.

To be honest once more: As a piece of writing, the book is disappointingly guileless. There are moments of introspection and vulnerability, particularly around the impacts of witnessing his father repeatedly beating his mother and the breakdown of Stewart’s first two marriages, but these are brief. There’s a lot of what can only be called fanboying over legendary stars he’s met. Even the people he has clashed with (most notably Roddenberry, who never did take a shine to him) are dealt with gently. Reading it, I was tempted to conclude that Stewart is just Englishly guarded about showing his true feelings, or is even trying to disguise an ambivalence about having become a household name for sci-fi and fantasy instead of for Macbeth, Lear, or Hamlet.

These suspicions started to evaporate the moment I met him in the kitchen of his house in Los Angeles. The guilelessness is genuine: Stewart in person is Picard and Xavier in their kindliest, most compassionate moments. He seems by now truly happy with where life has led him. The house is filled with art and with mementos that give one a sense of a man deeply loved by his friends, including hand-drawn illustrations showing him and soulmate Ian McKellen as bowler-hatted Vladimir and Estragon in Waiting for Godot.

Stewart is also keenly aware of how few good years he has left. During our conversation, he apologized more than once for his “croaky” and “gravelly” voice (“So long as it doesn’t give offense”) and tendency to ramble (“Sometimes I lose my place”), and he swung between wanting to explore new roles and take Picard for one last spin.

By the time we finished speaking, I had come to understand three things. One, that Stewart’s very un-Hollywood lack of a mean streak is nonetheless hard-won, the result of a long, painful process of forgiving both himself and his father—in other words, of dealing with his own daddy issues. Two, that this struggle is all there in the book; he just doesn’t (and this is perhaps the self-effacing Englishness) make a big deal of it. And three, that as someone with no small amount of forgiving still to do myself, this was what I had unconsciously been looking to learn from him all along.

Gideon Lichfield: You’ve been with Picard for 36 years—10 seasons of television and four movies. You and he have coevolved psychologically. How has that evolution been?

Patrick Stewart: It has been a long journey in which he and I were, to begin with, very much apart. He was an object, and it’s one of the reasons why season 1 of The Next Generation is not one of the best. I think the rest of the principal cast tuned in to what we were doing so much quicker than I did.

What was blocking you?

My life before that had been primarily theater. I brought way too much of my theater technique, my stage technique, into that first season.

We think of Picard as caring, compassionate, disciplined; the fate of the galaxy is safe in his hands. But when I started rewatching The Next Generation, and then watching Star Trek: Picard for the first time, I realized that actually, he’s emotionally conflicted. He has repressed rage. He’s a rule-breaker. Were those aspects of him that you were conscious of early on, or that only came out much later?

They came out later, and it just happened to coincide with a time in my life when I was beginning therapy. As you’ve read the book, you would’ve seen there that my childhood was at times difficult. My father was a weekend alcoholic, with a lot of anger and aggression inside him. He was five years in the Second World War, but he’d also been a soldier for 10 years, from the ’20s to the ’30s. He suffered from PTSD, no question of it.

There’s a passage where you say that, from your father, “I drew Picard’s stern, intimidating tendencies. But I like to think that my mother is in the captain too, in his moments of warmth and sensitivity.” Do you see Picard as your way of reconciling that conflict between your parents?

Very much so, yes. Both Star Trek and therapy have been responsible for that. Having to open the doors into my childhood in order to be an actor became utterly intriguing to me in a way that it never had been before. And I regret that when I look back on some of the roles I played, what I might have brought to them if I just released myself a little bit more.

I asked quite a few of my friends, “Do you think Patrick Stewart is straight or gay?” At least half of them said they thought you were gay or bi. I’m gay, and I must admit I thought you were too. In the book you talk about going on a world tour with a company that included a lot of gay actors, and how you felt very comfortable in their presence, which is unusual for somebody growing up in rural Yorkshire in the 1940s and 1950s. What do you think made you so comfortable?

It was a period in the life of the Old Vic Company in London when it had a director and a producer who were gay, and there was a strong emphasis on employing gay actors as well. I adored these people, and when we arrived in Sydney, I moved into a house with three gay men. And their kindness, generosity, humor, and commitment to their work so impressed me that I fell in love with them. I fell in love with the man who married Sunny and me, Ian McKellen. So I take in your assessment of my sexuality with gratitude and a certain amount of pride. Because when finally my 15-month world tour was over, I missed those gay men I’d spent so much time with.

I think the reason people have this impression you’re gay is something about that care and compassion that Picard has—and that Professor Xavier has as well.

But the compassion comes through because there has been something else in both their cases, both Xavier and Picard. And it was knowing that in the role and discovering it in myself that made all the difference. The rage, the fear, the embarrassment. The shame of my childhood experiences. Few people knew. For decades I never talked about it.

The shame of the domestic abuse?

Yes.

It does seem like you found a way to incorporate the best parts of your father into your work.

My only regret is that I can’t tell him that’s what I’m doing. And thank my mother for her care and love and cherishment of me.

When you were first approached about doing the X-Men, you said, “I don’t want to do another sci-fi fantasy thing with funny costumes.” What persuaded you?

Well, the director, Bryan Singer. It’s very sad, borderline tragic, that he’s withdrawn from the job that he did for a while so brilliantly. [Singer has faced multiple allegations of sexually assaulting minors throughout his career, and has a reputation for erratic behavior on set.] I wanted to work with him very much, but I didn’t want it to be in science fiction. He persuaded me that there was no comparison between Charles Xavier and Jean-Luc Picard. All of the similarities I put together years later.

Do you think that Xavier and Picard are different in some ways?

Charles Xavier is physically handicapped. I think it gave him more empathy than Picard had. We’ve seen Picard lose it a couple of times.

In your book you hint that there’s possibly another Picard film in the works.

I mean, it’s not in the works at all. But I have spoken privately and confidentially to people who would be involved if it were to happen. And as I’ve already said publicly, I’m moving on. I don’t know how much time I have left, but I want it to be as diverse as possible.

You write in the book that you feel like you have so many characters in you still waiting. What kinds of characters?

I don’t know how many, and I don’t know who they are until a text stimulates them. There’s one text that keeps getting tossed in my direction, which is King Lear.

I would love to see you in Lear.

But should I do it? I’m not sure that I have the physical stamina. It’s nearly a four-hour play. Ian McKellen [who first played Lear in 2007] told me that the role has a big break, like a 25-minute break, in the middle of the play. Thank you, William Shakespeare! He knew what he was doing. He was an actor himself. He knew what it was like to play endless roles where you’d never leave the stage. And Ian lived in Stratford-upon-Avon, very close to the theater. He would go home in the middle of his interval while the play went on.

Going back to the Star Trek franchise, I can imagine that somebody at Paramount has already hatched plans to do a series about Picard as a young Starfleet officer before he becomes captain …

I see where you’re going.

How does that feel to you? We now have multiple Kirks and McCoys and Spocks. Can you imagine there being another Picard?

It will happen, I’m sure. I mean, I already have a son. And who knows what’s going to happen to him. He could become the next Jean-Luc, and he’s a wonderful actor. But Star Trek: Picard, especially season three, left us in a very unresolved place. I had an idea about how to play the last scene that would have kind of resolved it, but it didn’t work out.

You write in the book that you wanted him to be married or to have a woman in his life. Is that what you would want to see, the final resolution come to the screen?

Well, it would be: Let’s explore further the inside of this man’s head. His fears, his anger, his frustration, his questioning all of those things. There is a moment, I’m not quite sure where it comes in the series … Well, there are two moments. One is when Picard doesn’t know what to do. He’s stumped. And we never saw that in The Next Generation. There is also a moment when he is truly fearful. And those two pointers alone, I think, make him an interesting study for one more movie.

You said that there are questions still to be resolved in his mind. Do you feel like there are questions on what’s going on in your mind?

About Jean-Luc?

About yourself.

About myself? That’s truly a work in progress.

Still?

Oh, yes. It always will be. There are problems in my family life, not here, not with my wife, but with my family in England. And I believe it is my job to internally connect with this and then perhaps more overtly connect with it.

You know, this is one of the kind of shameful things about acting: Immediately, I think, “Oh, yes, I know what I would do with that!” And from being a teenage boy, I could do that. Because, as a teenage boy, it meant I didn’t have to be Patrick Stewart, who I didn’t really like very much. I could pretend to be somebody else, and adults would believe me.

When would you say that you started to like Patrick Stewart?

Well, you see, my mother had suffered and I had been unable to protect her. I did my best, as did my older brother Trevor, five years older than me, who died last year. There he is with me. [He picks up and shows me a photograph sitting on his desk of himself and Trevor as young children.] Sorry—not good to be showing things on an audio recording! What was your question?

When you started to like yourself.

There were moments on stage, I think initially, when I felt, “Oops, was that me? Well, it wasn’t anybody else. It must’ve been you”—when I realized that I had stepped into another life. It meant I trusted myself, and I felt good about myself and confident. But it’s been a long journey.

It sounds like you learned to forgive Patrick Stewart even when you didn’t like him.

I think on the whole I didn’t do too badly. I could have done better, both in my childhood and in my early acting years. But now at 83, I think I’m more interested in my life and who I am than I was at any other point.

Do you have a favorite episode or film in the Star Trek universe?

Yes, “The Inner Light” [season 5, episode 25 of TNG].

That’s my favorite as well.

Really?

Yes. What I remember about it is Picard waking up after living 40 years as someone else and realizing that these were memories implanted into his brain. You can imagine what a profound effect that must have on a person. And I feel like we see that in Picard’s face, even though you don’t say anything. But tell me why it’s your favorite.

Because I become someone other than Jean-Luc Picard over decades of living a different life, and therefore become a different person, a domestic person, not a starship captain. And there is another, personal reason. My son Daniel played my son in “The Inner Light.” That was an extraordinary experience.

I think of “The Inner Light” as being one of two moments when Picard has changed irrevocably. The other is the assimilation by the Borg. He cannot be the same man after those experiences.

That’s absolutely true, and I should always try to remember that at times like this: The assimilation changed him for good. And like extreme and possibly tragic experiences, we can’t, nor should we try to, erase them, forget them. They’re part of us, what we are. We have to learn to accept them.

That’s where I am right now with Jean-Luc, and it actually makes me intrigued. So conversations like this, rather than encouraging me to move away from my history, actually are gradually sucking me in. So I get closer and closer to the possibility. One more shot!

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capsized-heart · 5 years ago

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l’ incendie

Pairing: Hal x Reader

Summary: You grew up as witness to the atrocities committed under the British crown. Lord Grey is your father and newly pledged councilman of the royal court. Now, England has a new boy king, one who is set on keeping peace in Europe. You are determined to see England burn, even if it means corrupting the lionhearted boy of Eastcheap.

Word count: 10k+

Warnings: explicit smut, strong violence, sacrilegious imagery a blowjob in a chapel lmao

A/N: l’ incendie ; French translation for fire

..so..I watched The King back in November and have had this idea in my brain for the past 2 months now?? It literally consumed me. All throughout my last few weeks of classes and final papers, this is honestly all I could think about, like I’ve been bumping the soundtrack and rewatching the film to plan this, I looked at Lord Grey’s true lineage (he aint Scottish btw I made that up..but he really was related to King Edward lol).......I’ve just had to get this out of me for so. long. and I’m so happy that I finally have! It feels like this huge weight is gone, but I’ve enjoyed this creative process so much, like it’s so exciting when you hyper-fixate find a new piece of media that you enjoy so much that you dive completely and utterly into everything about it that you can get your hands on, and this is my piece for this!

And my boy Timmy?? Had no fucking clue who this guy was before I saw the film, now I’m writing fics about him a;sdkfjskj but you’re here reading this so. we’re both guilty.

I love story arcs like this where you see a character’s slow descent into corruption and having it revealed that someone was talking in their ear the whole time....i eat that shit right up. Reader’s character is heavily inspired by Lady Macbeth. Using wiles, using sex, etc. Ooh baby. I had fun with this.

gif credit to @michonnegrimes

Scotland was once your true home. Moors, lochs, rugged mountains, biting cold, all. You remember the endless mist and gloom, the wet winters of your childhood that made the creaking wood of your cottage whistle and moan. Summers were warm and mild and the highlands bursting with rich green and sunlight, running through fragrant fields of heathers, bluebells, myrtle with your skirts damp with dew, shrieking and choking on laughter as your older brother, Callum, chased you all throughout your little village of Kirkcaldy. Laughing himself, grabbing at you and wrestling you down into the mud, blossoms, and river water.

“Yield! Yield to the English crown or perish, wretched witch!” Callum would boom in mock play, tickling your sides until you’re gasping for air and tears stung your eyes.

“Aye! I yield!”

“What? You mad girl! Take it back! We are Scots!”

And then Callum would descend on you with all the wrath of England and you’d be howling with giggles and screams.

Returning home at nightfall smelling of wind and rain with vibrant wildflowers tangled in your hair and dirt streaking the skin of your cheeks, still plump with baby fat. Scarce food, but stomach full of adventure and blissful naivete. You were happy.

Your father would scold you promptly before his voice would soften a touch, smoothing back your hair from your face. Round, curious eyes and missing teeth. A feral, untamed child.

Daughter of Lord Thomas Grey. His precious girl. So much of your mother in you, the same fight, the same spark and love for life. Until you had ripped her body from the inside out and she had lost too much blood, the wet nurses unable to stop the bleeding and she had given her last breath cradling you lovingly against her naked chest.

You had killed your own mother.

In your early years, Callum and your father gave you nothing but warmth and protection, the sole surviving daughter of Grey lineage. But a child can only be sheltered for so long. Your world is a man’s world. Your country is no stranger to bloodshed.

The Anglo-Scottish Wars have endured for as long as you can remember, rebel leaders beaten down by English captains and more Christian blood staining the lush lowlands with every day. Robert the Bruce. Percy Hotspur. Blood all the same.

You are bleak, wild, uncivilized in the eyes of the English.

It’s all your people have ever known. Weary, resilient Scotland.

You have no memory of your mother, your earliest memory being the image of William Wallace’s torso strung up in the village square and the ensuing riots that had truly put the fear of God in you, mounted soldiers and civilians clashing in a fury of slick, gory steel, longswords and blacksmith daggers, a fear so raw and primal it struck you frozen and you’d soiled yourself in the midst of chaos. Callum had grabbed you and raced the four miles home as you bellowed atop his back with great, ugly heaves, snot and tears dribbling down your chin.

You didn’t need to understand the politics of rebellion or Wallace’s stake in it all to understand a massacre.

You have no memory of your mother, only murder in the name of the English king.

But you’ve learned to nurture that little glowing kernel of survival, of the fighting spirit and grit inside you that had evidently cost your mother her life. You’ve kindled it, watched it ignite with every passing year of war, your body flourishing into the figure of a young woman with embers in her soul. A stable simmering of flushed coals beneath your skin, glistening in the pools of your irises, ready to flare up and burn all you touch should you choose to.

You feel it now as a jostling carriage takes you to Northumberland, England. You sit quietly, watching the hills of Scotland tremble by, eyes hungrily drinking up as much of its strong landscape as you can.

Your father and brother have already gone ahead to England to make arrangements for Callum’s recent engagement to Isabel, Countess of Essex and only daughter of the Earl of Cambridge. You are reuniting after a lonely week, perhaps your last, to ever see your homeland.

Callum’s betrothal didn’t come as much of a surprise, rather, you’ve been counting down the days until your village lifestyle was doomed for inevitable change; for years, your father has been preparing the two of you for noble life outside of Scotland. Son and daughter subjected to the arts of chivalry, proper etiquette, gentility. The best that your little village could accommodate.

Your father and his maternal ancestry have interestingly long influenced the English courts, as his title of Lord would suggest. Through his grandmother’s side, you are distant descendants of Margaret, Duchess of Norfolk.

King Edward himself. Now cold and buried in London’s Westminster Abbey.

The coals jump, flames twisting at the idea of relatives long dead sitting idly on the opportunity and resources for a coup d'etat, instead choosing to line their own pockets and watch your country crumble from the comfort of their English estates.

The carnage and murder of monarchy feel that much more personal to you.

With your brother’s new marriage, Callum will acquire lordship and be gifted property in Essex. Your father will be secured a seat in the king’s council. You will be given rooms and hospitality in the castle as a noblewoman available for marriage. As Lady Grey.

A lick of fire coils up your throat.

God save the king.

The switch cracks so hard against the skin of your knuckles that your lip draws blood when you bite back a scream. Pain diffuses up your arm in fractured, ringing jolts and your eyes flood with hot tears. You hazard a look at where an angry welt has already started to flush, red and pulsing on the back of your hand.

“Again.” Says Miss Hunt.

Your gaze falls to the open manuscript in front of you, to the passage that you’ve rehearsed aloud for the past two hours. Your tongue works nervously in your mouth, swallowing. Sweat glistens your brow. You think you may even be trembling.

You draw in a quick breath and begin again:

“Time and tide wait for no man.

The life so short, the crafts so long to learn.

People can die of mere imagination.

And gladly wolde he lerne, and gladly teche-”

Another crack and this time you can’t restrain the cry that leaves you. You blink back the heat blurring your vision, set your jaw when Miss Hunt clasps her hands coldly behind her back and looks down at you over her hooked nose.

“Your voiced consonants are absolutely horrid, girl. Don’t close up your mouth. If you are to perfect the King’s English, you are to completely forget that savage dialect before I cut out your tongue. Am I understood?”

Miss Hunt gives you a smart swat to your cheek.

You nod quickly.

Another stinging swat.

“Am I understood?”

“Yes, Miss Hunt.”

Satisfied, she turns on her heel, granting you a few precious moments of quiet, of rest. Afternoon light filters into the chamber in dusty, silvered shafts, hueing the book’s pages in a drab of diluted grey. The inked words of Chaucer bleed back up at you as you settle your breathing.

This English sits like gravel in your mouth, low and rough and choking up your throat. Sharply iambic, as if everyone is talking down to the other.

England’s English sounds slow and stupid.

You wonder if Callum had this much trouble mastering the accent. You wonder if Callum, as a Lord, has ever been slashed with a switch.

Since your arrival to England and for the better part of a year, Miss Hunt has dissected every syllable of your speech through bodily punishment and repetition, ripped out any trace of Gaelic, any remaining trace of Scotland on your tongue and sutured it back together with mouthfuls of Chaucer and pompous, exaggerated vowels.

But pain, degradation, and humiliation are wonderful motivators. And to your horror, it has worked.

Your father recently introduced you to a few councilmen out of courtesy and as the sister of the soon to be Lord Grey of Essex. You politely discussed politics, entertained banter and jests of marriage proposals. None questioned your status as an English noblewoman.

Masquerading with voice and poise.

But that hasn’t stopped your secret, unseen resistance.

Miss Hunt may have taken your language and cadence, but her practices have only shown you the true powers of speech, knowledge, shown you just how intimidated and afraid all of England is of the bold north, of any European empire threatening its legitimacy.

A cowering dog with raised hackles and snapping teeth, but only so out of mad fear.

The harder Miss Hunt pushes, the deeper you dig into your own studies. By day, you are her sole pupil. By night, by candlelight, you are the pupil of Cicero, studying rhetoric and the power of spoken influence. You’ve also begun to study French as a means to bolster your wiles and mental arsenal.

You are already a so-called savage by blood. Learning the language of England’s arch rival will do nothing to hurt your reputation.

You feel a bead of sweat slide down the base of your spine as the switch swishes impatiently in Miss Hunt’s clutches. Oral recitation and the simultaneous reduction of your accent demands every ounce of your concentration. You know already that if you are hit again, the skin will break and you’ll only be reprimanded harder. Miss Hunt is sadistic and cold with her beady eyes and that ugly high starched collar.

“Again.” Her voice clips evenly.

So, you inhale a strong, supportive breath and begin again, pushing down the smolder in your chest.

The day of the wedding is cloudless and full of sunshine, a rarity for England. Callum has been bustling about the chapel’s back rooms in nervous energy all morning, fixing his hair and dress shirt over and over. You send your father to go and calm him down as you tend to Isabel, shooing him away quickly so your father’s mirrored jitters won’t affect her before the start of the ceremony. She gives you a small smile of thanks.

Isabel looks beautiful sitting in front of the mirror as her maids finish arranging her hair. Back straight as a board, plump lips and cheeks the color of a rosy, coral pink. You help to pull the veil over her face and the thin fabric does nothing to mute her radiance.

You see the flickering range of emotions in her eyes as she sees her own reflection. The life that all women are fated to live. Her last moments of true freedom, uncertainty for the future, and that small, significant trickle of vanity at having a perfect day of her own.

You see it all. After all, you are a woman.

She relaxes a bit when you lay a comforting hand on her shoulder. Her gaze finds yours in the mirror.

“You and I will soon be sisters,” she laughs softly. You give her a pleasant smile.

“I would want nothing more.”

Her throat works as she swallows tears, gives you another radiant laugh. “Someday, you will be sitting here, too.”

The truth of her words causes your smile to weaken, but you quickly hide it by busying yourself with her skirts and lace. Your world is a man’s world, even outside of war-torn Scotland. One man’s world, to be exact.

King Henry IV.

“And I expect you, my dear Isabel, to be at my side when that day comes.” You say to her. She nods kindly.

Your brother and Isabel are married a few hours later beneath the rainbowed, iridescent wash of stained glass and chiming church bells. And as the newly wed couple beam at you and their close company of friends and family, as you see Callum hold his wife proudly on his arm, you think that the bride and groom may truly love each other despite their arranged marriage. The possibility of such a happiness makes you grin wide and the familiar coals to simmer down ever so slightly.

The reception then moves to the chapel’s outdoor gardens. Ornately trimmed hedges, chirping birdsong, bubbling marble fountains, and the sweet fragrance of daisies and roses perfume the budding spring air.

The sun is warm on your skin, the air brisk and comfortable. You keep your fur lined mantle draped around your shoulders, your embroidered sleeves catching hints of daylight, the jeweled metalwork glittering about your waist. And with your hair twisted with ribbon and pinned back with a light linen caul, even Isabel herself murmurs that you look as refreshing and incandescent as the flowers surrounding you. You smile back teasingly, whisper that no one could possibly compare to the blushing bride.

As sister of the groom, you mingle politely, accepting congratulations and kind regards.

You see familiar faces, lords and fellow council members alike, and some of those not yet well acquainted. You meet Cambridge, Isabel’s father and a bird of a man. Gangly limbs and a flittering that accompanies his quick movements, but cordial and gentle. He tells you the union of your families will be prosperous, benign. You agree.

Then, Cambridge is pulled aside by a young man. Cambridge seems to recognize him instantly and clasps him into an embrace, chuckling heartily.

“Hal! You made it!” he exclaims. The two talk together briefly before the young man turns to you.

He’s tall and lean, broad chested with sloping shoulders. The angular planes of his face are undeniably handsome, a strong nose, full dark lashes and brows that frame his bold complexion. Black, unkempt curls and soft, hooded green eyes that hold an undertone of vigor, like his very gaze has commanded attention his entire life. They flicker over you quickly, as if you’d imagined it yourself, a trick of the light.

You don’t miss the way they linger at the exposed dip of your neckline, however.

“Aren’t you going to introduce me?” He then asks of Cambridge, his voice a soft murmur and his eyes never leave you.

Cambridge looks quickly between the two of you, as if acknowledging your presence again for the first time since this young man’s interruption. He burns bright red, stammering, then gestures to the stranger beside him.

“Of course. My lady, may I present my cousin, Henry. Prince of Wales.”

The suddenness and sheer absurdity of it all almost makes you burst out in laughter.

Cousin? King Henry IV’s eldest son is the cousin of your father-in-law?

With this marriage, you realize your family is now tied to the most powerful family in all of Britain. Yet, no one in the wedding party seems to have even acknowledged the presence of the boy prince dressed simply in dark cloak and tunic.

And then you remember. Prince Hal is a drunk, a dangerous playboy from Eastcheap. His claim to the throne is as illegitimate as the probable dozens of children from his bedded girls.

And asking for a formal introduction from his cousin? It’s utterly laughable, pathetic even.

Hal’s gaze is unwanted, skin prickling from where his eyes trace the curve of your chest in a way that makes you feel vile.

So, you wet your lips, pretend to wordlessly accept his flirtations and give him a slow flutter of your lashes. The reaction he so craves from you as his chin tilts back in delight, hungry to see more.

“Your reputation precedes you, my lord.” Your words drip with venom. Flowery girl with a serpent’s sharp tongue.

The barb makes Hal’s features tick in surprise, shock before settling back into a cool demeanor.

“Then you’ve heard of me.”

Your mask of amour stays firmly in place.

“It is hard to be deaf against such defamatory gossip.”

Hal hums softly with a hint of a smile, breaking his gaze to look out over the reception, ego obviously bruised. Cambridge goes pale as a sheet.

Isabel suddenly swoops in with the apology of wanting to introduce her father to a newly arrived guest and excuses him, hauling him away by the arm. Cambridge looks relieved to go.

And then it’s just the two of you beneath the halo of rose-tinted light.

“Beautiful ceremony.” He says simply. Hal is incredibly soft spoken for a prince and you find yourself unconsciously leaning in to hear him speak. Part of the intimate charm that makes him so alluring to women, you think. A whispered promise only for you.

“I thank you, sire.”

He takes a step forward. It startles you, enough for him to crowd you against the garden trellis wall. Ivy and lavender press into your back, dancing in the same breeze that peppers goosebumps down your spine. You shiver softly. Hal steps closer.

“I pray this is not the last of today’s festivities?” His words ghost over your throat, tickling the shell of your ear.

“No, sire. There will be a dinner tonight,” you reply just as quietly. You understand the game perfectly because it is the same one you have been playing your whole life. You indulge him, fire sparkling behind your fluttering eyelashes. “Surely your cousin will be expecting your attendance.”

Hal leans over you, hair tickling your face, green eyes glimmering. Up close, you see that freckles and beauty marks dot his skin. “I’m sure he will.”

You think you see him incline his head as though to kiss you. For a moment, you’re frozen, entranced.

You turn your cheek and his lips brush your temple. He hesitates with a low chuckle, keeping his close proximity.

“Then, I will see you tonight, my lord.” You whisper. Your fingers graze his arms as you sidle out of his reach. You can feel his eyes on you as you go and rejoin the other guests.

You leave him burning.

The tavern teems with merriment and the sound of fiddle, fife, and drum. You feast on broiled meats, roasted potatoes, greens, sweet breads and cakes until your stomach is full to bursting.

The glow of candlelight is lush and sensual, throwing shadows over the faces that only hours before you had shared with in prayer and communion in the church of God. Now, every attendant indulges in debauchery.

You’re drunk, blood pounding with mulled wine and spiced ale and cider. Pleasantly warm and head swimming, watching Callum and Isabel and friends and family dance about the room as if possessed, twirling in swirls of colored fabric that make you laugh and clap along in breathless euphoria.

You catch a glance of a figure standing in the doorway. You see the motion of a glass moving to lips, throat working to swallow drink. When the glass falls, you lock eyes with Hal.

You beckon him forth with a crooked finger. He grins wickedly and sets down his cup.

Despite the obvious wine in him, his steps towards you are sure and true and his hands feel good against you when they caress your waist, pull you against him.

You play coy and twist out of his arms. He groans.

He follows you like a dog until you’re in the midst of spinning bodies and then you turn to him. Giving him the permission to finally touch you.

His eyes ignite. He splays a hand on the middle of your back, perfect pressure, authoritative, the other gripping you tight and then you’re both cackling with drunken mischief as he guides the two of you across the creaking wooden floor.

You let him support you, lean against his chest, enjoying the sensation of being held so close. The thrill of feeling wanted.

Even if it is all a charade.

The strings and beat of thumping drums careen to a crescendo that has the entire tavern whooping and hollering in delight. You break apart from Hal to join in as the music flows through your limbs, absolutely enchanted, throwing back your head like that feral child from girlhood.

Hal looks just as wild, the rumored wayward prince. Long, dark locks falling in his eyes, tunic unbuttoned and disheveled. Light and shadow dancing across his face in a manner that makes him look devilish.

He pushes a glittering goblet into your hands, eases his strong fingers around your own to help bring it to your lips. You see the unmistakable red slosh of wine and wordlessly drink. He watches you tip back the goblet, watches rubied jewels of crimson spill down the sides of your mouth and down the skin of your throat.

“That’s it. That’s a good girl.” He cooes.

The flames feel desperately hot, flushing your skin and cheeks, burning bright behind your lips. Or perhaps it's the alcohol? Or the prince’s wandering touch that now seems to be cupping your breast, tongue lapping at the trails of wine…

The heat is suddenly too much and you push away to a secluded corner filled with empty tables to catch your breath. Hal slumps beside you. His head lolls, dipping to press another whisper of a kiss to your jaw and his weight feels comfortable against your side.

You don’t know what comes over you. Perhaps you truly are possessed.

You turn into him and then your hand is reaching between his thighs.

Hal exhales sharply in your ear. You harden your touch, feel him widen his stance to accommodate you. He braces an arm behind the small of your back, supporting himself on the space of the wooden bench as your fingers slip below the waistband of his trousers.

He gives a strangled sigh when you grip him tight and begin to coil your hand. His head lolls once more, nuzzling into the crook of your neck, panting, bursts of hot breath fanning over your throat. You feel your own breath quicken, feel yourself getting excited.

You mesh your other hand into his curls and pull him closer, press your body flush against his. Hal moans, keening, his arm now around your waist. You shush him quietly, tightening the hold in his hair.

To any patron, you look as though you’re only consoling a drunken boy, simply talking in the muted light. The shadows hide you both but the flames shine in your eyes.

“Enjoying the festivities, my lord?” You sigh into his cheek.

“Please don’t stop..” Hal whimpers.

You chuckle through a half-lidded gaze and work him harder. It’s delicious, erotic.

You hold all power, all of England in your delicate grip.

You watch his mouth fall open, dark brows furrowing, feel him tense against you before the eldest son to the crown spills himself onto your fevered palm with a sharp gasp, chest heaving.

“Good boy..” you murmur with a cheshire smile, running your fingers soothingly down the line of his jaw. Hal shudders with aftershocks, eyes closed, forehead glistening with sweat.

Before he can attempt to try and reciprocate the favor, you wipe your hand on his cloak and stand to fetch another drink.

You avoid Hal afterwards and don’t see him again for the remainder of the night. You think he must have gone home with another girl to satisfy himself and it makes you smile knowing you are responsible for laying that trap, for letting him taste pleasure, driving his desperation and taking it all away just as easily.

Your brother and Isabel spend their honeymoon in London before returning to her home in Essex. They write to you, informing of their safe arrival at the new estate and that you will have to come visit in the very near future. It warms your heart. You already miss them terribly.

Soon after, your father is awarded the scarlet, fur-trimmed peerage robes of the House of Lords and with your new rank, you experience the privilege of wealth for the first time.

Rich foods, dresses and flowing silk skirts, cosmetics, more books and manuscripts than you can imagine. You glow with health, beauty, pride, and sharpened wit.

But you have not forgotten your burning flame. Aided by money and status, your little light only grows stronger.

King Henry IV dies of sickness on a warm March morning. It had only been a matter of time, the stubborn man had been calling your father and the other lords to his bedside for the past several months to continue to discuss the politics of his own wars. In his dying breath, Henry IV saw that his empire had fallen to civil strife.

Court and kingdom are called to witness the coronation procession and as you stand with the lords and ladies of the crown inside Westminster Abbey, inside the church containing the tomb of your distant descendant King Edward and the generations of his forefathers, the same Gothic abbey where British monarchs have turned men into rulers and tyrants, you watch the archbishop anoint Prince Henry of Wales with holy oil.

His curls have been trimmed clean, his bare skin and body presented to be blessed with the sign of the cross. All old ritual, old prayer and Latin incantations that have been performed for over a thousand years.

So what is a new boy to wear the crown?

Beneath the arched stone cloisters, baptized in the sunlit streams of stained glass, you watch that same ceremony unfold again with burning heart. And harmonized by the tolling of bells, Hal is dressed in royal robes, regalia, scepter and all, shedding the title of prince as you all pledge homage to your new King of England.

“All hail King Henry.” The archbishop calls out to clergy, God, and country.

“King Henry!”

Neither you nor Hal feel the heat of embarrassment when the court is ushered into the dining chamber and you meet again in candle and firelight. The feast is an intimate setting, shared by the company of Hal’s new council, clergymen, and close family. Your father is seated alongside Cambridge, Chief Justice William Gascoigne, and the archbishop; even his sister, Queen Phillipa of Denmark, is in attendance.

Hal’s appearance and demeanor is surprising to you.

He looks striking, handsome as ever in his new robes and you can sense that familiar aire of charisma and confidence you remember from the wedding as Lord Chamberlain presents gifts from the monarchs of the world. A jeweled vase from King Wenceslas of Bohemia, a trinket of a mechanical bird from the Doge of Venice. Hal is jovial, good humored and merry.

The presence of his cousin and sister seems to comfort him greatly. And rightfully so, considering he now sits on the throne of his dead father. Dead as well is the alter ego of the delinquent prince.

Like a spoilt child opening wrapped packages at Christmas. The privilege of royal blood.

When the final trunk is presented, a gift from the Dauphin, you quite nearly let out a low snicker.

A ball for the boy king.

You see Hal hesitate before picking it up and the silence throughout the chamber is long, uncomfortable. The entire court seems to be holding its breath. Yet, you know there is an aspect of truth to the Dauphin’s gesture.

A boy indeed. You recall Hal’s touch and him gasping into your neck, his muffled begging, how quickly he had finished in your hand…

Then, the cool magnetism returns to his features. He locks eyes with you and you wonder if he is thinking of the same moment. You are both proud challengers, wielders of personal charm.

You wonder how long it will take to break him completely.

There’s a glimmer in his gaze you think to be from the blazing hearth as he tosses the ball once against the chamber’s stone wall, then catches it deftly with youthful poise.

After the coronation dinner, the court is dismissed and you find yourself to be one of the last remaining patrons as guests trickle out into the adjacent hallways and disperse through the rest of the castle. You deliberately hang back, watching your father, Cambridge, Phillipa, and William slip through the doors, slowing your step so that Hal can catch sight of you.

“Lady Grey,” you hear. His voice is galant, hushed with that same temptation of seductive promise. With your back still facing him, you can’t help but smirk.

You feign surprise and turn.

“Yes, my lord?”

Hal beckons to where he stands by the fireside. You gather your skirts and join him in the welcoming nimbus of light and warmth. When you bend to curtesy, his fingers find your chin, tilting your eyes to his own and forcing you to rise to your feet.

“None of that is necessary, my dear,” he whispers. He keeps your face cradled between thumb and forefinger, a delicate pressure, one that makes you feel precious as he holds you close. “Tell me, did you enjoy tonight?”

“Immensely.” You smile. Indeed, you have. The Dauphin might as well have spoken on your own behalf.

Hal hums, pleased. His thumb brushes the corner of your mouth, then eases in between the petals of your pink lips. You purse them ever so slightly and watch his self-control start to simmer. The candles burn low around the two of you, the only source of light emanating from the hearth itself. You are reminded of how the shadows flickered on the planes of his face the night of the wedding. Now, you see the same shadows again, but as king.

“I want you to have something.” He says finally.

He looks reluctant to break his touch from you, but you see his hand disappear within the folds of his robes. He then produces a glittering pendant with a golden chain, a necklace that looks ablaze.

Amber, you realize.

The surprise that crosses your features is genuine. Baltic amber set into teardrop sterling silver and gold, a gift from Rupert of the Palatinate and the kingdom of Germany. An extraordinary piece.

Hal’s hand finds your waist and you turn to offer him your bare neck, pulse pounding. You have no say, no power to even deny this token of affection.

His caresses against your skin as he fastens the chain are soft and featherlike and you can feel his breath on the top of your spine. The pendant is heavy, rich with precious stone and gilded metal, settling between the valley of your breasts. It feels cold, but shines like an inferno.

He lingers, tracing your shoulders when his mouth presses to your ear.

“Turn. Let me look at you properly.”

When you do, the weight of Germany itself, of foreign and fallen kingdoms and countries, conquered and pillaged and burned, simultaneously settles between the tender skin of your sternum.

Hal’s eyes cloud with dark delight when he sees the flaming amber. He takes your chin back in hand, angling your face every which way, studying how the firelight glints off the pendant with a sensual curiosity.

“Beautiful.” He murmurs.

Your body begins to react on its own accord, chest rising and falling with faster breaths, your cheeks blooming.

“I thank you, my lord.”

Still cradling your jaw, he brings himself closer with only a whisper between the two of you. His crimson robes seem to swallow you completely, like the gaping maw of Britain’s lion, a mantle of blood. He speaks into the gap between your mouths, yet you feel every word upon your lips.

“With this gift, I expect to see you more around my court, Lady Grey. Am I understood?”

The tension he commands is unbearable. He watches you carefully, dark eyelashes fluttering. Trapped like a pinned butterfly. Then, you understand he’s waiting for a verbal response.

“Yes, my lord.”

He releases you.

The pendant suddenly feels more like a collar.

You’ve underestimated Hal. He is just as much the player as you.

You keep your promise. You see Hal daily in passing, often dressed in full regal attire as he comes from the council chambers, your father, William, and the rest of his train tailing close behind. The twinkle in his eye when he sees you is discreet, reserved only for you. The amber pendant remains fastened around your neck at all hours of the day, even while you sleep and bathe, like fire and ice between your breasts. A piece of Hal always with you.

The two of you are a queer, twisted pair of sweethearts. You’ve yet to be fully intimate since that wedding night, but the pressure that ripples with every fleeting glance, every grazing touch of lips and skin is enough to prove your attraction for each other. Or rather, the attraction to the game.

You keep Hal on his toes, never fully give in even when he invites you out for evening strolls in the palace gardens and the safety of darkness envelops you both. It is your nightly ritual to walk the grounds together amongst hushed breezes and chirping crickets, you as a means to unwind before bed, and a way for Hal to clear his mind of the day’s tolling demands.

And tolling they are. Despite his bravado, he is easily irritable, tense. You listen when he speaks to you plainly about his frustrations for the court and archbishop, how they all expect from him the same swift retaliation of his father.

You find Hal’s consciousness of this want to break tyranny quite curious. Sons are typical to idolize their fathers and see past faults. It is why you know how cruel kingship has endured in Britain for generations; learned behaviors become expected and change more difficult. You’ve even seen that same behavior in your own brother.

And Hal’s trust in disclosing even this to you is telling. The thread to unravel the boy king.

Tonight, you dare to pull at it, heighten your girlish wiles and offer him a lingering kiss and soft words. You tell him that Christendom is damned and tease that it’s his own fault his council is made up entirely of old, graying men, your father included, when he could have anyone else.

Hal’s spirits seem to lift a little with a ghost of a smile, understanding you perfectly as his arm snakes around your waist. He pulls you into a secluded labyrinth and settles into the stone seat of a fountain, pulls you atop his lap. The kiss he returns is fierce.

Without the burn of alcohol to subdue your senses, every touch is intensified tenfold. Hal feels it too, his breath coming ragged as he breaks the kiss to mouth down the skin of your neck, the dip of your collarbone, your chest. His hands wander beneath your skirts.

“It is only polite that I return the favor..” You hear him say.

Your mind is reeling. You knew this moment would eventually come, yet you feel ill-prepared when his fingers brush your core, his other hand gripping the back of your neck. You gasp, finding his lips in another tangled kiss, straddle him completely.

It’s strange, exhilarating to be on the receiving end of your little game.

If you are to truly break Hal, you are to first make him believe that he holds any sort of power over you, to reverse that dynamic you had set the night of your brother’s wedding.

You are to let him touch you.

And like the flaming sword of Raphael, Hal’s pendant, it is time to finally draw upon your fire.

You hate how good Hal is at this. He knows just where to caress inside you, the right amount of pressure, the weak spots at your throat and just below your ear. Your competitiveness takes over and you push him back against the fountain, start to circle your hips, grind yourself down on his hand and grip at the rich fabric of his tunic to better anchor yourself.

His eyes pool with lust with every sigh from your lips, watching you closely. He rolls his thumb, picks up the tempo of his fingers, relishing the sight of you slowly falling apart on top of him.

But it isn’t enough. You lean in and wrap your arms around his neck. He responds in tandem, gathering you close as you rock against him, the friction of his thighs sending you closer and closer to that threshold of pleasure.

“Please..I need t-to…” you whisper into his neck, into his mouth.

Words of magic. Hal’s expression flares with masculine pride, the delight of pleasing a woman.

The last of the day’s golden hour spills over you both in glowing, peached splendor and with the sound of the fountain’s rushing water as your only witness, you muffle your final moan with a desperate kiss, bliss pulsing behind your eyelids. Hal keeps his fingers where they are, coaxing the last waves of your orgasm out of you, cradling your chin with his other hand as his lips part yours, slipping tongue as you come floating back down to earth.

You’re dazed, flushed, lazily kissing when he removes his fingers. Slick when you suck them into your mouth and taste yourself. The velvet of your tongue makes him shiver.

“Now, what ever are we going to do about your council, my lord?” You murmur once you catch your breath. You gently kiss his fingertips.

Hal only smirks and pulls you to him.

Your plan begins to take motion. With each passing month, you worm your way deeper into Hal’s heart with honeyed words and empty promises. He confides in you more and more as he grows wary of his councilmen, trusting only the pretty face he sees in the privacy of his bedchamber each night. Graced against silk pillows.

You sense the crushing pressure upon him, his own doubts and fears. You slowly leech away his magnetism, his charisma, and take it for yourself. His eyes dim, harden with resolve. Gone is the assurance for peace. Hal instead grows cold, timid, questioning his every move.

You only burn brighter.

There is talk that a French assassin has breached the castle.

You hear the conversation for yourself when your father and William are called down to the dungeons, hear Hal speaking directly to this assassin as you linger at the top of the stone staircase.

“Qui êtes vous?”

“J'ai été envoyé par le roi de France pour vous assassiner.”

Hal’s voice is cool, calm as he pries for details. The assassin’s responses are noticeably vague. You infer it to be out of his own self interest.

Then, nothing. Days go by with no direct action from Hal.

You grind your teeth. War with France would be the perfect fruition of your schemes, the final act in a tragedy deemed to be an epic of British monarchy. War with France would show Europe and the rest of the world the extortion and murder of the English crown; not that these neighboring countries needed such a reminder. But England and her king have been blind for too long.

Previous attempts at quelling war had caused Percy Hotspur to rebel, Prince Thomas of Lancaster to push on and die alone on foreign soil.

Is Hal not trying to prove himself in this same way? Proving he is not like his father? Just as Thomas had wished for his peers to see him as a commander and better equipped to bear the crown despite being the youngest son, is Hal not guilty of this same charge of public approval?

And having the privilege to sit idly atop a throne amidst all this makes your blood boil. Idleness is instability, you’ve learned this years ago.

You will be the one to push Hal to war.

You are sewing one afternoon in an empty chamber when the strained voices of your father, Cambridge, and William reach your ears. Hushed and argumentative, it draws you to your feet, possesses you to lean against the frame of the door and just out of sight.

You hear the disgust in your father’s tone when he speaks of the king. The weakness in forgiving France, the lunacy of Hal’s ascension. It amazes you, grips you tight at hearing such passion and loathing; you’ve never heard your father speak this way about anyone, let alone the head of England’s monarchy. Slander and defamation carry swift punishment.

You learn that he and Cambridge have been approached by French agents. The three men debate quietly as you stand against the door, nearly panting. A coup d'etat? The idea excites you more than it should. But you perish the thought quickly before you can get ahead of yourself.

Why only approach the two of them? Surely to turn England’s people against their ruler, a greater number of conspirators would prove to be more efficient? You know distrust is not uncommon among Hal’s council, so possible traitors would not be hard to find.

This approach means your father and Cambridge have been judged weak in character by the French. Insecure, lacking, most likely to bend at the knee for candied prospects in exchange for loyalty.

And now as you eavesdrop on your own father, you know Lord Grey does not have faith behind his king and is too afraid to do anything with it. You know that if you had not gathered this knowledge for yourself, you would never have been told so, unseen as all women are expected to be.

These French agents and councilmen think they hold all power with their debates and their meetings in private, oblivious to the fact that it is women who move the world. Women like you, wielding their very sex to push these men as pawns.

Are men not born into this world by women? Do men not seek a woman’s tender embrace for love and comfort and to carry on long, unbroken lineages of royal blood?

Your own father, as all his peers, are blind to the influence you bear over Hal. Even Hal himself.

You find yourself in the king’s private quarters one cold night, sitting in front of the hearth and watching the crackling, shimmering flames that warm the room. The soft silence is comforting to you as you sit bathed in orange glow, wrapped in furs and waiting for Hal’s return.

Your mind wanders. You think of the French assassin still held captive in the dungeons beneath your feet, how the man had been granted asylum in exchange for a confession.

“Quel était le l'ordre?”

“Que je devrais tuer le roi d'Angleterre.”

And with the French approaching Cambridge and your father, it is certain, undeniable that tension is thick and stakes high for all of England.

You are standing on the very brink of war, standing flush at the edge of a swallowing cliffside with dragging winds and dark, inky waters swirling beneath you down below. Waiting to embrace you, like the jagged shores of St Kilda, the northern shores of Scotland. Calling you home like a siren’s song.

And Hal only needs one final pull before you both fall together.

The chamber door opens and the king steps inside. His presence is stormy, like a cold wind blowing into the room.

He’s dressed handsomely in a navy tunic and dress shirt, a mantle that drapes over his burdened shoulders. Yet, his hair is mussed and disheveled and you can see the tightness around his eyes. His once youthful glow now gone, but a sharpness to him that you think resembles a pike; diligent, wary, and still capable of hurting you if you’re not careful.

You pretend to quickly wipe away tears before you stand to greet him. Hal sees this and his brows draw together in concern, further contorting his expression into one of pain. He comes to the fireside.

“Good evening, my king,” you say as he takes your hands.

“What upsets you so?” he asks you directly. His voice is strained, sets your pulse aflutter more than it should. You give a small, breathless smile, a shake of your head.

“Nothing of your concern, just innocuous thoughts, my lord. Let us go to bed.”

But you do not move in the direction of the luxurious canopied bed, one you have grown intimately familiar with. You stay exactly where you are and let Hal’s mind race.

His fingers grip your chin and when you meet his eyes, they’re bold and smoldering, the first touch of life in them you’ve seen for sometime. His grasp is strong and a muscle ticks in his jaw.

“Speak freely to me. Please,” he whispers. “Of all people. My dear, speak true.” The last word falls like a plea from his lips. You suppose it is one as he pulls you closer. A boy desperate for truth, constricted and poisoned by a council of vipers.

Unknowingly turning to the girl with the pretty mouth as she pours poison into his ear.

At this, you bite your lips and summon tears that spill forth, pool your vision. You let the familiar sensations take over, the shortness of breath, the depleted posture, and pretty soon you’re trembling, weeping in Hal’s arms.

“This assassin. It frightens me,” you say finally, broken. “If he had fulfilled his order and taken you from me, left me here all alone…oh, Hal. I’m so afraid.”

His thumb circles your cheek, silent. You sense that dangerous cocktail of anger and darkness simmering just beneath his skin. Anger at the world, anger reserved for his dead father.

“France means to have you killed, Hal. Then what of us?”

Us? England?

Tears drip down your neck and onto your rising chest. Where you’ve left the first clasp of your blouse carefully unbuttoned. You press yourself to him ever so slightly, look up through tear-soaked eyelashes and embered iresis.

“Then what of me?” you whisper.

Hal’s lips are crushing against yours. You feel every ounce of his anguish, every bit of tension wound tight in his frame, every doubt, every fear. You feel the restraint as he cradles the back of your neck, his other hand finding your waist as he pushes you flush against him. The dichotomy to feel love, to feel comfort and safety and to relieve and dispel just a hint of the pressure building inside him. The dichotomy to conquer, the urge to channel this animosity in a way he must be familiar, to ravish you completely.

With your bosom rising and falling so sweetly, eyes glittering with tears, looking almost divine with firelight circling the shine of your hair in a golden halo, you watch Hal’s walls collapse. You let him succumb to that mirage of safety and warmth, to ease his conscience. You will both get what you want, eventually.

You break apart to kiss the line of his throat, his pulsepoint, where you know he’s weakest. Hal gasps as you thread your fingers through his curls, bring your lips to his ear in a soft lull.

“May I have you tonight, my king? Completely?”

His response is immediate, yet wordless when he tilts back his head and feels your mouth against his jugular, the hand at your waist tightening.

At last, you lead him to the bed with the intent of christening it.

He pulls you atop him, helps you unthread the bodice of your nightgown. Despite the blazing fire behind you, the air chills your shoulders, your chest as you slowly expose more and more skin, finally letting the thin fabric pool around your waist. The feel of his bare hands cupping your body fuels you, act as your catalyst. Soft, firm.

The amber necklace swings like a golden pendulum when you stoop to kiss him again, his fingers ghosting over the skin of your back. Hal’s desires are plainly stated as you feel him harden against your inner thigh.

There is no time for coy deception tonight. You make quick work of his tunic, leave his trousers and instead unfasten and pull him through, positioning where he wants you most. Hal is already nearly panting.

You arch as he settles inside you, a biting stretch that has both of you sighing when you bury yourself into the crook of his neck. Something long-awaited. You stomach the discomforting pressure and set a rhythm, one that has Hal cursing into your hair.

“You must protect the women of England, my lord,” you whisper. “Who will do so if you are gone?” You punctuate your point with a well-timed swivel of your hips and Hal moans low and guttural. “Your wives and children. Can you protect me?”

Hal’s arms wrap around you, nearly choking on pleasure. “I will. Anything for you. Please...”

Unseen by him, you grin. You can practically hear the crashing ocean waves, to feel the quench of water at long last! You think you could make him do anything in this moment with how enthralled he is in bliss.

You sit back and Hal’s hands glide over the smooth expanse of your stomach, watching his eyes grow dark, the amber pendant swinging between the two of you. The discomfort in your belly is gone and you start to mirror Hal’s pleasure, head falling back, sighs growing louder.

And as the two of you finally fall from the cliffside and towards the waiting waters, Hal gives a soft cry, vision rolling and you feel his heat spill onto your inner thigh. You kiss him until the strength drains from his body, a true succubus as Hal at last descends into sleep, relaxed.

You have the king’s word.

You awaken the next morning to find the bed empty and cold. Surprised, you dress alone and return to your chambers to call for your breakfast. When you send for your father to share his company, the servant returns and tells you Lord Grey is currently engaged and his presence cannot be requested.

“A meeting, you mean?” You ask the servant rather crossly. Why must everyone speak to you in riddles? You obviously did not sleep much the night before and had trouble long after Hal had finished, like a slumbering babe beside you. Typical.

Your mood sours further in that you won’t be able to share this meal with your father. You despise spending mornings in solitude. It seems like it’s been ages since you’ve last seen each other in private, with no councilmen lurking about.

“No, my lady,” the servant stammers slightly, the words stumbling out of his mouth. “Lord Grey is condemned and is forbidden from taking meals before tomorrow morning.”

“What?” You growl at his vagueness. Your anger and irritation rise hot and fast and you’re tempted to hurl the glass cup of strawberries at this blubbering young fool.

“Lord Grey and Cambridge await execution tomorrow morning for treason, by order of the king.”

Your world stops. You send the servant away with a ghost of a whisper.

When the door snaps shut, you laugh mournfully. So the gossip had come to naught. Hal had indeed kept his word. Your stomach turns in nausea. Food is suddenly the last thing on your mind.

You rush to your writing desk, overturning bottles of ink, hands shaking when you retrieve quill and parchment, attempt to pen a desperate letter to Callum with a fevered hand. But before you can draft a single sentence, your blood turns cold.

You have not heard from your brother, from Isabelle in weeks. Have your worst fears already come true?

Glass and fruit explode against the far wall.

You tear out of the room like a bloodied banshee in search of Hal, fingers tinted crimson from cut glass and mashed berries.

And if thy right hand offend thee, cut it off, and

cast it from thee: for it is profitable for thee

that one of thy members should perish, and not

that thy whole body should be cast into hell.

One of Miss Hunt’s chosen passages from the book of Matthew comes crashing into your mind. You are like Eve, you think. Bearing the burden of Original Sin with lust and curiosity. You have tasted the fruit and have seen the evils of mankind. Never in your wildest dreams could you have imagined your plan backfiring so horribly.

Now, hellfire awaits your father, for you when you draw your final breath your last day on this earth. Suddenly seeming to loom that much closer.

You approach Hal like Samuel’s ghost did to King Saul on the eve of war, the Philistines instead of the French. Interchangeable, cycles of warfare that have dawned for milenia and will continue until the end of time.

He looks terrifying, colder and more severe than you’ve ever seen, outfitted in those horrible blood red robes that one coronation dinner long ago you had once thought he looked becoming.

You know with one wrong word you could be joining the two men to die at first light. Your mind races.

“My lord, to think my own father had been plotting against you sickens me,” you speak slowly. The sentence stings like venom in your mouth, damning your father. Hellfire burns brighter. But it is the only way you can protect yourself. Your grisly appearance, your quick breaths, it is all to sell your story. “May I accompany you tomorrow morning as witness?”

Hal’s lips twist into a hint of a smile, the shadow of his former self. “Of course, my dear. Lord Grey may have failed his fatherly duties as protector, but I will not.”

And so, with your hands wrapped in fresh bandages and stitchings, you stand in a courtyard with wind whipping around you, the only Christian woman among councilmen and knights as you watch your father lay his head upon the chopping block. His hair has been shaved off to ensure the killing blow will be swift and true. Shivering, pale, and damp with sweat, he looks like a ghost. Soon, he will be one. You want him to see you in these final moments, for him to know that you will utterly destroy this king, but you cannot risk the danger.

Like the coronation, Latin prayers are recited, only this time they are prayers for your father and father-in-law to find peace in the afterlife. The last time you, Hal, Cambridge, and your father had shared company like this had been at the wedding. You know now that Callum and Isabel are truly dead. In the blink of an eye, Hal has slaughtered your entire family.

Weary, resilient Scotland.

You do not cry. You must show your loyalty.

“Requiescat in pace.”

Weak, fragile as Lord Grey starts to whimper aloud. No daughter should see their father, their protector through girlhood, like this.

The axe glimmers in the sunlight and is brought down with deadly precision. Your father’s head rolls grotesquely off of his shoulders in a wet gurgle. His body is shoved aside and Cambridge is pushed onto the block next, now slick with fresh blood.

Neither you nor Hal flinch.

You are now fatherless, Hal, kinless when you enter the neighboring chapel alone. You sit in the first pew respectfully, head bowed as Hal crosses himself and kneels before the altar. With his back to you, you study the firm line of his spine, his clasped hands with the beaded rosary held firmly between. Unmoving, statuesque. He prays for a long time.

Thou shalt not kill.

You wonder if God is so forgiving.

The images of angels, of Mary and Joseph and flawless purity are what drive you to march up to Hal and kiss him hard. He hums in surprise, brows furrowed, the pressure behind his mouth mirroring yours when you grip the back of his head.

You want to kill him the same way he had murdered your father. But you settle with digging your fingers into the back of his neck and relishing in the way he hisses against your lips. You fumble blindly with the fastening of his trousers.

“What are you doing?” he growls.

“Shut up.” You bite back.

You��ve never been afraid of Hal before today, you’ve had no reason to be. You’ve been so careful to build the reputation and the facade he sees, using words and sex to push him like the chesspiece you had thought him to be. And he’d pushed right back.

You want to hurt him in the only way you can.

He cries out when you suck him into your mouth with teeth and harsh pressure. You’re anything but gentle, taking him as far as you can so that you’re choking and Hal is grunting and pulling at your hair and the lewd sounds of your lips and tongue echo to the tops of the vaulted ceiling.

You’ve both lost family today. You are both selfish and full of quiet rage. The consequence of Hal’s choice is evident in how hard and wet you mold your mouth around him, how his hand tightens and pushes you farther down, wordlessly ordering you to finish him off in this holy church.

Like Christ Himself with bandaged hands, you twist and work at whatever you cannot fit between your lips. His hips snap forward, tears collecting at the corners of your eyes with burning throat, your scalp stinging from where he yanks back your hair, your linen caul disheveled. Saliva dribbles out of your mouth.

When his moans grow high and desperate, you take him out of your mouth and Hal’s release splatters white on the skin of your cheek, mouth still agape. He slumps forward on his knees, panting, as if still in prayer. The rosary dangles between his fingers.

Thou shalt not commit adultery.

The cross looms before you, silhouetted by candlelight. It is too much and you turn away.

If the change in Hal’s nature had not already been felt by all, it is seen in his dress. No longer does he donn the regalia of red cape and sceptre, but dark tunics and jackets that fit snug over the expanse of his chest. No more are the billowing robes, now replaced with tight military clothing and jackboots. A captain preparing for battle.

Hal recruits John Falstaff and countless other marshals for his campaign. It’s truly happening, you think. France will soon feel the wrath of England as your homeland and countless other countries have.

The amber necklace sparkles.

Tomorrow, Hal sets sail across the English Channel. Another crusade to add to the Hundred Years’ War. You wonder if French women are just as lustrous as the rumors suggest.

This is the last night you will be together like this for some time. The thought of Hal with another woman makes you quicken the hand you have around him and he gasps into your chest, spilling onto your thigh like that wedding night centuries ago. You’ve already made love countless times tonight, your bodies fitting together because it is only natural for two corrupt souls to find solace in the other.

Masquerading with voice and poise. A boy from Eastcheap and a Scottish girl.

As Hal shudders against you, kissing your throat and twining his fingers into your hair, he tells you he loves you.

You think you may love him too, in that twisted way of how fire craves oxygen. You need each other to fuel chaos.

You understand better than anyone the burden of a child forced to grow up, the weight of decisions and the toll it takes. Only the strong can endure such hardship, only the strong can triumph and come out on top. It has been so forever, a law as old as the world.

The speed at which Hal is already hard again makes you chuckle darkly. He pins you to the bed, hovering, eyes bearing into you before he enters you just the same.

“You were made to be beneath me,” he rasps, gripping your face with a single hand. His eyes glitter in the low light. The double entendre of his words make you rake your fingernails down his back in angry lines of red. He sucks a bite into the skin of your collarbone.

You know that when Hal returns from France, he will no longer be yours. He will be changed, most likely to marry a foreign princess to ensure peace. You think of Isabel and how she had evidently been the one to put you in this position of status, how a marriage is a man’s means to gain power. A law as old as the world.

Do you want him to be yours? The same way the English crown has raped and pillaged for the thrill of conquering the barbaric? A trophy? A prized kill? Still, the thought makes you bitter.

You say you love him back when he finds the spot below your ear, pushes your legs apart to drive into you that much harder.

There’s a bit of you that prays he will be victorious, that he will return to England and be yours again. But even if your paths do not cross in the future, you know you will see him again where the flames grow hot. Be that in his chambers or down below.

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