#rouge 1987

[isabelleadjani]

ROUGE dir. Stanley Kwan, 1987

[beautifultimes-beautifulplaces]

Rouge 胭脂扣 (1987); dir. Stanley Kwan

[dailylesliec]

[TRANSLATION] Art and Piece Issue 16 - Stanley Kwan about Leslie Cheung

“Seeing Leslie with my own eyes made me realise there really are some guys in this world who are truly beautiful.”

BORN ELEGANT AND FLAMBOYANT TO THE END

Stanley Kwan - Director of "Rouge"

I am Stanley Kwan. I directed the film “Rouge, " where Gor- gor and Mui Jeh (Anita) starred. I really miss having these old friends around - just watching their movies or listening to their music brings all the memories back. Leslie and Anita both had their Unique Elegance and were a perfect match for Rouge. I saw Leslie’s most beautiful side, and at the same time bore witness to the trembling of his two hands.

I first worked with Gor-gor in “Nomad” directed by Patrick Tam. I was the assistant director. Seeing Leslie with my own eyes made me realise there really are some guys in this world who are truly beautiful. I was initially not attached to “Rouge” - Golden Harvest had initially set Terry Tong as the director and even the cast had been finalised, with the actors being Anita, Adam Cheng, Andy Lau and Cherie Chung. But the script took too much time, and Director Tong had other projects to attend to. Excluding Anita, the whole cast left one by one as well, and I took over the film. I thought long and hard about who could play Master Twelve. At the time Ekin Cheng was just starting out. After seeing him work with Lawrence Ng, I wondered if I should cast Lawrence for the role. Ah Mui saw me struggling and suggested, “What if I tell Mr Ho (TN: the film producer & founder of Golden Harvest) that I’ll do a movie for Cinema City in exchange for Leslie doing this film?”

Leslie was very creative. As an example, he and Anita were really close, so in a scene where they were smoking opium, he put his hand on her chest. He knew she wouldn’t object or say anything, and she too thought that was what the scene needed. I could feel the tacit understanding between the two of them - it was easy to see working on “Rouge”, and I found that they didn’t even need to discuss much. In 2001, I began work on a film titled “Scenery Against the Light”. Both Leslie and Anita expressed their interest in the story and contents of the film, but I’ve never been efficient in working on scripts. By 2002 when I reached out to both of them again, they both had their own issues even before the script was ready. I was shocked.

I usually saw Leslie on occasions where a few of us were doing a gathering at his house or an event arranged by Florence, but we’d always talk. We had a lot in common to talk about, not necessarily deeply personal things like family, but we talked a lot about our personal feelings and thoughts about living, including our careers: Leslie also “suffered” a lot to get to where he was in his career. The first time I found out about his hands trembling was at a dinner gathering too. Originally, “Lust, Caution” was going to be directed by Edward Yang instead of Ang Lee. He thought Leslie was really suitable for the role, so I arranged a dinner gathering for him in late 2002.

The dinner was very casual and we kept talking even after the meal had ended. Leslie tucked his hands under his thighs. His whole body was trembling. He was paying attention, but his attentiveness... it was almost like he was in a trance. After Director Yang left, I asked Leslie why he was so nervous. Leslie said he wasn’t scared of Edward Yang, but I still saw his shaking hands. He never explained why.

That incident is nowhere near my most unforgettable memory of Leslie though. The most vivid picture in my mind is the scene in “Rouge” where he turns around and smiles after walking up the stairs. When I watched the playback, a voice behind me suddenly asked, “Really pretty, right?” Before I turned around, I could already tell it was Leslie’s voice. It really was very pretty - that elegant, playful feeling was really something else. He was brilliant.

His brilliance remains unchanged even throughout these 20 years. Be it Leslie or Anita, fans are still willing to see them as friends. I, too, don’t think they’re that far from us. It’s just like they went abroad to study, to live, to spend their days. When the 4K restored version of “Rouge” was broadcast in cinemas earlier, I went to go watch it again. It really feels like I didn’t film the movie thirty-something years ago. It’s like I was still filming last week.

Translated by me (@dailylesliec on Twitter/Tumblr), do not repost without credit. If you like this translation, consider following me or buying me a Ko-fi. For the formatted PDF version of this article, click here.

[neoyan]

胭脂扣 导演 关锦鹏

[sacredwhores]

Stanley Kwan - Rouge (1987)

[theersatzcowboy]

Rouge / 胭脂扣 (1987)

Love doesn’t end with death, it just transforms. Two taken-too-soon Cantopop icons (and real-life close friends) bring real intimacy to this gorgeous ghost / love story, which switches between 1930s and 1980s Hong Kong.

Director: Stanley Kwan

Cinematographer: Bill Wong

Starring: Anita Mui, Leslie Cheung, Alex Man, Irene Wan

[planetmarxshmellow]

Haven't posted in a hot minute 🐧

[aurazoo]

taking myself on a movie date

[rwpohl]

meditationen über don quijote s. 05 - 101, Ästhetik in der Straßenbahn, José Ortega y Gasset, bd. 224 "volk und welt spektrum", Verlag Volk und Welt Berlin 1987

[manderley]

Anita Mui & Leslie Cheung in Rouge (1987) -  胭脂扣

[doyoulikethissong-poll]

Queen - The Show Must Go On 1991

Innuendo is the fourteenth studio album by the British rockband Queen, released on 4 February 1991. It was the band's last album to be released in lead singer Freddie Mercury's lifetime. It reached the number 1 spot on the UK album charts for two weeks, and also peaked at number 1 in Italy, the Netherlands, Germany, and Switzerland, staying at the top for three weeks, four weeks, six weeks, and eight weeks, respectively. It was the first Queen album to go Gold in the US upon its release since The Works in 1984.

The album was recorded between March 1989 and November 1990. In the spring of 1987, Mercury had been diagnosed with AIDS, although he kept his illness a secret from the public and denied numerous media reports that he was seriously ill. The band and producers were aiming for a November or December release date in order to catch the crucial Christmas market, but Mercury's declining health meant that the release of the album did not take place until February. Nine months after the album was released, Mercury died of AIDS-derived bronchopneumonia.

"The Show Must Go On" was written by Brian May, based on a chord sequence he had been working on. May decided to use the sequence, and both he and Mercury decided the theme of the lyrics and wrote the first verse together. From then on May finished the lyrics, completed the vocal melody and wrote the bridge, inspired by Pachelbel's Canon. The song chronicles the effort of Mercury continuing to perform despite approaching the end of his life. When the band recorded the song in 1990, Mercury's condition had deteriorated to the point that May had concerns as to whether he was physically capable of singing it. May recalls; "I said, 'Fred, I don't know if this is going to be possible to sing.' And he went, 'I'll fucking do it, darling' — vodka down — and went in and killed it, completely lacerated that vocal".

The song was initially not released as a single as part of promotion for the Innuendo album, but was released in October 1991 as the band launched their Greatest Hits II album. The video for the song featured a compilation of clips from all their videos since 1982. Due to Mercury's critical health at the time of its production, a fresh appearance by the band in a video was not possible.

"The Show Must Go On" was released as a single in the UK on 14 October 1991, just six weeks before Mercury died. Following his death on 24 November 1991, the song re-entered the British charts and spent as many weeks in the top 75 (five) as it did upon its original release, initially reaching a peak of 16. In 1992, the song was released as a double A-side with "Bohemian Rhapsody" in the US and reached number 2 in the US.

It was first played live on 20 April 1992, during The Freddie Mercury Tribute Concert, performed by the three remaining members of Queen, with Elton John singing lead vocals and Black Sabbath guitarist Tony Iommi playing rhythm guitar. A different live version featuring Elton John on vocals later appeared on Queen's Greatest Hits III album.

Since its release, the song has appeared on television and film, including Moulin Rouge!.

"The Show Must Go On" received a total of 85,2% yes votes! Previous Queen polls: #29 "Mustapha"

[isabelleadjani]

ANITA MUI & LESLIE CHEUNG as Fleur & Chen-pang ROUGE dir. Stanley Kwan, 1987

[beautifultimes-beautifulplaces]

Rouge 胭脂扣 (1987); dir. Stanley Kwan

[warningsine]

I keep seeing such comments on my notes which makes me wonder: what did I miss?

"The Handmaid's Tale" draws on global histories.

Atwood was inspired by what happened:

during the Iranian Revolution (1978-1979),

in Philippines under Ferdinand Marcos,

in Germany (The Lebensborn project),

in Romania under Nicolae Ceaușescu,

in Cambodia under the Khmer Rouge,

in Stalinist Russia.

She was also inspired by what happened to Argentinean women during Jorge Rafael Videla's military dictatorship which was backed by the US.

But killing the pregnant women was a crime that even Argentina’s military men – who referred to themselves in self-aggrandising speeches as defenders of “western and Christian civilisation” – couldn’t bring themselves to commit. Instead, they kept pregnant activists alive until they gave birth, murdering them afterwards and handing their babies to childless military couples to raise as their own. It was, in a macabre sense, the military’s ultimate victory against a despised enemy they had decided to annihilate completely. It is estimated some 500 children were born under these circumstances.

(x)

And what happened to Spanish women under Franco.

Known as the lost children of the Franco-era, as many as 300,000 babies are estimated to have been abducted from their mothers under General Francisco Franco, who ruled Spain from 1939-75, and in the decades after.

The theft of newborns began in the 1930’s after the Spanish Civil War as an ideological practice, stripping left-wing parents or Franco-opponents of their children as a way of ridding Marxist influence from society. But in the 1950’s, the practice expanded to poor or illegitimate families who were seen as economically or morally deficient, Agence France-Presse reports.

New mothers were often told their babies had died and the hospital had taken care of the burials. These babies were allegedly sold for adoption and involved a wide network of doctors, nurses, nuns and priests, according to AFP. The system carried on after Franco’s death in 1975 until 1987, when a new law was implemented regulating adoption.

(x)

"When I wrote 'The Handmaid's Tale', nothing went into it that had not happened in real life somewhere at some time," she said.

[talesfromthecrypts]

FAVOURITE FIRST WATCHES OF SEPTEMBER

tagged by @celine-song (yay!!)

The Substance (2024) dir. Coralie Fargeat

Dinner in America (2020) dir. Adam Rehmeier

Rouge (1987) dir. Stanley Kwan

Oddity (2024) dir. Damian McCarthy

Rebel Ridge (2024) dir. Jeremy Saulnier

The Night of the Hunted (1980) dir. Jean Rollin

tagging @meduseld, @marks-hoffman, @hellboys, @andfangs

[ezgurple]

hello!! is there a Mona Lisa in your au? shes one of my all-time favorite TMNT characters (both the 2012 and 1987 versions) and since youre my favorite TMNT artist, im super curious about what she'd look like in your style :D

yesss but no 🤨 im still not sure on how i want mona lisa to be in my au yet, and since i have no idea i cant rlly come up with one design... all i have is this old thingy and i dont rlly like it

idk wut do u guys think???? I NEED ideasss.. someone awhile back said it would be cute to make her similar to rouge the bat •_• ?? shrugz