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lu-is-not-ok · 2 years ago

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thoughts on the fourth match flame egos?

Oh baby, a triple. And a LobCorp abno as well! Let's see if I can make this one the longest out of all of them.

Also I got like three asks about this E.G.O so I probably should get to it huh.

Yeets you under the cut.

Alright, let's start by talking about Scorched Girl. This is an Abnormality all the way back from Lobotomy Corporation, and one which reappeared in Library of Ruina. As such, there's some material we gotta sift through. And by we I mean me. I'm the one doing the work here.

As is fitting for an Abnormality based on the fairytale of The Little Match Girl, the main themes of this abno are innocence, abandonment, hope for a better life, and the eventual snuffing out of that hope by life's cruelty.

However, this is where LobCorp twists the tale into something else, as while all of those themes apply to Scorched Girl, there is a major addition that recontextulizes all of the above. The bitter despair that follows when one is crushed, and the want to burn everyone's else's hopes and happiness in a fit of directionless revenge against the world.

While probably not as direct when applied to the Sinners, this theme of lashing out in the face of losing hope seems important enough to keep in mind.

Now, while I don't usually look too deeply into the visual designs of the E.G.Os, as the differences are oftentimes subtle... I feel like I need to do it here, because Fourth Match Flame has this little quirk of being Project Moon's special little Advertisement E.G.O where they gave each Sinner using it a unique design.

Also, not joking when I call this the advertisement E.G.O, almost all (if not actually all) pre-release material that showed previews of E.G.Os was of the Fourth Match Flame E.G.Os.

Let's go in the order that the E.G.Os were unlocked on the Battle Pass, shall we?

When Rodya uses Fourth Match Flame, her outfit turns into what I can best describe as a ballroom dress wreathed in flames, complete with matching tall gloves made of ash. It gives off this idea of opulence, of fancy balls that only the rich are invited to. Applying Scorched Girl's theme of a hope for a better life here, this could signify that this is the kind of life Rodya deeply wishes for. One where money isn't an issue, where she and her neighbours can live comfortably without worrying when their next meal will be.

Yi Sang's Fourth Match Flame puts him in a labcoat, specifically the kind of getup you'd see Ayin in, and if you're past Canto IV, Sang Yi as well. Funny Yi Sang Ayin comparison memes aside, I think Canto IV really helps apply this to the theme of hope for a better life. Because that is the kind of life Yi Sang wishes for. One where he can simply research for no other purpose than the joy it brings him. The fact that his outfit here specifically mimics Sang Yi's, aka the version of himself that Yi Sang views as perfect, further adds to that idea.

Finally, we have Ryoshu, the one we know the least about out of the three, and the one I can tell the least about from her Fourth Match Flame outfit. The best way I can describe it is... that it feels soft. Warm. There's a sort of simplicity to it that gives me nostalgic and innocent vibes, but I can't exactly put it to words why. While we don't have Ryoshu's backstory yet, and thus can't pinpoint what life she's hoping for the way we could for Rodya and Yi Sang, I think those vibes alone paint a certain picture. I think Ryoshu wishes to go back to a time that she associates with warmth and softness.

If we assume that Ryoshu, just like Yoshihide in Hell Screen, had a daughter who had tragically passed... Perhaps that's what her Fourth Match Flame alludes to her wanting to go back to.

Another interesting thing to note about the appearance of the E.G.Os is a notable contrast between the background for Rodya's Fourth Match Flame, compared to that of Yi Sang and Ryoshu. For the latter, the village in the background is already burnt down. It's already smoldering and covered in ash. For Rodya however, it's in the middle of bursting into flames.

Considering how for Scorched Girl the flame on her match signifies her hope, with it running out meaning she no longer has any, I think this detail is important. For Yi Sang and Ryoshu, the source of their hope is already gone. We know Yi Sang's League is already gone, and we can assume that is also the case for Ryoshu's daughter. Rodya, however? She still has hope to fight for. Though many of her neighbors have died, there are likely those who still survived. Those who still need her help. Those who she can share that better life she wishes for with.

Now, let's look at the Sins, genuinely my favorite part of the analysis I think.

All of the Fourth Match Flame E.G.Os are Wrath damage, Wrath being the Sin associated with actions done out of self-rightousness and defiance. It's the sin of deciding things need to change simply because you want them to. This, of course, applies to Scorched Girl on many levels.

The two most important ways Scorched Girl ties back to the concept of Limbus's idea of Wrath are both in its potrayal of hope. The idea of acting on your hope for a better life, to refuse what you currently have because you wish for something better, and the following lashing out at everyone else when that hope is snuffed out, as you believe that nobody deserves happiness if you can't have it.

As for the Sin requirements... Hoo boy there's a lot. All three of the Fourth Match Flame users require Wrath, with Ryoshu and Rodya both requiring Pride, and the latter also needing a bit of Envy. Yi Sang, on the other hand, requires Sloth and Gluttony instead.

Strap in lads, I got a lot to analyze.

Wrath is, of course, the most important ingredient to all of this. To be able to use Fourth Match Flame in the first place, one needs the self-rightousness and/or defiance to say that their hopes Do Matter, or that everyone else's Do Not.

Rodya is very clearly applying Wrath in the first way, her actions of lashing out against injustice being perfectly summarized by her murdering the pawnbroker. Defying how the Yurodiviye wanted to change the world, and instead taking the matters into her own hands, trying to make her wishes into reality herself.

Ryoshu is a little bit harder to tell, but I think it might be the latter way. While her current obsession with violence in the from of art could have developed for multiple reasons, it's likely that the despair she felt after losing her daughter was at least one of them. Having lost her own hope, she decided to tear down the delusional hopes of everyone else around her, revealing to them just how cruel and ugly the reality truly is through her art.

Yi Sang's case seems quite interesting to me. I think the fact that his Fourth Match Flame E.G.O requires the most Wrath out of all of them is no coincidence. After All, Yi Sang is the most passive out of these three, and he struggled to properly stand up for himself. However, Canto IV shows us that once Yi Sang's truly had enough, he Has Had Enough. In this way, I think this E.G.O represents Yi Sang's boiling point. The moment his quiet seething at his horrible situation finally drowns out his hopelessness and lets him lash out, if only for a brief moment.

Let's move on to Rodya and Ryoshu's Pride requirement. Pride as a Sin represents actions done purely for their benefits, with their negative consequences being ignored. This I think describes how both Rodya and Ryoshu lash out perfectly.

Rodya's act of murdering the pawnbroker and aligning reality with her hopes is done purely because of the perceived immediate benefit of it. To take the pawnbroker's money, to free her neighbourhood of the pawnbroker's reign. However, in doing so Rodya overlooks the consequences of killing off a member of the Middle's family, leading to even more harm being brought to those she wished to help.

Ryoshu's Pride presents slightly differently, but still is just as obvious. Her art has the main purpose of tearing down the delusional hopes of others and exposing the gruesomeness of reality, something that Ryoshu seems to actively strive for. However, in the process of doing so, Ryoshu neglects to care for the harm she inflicts on the way. She doesn't care how many people she has to hurt or kill in the process, the purpose of her art always outweighs the losses to her.

I think the inclusion of Envy as Rodya's Sin requirement for Fourth Match Flame further helps contextualize her actions. Envy represents actions done in reaction to other people and their actions. Rodya's attempt at aligning reality with her wish for a better life isn't motivated purely by herself, but it's also a reaction to the people around her. It's a reaction to the pawnbroker's selfish greed. It's a reaction to Sonya and the Yurodiviye's apathetic inaction. And of course, it's a reaction to the suffering her neighbours have been going through.

Now, time to look at our special boy Yi Sang, who decided to have two Sin requirements that don't match the rest of the Fourth Match Flame users. For a good reason too, as he stands out as the odd one out in this line up.

Yi Sang's Sloth requirement is easy to understand, with just how much it applies to him. Sloth represents inaction and actions done out of apathy. Sloth is also unique in how it interacts with Wrath, as the inclusion of one will recontextualize the other. In this case, it paints Yi Sang's defiance as somewhat hollow. It gives off the feeling that, despite lashing out, Yi Sang still believes that it won't matter in the end. His actions of tearing things down are still dripping with hopelessness.

Then, there's the Gluttony requirement. The thing with Gluttony is that Limbus provides two equally as important interpretations of it - actions fueled by the neverending wish for More, or actions fueled by the need for Survival. Both of those can be considered to be actions fueled by a form of Hunger.

In the case of Yi Sang, I believe the Hunger driving him is that of Survival. In reality, Yi Sang's act of hopeless defiance is a call for help. His Fourth Match Flame E.G.O represents his will to live trying to lash out at the world around him, trying to scream No, I Want Better Than This! in the face of his hopeless situation.

Just like I don't think it's a coincidence that Yi Sang needs the most Wrath out of everyone to use Fourth Match Flame, I also don't think it's a coincidence that the amount of required Sloth equals the amount of required Gluttony. It represents his constant internal struggle between his hopeless apathy and hopeful will to live.

A battle that Canto IV finally gives us the winner of.

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