#robbie ferreira

[lizzygrantisaliveandbreathing]

pamela anderson’s malibu home, 2000

[saintlopezlov3r]

Random female celebrities together💋

[anastasiaaleksievich]

Barbie in The Sims 4: create a sim custom content

Hello everyone, I recreated the outfits from the Barbie movie. This wouldn't have been possible if it weren't for the wonderful content creators ❤️ thank you for your wonderful work!!

You can download it in the gallery with my username

ID: anastasiabli

Outfit 1 (Pink dress):

Hair by @daylifesims

Pink dress by @rimings

Accessories by @rimings

Heels - Suede Pumps by @jius-sims

Outfit 2 (pink scape):

Hair Pink Escape by @daylifesims

Marigold Shirt Blouse by @marigold-sims

Emily Lace Up Heels by @backtrack-cc

Outfit 3 (Pijama):

Daphne Pyjamas by @sifix

Outfit 4:

Daisy hair by @greenllamas

Perla Outfit by @madlensims

Over The Knee Suede Boots by @jius-sims

Outfit 5 (cowgirl):

Hair WINX HAIR SET - Flora by @daylifesims

Hat by @alialsim

Cowgirl outfit by @rimings

Madlen Karolina Shoes by @madlensims

Outfit 6 (swimsuit):

Swimsuit - Summer of '59 by @ice-creamforbreakfast

Barb Hair by @ice-creamforbreakfast

Deep Blue Sunglasses by @luminescent-cc

Outfit 7:

Hair set - Sailor Girl by @daylifesims

White and blue dress by @rimings

Platforms Leather Sandals 03 by @jius-sims

Accessories by @rimings

Outfit 8:

Hair by @daylifesims

Blue dress by @rimings

Emily Lace Up Heels by @backtrack-cc

Accessories by @rimings

Makeup:

3D lashes by @miikocc

3D lashes by @dream-girl

Eyebrows by @pralinesims

Eyeliner by @anonimuxsimmer

[nfcomics]

TEEN TITANS no.42 • cover art • Khary Randolph [June 2020]

If there's no more Robin and no more Mercy Hall, does that mean no more Teen Titans? With the team in tatters after their encounter with Batman, the remaining Teen Titans attempt to pick up the pieces of their lives. Is this the end of the team?

(W) Robbie Thompson (A) Eduardo Pansica, Eber Ferreira (CA) Khary Randolph

[igurls]

summers almost over keep the spirit during the winter 🪐

[principiumindividuationis777]

Why Looks Don't Matter (Unless They Matter to You)

Writing as a straight man, I can tell you that I can be attracted to women of any hair color, any facial features, any body type. If women enjoy dolling themselves up for various aesthetics, that's all good, but for instance, I do not think there is a straight guy here (or anywhere) who would not find every one of these pics attractive:

They are dissimilar in appearance and in style, but they all attract guys. Why? Because, acting or not, they all look "thirsty" for the camera, and thus, in a guy's (or non-straight girl's) imagination, for him.

We want a woman to want us, physically and otherwise. We prefer any woman who genuinely wants our body and mind over a "hot" woman who is bored with us.

The lesson: Look however you want to look, but if you find a man you want (make sure he's the right guy, though), look at him with desire for him, and he will find you attractive for that. Take notes from these celebrities, as they know how to attract the opposite sex (or, with at least two of them, the same sex as well).

What we want is for you to love us, intimately and otherwise (including friendship), even if we might look like this...

Or like this (for instance)...

[babylaurent]

Favourite scene ever

[da5vi]

Barbie

Em Barbieland, as mulheres ocupam papéis importantíssimos na sociedade, vestem-se com muito rosa e vivem dias perfeitos, cada uma em sua casa dos sonhos e ao lado de seus respectivos Kens, homens-acessórios cujo principal propósito de existência é: fazer as Barbies felizes.

Um dia, no entanto, tudo muda na vida da Barbie Estereotípica, e ela começa a sentir o peso e a dor da existência humana. É então lhe dada a missão de ir ao mundo real encontrar sua proprietária, caso contrário algo terrível a espera: celulite.

O mundo real, no entanto, reserva situações bem diferentes da expectativa de nossa heroína -- para deleite de seu par, o Ken, que descobre a possibilidade de comportar-se fora do padrão de fábrica, levando sua releitura inocente (e danosa) do patriarcado de volta para Barbieland.

Barbie é um filme meio Metrópolis em sua "grande moral": a mensagem que fica sobre o papel das Barbies e dos Kens e dos Homens e Mulheres é a de que precisamos sim lutar para chegar a um meio-termo comum... mas que isso demora bem mais do que deveria. Além disso, vemos em primeiríssima mão como é fácil "desconquistar" direitos conseguidos com os ideais de progresso: não demora muito (e nem requer esforço) para as Barbies se tornarem submissas e "servidoras de cerveja" para os Kens.

Outro ponto importante é o conflito entre criador e criatura, pois os comportamentos da Barbie Estereotípica e seu Ken são reflexos da forma como seus donos brincam com eles. Será que toda dona de Barbie quer que sua boneca tenha um Ken? Será que ela não projeta na boneca outras aspirações?

São tantas as mensagens presentes que não me surpreende a quantidade de pessoas com opiniões e/ou visões diferente da minha sobre o mesmo filme. A que mais me impactou, no entanto, foi a ideia de que a Barbie Estereotípica prefere viver as imperfeições e os dilemas do mundo real ao invés de acordar na casa dos sonhos e viver seu dia perfeito pelo resto dos dias. Impossível não sair do cinema impactado pelo amor à vida da então ex-boneca.

Barbie é colorido, inteligente, divertido e despojado, e as atuações de Margot Robbie e Ryan Gosling estão em um nível espetacular. Destaque também para a personagem de América Ferreira e seu grande monólogo sobre o peso de ser mulher. Um grande clássico em potencial que merece o sucesso comercial que vem recebendo nas últimas semanas.

[loriane-elmuerto]

there's something funny and ironic about Tavi watching her teammates go through their flop era relationship-wise, saying "I'm not doing any of that, y'all stay safe out there tho", then turning around and catching feelings for a dude who's basically a demon from hell. Who can't even spend time with her.

[warmchrysanthemum]

Don't just leave that in the tags, it's great!

Maybe all the things you thought made you you aren’t really…you. Barbie (2023) / Fight Club (1999)

[icedancergirl]

of course yung lean is a cancer and sky ferreira and lana del rey and solange and hope sandoval and courtney love and bill withers and robin williams and beck and margot robbie and harrison ford and jean-paul sartre and anthony bourdain

[aajjks]

Tell me why the hell wasnt Margot Robbie nominated for her role in Barbie?? While Ryan Gosling and America Ferreira were nominated?? And also Greta Gerwig was not nominated for the best Director at the Oscars THATS ABSURD.

[jelly-freak]

a

AMERICA FERRERA and MARGOT ROBBIE Interview with Fandango

[didnt-hear-idsb-live-again]

America Ferreira and Margot Robbie’s dresses look SO uncomfortable like every time the camera cuts to them they are sitting in the strangest stiffest way I have ever seen

[bdzonthareel]

Barbie

When I first heard about a Barbie movie, I like many people rolled their eyes at the very thought of it. Barbie media has often (at times unfairly) lambasted for being a cash grab and that was my initial reaction, however we I heard that Margot Robbie was involved and her production company was fitting the bill, my interest was piqued. So without further ado, (and I never thought I would ever say these words) let’s talk about Barbie!

We’re introduced to the fictional world of Barbieland, where every concept of Barbie exists and lives in perfect harmony with a respective Ken, and Allan (there’s only one of him.) But the harmony is disrupted when Robbie’s Stereotypical Barbie begins to suffer from an existential crisis and in order for her to fix what’s wrong she must go to the real world and meet the girl who is playing with her and figure out what’s wrong.

In all genres of entertainment, comedy is one of those that I am insanely harsh on, as comedian myself I feel like there should be a flow to long form story, especially in comedy. But I can say that Director and co-screenwriter Greta Gerwig created a work that was heartfelt and hilarious in this film.

The cinematography is nothing short of brilliant, lots and lots of pink paint was used to bring Barbieland to life and it felt like one massive play set. And the various Real World shots were not to be out done giving off a stark contrast to each other.

The soundtrack was a delightful mix of classic top 40s, newer hits and self-aware comedic songs. The score was equally light poppy and fun, composers (pop music legend) Mark Ronson and Andrew Wyatt brought an amazing upbeat energy to this film.

Co-writer Noah Baumbach, helped with some very well-timed jokes, and you know they worked because they triggered a metric ton of incels, and that alone was worth the price of admission. Together with Gerwig, I was throughly impressed with the amount of meta commentary on display, and despite what some might lead you to believe, the film doesn’t demonize men; the film’s message is far more complex than that. I also appreciate the fact that they made the movie about the titular character, with seems to be something that franchises like Transformers can’t seem to get right.

And the performances were hilariously well done, Margot Robbie and Ryan Gossling have great chemistry as they lampoon the ideas of these characters’ roles. Simu Liu, is amazing versatile and brings the same amazing timing that he brought to Kim’s Convenience and it was delightful. Although my favorite Barbies were Issa Rei as President Barbie and Sharon Rooney as Lawyer Barbie. And I would be remised to ignore Hari Nef whose Doctor Barbie was whimsical and charming, Also since I’m madly in love with Alexandra Shipp I can say that she another of my favorite parts. America Ferreira and Ariana Greenblat served as great moral support for the various inhabitants of Barbieland and then there Will Ferrell I was almost convinced was Ken at one point given his goofball behavior. I also enjoyed seeing Rhea Pearlman as one (spoilers), she just gets better with age. Kate McKinnon really went all in as Weird Barbie as did Michael Cera as Allan (easily my favorite character in the film.) And last but certainly NOT least, Dame Hellen Mirren as the narrator brought a nice touch of her

Barbie was more than what I and many others initially expected, it was packaged as a goofball fish-out-of-water comedy which is a tired cliché in its own right, I sat down on this for a good while before writing this and I feel like its one of the best comedies I have seen in a very long time. It was very funny, but it also had a lot to say about growing up, holding on to thing that we love, and letting go of them. The biggest message that we all have to find our own way, because we are all more than just an idea and life doesn’t exist in just a straight line and at the end of the day isn’t that what it means to be human?

I give Barbie a well-deserved, 5 out of 5.

[mergingonthefreeway]

Greenpeace - Don't Stop from Samona Olanipekun on Vimeo.

This is no ordinary cover: Don’t Stop is a contemporary fable about being young in the world today. The song is a call to action for people worried about their future and the state of the planet, and a rallying cry for those who dream of a better tomorrow. Together we can stand up to the fossil fuel industry. Add your name now: act.gp/3qIN8o6

Production Company: Lammas Park @lammas_park_productions

Director - Samona Olanipekun @samona_o Exec Producers - Steve McQueen, Bona Orakwue @bonaclara7, Anna Smith Tenser @smithspanna Producer - George Telfer @gtelfs

Production Manager - Chanel Parkinson @chanellyonthetelly PA - Hannah Lockwood @hanlockwood Cast Coordinator - Beth Rubery @beth.rubery Production Runner - Tom Gimlette @tomgimlette

Researcher - Shireen Bahmanizad @shireen_bahmanizad Researcher - Conall O’Brien @conallobrien Bidding Producer - Nat Baring @natanatics Lammas Park Head of Operations - Nicholas Horne Lammas Park Production Assistant - Umashni Puvanendran

1st AD - Gabriel O’Donohue @_gabriel.odonohue_

Movement Director - Liara Barussi @liarabarussi Casting Director - Coralie Rose @coralie_blamo_rose

DOP - Annika Summerson @annisummerson Steadicam / Camera Op - Jonathan Tyler @jonotyler Focus Puller A Cam - Kate Mollins @kate__mo_ Focus Puller B Cam - Sam Ebrahim Riley @samrileyac Clapper / Loader - Sonia Rogriguez Camera Trainee - Lucas Murray Reynolds Grip - Warwick Drucker

Video Playback - Robbie Ross @rsvp.london DIT - Ben Grady @colour.grady Sound Recordist - Anthony Leung @anthonyleungsound

Gaffer - Salvador Lopez-Gomez @glofilmlighting Best Boy - Jamie Hitchens @jamiehitchens Desk Op - Noah Furrer Electricians - Charlie Lodge, Lee Madigan, Nathan Rubins Rigger - Steve Daly @steve_daly

Production Designer - Jade Adeyemi @adeyumyum Prop Buyer - Martha Howe @martha.howe, Matty Mancy @matty.mancey Led Art Assistant - Lea Otovic @leaotovic Art Dept Assistant - Isabelle Bryan, Nana-yaw Mensah @nyk_mensah, Lucia Barsegian @luciabarsegian, Daisy Alexander, Fenella Evans @fen.art_, Sofia Karavis @sofiakara

Construction by Cous De La @cousdela

SFX Supervisor - Neil Gawthrop SFX Technicians - Miguel Ferreira, Jonathan Long SFX by Machine Shop @machineshopsfx

Costume Designer - Verity May Lane @veritymaylane Costume Assistants - Amy Thompson @a_thompson, Johanna Yohannes, Ellie Rimmer @ellie_r1

Make Up Designer - Maya Man @mayamanartist Make Up Assistants - Chelsea Murphy @sculptedbychelsea, Nic Marilyn @nicmarilyn Hair Designer - Kreszend Sackey @kreszendsackey Hair Assistant - Viviane Melo @vivianemelomua

Medic - Verity Stacy

Editor - Jack Williams @__jackwilliams_ Edit House - The Assembly Rooms @the_assembly_rooms Edit Producer - Phoebe Armstrong-Beaver Sound Designer - Jack Sedgwick @snappajack Audio Post - King Lear @kinglearlondon Audio Producer - Suzy McGregor Colourist - George Kyriacou @georgekcolourist Post - Black Kite Studios @blackkitestudios VFX - Mark Stannard Colour Producer - Holly Tidwell @holly_tidwell, Jade Denne @jadedenne

Camera - Panavision @panavisionofficial Lighting - Panalux @panaluxworld Studio - Dukes Island Studios Insurance - Dan Woods at Media Insurance Brokers Accountancy - Robert Okonski & Emmanuel Lindsay at Clay GBP

Casting Assistants - Laura Meredith Additional Casting - Lauren Patterson @ Jukebox Collective Agency

CAST:

Speech Givers: Kyle Osbourne Lili Chin

Tomorrow’s Warriors: Kyle Osborne, Emily Tran, Cassius Cobbson, Shanise, David, Tami Lisa Smith

Waiters & Kitchen Staff Cameron Berryman, Izaebella Cresci, Christopher Mbaki, Jinessa Meggi, Ebony Aboagye, Oliver Manley, Kade Turner, Geddy Stringer

Party Guests: Graham Collier, Anja Kick, Philippa Casares, Noreen Goodwin, Benji Ming, Catherine Cornwall, Huma Mohyuddin, Ellie Madden, Albert Graver, Rainier Manzano, Ruby Gascoyne, Sharifa Butterfly, Haseeb ‘Chilly’ Hearn, Duran Abdullah, Mikael Rivieri, Patrick Gabco, Ellie Harlulow, Rogerio Ghesti, Katerina Bragin, Michael Ahfong, Kesiena Banye, Beverly Connel, Jeanette Maskell, Peter Wilkinson

and Featuring: Will Poulter, Fraser T Smith and Avelino

MUSIC

Written by: Christine McVie / Universal Music Publishing Group Produced by: Fraser T Smith / 70Hz Original Rap verses: Avelino Music Supervision and Consultancy: Ed Bailie and Seb Whyte / Leland Music Music Marketing: Olivia Hobbs and Clare Wright / Blackstar Agency Performed by: Future Utopia X Avelino X Tomorrow's Warriors With thanks to: House Gospel Choir, Benjamin Kwasi Burrell, Janine Irons, Fish Krish, Gabriel Starkey, Patricia Pascal

AGENCY

Creative Agency: Mother London Creative Director: James Sellick @jamessellickauthor Creative: Scott Anderson @scottanders44 Title Design: Ben McNaughton Head of Production: Anna Murray @annasedgwick Producers: Tommy Frankau @tommyfrankau, Nic Akinnibosun, Joseph Ogunmokun Epilogue: Written by Scroobius Pip in collaboration with Greenpeace, performed by Lilli Chin Special Featured Performance: Will Poulter