#robbers lyrics

[angelangelangelx]

Insta here pls follow!!!

[scenedenial]

[staticfangs]

this took way too damn long for me not to post it as soon as i decide it's finished. i'm iffy about how it came out but i wanted to practice more detailed pieces and this song really suits them so yay first official poolverine art

[fuckyeahchinesefashion]

zhang qiling (xiaoge) 张起灵 × wu xie 吴邪 from dao mu bi ji 盗墓笔记/the grave robbers’ chronicles

actors xiao yuliang and zeng shunxi

sorry for all those bl cp i’ve shipped i can only confirm these two couples are real (or were real by real i mean I think they did date yeah....

fan art by 花酒清明 hua jiu qing ming

fan art by 阿堂堂atangtang

[sorry-75]

drive like i do

[dromaeo-sauridae]

I haven't got a penny haven't got a dime

But I know how to have a good old time

I ain't got a dollar baby when I do

Gonna go and spend it all on you

(reblogs>likes!)

[tavolgisvist]

Dress Me Up As A Robber

I wrote this, I think, in the summer of 1980, possibly up in Scotland. And for some reason I just thought, ‘You could dress me up as a robber, but it’s not gonna change my feelings for you’; that was the basic thing. ‘You can dress me up as a soldier / But I wouldn’t know what for / I was the one that told you he loved you / Don’t wanna go to another war’.

(Paul McCartney about Dress Me Up as a Robber (1980/1982), The Lyrics, 2021)

See, I said [to them], “Look, the thing is, we’ve got all these advisors and all this sort of stuff. I think what would be good to do is the four of us just get a document – we don’t even have to meet for long, we just get some kind of document – and sit down and say, without even asking Klein, Eastmans, anybody, without saying to anyone, we’ll just write a little thing saying, ‘We hereby split up, and everything’s got to be shared by four,’ and then just lay it out on them. Say, ‘Here, now, sort it out.’” And I was saying that would be good. But John’s saying, “Oh, yeah, but that’s like asking us to stop the bombing in Vietnam.” What do you mean? Don’t put me – don’t call me the bloody American, I’m not the aggressor. That’s what I mean. They think I’m like – ’cause I’ve done the High Court action, ’cause I look like the aggressor, they’re sort of thinking of me in terms of America. But really, I’m Vietnam! I’m the one getting screwed, you know! I mean, they’re – I’m not… you know. We eventually decided we were all Vietnamese. [laughs] <…> They don’t believe – they don’t think what I’m saying is true. They think that I’m just pulling a fast one. Klein’s told them I’m trying to get control of the company and everything.

(Paul McCartney, Nov 1971, interview with Chris Charlesworth)

“But I keep wanting to send him postcards saying The wars over if you want it” – tell him what hes saying. Its just crazy, I'm sure the truths a whole lot more simple than it`s made out.”

(Paul McCartney, Nov 1971, interview with Steve Peacock)

I spoke to the Eastmans. I said, “If we all think he’s not going to have a tax consequence, let’s give [the indemnity] to him.”’Cause, you know, if all sides are that smart, let’s all offer it. Break the deadlock. I went to New York, feeling like the bringer of good news. I rang him up. “Hello, John, how are you? Hello, how’s the kids? Oh, great. What’s all this about publishing? Yeah, great”—laugh laugh laugh—“What about Apple?” Tense. You know, that was the unfortunate thing in the last ten years. The moment you mention the word Apple, all of us go, eeeeep! Dread and horror and shock goes through all our systems. I said, “Look, as I understand it, you need this indemnity.” John said, “Fucking indemnity. Fucking this, fucking that. You don’t need to give me fucking indemnity, you fucking—” I think we ended up just sort of swearing at each other. I said, “Fuck you, ya big cunt,” ’cause I just couldn’t handle it. I couldn’t be sweet and reasonable anymore. I was shaking for an hour after that. Of course, the funniest thing was, I then meant to ring John Eastman and say to him, “No, no, it’s not gonna work, this whole thing. I tried to do the indemnity, it’s not gonna work.” Of course, I got the phone numbers wrong. I rang John Lennon back instead. [When the phone was answered, I said,] “Hello, John? Yeah, listen, I just—oh—yeah well…” But it was Yoko this time, and then I said, “Look, I didn’t mean for it to get like that—but, shit, you know, it seems to have got…” The funny thing was, they knew I was trying to ring John Eastman immediately after, so that would have reinforced their little feelings about me double-dealing…

(Paul McCartney, 1980, in All You Need Is Love by Peter Brown and Steven Gaines)

The interviews were conducted for the book The Love You Make: An Insider’s Story of the Beatles by Peter Brown and Steven Gaines. Except for Yoko Ono’s interview, they were conducted in England and New York in the fall of 1980, just a few weeks prior to John Lennon’s death on December 8 of that year.

(Peter Brown, 2023, All You Need Is Love, Introduction)

[daily1975lyrics]

❝and when she gets his gun, he's begging, "babe, stay, stay stay, stay, stay"❞

[lakesbian]

twoodles (twig doodles) will continue until morale improves

[wh0re4the1975]

ICONIC blue shirt…

[ourdifferentscarletletters]

[angelangelangelx]

https://www.instagram.com/lunaredesigns

Follow me on insta to see more of my art 🥰

[icarian-plum]

❛❛ 𝙮𝙤𝙪 𝙡𝙤𝙤𝙠 𝙨𝙤 𝙘𝙤𝙤𝙡… ❜❜

── Robbers by The 1975; Crush by Ethel Cain

[justtakeout]

Hi, i know I requested a loooot (and thank you so much for granting all of it) but If you have time, could you please draw ShAmy with whatever you imagine, based on the lyrics "Do you think I have forgotten about you?"

It was from The 1975 entitled About you. Love you 😘

anon, just so you know that i love 1975 and thank you for reminding me to make a shamy fanart with this song! I really like thing song especially the bridge part t_t

[tayfabe75]

A Robber in The City is The 1

A video highlighting the lyrical and visual connections between Taylor Swift and The 1975's song 'Robbers'.

[sorry-75]

// i love you don’t you mind? //