#road views

[orofeaiel]

Driving along the northern Olympic Peninsula.

[ecoharbor]

📍Cappadocia, Turkey 🇹🇷

[2toonice]

Full video 5:27

[ai-dream]

[huariqueje]

Hotel - Rudi Cotroneo

Italian , b, 1982 -

Oil on canvas , 125 x 150 cm.

[rainbow280372]

[martyharrison]

Along the going to the sun road

[theminecraftbee]

Joel turns around. Martyn is standing there. His eyes are a burning red that gives Joel the heebie-jeebies. If anyone would know to be scared, it's Joel! He would! He'd recognize a mad dog if he saw one anywhere!

Anyway, all of that is to say that his high-pitched scream had been totally justified. "Oh my word Martyn what are you doing here?" he says, clutching his hand over his heart, several feet further back than he'd been thirty seconds ago.

Martyn snorts. "Is the sign not for me? Figured there was no one else it could be for."

"The what?"

"The sign."

Joel turns around. Outside his base, the other Mounders have hung a helpful banner: "SORRY EVERYONE YOU LOVE IS DEAD <3".

He'd told them it was kind of rude, hanging that up. Sort of made light of the whole thing, really. His wife and Mumbo and Jimmy had died, guys, don't be idiots about it. Bdubs had loudly told him that he was TRYING to be helpful, Joel, geez, why don't you appreciate his efforts? Pearl had shrugged and said they don't exactly make cards for this kind of thing. Joel's pretty sure they do, actually but...

Sorry everyone you love is dead. Hah.

"My wife is dead, Martyn," Joel says.

"Who, Lizzie or Jimmy?" Martyn says, weirdly dark. "Anyway, my husband's dead, so--"

"Your what?"

"Mumbo and I got married one time. Everyone forgets that for some reason."

Joel has to think about it a while. "Huh."

"Yeah. Anyway, you've still got the other Mounders, huh? Don't know what you're crying about. Thought the sign had to be for me. Thought I'd show up. Get cake. Kill some people. You know how it is."

"If there's a TNT minecart in my base, the first thing I do after I turn red is kill you," Joel says.

"That's not really how it works this time," Martyn says.

"Yeah, well, screw you," Joel says. "Also, they didn't make me any cake. I should ask them for that next. Hah. A cake."

"You know, maybe don't ask for that? Parties tend to go wrong in this game."

"And who's fault is that, huh?"

"Hey, don't look at me! Or, do. Since I'm going to kill everyone, on account of everyone I love being dead and all. Really convenient excuse for murder, that. I should use it more often, if it didn't involve the crippling grief," Martyn says.

"Oh, please. At least you tend to have people to love in the first place," Joel snaps.

"Oh, right, that is your curse, isn't it?" Martyn says. "Sorta broke it last time, but you do tend to get isolated and a bit crazy. Hey, I wonder if we're the ones who traded, actually what with the whole wolf thing."

Joel blinks. "What?"

"Oh, we're all cursed," Martyn says. "After all, They like it better that way. Hey, do you think Jimmy's curse transferred to Lizzie, got cancelled out by the fact Lizzie tends to die stupidly, or got broken? Personally, I'm thinking random fluke, when it comes to canary nonsense."

Joel stares at Martyn. His throat is dry. "What?"

Martyn stares back. "Hey, I'm the mad dog this time," Martyn says. "You probably shouldn't be the one growling."

"Well then, you should stop saying stupid shit," Joel says.

"Stupid? Please. It's obvious everyone is cursed. Nothing to be done about it but to play into the--"

"NO ONE IS BLUMIN' CURSED," Joel shouts, his vision suddenly red and blurry in a way it shouldn't be when he's still on yellow. "NO ONE IS BLUMIN' CURSED. THERE'S NO SUCH THING! YOU'RE JUST, JUST MAKIN' UP REASONS IT ISN'T ALL A TRAGEDY THAT EVERYONE I LOVE IS FUCKING DEAD, MAKING UP REASONS THAT IT--NO ONE IS CURSED! IT JUST HAPPENS! IT JUST HAPPENS! IT JUST FUCKING HAPPENS! AND WOULDN'T IT BE BLUMIN' NICE IF THERE WERE A HIGHER POWER BUT THERE ISN'T SO SHUT THE FUCK UP ABOUT CURSES!"

He's panting. Martyn is staring at him. He stares back, a snarl on his teeth, the echoes of wolves and of grief, grief, grief, grief playing at the back of his throat.

"Joel?" Martyn says, hesitant.

"My wife is fucking dead. My best friend is fucking dead. One of my new possible best friends is fucking dead. Sorry about your husband, I guess? Get out."

"Bold thing to say to the guy who can kill--"

"I SAID GET OUT!"

Martyn stares at Joel a moment longer, and Joel finds he's not scared of the madness in his eyes at all.

Martyn leaves.

Joel realizes he's crying. The tears turn into giant, ugly sobs. Sorry everyone you love is dead. Sorry everyone you love is dead. Sorry everyone you love is dead.

"I blumin' hate caring about people," he says to no one at all through choked breaths, and he kicks a rock at the banner for good measure. It pokes a little hole through it and bounces off the dick-shaped tower behind it.

"Someone really should have made both of us a blumin' cake, they should," he says next, and he sits down until Pearl runs over, having heard the shouting. His face is red and his vision is still swimming. She stares at him, gathers him in her arms, and cries with him, and for the life of him, he doesn't know if that's any better.

[oscar-out-of-a-suitcase]

São Miguel Island, Azores

[ecoharbor]

📍Anjihai Grand Canyon, Xinjiang, China 🇨🇳

[overclassy]

[hella1975]

noah kahan really said growing up in a small, bitter hometown is about the rage and the hatred that's been sung about many times before but it's also about love and devotion and the 'all three of us were drowning and we didn't know how to save each other but there was an understanding that we were all drowning together' of it all and knowing people so intimately yet not being able to help anyone and he's morally grey at best in a lot of his songs and objectively the bad guy in others and that's just how it is and it's about substance abuse and normalised crime and teen suicide and country roads and failed exams and leaving and being left and love and hate and love and hate and love and

[mollybeenoel]

Photographed by Adam Jason Jay

[eternalcalifornia]

[foxyou-too]

Stunning Symmetry and Patterns Drone Photography by Costas Spathis

[huariqueje]

Night Drive - Douglas Max Utter , 2023.

American , b, 1950 -

Oil on canvas , 24. x 30 in.