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fullonfandomindulgence · 2 years ago

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dimple is a great fucking character and i will fight anyone who says otherwise. specifically i will fight them by making them read this masterpiece client-crashing god-tackle effortpost about dimple

ive deliberately put off watching the telepathy arc episodes so i could finish this. i like tome So Much. you have no idea how much willpower it took. but it is done and its abt dimples like whole story and purpose and life and i think its a real good thing for you to read and enjoy

im so serious about this that I'm gonna capitalize and punctuate. My sorta thesis here is that Dimple's goals of manipulation are an expression of the basic act of choice that Mob Psycho 100 defines as living, but caring for Mob freaks him out because it distracts him from that purpose, and that contradiction and desperation to choose to live through control is tragically what ends him. Dimple is a friend. Strap in, motherfuckers, we're going for a ride.

Dimple's Goals (Dimpoals)

This is kinda an easy one.

I'm gonna be using images from the show and the comics but I'm not talking about anything past season three, episode six, so no worries anime-onlys. I describe all relevant visual info for each image, though there are also extra IDs in the alt text--I try not to repeat information.

Dimple wants to be a god, "the ultimate being in all creation," "the greatest power in the whole world," and "an object of devotion for all humanity." This dovetails with ideas about superiority and idealism in other parts of the comic but this post ain't about that. It's important that he never says what he'd actually do as a god. Like what is the power for? This comes up in his final confrontation with Mob, too.

Dimple claims that Psycho Helmet leads "people onto the right path," but the second Mob interrogates that he admits he has no plan, "no codex of any kind" from the comic. I don't think that's entirely true, though. Clearly Dimple doesn't care about ruling, because he doesn't actually know what he'd do with the power. But he does want to be revered--he wants positive attention!

Dimple's LOL cult is all about people laughing, and in this panel he says he chose that so he could gain a following without violence. Dimple's attempt with the divine tree is the same, he's trying to keep people the same besides their worship of the tree, make them feel happy in togetherness, help them "find peace at heart." I think there is a reading where making people happy is just a means to an end for Dimple. He for sure tries to kill Mob the first time they meet. But he doesn't have any logic for why he's not, like, using his powers to threaten people and demand tribute. He wants to become a god by making people feel good.

All this said--he's not gonna do it by being himself.

Identifying as evil

When Dimple meets Reigen he identifies himself as an evil spirit. Obviously this is sort of a joke. Like the idea that Mob's pet/mascot is actually an ancient malevolent ghost is pretty funny. But it's meaningful for Dimple's character too, so let's talk about what "evil" looks like. First, obviously the possession thing. How good is it that among all the people trying to manipulate Mob, one of them wants to literally control his every move? Second, here's a bunch of bad stuff Dimple did that Mob thinks about right after Teru tries to exorcise him:

Bro! She's like fourteen! (Dimple makes a lecherous comment about Tsubomi in this image.) He threatens Reigen, he tells Mob the body improvement club is a waste of his time, he straight up asks Mob if he can possess him... He's vindictive, pushy, mocking, and transparently manipulative.

Now to be fair lots of Mob Psycho characters are Like That. But there are some other things more specific to Dimple. Third, he tries to possess Ritsu, taking advantage of his fear of Mob. Fourth, again, the attempting-to-kill-Mob thing. Fifth, here's a bit from a recent side story:

My god. Dimple is terrifying in this. If you haven't read it, Uu is a little dog spirit that Reigen's been keeping around as a pet. Dimple notices that it's feeding on Reigen's energy so he gets rid of it. In these panels he waits until Reigen asks him where Uu is before telling him that he ate it. He has all these lines on his face and this expression of like hostile delight. There are creepy effects blobs behind him. He burps! He does a thing he knows will hurt Reigen and then rubs it in his face, acting like he takes pleasure in it. And finally from one of my favorite scenes in season 2:

I love love love this scene, when Mob is asked to exorcise the ghost family and he refuses. It takes the existing tropes in the story and introduces this like moral complexity and thoughtfulness, it communicates a change in stakes... "They won't have to exorcise you if the clients are dead." Again Dimple is smiling maliciously. He tries to manipulate ghost dad into attacking the college assholes, which is the one hand, for the purpose of getting him exorcised by Mob, which is the other hand. Harm in both directions. There is a third hand! We'll get to it.

But I want to summarize this section first: Dimple's default tool for dealing with adversity is manipulation. He, unlike, say, Reigen, is very comfortable looking like the bad guy, and to some extent he believes he is one. He wants to reach godhood by making people feel good, and he's going to do that not through bloodshed or by being a paragon of virtue but by using other people's flaws to control them.

The Living Spirit

Sorry, I want to do some more stuff before I get to the third hand.

I'd like to think I've been helpfully analytical up to this point, though probably not too novel. But I haven't seen anyone talk about this. Dimple is the liveliest dead guy in the comic, by a wide margin. He has multiple genuine relationships with people, he gets embarrassed, he gets happy, he fears things, he fully laughs. Sure in-canon this might be a proximity thing but in a narrative context I think it's significant that he's so much more of a character than other spirits. Here, in essentially his introduction as a significant character, he says, "I don't want to spend the rest of my life as a ghost!" There's also a great pun he makes in the Dark Horse translation when Reigen questions the existence of urban legend spirits--"Look, pal, just because you're a fake, don't disrespect the lived experience of the dead!" He thinks about living a lot.

Dimple comes back from apparent evaporation more than once, first when Mob exorcises him at the LOL meeting, second when Teru exorcises him in their first encounter. He really really wants to live.

Then there's the brief conversation between him and Reigen about the woman being stalked by what appears to be a spirit, but ends up being a neighbor astral-projecting himself. In this panel Dimple denies that spirits get horny. "It's not like we can do anything about it." He doesn't even think about like romantic love. So most importantly, canon aroace Dimple. But also Dimple believes that being a ghost reduces your existence. It's not even a possibility to do certain things, whether you want to or not. There's a tension here, Dimple craves life but knows that as-is he can't have it.

And then there's this six-page omake at the end of volume five. Please please read it if you can, it's not in the anime and it's such a good little story. When Dimple is almost exorcised by Teru, he only just manages to pull together an ant-sized form, and is rescued from being eaten by a pig ghost by a tiny human spirit called Stubble. The above image is an abandoned house in the woods, with Stubble, off-screen, monologuing, "I simply don't want to perish. I don't hold any grudge against this world. Neither do I have any dreams. Years have passed, without a clear goal." Stubble lives an extremely reduced existence, figuratively and literally. He rides around on the back of the ghost of flea, i.e., he is dependent on the echo of a thing that needs to latch onto something else to exist. He has no agency at all.

It's disconcerting, how Dimple starts at Stubble's size and slowly grows--or, reframed, Stubble slowly shrinks. Here Dimple accuses Stubble, "You died, even before your death. But I on the other hand..." Stubble gets angry. "You're dead too!" Again you should read the story, the way it concludes really blows me away.

Remember in the first episode of season three the S&S crew help the bald guy out of his funk, and at one point he says, "Am I doomed to just repeat these meaningless days until my death?" And then, soon after, "Wait, is my life already over?"

This is about the desperation of agency. Because like, Stubble is right. Dimple has been dead for a long time. His goal is ridiculous. His existence is scraps, yet he's clinging to them with everything he has. What's the point? Lay down alone among the insects, shrink and fade.

Dimple doesn't have a counterargument to Stubble. He doesn't justify "why." But the last sentence he says in the omake is, "I want to stay alive." Dimple, and by extension this omake, and if I may be so bold all of Mob Psycho 100, identifies agency with life. It's not even that life is about making choices, it's that life is literally the act of choosing. You have to choose to live. And Dimple does.

He likes control. He likes choice. He may not be alive but he chooses to live every day. Why? Because he has a purpose: he's going to become a god. And he's going to take Mob there with him.

The Third Hand

Are you good? You're like 1500 words in, feel free to take a break, drink some water.

Maybe you're starting to sense where this is heading. On the third hand, Dimple manipulates ghost dad to help Mob. He attempts to take away both of their autonomy in order to ease Mob's obvious distress. Let's talk about Dimple's evolving relationship with Mob.

I say this a third time, Dimple tries to kill Mob when they meet. Then, despite a positive spin on his initial pitch to Mob, he's pretty transparently evil about it.

These frames of the show are from that introduction, the first with Dimple surrounded in stars and bright colors saying "Let's shoot for the top of the world together," the second with Dimple thinking, face lit from below and body language full of menace, "I'll just wait for my chance to possess him." To be fair again, lots of Mob Psycho characters are Like That. Compare this to the first episode of season two: when Mob tells Dimple the story about Emi, Dimple, excited, assures him that they should keep sticking together so Dimple can help him out with these things. The animators even use the same image of Dimple with the stars and colors:

"Looks like you'll always need an advisor like me!" But this time he doesn't have the sinister turn he did when they first met. This is how Dimple keeps acting throughout season two. He helps Mob, apparently so that Mob trusts him so that in turn Mob can help him reach godhood. But he goes so far above and beyond without any malice: he keeps Banshomaru safe, he possesses one of the high school kids bullying Mob, he eats the curse off Reigen's back, he tries to defend Mob against fucking Toichiro.

Here's a great couple panels: after Dimple explains the deal with urban legends becoming real, he reiterates that he wants to be a god. Then Mob asks Dimple to "make sure [Banshomaru] won't get hurt," and little surprise lines come off Dimple. He agrees but says, "You gotta do me a favor sometime too." Dimple is a little struck by Mob's trust, but maybe more importantly this is the first time in a while, and I think the last time in season two, that Dimple suggests Mob do something for him. It only comes after he reiterates exactly what his purpose is. Dimple's priorities are a little unstable.

Yeah this is just a full comic page from the encounter with Mogami but it's meaningful as shit. Dimple has just suggested taking over Mob's body to protect it. The first panel is Dimple looking away and down, deflated, ashamed. A few sweat drops come down his face. He says, "but something like that..." And to his surprise (action lines, closeup, wide eyes) Mob agrees. Dimple puts on an evil affect when he responds: a horizontally squashed panel shows his backlit face. He smiles unpleasantly and laughs a little, "Kuku..." But his heart clearly isn't in it! His eyebrows are worried, not hostile. There's no pleasure in his smile. He's covered in sweatdrops, eyes wide. When Mob assures Reigen, "It'll be okay," there's another panel of Dimple where the remnants of that affect slide off him. The backlighting is still present but not as severe, the echo of that smile is on his cheek. He's openly worried and covered in sweatdrops. Mob's speech bubble covers a large portion of his face.

Points about this. First, by now Dimple has given up on possessing Mob. This thing that seemed like the main path to his goal is not an option. Second, while both Dimple and Reigen believe that this is a bad idea for Mob, Mob disagrees. Dimple identifies as evil. Reigen identifies him as evil. Mob no longer does. This is classic Shigeo Kageyama behavior, being generous to people even when no one including themselves thinks they deserve it. And the worst part for Dimple is he's starting to agree with Mob. When the option he'd dropped is handed to him on a silver platter, he finds he doesn't want to take advantage of this kid that way. He's a different person than he was.

I don't even know how relevant this is but. Look how much fucking fun Dimple has when he's possessing Mob to protect him. He's doing all these flips and kicks. His smile when he's fighting Mogami!Asagiri is so funny. He does the wildest mid-air combo I ever did see when he attacks the Claw guy as Mob.

Mob becomes such a top priority for Dimple that in the first episode of season three he realizes he forgot that he wanted to become a god. Not only that, but when he comes to Mob to convince him to lead the cult together he's immediately distracted by Mob and what's going on in his life. Mob has to prompt him for him to remember that he's there about the cult.

All this is why Mob's mistrust of Dimple in this conversation is so tragic. Dimple has helped Mob so much, and been so much of a genuine friend, because he knew that Mob trusted him. Where did it go? What happened? Mob's parting words to him are, "Why don't you give your schemes a rest already?" What schemes?? This is the first he's had in months. The translation in the comic, though, is so much more brutal:

"Why don't you stop doing bad things?"

Dimple is

Dimple is terrified of Mob. When Mob wonders if Dimple is scared of him, he's right, of course he is. He has lots of reasons. Mob almost evaporates Dimple when they first meet, threatens him multiple times. Dimple saw him at 100% rage, Mob's first on-screen. He watched Mob hit ???% without being knocked unconscious. This is all especially threatening given Dimple's drive to live. He's terrified when Ritsu tries to fight Mob, he's terrified when Mob asks him if he had anything to do with Ritsu's kidnapping, he's terrified when he thinks Reigen is about to tell Mob that they don't know what happened to his family. But I also read his fear as a symbol of how important Mob is. Dimple attached himself to Mob as the way to achieve his goal. Dimple helps Mob out in so many ways, putting off his goal, so that eventually they can fulfill his purpose together. Then he starts caring about this kid so much that he forgets his purpose! Of course Dimple fears Mob, because their relationship threatens what drives him to live. As much as Dimple is a manipulator, Mob is the one who ultimately has power over him.

Dimple so easily reverts to an evil persona once he leaves Mob because without Mob that's all he can be. If he can't get to the top with Mob, then he has to do it the old way, by using people's flaws to manipulate them. He's able use the broccoli to become a physical presence and get around the "amazing power" problem--though the broccoli's presence and power are still kinda Mob's! But why does he need to become a god at all? Because that's all he is. If he doesn't have Mob and he doesn't have his purpose, then he has nothing.

"Don't go casually denying the thing I've been wanting so badly!" Dimple gets so angry when Mob tells him he's being fake because first, Mob is denying Dimple's manipulative tendencies, which are really important to Dimple right here because he feels his identity is so precarious. And because second, Mob is denying Dimple's purpose. Dimple is in equal danger from Mob's physical attacks and Mob's denial of what he wants. What he wants, what he chooses, is what living is. Dimple doesn't want to die.

Here's a lot of a comic page again, from the final confrontation. Dimple tells Mob that he's just been using him the whole time they've known each other. Mob says, "I'm sad... Does that mean it's time to say goodbye to Dimple?" He steps towards Dimple, who screams in fear and anticipation. I think this is basically the worst thing ever, because god, Dimple is so afraid. Mob is justified in what he's doing but Dimple's desperation is what stands out to me, how hard he's tried to cling to agency and life and how sincerely he believes Mob is about to take it all away from him anyway, to disappear forever and ever.

And then Dimple insults Mob's shirt.

Dimple insults Mob's shirt

Fucking kills me. These are two frames from episode six, Dimple sees how much Mob suddenly trusts him and his reaction is anger, "You okay with leaving me like this?" His eyes are wide, brow down in anger. And then what he says next, "I'm... a dangerous evil spirit!" Here the anger is present but has softened with worry on his brow. The lines by his nose and his pouty lower lip make him look scared and sad. This fight has made it important to Dimple's identity that Mob try to stop him, because he's evil, and Mob stops evil spirits.

Panels from the comic where Mob tells Dimple, "You weren't doing bad things. You were just doing what you wanted to do. Together with me. You trusted me before I trusted you, Dimple. Thank you." Mob doesn't think Dimple is evil, but he identifies how important Dimple acting on his wants is, and he tells him that he still values their relationship. He denies that he has to hurt dimple but affirms his power to choose.

I maybe could've skipped a lot of BS if I put this page further up but I wanted this to get felt, what Dimple's admitting to himself here. It's another section of a page. Panel one, a white splotch in darkness with Dimple's thoughts, "It felt like my ambitions would fade away. Did spending time with unselfish Shigeo cause even me to lose sight of my goals?" Panel two, Dimple is the white splotch. He's scared. "...eh? Wait, that's a problem...!! I'll lose my reason for existing!" So Dimple tells Mob, angry, "No, not yet... I'm not done yet! Even now... I've still got... plenty of things I want to do! And ambitions!" Mob agrees, with that tired, frank look. "I'll hear you out for real. As your friend." Accepting Mob's friendship like this is terrifying, because it means what it always has, forgetting about this purpose. What if Mob stops trusting him again? If he really, consciously abandons his purpose, will he still have agency? He wanted a friend, always wanted a friend. Will it be enough? Will he disappear?

Dimple takes Mob's hand anyway. This was such an amazing shot, I've reproduced its animated glory here, Mob and Dimple reach towards each other, Mob weakly, so Dimple closes the gap and grabs him. The hand grasp of all time. I'm not gonna talk about how this fits into all the other Mob Psycho hand symbolism, that's another 4000-word megapost.

It's worth it. I'm convinced that by involving yourself in a network of people and creating some sense of obligation to others you can actually give yourself an even deeper kind of agency than you could achieve alone. And this is awful, terrifying. Because it involves giving yourself up a little bit. You have to give up some control. Dimple wants to be a god, to have ultimate power and control, so much of him is his manipulation, but he has to give that up for this. Goals that may have guided you for a long time can become irrelevant--and then who are you? If you've defined your life by something for years, and at the end of the decade you realize you don't fit your definition anymore, where do you go? Dimple tells Mob, "Let's go home." But...

Panels from the comic, where Dimple carries a sleeping Mob and thinks, "I said 'let's go home,' but I don't really have any place to 'go home' to... And I don't have anything to aim for from here... I wonder what I should do now." That Dimple is allowing himself to think this is really powerful. I don't think this has to be a sad moment. Like obviously Mob thinks that Dimple's home is his house. He just asked him to stay away until he reverts to his smaller form, as in, he otherwise would've expected Dimple to stay with him. I appreciate the larger point that now Dimple feels unmoored, and deciding on a new purpose is existential. But I think Mob also has a larger point that he believes he can help moor Dimple. I think allowing yourself to wonder where to go next is so important. Dimple is where Mob was a few months back when he decided he wanted to join the body improvement club! He has a future, even if he can't see it very well.

Or, um.

I keep fucking crying while I'm writing this. I love the translation in the comic here. Dimple kneels before a prone Mob and, finger touching his forehead, says, "Listen well... I'm giving you orders for the first and last time. First, wake up. Stand up, Shigeo." Mob is still for a moment and then says, "...it's no use. I can't put any strength into my legs. I can't move my arms either." Dimple is very serious now as he relays, "Your body may complain, but still... stand up. Even if you cannot stand... you must stand." God damn it, god fucking dammit.

Sometimes it's not so easy to change. Your actions have consequences. Your history follows you. Dimple's desperate attempt to keep his old wants comes back to kill his new ones.

Dimple's final act is the same thing he always does, he manipulates Mob to protect him. And it is good and kind. Suddenly his reason for existence is paradoxical: he's going to have to die to fulfill it. Who exists to die? But that's not what it is. Because he's making a choice. He denies death, he says, no, you can swallow me whole, you can annihilate me, but even then you can't take my agency away from me. And I will use this final choice to protect someone I love.

Dimple was a friend.

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palant1r · 3 years ago

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Hi there. So I was interested in your mob psycho jjk au and id like to know whatvthe general premise is if that's okay.

hello! thank you so much for this ask because i LOVE to talk about my aus!

ok so because this is an au i do random doodles for instead of something i'll actually write, i don't have a super solid idea of the plotline, just what characters correspond to whom

-Mob is itadori and ???% is sukuna—???% is far more eldritch and hard to figure out than sukuna, but just as dangerous. maybe instead of eating a finger he eats a flower or something. mob isn't buff like itadori, but actually is a sorcerer with a lot of cursed energy before ???% comes along. he just doesn't fight with it. think Ichigo at the beginning of bleach

-Shou is fushiguro. his cursed technique allows him to pop in and out of shadows and charge up cursed energy to release in big blows

-he knows that his dad was evil, and hopes to hunt him down and make sure he can't hurt anyone...little does he know that his dad is already dead. reigen just never mentioned it.

-this makes touichirou toji. instead of killing him with a cursed technique reigen just shot him with a normal gun. no cursed energy = vulnerability to Gun

-tome is kugisaki. she came to jujutsu tech because she thinks curses are really cool, and the big cities have the coolest curses. she immediately becomes friends with mob because ???% is the COOLEST curse

-reigen and serizawa kinda share the roles of gojo and nanami. mostly, reigen is gojo and serizawa is nanami. but reigen gives the "being a child is not a sin" line and serizawa is the one who goes apeshit at the kyoto exchange event. reigen is a super powerful cursed speech user, with an ability like gojo's six eyes that's for ears instead allowing him to talk without using it, unlike toge. he can basically do way more than just say single words—he can talk anyone into doing anything. serizawa fights a lot like nanami but with an umbrella instead of a blade. also serizawa used to be a curse user with touichirou, but reigen managed to get him to switch sides

-when mob "dies" reigen is on his way to murder the higher ups. shinra (who takes the role of ichiji) calls him and says mob is alive and reigen doesn't want to set a bad example, so the higher ups get to live another day

-a lot earlier than the shibuya arc, one of the cursed wombs gets released from the storage closet...and ritsu is there now! he takes the role of choso and is IMMEDIATELY ride or die for his brother

-tsubomi and emi are maki and mai

-takenaka is toge

-minori is junpei

-i don't know who dimple is. the obvious solution is sukuna, but i think ???% fits better thematically. maybe he's panda. that would be very funny

-mogami is getou. him and reigen used to be best buds.

-teru is todou. i will die on this hill. after the kyoto exchange event he keeps showing up in tokyo to hang out with mob

-i think it would be very funny if mahito's role was taken by the old gas mask mf from the 7th division

#jjk100 #if u want me to draw any of these let me know and i will #mob psycho 100 #jujutsu kaisen

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katyatalks · 5 years ago

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Mob Psycho 100 - Kameda Yoshimichi’s Character Design Notes

With each blu-ray/DVD volume of MP100 Character Designer Kameda Yoshimichi gives some notes regarding his process designing each character. Here are all his notes for S1 in the order they are presented, regarding; Kageyama Shigeo, Reigen Arataka, Tsubomi, Dimple, Kurata Tome, Mezato Ichi, Hanazawa Teruki, Gouda Musashi, Kageyama Ritsu, Onigawara Tenga, Koyama, Awakening Lab Five, Terada, Matsuo, Sakurai, Ishiguro, Muraki.

KAGEYAMA SHIGEO

With Mob-kun, the first thing I had a bit of trouble with was - do I keep his design as it is in the manga!!??? Should I make him a little prettier!!!!!??? Should I make him taller!!!!??? Those were the kinds of things I thought about. During a meeting, we didn’t reach any conclusion, so I tried out a few things!!!! ONE-san’s recent designs for Mob Psycho 100 have been amazingly good, so I scooped up the taste of those illustrations and applied them to my anime designs. The atmosphere of the manga is lost if you make these characters too beautiful or make them taller, so I made the right choice!!

REIGEN ARATAKA

I feel I didn’t really struggle with Reigen’s anime design!!!! His suit is plain and there’s not many parts to his design, which was a little upsetting, but in terms of his character there’s no need to decorate him, so I thought that simple is fine. More than anything he pulls plenty of funny faces, so even if his design is simple he stands out as a character, so I think leaving his design as it is in the manga was the correct decision. In the manga, his tie is black, but here, to give a little extra to his design, his tie is pink - that’s a feature of the anime!!!!! Also, Something I particularly fussed over in the anime was the way he stands, with his hips cocked!!!! That’s the anime’s Reigen!!!!!

TSUBOMI

Fans of Mob Psycho 100 probably went, “Who the hell is this”, huh. (Laughs). A discussion was had in which I said I wanted to make her more heroine-like and sparkly - in the manga, she gives off the impression that she turns a lot of heads and puts on airs, but for the anime I thought it’d be good to make her into a more traditionally coded heroine!!!!!! From a directorial perspective I wanted to give her a country-girl-kinda look, so I gave her a hairpin. Regarding the colour of her hair and eyes, there was a lot of trial and error…... well, I think the way she is now is the most heroine-ish, isn’t it!!!!! She’s voiced by Satake-san, too, which is something symbolic!!!!!

DIMPLE

Dimple is a character that I had a good amount of trouble figuring out how to deal with design-wise - I’ll contrast him with Mob-kun, give him a flashy colour, then should I make him luminescent?? Have him slowly sway as he floats?? You could say Dimple’s facial expressions are the greatest in Mob Psycho 100, so I tried to draw as many variations in Dimple’s reference sheet as possible. Drawing expressions for this work was really fun! When I draw, I’m aware that I give distinct facial features!!! Well, not that distinct, but (laughs). Also, Ootsuka-san lending his nice, low voice to a character like Dimple gave the character depth, in a way that makes him quite profound. That’s the power of voice acting… but it made me a little worried, as I thought, I have to make sure the art lives up to his performance!!!!

KURATA TOME

Tome-san is a character that’s truly perfect as she is in the manga, so I tried to not ruin that! She has THE Mob Psycho face!!!! When I was choosing the colours for the school uniform, my decision was made based on how the colours suited her, Mezato and Tsubomi, but the bright blue in the uniform for some reason or another doesn’t suit Tome-san (laughs). The colour is lost a little on Tome-san. I thought Tome-san was quite a gloomy character, but her voice actress, Tanezaki-san, performs her in such a funny way that I ended up loving her! I think, out of all the characters, my view on her changed the most! “Tome Psycho 100” wouldn’t be a farfetched anime idea.

MEZATO ICHI

I drew Mezato with the intention of making her the heroine!!! When drawing character sheets I draw any particular trait the character may have and then pose them and see what I think - the moment I drew her standing with her camera, I fell in love!! (Laughs). The round head she has due to the silhouette of her short bob - I love that!!!! Her caramel coloured hair also stands out in her design!! She’s fresh!! And her eyes are big and round!! In terms of what makes up her design she’s not too different to Tome-san, but I really felt a girlishness in Mezato!!!! My heart is racing!!! But she never appears!!! Director, please include her more!!!!!!!! Let’s make “Mezato Psycho 100”!!!

HANAZAWA TERUKI

[Written in Osakan dialect that gets more intense as it goes on]

Teru-kun is a character whose appearance changes a lot - I designed 6 variations of his hair and clothes!!!!! That’s way too many!!!!! I don’t know if the number has significance but we see him in his 150% form the most, so I’ve gotten used to seeing him like that!!!! It makes me laugh so much! I wasn’t satisfied - I made his hair extend so far that you can’t even see the top of it usually! In the anime you could say his hair is at 200%!! I can’t decide between the version of him we first see, his bobbed hair version or his short hair version. How can I!!!!! Let’s bring back his 150% hair!!!!!!! Wow, I’ve gone full Osaka dialect here. The colour of his sweater was decided to my taste. Director’s sole judgement was that it’s cute and resembles pyjamas.

GOUDA MUSASHI

As you’d expect, I really fussed over President Gouda of the Body Improvement Club as he’s a popular character!! His characteristics are his caterpillar-like sideburns and eyebrows, his soft mohican hair, and his brawny body. He’s unexpectedly hard to draw (laughs), I suppose I had trouble with him. Above all else The Body Improvement Club’s existence gives a sense of security within Mob Psycho 100 - they’re strong and brave, but it was pretty difficult trying to make sure their facial expressions weren’t too intense!!!!! Kumagawa, Sagawa, Yamamura, Shimura… these are characters who I’d love to delve deeper into!!

KAGEYAMA RITSU

I tried to make Ritsu-kun have more of an adult-like aura than Mob. He barely smiles, so he has an intense look in his eyes. I kept in mind that his eyes are only allowed to become soft when he’s with Mob. His irises are bigger than Mob’s own, so there’s a bit of a difference there. Also, he gets a mid-anime gloom story, so I decided to make his hair a little bit on the longer side. His hair is flexible - I’d make his bangs/fringe longer or shorter depending on his expression. When he’s possessed by Dimple he’s magnificent, using his powers as a weapon. His eyes become even more intense, his hair gets all ruffled up and spiky, and he’s overflowing with confidence. ONE-sensei’s manga have all become like that, too, actually!!!!! Ahahahaha!!!!!!!!

ONIGAWARA TENGA

With Onigawara and his three lackeys, I gave them baggy pants to try and up their rural-delinquent-trashiness factor. Onigawara’s anime features are his baggy pants and the tape he has on his cheek. It gives off the impression that he’s some king of the punks who’s always getting injured… but truth is, it’s probably just there to cover up a pimple (laughs). He’s in a situation where he’s bettering himself after the recorder incident, so perhaps the next time we see him he’ll have given up on those baggy pants and will wear the same clothes as everyone else!!!!!! Switching topics, what’s up with those two wrinkles he has under each eye?? Please enlighten us, ONE-sensei!!!!!!

KOYAMA

You know, since Mob and Reigen use flip phones I thought that was the standard for the Mob Psycho 100 universe, but then we have Koyama with his smartphone. Sakurai uses a flip phone, too. So, only Koyama has a smart phone? What videos does he watch on it? Which apps does he have installed… it’s a mystery… a mystery!!!! Please enlighten us, ONE-sensei!!!! Switching topics, I’m pleased with the unique aura that his special move, Telekinetic Helix, has. Mob, Teru, Ritsu, Claw… everyone has their own particular colours!!

AWAKENING LAB

Hoshino-kun, Asahi-kun, Kurosaki-san, and the Shiratori brothers all have a sense of individuality, so I suppose it was easy to visualise what colours they might have!! For Hoshino-kun, the process was; Hoshino [star field] -> hoshi [star] -> star -> Nishikino Akira [A Japanese celebrity with a song titled ‘Passionate Star Disco’] -> white!! I thought, his clothes definitely have to be white (laughs). Kurosaki-san’s clothes are sporty but not particularly fashionable, Asahi-kun was designed with a ‘you’re almost there’ feeling, and the silent Shiratori brothers have plain clothes… it was with that that I decided the colours of these five, having them all be out of fashion. Episode 10 had Oda-san as its animation director - he drew a very good and cute Kurosaki-san!

TERADA

What stands out with Terada’s design is his T-shirt that droops below his left shoulder - is it a fashion statement, or is it simply worn out of shape? Who knows!! As something special to the anime, his middle fingers that present his special move, “air whip”, are adorned with jewelled rings! I’ll leave it up to you all to decide whether or not those rings have some hidden secret to them. Out of all the upper echelon members of Claw, Terada has the richest facial expressions - plus, he’s voiced by Tachiki-san - so even when he’s undergoing water torture, despite the cruelty of the situation, he still comes across as good and charming!!!!!

MATSUO

Matsuo is monotone-ish in the manga, but, “I could give him a magician-ish feel?”. So now he has a dark green shirt with yellow lines. The vase he carries has a bunch of colourful stickers on it, so I tried to make sure Matsuo himself wasn’t too flashy or he and his vase would clash!! Candy-chan and Cookie-chan were also fun to draw!!!! Their colours are also good!!!!

SAKURAI

This simple, undecorated design is rather like him. I tried to make sure it didn’t look like he was wearing mourning clothes. I included red in the handle of his katana. I intended for his hair colour to be a natural, slightly dark brown… but looking at him on TV, it ended up being more of an unexpectedly lighter brown… Not my intention, lol. His slicked back hair was pretty hard to draw!!! The atmosphere of his design changes depending on how much of a forehead he’s given, the silhouette of his slicked back hair, and the application of highlights. Ah, this is unrelated, but me and his voice actor, Hosoya-san, are from the same area! We’re also similar in age, so I kinda feel an affinity toward him!!!!! You didn’t need to know that.

ISHIGURO

First off, I already knew that in the manga there’s an old man beneath that mask, so I gave him a hunched back! Following a request by the Director I made his boots plump, round, and cute!!!! With that, the woman’s voice that comes out of him with the mask on suits him!! You can really feel how cornered Ishiguro is during the season 1 finale, thanks to the power of his voice actor and the lead animator!!!!! It’s just, he has so many scars on his face that I felt sorry for him, so I want to find out more about him!!! I look forward to seeing him in an active role again!!!! ...Will he appear again, I wonder.

MURAKI

Muraki looks more like he’s in cosplay in the anime than he does in the manga (laughs). Following an idea from the director, I gave him a cloak and a mark on his chest that’s connected to the mark on his forehead!!! He’s even wearing boots!!! His design is all put together with purple in a fashion-conscious way!!! Anyway, it seems the director’s favourite colour is purple. Muraki, purple, muraki, murasaki[purple], director, murasaki[purple], muraki, purple. Something I fussed over with his suit beneath the cloak was giving it a gleaming lustre much like latex would have… makes you unsure of whether or not it’s a high quality suit. All in all, it costs 9800 yen!! A bargain price of 9800 yen! Now then, you there, sitting in front of the TV - together with the director, Let’s Muraki!!!!

Twitter crosspost here.

Season 2 notes here.

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justphilia · 5 years ago

Text

There’s a definite chance I might not be writing this BUT

I had a detroit become human idea for a Mob Psycho fic, it’s pretty loose considering I had the idea while sitting in the back of a car and standing under the shower head.

There’s probably a chance I would be writing it but it’s kinda leaning to a ��Nah, probably not”.

With that being said, I kinda don’t want to trash the idea as a whole without it meeting the light of day, so I’m gonna spill my ideas here so I can look back and think; “Wow. That’s shit.”

To add, this whole thing will sound more like babbling than an actual summary, so excuse me lmao.

Tsubomi doesn’t have any friends. But coming from a wealthy family, her parents decides to buy her a friend. Cue Shigeo/Mob.

I had a funny model name for all the child androids ‘ESP(insert number, for Shigeo it’s 100)’ despite this being a no powers AU. Then I realized it probably wouldn’t fit because I am low key planning for all the espers to be androids and realized ‘Wow, ha ha, that’s a lot of androids’ so now SOME of the espers are androids.

Okay so fast forward and Tsubomi’s parents are thinking, “We should replace Shigeo, he’s kinda old fashioned now.”

“Mom we only had him for 4 years.”

“Exactly.”

But Tsubomi’s really attached to Mob because he’s her best friend, and doesn’t tell him he might be replaced until he finds out himself. He goes bat shit crazy and tries to kill himself and Tsubomi. Cue Serizawa, a cop android.

Serizawa calms my boy down and Shigeo’s like, “You’re right, I shouldn’t be doing this. I’m so--” bang. Tsubomi low key gets traumatized, Shigeo is bleeding blue on the floor.

We shift to the next scene where Shigeo wakes up on like a bed except it’s actually a table. Cue Reigen, he works at Cyberlife as a child therapist/repair worker. Actually, my man was suppose to be just a repair worker but he got promoted to child therapist for calming down a raging Teru.

“Kid, you remember anything?”

“I- Sorta? Where am I, am I gonna be killed?”

Reigen’s like sweating because he isn’t sure himself, Shigeo’s the first kid who tried to commit murder. But as they talked, Reigen’s kinda surprised to realize that Shigeo’s actually a really really sweet kid.

Shigeo asks how Tsubomi is doing and if she hates him. Reigen tells him she’s fine and she misses him. Which is the truth, but he doesn’t mention that Tsubomi did end up getting a replacement in fear of ticking Shigeo off. Cue Ritsu, the replacement android best friend.

There’s a sort of cell holding all the ‘defect’ child androids, like a little playroom but also an actual cell, and inside there’s: Gou, Rei, Takeshi, Daichi, Kaito and Teru.

Cue Teru, who is the only one who has a similar case to Shigeo; he punched a kid in the nose and sent him to the hospital, which made his mom very very pissed and sent him for repairs. Because of this, he’s enraged further and the staff can’t send him back unless his attitude changes to the “ideal son”.

Teru thinks being an android is a gift, he can’t die and he’s pretty much flawlessly shaped. When he meets Shigeo, he asks why he looks so plain, and it’s revealed it’s because Tsubomi didn’t want anything flashy.

And mostly because Shigeo’s an older model.

Each kid (except for Teru) had an actual defect to their system. Gou has somehow obtained a built in lighter function, which isn’t suppose to be there. Rei has the reconstruct and construct feature for unknown reasons. Takeshi is basically a walking magnet, except he doesn’t really know when it’s turned on or off (when it’s turned on, it’s strong enough to accidentally pull all the others towards him and it gets pretty annoying). Daichi and Kaito’s memory cloud keeps syncing with one another, which disrupts them from being able to remember the right things correctly (i.e Daichi gets Kaito’s memories and believes they are his own and vice versa).

The only reason they’re still stuck here is because they come from middle class families (except for Teru), so they’re way behind on the waiting list to get repaired.

Shigeo, on the other hand, came from a rich family, so he’d be out in no time. This makes Teru very mad, he states it isn’t fair that Shigeo gets to be let out sooner than them even though he just got here.

He tries to attack, but unfortunately for him, they’ve installed a software that prevents Teru from being able to kick and punch. Like a parental lock sorta? The same has been done to Shigeo.

Shigeo only makes Teru even more mad when he says he wishes he was human. If he wasn’t human, none of this would’ve happened, “Teru, if you were human, you wouldn’t be right here y’know? Your mom wouldn’t need to send a real human boy for repairs.”

And Teru is pissed because he knows Shigeo’s right.

But being the cunning bitch he is, he smiles and pretends to accept Shigeo’s opinion, and he asks for a hug. Shigeo happily agrees and let’s Teru wrap an arm around him.

Then Teru squeezes.

“Teru, I can’t, you’re crushing- I can’t--”

“Oh, I know. If I break you enough, you’ll have to stay here with us even longer.”

Shigeo tries to retaliate, but due to the software, he’s unable to kick himself free. The rest tries to intervene, but Teru threatens them to stay back or he’ll squeeze harder.

“Can a human do this? Shigeo? Can they?”

Shigeo manages to break through the system and finally breaks free, he’s back in his aggressive mode and actually starts attacking.

He takes it too far when he rips Teru heart out.

Everyone is screaming at this point and Reigen’s rushing towards the cell like mad. Serizawa is there too, because he wanted to visit Shigeo to see how he’s doing.

“Why are you running?”

“Something bad is happening, I need to be there- Woah there buddy!” Serizawa picks Reigen up and surprises him. Then the android fucking bolts.

When Reigen finally reaches the cell and enters, he finds Shigeo on the ground, bleeding out once again, and Teru staring motionlessly at Shigeo.

“He...gave me his heart.”

Shigeo is sent to be repaired again and this time, he’s kept in a separate cell, because no one knows how he managed to break through their system. It’s almost impossible for a child -and not to mention an OLD- model to be able to do that.

While Reigen’s thinking in his office, cue Mitsuura, who says it’d be a shame for all those child models to lose their cool abilities. He jokes about just creating a child model meant to possess those abilities, like a tiny cop or something.

Cue Suzuki, no no, the other Suzuki. Mommy Suzuki. Except she’s a single lady who surrounds herself with Touichirou, the first ever android model made. That’s right, she’s head of Cyberlife.

She comes in, because she can’t sit still, and says, “Not a bad idea, man.”

Mitsuura has a fit and thanks the woman.

“So, about that old model that broke my parental control lock?” She turns to Reigen and he huffs, shrugging.

“I really don’t know, ma’am.”

She hums, definitely interested. Unlike the OG DBH, in this AU, they’re more lenient in the deviancy of androids because Suzuki believes they can have rights too. Except they don’t need to get paid, unless they want to? Honestly my idea for that aspect is low key fuzzy.

So anyways, Suzuki remembers Mitsuura’s idea and basically starts sketching out the draft. Cue Shou, who doesn’t exist yet but he’s in the making.

“Can you take the extra components of those child androids and keep them somewhere for later use? I’ll be needing them.”

“Ma’am, those androids are at the back of the waiting list, we can’t just--”

“Just do it.”

Cue Roshuuto, who seriously believes they should just kill Shigeo. “He’s too dangerous” blah blah blah SHUT THE FUCK UP.

Anyways, Reigen doesn’t want to do that because a) android or not, that’s a kid and b) You can’t make that decision and neither can I. Only Suzuki can.

Roshuuto sorta frowns, because everyone knows Suzuki plays favorites; and that favorite is Reigen. He’s the reason why Touichi now has a bit of sentience, before that android was pretty ruthless.

So if Reigen personally doesn’t want to get rid of Shigeo, then Suzuki would say the same too.

Meanwhile, Teru has been showing signs of positive improvement in attitude, there’s a speculation it might’ve been because Teru now has Shigeo’s heart, but that’s just dumb. That kid believes he just killed another android and he’s not sure how he feels about it, so he decides the least thing he could do was to be a better android.

Since Shigeo doesn’t share the same cell as them and nobody told them Shigeo survived, everyone in the playroom thinks Shigeo is dead.

Teru gets sent back after that, and the rest of the kids got their needed repairs.

Meanwhile, Shigeo and Reigen has daily consultation sessions, where they try to find the source of Shigeo’s issues. It takes about a month and Reigen hands Shigeo his cellphone number, saying if Shigeo ever needed him, Reigen would be there.

Shigeo gets sent back to the Takane’s family, because if he doesn’t, Tsubomi will throw a fit. She doesn’t do it often, but when she does, it’s ugly. It’s not like she’s spoiled, but when she strongly and firmly wants something, she’s determined enough to get it.

Originally, Ritsu was meant to be a direct replacement of Shigeo. He even had the bowl cut and everything, but Tsubomi’s intelligent and manages to figure out Ritsu’s a fake. She doesn’t get mad at him though, he doesn’t deserve it, instead she just befriends him too. Ritsu becomes a whole new person he wants to be, even mussed up his hair to look different.

So Shigeo meets Ritsu for the first time, and he’s sorta confused and upset, but Tsubomi got attached to Ritsu as well and refuses to leave him. Ritsu says he’s glad to finally meet Shigeo, because he has heard so much about him, and Shigeo decides he could like Ritsu.

I kinda stop making ideas from here, but I had a rough idea what happens next. Teru and Shigeo do meet again at some point, and Ritsu does meet Shou at some point too.

There will be background Serirei, and Shigeo does eventually grow a crush on Tsubomi and confession and oh no it went wrong. I think that’s when Shou makes his first appearance?

Because they think a child can calm another child down. It doesn’t work.

Nobody realizes Reigen’s probably the only thing that can help until the very very last minute.

So anyways, that’s the end of it. I don’t know what to do with this idea because now that I’ve spilled them all on the table, I kinda feel like writing it now. Though I already have two other projects planned, one being Nap’s birthday gift fic and another being a secret project that features Ritshou and amnesia, so it might be delayed to maybe June :(

#mob psycho 100 #mp100 #detroit become human #alternate universe #kageyama shigeo #reigen arataka #serizawa katsuya #hanazawa teruki #takane tsubomi #kageyama ritsu #suzuki shou #fanfic ideas

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mobu-time · 5 years ago

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Read the tag and out of curiosity, how would you pacing the broccoli arc for season 3?

lmao I'm sorry you probably weren’t asking me to go so hard on this but uhhh this is my favorite arc and I've got some opinions

Here’s how I’d love the arc to be paced

Episode 1: Youkai Hunting

-Chapter 93

-probably include and end with the Has It Begun? My Era? panels from Chapter 92

Episode 2: Future Prospects + Carried Away

-opening from chp 94 (the youkai getting pulled into the broccoli)

-Chapter 92

--skip right over has it begun bc it was in ep1 and go straight into next scene

-Chapter 94

-end with dimple leaving after the “eat shit, dimple” smackdown I guess

Episode 3: The Psycho Helmet Cult Part 1(things start to get weird)

-Chapter 95

-if they wanted to, this would be the episode to add in a new scene with Tsubomi or remind the audience that takenaka was a character at one point

--basically as just a bit of prep for the other two arcs

-either ends where vol13 ends (teru setting out for the broccoli) or ends where the teru fight cuts off (just after dimple reveal)

--I think ending with the dimple reveal is the way to go, plus this way there’s a fight scene in this episode and not two in the next one

Episode 4: The Psycho Helmet Cult Part 2 (things go wrong fast)

-Chapter 96 and 5-6 parts of Chapter 97

-The quest to destroy the broccoli

-The teru v mob fight

-probably end just before or after dimple actually shows up

Episode 5: Dimple and Mob

-The rest of it

--@bones pls do go ham with the dimple v psycho helmet fight

Here’s how the episodes fit into your mp100 season patterns, which are Very Correct btw

I big agree with you about having the youkai hunting as the first episode. It’s a super solid way to start the season. It’s also especially funny bc this chapter starts with a parody of the show’s usual introduction to psychics, replacing “psychics” with “youkai hunters”. It’s a good piece of mob growth+slice of life, at some point Amakusa wonders if the broccoli is attracting spirits that want to use its life energy or whatever (foreshadowing), plus inukawa (who plays a bigger role later in the season) is in it.

For the second episodes, I would def say it’s just fun stuff for most of the ep, but I think another thing the second episodes do is that they end with something that sets up the third episode and is usually the start of a big chain of events. S1: join BIC, S2: reigen puts up the website, S3: dimple leaves

Future Prospects is important to include here bc it’s an easy way to reintroduce mezato and the psycho helmet cult plot. It’s also some of Serizawa’s only screen time this arc and we can’t let it go to waste.

Ep3 is still mostly a mob character study, bc a lot of the chapter is mob dealing with being (or suddenly not being) recognized as the psycho helmet cult leader + reacting to the spread of the cult’s influence in general.

Ep4 is the beginning of mob’s concrete The Broccoli Must Be Removed quest, which continues into Ep5

Ep5 -Dimple was a friend r.i.p.

Side Note: I desperately want the omake adventures of Hoshino and Asahi to be referenced in some way. Maybe when the shiratori brothers show up they can have a “what are the other awakening kids up to rn?” 10 second bit.

And now here’s the reason WHY I organized things the way I did, but it’s under a read more bc this post is already too long

So full disclosure: the reason I paced the broccoli arc the way I did is entirely bc it’s my favorite arc and I want them to take their time with it. It’s also an arc that requires a LOT of setup before getting to the payoff, so I’d like the arc to be more like 4-ish episodes instead of the 3-ish episodes you predicted. This isn’t an arc you can just kind of start. Part of why the separation arc worked as well as it did was because they were subtly setting it up all season with little comments here and there between reigen and mob. It wasn’t something that just happened one day. They had to lay the groundwork and build off of it, and this arc isn’t much different.

Another thing is that the vibe of this arc is one that will take some effort to establish. The slow, creeping influence of the psycho helmet cult is unsettling, and then suddenly getting caught up in the effects of the widespread brainwashing is even worse, but in order for those feelings to really come across we have to spend time with them. Slowly realizing that something is very wrong and then being horrified by it is something that, unsurprisingly, has to develop slowly. And by ‘slowly’ I mean spreading it across two episodes (3-4) instead of shoving it all into one.

This arc, more so than most of the others, is driven by a complicated combination of emotions that can very easily be misunderstood if they aren’t displayed fully. I know this because when I was reading this arc for the first time I read through it too quickly, and had to start over because I didn’t pay enough attention to what was going on and confused myself. One of the only weaknesses, imo, that the anime has is that they have to cut stuff out. This is usually fine, but sometimes it can have a significant impact on the audience’s understanding of a character. It’s something that happened with ritsu’s arc. It wasn’t really That much different in the anime, but a few lines were cut here and a few shots were skipped there and the result is that ritsu’s fall is a bit harder to actually understand. At least for me, somehow the manga only has a few more lines and yet it makes ritsu’s character and his whole character Arc much clearer.

I feel like something similar happened in the anime with dimple. There isn’t much aside from a few cut omakes and punching Suzuki in the face that’s significantly different, but a decent amount of time his lines get cut or altered a tiny bit over the course of the series and ultimately the result is that manga dimple is a slightly different, and slightly fuller, character than anime dimple. Idk fam I just watch people’s reactions and I worry that the fact that dimple actually has feelings that can potentially be hurt isn’t something the anime-onlies are prepped for.

If the anime doesn’t take its time in this arc, and decides to cut some things here and there the way it has in the past, it runs the risk of 1. Being all around harder to follow, 2. Feeling out of character, and 3. Not hitting nearly as hard. Feeling out of character is the riskiest part of all this because mob and dimple ARE acting out of character. That’s the point! They both get carried away and they fight and they do and say things they shouldn’t and usually wouldn’t do, but if it isn’t clear that that’s what’s happening then their behavior can feel confusing or even disappointing.

One more thing. I love mob psycho fight scenes. I really do think they’re some of the best I’ve seen, and there are a lot of fights in this arc I can’t wait to see animated. It can kinda become a problem though if emotional content screen time is sacrificed for action content screen time. Not to beat a dead horse (or cat in this case), but, uh, *cough* mogami. I’d rather they go ham with the animation in the confession arc and spend more time in this one on the other stuff.

There’s just a fuck ton of shit that happens in this arc and fitting it all in before episode 6 without rushing anything is gonna be a process. It’s possible, but it’s really gonna take some planning.

#mob psycho 100 #mp100 manga spoilers #mp100 #broccoli arc

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vilonnie · 5 years ago

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mob pyscho! (for your ask thing)

under read more cause I started rambling sorry!

my favorite female character - TSUBOMI TAKANE… “she’s a strong girl”… forced to appeal to others even though it is her nature to do only what appeals To Her…

a contradiction and a mean girl and a well-meaning teenager who isn’t what her peers think she is and has never quite fit the pedestal mob puts her on but can still be his friend and deserve her own life regardless… my girl… I love her…

she is by far the character I am most invested in but I am very attached to the other girls also? I mean, if you asked me which girl character I thought was the most well-developed and well-written that would obviously be Tome, and I am a tomestan, but…

tsubomi… I’d die for her

my favorite male character - okay so maybe I have a slight bias towards mr ritsu “most self-destructive character ever and also, a people-pleaser of a boy scout who doesn’t know how to cope with his own really strong emotions because he’s an idiot” kageyama. listen… he’s a very stressed seventh grader with college professor energies and also I love him the end

my favorite book/season/etc - I’ve heard a lot of criticisms about the way the final arc ends and I don’t really know where I stand on that, but I do still love it, simply because of the Narrative Implications AND because of how much property damage he commits holy shit man

my favorite episode (if its a tv show) - uhhhhhhh I like. ochimusha? I think teru’s arc does a fantastic job setting up a lot of the themes that come later on in the story and also setting up teru as a character :) but it’s really hard to choose since every episode is so good and I’ve kinda never thought about it!

also ripped apart is good because it’s the only episode emi is in

my favorite cast member - what oh uhhhhh I really really like shigeo’s english voice actor! he’s so good and so FUNNY and so GOOD at the EMOTIONAL scenes he’s just… very good. he is really carrying the dub I think

my favorite ship - my sideblog’s called “tomezatos” so… what do u think it is /s

a character I’d die defending - all of them. but VERBALLY defending I’d die for shigeo + tsubomi + mezato + shou and PHYSICALLY defending I’d die for ritsu + rei + tome lmao.

a character I just can’t sympathize with - why is dimple still there why is dimple still there why is dimple still there why is dimple st

a character I grew to love - hm… I guess teru? yeah I don’t think I liked him at first so. I guess teru

my anti otp - aside from the literal pedophilia I don’t really know. saw someone shipping tome/mob once and went “ew”. other than that? anything goes really. for the most part

#asks #espposts #mob psycho 100 #mp100 #HI SORRY I SAID SO MUCH THANKS for uhhhhh #giving me an excuse to talk about mob psycho :) I care it

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whentvsfly · 8 years ago

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u should answer all 20 of the mob psycho ask meme things jsust DO it u peice of fuck....

Fuck you, I will.

1: What is a scene that really got to you?In the anime, probably either the flashback to when Mob went ???% when he was young (I love the Angst™), or when Mob nearly goes 100% murderous intent and then instead goes like, 1000% gratitude. In the manga, the entirety of the fuckin Mogami arc (the part with the cat like Holy Shit) nearly made me cry, and I barely cry at things anymore. So like. That.

2: Who’s your favorite character out of the cast?I….love so many……..They’re all so good. All the esper kids are Good, Reigen is a good man, the Body Improvement Club members….Tome and Mezato…..fuck, even Dimple. I can’t choose…

3: Who’s your favorite esper kid?Mob, Ritsu, Teru, and Shou are all my sons thank you very much. I can’t decide between them. Mob is a Good Boy™ who needs a fucking break holy shit. Ritsu is a little shitsu but he cares a lot about his bro and I cry and he’s good too. Teru is also a shitty boy and also he wants to do good and I cry for him (I’m his parent now cause idk wtf his actual parents are, ONE plz explain). And Shou is a good but destructive boy who deserves better.

4: Who’s your favorite ship(s)?I….really like Ritsu and Shou, and was kinda indifferent to anything else, until @pundeserving (and fanfics) ((thanks u fuck)) showed me the beauty of Teruki and Mob. Also???? I kinda like Tome and Mezato?????? They could like find aliens and report it to the news and honestly they’d be a power couple.

5: What battle shook you most?Uhm. The one at the end of the World Domination arc. So many emotions…..

6: What friendship do you find the cutest?Literally any with Mob. He’s such a good boy.

7: What’s the most hilarious moment to you?gotTA PUMP SOME IRONsorry duDE TOUGH BREAKwoAH ITS HEAVY okletsgo(pff other than so many lines from the dub, uh, I’m not too sure. Right now I can only think of how funny the whole situation with that Shirt™ in the Divine Tree arc is, and like the school festival in which for like a panel Ritsu is forced to dress like a maid and Shou is there. NO WAIT. I KNOW. Justifiable Self Defense. We’re not too sure it’s justifiable, but he’s yelling it anyways. also: OOHHH. HE FUCKING APPEARED! There’s probably others. I can’t remember them rn. OH well, guess I better reread the manga…..).

8: Favorite and least favorite arc?hmmmmm….The angst pit inside of me wants to say my fave is the Mogami arc, because of how fucking sad it could be (or the way it can spawn fics about it like nobody’s business) but honestly I don’t really have any favorites or least favorites. They all have their pros and their cons, but they’re all really good.

9: Which antagonist could you never forgive?Mogami. Hands down.

10: Do you have any OC’s?Nope. But there is an oc I saw once on this hellsite which was a cat named Milk that Mob owns and I fully support that hah.

11: Did you watch the anime or read the manga first?Anime. Subbed. Then went for the manga, then to the dub hah.

12: Would you visit Spirits and Such Consultation Office (if you didn’t know any better)?Hm. I dunno. Probably would be too lazy to seek out help if I thought a spirit would be on me or smth, or haunting a place. Maybe if it was Real Bad.

13: Are there any specific MP 100 artists/writers you admire?Uhm. Idk, I tend to not actually look at who is the OP on an art post or who writes a fic. I’ll edit this if I find out some good ones (there’s one artist I’m thinking of on here and they do real good arts, they do comics based on fics (one was on this court thing where Mob was dead by Teruki’s hand b/c the choking thing, the other was on an au fic where Mob was kidnappeped and Reigen ended up rescuing him and they hadn’t met before that idk I have yet to read it myself) and there’s a fic on ao3 that I am always waiting for the next installment, even if it’s been 20 seconds since I read the last chapter. That story’s linked below, and you can see other authors I’ve linked too).

14: Are there any MP 100 fanfics you HAVE to rec?(this answer is So Long I am So Sorry I just have A Lot Of Love)Ohhhh boy. You’ve done it now. You’ve awakened the Beast™. Fanfics are my forte. I’ve gone through all of them on ao3. Don’t fuckin test me on this.Ok so first off, if you want all the stories I’ve gathered off of ao3 (My picking process: Ignoring all stories with incest or an adult x a kid (or ships I don’t particularly care for), is the fic well written with a good plot? then onto the list it goes. Or if its bad enough to be good. That too.) you can just ask me for the fics and I can either share the googledoc with you or send you the links in another way.Some of my favorites from the list, tho, are as follows (in order of which I read them):Color in a Monochrome Worldby Sifl is a really good introspective series on many different characters, set after the World Domination arc. Sifl also wrote a companion piece, Vertigo.Extracurricular Education is a series by entrenched about Shigeo and his growth as he works for Reigen. It’s real cute, they’re good bros, I love it. A few stories takes place after the Mogami arc and reference it.Turning Slowly by sorrow_key is a fic about how Shigeo knows what unrequited love feels like b/c of Tsubomi, so he can see through Teruki really easily. He feels like a liar pretending to not notice. (eventually becomes TeruMob), My notes say if you’re in the divine tree arc, then you’ll get any references made in the fic. Can’t remember what’s said, but it must reference something in that arc for me to have wrote that.One Step Forward, Two Steps Back by fireflysummers_ao3 is a fic in which Teru feels terrible after the Divine Tree arc (this was made before 97.uh. the chapter that came out this last Thursday, the 5th of Jan, so it may not be as accurate as it could be) and Shigeo just wants to be friends and help him out. After Divine Tree arc.Temporary Accommodations by Originia is an interesting fic where, through shenanigans, Shigeo’s body is kidnapped without his like, spirit thingy in it (using the strategy from the Mogami arc) and Reigen tries to rescue Shigeo (which Dimple is possessing in Mob’s absence). I fucking love Ritsu in this story holy shit.The Adventure of the Red Shoes by dyingplatypus. Ho. Ly. Fuck. If you only read one story, read this one. It’s funny, it’s quirky, it’s in character. It’s solving a paranormal case about haunted shoes, and Reigen being cursed. It feels like it could be an actual happening in the anime or something. Seriously. Read this one. It has a little reference to the World Domination arc cause Serizawa is in there but like. You could proooobably read it without reading the manga.He Just Likes Dogs by reiqenarataka nearly made me fucking cry in a dentists office. It’s about Reigen and dogs, what more could you want?Signed, Sealed, Delivered by entrenchedis a series centered around Teruki and his crush on Shigeo, even as Shigeo crushes on Tsubomi. He would rather never tell Mob and continue being friends, over risking their friendship by confessing.do make tomorrow a sunny day by dyingplatypus is a series based off an au I mention in the next question. The AU is one in which Shigeo is taken by Claw at a young age, and thus works for them currently. Ritsu grew up without a brother, only knowing he had a brother at some point who presumably died. Both Shou and Shigeo are a part of Claw and work for it, and things Shigeo took care of during the normal universe didnt happen. (LOL) is a growing and powerful cult, Teru still wants to fight people. There’s many different perspectives in the series and they all add up to a unique experience (I’m still real fuckin amused by what Teru thinks of Shigeo in the first chapter of his POV fic)tomorrow isn’t always another day by suitablyskippy is another good fic on par with The Adventure of the Red Shoes. It’s also quirky, funny, in character, and shows Shigeo and Reigen solving cases. Of a haunted copy machine. Which Mob is preeeetty sure they solved yesterday. And the day before. And the day before that….Three by Ravenesta is an outsider POV story from a teacher’s perspective, on Shigeo Kageyama and his mysterious third emergency contact, Reigen Arataka. It’s pretty cool, and shows some good shit. Return. Continue. by UncannyCookie. A series. Takes place after Mogami arc, Shigeo isn’t doing too well, hands feeling too itchy and wrong after he was driven to choking someone in that unreal world. It’s bad. He’s fine. Teru tries his best to help. The second story, though, Teru is acting weird and Shigeo wants to help him but he swears he’s fine. (also has some of my fave tags: “Teru is not a natural blond, that’s the real drama here”). This is the fic I find myself waiting for updates with bated breath. It’s so good and interesting. Love that shit.

15: Do you have a favorite AU?I don’t know of too many aus, but most are real good. I like the art I see of the ageswap thing, where Mob is the adult and Reigen is the kid, although I don’t tend to read the fics about it. Idk why. But there are other good aus too, like any where Mob ends up being raised by Reigen. There’s an interesting one on ao3 I saw where Mob was taken by claw at a young age and now kinda like…works for them? Idk. It’s good though.

16: What would be your first or basic psychic skill (telekinesis, pyrokinesis, hydrokinesis, ect)?Honestly telekinesis. I’d fuckin own that shit, being too lazy to get up and grab things myself. I’d probably be like, hah, my pop is on the table literally inches from my hand. If only I could just float it over to myself! And then it does and I’d be like Holy Shit. Also, using telekinesis on yourself (if it’s strong enough) allows you to basically fly? I’d train til it’s that level and then I would be the least athletic person in existence.

17: Do you like milk?I really like strawberry milk. I only have normal milk if I dip a cookie in it. Sometimes chocolate is ok too. And I only really have whole milk cause it tastes the best.

18: What headcanons do you have for (character)?I mean u didn’t provide a character uhm. There’s so many. Me and @pundeserving have been talking and whenever I come up with some headcanon I tell her and she may or may not add it to her headcanon list. Usually she does. It’s very good and if you wanna hear some shit about a certian character feel free to ask abt them specifically.

19: Would you hone your basic psychic skill or try to learn different ones?Both? If possible? I’d like to get my telekineses to a point where I can move myself with little to no effort, but having basic version of other powers would also be nice (like psychokinesis to light a candle or warm up some cold soup or smth)

20: Would you try to use your psychic powers for personal gain or only if you had to?I mean, if it’s (like i mentioned above) heating up soup, that’s kinda personal gain hah no but seriously if it’d unfairly advantage me above other people (in a sport or something) or harm someone else, I wouldn’t do it. I’d use it for little things like retrieving something that’s out of reach or smth, or if worse comes to worse, to protect my friends or family, if there are no other viable options.

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