#riddle school nit wit

[m4rk-has-arrived]

weed jell

[aceies-desiresxx]

one of my favorite things to imagine in disney twst is yuu (your character) deciding to create a school wide publication. a school digital newspaper for the students of NRC.

the dates of all the upcoming unbirthday parties + plus a nit-picky checklist and particular rules that might apply that week to help out the heartsabyul students who don’t wanna deal with “having their head off”

constant updates of the week’s spell drive tournaments and games , + scoreboard for the season, as well as additional info about scouts and recruiters coming to visit said games to encourage the student athletes to reach out and do their best in hopes of their sports career, even a leader board + and mvps so far

monstro lounge’s weekly specialties and deals as well as hiring info incase students want to earn some extra money on campus, and how to contact azul if you’re from another dorm

reminders of important dates on the lunar calendar for both werebeastmen and scarabia students + the newest imports from foreign lands in sam’s shop that might make their dorm feel more like home

news about the newest fashion trends and movies + plus a gossip column that has features on particular students. it’s worded in a riddle, and all names are anonymous so the student body spends awhile trying to figure out who it’s about

new game releases, paired with student options on difficulty and enjoyment. students handles will be tagged allowing for their streams to reach a larger audience + showcases of student art

history on NRC and spooky stories that will be fun to theorize about. legends of trapped souls on campus ground and interviews from alumni and what they think of it or if they were witness to the history

you can also find info about clubs and their recruitment and how to join, when the housewardens will have another meeting with eachother so you can voice your ideas to them in hopes it will be brought up, dates for large student study sessions and after school help, dates for “leaked” pop quizzes or even large tests that you might’ve forgotten were gonna be later that week. tickets and shows to student performances even dumb quizzes to pass the time. you can find all staff emails and how to even duel your house warden to take their spot. but for some reason that tab doesn’t have a lot of viewers.

this digital publication keeps the student body of NRC well informed and is popularly visited, only gaining more traction as the school year goes on. so ofc students have been trying to figure out who’s been behind it.

all the crisp photos of the spell drive players, the leaked dates of tests, the gossip, sam’s stock. how’s one person able to get the news before anyone else is? no way azul would sign a contract with them, plus even azul doesn’t have access to all this info. if only he had some sneaky eels who love to be as slippery as they are in the water, above ground. or a few ghost friends able to go through walls and overhear things they probably shouldn’t. maybe sam IS in on it, wanting to spread awareness about his goods so he makes profit. even a cat small enough to sneak around when bribed with enough tuna could help out. plus a killer camera from the headmaster. maybe crowley knows what’s going on but is letting things play out. so far it hasn’t gone too far. plus. who would suspect the prefect from another dimension? they have a hard enough time as is. no way they’d be able to keep up.

[magicpumpkin3]

Heyaaaa!!!! So I read the request of the reader screaming because of a spider and the dorm leaders thinking the reader was in danger and then I was like, what if we were actually in danger, like getting attacked by a person. So I wanted to request the reader being attacked by someone and the being protected by the dorm leaders. I hope this is clear enough, well have a good day 😁😁

Oh boi-

Riddle Rosehearts

Riddle hasn't felt such rage since his overbolt. No, this rage was so much bigger and greater. How dare they?!

He's immediately by your side, screaming "OFF WITH YOUR HEAD!!!". If this wasn't enough to stope your attacker, Riddle uses all protection spells and tricks he learned in NR college.

Dorm leader is well aware if he uses attack spells or overuses self-defence, it's going to backfire. He'll also be an attacker.

After some time of defending, bastard who attacked you finally was out of breath. Right in that moment, Riddle hits them in the gut. Just in case.

Incident is reported to Dire (if birdman does nothing, he'll have to face overbolting Riddle again). And person who attacked you is delt with. Properly.

After that fight, you're momentarily sent to the nurse office. Riddle is so worried, he spends all his time by your side. Only reasons why he leaves you, is lessons,l and some hella important things other then that, dorm leader is always near you.

Leona Kingscholar

Oh, that lion is pissed. Leona doesn't care what is about to happen, he only knows one thing for sure. That piece of a person is going down.

Usually Leona wouldn't interrupt fights or end them, unless it was absolutely necessary. But seeing you in one. On receiving side if it. Oh damn- someone was either stupid or had the biggest balls around for that kind of stuff. Everyone knew: If you mess with Ramshackle perfect, you mess with Leona.

Fists, magic everything is thrown into the fight. It doesn't matter of the person is stronger then Leona, that lion will get make them go down. Meanwhile Ruggie is at your side, trying to get you to a nurse office.

When Leona is done beating the living shit out of with attacker, he's by your side. He doesn't leave you. At all. He sleeps near you, eats near you (Ruggie was kind enough to deliver Leona food once in a while), sleep again- He misses damn lessons pretty often already, he doesn't care.

No one can go near you, unless it's a medical staff member or Ruggie with food.

Azul Ashengrotto

At first, He couldn't believe his own eyes. Who was stupid enough to do this? My lord was he mad. I don't think anyone has ever witnessed him being this mad before.

He gets between two of you immediately. Azul uses all protection spells he knows on you. He isn't the best in physical strength (usually twins do the dirty job) but when it comes to protecting his angelfish, oh boi- does this dude gets feral.

Like Riddle, he knows if he abuses power of self-defence, Azul will get in trouble himself. Unlike Rosehearts though, he has a whole shady business and blackmail behind his back.

After the fight is over and you're getting proper medical help and whole thing is reported, Azul calls Leech twins. No one gets away from him after hurting his Angelfish.

After all that, in private, he crys near your bed. Azul feels pathetic. He couldn't protect you! His greatest treasure. He fells like hiding in his octoput, with you near him. Azul stays by your side as long as possible. He has school and business to attend to. However, you're more important then any of those things.

Kalim Al-Asim

Poor boy has no idea what to do! Whom am I kidding, he knows what to do. BREAK THE FIGHT! He doesn't want anyone fighting. Especially you.

If attacker keeps pushing on, trying to punch or kick, Kalim would just call for help or use his unique magic. He really doesn't want to be involved in something as horrible as this!

Jamil is there to slap sense into him. After calming down after a mini panic attack, Kalim immediately gets you to the nurse office. He is there with through the whole check up and is there even after.

Kalim reports this attack to Dire (if birdman does nothing, he'll face overbolting Kalim or something close to that). He will make that person pay. Dorm leader isn't usually the one for revenge but right now, he wants justice.

Like Azul, his very sorry. Kalim doesn't care if his crying in public, he really doesn't! He was so confused, it's his fault for not being able to protect you or take care of you. If it wasn't for Jamil, bringing him back to his senses he'd still be having that panic attack.

He's willing to skip classes, if you want him near you (Jamil is typing). After tha incident, he is all tingly all over and is a bit paranoid. Please be patient with him. Kalim wasn't that traumatized from boing poisoned.

Vil Schoenheit

How dare they?! Vil was furious. He never felt so much disgust for a human being before! He was ready to tear them apart. Who do they think they are too harm his sweet potato?!

Vil has never looked this bitten up. No, wrong term. He never looked so deadly. His hair messed up a bit, face twisted with rage and his clothes being a nit wrinkly. He was truly terrifying.

Like Azul and Riddle, he understands the backfire if he overuses his magic but dear God he's in such rage. Vil isn't the one to throw hands for nothing, fortunately for you though, you're everything to him. Vil throws in every protection and 'passive-aggressive' spell he can remember.

After the fight is over, Vil makes sure himself that you get the best medical treatment. The thing is immediately reported to Dire (if birdman does nothin, he faces bunch of furious fans of youxVil). He spends every free moment he can by your side. All his meetings are cancelled and he has Rook guarding you 24/7.

Some time later, he makes Rook stalk the bastard who hurt you. After he knows enough information, Vil will hunt that piece of person. He may not be the best when it comes to strength but he is master of hurtful words and sabotages. Vil will make them pay for what they did to his sweet potato.

Idia Shroud

He's so terrified, has no idea what to do! Video games only gave him instructions how to bit the bosses not...This! Seeing you hurt, trying to defend yourself, it makes him feel weak, more pitiful.

The way you try to fight back someone so much stronger then you, it wakes something in him. Need, no must to protect.

Oldest of the Shroud brothers maybe shy and nerves wreck all over the place but when it comes to people he loves and cares about, all of his trades disappear. Before you, is not a shy and nerves Idia, it's Mr. Shroud.

With a blink of an eye, his by your side. On the outside, he is confident blackmailer but on the inside there's a killbill siren on the max volume. He's panicking inside okay?! Just because he looks like he's about to end someone's career (which he is-), doesn't mean Idia is even close to being confident.

Idia won't try to fight back, he'll just get you out of the fight. He may be a bit braver then before, that doesn't mean he's dumb now. He knows he's weaker then that bastard. He get's you to medical staff as fast as possible. Once you're save in nurse office, Idia lets himself panic all he wants.

He can't help but cry, feeling weak and pathetic. What good is he, if he couldn't protect person he loves?! Please, give this guy some love and reassurance. Idia feels absolutely broken. Don't think he forgot about that attack though...The person who did this will pay. Idia has a lot if blackmail material for a reason.

Malleus Draconia

Okay, genuine question. Does the person has a death wish? Like I'm genuinely curious. Everyone knows not to mess with Diasomnia dorm and their leader especially.

Malleus literally summons thunder when he sees this. Dark aura surrounding him, while he walks closer you and that poor unfortunate soul. How dare some, mere a fly compared to him do such things to his beloved?

Let's be real. Anyone, dumb or not, would stop attacking you and just ran away crying like a little beech baby. Though soon enough they're caught by one of Malleu's guards. Don't they dare think, that young prince just forgot about them. Let's just say that after that... There is a rumour that they got transferred to a different school.

He won't let attacker explain themselves. He doesn't want a word leaving their filthy mouth. Malleus just picks you up and carrys you to the medical staff to check you. Dorm leader doesn't leave your side and if he absolutely has to, he leaves one of his guards (or Lilia if that matters) with you.

Malleus just sits near you. Poor baby is too afraid to touch you, he thinks he'll gring you even more pain, he couldn't even hug you in fear of hurting you!

Malleus isn't the one to be a cry baby but if they're any scares left, he'll cry. It was his fault. You probably got beaten up because you were with him. Please, I beg you, give this boy some love and affection. He needs it even more then before.

Again, sorry for a delay!

[brakken]

On Homecoming

Here’s my stream of consciousness about Spider-Man: Homecoming.

Strap in, there are spoilers and a lot of words ahead.

Right out the gate, I gotta say this:

The Amazing Spider-Man 2 is my favourite Spidey film. 

I know it isn’t perfect - I have my own criticisms toward it, but I feel a lot of the hate it gets is undeserved, and I believe my reasons for liking it are valid. I also don’t consider my regard for it to be blind love for anything Spidey-related. I’m not a fan of Raimi’s Spider-Man 3, and I find ASM1 has huge problems. I think Raimi’s Spider-Man 2 is an incredibly well-made movie, and having re-watched it recently, it’s easy to understand why most people (myself included) consider it one of the greatest superhero films ever made. However - I don’t consider it the greatest Spidey film. That title is held by Marc Webb & Co.’s 2014 underperformer, with a current rating of 52% on Rotten Tomatoes. There is an inherent feel in that movie, which for me captures the magic and identity of what I see in Spidey as a character. But, this isn’t about ASM2.

I mention it, because I want to express how difficult it was - how scary -��to go into the cinema and watch Homecoming. For most audiences, this was potentially the first good Spidey film since Raimi’s 2. For me, it was following a film that I hold very close to my heart. And it took me two viewings to fully come to terms with my opinion on it:

Spider-Man: Homecoming is pretty good.

It’s not as good as Raimi’s 2, nor ASM2 (for me), but I’ve realised it’s not entirely fair to compare it to the second instalments of those series. Up against Spider-Man 1 and ASM1? It holds its own quite well. It’s pretty good. And if its first go can be pretty good, then the sequel has every opportunity to be pretty great.

While Homecoming has plenty of fun moments - of genuinely good moments… there simply aren’t enough memorable moments. As the sixth Spidey film, and as another episode in the MCU, it doesn’t hold enough of its own iconography to stand above its predecessors and peers. It’s clearly shooting for that ‘neighborhood’ feeling, and succeeds in that – but in doing so sacrifices opportunities for spectacle. And when it does step out into the big time, it’s all too similar to what we’ve seen already. Catching the elevator harkens right back to Raimi’s Spidey 1, with a bit of Gwen’s fall from ASM2 in the mix. When Spidey holds the ferry together, I couldn’t help but be reminded of the train sequence from Raimi 2 (plus Cap w/ the helicopter from Civil War). Nothing about how Spidey moved was overly unique or noteworthy to this iteration.

I have issues with the suit having such advanced tech - and to illustrate my problem I want to lay out the foundations of a general storyline involving the Symbiote: Spidey receives a new suit, it gives him enhanced strength, speed, and stamina. It increases the versatility of his web-shooting and makes his spider-sense react even faster. Beyond even that, the suit can talk to him - offering its own guidance and insight into his life. He begins to rely more and more on it. Becomes addicted to it. Until, he is able to realise it’s doing more harm than good, and ultimately abandons it - returning to his classic costume with a newfound understanding of his own strengths.

 Now, imagine after all that, he puts the black suit on again. And the story ends there. This is Homecoming. Sure, the suit isn’t directly affecting his biology or personality, but it represents newfound ability from a source not his own that he begins to rely too much on. Once it’s taken away from him, he’s back to basics - faced with the reality of hard decisions. He defeats the villain with his own strength, and having reached further clarity, turns down the Avengers position - happy with who he is, and comfortable with where he is. Then Tony gives him the suit back. Yes, he has fulfilled his character arc, and may very well use the suit responsibly in the future. But the suit in this case - is symbolic of him getting in over his head. A return of the suit equates to a return of that trait.

There’s a bit of a ‘wait and see’ that goes along with that (one of the track names on the OST suggests that Tony returned the suit without all the gadgets), but to cap off a movie which took efforts to showcase that relying on the bells and whistles is a bad thing, and handling the costume downgrade in the finale so well, it seems entirely backwards to me to then conclude with ‘yay! the bells and whistles are back!’

Karen presents an additional problem. She is, like J.A.R.V.I.S. in Iron Man 1, a non-character. An implement to give the protagonist and audience information when otherwise we’d be left confused or it would seem contrived to have our hero break into monologue. However, unlike J.A.R.V.I.S., she gives advice to Peter. She compliments him and gives insight into his personal life. To attribute this role to what is naught but a natural language UI is damaging to the actual active players in Peter’s life. It robs opportunity from Aunt May and Peter’s school friends to do the same, people with actual stake in interacting with him and who can experience the good and bad consequences of it.

To be clear, I get all this is purposeful in the context of the story. But it feels like the plot to a second film, mixing things up once we’ve established the characters in the first. Instead, we focus on them only long enough so they can fulfil certain trope moments before Karen, Happy Hogan, and Tony take centre stage in Peter’s life.

The suit’s design itself… I almost love. There are a few small things that bug me when I think of this as his standard get-up, but it has definitely grown on me since Civil War. Vulture’s suit, on the other hand, effing rocks and is the best thing ever and I love it. It’s everything I could have hoped for from a live-action Vulture.

Let’s talk about the opening Civil War vlog. Small inconsistencies in movies are easily forgiven, and it can be considered nit-picking to point them out as flaws or plot-holes of the movie. But the little things can go a long way to keep the audience from asking the wrong questions at the wrong time. Questions like:

Why was Peter shown as only having older tech in Civil War but in the opening vlog of Homecoming he has a modern smartphone? Why does he say ‘Holy shit!’ in Civil War when reacting to Giant-Man but in the opening vlog he says ‘he’s big now, gotta go’? Why does he have a bruise over his eye in the Civil War post-credits scene but looks unwounded in Homecoming while in Tony’s car (a scene which takes place presumably minutes earlier)?

All these questions can be answered. With ‘oh Tony gave him the phone’ or ‘He said “Holy shit” after the camera cut away’ but I think it’s a shame that what should have been a fairly easy and smooth lead-in to this movie is riddled with these little questions.

 On the note of lead-ins, I know we’re meant to be sick of origin stories at this point - particularly Spider-Man’s. Even so, I can’t help but feel like we’ve missed out on seeing this Peter’s beginnings. If the MCU is going to be Spidey’s home for the foreseeable future, I really want it to be the most secure - and having no solid concept of his backstory puts that on shaky ground. There isn’t that much to it. Bitten by spider, yep. Uncle’s dead, probably. But there’s still a lot you can explore surrounding that - so why not give us a bit more insight into how this one is unique? I knew they weren’t going to do an origin, but in doing so it’s created an odd-one-out within the MCU, wherein every titular character has had some level of on-screen genesis. I’m not very keen on prequels and flashbacks, so at least for me, they’ve kinda missed their chance. And that feels unfair.

I want to briefly touch on the scene-to-scene presentation. In my experience, scenes in stories should typically serve two purposes. The first is the subtext; to establish elements of the overarching theme or foreshadow future events. While the second purpose is the literal; to deliver a short yet satisfying arc within the scene itself, masking the subtext with smaller pieces of story. Here’s an example using the pizza delivery scene from Raimi’s Spider-Man 2:

Subtext: Peter struggles with managing his double life. His misfortunes are increasing in severity until finally he quits being Spider-Man.

Literal: Peter fails to deliver the pizza in time, and as a result, is fired from his job.

Compared to the deli scene from Homecoming:

Subtext: Establish the deli and its owner in the story so that when it’s destroyed, both Peter and the audience can witness the danger of the weapons Toomes is making, and witness Peter’s naivety and inexperience as a hero.

Literal: Peter buys a sandwich and pets a cat.

 That’s it. That’s the scene. Yes, he has some playful banter with the deli owner, but it doesn’t affect anything by scene’s end. It’s leaning mostly, if not completely on its overarching purpose, leaving the specifics of the scene in relative unimportance. My immediate reaction after the scene finished was ‘wait, why did we need to see that’? My reaction once I got home was ‘how did this scene end up in a Spider-Man movie’?

The film is rife with these one-track moments. At times, it avoids this, and I feel that’s where it’s at its best. The scene with Aaron Davis is a notable favourite of mine because it succeeds in delivering strongly on both the short and long term. The opening scene beneath Avengers Tower is also a fairly solid miniature arc while setting up the villain’s motivation for the remainder of the movie.

This one-track feeling bleeds into the characters at times, too. Particularly that of Michelle, who as far as the film is concerned is only there to say a witty remark before vanishing from the scene entirely… and then later, be MJ. (note: I actually don’t mind this change. It’s just a weird start for her and an unnecessary twist, that only leads to an unpolished character with the promise of more, rather than someone memorable and important from the get-go. She’s on the poster for gosh sake. I’m open to liking her, there’s just nothing to go on yet. I sure liked the way she… tilted her head up and squinted occasionally?)

I don’t think this makes any of these parts of the film bad. Only, less complete - less functioning as parts of a whole.

A scene that I do consider bad, though, is the death of the first Shocker. It’s a somewhat tropey scene - lackey steps out of line, head villain disposes of him out of spite and necessity, establishing that he can and will commit murder to achieve his goal. But, it doesn’t end there. After Toomes fries Shocker to a crisp with one of the pieces of alien weaponry, he looks surprised, saying ‘I thought this was the anti-gravity gun’. This is played for laughs, but at the expense of a cheap joke, they’ve thrown Toomes’ conviction into question. If he thought it was the anti-grav gun, did he not plan on killing his lackey? Does that mean his threats against Peter later are empty? Or was the plan always to kill the lackey, it’s just that he wanted to use the anti-grav gun to do it? But then why during the climax when he has Spidey defeated, does he go for the cargo instead of finishing him off? I can’t answer any of these questions because his conviction is made unclear, all from a simple, throwaway line. It’s a real shame, because I love pretty much every other scene with Vulture.

 That includes the familial twist. On the outside, it’s a little cheap. But the groundwork is laid from the very first moment of the movie. I wish it had been more original insofar as a villain’s personal connection to Spidey, instead of ‘oh it’s the dad again’ – however, it’s so well-implemented and revealed at just the right time to force Peter into a power/responsibility moment that I can’t help but enjoy it. Toomes driving Peter and Liz to the dance is wonderfully tense (possibly my favourite scene, and it’s just a car ride).

There are some genuinely great scenes beyond that. I actually teared up when Peter tells May he lost the internship, which is a first for me in a Spidey film (yes, even with ASM2 as my favourite in the series, I didn’t tear up at Gwen’s fall). Racing to the top of the monument has excellent pacing and presentation. Being trapped beneath the rubble and finally breaking free was an incredible performance from Tom Holland. As earlier mentioned, interrogating Aaron Davis has plenty of charm.

The score is good. Sometimes, it’s damn good. There are some really stand-out tracks. It just… isn’t on par overall with Elfman’s or Zimmer’s stuff. Raimi’s films and ASM2 come out strong from the beginning with their themes, and continue to play off them in new and interesting ways to cater to the moods of the scenes. Homecoming starts with the 60’s cartoon theme, and proceeds to never use it again. Giacchino’s original theme never steps up to be as memorable, and was only at its best when it wasn’t trying to be the theme. Vulture’s music rocks and is good forever – though I craved more variation to it. It seemed like every time he showed up we were hit with bahhh bwa-bah bah-BWAHHHH. It leaves something to be desired when compared to Electro’s music from ASM2 -  which is a constant in his scenes but always escalating to reflect his development. So, I guess as a character with only a little development, Vulture’s music is acceptable? I dunno, I might have just talked myself around on that one, haha. Nice to have some memorable MCU villain music, anyway. I love it a lot – just wish they’d played around with it more.

Spidey wrecked a lot of stuff in this movie, and it gives me some cause for concern that the filmmakers are going down the ‘everything is his fault’ route. I’ve talked a bit about this before, but I’m not a huge supporter of this concept. I’m fonder of a Spider-Man that takes responsibility, rather than one who’s responsible for everything, if that makes sense. If they’re going more for the ‘clumsy teenager’ route, that’s something I can get behind. But there is a limit. It was effective in the early parts of the film and the high-tension ferry sequence because of what it was saying about Peter and the effect he’s having as Spidey. But the chase through the suburbs, where he smashes or trips over everything he touches, was a little excessive. The last straw for me was when he wrecks Flash’s car. By this point we should start seeing character changes coming into effect, but they insist on presenting him as unable to face a new obstacle without breaking something.

I suppose I could go on and on, but I gotta call it at some point, right? So, I want to round all this off by just talking about some things I really liked.

Making Adrian’s whole deal that he’s a scavenger is such a cool way to get across the ‘vulture’ vibe and a great tie-in to the established MCU framework. The Shocker switcheroo was a fun subversion of expectations. Practical wall-crawling is just getting better and better. Stopping the bike thief and then not knowing where to return it is so ‘Spidey’. May helping Peter get ready for Homecoming is exactly what I could have asked for. The diversity of the cast in an MCU film was surprising and refreshing. Seeing Peter make his web fluid, and change his web cartridges mid-battle is something I’ve hoped to see for a while. Everyone in the cinema was having a great time and it was fun being a part of that.

So, that’s where I’m at. I’m at ‘pretty good’. At first it was hard to accept that. Hard to accept not being absolutely blown away by new Spidey content. But after a second viewing, I’ve come away satisfied, while still a bit sad about ASM2′s undeserved legacy.

If anyone has any thoughts of their own, or different viewpoints on the aspects I talked about, I’m very happy to hear them. I would love to love this film.

[m4rk-has-arrived]

this is Jell, Quiz and Nitwit's child.

[m4rk-has-arrived]

quiz loves cat videos lol