#rick was Right to not trust unity they Left him
Explore tagged Tumblr posts
Text
tbh unity is kind of a bitch like rick was Not wrong if someone dumped me like that and then kept calling me I’d ignore them too why would they expect rick to talk to them after they essentially betrayed him
#like what do you mean unity ‘cant trust’ rick anymore??#rick was Right to not trust unity they Left him#or maybe I’m toxic idk#rick and morty#unity#rick sanchez#also wong stfu ‘rick you’re wrong’#you’re the worst therapist but yes perfect for the smiths#but he’s Not in the wrong!!!!
38 notes
·
View notes
Text
Admit it. Rick Sanchez X F!Reader
Word count: 2,382
Rick was... out of it, I guess you could say he was still himself, but not really he just seemed, off. When Morty tried to ask if anything was wrong, Rick would respond in a "normal" Rick way but, it seemed forced. It was barely noticeable but he could tell, even though after Rick basically told him to fuck off he dropped it. It was just after the whole incident with Unity, which didn't make sense to Morty because it seemed like Rick had gotten what he needed and wanted from her, or it, or they, he didn't really know how to refer to the entity, but that's besides the point.
He had spent the whole night in the garage when Morty woke up for school the next morning he found his grandfather passed out at his work bench with a strange device looming over his head. Morty didn't know why but looking at it sent dread coursing through his body, he had a feeling he knew someone who could help him and his grandpa. She was... Rick's friend? (Y/n) (L/n), well honestly he didn't know what their relationship was at the moment, because a few years ago she used to visit daily but again that was years ago, he thinks they might have gotten in a fight or something. But if anyone could help him, it was her.
So he asked his mom to give him a ride to her house, but it took some convincing because what mother wouldn't question why her 14 year old son is going to a 23 year olds house by himself, like what kinda porn set up type bullshit, but after he explained his concerns for his grandpa she agreed. Once he got there he told his mom he would get a ride home and she complied and left. He rang the doorbell of the large house and waited, once the door opened he felt like all the air had been knocked out of his lungs.
She was absolutely gorgeous, her (S/C) skin looked so beautiful in the sun's light and her (long,short,medium) (straight,curly,wavey, kinky) (H/C) hair was beautiful. She was (Tall/short) and (Skinny,medium,thick) it made Morty wonder if her and Rick were ever more than friends at one point. What really got to him was what she was wearing, it was a matching set, a long sleeve sweater and shorts "Morty? Hello? You alright there kid?" He snapped out of his trance and nodded "Sorry, and sorry again for showing up unannounced but i need your help."
She looked at him for a couple of seconds before sighing "Listen first come in it's weird talking outside like this, and second, if this has anything to do with Sanchez I'm sorry but i can't help you." He frowned, why did she call him Sanchez? And why did her (E/C) eyes look so sad when she said it? He came in and she led him to her living room where they sat on the couch "So what happened?" He asked her, he really thought if he knew why she suddenly stopped talking to Rick he would be able to help "Morty, i guarantee if Rick is going through something right now it hasn't got anything to do with me, we haven't talked in years."
How did she know? "How do you know that's the problem?" he asked, she giggled playfully rolling her eyes at him "Rick and i used to work together, well if you could really even call it that, it was more like working next to each other and having conversations. But we were also intimate with each other and i know the only reason you would be here without him is because there's a problem concerning him."
His eyes widened if Rick worked with her that could only mean that she was a genius too, so if they were partners and lovers in one way or another then how could she not be the problem? But then again they hadn't talked in years. She was right there was no way she could be the cause of his grandpa acting strange. With that he felt pretty much defeated, what now? He didn't know how to contact anyone else or even who to talk to, it took him almost two weeks just to find her and she lived on earth there was no way in fuck he’d be able to get in contact with anyone else without Rick.
"So what do i do now (Y/N)? I just want grandpa Rick to go back to normal, I can tell he’s faking being his old self." He sighed and dropped his head, his shoulders slumped, he resembled a kicked puppy in all honesty, they stood in silence for a while before she sighed, "Have you met Unity? Or has he talked to them recently?" she asked with an almost sour look on her face, Morty nodded "Well there you go, she probably fucked him then left again" Morty had an oo0oh moment and nodded.
"Just like all things he'll get over it, now i think it's about time i take you back home yeah?" He nodded, but now he felt kind of bad she seemed really, bothered by something . "(Y/N) have you ever liked Rick? Or you know when you used to come over a lot were you together?" He asked as they walked out the door and to her car. "Yes, we did date at the time, well what i thought was dating until he bluntly told me it was nowhere near that and i was just quote un quote, "something to do." As they got in the car Mortys mouth dropped open no wonder she just disappeared from their life like that.
"i-im sorry Rick’s a real dick sometimes" she shrugged and focused her eyes on the road, ”Listen Morty your grandpa is a lot of things, a dick especially, and when it comes to emotions, especially his own, he becomes a coward, please Morty i know you've picked up about 300 shitty casualties from him but avoid that like your life depends on it. Okay? Or at least promise to try?” Morty could tell how serious she was without even looking at her.
The rest of the ride was silent, once she pulled into the driveway of Morty’s house she groaned seeing that the garage was open and Rick was standing in front of it. With his arms crossed, the moment his eyes landed on (Y/n) she felt her stomach drop, her hands were shaking, which Morty noticed. "Fuck me" she said under her breath, Morty got out the car but she stayed still almost frozen. "B-Bout damn time yo-ughh- you got here." Morty groaned "How did you even know I left?" Rick rolled his eyes "your mom o-obviously di-ugh-dipshit." Morty shook his head and waved goodbye to (y/n).
She waved back, she jumped when she realized Rick was now at her window motioning for her to get out she rolled her eyes before reluctantly getting out. He looked her up and down before stopping and staring at her lips, his eyes just sat there for a good minute before she cleared her throat. "Did you have something to say or did you just wanna stand here lookin’ stupid?" He scoffed before taking a swig of his flask "Y-You know yo-ughhh you never wer- seemed like one to hold a g-grudge. Thought yo-you wou-ughh would have got- been over it b-by now."
she stared at him with a blank expression before she back handed him sending him stumbling "wha-what the fuck!?" he exclaimed as he looked at her he was gonna say more till he noticed the tears streaming down her expressionless face "How long have we known each other rick?" he looked at her questionably "hey y-your ughh c--" she cut him off her voice a little louder than before "How fucking long rick?" he stood up right and looked into her watery (e/c) eyes as he held his cheek. "5 years" she nodded "and how many times in those 5 years did you introduce me to the many girls you fucked, the girls you ploughed mindlessly just to get off?”
he looked at her questionably again "none." he said simply "how many of them did you introduce to birdperson, or squanchy, or the people you know from other fuckin universes, Matter of fuckin’ fact, how many of those whores did you see walking around with different dimension ricks at the citadle?" he didn't have to think at all before saying "none" she nodded
"Rick not only, not fuckin’ only did you introduce me to squanchy, birdperson, and other Rick’s and their (y/n), when you decided you were ready to go back into Beths life you introduced me to your family, to your only daughter, to your nephew, your niece, and the dickhead that you cant fuckin’ stand for knockin you daughter up, that that in itself should be enough proof that im not just a hole off the street for you to have fun with" he stood silently still looking into her (e/c) eyes.
"And that the crazy fuckin’ thing rRick! not once did we even have sex, we never went further than sleep naked together! So for you to have looked me directly in my fucking face, and tell me that I was simply something to do didn't hurt, what hurt was the fact that you lied! You lied Rick! Straight through yo motha fuckin’ teeth! The fact that you're a genius doesn't mean shit to me when you don't even have the damn brain capacity to admit when you care about someone! You are a fuckin coward! I know you're scared to be hurt again, fine! But dont fucking pussy out and act like the shit that we had meant nothing!"
Rick was at a lost for words he didn't want to get attached to anyone since Diane and he knew that, he watched as (Y/n) wiped the tears from her eyes ``It hurts like a bitch to love someone so much, and to know that they love you back but won't admit it, it just makes you feel like they’re ashamed of you, like you're ashamed of me, Rick i asked for nothing when we first met." she sighed
“I told you that i just wanted to learn, you took that as if i can get the bitch to trust me enough i can eventually fuck her, yet you never even made a move Rick, your exact words were, i dont want you talking to anyone else, and i accepted that as your fucked up way of asking me out. i never once asked to label us because i already knew what we were, i thought i actually meant something to you.” The two sat in silence for a couple minutes she had hoped he would say something, and when he didn't she shook her head and got ready to get back in her car " I have to go, tell Morty to come see me whenever i guess." she turned ready to get in her car till she fell through a lime green portal. She landed in Rick's room, on his bed to be exact Rick soon came in after opening another portal and walked through.
“When normal people want to talk they usually use their words.” she said as she rolled her eyes and stoop up intending to leave, she wasn't the person she was 5 years ago, he couldn't kiss and caress his way out of this one. She was sick of him talking his way out of things his words couldn't be trusted and his actions were misleading so at this point fuck it, fuck him, fuck his hugs, his kisses, his scent, fuck the way he looked at her with longing eyes and made her weak in the knees.
Fuck everything, enough was enough, either he wanted to be with her, or he didnt those were his options, she hadnt even realized tears were freely falling down her (S/C) cheeks, she was shaking, she had tried to pursue a relationship with at least 10 other men and it all failed, she was taping her foot fast with her arms crossed as she kept looking at the ground
She didnt want him to see her like that the man had barely said a fuckin word and here she stood crying her eyes out, damn near hyperventilating “I’m sorry … you’re right, i am a fuckin coward and everything you said is true … fuck this is making me nauseous, all this sappy bullshit, to sum up this shit show of our relationship i love you, i am a cunt for pulling that bullshit, like you didnt mean anything to me because unfortunately you do, i gave into the pathetic chemical reaction that makes me just as human and vulnerable as the rest of our shitty race, hell i might even be a little less Rick because of this shit but if it means you wont disappear again …. It's worth it.”
She slowly approached Rick and buried her face in his chest as she cried, finally the dickhead admitted to well, being a dickhead and a liar, and a coward, and a cunt pussy shit fuck bastard, and his way of apologizing, it was.. Shitty but that's what she expected, he held her tightly kissing the top of her head inhaling her sent messaging her scalp through her (kinky,curly,thick,straight) hair
Once again they'd be sharing the night together she already knew he wasn't letting her leave so after she had stopped crying and did all the things she needed to do before she went to sleep she crawled into bed with him usually shed sleep on his chest but tonight rick insisted on sleeping on her chest probably his way of making sure she stayed there. Of course the two were butterball ass naked it was the only way she could sleep, “i love you” rick said just as she was drifting to sleep she smiled and kissed his forehead “i love you too.”
100 notes
·
View notes
Text
Reveling in Richonne
#136 The Right One (9x03)
Y’all, if anything Richonne related was recorded and released then I gotta break it down. That’s just the rules. 😂 And there were three deleted scenes from this episode that didn’t make it on the air but were still filled with Richonne goodness so I definitely gotta break it down and revel in it.
So the first deleted scene is with the Grimes Family visiting Siddiq. Judith is looking at Siddiq like doctors visits are not her favorite and Rick and Michonne sit next to each other on the side, trying to be as positive as possible so that Judith will be down to get her check up.
R&M look adorable as they so easily go into this parent role of encouraging Judith. ☺️ Like I love that they’re the kind of parents who both will feel it necessary to take time off to take their daughter to the doctor together as a whole family event.
So Siddiq suggests to Judith that maybe her dad can go first and Rick’s all cutely nodding and willing to do this for his daughter and then he reassures her “And Family Fun Day right after, I promise.” as Michonne nods in agreement. My face hurts from smiling like a dork lol. I love that “family fun day” is the coined phrase for them and that Rick is so eager to give Judith (and Michonne) (and him) this Family Fun Day. I could listen to Rick refer to the three of them as family all day. 💯
So Rick gets up and he and Siddiq demonstrate the whole breathing thing which is cute and Judith smiles very entertained, which is even cuter. And then Siddiq mentions that Judith’s file doesn’t have a family history.
And Rick looks over to Michonne cuz they both know why this conversation is a bit awkward. I’m glad Rick confided in Michonne about that whole Lori and Shane moment in season 7 cuz now he has someone who can be on the same page with him about this kind of stuff.
Siddiq asks if there are any conditions that run in the family like allergies and chronic conditions and all that.
Both Rick and Michonne share a knowing look like, “Look our daughter has a very complicated family history” lol. 😬 Like look at their faces and tell me that’s not a direct quote from their mind.
It’s so interesting tho to have a moment in season nine that alludes to stuff that went down in season two. Again, Michonne never even met Lori and Shane but I’m glad she knows enough to be able to share an understanding and supportive feeling with Rick here, rather than this being something Rick has to carry alone.
And Rick seems very happy to sort of look at Michonne throughout like “well ain’t this a little messy situation cuz of messy Lori & Shane”. Direct quote from Rick���s mind. 😂
But Rick plays it off saying, “I can’t remember much.” I feel like this really does cement that Rick has reason to be sure Judith isn’t his. Cuz I feel like if it was just a “feeling” that she’s not his biological daughter then he would’ve at least tried to think of some family conditions he might have, but Homeboy’s certain so he’s like nope I did the math and you don’t have to worry about my family history here.
I know for R&M, Judith is their daughter period so I feel like that’d be why they don’t clarify to Siddiq that her parents aren’t actually alive, cuz as far as anyone is concerned Rick and Michonne are her parents.
Rick then quickly changes the subject and asks about Aaron and then they talk about the missing savior and all that. Michonne’s a bit concerned about the fact that a savior was sent packing by Rick and left at night, but Rick is fairly certain it’s nbd.
And I wish it was no problem. I really do. Cuz then that perfect family fun day wouldn’t have had to end so abruptly. But I just have to note this scene for being yet another glimpse into the lives of the Grimes mom and dad. 😊
The next deleted scene is on the picnic blanket. I wanted this picnic blanket scene to be it’s own episode/spin-off series lol. 😂 But I’m glad that since it was only a clip in the montage, that there was at least a deleted scene with them in this moment.
The scene starts with Rick and Michonne watching Judith in this quiet peaceful environment. Judith coughs and Rick is quick to assure both him and Michonne, “It’s just a cough, nothing to worry about.”
Michonne agrees and says, “Yeah. Still I’m glad we checked cuz you never know.” Mama Michonne’s saying it’s better to be safe than sorry which I’m sure she feels strongly after losing both her sons so suddenly.
There’s something deep about this moment between them because of course they’re caring parents so that’s why this cough is of note to them, but also as of now this is their last remaining kid. And I know they are both so resolved to never lose her or let anything bad happen to her, whether it be something big like a walker and outside threats or something seemingly “small” like a cough and potential sickness.
Rick gets closer to Michonne and says, “If we could just have a few more years like this; quiet ones. For her sake and ours.”
I really love that it’s been made clear multiple times throughout this series that Rick’s ideal life would consist of just getting peaceful time with Michonne and their family.
Just like he wanted a few more days in 7x12, here he expresses wanting a few more years to have beautiful moments like this family fun day. The type of day they’re having and have clearly had in the last year and a half is the type of life he wants Judith to grow up with.
It’s sweet that he says for her sake but also for theirs. Of course they want Judith to have the best and happiest life possible, but I appreciate that Rick wants that for him and Michonne too. “And ours”. They’re married, y’all. 🙌🏽💯
I feel like this line is also meant to allude to the fact that raising a new baby in a world that can finally be quiet and tranquil would be great for them and their expanding family. Like he’s saying, if we can have peaceful years like this, then our babies (plural!!) will really be able to thrive.
I’m just glad Rick was written to be so expressive of loving his time with Michonne and their family this season. Like any chance he gets he’s giving her his focus and expressing his love and appreciation both verbally and non verbally.
It also just makes me think about how, in Carl’s final moments. Carl shared his vision of the future with R&M and one of the things he envisioned is that “Michonne is happy.” That’s something that was important to Carl and has been important to Rick for a long time too. Rick promised Carl he’d make everything in Carl’s vision real and I feel like making Michonne happy has been a priority to Rick this season, after having to go on his own grieving journey last season.
With this deleted scene, I love that Rick somewhat randomly brings up how what he wants is to live out his years just like this with them. Years, y’all. 🙌🏽 That’s significant cuz in the past nobody had the luxury to think in terms of years, TF was just trying to survive and make it to the next day. But this really does show how sustainable life’s become, that Rick can now talk in terms of years and that he wants that much time to not just survive but really live and enjoy life with his family.
Michonne of course agrees and says yeah. And it’s emotional cuz this is all both of them want. As hard as they’ve fought to survive and as much as they’ve been through, all they want is to be able to put that aside and live life as a family.
And then as they both smile watching Judith, who is their little light, Rick takes Michonne’s hand. I absolutely adore this. 🥰
One; I adore that they hold hands any chance they get and two; just the act is so sweet, especially because I feel like this is Rick at his most happy and content. And I feel like him taking her hand emphasizes the “and ours” part cuz he’s like this right here, watching our daughter is perfect and also this right here being with you is what makes it perfect too. So he wants Michonne to know that she’s his light and hope in this as well. 😌
He takes her hand also to just serve as yet another reminder that no matter what happens they’re in it together. The world has a tendency to scream at them a lot but they know they can withstand whatever would come at them in these coming years.
And this couple is balanced cuz he takes her hand in this moment to offer comfort and then as we saw in the actual episode, Michonne does the same when she takes his hand to offer comfort before he goes. I love the parallel of that cuz it illustrates how they both equally offer each other this comfort and unity.
I was just looking at Rick and Michonne and Judith together at this picnic like...
Like Rick knows he’s got the best wife and that with all the work the two of them have put in to making this world civil again, he believes they’ll be able to rest and enjoy it.
He also knows that they’re taking a huge step and investment in believing this world will be at peace, by agreeing to bring a kid into all this. I love that in this moment it’s the two of them, as this unbreakable unit and as this unmatched love, ready to take on the future together. 👏🏽👏🏽😊
So the final deleted scene from this episode is one with Rick and Carol. They all split up with people they trust so Rick pairs with Carol. As they walk Rick notices Carol’s engagement ring and says, “It looks good.” And I was like, Rick there’s another woman who a ring would look real good on too. 👌
Rick goes on to tell Carol how he’s happy for her that she found a good person and the right person in all this. And it’s sweet that he’s taking time out to address this and express his fondness for Carol and Ezekiel. He personally knows how fortunate finding that someone special is, so he’s happy Carol’s experiencing some of what he’s gotten to experience.
And Carol’s a real one cuz she tells Rick, “You too.” in regards to him finding Michonne. I seriously love that she tells Rick he found the right person for him cuz...
And Rick also was thinking in his head “facts” at the moment, cuz he just looks so proud and certain when he lifts up his head and shoulders and confidently says, “Yeah, I did.” 😋
I’m beyond here for this moment and I really wish it would’ve made the cut. It’s already nice to cement he found a good person in all this but the part I love most is “the right person”. Rick knows he is with the right person. He’s with the one.
I also wish this scene had made the cut because one thing I had been wanting is for outside characters to acknowledge Rick and Michonne as a couple more. It really hasn’t been since 6x11 where characters really made note of Richonne. And granted it’s not like it has to be the talk of the town but still.
And it means a lot for Carol to be the one to say this cuz Carol was in season one. She’s known Rick a long time and she knew Lori. So for Carol to be like “Rick, we both upgraded in this apocalypse” is great and it’s true. 💯😋
I love that Rick gets to acknowledge to someone that he found the right person. He found the person he was meant for and who was meant for him. And he proudly knows it.
Him and Carol know he’s got the baddest chick in the game. Amen. So Rick says “Yeah I did” but y’all that translates to...
#DirectQuote from the famous Rick Grime’s mind lol.
This moment also reminds me of when Morales ran into Rick in season eight and was surprised to learn that Glenn had found a wife in all this. And Rick was able to acknowledge both there and now how that’s possible, because he’s living out a story where he found his soul mate in all this too.
It’s great that he so happily and naturally expresses this, especially after the day he’d had with Michonne. Like this is coming off of the beautiful morning he’s had with her and the family fun day they spent together and so he’s especially thinking about how he’s got the right one and the best one and is proud to declare it.
And then Carol smiles and says, “Who’d have thought?” cuz it is quite a whirlwind to think one could find the love of their life in all this, especially after such a tumultuous first relationship, but for Rick that’s exactly what happened.
(Side note: I miss seeing Carol with this haircut. Hopefully she goes back to this style cuz if they’re going to take down Alpha then…they betta call Carol with the short hair 😂.)
In the part of this scene that did make the cut, Rick confides in Carol and tells her that every morning he wakes up and has this moment of wanting to walk down and kill Negan and just finish off the saviors and how in that moment it’s all he wants. I like the significance of this line because we saw what he actually did in his morning which is connect with his family.
It shows that while he may wake up with a rage towards Negan, he instead turns his attention towards all the good in his life. He turns to Michonne, and Judith, and Carl and then he’s reminded of what’s more important than killing his enemy. His family brings him back. 😌
Rick says he thinks about everyone they’ve lost and how he has to honor them. (Although call me crazy but I low key think Abraham and Glenn would be honored to have someone kill Negan and keep him from messing with anyone else lol. ��) And Rick says he knows it’s time to build life not take it which is exactly what he and Michonne are doing and have done.
I appreciate that 9x03 was such a blessing, even the deleted scenes had prime Richonne content. 🙌🏽
And it’s great hearing Rick verbally confirm what we all been knew and that’s that; Rick and Michonne got the right one. 😊💯🎉
gifs source: @michonnegrimes
102 notes
·
View notes
Text
Ann Coulter: C’mon, let’s take out Mitch McConnell in November
I won’t be participating in the effort but I think it’s a fine idea to start the post-election party bloodletting early. Until something changes meaningfully about the pandemic and/or Trump’s approach to it, there’s nothing to say about November. Trump’s on track to lose, probably badly. And if he does, there’ll be an unholy cyclone of recriminations followed by a power struggle over what a post-Trump GOP should look like.
Why wait? Start the purges now.
Coulter’s effort is actually a counter-purge. McConnell’s the one trying to purge Kris Kobach by spending big money against him in the Kansas Senate primary. He tried to recruit Kansas native Mike Pompeo to run for that seat but Pompeo ended up passing. Kobach is the biggest name left in the field, with his only real competition coming from GOP Rep. Roger Marshall. Cocaine Mitch has at least three reasons to dislike him. One is that Kobach’s a populist, a stalwart border hawk who wasn’t above taking a sustained interest in Barack Obama’s birth certificate back in the day. People like that aren’t as easily controlled by McConnell inside the caucus as establishmentarians are.
Two is that Kobach’s proved he’s capable of losing a big statewide race against a Democrat, falling five points short in the gubernatorial election in 2018 — in Kansas. He’s not Roy Moore but he’s Moore-ish in the sense that he seems to have already alienated enough of his state’s Republican majority to make what should be an easy victory in a red state needlessly competitive.
Three is that McConnell knows what the GOP is up against this fall. Even Kansas isn’t safe from turning blue if you believe Republican internal polling. Kobach is an especially risky choice in a climate like that. The GOP may still have a modicum of influence over the Senate next year if Democrats end up with a narrow majority since centrists like Joe Manchin and Kyrsten Sinema will be wary of left-wing policy programs, but every seat that’s added to Schumer’s margin gives a would-be President Biden more room for defections.
So … why not turn Kentucky blue too by electing Democrat Amy McGrath and let ’em go hog wild?
Three million dollars is a big ad buy in a rural state like Kansas:
After CNN reported on the effort Monday night, [Plains PAC] publicly announced its plans on Tuesday morning, attacking Kobach’s record and saying his loss in the 2018 gubernatorial race means he can’t win a Senate race in November. The group said it will launch a multimedia campaign — worth $3 million — with its first ad emphasizing Kobach’s “ties to white nationalists.”
“Kris Kobach gave Kansans the most liberal governor in our history,” Plains PAC Executive Director CJ Grover said in a statement. “Kansas Republicans support President Trump and his positive vision for America, but not Kobach’s consistent affiliation with a toxic ideology explicitly rejected by the President and Kansans of all stripes. Plains PAC’s mission is to remind primary voters why a vote for Kobach is too big a risk for our future.”…
The group’s media buyer, Mentzer Media Services, has worked on behalf of Republicans, including Senate candidates and the Senate Leadership Fund, a super PAC affiliated with Senate Majority Leader Mitch McConnell of Kentucky.
Kobach’s campaign called the “white nationalist” charge garbage, stressing that they immediately severed ties with an independent contractor when they found out he held those views.
Coulter’s probably right that the only way to teach establishment dark-money groups to stay out of primaries is to take a scalp from one of their heroes. If McConnell gets to scalp-hunt, populists get to scalp-hunt too. An obvious distinction is that Plains PAC is hunting in a primary whereas Coulter’s going nuclear by hunting in a general election, with a Democrat the direct beneficiary of the “Stop Mitch” push. But a Democrat will benefit indirectly in Kansas from the PAC’s gambit against Kobach if he emerges as the nominee anyway, since the “white nationalist” stuff might stick to him in the general election campaign. And if the attacks on him work and Marshall ends up winning the primary, it’s an open question how many disgruntled Kobach fans will turn out for Marshall in the fall after their guy was savaged. Seems like a clusterfark in the making no matter what happens, which is very on-brand for the GOP in 2020.
As for Trump, he’s been quiet about this race as far as I’m aware. No doubt he’d prefer Kobach over Marshall, but (a) he’s probably spooked by Kobach’s dismal showing in 2018 and doesn’t want to gamble any of his own political cred on him and (b) McConnell’s doubtless begging him to hold off on endorsing, knowing that Trump declaring his support for Kobach might decide the primary. If anything, Mitch probably has Trump lined up to campaign for Marshall in case he defeats Kobach, as maybe only POTUS has the juice to convince Kobach voters not to hold a grudge against the nominee.
Given the way things are going for Trump right now, I wonder if Marshall would even want that endorsement. Better to keep his distance, run his own race, and trust that Kansas Republicans who turn out for Trump against Biden will pull the lever for him too, however reluctantly.
Anyway, before the purges begin, I think it’s heartwarming that ardent populists like Coulter are capable of aligning with ardent anti-Trumpers like the folks at the Lincoln Project (George Conway, Rick Wilson) in a common cause. The LP is trying to sink McConnell and other Republican senators as punishment for their years of loyalty to the president. Now here’s Coulter trying to sink McConnell as punishment for his years of machinations against populists. Together, the sky’s the limit on the number of red Senate seats these two rascally factions might potentially flip this fall. Two ads here for your enjoyment. Our unity is our strength.
youtube
from Rayfield Review News https://therayfield.com/ann-coulter-cmon-lets-take-out-mitch-mcconnell-in-november from The Ray Field https://therayfieldreview.tumblr.com/post/623423616122552320
0 notes
Text
Ann Coulter: C’mon, let’s take out Mitch McConnell in November
I won’t be participating in the effort but I think it’s a fine idea to start the post-election party bloodletting early. Until something changes meaningfully about the pandemic and/or Trump’s approach to it, there’s nothing to say about November. Trump’s on track to lose, probably badly. And if he does, there’ll be an unholy cyclone of recriminations followed by a power struggle over what a post-Trump GOP should look like.
Why wait? Start the purges now.
Coulter’s effort is actually a counter-purge. McConnell’s the one trying to purge Kris Kobach by spending big money against him in the Kansas Senate primary. He tried to recruit Kansas native Mike Pompeo to run for that seat but Pompeo ended up passing. Kobach is the biggest name left in the field, with his only real competition coming from GOP Rep. Roger Marshall. Cocaine Mitch has at least three reasons to dislike him. One is that Kobach’s a populist, a stalwart border hawk who wasn’t above taking a sustained interest in Barack Obama’s birth certificate back in the day. People like that aren’t as easily controlled by McConnell inside the caucus as establishmentarians are.
Two is that Kobach’s proved he’s capable of losing a big statewide race against a Democrat, falling five points short in the gubernatorial election in 2018 — in Kansas. He’s not Roy Moore but he’s Moore-ish in the sense that he seems to have already alienated enough of his state’s Republican majority to make what should be an easy victory in a red state needlessly competitive.
Three is that McConnell knows what the GOP is up against this fall. Even Kansas isn’t safe from turning blue if you believe Republican internal polling. Kobach is an especially risky choice in a climate like that. The GOP may still have a modicum of influence over the Senate next year if Democrats end up with a narrow majority since centrists like Joe Manchin and Kyrsten Sinema will be wary of left-wing policy programs, but every seat that’s added to Schumer’s margin gives a would-be President Biden more room for defections.
So … why not turn Kentucky blue too by electing Democrat Amy McGrath and let ’em go hog wild?
Three million dollars is a big ad buy in a rural state like Kansas:
After CNN reported on the effort Monday night, [Plains PAC] publicly announced its plans on Tuesday morning, attacking Kobach’s record and saying his loss in the 2018 gubernatorial race means he can’t win a Senate race in November. The group said it will launch a multimedia campaign — worth $3 million — with its first ad emphasizing Kobach’s “ties to white nationalists.”
“Kris Kobach gave Kansans the most liberal governor in our history,” Plains PAC Executive Director CJ Grover said in a statement. “Kansas Republicans support President Trump and his positive vision for America, but not Kobach’s consistent affiliation with a toxic ideology explicitly rejected by the President and Kansans of all stripes. Plains PAC’s mission is to remind primary voters why a vote for Kobach is too big a risk for our future.”…
The group’s media buyer, Mentzer Media Services, has worked on behalf of Republicans, including Senate candidates and the Senate Leadership Fund, a super PAC affiliated with Senate Majority Leader Mitch McConnell of Kentucky.
Kobach’s campaign called the “white nationalist” charge garbage, stressing that they immediately severed ties with an independent contractor when they found out he held those views.
Coulter’s probably right that the only way to teach establishment dark-money groups to stay out of primaries is to take a scalp from one of their heroes. If McConnell gets to scalp-hunt, populists get to scalp-hunt too. An obvious distinction is that Plains PAC is hunting in a primary whereas Coulter’s going nuclear by hunting in a general election, with a Democrat the direct beneficiary of the “Stop Mitch” push. But a Democrat will benefit indirectly in Kansas from the PAC’s gambit against Kobach if he emerges as the nominee anyway, since the “white nationalist” stuff might stick to him in the general election campaign. And if the attacks on him work and Marshall ends up winning the primary, it’s an open question how many disgruntled Kobach fans will turn out for Marshall in the fall after their guy was savaged. Seems like a clusterfark in the making no matter what happens, which is very on-brand for the GOP in 2020.
As for Trump, he’s been quiet about this race as far as I’m aware. No doubt he’d prefer Kobach over Marshall, but (a) he’s probably spooked by Kobach’s dismal showing in 2018 and doesn’t want to gamble any of his own political cred on him and (b) McConnell’s doubtless begging him to hold off on endorsing, knowing that Trump declaring his support for Kobach might decide the primary. If anything, Mitch probably has Trump lined up to campaign for Marshall in case he defeats Kobach, as maybe only POTUS has the juice to convince Kobach voters not to hold a grudge against the nominee.
Given the way things are going for Trump right now, I wonder if Marshall would even want that endorsement. Better to keep his distance, run his own race, and trust that Kansas Republicans who turn out for Trump against Biden will pull the lever for him too, however reluctantly.
Anyway, before the purges begin, I think it’s heartwarming that ardent populists like Coulter are capable of aligning with ardent anti-Trumpers like the folks at the Lincoln Project (George Conway, Rick Wilson) in a common cause. The LP is trying to sink McConnell and other Republican senators as punishment for their years of loyalty to the president. Now here’s Coulter trying to sink McConnell as punishment for his years of machinations against populists. Together, the sky’s the limit on the number of red Senate seats these two rascally factions might potentially flip this fall. Two ads here for your enjoyment. Our unity is our strength.
youtube
from Rayfield Review News https://therayfield.com/ann-coulter-cmon-lets-take-out-mitch-mcconnell-in-november
0 notes
Text
This slideshow requires JavaScript.
Scott Avett is having the type of month multi-hyphenates dream about: a new album; a sold out show at Brooklyn’s Barclays Center; an appearance on The Tonight Show; and the opening of a huge collection of his paintings at the North Carolina Museum of Art.
“Today is the first day I’m constantly reupping as a musician,” he said during a Monday morning interview four days prior to the release of “Closer Than Together,” the Avett Brothers 10th studio album and the group’s first since “True Sadness” hit number 3 on the Billboard Top 200 in 2016. “I’m dedicating for the first day in many, outside of playing shows, just to work on music and on being a musician again.”
He laughs. “With all that’s going on, I have to do that. But I’m full in all the way. I’m going to try to keep going and try to keep making what I’m supposed to be making.”
On the music front, that involves what Avett calls a “gradual evolution” of the group’s sound and vision. While the group says it does not make “sociopolitical” music, “Closer Than Together” addresses gun violence (“Bang Bang”) as well as toxic masculinity and greed (“New Woman’s World”).
But more than anything, the album represents a call for unity, no surprise for a band whose earnest, seemingly simple songs about the human condition touch on issues of great depth for us all. You especially see that during the Avetts’ live set, which I witnessed first-hand while shooting the show in Brooklyn later that week.
During a 30-minute phone interview, Avett touched on the group’s creative process, his various outside projects (including a Broadway musical based on the Avett Brothers’ music and producing Clem Snide’s new record), the freedom of working for a major label as the music business turns upside down, and the effect of a Judd Apatow documentary on the making of “True Sadness.”
Here are excerpts from the interview, edited for clarity:
On the group’s “life and death output” and the effect it has on him: “Every one of them, by the end, there’s this output of life and death from ideas and thoughts. In some ways, it’s the death of songs in that we’ve recorded and released them, and yet there’s this new life that does reflect seasonal growth and dying off and rebirth. Creatively, it’s reflective of life and the trust we have in each other. But the songs have many lives and deaths as we are documenting them and putting them out there.
“I’m more aware of it than I used to be. I used to be so miffed by how short and grumpy I was at the end of every recording session. I would just be a total pain in the butt to live with. Seth (his brother) would certainly agree. Now I’m much more aware of it and doing things to combat it.”
On how the “True Sadness” documentary affected his approach to music making: “It was exhausting, but so was ‘Four Thieves Gone,’” Avett says, referring to the group’s 2006 album. “Seeing the documentary myself helped me to observe (how he responded to stress). I was able to observe this self I was on screen, this really unguarded vulnerable self. Isn’t that amazing, that we can do that?
“We had the same process with this record for sure, the same feelings for sure, but I did more to combat them and keep them in place, I tried to use the parts of them that are good to fuel what I do as opposed to stopping something in its tracks, which I’ve been known to do because I didn’t know what to do with it.”
On the documentary’s effect on the band’s popularity: “’True Sadness’ had a little longer life because of that documentary, but the cool thing was we saw real numbers change at our live shows. More people came out who were curious, who had no idea what we were. It was sort of like, ‘Here’s this group. Why have I missed them?’
“It was exciting to see that growth in our concerts. That’s our real time life, where we come and share all of these creative lives and deaths that we experience within a show.”
On the band’s continued growth and evolution two decades into their career: “Not everyone knows all the missteps and failures. There are all these hits and misses here and there. They always happen, but when one miss happens, the attitude has to be there will always be another opportunity. We have to know it’s OK, that there are always going to be misses. In fact, there should be more misses than hits.
“For the longest time, we always sort of ranked ourselves. Early on we had to do that, because no one was going to rank how we did. And we were very lucky. We were raised in a very caring — probably it’s a spiritual thing that I didn’t know at the time — environment in which you were encouraged to accept yourself as being part of something bigger and something grand.
“So, it’s a gradual evolution for me. It’s been in real time. I really don’t take any time to compare where we are consciously. Sometimes I forget where we sort of were or where (songs) came from. But when I think about it, I can certainly hear two different bands, especially as far as sound goes.”
On signing with a major label (Rick Rubin’s American Recordings, now part of UMG) and advice they received from Paleface, a folk artist who was signed by Polygram and Sire in the 1990s only to be dropped soon after: “One of the things we did right, I think, is work amateur until you get called up into the quote-unquote majors, and I shouldn’t even put quotations around that. We started as amateurs (with the North Carolina label Ramseur Records). The majors would have been suicide for us. It really would have been.
“Paleface is this brilliant songwriter we met in New York in 2003, and what he experienced was the opposite to what we went through. He was on a major label really early and really quick and he self-destructed. He said, ‘I didn’t have to do anything for myself. I always had people around me who would do everything.’ He would always tell us how good it is that we grew slowly, that we made all of those early mistakes in the amateurs.
“We knew how to draw thousands of people in several cities before we ever got to the majors. We knew how to sell records. We knew how to run a business. We knew how to write checks and manage money among each other. We didn’t really need a major label at that point except to advance our creative process, and that’s where Rick came in.”
On taking more than three years between albums: “We’re more apt to take more time now than we used to. We didn’t used to have the financial ability to take the time, but as soon as we were remotely stable (financially), we started taking the time. It’s one of those resources I was talking about.
“Right off the bat, Rick helped give us space that we weren’t taking for ourselves. We weren’t taking the initiative to make space and time at a natural pace. Rick has really helped us take time, make space for the music and follow our instinct and conscience. We were on that path already but he really sped it up for us.”
••••••
At this point, with about 10 minutes left, our conversation shifted to Avett’s other projects while staying focused on the creative process. We discussed his art shows (the large one at the North Carolina Museum of Art and a smaller one at the Soho Gallery in Charlotte, both of which will be up through January 2020), and the Broadway musical. The Clem Snide record, which Avett describes as “indie but spiritual” will be released next year, and the band also is expected to return to the studio in the spring to finish some music that was left behind during the Closer Than Together sessions.
Avett graduated from East Carolina University in 2000 with a BFA in studio art. The “full-on big show” in Raleigh, “Scott Avett: Invisible,” is described by the museum as his take on “universal issues of spirituality and struggle, love and loss, heartache and joy, as well as more personal stories of career, family, and living in the South.”
Painting and performing are large parts of who Avett is creatively, but they “can really distract each other badly. They can be each other’s worst enemy. I have to be really disciplined and know when to turn my back on one to work on the other.”
With the band on tour through November, he’s looking forward to taking some time to recharge before, as he describes it, the creative muse inevitably returns. And he remains open to following the “spark” that sometimes occurs when he’s exhausted.
“When I’m home and once I’m rested from being out, it’s so predictable, I get these visions of what’s next or these sounds of what’s next. They come in and I’m driven to go out and make whatever it is that calls me,” he said. “But some of the most interesting stuff for me comes after the big efforts, when you’ve had the juices flowing and gears turning. Sometimes that lack of presence you feel because you’re so exhausted actually makes you more present. It causes you to be in real time and something great can happen. That’s really fascinating for my process.”
The Broadway musical, which largely will be based on 2004’s “Mignonette” as well as other songs from the group’s catalog, is an additional artistic challenge for the group. “It seems so natural,” he said of “Swept Away,” which premieres at Berkeley Repertory Theatre in June 2020 before moving to New York. “Early, early, early on, I could see these songs as a Broadway piece, but I put that idea away years ago. To see someone else imagine it or see it in the same way, that’s exciting. They’re producing something that may or may not work, but it will be fun to see what happens.”
With three children — ages 4, 8 and 10 — and a career filled to the brim, Avett said he has learned over the past several years not to “overvalue work time” and to “give more value to the nondoing.”
“I swear, I’m doing much more within less work time than I used to, because adopting that principle causes you to be more relaxed and have a more fulfilling family life,” he said. “It’s easy to say that a career is the most important thing you have, but that’s such nonsense. It’s all so silly. If I afford myself more family time, which is super important, then I’m more relaxed when I go to work. And when I’m working, what I’m doing is more sincere and more fun. I just couldn’t get that before the age of 40. I couldn’t get it.”
As the conversation ends, I asked Avett if he enjoys music and art as much as he did 20 years ago.
“I think I do,” he said, laughing. “But in a different way. I try not to treat it as critically as I did 20 years ago, and that makes it more fun. It’s been a shift, because as many times as I say I’m going to change careers or going to quit, I never would. I’m always excited to move on to the next thing. There’s always the next thing to enjoy. I think that’s the key.”
https://www.theavettbrothers.com/welcome
Interview: ‘Full in all the way’: Scott Avett talks about music, art and the creative process @theavettbros @umusic @republicrecords #americanamusic #closerthantogether Scott Avett is having the type of month multi-hyphenates dream about: a new album; a sold out show at Brooklyn’s Barclays Center; an appearance on The Tonight Show; and the opening of a huge collection of his paintings at the North Carolina Museum of Art.
0 notes
Photo
Another bitter week that took Washington to the brink of exhaustion landed Donald Trump at the epicenter of more tragedy, scandal and rancor than a conventional president would hope to face in a full year.
The White House was sent reeling by the Florida school massacre, new indictments in the Russia probe, its own mishandling of domestic abuse claims against a top staffer, allegations that Trump covered up extra-marital affairs and another huge immigration fail.
All of this unfolded when the administration hoped to focus on infrastructure -- when the big headlines would involve the President pushing his next big agenda item.
Instead, Trump offered a fresh example of his propensity to draw the capital, and the rest of the nation into his cone of chaos. Each of the week's staggering and occasionally horrific events will have profound political reverberations. They are already further poisoning trust in Washington and stretching bonds of national unity in a way that will make the already all-but-impossible task of governing more difficult.
The sting in the tail of the week came when special counsel Robert Mueller unloaded 13 indictments on Russian nationals accused of running the Kremlin's attempt to influence the 2016 election, eventually settling on a plan to damage Hillary Clinton and to help Trump win.
Mueller's surprise strike was not just the most comprehensive account of the meddling effort so far and the first time he has laid charges relating to the core thrust of his investigation -- Russia's election meddling operation. It was also another sign of how little outsiders know about the sweep of his investigation, a factor that must worry White House lawyers.
The President quickly seized on a detail of the indictment that noted Trump campaign staffers were unwittingly approached by the Russians to trumpet his claims that his assaults on the probe were vindicated.
"The results of the election were not impacted. The Trump campaign did nothing wrong - no collusion!" he tweeted.
His crowing might be premature, however, since the indictment did not make any reference to known liaisons between Trump staffers and Russia or the activities of senior campaign and administration officials under investigation. Democratic Sen. Richard Blumenthal of Connecticut told CNN's "The Situation Room" on Friday that Trump was "engaged in some magical thinking here that somehow, this indictment exonerates him. Nothing of the kind."
It is still possible that Mueller exonerates Trump and his campaign. But in time to come, the indictment could also be seen as the latest jigsaw piece put in place by Mueller that could eventually serve as the legal backdrop for any eventual determination that collusion or obstruction of justice did take place. That's because Mueller established that Russian election interference was a criminal matter -- significantly increasing the consequences for anyone in Trump's orbit who has the potential of being implicated in the affair.
It will also now be far harder for Trump to claim that the Russia meddling story is a huge "hoax." Furthermore, the evidence of a genuine threat to American democratic institutions that Mueller laid out may make it much harder for Republicans to shield Trump politically if he fires the special counsel.
Pressure is also mounting on the administration to finally impose sanctions against Moscow over the election scandal. And ties between Washington and the Kremlin are sure to sour. But the picture Mueller painted of a sophisticated Russian operation is sure to enhance President Vladimir Putin's reputation as a master of the dark arts of espionage, despite Russian denials.
CNN has reported that former Trump deputy campaign manager Rick Gates is nearing a plea deal with Mueller, which will also meanwhile mean a nervy weekend for the White House.
As Friday's Russia story broke, Trump was on his way to honor the victims of Wednesday's school shooting in Parkland, Florida, by visiting Broward Health North hospital, where many of the victims were treated.
In the immediate aftermath of the rampage on Wednesday, Trump was absent, apart from offering condolences on Twitter, and then seemed to blame local people for not spotting the apparent mental turmoil of the suspected shooter, 19-year-old Nikolas Cruz. When he finally appeared on camera 20 hours after the attack he promised to keep America's kids safe. But one word was missing from his remarks -- guns -- as Democrats demanded reforms to deal with high-powered, military style weapons the killer used, and Republicans immediately accused them of politicizing the tragedy to snatch the guns of law abiding Americans.
The depressing familiarity of the ritual underscored how sharp political divides are likely to mean nothing meaningful happens after the tragedy.
Republicans on Friday were quick to seize on reports that the FBI had missed a tip-off about the shooter to alleviate political pressure, after students at the school appeared on television to demand changes to gun laws.
But the debate will flare back to life after the next, inevitable, massacre.
The Florida killings overshadowed what had until then been the dominant story of the week, the White House's pushback against claims of abuse against departed senior staffer Rob Porter by two ex-wives.
Trump's response, as it often does, made the storm much worse as he came across as more concerned with Porter's lost career than for the plight of the woman who told the FBI about their plight.
The political impact of the scandal was magnified because the claims caused the FBI to block Porter's security clearance, leaving him operating on an interim version, despite the fact his job required him to handle classified intelligence.
CNN then reported that at least 100 officials served with the similar interim clearances until November, in a highly unusual move that raised questions about the backgrounds and credentials of many administration staffers.
At times, the White House's shifting explanations had it digging ever deeper in to the mire. On Friday chief of staff John Kelly, whose credibility was badly damaged by the episode, issued new guidelines on the clearance process, calling on the FBI to quickly share derogatory information about staffers with the White House counsel's office and suspending background checks of officials who have been waiting for a sign-off since last June.
Kelly has also been a key player in the White House's hardline immigration policy which has left hundreds of thousands of people brought to the US illegally as children in limbo after Congress again failed to act on a compromise to shield them in return for funding for Trump's border wall.
Fierce White House assaults helped to blow up a compromise plan in the Senate, but Trump's own four-pillared proposal, which also reforms legal immigration, perished in the chamber by an even bigger margin.
The debacle meant that people affected by the expiration of the Deferred Action on Childhood Arrivals program still do not know their fate.
But the furor may have protected Trump's right flank and defused a campaign by far right media against him that has seen him labeled "Amnesty Don."
Trump began the week embarrassed by revelations that his longtime lawyer, Michael Cohen, had paid $130,000 to former porn star Stormy Daniels days before the 2016 election. The news provoked questions on whether Cohen -- who insisted he was acting on his own initiative and with his own funds -- had infringed campaign finance laws by trying buying the silence of Daniels, who claimed she had an affair with Trump.
The President's week ended with a stunning new report in The New Yorker that detailed an alleged affair with former Playboy model Karen McDougal in 2006 and 2007 and an alleged scheme involving the National Enquirer to cover it up. The report sparked fresh speculation about the state of Trump's marriage to first lady Melania Trump and questions about the activities of the President's entourage, as well as his potential exposure to more compromising situations.
Trump was also preoccupied with other peoples' scandals, specifically those of two members of his administration, Environmental Protection Agency Chief Scott Pruitt and Veterans Affairs Secretary David Shulkin, who are both under scrutiny over extravagant travel arrangements.
Normally, either episode would be a huge headache for Trump, but such was the turmoil in Washington this week, neither became dominant stories, though they added to the churn of sleaze and scandal around has administration.
0 notes