#riccardo freda
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Murder Obsession (1981)
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weirdlookindog · 4 months ago
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Maria Canale in I Vampiri (1957)
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horrorme · 1 year ago
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The Horrible Dr. Hichcock (1962)
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diabolikdiabolik · 1 year ago
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The Horrible Dr. Hichcock (1962)
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darkcollectornerd · 2 months ago
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Poll: Favourite of these Euro horror directors?
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Again apologies, if your favourite isn't on here. There's so many more I could have included, but it only allows twelve choices.
Art by Rick Melton
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gatutor · 5 months ago
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Barbara Steele "Lo spettro" 1963, de Riccardo Freda.
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sacredwhores · 3 months ago
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Riccardo Freda - Castle of the Banned Lovers (1956)
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toiich · 3 months ago
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Double Face [Das Gesicht im Dunkeln] (1969), dir. Riccardo Freda
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iwatchfilmsbut · 3 months ago
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The Ghost (Lo spettro, Riccardo Freda, 1963)
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mariocki · 2 months ago
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Murder Obsession (Follia omicida, 1981)
"Why are you interested in the occult?"
"The only way to discover life's secret is through magic."
"I don't understand."
"Death. That exact moment when the body and soul separate, that which in theosophy is known as the astral body. We would have to capture that exact moment to analyse it, but to do this we would have to kill with our own hands, so that not even a wisp of life escapes us. Don't you agree?"
"And would you kill someone for this?"
"I think so."
#murder obsession#italian cinema#horror imagery#follia omicida#murder syndrome#1981#riccardo freda#antonio cesare corti#simon mizrahi#stefano patrizi#martine brochard#henri garcin#anita strindberg#laura gemser#john richardson#silvia dionisio#fabrizio moroni#franco mannino#carlo maria cordio#curious french italian coproduction. considering the era and the title i was expecting a grotty slasher of some kind but (whilst it#certainly has some elements of the stronger 80s sex and violence) director Freda seems more interested in stirring in dual elements#of giallo and gothic cinema. makes for a slightly fractured film; trippy dream sequences and a weirdly old fashioned score sit oddly with#the splatter and the grime. ends oddly‚ too‚ with a brush of occult oddness that feels like a strange left turn after the film has been at#pains to rationalise everything that came before it; in this it feels very much like Bennati's equally tonally mismatched The Killer#Reserved Nine Seats from the previous decade. this does feel a little out of time: a decade earlier and it would make sense but by 81#Italian cinema had mostly put away the toys being played with here‚ and whilst it's brushed with 80s appropriate nastiness it still feels#just a little old fashioned in shape and form. not bad tho: of interest to those sick freaks who will watch just about any italian horror#movie. it's me‚ im the sick freaks. strong cast too‚ tho apparently they all had a horrible time making it (Gemser in particular)#(her and Brochard actually; both were put in dangerous situations for some of the violent scenes)
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A doppia faccia (1969)
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weirdlookindog · 5 months ago
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I Vampiri (1957)
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giallofever2 · 1 year ago
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ddzzaaii · 1 year ago
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caltiki, the immortal monster dir. riccardo freda
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rwpohl · 8 months ago
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a doppia faccia, riccardo freda 1969
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keres-salos · 2 years ago
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"We went out in the evenings, while shooting "Nel segno di Roma": Anita Ekberg, Jacques Sernas, Riccardo Freda and me. One night when the four of us went to a restaurant, I found myself alone in front of Freda. He eagerly courted me, telling me how he had launched [the career of Giana Maria] Canale and that he had just added a dialogue scene specially written for me, in the film that we were shooting. I thanked him but I did not give in to his advances. When the shoot was over, he told me that he would have to cut my dialogue scene. I told him that if he did that, I would have to cut his balls." - Chelo Alonso on director Riccardo Freda
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