#reygadas

[introspect-la]

BELA TARR FOR SCREEN SLATE (2022)

[kalokagathos-in-digital]

One of the greatest openings. 👁️

[sonatadeunas]

japón | 2002 | carlos reygadas

[gael-garcia]

okay but, that's the dream

(Bela Tarr reflecting on film.factory, which went bankrupt after 3 years)

[sigelfire]

Remember this post I made with a photoshoot of Diego for Quién magazine, 2020?

Well, here is the bts video :) (x)

Revista Quién August 2020, with Diego Luna, and Mexican Chefs Elena Reygadas & Enrique Olivera at the front cover. They'd be talking about Pan y Circo.

Photos by Gustavo García-Villa

[movie-gate]

Post Tenebras Lux (2012) Carlos Reygadas

[cinematicjourney]

Silent Night (2007) | dir. Carlos Reygadas

[artfilmfan]

Silent Light (Carlos Reygadas, 2007)

[lafiguraentutapiz]

Japón. Carlos Reygadas. 2002

[cinematic-studies]

Post Tenebras Lux (Carlos Reygadas, 2012) *Cinematic Studies is also on Instagram. Follow @cinematicstudies

[apicturespeaks]

Japón, Carlos Reygadas

[filmsthesia]

"Post Tenebras Lux" (2012) - Carlos Reygadas

[sonatadeunas]

japón | 2002 | carlos reygadas

[pulquedeguayaba]

Nooooo Tony why you taking Bob to that glorified and expensive as hell shithole that loves to shit on workers' rights; discriminates against mexicans especially if they aren't white, upper middle class, and speak english; serves expired and rotten food, and then has the gall to be offended when people point that out.

Take him to your local street tacos and get him actual REAL mexican pastries from a real ass panadería accompained with some nice café de olla instead of whatever overpriced bs they sell there (p.s. they dont use ricotta for the guayaba one, they put Philadelphia instead but they won't tell you).

There it is

[absencesrepetees]

silent light (carlos reygadas, 2007)

[sigelfire]

Diego Luna and fellows director Amat Escalante and producer Pablo Cruz at the screening of their film Revolucion (*) for the Morelia International Film Festival, 2010

(*) The aim of "Revolucion" was to bring together 10 short films of a maximum of 10 minutes each, where each director would show their vision of what the Mexican Revolution is today. Not the historical one, but the moral, spiritual and social one. The union of these works is what gives shape to this project that was presented in 2010 within the framework of the Morelia International Film Festival.

Seven of the 10 directors were presented at the film competition: Carlos Reygadas, Mariana Chenillo, Patricia Riggen, Gerardo Naranjo, Fernando Eimbcke, Amat Escalante and Diego Luna, alongside the producer of the shorts turned into a feature film, Pablo Cruz.