#rewatching season 2 so my life can fall apart once again

[mikacanica]

"… I’m coming back. I won’t leave you on your own."

[k-s-morgan]

Hi! I've been in the Hannibal fandom for two years now. Rewatched the show many times and yet Will Graham still confuses me like no one else. Hannibal's design is complex but somewhat understandable after watching the show again again. But Will's design is like a loophole. He can empathise with the killers. That means he can understand them. If he can understand them then why does it feel good for him to kill them? How does it work for him exactly. Does he feel for the killers? If he felt for the killers then what about his violent tendencies towards them?

I've always thought that he is like a God. A God of the killers. The killers offer him their design and he takes sacrifice in return of understanding. But how does his psyche work exactly?

Hello! Oh yes, Will is a very confusing character - it’s his defining trait, and I think that’s because he lies to himself, to others, and to us as an audience. He wants one thing, wants to want another thing, does the third thing, and making sense of it is a complex process.

I think Will’s empathy is a big red herring. I agree with Freddie here: he understands killers because he’s one. He has an almost supernatural gift that helps him recreate the situations almost exactly as they happened. He understands what motivates killers, he might sympathize with them, but I think he might also envy them their freedom to be what they are. They are a reminder of what he is and what he can’t allow himself to have. But most importantly, they are a way for Will to find a compromise with himself and feel better about his true self. Killing bad people is an excuse to justify his darkness, but I don’t think it’s a part of his design per se. 

I agree with you that Will is like a God - he and Hannibal both are. That’s one of the things that separates them from others and elevates them above everyone else. Let’s make an overview of Will’s victims.

1) Hobbs. Hobbs was a monster and Will killed him. But it wasn’t about justice and righteousness, not according to him. Killing a person and feeling pleased that you saved someone versus liking the act of killing itself are drastically different things. Many police officers have to kill in their line of duty. Very few of them get off on the act of murder. Those who do are killers, and they are especially dangerous if they immediately try to follow it up with another murder. Will never once says he liked killing Hobbs because he made this world better. When asked, he says that he felt a sense of power. This is a motivation of many actual serial killers. If Will was just glad that he saved Abigail, he would know it's normal. He wouldn't have been almost on the verge of a break-down and haunted by Hobbs. So it’s not about helping others, it's about murder, even if the victim was a monster.

2) Stammets. Will had no reason to try to kill him (which he admits to doing). Based on his and Hannibal’s talk, he understands that he just wanted to feel what he felt after killing Hobbs, and this makes him panic. So again, no someone. He’s chasing the high of killing someone, and Stammets is the most appropriate victim. 

3) Ingram. On the surface, it looks like Will wanted to avenge Peter and himself by proxy, hence pulling the trigger on Ingram. However, after Hannibal manages to stop him, days later, Will complains about losing a chance to feel how he felt when killing Hobbs. Murder high is his main motivation again - everything else is background or an excuse, depending on your reading.    

4) Randall. Will threw away the gun on purpose to make the murder more intimate. This is not about justice and this is not about protecting himself because by doing this, he reduced his chances. Will also beat Randall up until he wasn't moving. There was no reason to snap his neck. Mutilation, cannibalism that followed, keeping his suit, admitting he enjoyed the murder and calling it his design - this is about murder and WIll’s love for it primarily. The design part is especially important: based on it, we can conclude that Will loves a performance just like Hannibal.  

4) Chiyoh and her prisoner who Will set up. Chiyoh was innocent and didn't deserve to die. Her prisoner might not have been guilty - in fact, Will was the one to suggest that, and yet Will still set him up. It was a game and he was an observer - he lied in waiting for Chiyoh’s scream. He then turned the body of a losing party into art. Very creepy and very like Hannibal.

5) Chilton. Will clearly explained his motivation: he wanted Chilton to pay just because he wanted to be famous and messed with Hannibal by writing his ridiculous book. Will showed no remorse and admitted he did it on purpose.

6) Police officers he set up to be killed by cooperating with Francis. The ones he stepped over without a second look. They were innocent and they were a collateral damage. Will is a cruel God who doesn’t bother with mere mortals as long as it fits his purpose. In this case, his purpose was freeing Hannibal. Everything else was still a blur in his mind. 

7) Francis. Enjoyed the murder, admired the blood, called the situation beautiful.

8) Bedelia. She's innocent in comparison to Will and his body count. If Will faced no repercussions and continued getting more and more people killed, she had every right to go free. But God doesn’t have to be fair, and Will proves it by targeting her. 

What does it all say about Will’s design and philosophy? Apart from Godlike attributes and indifference toward collateral damage, I think Will is led by his bloodlust - he just tends to control it and direct it at specific targets. 

Will might prefer to kill “bad people” in the first two seasons, but it’s the process of murder that excites him. So I see his righteous choices as a preference that helps him justify his dark nature partly, not the core reason for his violence. Hannibal seems to be moved by his interest in human nature and his hunter instinct, but Will, I think, is a truer killer because he actually feels drunk on murder. Unlike Hannibal, he looks downright euphoric when/after he kills Randall and Francis. In TWOTL, Hannibal is more focused on the fact that his dream came true and he and Will killed someone together, but Will seems primarily caught up in the murder after-shocks themselves. Hannibal thinks about Will, Will thinks about how beautiful blood looks under the moonlight.

So, post Fall, I believe that at first, Will will stick to killing bad people like murderers, but once some times passes, his need for justifications will fade. He’ll move on to rude people, only his rude will differ from Hannibal’s. Hannibal doesn’t differentiate between genders and ages, but I think Will will. He’s interested in a feeling of power, like he himself says, in a sense of dominance, so he’ll look forward to a fight. He won’t be interested in attacking a teenager like Cassie, for instance, because the power imbalance is too prominent. But as soon as someone more equal does something Will heavily dislikes, something that wakes his bloodlust (a personal insult, physical or verbal abuse toward other people/animals, etc.), he’ll attack. He’ll be careful - he knows how to avoid being caught, but it will still be unpredictable and passionate. Will is a storm to Hannibal’s calm.

Then there is unpredictability. Hannibal tends to plan everything methodically. The only times we see him being impulsive is in Europe, where he’s descending into self-destructive mode, so it’s not a norm for him. For Will, though? Will consists of unpredictability, and Hannibal is fascinated by it.I think Will is going to kill when an impulse strikes. For example, he might go shopping, without having any dark plans, and end up murdering someone because the circumstances pushed some unfortunate soul onto his path. Will might or might not display the body depending on his mood. Today he can be in an artistic mood, but tomorrow he’ll be in a violent and impatient one, wanting to destroy the body entirely and leaving a total mess behind.

How Will would prefer to kill? In my opinion, in an intimate way. It doesn’t mean he’ll be weaponless, but something like a knife would fit his tastes well. He’d be able to feel it plunge into his victim’s body, tearing through skin and muscles, etc. - personal and intimate. Akin to what he did with Francis - his feral half-snarl, the way he paused after stabbing him before opening him up - it was dark and mesmerizing. Will might get into strangling, too, because it takes a lot of time and it is even more intimate. It might end up being his favorite. So, I can see him using his hands or small weapons to fully sense what he’s doing to a victim. This is something that he has in common with Hannibal because from what we saw, Hannibal also enjoys more intimate and prolonged murders that give him a glimpse into a person’s pain and struggle for life.

[jonsa101]

Episode 3x14: A Reflection of How Max Stepped Into Love After A Season of Suffering

Gif credit @supagirl

Hey guys! I can’t believe the season finale has come and gone! I think my mind is just taking time to comprehend everything that has happened! Sharpwin is officially canon! As I’m typing this out, it feels strange writing a meta on the other side of things. Since season one, I’ve been writing metas about how these two belong together and making predictions about the trajectory of their relationship. Now, to be on the other side of things where I know longer have to do that because these two are finally together is kinda crazy. I feel so elated!

Now y’all, I’m not going to lie to you, I had a totally different meta planned out and that meta is still in my drafts. I will probably release it because it was a general review of the episode but I thought it was more important that I put this meta out first. When I was watching the finale live, I didn’t love it. I just didn’t. I loved that Max and Helen finally got together at the end of the episode but I had a major issue with how it unfolded. The issue my friends was this scene right here: 

Baby!!! When I tell you this scene TRIGGERED me, it did! Now mind you, I wasn’t upset with Max’s storyline of searching and struggling to take off his wedding ring. It is human nature for Max to still have an emotional attachment to his ring. He’s not still grieving but essentially that ring is the only thing he has left of Georgia and represents a life he once had. Him taking it off was always going to be a monumental moment for Sharpwin and for himself. The issue that I had was Max casually telling Helen that he freaked out about losing his ring!!! To me, after the voicemail he left her, after Helen flew standby and was in a six hour flight to see him, it was an incredibly CALLOUS thing for Max to say. I know Max wasn’t thinking in this moment. I know his intentions were clearly not to hurt her but words matter and him being careless with his was a complete disregard of Helen’s feelings. She was deeply hurt and upset when he said this and rightfully so! I mean just look at her expression here:

Helen’s entire being read like

“I can’t believe you”

And girl same, because neither could I!! He knew he fucked up and he obviously made up for it in the end but y’all when I was watching it live, everything that came after that elevator scene was was tainted for me. I had a hard time believing that Helen would let what he said slide so easily and in the moment, I couldn’t appreciate the beauty of them finally coming together! 😩 In my personal opinion, there were so many other ways that scene could have played out without Max having to literally tell Helen to her face that he was worried about his wedding ring! I know they were trying to build up to the “big moment” where he finally takes his ring off and runs back to Helen’s apartment but man, that moment did not sit right with me in my spirit! It still doesn’t and I don’t think my opinion will ever change on this.

With that said, I’ve now done several rewatches of the finale where I specifically watched the scenes after that awful moment by the elevator. As I’ve had time to reflect, my perspective has changed. I no longer view the moments after the elevator scene as tainted but as something deeply profound and beautiful. Hell, even as I reflect on that scene by the elevator, I still don’t like it, but in a way I understand it in how it relates to Max’s overall journey when it comes to Helen. To me, Max Goodwin is a man who fell deeply in love with Helen in the midst of the most complex situations and a season of him suffering. It’s been deep rooted, complicated and messy from the start and over the past three years we’ve seen Max navigate through the complexities of his feelings for Helen and the circumstances he’s found himself in on our screens. I think when you look at season three finale and specifically the journey of Max finally making a choice to be with Helen, you have to put into context Max’s history and how it influenced what that looked like. So y’all that is exactly what I want to do in this meta so let’s dive in.

One thing I think we need to acknowledge is that, even though as an audience we have loved seeing Max and Helen’s journey unfold, the road has been so TOUGH for them. As Helen said in 3x13, it’s been a fight! Especially for Max. The suffering he has endured over the past three years has been unfathomable and much of his relationship with Helen and his feelings for her have been developed under these traumatic and tragic circumstances. 

At the very beginning of the series, when Max and Helen first meet they clash but it doesn’t last for long. It’s his first day at New Amsterdam and as the new Medical Director, he wants her to stay at the hospital and treat patients instead of doing press tours. Helen on the other hand wants to continue doing press and for the most part ignores his demands for her to return to the hospital. When she finally does return, she does so because she learns that Max has cancer. This bonds them at the onset as Helen is the only person in his life that knows about his diagnosis. As an audience, when we first see them interact, we instantly saw the sparks fly between them. Their chemistry and natural witty banter made us immediately take a look at their relationship and what potential they could have in the future. Though we were shocked by his cancer diagnosis, I think the fun and lightheartedness of Sharpwin’s first interactions really masked how traumatic this must have been for Max. On the first day of his dream job, that he sacrificed his marriage for, he learns that he has cancer while having a baby on the way. Those are the awful circumstances that first bring Max and Helen together. 

As Helen becomes Max’s doctor and he swears her to secrecy about his diagnosis, their friendship and bond grows deeper. His passion and drive to help his patients, reignites Sharpe’s love for medicine again and inspires her to put her patients first. They become vulnerable with each other more than anyone else in their lives. He confides in her about his broken marriage and she tells him that she wants a baby. When he almost dies, she becomes his deputy medical director so that he can focus on his care. All of these moments are significant to them because somewhere along the way they develop feelings for each other. They didn’t plan for it and it’s something neither of them are consciously aware of but unknowingly, they both start to fill a place in each other’s lives that was clearly more than a doctor and patient relationship or a friendship. This “place” wasn’t called out until episode 1x16 were the clairvoyant called out their feelings for each other. When episode 1x17 comes around, after a night of revelations and a scramble to get the power back on in the hospital, Helen decides to step back as his doctor. If she wasn’t aware of her feelings before, in this moment, she’s fully aware of them now. This is an effort to safeguard her heart and set boundaries because the lines of who they are to each other were already so blurred. When she “triages” their relationship Max’s reacts badly and honestly they’re both devastated and are on the verge of tears:

As viewers, we loved this moment but when you peel back the layers of what’s actually going on in this scene, it’s gut-wrenching. The subtext is so clear here yet their situation is so complex and layered. We know for a fact that Max wasn’t trying to lose her in ANY CAPACITY. We also know that in the way he TRULY wanted her he couldn’t have her and Helen knew that too. Not when he was married, had a baby on the way, and fighting cancer at the same time. Y’all that’s hard and profoundly painful when you think about it and it makes this scene all the more tragic. 

When Helen steps back as his doctor, at first Max seems to be handling it well but as his cancer starts to get worse, he completely breaks. Like I said earlier, over the course of his cancer treatment, Helen filled a place in Max’s life that was so much more than just his doctor or his friend. So when he’s dying and no longer has the person he feels deeply for play an active role in his treatment, he lashes out. He’s dealing with a range of emotions he can’t handle or properly process. Things only get worse from there and at the end of season one Georgia and Luna’s life are on the line and Bloom and Helen scramble to save them. When it seems like everyone was able to come out of that traumatic event unscathed, they get into a devastating ambulance crash that changes everything. 

Season 2 brings another level of pain and suffering for Max when he loses his wife after the crash and is thrust into single fatherhood. Not only is he grieving but he’s also dealing with guilt of falling in love with Helen while he was married. The complexities of his feelings is something he struggles with throughout this season and it affects his relationship with Helen. At some points he pushes her away and at others he desperately needs her. Once again, Helen and Max’s relationship is caught up in the most complex of circumstances that is riddled with agony and trauma. 

By time we head into season 3, Max doesn’t even have time to breathe or think about his relationship with Helen because they’re both thrust to the frontlines of the pandemic. 

I bring all of this up again to emphasize that there has never been a time where Max and Helen’s relationship hasn’t been wrapped up in trauma or some sort of suffering. It has always been one thing or another with them. It’s been A LOT and Max has tried to navigate being in love with Helen through his suffering and under these crazy ass circumstances. So after rewatching the finale, the questions that run through my mind are:

How do you step into love when all you’ve known for the past three years has been suffering?

How do you love openly and freely when for so long you’ve emotionally suppressed your feelings for someone because it was “wrong?” 

How do you let go, heal, and move on with your life?

To me, answering these questions is what the season finale for Max was all about. When you’ve suffered so much and endured so much it’s not easy to step into a new chapter in your life that’s hopeful and filled with love and possibilities. For Max, I don’t think in his wildest dreams that he ever imagined that he and Helen would be in a place where they could actually be together. Considering everything they’ve gone through, quite frankly it’s a fucking miracle! So when he actually makes it to the other side and not only SURVIVES but has a chance for happiness, I don’t think he knows what he’s doing. Pursuing/having feelings for Helen from a place that isn’t wrapped up in trauma and tragedy, where there are seemingly no obstacles in his way, is totally and completely new territory for Max. I think he’s clueless in how to do that in the right way and as he navigates through that, naturally there are hiccups.

That’s evident with what he said by the elevator and also in this moment here: 

Max doesn’t have a clue but he wants to make sure that he doesn’t fuck it up because he DESPERATELY wants this! I also think there’s something to be said about how we as human beings can self-sabotage ourselves when we finally have an opportunity to get what we want. Fear, guilt, worthiness usually comes into play with that and I think for Max there was definitely a fear with moving on with his life, guilt of surviving it all and having a chance to be with the woman he’s loved for so long, and a question of if he’s worthy of actually having happiness.

Their walk in my mind perfectly embodies him self sabotaging while also trying to navigate his feelings of desperately wanting to be with her. At the beginning of their walk, you see that at one point he clearly wants to hold Helen’s hand but he doesn’t (I would use a gif here y’all but I literally only have room for 10 😩). I’m focusing my attention on Max here because essentially this whole moment between them is a part of Max’s “mini story” in the episode. The ball has always been in his court and truly what we are witnessing is his journey to step into love because Helen is ready and has been waiting on him. 

The most compelling moment in their walk scene for me was this one: 

I find it strange for Max to walk so far ahead when he was the one who asked her if he could walk with her. My first thought while watching it live was “what is he doing” and I think Helen’s expression reads the same way. After analyzing this for a bit, I genuinely think that’s the point of this scene. Like I said earlier, Max doesn’t know what he’s doing. To be with Helen like this is, where its romantic, peaceful and drama free is probably blowing his mind and he doesn't know how to navigate this. He doesn’t know how to receive this second chance at happiness. 

The internal war of Max stepping into love or allowing fear, guilt, and unworthiness to hold him back becomes all the more evident when they get to Helen’s door: 

He knows he wants to come in. Helen know he wants to come in too. This man literally says goodnight twice and when Helen responds with “you said that,” it perfects this scene. She wants him to come in as well but she’s not going to ask him to. In this moment, she sees his internal struggle and she knows that he has to make the choice himself on whether or not he wants to move on with his life with her.

When he walks away, for a moment that was Max choosing to hold onto the pain and trauma of his past. That was him choosing to hold onto the guilt that was keeping him from healing and moving on. With the suffering he’s been through, it makes sense. In many ways he’s been conditioned to fight, to suffer and to endure. It’s what he’s used to. But praise the lord, he thinks of the moments he just shared with Helen. 

The joy he has with just being in her presence. 

The opportunity he has to freely be with her and have a life with her after loving her for so long.

He is not condemned to a life of suffering. It was only for a season. He’s in love with Helen and wants to be with her. Like hell is he going to let this opportunity at a second chance of love and happiness slip away from him. So guys, he slips off that ring, runs back to Helen’s apartment and makes a choice to step into love. Step into this new, uncharted, chapter of his life with Helen Sharpe. 

Anyway guys! I hope y’all enjoyed this! I might be releasing one more meta but we will see how it goes.

As always feel free to reach out to me on Tumblr and on Twitter @oyindaodewale. Love you guys!

[defying-gravityfalls]

Here we are, 10 years later

Hey folks. It's been a while. I really wanted to have something to post in time for the anniversary but I've gotten held up and was unable to make anything in time for the date. We are however on 618 today! So I'll take what I can get lol.

You may have noticed this account has been pretty barren the last couple years, and it's not hard to guess that is because I had moved on, I have fallen into other hyperfixations, and I'm also an adult now with more responsibilities than I had when I was running this account as a teenager. I almost have some sort of guilt from leaving this behind and even wonder if anyone still cares about what's on here, which is part of the reason I haven't posted much. But I'm feeling nostalgic and I want to talk about Gravity Falls and this is the perfect place to do it! So I thought I'd give you all an update on what I have going on and how I've circled back here.

Let me just start off by saying I'm sorry for falling through on a giveaway I had promised right before I had left this account, I still feel bad about it, I was at a real low point in life and should have never promised something I felt I could not follow through on. I didn't know what else to do except run away from it. But I'm better now, and to anyone who is still upset at me over this I encourage you to contact me for a free commission of your choice, because I'm actually serious about art now! (Seriously you have no idea how bad I feel about this I am so so sorry yall)

I have had one major hyperfixation since my GF one faded, and that would be Hatchetfield. I guess I'm just drawn to small towns where weird things happen! In the same way GF changed my life, Hatchetfield also has, I would not be where I am today without either of them. And if you also like Hatchetfield I have side account if you wanna check it out! This is definitely where I'm most active these days. I actually have a fic for it with a premise which many times has been compared to Bipper, and yes I do think that is an accurate callout lol

I've also gotten into The Owl House quite a bit lately, I wasn't too into it when it first started airing like I was with GF but once season 2 hit I started watching pretty regularly, and I'm sure many of you also watch it because of Dana. I'm definitely not as into it as I was with GF but I'm having a good time! A thing doesn't have to take over my life to be good lol.

On a personal note I have moved back to Minnesota! I'm currently a waitress trying to save up enough money for an apartment, I haven't finished college yet but now instead of animation/writing I'm hoping to get/finish my degree in theatre with a focus on costuming and SFX makeup. While I still love animation and could see it as something I would like to be a part of, theatre just seems more realistic to me at this point, and I like it and am already kinda good at it! I've always done theatre, this makes sense for me.

Back to why I came here. With all the hype recently leading up to the 10th anniversary I have been missing Gravity Falls, and I have been missing the community, and I want to get involved again. I don't think I ever truly left Gravity Falls behind, it stayed with me one way or the other, having this presence in my life I couldn't deny, and I think I want to come back home to it. My life has changed a lot the past 10 years, i wanna look back on something that made me so happy.

So I'm gonna try to be more active on this blog! I'm gonna start a long overdue rewatch on the series and maybe liveblog some parts of it. I think that's a good starting point. I'm happy to be back, and I hope I maybe still have friends here after being absent for a few years, and I'm willing to make new ones too. Thank you everybody, for everything. Stay weird.

[booasaur]

Just saw your gif set about Audrey and Till. When season 2 started and Audrey changed to a completely new character I thought the writers just didn't know what to do with her, same with Wilfords sudden obsession with her when until then he was all like "Melanie, Melanie, Snowpiercer" but now I actually think the Audrey thing makes sense. She had the opportunity to develop and grow without her abuser and then was trust upon him again and started regressing into the person she knew he would love, and she has been chasing that from that moment on. But then they got back to the train all those things happened and I think she saw Wilford like that and the hero worship, obsession and "love" that she thought she felt disappeared, I think Audrey can only be interested in a cunning and dangerous Wilford because that was how he groomed her, now tho he has nothing and once again they are being kept apart so I think she is having a easier time going back to who she was

I'm just still really confused, because she doesn't seem--well, I mean, I suppose that's maybe realistic, too, that someone who doesn't seem or even isn't outwardly horrible could still love and be with a terrible person...? But then the way she acted when he was all shaken after waking up again, that was pretty brutal. And the thing is, unlike in real life where people can be pretty isolated from the effects of their family's horrible actions, she could see it all very up close.

But tbh, I think you have the reason for the switch in your post, but it's not necessarily, or only, about Audrey's character so much as that they needed someone to fill in that role once Melanie was out. Or maybe even more than that, the show needed for Wilford to have someone on his side, someone interesting that we cared about, not just poor Kevin, as everyone else slowly moved over to Layton's side. Audrey certainly offered that, and indeed, could offer a more interesting angle about surviving through all this, especially when she realizes even Wilford is now allying with Alex and presumably Layton.

I'm actually not opposed to this ship at all, two first season characters who are legit interesting and have actual roles in the show that aren't guest star love interest, I mean, that's actually pretty great on paper. And they've taken the time to actually give them interactions and screentime together this season soooo. As long as this isn't something because the writers ran out of what to do with one or both and the next step is to kill off one or both for angst, I could be pretty into them.

ETA on April 3, 2022: 

Actually, I’ve really rethought what I wrote here, based on rewatching s2, which, my bad, I must have just blanked out a ton of. When I’d watched live, I’d still been very annoyed at Jinju’s disappearance, a double whammy of homophobia and racism in wiping out a significant queer Asian character without any mention from Bess and Melanie, and skimmed a lot and what I did watch, I didn’t fully take in or absorb, I guess?

Because I seem to have skipped or plain forgotten major chunks of the story that were quite relevant to Audrey’s characterization. The more I rewatched, the more started to come back but none of that had been in mind when I was watching the end of s2 or s3.

She was groomed, as you said, anon, and I think a lot of what came after was to try to justify that, to make it worth it. She was actually scared of going back to him at first and warned the rest about him. They sent her back, to be their spy, and she even seemed to try to resist falling back into his thrall, like, he’d made her cut her freaking wrists. And we know how hard it is to resist him, look at poor Alex too, who’s only a little younger than Audrey was he got her hooks into her, since at 18 she was already with him.

And when Wilford was weaker in s3 after waking up from the suspension drug, for a bit, what really got to me during Audrey’s rant was her saying “science is nothing without power, you told me that”. She’s really just trying to justify her past actions AND what happened to her, that it was all necessary. Because if it wasn’t, then not only are all her horrible choices and decisions pointless but so was everything that happened to her.

So yeah, while she has done a lot of bad things and encouraged and ignored more, and turned in s2, as you said, into a seemingly almost completely different person, indulging in alcohol and orgies and turning a blind eye to Wilford’s cruelty, with the previous context, I’m much more willing to forgive her as a victim of abuse who fell back into destructive patterns when her abuser returned.

[vaguely-concerned]

The Mandalorian Chapter 15 rewatch thoughts

- mayfeld does hear when the droid talks to him the first time, you can see him pretending not to like he hopes he’ll just go away haha. I also guess he’s had a lot of time to think, picking apart pieces of the large fascist machine he used to be a part of and going over everything he clearly regrets 

- hahaha fennec and boba are in the back intensely keeping watch the entire time they’re on the prison planet. I suppose a good two thirds of this crew is uuuuh extremely wanted by the new republic lol

- the thing din’s voice does at the end when he says “but you still know your imperial clearances and protocols. don’t you.” is beyond fucking words, it sends a chill right through me

- 

1) din fiddling with that panel; I think he’s phenomenally nervous behind the helmet here, that’s the sort of keeping his hands busy he does when he’s anxious and 2) why the hell does boba have this many chairs instead of like space for cargo haha does he throw bounty hunter parties in here or what

- ngl boba correctly guessing at a glance what sort of ore they’re mining and informing everyone in his sardonic deadpan voice is Big Sexy  

I love how he and fennec are standing together when they’re both present in these opening scenes too, first at the very back when they’re keeping a lookout: 

and then in the foreground while they discuss the scan 

it’s a nice subtle way to get across that they already have a dynamic, they’re somewhat used to working together as a unit at this point. (she’s also looking over at him when she asks what they might be mining in there, like she’s mostly asking his opinion instead of opening it to the floor. they’re talking the mission out between them before din enters the conversation)

- the inside of slave 1 when the ship’s moving makes me a little bit motion sick, I really love seeing it but I hope we don’t stay in here too often haha

- aaaw the small weary sigh din gives upon realizing none of his bros can go with mayfeld. I’m sorry about basically your entire life buddy

-

the awkward way din adjusts the helmet like he’s trying to get used to the way it feels ;______;  

- ah the distinct implication that mayfeld is needling din about this because he’s actually feeling super uncomfortable being back in empire gear and he needs to transfer that discomfort over onto someone else so he won’t have to feel through it... very psychologically understandable and such a fucking piece of shit asshole character trait to give in to haha

- din’s level of side eye is so epic you can see it straight through the helmet fhaskjfhd

- neat detail: din’s head turns slightly toward mayfeld when he calls mandalorians a ‘race’. (it’s sort of cool  that we as the audience know why that bothers him, but mayfeld probably didn’t even pick up on it). also shows that mayfeld doesn’t actually quite understand what he’s talking about, even when he makes decent points he’s caught up in his own myopic nihilistic point of view. ‘we’re all the same’ ------> ‘everyone’s secretly as shitty as me deep down’. (which also betrays a lot of self loathing, since we see later he does have the capacity to NOT be that shitty when he chooses to. rick famuyiwa manages to get a LOT of really interesting nuanced stuff into this character in two short episodes, that’s super impressive)   

the bright sunny look on mayfeld’s face when din finally gives in and takes the bait tho fsajdkfhasj he’s awful but that’s very funny

- rip all these excellent dudes who really only wanted to accomplish the noble goal of ruining the empire’s entire day and didn’t know they were also trying to blow up My Dad Who Does Not Deserve Any Of This, it’s honestly just really sad that there’s no moment to talk that out

well at least they blew up the entire refinery on their way out, I’m sure that’s the way they would have wanted their memories honored lol

- the comedy beat of din running out of ammo for the first time ever and the music briefly cutting out for it is so so good for me 

hahahaha din seems to actually take a moment to be a little aghast at that dude who ends up crushed under the treads of the tank thing, he’s just sort of staring for a few seconds too long and that’s how pirate nr 2 takes him by surprise and shatters his shoulder armour 

- I feel a bit bad -- two of the ‘pirates’ try to hold on to each other for balance and then din punches them apart and off the tank :( I mean it’s not like he could just let them murderate him either but like. ouch I’m guessing this one might haunt him for a while for several reasons huh

(the sequence is actually this guy, let’s call him pirate 3, swings the spear at din and misses, instead hitting his buddy who’s trying to get to his feet, then looks horrified and grabs for him to make sure he doesn’t fall off, and then... mando’s forehead happens to them haha)

- poor fennec and cara just running up that hill while everything’s on fire, they must be wondering what the FUCK is going on (at least cara knows that things blowing up is a sure sign din djarin is in the middle there somewhere)

- everything about carano in real life aside for one second -- I do like that we get this contrast in build between our main female characters of the episode and the way their costume designs enhance it

 - awwww the little gesture din does with his hand after he removes it from mayfeld’s chest after stopping him from leaving, it’s just so... sweet. it’s a little bit appeal, a little bit reassurance, it just lightens/softens the tone of what he says a bit (he has quite a lot of like... not conciliatory mannerisms exactly, but small touches here and there that are there to communicate that he’s not angry/aggressive or trying to be a dick about it even when he’s emphatic. I keep wondering how much that is just him being him and how much is him being practiced at settling other people’s hot tempers)  

- this shot is just... genius

it’s din seen entirely from the outside, with nothing of what we’ve learned to recognize as him for almost two seasons now in view -- not even his face, which we have at least a tenuous fledgling attachment to from before. it’s like we get introduced to him almost as if anew again and again in this episode, just like he’s getting introduced to new aspects of himself and what he’s willing to do and having to struggle to find ways to have that fit with who he is. his discomfort and stress is our discomfort and stress. it’s so interesting 

- I can’t stop cackling at this moment even in all the tension -- you only get a sliver of din’s profile but you can feel the sheer MURDER radiating off him sdhfasjk

- aaaaaaaagh the way you get a whole different view of din’s habitual impassiveness when you can actually see his face... the way he keeps appealing to mayfeld ‘just don’t make more trouble, just shut up’, the way he goes completely silent and watchful and frozen..... those are all really obvious trauma responses, and it leads you to wonder how often he touches into that even when he’s in his element, when he’s got the full armour on. hmngh my heart  

- ‘the believer’ is such a galaxy brain title for this episode, because it could be referring to either of the three men around this table or all of them at once. (and crucially the only person whose beliefs aren’t in a living, breathing state of adapting to the world around them is the empire officer, with his horrific inhuman ideology. mayfeld thinks he believes in nothing, and proves himself explosively wrong by the end of the episode, and it’s redeeming for him in some capacity. din is facing a more internal dilemma of different parts of his (and his culture’s) beliefs/values clashing and having to decide which one’s more important, to his identity and to how to exist in the world as a person (and love for the baby wins out supremely in the end. of course it does Y_____Y). the empire dude only sees the same sterile fascist world at the end of his shit rainbow that he’s clearly always done, even when faced with proof that it’s untenable. (I mean he wouldn’t give a fuck that it’s immoral because he’s y’know evil, but he’s not even fazed by the fact that the empire provably FAILED, and failed so quickly) his belief is a dead and deadening thing to contrast the others. man when this show goes off with the themes it goes OFF haha) 

- love the triumphant heroic mando music kicking in as we’re finally getting to pick off imps, love that for us 

- din’s protective instincts at work again, he helps mayfeld to his feet and makes sure he’s safely on board before going further in himself ;_______;

- fennec’s professional approval at mayfeld’s shot hahaha. well I guess he was supposed to be a sharpshooter back in the day huh

I do Not think she likes mayfeld even after all that, though, the withering look she sends him on her way past... should have killed him stone dead on the spot

- seeing din back in the armour is like a physical relief, I can breathe again haha

- tfw you catch yourself thinking ‘at least when all this is over we can go back to the razor crest and everything will be normal again’ and then you rEMEMBER 😭😭😭😭😭😭😭😭😭😭

[canary3d-obsessed]

Restless Rewatch: The Untamed Episode 16, part two

(Masterpost of All the Rewatches) (Previous Post) (Canary’s Pinboard of Stuff)

Warning: Spoilers for All 50 Episodes

Just A Box of Rain

The brothers find Jiang Yanli and tell her what happened. Pro Tip: a good way to deliver bad news is like this. 1. say "I have bad news" so the person can be prepared for a shock 2. clearly state the bad news. 

Standing in front of the person with tears streaming down your face and looking away when they try to meet your eyes is not, actually, a super effective method for delivering bad news. 

This episode continues to be punctuated by closeups of characters' hands as they respond to events. 

Yanli clutches her broken lotus pendant, cutting her palm and bleeding as she weeps.

Not-at-all symbolic rain drenches the three of them while they cry, standing apart and not comforting each other.

Sometimes a hurt is so deep deep deep You think that you're gonna drown Sometimes all I can do is weep weep weep With all this rain falling down

(more after the cut)

They upgrade their boat with repaired seats and a real oar, and move along toward a hopefully-safer location. 

The scenery continues to be gorgeous, and it appears to be actually really raining on this river or lake. We see Wei Wuxian's hand on the boat's oar as he takes his siblings to what he hopes will be safety.

Maybe you're tired and broken Your tongue is twisted with words half spoken

OP is valiantly resisting dropping a chunk of "Don't Pay the Ferryman" lyrics in here, because projecting European symbolism onto Chinese media is not my bag. This scene does carry a lot of weight, though, showing Wei Wuxian’s sadness and isolation, his ever-growing distance from his siblings and reminding us of his servant status. While his siblings sit under shelter with tears falling down their faces, Wei Wuxian stands in the rain, laboring to protect them and not letting his own tears fall.

It's totally reasonable that Wei Wuxian is the one to man the oar, right? I'm sure Jiang Cheng is the more exhausted of the two of them even though Wei Wuxian started off his day yesterday getting whipped FIVE times by the Zidian and ended it by being choked for 45 seconds.  

Self-Isolation

They reach an inn, where Yanli has a fever, maybe from being left outside all night while her brothers failed to work out any of their interpersonal shit, followed by getting extremely rained on for hours and hours. 

Wei Wuxian carefully puts on a bright, optimistic face for her, practicing for his future fake happiness after the Burial Mounds.

Jiang Cheng sits and has a lot of feelings, totally not helping while Wei Wuxian tends to Yanli. This is not typical of him and just shows how deeply shocked he is by what's happened; usually he is extremely attentive to Yanli and careful with her health.

Wei Wuxian tries to get Jiang Cheng's attention, so that Jiang Cheng can take over caring for Yanli while Wei Wuxian gets medicine. Jiang Cheng is busy staring into the middle distance, and won't respond.

This is Wei Wuxian realizing that absolutely nobody is going to help him.  

Wei Wuxian goes out in his distinctive robes with no hood or anything, to buy some fever medicine, and is quickly surrounded by guards.  They hear "we caught him" and run off, leaving him be.  

What Wei Wuxian doesn't know, that we learn in Episode 50, is that Jiang Cheng and his death wish decided to take a stroll, and seeing the Wen soldiers approach Wei Wuxian finally snapped him out of his reverie.  So he let himself be caught in order to draw them away from Wei Wuxian. 

Let's talk about this choice. In terms of clan roles, Wei Wuxian is absolutely the expendable one. Jiang Cheng became the clan leader when his father died, and knew it from the moment he saw his father's body. 

So far he's 1. Tried to go back to fight and die, against his parents' express instructions 2. left his sister alone in an inn with a fever 3. given himself up to be killed in place of his chief disciple, when it's his disciples' job to die for him, if it comes to that. All but two of Clan Yao's disciples died to protect fucking Captain Blowhard, for goodness sake.  

All of these actions are emotionally super understandable; he's young, he's had a terrible shock, and he's an emotional guy who's never heard of Dialectical Behavior Therapy. And I'm not here to defend feudal power structures. But perhaps Jiang Cheng shouldn't ring the "YOU PROMISED" bell quite so loud in the future, considering his own relationship to his obligations. 

Wei Wuxian begs Yanli to stay put and stay safe while he goes to find Jiang Cheng, and he promises to take Jiang Cheng back from the Wens. Yanli clutches his hands and asks him to promise again that he will rescue their brother, and that they will all go to Meishan together. But for once Wei Wuxian is completely honest, and disentangles his hands and sets off without another word.  

More running ensues, this time in the rain. To quote Adam in Season 7 Episode 1 of Spooks, "all this traumatized running is starting to really annoy me." (Spooks is the shit. Don't watch it if you like characters to have a lifespan longer than a mayfly's)

Camera Operator: Finally, a little appreciation

Wei Wuxian arrives in Lotus Pier, and can we just take a second to appreciate the decor of this place? Look at that tile floor with the cobblestone border, and the bamboo wall panel behind him.

He grabs the first Wen he finds, who turns out to be a much-needed friend.

Rescue Me

The Untamed is the tale of a man’s devotion; devotion so strong it transcends clan allegiance and even death. And that man’s name is Wen Ning.

Initially Wei Wuxian chokes him, like bros do, until he recognizes him and lets him go...

...only to immediately grab him and demand to know if he had a part in the massacre. Wen Ning stays pretty calm, seeing the angry side of Wei Wuxian for the first time, and explains that he heard about what happened, and is there to help.

Wei Wuxian absorbs this and lets him go, giving us a closeup of their hands together, with Wen Ning not so much resisting Wei Wuxian's grip as giving a steadying grip of his own to his best friend.

Wen Ning, who Wei Wuxian saved from one water demon, has already saved Wei Wuxian from one horrifying animatronic dog, and does not actually owe him a life debt at this point. Wen Ning has defied his sister and his entire clan and flown to Lotus Pier with a team of minions, with the specific intent of fucking things up for Wen Chao to the best of his abilities, simply because "Wei Wuxian is a nice person." 

Wei Wuxian isn't feeling like a nice person just now, however, thinking that he can use Wen Ning as a hostage to...what, trade for his brother? Wen Chao would probably be happy to kill Wen Ning himself, but his dad needs Wen Ning as a way to control Wen Qing, so maybe that plan would work.

Then Wei Wuxian sees this small pouch hanging from Wen Ning's belt, and it stops him in his tracks.

For once we are not given a flashback to explain his thinking, so I’ll provide one

The talisman he gave Wen Ning to protect him, now protects him from Wei Wuxian himself. He lets Wen Ning's arm go, and tries to think of another plan. 

Wen Ning already has another plan, and has come to Lotus Pier prepared to enact it. 

Wei Wuxian can't believe he's found someone to help him. In a moment of wrenching vulnerability, he asks Wen Ning to save Jiang Cheng and to retrieve the bodies of Jiang Fengmian and Yu Ziyuan. Wen Ning immediately agrees. 

Wen Ning then embarks upon the least sneaky sabotage campaign of all time, chatting to the guards while messing with the wine, and generally acting like a person who is up to something. 

Nobody respects him enough to worry about it, though, and the party proceeds as planned.

The banquet is set up in the cleaned-up courtyard of Lotus Pier The Yunmeng Supervisory Office, and features dancing girls performing in the center of the beautiful carved paving, and corpses hanging in the doorway. 

I bet Jin Guangyao hires this same dance troupe for his future parties.

Wen Chao and Wang Lingjiao sit at the main table, snuggling and being gross, but mercifully not necking on-camera because this is a 100% no-necking show. The drinks are sent around and Wen Chao tells Wen Zhuliu to drink up. 

Wen Zhuliu is busy gazing wistfully at Yu Ziyuan's corpse.

Let's face it, Wen Zhuliu is the only dangerous person in this place at the moment, so what he does next is the make-or-break for Wen Ning’s plan. 

Wen Zhuliu smells his wine and immediately can tell something is wrong. He takes a long moment to consider the situation, eyes on Yu Ziyuan, and then downs it, letting his emotions--perhaps something in the neighborhood of remorse, perhaps simple disgust at his craven supervisor--get the better of him.  

In the morning he will be able to tell Wen Chao with 100% precision exactly what the drug is, probably from smelling it right here. This is the only miscalculation Wen Zhuliu makes in the whole show, and it eventually costs him his life.

Wen Zhuliu has no reason to think this decision will hurt him. It's definitely impossible for Jiang Cheng, whipped and crushed, to avenge himself and his parents. But Jiang Cheng, with Wei Wuxian’s help, is going to achieve the impossible. 

We end with Wei Wuxian hiding while he waits for Wen Ning, as strung out as we have seen him so far, although he's got worse mental states ahead of him on his journey.  He doesn't know yet if he was right to trust Wen Ning, and the episode ends with him, cold, wet, and miserable, waiting to find out. 

Next Episode: Still miserable, but with a cape! Soundtrack: 1. Patty Griffin, Rain  2. Grateful Dead, Box of Rain

[teamfreewill2pointo]

Sam’s Emotional Arc 1/3

I hated the finale immediately, but I’ve spent some time with it and talked to friends who loved it. I can see now what it was about, and I’ve come to appreciate the story they were trying to tell, even if I think it didn’t land right.

I’ve been told that my meta on this has helped other people come to terms with the finale, so I thought I’d compile it in one place from across various discord channels and twitter posts. If you are struggling with the finale, I hope it helps you.

Part of this actually started with a shit post. I was making a joke about Sam being psychic since he was scared of clowns when Dean died by one. I realized that may have been deliberate. I dug into the story more and now I’m convinced it was. Then I came across some excellent meta that fit with the themes I was finding and opened up the series even more for me.

Happiness isn’t in the having, it’s in just being. It’s in just saying it.

Cas said it. Dean accepted it. Sam lived it. First, Sam’s journey. 

Clowns pop up in s15 before the barn scene. In 15.01, which was written by Dabb, Sam is injured by a clown. Castiel is able to save Sam and heal his injury. The clown keeps coming after Sam, with Sam having fight scenes with the clown, while others attack the other ghosts. The clown is kicking the shit out of Sam again, and Castiel saves him once more. Sam is unable to fight off the clown on his own both times.

They run until they are able to escape outside a magical barrier. Sam turns to the clown and says, “shut up”. 

This is literally Sam running from his fears. On top of that, this isn’t just any clown, but the ghost of John Wayne Gacy, from an episode also written by Dabb.

Dean: A serial killer clown. I mean, this is, like, the best/worst thing that’s ever happened to you, you know, ‘cause you love serial killers, but – but you hate clowns.

Sam gets nervous and struggles with the lighter before he’s able to get rid of the clown, for now.

I believe this is a metaphor for hunting in general: it’s both the best of Sam’s life and also the worst. The clowns symbolize his relationship with Dean.

Plucky Pennywhistle's Magical Menagerie was co-written by Dabb (see the pattern?). Sam’s fear of clowns was known since season 2. In season 7, Dabb explored where this fear came from.

On the surface, Sam’s fear is just because he found them creepy, but the episode explains that they actually come from Sam’s fear of being left behind by Dean.

This episode comes directly after an episode where Sam worried that Dean would get himself killed

Sam: Look... Dean, the thing is, tonight... It almost got you killed. Now, I don't care how you deal. I really, really don't. But just don't – don't get killed. Dean: I'll do what I can. Sam: Well, what's that supposed to mean? Dean: It means I'll do what I can. All right? You can shut up about it.

Sam is dealing with Hallucifer at this moment, but Hallucifer doesn’t really scare him. Losing Dean does.

Sam has a conversation with an employee about greatest fears.

Recognize the actress? She came back for s15 in 15.06. I don’t believe this was a coincidence. 15.06 featured Castiel helping a parent find their lost child in a season that features Castiel worried about losing Jack. Through his experience with her, Castiel confronts his fears and doubts and then returns to join in the fight against God. [I’ll touch on Castiel’s journey more in his chapter]

Sam’s greatest fear is losing Dean. There’s a lot in the series about how Sam felt lonely and abandoned for much of his childhood. A whole episode, Just My Imagination, centers around this. Sam hated when Dean went off on hunts without him.

source In The Chitters, Sam tells Dean how his fear of losing his family paralyzed him as child. It’s a story where an older brother dies and the younger brother never recovers from it until he’s able to lay him to rest (sound familiar???)

Sam: You know, whenever you and Dad used to leave me to go hunting, and I-and I wouldn’t hear from y��all for a while, I, um, I was always sure that some vamp or rugaru, or take your pick, I always figured one of them finally got ya. I tried to think what to do, you know, the next step to take. I was just lost. Dean: We came back, though, every time.

You might naturally think, “Wait a minute! Sam left Dean multiple times!” Honestly, this was something I had a huge issue with when watching through the show the first time. I didn’t understand Sam and hated him leaving Dean in s8. I was completely on Dean’s side at first. But, on multiple rewatches and talking to others, I’ve realized that when Sam left Dean, he was running from his fear. In this TV Guide interview, Jared perfectly sums up why Sam left in season 1; he couldn’t stand to see his family die. Dabb wrote Dark Side of the Moon along with a comic that explains why Sam left in detail. While the comic isn’t official canon, it shows Dabb’s thought process. In it, Sam sees his family as running towards a horrible end and can’t handle dealing with that.

Dean: So what are you gonna do? You're just gonna live some normal, apple pie life? Is that it? Sam: No. Not normal. Safe.

There are many more points in the series where we learn about Sam’s fear of Dean dying. This would be 3948573945 pages long if I wrote them all out, so I’m going to focus on the key moments that loop back to this ending, but there’s so much more there.

If you are struggling with this and need more, please let me know and I can do a deeper dive into that subject. We first see Sam’s inability to let Dean go in season 1 when Sam refuses to let Dean die in Faith.

Dean: You're not gonna let me die in peace, are you? Sam: I'm not gonna let you die, period. We're going.

Sam’s whole arc in s3 is him being unable to handle Dean dying. He wants to save Dean, but Dean won’t let himself be saved. This was what Gabriel was trying to teach him in Mystery Spot.

Trickster: This obsession to save Dean? The way you two keep sacrificing yourselves for each other? Nothing good comes out of it. Just blood and pain. Dean's your weakness. And the bad guys know it, too. It's gonna be the death of you, Sam. Sometimes you just gotta let people go.

This is how Ruby gets under Sam’s skin and what gets him to start working with her. Everything Sam did was to save Dean. In s4, Sam’s arc is about him sacrificing himself in order to save Dean. He’s gutted from being unable to save Dean. In 4.12, Sam decides to drink demon blood in order to save Dean

Dean: [says that they will die early] Sam: Maybe we'll be different, Dean. Dean: What kind of Kool-Aid you drinking, man? Sammy, it ends bloody or sad. That's just the life. Sam: What if we could win?Dean: "Win"?Sam: If there was a way we could just...put an end to all of it.

When Sam breaks out of the panic room, he’s suicidal. He’s determined to save Dean with his life as the cost he’s willing to pay. He didn’t think he would survive killing Lilith. He was committing suicide in that moment. The reason why Sam is so willing to sacrifice himself in s5 is because he has low self esteem. He blames himself for everything that goes wrong. In Sam, Interrupted 5.11, also by Dabb, Sam has a breakdown under the weight of his guilt. He hates himself and he feels his rage is out of control. In season 6, we see soulless Sam and, unlike souled Sam, he has no rage. Yes, he’ll kill when necessary, but he’s not angry. It was Sam’s fear driving his rage. He felt out of control of his life and let it lead him down a dark path. In season 7, he sees Dean heading down a dark path and he feels helpless to stop it. He worries about dragging Dean down and tells Dean to let him go. But, at the same time, he’s developing coping techniques. He’s starting to face his fears. 

And then Dean disappears and Sam completely falls apart. Sam didn’t have a healthy relationship with Amelia. They were two broken people clinging to each other. Sam and Dean struggle to reconnect after their time apart. There’s a lot of text addressing the horror of a partner dying and people trying to escape from it.

Mrs Holmes: He could see the end of my days were at hand, and... He had lived centuries all alone, but I don't think he could bear the thought of life without me. That's why he drove off that bridge. You must think I'm a monster.

In Hunteri Heroica written by GUESS WHO!?!? Sam finally acknowledges that he was living in a dream world with Amelia. He was running from his past. We see a flash back with Sam pressing on his scar, which he did to help himself distinguish fantasy from reality.

The episode is about a man refusing to engage in reality and harming those around him. Sam has a big confrontation with him

Sam: Look, it can be nice living in a dream world. It can be great. I know that. And you can hide, and you can pretend... all the crap out there doesn't exist, but you can't do it forever because... eventually, whatever it is you're running from – it'll find you. [CASTIEL appears to be taking Sam’s words to heart.] It'll come along, and it'll punch you in the gut. And then... then you got to wake up, because if you don't, then trying to keep that dream alive will destroy you! It'll destroy everything!

Likewise, when Sam was with Jessica, he wasn’t honest about himself. He was hiding from his family and his past. Running to avoid pain. Sam is avoidant in general. Not just in his relationship with Dean. When he talks with Rowena in 13.12 Various & Sundry Villains about his fears of Lucifer, he admits that he could talk about it with Dean, but he can’t bring himself to.

Sam: I’ve seen it too. What he really looks like behind – behind whatever vessel. It… Yeah, still keeps me up at night. Rowena: How do you deal with it? Sam: I guess I don’t deal with it. Not really. I mean, I pushed it down and, um, the world kept almost ending, so I keep pushing it down, and I don’t know. [stammering] I really don’t talk about it, not even with Dean. I mean, I could. You know, he’d listen, but… That’s not something I really know how to share.

In 15.20, Sam’s past is front and center. Literally. I know a lot of people found the Winchester family portrait odd and upsetting, but it symbolizes something I’ll get to in a bit. Instead of trying to avoid his grief, Sam has moments where he lets it wash over him. He goes and sits in the car. He’s no longer avoidant. He’s no longer running away. He’s letting his grief move through him. He’s literally sitting with it.

Soulless Puppy pointed out that the characters emotional arcs is similar to DBT. Please look through their awesome meta here.

Personally, I see them as similar to the therapy I do called ACT. Both are forms of therapy where instead of fighting against them, you accept painful emotions and allow yourself to feel them. If you don’t do that work, then you can’t stop feeling them and your fears/ghosts will always haunt you.  In Swan Song, Chuck tells us that “Dean didn't want Cas to save him. Every part of him, every fiber he's got, wants to die, or find a way to bring Sam back. But he isn't gonna do either. Because he made a promise.”  In 15.20, Sam initially didn’t want to let Dean go. He’s been refusing to do this since season 1. When he’s separated from Dean he lives a fake life or destroys himself/the world trying to get Dean back. There’s a moment in 15.20 where Sam looks at Dean’s guns. He wants to commit suicide, but he makes the choice to live. For the time in Sam’s life, he let Dean go and lived with his pain. He no longer ran from it. After Swan Song, Dean was unable to let Sam go. He wanted him back. After Carry On, Sam is able to do what Dean couldn’t do. He lives a life outside of Dean. What’s more, Sam has reconciled himself with his past and his family. It’s clumsy and I wish it were better shown, but having the family portrait and their parents in heaven isn’t meant to excuse the way Sam and Dean were raised. In order to move past the trauma of his relationship with his parents, Sam fully integrates them into his life. In Lebanon, Sam was able to confront and forgive his father. In doing so, he can also forgive himself. Mary asks for forgiveness too, and he grants it to her. He doesn’t forget what happened, but he’s able to move forward and leave the intergenerational cycle of violence. He’s able to raise his son, Dean, the way his brother should have been raised.

Happiness isn’t in the having, it’s in just being. It’s in just saying it.

Cas said it. Dean accepted it. Sam lived it.

I can see why people see Sam’s life after Dean as unhappy. I hated it so much because I saw it as horrible and sad the first time through. I had to sit with myself and my emotions first. I think it’s because we’ve been told by society that we have to get rid of our grief in order to be happy. The finale was showing us that it’s possible to do the opposite. [Personally I think it would’ve been better had they showed more overtly happy memories, but many of my friends saw this straight away] When I began therapy, one of the first things I learned was that there aren’t “negative” emotions. When working with our kids, we call them Big emotions. In DBT/ACT, all emotions are treated as normal and natural. Grief, anger, sadness, etc, these are all normal parts of the human existence. We don’t need to run from them in order to have happiness. We can live with them. As interstitial said in our chats, “you can't change the past, you can only change your relationship to it. To accept that your past contained both love and heartache, to miss it, but also know you can do better; that's actual recovery, as good as it gets.” As Soulless-Puppy explained to me, Sam lived in duality. Dean was dead, but Sam lived. Sam was happy, but he grieved. Dean was with him in the watch and the car and his son, but Dean also waited for him in heaven. I hated the finale the first time I saw it, then next watched it with my boyfriend who loved it. As we were watching together and discussing it, I realized that Dean’s death scene wasn’t just about him, but about the show itself. 

Dean promising Sam that he will be with Sam in Sam’s heart is also the show promising us that they will never leave it. That’s why Alex kept posting “The end has no end.” Just as Sam carried Dean with him in his heart, we will carry the show with us. I hope this helps. It’s a terrible thing to feel upset about an ending and thinking of the show this way, recognizing these patterns, is bringing me peace. I still have issues with how it was written, but now that I see what they were doing, I wish all the more that they had the chance to do it right. Please share your thoughts and experiences. I love hearing different opinions. Next up, Dean. Then Castiel.

[dramaticviolincrescendo]

Rewatching Shameless and i just watched 6x1 jail scene. Can I request a meta if its not too much trouble? I feel like reading a really good meta about that scene and you're one of the best we've got so.....

It’s never any trouble at all! That’s so sweet to say—thank you so much! <3 Kind of coming to terms with the idea that anyone cares about my opinion over here. You guys are too much!

This scene is actually extremely important to me because it and the response to it were what made me start writing Shameless fanfiction, specifically when I saw that my views regarding Ian’s behavior and how Mickey received it were so vastly different from what I initially read. (Insert shameless plug for “That Milkovich Reputation” here.) Now, I know you’ve told me not to do this before, but based on the controversial position in which this scene resides, I feel the need to present a couple of disclaimers for our audience at large.

I first fell in love with Shameless last March, a couple weeks before quarantine began. I didn’t know what it was prior to that and therefore was not present when Noel left the show, so I didn’t experience the disappointment of a beloved character leaving in a potentially permanent way and didn’t engage in the fandom or see how deeply upset people were by that until after I finished the series. I also don’t subscribe to the theory that there was something going on behind the scenes or any animosity between Noel and the creators, as I have not seen any relevant evidence from reliable sources to support that what happened was anything other than decisions made in pursuit of career goals on both sides. As such, my analysis of this scene has only ever taken the content and context of the story and characters into account. I have no interest in speculating on the motives of people I do not know in writing it or portraying it this way, and even if I did, this scene made perfect sense to me as it was written and performed.

I understand and appreciate that this is not a popular position to take and urge everyone to pass this post by if my position on that matter is offensive or upsetting to you. I do not mean to tell anyone what to think or believe, only to explain how I view this scene and the context in which I do so.

That said, let’s begin.

When Last Seen: Mickey

As in all things, context is important. Prior to the prison scene, the last time we saw Mickey was when Ian broke up with him and Sammi interrupted their heartfelt moment, which basically sums up her character in a nutshell. That was a rough couple of days for Mickey. He saw how devastated Ian was to hear his family talk about him as though he were just like Monica; was distressed in his own right to return for him and discover that he’d left the base with Monica; buried his frustration and sadness by sleeping around with other people, which seemed to exacerbate those emotions because those people weren’t Ian, nor had he and Ian broken up when he did it; and came running when Ian called him, only for Ian to end their relationship.

Mickey is a very sharp man—we know this. He can read people like books and manipulate or intimidate them accordingly. He knew Ian had feelings for him in s1 when he showed up on his doorstep seeking comfort rather than going to any number of other people he trusted. He was well aware that Ian loved him in s3, and that made what he felt he had no choice in doing that much more painful. He heard what Ian said and knew what he was doing in 5x12. Of that, I have never had any doubt. It wasn’t like Ian tried to hide that he didn’t want to break up but thought that that was what would be best. In fact, the way he initially framed it always made me think that one of his highest priorities was not dragging Mickey down with him, especially in the aftermath of being called “destructive” and similar to someone who “put them through hell.” That’s why Mickey’s response wasn’t to call him an asshole or get angry or beg. It was to reassure Ian that he was there for the long haul, that he loved him and wanted to take care of him no matter what that meant—and that they could make that work. All the sentiments Ian had tried to communicate before he got married, Mickey was reciprocating in his own way. Had they not needed to temporarily write Mickey out of the story and Sammi hadn’t shown up right that second, I believe that he wouldn’t have given up so easily. We do have confirmation of that being the case in the prison scene, but we’ll get to that shortly.

When Last Seen: Ian

Ian isn’t a selfish character. We know this, too. However, Ian needed to be selfish by the end of s5. What he had to come to terms with wasn’t something that anyone could fully help him with, much as Mickey desperately wanted to. To Ian, the enemy was within. It was inside him, in his brain, telling him what to do even if that destroyed himself and everything he loved. It’s terrifying. I’m not bipolar, nor do I suffer from any other diagnosed mental illnesses, but I admire and respect everyone who wakes up every morning and tackles these things. They’re heroes every single day. But by the end of s5, Ian doesn’t feel much like a hero. Instead, he feels like the villain, and he’s lost touch with who he even is anymore.

That’s not a healthy mindset to have in a relationship. Relationships require a level of give and take, and that used to be something that Ian and Mickey already struggled with. Ian gave more in s1-3 because he was able to, while Mickey had a limit on what he could openly give because of the environment in which he lived and the manner in which he was raised. In s4-5, those roles were reversed: Mickey was able to give so much more, but Ian was gradually falling apart. Neither of them are at fault for any of those situations. It is what it is, and they have a stronger relationship for it. Ian is a giver, though. He’s always been a giver. To be in a position where he doesn’t feel like he can give anything to Mickey because he doesn’t even know who he is was truly heartbreaking for him, and objectively, he needed to take a step back so that he could focus on himself. He knew it. Based on Mickey’s understanding of Ian’s reasons after watching him deny that he had a problem for so long, I think Mickey knew it too. This hurt both of them—Ian to say it and Mickey to hear it—but they’re not fools and they’re not naïve. In some ways, they know each other better than anyone.

Jimmy said that when you’re on a plane, they tell you to put on your mask before you help anyone else with theirs. Ian needed to put on his mask. His heart can’t keep beating if his lungs don’t work.

Starting Season 6: Mickey

Unsurprisingly, Mickey has settled into prison life just fine. We’ll focus on his interactions with Ian in a bit as that’s the meat of the scene, but there are major implications inherent in his discussion with Svetlana beforehand.

1.      Mickey has accepted that this will be his reality for the foreseeable future. What else is he supposed to do? Besides, he’s known for a long time that the likelihood of ending up in prison was pretty high for him, as he alluded to in s2. He was a street thug. He stole from local stores, sold drugs, ran guns, operated a rub ‘n’ tug, created scam companies, and was a generally violent presence in the neighborhood for years. He was in juvie twice during the show, perhaps more beforehand. The unfortunate fact of the matter is that it would have been more surprising if Mickey didn’t get locked up at some point than that he did.

2.      Ian has visited Mickey before. We won’t get too deeply into this yet, but he thanks Ian for “coming back.” The other times, he wasn’t even paid to do it. So, as far as Mickey can tell, nothing has changed. Ian is focusing on himself right now, but his love for Mickey hasn’t dulled at all. That’s an encouraging thought, and it certainly puts a smile on Mickey’s face.

3.      Ever the opportunist and entrepreneur, Mickey really is doing just fine in prison. He runs a business, if you will, that appears to be quite lucrative already. This isn’t surprising either. Sadly, it’s a bad move. He’s already going to be in prison for somewhere around a decade, give or take a couple of years depending on his behavior. But his behavior isn’t good. He’s hurting people for money, and if he gets caught and brought up on more charges, not only will he serve the full fifteen years, but he could get more time added onto that.

4.      Ian is aware of this arrangement. He has to be if he’s been going there with Svetlana, and they weren’t exactly hiding what they were talking about. Ian has been very consistent throughout the series: he’s not as concerned with the moral implications of Mickey’s behavior, just how it could potentially impact their ability to be together. He still cares about Mickey at the start of s6, and Mickey can see it on his face when he won’t say it out loud. (More on that shortly.) Once he’s in a better spot mentally, maybe they would have gotten back together had Mickey been on the outside. I’m of the opinion that they would have based on the context of the situation. It isn’t an option, however. This is Mickey’s reality, and he’s not doing everything he can to get out earlier. If anything, he’s tempting fate on not being released at all. (This, in hindsight, sounds rather similar to the issues they’re dealing with right now in s11.)

So, this is where Mickey stands at the start of the season: a prison hitman who is quite pleased that the man he loves has come to see him again, even if the latter is visibly not in a very healthy mental state.

Starting Season 6: Ian

Ian isn’t in most of 6x01. What we do see of him is typically sad or colored by his frustration, outside Carl’s welcome home party at the end of the episode. Even then, there’s an aura of discomfort that accompanies the family’s knowledge that things have changed. Carl came out of juvie a different person—they’re all different people after s5, and they’re not sure how to handle walking on eggshells around each other.

From the very start of the episode, we see that Ian is still struggling even though he’s had enough time to at least partially adjust to his medication, especially if he’s been on and off of it. It’s so sweet how Fiona gently wakes him up—it’s also a bit different. What happened to banging on the bunk bed and yelling for them to come down for breakfast? After behaving pretty normally with Debbie at the bathroom door, she’s almost handling him with kid gloves, and the punches keep coming when she reminds him that he (1) has to get up for work at a place he despises and (2) needs to remember to take his meds.

The kitchen scene is extremely telling of where Ian is at this point, and it partially shows why he’s somewhat standoffish by the time we reach the prison scene. Most of the family is gone or different. Fiona is repeatedly on him about meds and getting to work on time—Ian, Mister Responsible himself who was out of the house before anybody woke up to get to work on time as a kid. Lip is at college. Debbie is absorbed in her unconfirmed but likely pregnancy. Carl is in juvie, and Liam is playing with the switchblade he found under Carl’s pillow before they take him to pre-K. His entire support system is either gone or treating him like he’s broken. All he has is Fiona “going Fiona” on everyone. It’s clear that this is impacting him because he actually derails the conversation to say that they should go visit Carl the following weekend, which was the position Debbie used to be in when Fiona was in jail. Just like Lip shut her down, Debbie shuts Ian down, and he doesn’t say another word as he drinks his coffee—which he can’t finish because Fiona is once again on him about work, so he trudges out the door to another day of being a busboy with no dreams instead of a soldier who has a future.

Work isn’t much better. Svetlana wants him to go see Mickey when he’s determined to stay away. (We don’t have confirmation, but I don’t think it’s unreasonable to assume that he wants to distance himself if Mickey is doing something that will potentially get him into even more trouble, especially given some of his reactions at the prison.) Sean is sending Fiona to nag him about not moving fast enough when the diner isn’t even busy. When Otis is chased down by the cops and slammed against the front window, Sean rather condescendingly tells him to, “take your rag and wipe the blood and snot off the window.” Ian—West Point-aspiring, ambitious, courageous, caring, intelligent, hardworking Ian has been reduced to wiping up someone’s snot by a boss who’s living in his house with a sister that’s treating him like he’s shattered glass and a family that is growing further and further apart these days.

That is the day Ian has had before he even arrives at the prison. Odds are that that is how most of his days have gone for quite some time, minus the blood and snot. …Maybe.

The Prison Scene

Now we come to it: what you actually asked about! It’s taken this long to get here because we can’t possibly interpret this scene effectively without incorporating all of what came before it. Mickey’s position is regrettable, but he knows that Ian still loves him and is at least handling his situation with all the grace and competence that we can expect from him. Ian is a bit of a mess who’s had a bad day and is now faced with the man he loves, who he is telling himself he can’t be with, sitting behind glass—where he’ll be for a good long while.

I’m going to divide this analysis into two sections. For a scene that many prefer to forget, to me, it’s a masterpiece of storytelling.

Physicality

The body language in this scene is remarkable—phenomenally blocked, phenomenally directed, and phenomenally portrayed.

When Mickey first appears, he’s visibly chomping at the bit to get to the visitation area. He’s peering out there while he’s still behind a locked door, and he only diverts his gaze to the guard because he’s waiting for him to unlock it. He’s cool about the whole thing—he’s very cool—but he’s obviously also here for one reason and one reason only. That reason is where his eyes go the moment he sits down at his stall and spots Ian’s coat where the latter is pacing behind Svetlana. Throughout their entire conversation, we see his eyes darting to Ian as he attempts to get the business out of the way so that he can indulge purely in the pleasure. It doesn’t matter to him that Ian is visibly tired and reluctant to be there or that he plays with Yevgeny instead of actively joining their conversation. It’s Ian, and all Mickey has to look at in here is a bunch of fellow thugs he hasn’t loved since he was too young to know what that meant. Damn right, he’s going to shamelessly watch him.

In Ian’s pacing, where we can’t see his face, I find it interesting that he keeps himself angled away from the glass. We see more of his back even though he’s moving side to side rather than away. He doesn’t want to see this. He doesn’t want to be there. In s7, he told Mickey how hard it was to see him behind glass—that wasn’t an excuse. He wasn’t falsely trying to make it sound like he was suffering at their separation just as much as Mickey was. We can see that that’s the case right here in 6x01. Ian has never had a problem sitting still through difficult moments, not even when a potential court martial that would further ruin his life was on the table. But this? He can’t sit down. He can’t face that.

The first time he turns directly towards Mickey’s location is so that Svetlana can hand Yevgeny off to him, and Mickey is visibly loving the view. His expression gets a bit softer, and he ducks his head a little so that he can catch a glimpse of Ian’s face. He follows Ian with his eyes even though Svetlana tries to get his attention. What a blast from the past, right? Ian there with his son, taking care of him while he and Svetlana figure out their business? And just like before, he offers Svetlana all of the attention and input that he deems her worth—next to nothing. Ian’s over there. Ian’s keeping the kid entertained, playing with him and rocking a bit in their seat and leaning over his little shoulder to make sure he’s doing okay—but forget that, Mickey’s eyes are examining him from red hair to beat-up shoes. He only glances back to Svetlana because he has to in order to get the information for their next paycheck. Even then, he’s still back and forth, up and down.

And Ian? He can’t keep pacing. He can’t stay turned away, but he won’t look. He occupies himself more than Yevgeny because now he’s low enough that he won’t just see an orange jumpsuit—he’ll see Mickey, and he’s had a bad enough day with his family making him feel more alone than ever without adding that pain on top of it. (This is the third time Mickey’s been locked up for something directly or indirectly related to Ian. I’m sure it’s not unreasonable to suspect that he also feels somewhat guilty about that, especially when it happened right after he broke it off.)

When Mickey asks if Ian is going to sit back there the whole time and not interact with him, Svetlana turns around and presumably says something to get his attention. Their eyes meet, and Mickey gives him a look that clearly says, “What the fuck, man?” This isn’t the behavior of a man who is heartbroken at their relationship ending or questioning Ian’s love for him. This is the behavior of a man who wants the love of his life to get his shit together enough to come say hi to him—or at least look at him—because he can’t pretend that he doesn’t want to see Mickey as much as Mickey wants to see him. It’s impossible to hide that when Ian has let Mickey see so much of his heart over the years.

Ian’s response is so fascinating because he does meet Mickey’s eyes, and he holds that connection for a moment. Then, reading what Mickey is trying to tell him, he actually turns further away again so that Mickey gets his shoulder. This sets the stage for the rest of Ian’s development from now through s9. He’s doing what Ian does: he’s compartmentalizing. He’s taking the emotions he can’t deal with right now, wrapping them in tissue paper, and neatly stacking them in a box that he’ll put up in the attic where he can pretend they don’t exist. But they do. They really do.

If they didn’t, he wouldn’t have spent their entire conversation trying so hard to focus on literally anything but Mickey, because as we saw in the Hall of Shame flashbacks and as has been obvious since their first fight-turned-fuck, once they look, the battle is lost.

Dialogue

I’m going to be real with you guys: I adore this scene. I’ve watched it more times than I can count even though I haven’t rewatched much of the season in its entirety. There was so much said with so few words, and while I was sad at the end, I was also hopeful. This was an impossible position to be put in on both sides, and I truly believe that this was the best resolution they could get at the time. And yes, it hurt. It was painful. But why was it painful?

Because they’re so visibly, obviously, irrevocably in love.

Mickey’s tone when he tells Svetlana to leave because he wants to talk to Ian isn’t as harsh as it’s been for the rest of their visit. There’s such a disconnect between his words and tone: roughly telling her to scram while actually sounding a bit younger at the idea of speaking directly with Ian. Svetlana could tell. It’s so clear, and her smirk is super knowing. In that moment, we’re seeing the woman who stood in the doorway of what was supposed to be her bedroom and watched him make eyes at this unconscious boy she didn’t really even remember. Not in the tears and realizing she was in big, big trouble if he left her, but in the understanding that his heart isn’t in the body on the other side of the glass—it’s sitting behind her. There are a lot of things I don’t like about Svetlana as a person (as a character, she’s amazing), but since they reached their agreement in s4, she’s never had a derogatory thing to say about the love those two share, and I respect that. It’s actually a bit cute how she takes her time and is almost teasing in giving him what he wants. A bit.

As I have this scene running on repeat so that I don’t miss anything in writing this, I paused to type and ended up on such a meaningful glance at Ian’s face. Svetlana just took Yevgeny from him, and he hasn’t gotten up yet. He’s staring straight at Mickey, and he looks hesitant. Scared, almost. Then he looks up at Svetlana, nods a bit, and reluctantly moves into her spot.

Is it overkill to take this one exchange at a time? Probably. Am I going to do it anyway? Hell to the yes.

1.      “Thanks for coming back.”/”Yeah… Svetlana paid me.” – I know that people hate this line and think this is painful. I know that it objectively is painful. I still laugh every time. Not because Ian agreed to come if he was paid. (He’s got medication to afford and no insurance. I can’t begrudge him wanting to make a few extra bucks any way he can.) Not because of the words, but because of what accompanies them. Ian will not look at Mickey—he’s lost so many battles lately, and he can’t lose this one too. Not when he started this one himself. He’s hemming and hawing, not looking up from the countertop and then twisting around to see if Svetlana is still there or anyone else is listening. It’s so stupid, because literally no one cares, but it gives you this sensation that Ian sees himself as being under a microscope the whole time. That’s his life anymore, at home and at work and now here. And Mickey? He doesn’t look terribly broken up about Ian accepting payment in exchange for coming. He gets this expression that I interpreted as, “Seriously? You’re playing it like that?” Then it settles into disappointment that Ian won’t open up or look at him like he normally would—that the glass interferes with the magnetic pull between them. But don’t worry, children. Uncle Mickey has just the thing to fix that: himself.

2.      “You look good.”/*awkward silence* – I mean…what do you say to that? I actually felt so bad for Ian there because what must he have looked like these last visits if Mickey is telling him that he looks good now? What kind of mess was he then when he’s still sort of a mess today? And he can’t even return the sentiment because how can he? Mickey is in prison. He’s in a jumpsuit looking at being here so long that he’ll probably have a few grey hairs starting to grow in when he gets out. I don’t know how to respond when people tell me I look good on an average day, so I can only imagine how that must have felt in his position. And still, he won’t do more than glance in Mickey’s direction. Well, if that didn’t work…

3.      Mickey chuckles and says he got a new tattoo. Ian’s eyes immediately shoot upwards, and Mickey slouches a little so that he’s in their direct line of sight—to hold them there, because once they look, the battle is lost. And Ian does lose. For a while there, he can’t look away again. First, because Mickey is courting some pretty nasty illnesses with his improper use of needles. Seriously, Mickey, a beautiful gesture but holy crap. Second, Mickey has his name (or a very close approximation to it) tattooed forever right over his heart. Ian had asked if Mickey was going to marry him, and Mickey told him to fuck off, but everything he’s doing points in the opposite direction. He promised sickness and health; now he’s made a permanent mark on his body for everyone to see. Mickey, who wouldn’t be seen in public with him once upon a time, has plastered Ian’s name onto his body. Ian tries so hard not to let that impact him, but it’s over. He’s lost the battle already, and he falls further and further. He’s smiling when he tells Mickey it looks infected, he teases him about the misspelling (which I think says more about how much that tattoo must have hurt than any inability to spell on Mickey’s part—I’d have a typo too), and he laughs at Mickey’s irritation that he messed it up. And it’s this sweet little laugh, not cruel or hurtful or mean. The wonderful thing about humor is that it can be used to cope with difficult emotions. We’ve seen a lot of people on the show start laughing when they’re in a bad place. Ian has been trying so hard to accept his life as it is even during the shitty day he was having. He tried so hard not to let himself fall into the trap of letting his love for Mickey rule his actions in the scene so far. That’s a lot. That’s denying himself to the point where I’m sure it hurts. And so he laughs, because Mickey did this crazy, absurd thing for him and yeah, it came out wrong, but he did it. This was all Ian wanted once upon a time (minus the felony), and now he has it—but he can’t have it. So he laughs. He immediately moves to hide it, but he laughs. He smiles more and has to bend away to pretend that he’s not—and Mickey lights up like a goddamn Christmas tree. This is the moment that keeps me from seeing this scene or Ian’s actions as being cruel. They’re both hurting, and this is an awful position to be in. But Ian loves him so much, and Mickey was doing everything he could to make him show it. Not exactly how he saw that going, I’m sure, but he’ll take it.

4.      “Been thinking about you.” – Knowing that he lost that one, Ian looks away again. While the end of this scene will hurt for both of them, especially Mickey, think about the pain he must be feeling in that moment simply because he’s not. He’s not hurting. For the first time that day, he feels good. This can’t last. Mickey isn’t coming home with him when time is up. This wonderful emotion that filled him up enough for him to laugh and smile after such a bad day will be gone the second he hangs up that phone. Then he’s going to go home and have Fiona breathing down his neck with nobody else for support. And Mickey will be here—behind glass. He can’t handle that, and he pulls that box out again and starts tearing off the tissue paper. He has to get rid of this feeling. He has to be the one to put it away before it kicks him to the curb. He’s stubborn, and Mickey can see him shutting down but also knows that he’s knocked enough bricks out of Ian’s walls to say something softer, something emotional and closer to the heart. Something he is willing to say where the other inmates can hear, which I don’t think is lost on Ian since he immediately looks up again. He doesn’t look away either, not even when Mickey asks if Ian thinks about him. He glances to the side and opens his mouth a bit, but nothing comes out. Mickey knows the answer.

5.      “Gonna wait for me?”/”You’re here for fifteen years.” – There’s this thing Mickey does after he first says that. He chuckles, because he knows that that’s pretty unreasonable to ask and has already predicted Ian’s response. His comment about being out in eight is lighthearted, a serious matter spoken as a joke because…this isn’t juvie anymore. They’re not going to see each other in a few months. This is Mickey’s version of what Ian was just doing, only where Ian tried to withdraw and escape within himself, Mickey is making it more humorous. He’s always done that, make light of pretty serious things to avoid looking at just how messed up it is. But I didn’t get the feeling he was really asking for Ian to wait that long. Instead, I got the feeling that he was testing the waters, seeing if Ian would shut him down—which he didn’t. He offered the bullshit excuse that Mickey tried to kill a member of his family, and Mickey saw through that immediately. I think he knows that he can’t ask Ian to seriously wait and never be with anyone else for fifteen years, or even for eight. I think he knows what he’s saying is a touch absurd. He also knows that Ian’s excuse is extremely absurd, and he doesn’t buy it for a second. It gives him a little courage to do something…well, a bit absurd.

6.      “Will you? Wait? Fucking lie if you have to, man. Eight years is a long time.” – I think the important part of this isn’t that Ian says he’ll wait when he doesn’t mean it, which is the popular take. For one thing, I don’t think we can ascribe that level of calculated behavior to Ian in this instance. There are a few things about this part of the scene that mean a lot to me: (1) Ian doesn’t get up and go. He doesn’t even move in that direction. He sits there with the phone after the buzzer sounds and before Mickey tells him to lie. His mouth opens and closes like he’s not sure what to say. Because what can he say? If Mickey serves the maximum, Ian will be in his mid-thirties by the time they can be together. At that point, he was either nearing eighteen or just turned. I still can’t fathom what I’ll be doing in my mid-thirties, and I’m a whole lot older than that. Ian looks just a little terrified here, and that’s because he knows he loves Mickey but has no clue what he’s supposed to do with that in the impossible circumstances they’re operating under. (2) Ian can’t even see himself moving on yet. He’s still trying to figure himself out, not think about a relationship. He has a job he hates, and his family is a different brand of chaos these days. He feels alone, yes, but not in a way that has him openly desperate for a relationship. Based on what he says to Mandy about Caleb, I think it’s pretty safe to assume that he doesn’t think he’ll ever be in a serious relationship at this point or even in a position for more than casual sex anytime in the near future. How can he say that he’ll wait when he doesn’t know where he’ll be whenever Mickey does get out? Maybe he’ll feel better. Maybe he’ll be out of his mind, roaming all over the place like Monica. Maybe he won’t just be standing on that bridge. It’s a huge question, one that has a lot of ramifications no matter what his answer is, and Ian clearly has none. He’s blindsided by that, which Mickey sees. That’s when he gets serious about those eight years, about how absurd their situation really is. That’s perhaps the first and only time in this scene where we can see that, for as successful as he is at navigating prison, his freedom means something to him. His freedom means he wouldn’t have to coax a glance out of Ian—he could kiss his dumb ass and make him stop being stubborn about how much he loves Mickey. But he can’t. He won’t be able to for a long time. And I think that is what really breaks his heart in this scene, not…

7.      “Yeah. Yeah, Mick, I’ll wait.” – Did anyone else notice how Ian swallowed hard before he answered? How his voice gets hoarse when he first speaks? I paused again to type, and the video is sitting on his face staring at the counter before the second part of what he says. He looks like he might cry. He looks like his heart is breaking just as much as Mickey’s is, because he can do what he’s asking this time—reassure him with a lie. Not because he doesn’t intend to wait, but because he is buried so far under what life has piled on top of him that he can’t see the light these days, and he doesn’t see waiting or moving on. He just sees the daily struggle of being this shell of a person. Of being without Mickey even if they’re not technically together. (Admittedly, I think he knew they would be if Mickey weren’t in prison at that moment. Ian has no real self-control where he’s concerned. Lip told him as much, and he’s self-aware enough to realize it, hence his behavior in this whole scene.)

When Ian hangs up the phone, he doesn’t get up immediately. He looks at Mickey—really looks at him—and each of them watches the other’s heart shatter. I don’t see it the way a lot of people do, though. On Mickey’s side, I don’t see it as being because Ian lied. I think it’s so much bigger than that.

Ian looks at him when they can’t hear each other anymore, and if he didn’t seem ready to cry before, he looks it now. Why? Because there’s nothing he can do for Mickey besides that. Ian, ever the giver, can’t give him anything. At that point, he couldn’t even help himself. He can’t be what Mickey needs in that moment, just like he couldn’t be what Mickey needed while he was sick, and it kills him. It kills him to know that by the time Mickey does get out, he’ll be older than he can fathom being and has no idea if he’ll even be around that long. It kills him to feel like even if he is, he’ll still have nothing to offer because, in his own words, this is where he lands. And it kills him to have to walk away and leave what he loves most behind glass.

Mickey is watching this. He knows Ian, and as painful as it was to get exactly what he asked for, it’s even more painful for him to see what him being here does to Ian. Where Ian is a giver, Mickey is a fixer. He makes things better. When stuff is broken, he puts it back together. When there’s a problem, he resolves it. Ian was going to leave because he couldn’t be an unacknowledged number three in Mickey’s life anymore? He jumped to solve the problem by coming out. Ian was acting strangely and wouldn’t get out of bed for so long that Mickey realized something was wrong? He immediately went to hunt down Lip, who he knows is closer to Ian than anyone else in his family. Fiona tells him that Ian is sick and needs to be cared for? He jumps in to do it, even to the point where it did more harm than good. Sammi caused a problem that Mickey couldn’t solve? He fixed the problem of her being there at all. But here he sits, behind glass, watching Ian that whole time and knowing that he was trying to maintain some emotional distance—and, because it’s Mickey, knowing why. There’s nothing he can do about this. He can’t fix it. For the first time since s3, Mickey is absolutely helpless to fix a problem. He takes a breath as Ian walks away as though he’s about to say something, but what can he say? What can he do? Nothing. He can do nothing but hang up the phone and weather the storm.

In the end, the heartbreak in this scene isn’t about them hurting each other, from my perspective. It’s not about Ian being callous and cruel or purposely trying to hurt Mickey. They know each other too well for that. They’ve been through too much. To me, this is about two people who love each other more than anything not being able to be what the other needed when they needed them—and that’s a whole lot more painful.

[solo-23]

I'd debated about whether or not to post this because it's definitely a rant and there is definitely a lot of negativity, but I need to vent after last night's episode (with some leftover issues from earlier this season, too). If Betty is your favorite and you don't like to read anything negative about her, you will not like this post.

1. The way the voicemail has been blown completely out of proportion by the writers, reviewers, and some shippers is ridiculous. We keep hearing about how it was terrible, emotionally abusive, toxic, and something that Jughead definitely needed to apologize for, but nothing he said was actually out of line. There is absolutely nothing in that voicemail that Betty should have been surprised about, let alone treating it like it somehow turns her into the victim in the fall of Bughead.

It's not surprising that Jughead has now apologized twice for the voicemail, even if he doesn't actually remember all of it, because he knows that it hurt Betty. He can also probably guess what he said because he knows what he feels and how it can be exaggerated when he's feeling depressed or under the influence of drugs and alcohol. Generally if you actually admit what you're thinking or feeling when you know it would hurt someone, you feel bad about it. It doesn't matter if it's true or not, or if you're under the influence. A good person apologizes if they know they hurt someone. Jughead is a good person.

Just a note here, I've seen other people saying that Betty's actions while high should be excused just like people have said Jughead's voicemail should be excused because he was under the influence. Being under the influence DOES NOT excuse the voicemail.

The fact that Betty cheated on Jughead, did continue to sneak around with Archie while debating whether or not she wanted to "officially" pursue him, hid the whole affair until Jughead actually caught on and she had to make up a direct lie to his face or confess, never actually explained anything to Jughead (things like she was the one who stopped the affair, she wanted to stay with Jughead, etc.) even after he asked if they could talk about it, stood him up at Pop's a year later, and then stood him up again at the book release party justify Jughead's voicemail. And he has apologized for it twice.

2. That is why it was so intensely frustrating for Betty to just brush off his apology (again) and then turn the conversation to her, but without actually apologizing for anything. When Jughead mentioned not really being able to remember the voicemail, she could have brought up what bothered her in it so (a) he would know and (b) they could actually discuss the issues, which could have led into Betty actually explaining what happened with the cheating, including how the affair ended, and she could have apologized for that. It still wouldn't have been fully satisfying because Betty never apologizes first for her actions, but it would've been better than nothing. She also could have apologized for standing him up, although at least she explained why she didn't make it to the book release party.

3. However, she still didn't admit to or apologize for giving away Jughead's manuscript. The entire reason Jughead relapsed into drinking and almost plagiarized Cora is because Betty gave Jessica his manuscript. No, Betty does not get credit for "saving" Jughead because she was present when he got a phone call from Samm and admitted that he wasn't the author. She's the reason he was in that position in the first place. Yes, she had been drugged. Yes, Tabitha was present and didn't stop her. No, neither of those things excuse it. It also doesn't excuse her from sharing the voicemail with Tabitha and Jessica.

Why not? She and Tabitha were still shown as functional when all of this happened. Jessica admitted that she drugged them to try to get the manuscript. They were both capable of thinking and arguing. Betty chose to give the manuscript to Jessica. It wasn't until afterward that Betty and Tabitha started being really impacted by the drugs. Jughead's manuscript wasn't Betty's (or Tabitha's) to give away and doing so completely screwed Jughead over.

There are some questions here--did he switch over to his typewriter and that's why there was no backup? did he forget to save a copy on his laptop? did his laptop crash or get lost? who knows, but in the story it doesn't matter. There was one copy and Betty gave it away, placing Jughead in the position of losing his agent or plagiarizing another author.

Also, for playing the voicemail, Jessica had just brought the drugged fries to the table. No one is shown as having felt the effects of the drugs until Tabitha made a comment about being warm after the voicemail is over. Betty had been reluctant to help from the beginning, before Tabitha mentioned the "don't be a Betty" line, and made fairly rude comments about Jughead throughout the episode. I don't think she needs to apologize to Jughead for sharing it, but I also thought that playing the victim and having some people blame it on "being high" was ridiculous.

4. You cannot convince me that Betty cares about Jughead in the slightest when he was telling her he was an alcoholic and he's trying to get better and he's clearly drinking alcohol right in front of her and her response is "I'm an addict, too. I'm addicted to serial killers." She's struggling, yes, and it's good that she's opening up, but if she cared about Jughead at all an appropriate response here would be "So, why are you drinking?" or "are you okay?" Show some sort of concern for someone who is relapsing in front of your face. Jughead does it for Betty when he suggests she should take a break, even though he's in a moral quandary caused by Betty, depressed, and drunk.

Also, no, chasing serial killers is not an addiction in the same way as drugs or alcohol and it's insulting to say they're the same. Chasing serial killers could be described as a compulsion for Betty, or a hyperfixation, but it's not the same. It's difficult, but you can choose to not follow a compulsion without experiencing the often severe physical side effects experienced by actual addicts. I'm glad Betty recognized that she has a problem, but no, that is not an addiction.

5. The entire conversation is extremely awkward. It's clear that it isn't what Jughead had in mind, but his life that he had just been starting to get back together fell apart. He sank to new (or at least different) lows. Betty seemed like she wanted to leave as soon as she got there (understandable given how awkward it was, even secondhand) and disappeared once Jughead was distracted by a phone call. It's understandable, but disappointing. The part that was really frustrating, though, was that after talking to Jughead about how unhealthy her serial killer obsession is and how she's worried about her mom, she still goes out. Alice was passed out on the couch, which Betty paused to acknowledge. That should have been a turning point for Betty and it just wasn't. Screw these writers.

6. I loved that Tabitha and Jughead had mutual apologies, discussed their issues, and genuinely seemed to care about each other. I also loved that Jughead still cares and worries about Betty (frustrating as it is when it seems unreciprocated) because it's so true to Jughead's character.

7. It is absolutely fine and understandable if Betty has moved on from Jughead. She seemed to believe that if he found out about the cheating in their senior year, it would be the end of their relationship. She started shutting him out and trying to move on the next day.

However, as a Jughead fan, it's intensely annoying to see him still struggling with the lack of closure and continuing to have feelings for Betty after all of that. I would have preferred to see either both of them move on, then rediscover each other later (or not, depending on where the show is going), or have Betty be the one who still clearly has feelings for Jughead and have her regret blowing up the relationship.

8. Overall, I hate a lot of what the writers have done this season. I don't particularly like any of the backstories for the characters during the time jump, I don't like each character following a separate plot line(s), the lack of interaction between characters, and how disjointed everything feels.

The mothman plot was interesting, but seems destined for a disappointing end. There have been a lot of missed opportunities to bring storylines together (Jughead went missing while Archie was looking for escaped prisoners, he could have found Jughead; Jughead hitchhiked with a random trucker, even without the trucker attacking him he could have seen clues or found Polly; Sweet Pea or Fangs could have seen Betty playing hooker and organized an intervention instead of having the weird cult plot line; I'm sure there's more). Maybe it'll be better with a binge watch, but I'm having trouble maintaining interest in the final three episodes, let alone rewatching this mess of a season.

BONUS: I was relieved that the Bughead talk did not go with my worst case scenario. Based on the possible B/A return, I was a little bit worried that Jughead would apologize for the voicemail and remember what he said, then talk about how he always knew Betty had feelings for Archie. Betty, who said she'd been "wanting this since high school," would then nod along and say she was sorry for hurting him, but acknowledge those feelings. Then Jughead would ask why they never acted on those feelings after the breakup, Betty would talk about the FWB, and Jughead would go full B/A cheerleader and tell her to give it a chance (like the Pacey and Joey chat about Dawson at Mitch's funeral in Dawson's Creek). I was dreading that possibility and I'm so glad the show didn't go there. I'm sorry if I've given anyone nightmares.

[florrickandassociates]

TGF Thoughts: 5x10-- And the violence spread.

So, that’s it for season five. I’m still trying to sort out how I feel about the season as a whole and Wackner’s arc. I’m hopeful that writing this will help me decide.

This episode has a Previously, and it’s rather conventional. I’m guessing it’s here to bookend the season, with conveying information being only a secondary objective.  

Did we see Rivi scream, “You’re done, Wacko, you’re done! Canceled! Canceled!” in the last episode or is that new to this previously? I feel like I absolutely would’ve had things to say about a) Wackner being called “Wacko,” which has been RIGHT THERE this whole time, and b) the use of “Canceled,” which is a thing Rivi would never say but is VERY thematic (you know, cancel culture and also Wackner having a TV show and also this being a TV show that’s wrapping up* Wackner’s arc).

* The way things end this episode, I’d say we’re done with Wackner. The Kings have said they aren’t sure about the plan for season six, so never say never, but I think that if we see Wackner again, it will be as part of a different arc.  

I went back to 5x09 and while we do see the same shots of Rivi screaming, whatever he’s saying in 5x09 is in Spanish. So either he was saying this in Spanish or the dialogue here is totally new.  

I’m a little sad that I knew in advance Robert King had directed this episode, because I want to know how long it would’ve taken me to guess. I’d like to think this first shot, of Diane flopping down on her bed in a very pretty floral print dress, then Kurt flopping down in the opposite direction, would’ve given it away. We usually don’t get shots that are both striking and kinda balanced unless RK’s directing.  

This also has some big season three opener vibes—the scene where Diane turns to Kurt and says, “I’m happy,” thus jinxing the entire season.  

Diane and Kurt are about to go on vacation, which means, of course, that Diane and Kurt are definitely not about to go on vacation. I’ve watched 12 seasons of this show; I know all the tricks!  

If I didn’t get it from the initial staging of the opening shot, the camera panning to Diane and Kurt’s suitcases and then back would’ve been another clue that RK directed. He ALWAYS has the camera in motion.  

I love that Diane’s travel outfit is a dress you could wear to a fancy party and a statement necklace. Of course it is.

And if I needed evidence that RK and MK wrote this episode (which I didn’t; it is a finale so I knew they wrote it), Diane quoting Waiting for Godot is a clue there.  

I really should read Waiting for Godot, shouldn’t I?  

“Wow. Educated and a good lay,” Kurt responds. I know that the political stuff between Diane and Kurt can get more than a little murky, but banter like this reminds me why they stay together and why politics never drive them apart. Also, it’s really nice to see Diane and Kurt have some fun banter that isn’t about politics.  

And Diane making kissing noises and asking Kurt to meet her halfway! This just feels like I’m spying on someone’s private life and I love it. Not in a voyeuristic way, since this is actually a little uncomfortably private, but in a, “ah, yes, these do feel like real people” way. This is the kind of “a little goes a long way” character moment I always want more of, and Kings episodes ALWAYS include stuff like this.

And there it is. The phone rings as Diane and Kurt are about to start out for the airport. Diane thinks the call must be for Kurt, but it’s for her. It’s a very flustered Liz, informing her that STR Laurie’s execs are on their way to the office for a surprise visit.

If the Diane/Kurt scene didn’t tell me that Robert King directed, I almost certainly would’ve gotten it from the sudden cut to Liz, walking through the hallways and doing a million things at once with a ton of background noise. No one loves chaos the way Robert King loves chaos.  

This episode STRONGLY reminds me of the Wife season five finale. It is equally chaotic and also spins a ton of plates. But, mostly, the similarity I see between the two episodes is that they are both extremely fun and captivating to watch because of how much momentum they have, but everything just feels slightly hollow and not exactly focused on the thing you want to see.  

(Shout out to my friend Ryan, who messaged me the 5x22 comparison before I could message it to him!)  

I decided I should rewatch the first few minutes of 5x22. I am now 15 minutes into 5x22 of Wife and 2 minutes into 5x10 of Fight. Oops.  

Apparently, STR Laurie planned a surprise visit because they heard RL was dysfunctional. You don’t say!  

I felt like 5x09 concluded with STR Laurie being won over by Allegra and the RL team, so this is a bit of a surprising place to start the episode. But, since Diane seems surprised too, I’ll allow it.  

Now Liz and Diane have 90 minutes to agree on a financial plan! Kurt’s on the phone with the airline before Diane even hangs up with Liz.  

Diane is determined not to lose out on her vacation and asks Kurt to change the flight to 8:00. “Kurt, we are going on this vacation if it kills me!” is a line I would worry was foreshadowing on basically any other show.

The RL/STRL PowerPoint template is pretty ugly. They want to call 2021 their best year yet, thanks to the deal between Rivi and Plum Meadow Farms we saw last week. Even though we saw champagne and signatures, the deal isn’t done yet because Plum Meadow can back out if Rivi goes to jail.

RK also loves close-ups more than any other director on the show; I do not love close-ups.  

The Plum Meadow deal is such a big deal that for the quarter, they go from $45 million to $5 million without it. They should just not say numbers. I can believe it’s big enough to take them from a modest profit to being behind projections or whatever, but I can’t believe that they have $5 million in other business and $40 million on this one deal.  

It seems that Rivi was arrested. I don’t think it is ever said in this episode why. I assume the arrest relates to his behavior in Wackner’s court, since there were police officers there, and I suppose that Rivi is a big enough deal the police would actually take him to real court, but are we not going to address the weirdness of Rivi being arrested in a fake court where his employees are being tried, then taken to a real court by the same people who just an episode ago were disillusioned with real court? This seems like a plot point.

Carmen on a frantic phone call in the backseat of a car feels very 7x22.  

Who is James that Carmen has in her contacts!? And why does everyone always put Liz in their contacts as “Elizabeth Reddick” when everyone calls her Liz?  

Carmen calls Marissa to go argue in Vinetta’s court since she’s on Rivi duty. Carmen doesn’t take Marissa’s job in Wackner’s court seriously and then notes that this instruction is coming straight from Liz, so Marissa falls in line.  

Wackner’s case of the week is about rural Illinois wanting to form its own state separate from Chicago. There’s a farmer who feels like his tax money is only going to the big city and he wants it to stay in his community.  

They’ve just now added stage lighting to the set of Wackner Rules, dunno why they wouldn’t have done that earlier!

I don’t know what standing you’d have to have to bring a case about wanting to divide the state in two to court, or if this is even something a court would or should decide, but, sure, Wackner and Cord, go for it. There are no rules!  

This map splitting Illinois into two new states that Cord is holding is a dumb prop because Galena, where this farmer is from, is in the same section as Chicago. Do I pause every reference to Chicago on this show and then google information to see if the writers bothered to look it up or pretend they’ve ever set foot in Chicago? You know I do.

“Secession!” the audience screams. Does the audience of Wackner Rules really want to see this?

A Good Fight Short! And it really is short: “Stop this obsession with secession and breaking up the Union. It’s boring and it’s dumb, end of song.” I feel like that’s the thesis statement for this episode, or one of them (that this episode seems to have about ten thesis statements is kind of my problem with this episode, tbh). This episode is very much about danger of things becoming too fractured—the COTW, the copycat courts, the firm drama—and I feel like the writers come around to just saying no, this is enough, we need structure and consistency.

But more on that later. MUCH more on that later.

Marissa is swearing more because “the world has required it.” She notes this to Wackner as she calls him out on the secession case. Cord barges in.

Take a look at the employee of the month poster on the back of the door at 5:39. Then at 5:40, look at what’s in the box just to the right of the center of the screen: it’s an employee of the month poster with Wackner on it! Cute easter egg. (Would Marissa definitely notice this and have questions? Yes. Is this here as a cute easter egg for eagle-eyed fans? Almost certainly.)  

“Insane is just one step away from reality if you get people to believe, and you know what makes people believe? TV.” Cord explains when Marissa asks how they can possibly be litigating this case. That’s thesis statements two and three, folks. The first is that if you get people to believe, then anything is possible, which sounds like a tagline for a Disney movie but is actually super dangerous; the second is that reality TV is a way to persuade people and change opinions.  

So we’ve got: (1) Factions are bad. (2) People are persuadable and the rules don’t actually matter. (3) Reality TV changes minds. Let’s see if there are more.

(Yes, these theses do kind of add up to a whole—The rules don’t matter, so if you persuade people, through reality tv, you get factions of people believing their own sets of rules and facts—but what I'm interested in tracking throughout this episode is how well the writers actually bring these theses together.)

(And this is setting aside that key themes in previous episodes, that I think many of us were looking for resolution on, included outlining the flaws with the extant “real” justice system and exploring the role of prison in the justice system. From this episode, I don’t think the writers ever intended to really tackle either of those issues. That’s fine—I'm not sure that TGF has something to say about prison abolition and I don’t want a thought experiment where the writers actually try to fix the legal system—but feels a bit disjointed. I’ve said it before and I’ll say it again, but 5x08 and 5x09 needed to do a better, clearer job of setting up this finale. The key themes of Wackner’s arc were always present, but they needed to slowly narrow the scope so the resolution felt inevitable and clear. Instead, we spent time on things like parking spaces (when we could’ve had a real plot about how Wackner’s court gains legitimacy through violence, incarceration, and playing on people’s frustration with the real systems) and Del’s focus groups (when we could’ve instead done a plot about Wackner gaining fans who wanted to use his methods to do ill). Everything I just mentioned in the parentheticals is in the show! It’s not subtext! We see it all! We see Cord use violence and prisons to enforce Wackner’s rulings; we see the cops turn to Wackner out of frustration; we see that the people drawn to Wackner Rules and to Wackner’s court are increasingly sounding more and more like right-wing populists! I can’t be too hard on this arc because, again, all these ideas are there. I’m not coming up with them on my own!)

I’m just saying: this ending would’ve been a lot clearer and a lot more interesting had the writers focused on what I mentioned above instead of the distractions of the last two episodes.  

Whew, that was a ramble. Hope you’re ready for more rambles.

On a similar note, I’d like to reiterate my problems with how the writers used Marissa after the private prison reveal. I don’t have much more to say than what I wrote last week, but it’s another example of the same problem. Marissa objecting to Wackner’s court because she notices what it’s becoming and how Cord plans to use it for political gain (two Illinoises (??) changes the Senate and the Electoral College...) always was going to be part of the endgame. Marissa only seriously objecting after the fourth or fifth line Wackner crosses feels bizarre.  

Cord does NOT like that there is another court, and wants to protect Wackner’s IP. Wackner, as we saw last episode, does not feel threatened by the other court. In fact, he seems to be excited by it.  

I love Liz questioning Diane’s outfit like it’s unprofessional. It’s a little low-cut and showy, but I don’t think unprofessional is the word I’d use for it.  

Now they have 45 minutes to decide The Future Of The Firm and Diane wants to be considered a name partner. Oh, that debate is still raging?! Every time I think it’s done it comes back, which should probably be a sign to Diane that her options are to leave and start something new, jettison Madeline and the others, or step down. Staying on as name partner and calling it a black firm is just not an option.  

“Diane, there is a split in the firm that...” Liz starts, before asking some associates to leave the room. Ha! The reveal Liz and Diane aren’t alone is a pretty fun touch.

“The Black equity partners don’t want to be in your work group,” Liz informs Diane. “Because they think they’ll be punished by this firm?” Diane asks. “No, that’s paranoia. We don’t punish here,” Liz responds. “Of course you do. My fracking client. My union client. The Black lawyers who work on those cases—they're considered traitors” Diane says. “Because those CEOs are racists,” Liz counters.

Lots going on here, and I’m not sure I understand it all. Why would the equity partners—who are partners—feel like they’re being punished by being in Diane’s work group? (And also what does a “work group” mean and why haven’t they talked about it in the past?) When Diane starts talking about the lawyers who staff her clients, she’s not talking about equity partners; she is talking about associates.

And people are giving associates shit for working on Diane’s clients whom they happen to be staffed on!? That’s sad, though believable.

“So what do we do? Only bring in clients who can pass the racial smell test?” Diane asks. I mean, actually, yes. IF the goal is to be a black firm and to have that designation mean something in moral terms rather than marketing terms, then yes.  

“It’s okay if you’re a drug kingpin like Rivi, but it’s not okay if you want me as lead attorney?” Diane says. Also, yes. Diane makes good points here.  

“Diane, this is not about you,” Liz counters. Um, sure, but it has to be about something, Liz. Unless you’re trying to build a firm you don’t control that makes 88% of its revenue from a drug dealer (40 million out of 45 million this quarter = 88%; I told you they shouldn’t give me numbers) but happens to have black people in charge, you have to grapple with this question. I don’t think anyone who’s fighting for the firm to be a black-led (not owned, bc STRL) business is the type of person who thinks that having a black-led firm that does all the same shit as any other firm is in itself a good thing, so you NEED to address your client list. Madeline is anti-Rivi, anti-Cord, anti-Wolfe-Coleman (the rapist guy), pro-social justice, and pro having a black led firm.  

“I mean, why... why do white people personalize this?” Liz asks. “Oh, now I’m just a white person?” Diane responds. I... don’t know what to do with this! Liz is right that Diane is taking this personally; Diane is right that Liz needs to deal with the rest of the client list. But no one is saying the things that REALLY need to be said: That all their decisions are meaningless in the shadow of STRL, and that deciding to be a black led firm isn’t the end of the discussion if they haven’t decided what types of clients they want to have.  

“What happened, Liz? Last year we were intent on an all-female-run law firm,” Diane starts. Oh, THIS AGAIN! Diane never learns, does she? She never seems to realize that no one she’s approached with this idea is NEARLY as in love with it as she is. She probably still wonders to herself why Alicia—who partnered with her at the end of season seven basically just because it was the easiest, most frictionless thing to do—didn't seem more committed to their firm.  

“Diane, there is history here that we are trying to...” Liz says, but Diane cuts in to note that women (women like Diane Lockhart!) have history too! In fact, she’s spent “35 years fighting gender discrimination to get to this position.” “And we have spent 400 years fighting racial discrimination to try and, you know...” Liz starts, before cutting herself off to get back to the ticking clock.

Sigh. Just talk about the actual thing instead of talking around the thing, guys. Diane is obviously deserving of A name partnership, in the abstract. This is an undeniable fact. And while Diane is definitely making this about herself rather than the big picture, I don’t think Liz trying to trump Diane’s 35 year career with the history of black people is going to win her any arguments? Like, just say what you mean and say it clearly. What Liz, I think, wants to express is that Diane’s individual accomplishments aren’t the issue here and everyone thinks she’s deserving (though Liz suggested Diane was not deserving a few episodes ago, which I didn’t understand then and don’t understand now). The problem is that Diane is trying to fight a battle that’s about something much larger than herself with, “but I'm a good lawyer!”  

And that’s KIND OF what Liz is saying here, if I add all her sentences up and read between the lines, but, again, why not just say it?  

“Alright, now we have 43 minutes to fix race relations, gender relations. STR Laurie’s gonna fire our asses, and you know it,” Liz says. I am curious what that would look like. Wouldn’t that just mean that STRL wouldn’t control them anymore? I’m sure being fired would be bad and all, but wouldn’t it free them from the contract they wanted out of last year?  

“Let’s split the firm down the middle. I hire half the lawyers, you hire the other half,” Diane suggests. What does this mean? Why are you hiring your employees? Huh?

“You hire the white associates, and I hire the black associates?” Liz confirms. This seems like a very bad idea that would make things a lot worse and open them up to lawsuits! I also still do not know what they’re even talking about. And I don’t know why Allegra isn’t a part of this conversation.

“I’m not saying it’s good. I’m just saying it’s what we’re left with. It's what we can agree on,” Diane says. I really wish I understood what “hire” meant in this context because I don’t understand why they have to split anything or why this has to be done now and I don’t understand why this would possibly be a good solution. Can you imagine the backlash when people realize all the white people report to Diane and all the black people to Liz and that people were taken off of the accounts they’ve worked on for years to accomplish this? And this must be something that the employees would know about eventually; otherwise they could just randomly assign half to Liz and half to Diane.  

I’m sad Madeline isn’t in this episode because I feel like we needed to see more of her POV as well as the associate POV. I don’t really understand the divides at play within the firm or what the staff and other partners are asking for, but I suspect it isn’t this.

Hallucination Jesus is back, and at least there’s actually a point to him this time (he shows up when Jay is in Vinetta’s court and reminds Jay that Vinetta will rule based on her religious beliefs). I still dislike the hallucinations.

Jay advises Marissa, who is Jewish, to talk a lot about Jesus in her defense.  

Charmaine Bingwa is really great as Carmen, and obviously she is not fluent in Spanish, but it’s so funny to me that the only time you can hear that she’s Australian is when she’s trying to say Oscar like she’s speaking Spanish.  

"I know you’re hiding something when you speak English,” Rivi says to Carmen. Heh.  

“Community court” is such a nice, unthreatening term for referring to Wackner and his copy cats. Thanks for that, Carmen!

It’s a smart plan to mention Jesus a lot, I guess, but Jay and Marissa both should’ve realized that Vinetta is too smart to tolerate obvious pandering. I’m a little surprised Jay doesn’t get up and argue since Marissa is, obviously, not familiar with the New Testament.  

Marissa wins this round with facts and logic.

Why is the judge who was handling Rivi’s previous charge now in bond court? Make it make sense.

I like that Carmen calls out the ASA for swearing hahaha  

Why... would this Matteo kid just casually mention he was holding a gun, omg.  

In Vinetta’s court, you can be charged with murder and tried because... you had a gun and also there were murders at other times. Coolcoolcool no problems here.

Community courts for civil cases? Sure. That’s basically arbitration. Community courts for criminal cases? Bad, bad, bad idea.  

Vinetta’s reasoning: “Those murders happened on our street, and the police haven’t convicted anyone because they don’t care. We care. This is self-defense. And how is it different from your court?” Aside from the whole imprisoning people in her basement thing, Vinetta’s not wrong. I almost brought this up last week but hesitated because I couldn’t remember the details enough to decide if I wanted to recommend it, but there’s a book I read a few years ago that seems relevant here: Ghettoside by Jill Leovy. Again, been a while so don’t take this as a wholehearted endorsement or anything, but from what I remember, the central issue at the heart of the book (it’s non-fiction) is that a poor black community (I think in LA?) doesn’t trust the police (in part) because the police don’t solve murders, and then with no way of getting justice through the court system, there’s more violence as a stand-in for justice. https://www.vox.com/2016/8/26/12631962/ghettoside-jill-leovy-black-crime

I’m not sure if that’s QUITE what Vinetta is saying but it seems similar, and it’s a decent point (though not a justification for her court). Why should she trust the system to improve her community when it’s ignored her community for years?

I like that the writers chose two very different, very understandable characters for their community courts. It’s easy to see why Wackner and Vinetta feel the need for alternative courts; it’s easy to see why others would trust them. This arc doesn’t really work unless there’s a legitimate frustration with existing systems...  

Marissa calls Wackner’s court a “joke,” which she should understand by now isn’t the case. (Marissa’s smart; she knew it wasn’t a joke the second she saw David Cord get involved.)  

Vinetta accuses Wackner of copying her court, which alarms Marissa. This isn’t addressed again, and I don’t know if it’s true! I could really go either way on this. On the one hand, I absolutely believe that Wackner saw/heard about it, liked it, and did it himself without thinking much of it—and if this is the case, then the ending where Vinetta gets in trouble for violating Wackner’s IP is a lot more of a gut punch. On the other hand, I don’t really feel like the seeds for this were planted. We see Wackner innovate a lot and try new things and he has an explanation for why he does everything—how much of that is Vinetta? And Vinetta clearly watches the show and likes it or she wouldn’t have recognized Marissa, so it’s a little hard for me to just believe her claim when literally all I know about her is she has a court that looks like Wackner’s and she is aware of and feels positively towards Wackner rules. Also, Wackner knows about Vinetta’s court (from Marissa) and sounded excited about it last episode. Sure, he didn’t necessarily know which one it was, exactly, but I assume if he’d copied the idea and then heard about a case involving people from the exact same community where he found the idea... his reaction would be different. So IDK. My reasons for doubting Vinetta’s claim are probably based a little too much in things I’m not meant to spend that much time paying attention to.  

“I fucked up. It’s in the same court, but now it’s a murder case,” Marissa tells Diane. I do like hearing characters admit when they fucked up!  

Diane hears that STRL is delayed, so she heads out to help Matteo. When she goes to change into her pantsuit, she finds that she’s grabbed Kurt’s bag by mistake. “Of course. That makes sense,” she reacts.  

Diane pushes her flight to the next day, also telling Kurt, “And yes, for some reason, I took your suit instead of mine, so fuck it.” I love it when the characters feel like real people.  

I am not sure why Kurt is getting to the office when Diane is leaving or why Kurt is there—to pick Diane up on the way to the airport, maybe?

Carter Schmidt walks into RL at the worst possible time, threating to blow up the Plum Meadow deal. Another 5x10 to Wife 5x22 similarity: he’s in both episodes.  

Liz heads out to help Carmen with Rivi, and then STRL arrives. Oops.  

Credits!

One thing about Wackner’s court that should definitely be a warning sign even though it seems noble: he ignores just about every warning sign, like this rowdy crowd screaming WE LOVE YOU WACKNER or the potential interests at play in a case about secession, because he thinks his fair judgement can overcome these obstacles. If the world worked that way, there’d be no need for his court in the first place.

Is anyone representing the State of Illinois in this trial? If not, then... how is it happening?  

Dr. Goat, some dude who claims to have some hidden historical document about how Illinois is actually two states, is clearly making stuff up and yet Wackner indulges him and Cord. I feel about this the same way as I feel about the Devil’s Advocate: That Wackner would not allow this to go on for more than five seconds before calling bullshit and therefore there is no reason I should have to sit through it.

Why is some guy screaming, “No taxation without representation” like dude you absolutely have representation. But of course, I’m expecting him to be logical, and the point is that he is not.

Dr. Goat’s Latin phrases—shock!-- don’t actually translate into anything like what he said. Even though this information is verifiable by a quick google search, the crowd starts screaming “Liar!!!!” at Marissa. If only I could say this felt unrealistic.

Wackner asks Dr. Goat to bring in the document.  

“You look like you’re heading to the beach,” Vinetta says to Diane, who looks like she’s heading somewhere but definitely not to the beach. Vinetta asks where Diane was headed on vacation. Diane says she’s headed to Lake Como, and unnecessarily clarifies that “It’s in Italy.” She assumes Vinetta doesn’t know that... but Vinetta does.

“So you’ve been there before?” Vinetta probes when Diane says it’s beautiful there. “Just once. We don’t get away often. We thought we’d splurge,” Diane says. Vinetta stares at her and smiles, and Diane hits her head on a basket that’s hanging in Vinetta’s kitchen. If I just write out the dialogue here, it sounds like a perfectly average conversation, but everything about this conversation is so charged: Diane is afraid to look like a wealthy white woman; Vinetta’s pleasantness is pretty clearly also a way of sizing up Diane.  

Vinetta shows Diane pictures of neighborhood children and young adults killed as a consequence of gang violence. You can see she’s not trying to do anything other than help her community, even if her methods are highly questionable.

Diane argues that Matteo should be given over to the police; Vinetta disagrees: “The police haven’t arrested anyone for those murders, any of these. Since the BLM movement, they’ve pulled back from our streets. No one’s coming to help. That’s why I started this court. It’s not a joke to us.” Wait I’m sorry did Vinetta just blame lack of good detective work in black communities on... the BLM movement?!?!?! Is there any foundation to this!? Why can’t it just be that the police weren’t actually doing a good job of policing/finding justice and were being antagonistic towards the community instead of being helpful and no one trusted them?? That explanation is literally right there.

Jay suggests the Jesus strategy, again.  

“It’s women! We could just move on, install men,” STRL guy says. I don’t know if he’s joking, but ugh. Also, what is RL if it has neither Diane nor Liz? A bunch of lawyers who will all promptly quit when they see their bosses get fired and a few opportunists?  

Kurt is watching golf in Diane’s office, and the STRL people love it. Of course Kurt accidentally makes friends with them.  

Court stuff happens. It’s not good for Rivi, and then Liz and Carmen come up with a theory: Plum Meadow is stalling the deal so they can find Rivi’s more stable second and make a deal with them instead.  

Wackner giving Dr. Goat a single point on his stupid little board, for any reason related to his obviously fake totally unverified document, is dangerous. Why would you signal to a crowd that’s clearly not interested in fact that they have a point? That’s basically egging them on.

I know Wackner’s judgment is obviously not 100% sound—need I remind you of the PRIVATE PRISONS?-- but I thought it was more sound than this.  

Wackner shows off his knowledge of paper and proves that Dr. Goat’s document is a fake. Why... did he just give Dr. Goat a point???  

Or is he moving the point from Dr. Goat to Marissa?  

Dr. Goat sounds like a fake name I would call a character in my recaps long past the point of anyone other than myself remembering the joke. (See: Mr. Elk)

“The truth is ugly. The only thing uglier is not pursuing it,” Wackner tells Marissa. How is taking on a case about very obvious falsehoods, funded by someone with a vested interest in the case, that gets people riled up, some noble pursuit of truth?  

STRL and Kurt are now drinking and discussing hunting, while Diane’s arguing for Matteo in Vinetta’s living room. Vinetta is—as was always obvious, sorry Jay—far too smart to fall for this patronizing bullshit. She screams at Diane and plays back a recording (on a baby monitor) of Diane coaching Matteo to lie about his faith.

Soooooo yeah no you can’t do that, that is bad, recording conversations between lawyers and their clients is not good even if it leads to you exposing their schemes...

Then Vinetta places Diane under arrest, which obviously isn’t going to end well for Vinetta.  

Liz and Carmen suggest a post-nup to Rivi to see if Isabel is planning on turning on him.

“I’m going to have to kill her,” Rivi says sadly. I don’t think Rivi will ever kill Isabel because we already did that with Bishop.  

I’m going to assume that Diane chooses to stay in basement prison instead of calling one of the many, MANY, MANY people she could call to get her out/take down Vinetta because she doesn’t want the situation to be publicized or further deteriorate. That said, it’s really not clear why Diane just accepts being sentenced to basement prison with a cell phone.  

Love the STRL man looking at that picture of Diane and HRC. They’ve gotten so much mileage out of that photo.  

Wackner’s court has no rules, but at least since it has no rules, I can’t complain about how its rules make no sense!  

What is this, debate practice?! Ugggghhhhh I can’t deal with this case for much longer.  

Marissa takes a breath, then decides to pursue a strategy she knows could blow everything up.

“Then why care what Judge Wackner decides? Why should you defer to him? Why defer to anyone?” Cord says that’s the point—the people have decided to trust Wackner. “So if you don’t like this court’s decision, you’ll just start a new one?” Marissa asks. “I guess,” Cord concedes.  

“So then why does this matter? This court?” “It matters only insofar as we continue to agree that it matters,” Cord says. “So if you don’t like Judge Wackner’s rulings, you can just ignore them and create a new court?”

Good point, Marissa. Good point. (Does this count as a thesis?)

“I’m guessing that I will like the way the judge decides,” Cord says. Well, that’s basically a threat.

Wackner takes a break and heads to chambers—without Marissa.  

Kurt goes to visit Diane in basement jail. He’s granted a conjugal visit, which means Matteo gets moved up to the bedroom so Diane and Kurt can have some alone time.

Diane is staring at an image of Lake Como in her cell. I thought it was odd she brought a printout of her vacation destination with her, so I LOVED the line where she explains that Vinetta printed it out for her. COLD. (You know who also would’ve done this if they’d for some reason had a basement prison? Bree Van de Kamp. You know what show DID do a basement prison arc I’d rather forget? Desperate Housewives!)  

I love how Diane responds to basement prison by making jokes non-stop.

“I thought the craziness would end with 2020,” Diane says. Nope.

Kurt brought alcohol; Diane brought pot gummies.  

I love that Kurt has never had pot before. I was going to say that I bet Diane’s had a few experiences with recreational drugs when I remembered we had a whole damn season of Diane microdosing.  

Christine and Gary’s acting and their chemistry really bring these basement prison scenes to life. The writing and directing are really sharp, but it’s the actors who make these scenes something special. You can tell Diane and Kurt love each other a lot. You can tell they’re disappointed about their vacation and exhausted by the chaos of the day. You can tell they’re in disbelief over this situation but also find it funny.  

Didn’t Rivi and Isabel have an adult daughter who died of COVID a few episodes ago? Weird she isn’t mentioned in this scene. Maybe from a different marriage/relationship?

Isabel called the SA’s office because she thinks Rivi’s a threat? I think this is a power play.

Heh, Carmen saying, “Shut a black woman up!?” in disbelief in court. Love it.  

Isabel instead flips her story and supports her husband and fights for his release. With no intervention from Plum Meadow, this gets the judge to free Rivi. I don’t really understand what’s happened here or why. I get the resolution, but I don’t get why Isabel called the SA or why this went away so quickly. I still don’t even get why Rivi’s been arrested.

Diane and Kurt put up Christmas lights for ambiance and talk about how they never go on vacation.

“I wanna see the pyramids on this coast!” drunk & high Kurt insists, hilariously. “I mean hemisphere. I like the Aztecs. They, they care about people.” I’m not going to transcribe the rest of the dialogue because it loses its magic when you’re not watching the scene.  

After some fun banter about travel and movies, Diane changes the topic. “I should quit, shouldn’t I? That judge upstairs? She looked at me like I was the most entitled white bitch on the planet. And that’s the way they look at me at work.”

Kurt tries to say that’s not true, but Diane knows it is: “Yes they do. I’m the top Karen. And why do I care? I mean, I... I could find another firm. I could quit. I can’t impose my will on people who don’t want me.”

YES. I see a lot of debate over what the “right” thing to do is here. But I think we are long past “right” and “wrong.” At a certain point, this stops being about absolute moral truths. If Diane doesn’t have the respect of her partners and employees, that is a very real problem for the firm and for Diane. How can she continue to impose her will on a firm that doesn’t want her, all the while claiming to be an ally? (The back half of that sentence is the most important part.) Forget whether or not Diane “should” have to step down. Forget what’s “fair.” If the non-Diane leadership of RL thinks the firm should be a black firm, and the employees of RL think so too, and Diane just doubles down on her white feminism, she’s creating an even bigger problem for herself and ruining her reputation in the process.  

Kurt stands up on the prison cot and warns Diane she might make a decision she’ll regret. This scene is so cute. Why can’t other shows do drug trips where the characters just act silly and have great chemistry? Why does it always have to be some profound meditation on death whenever characters get high?

“I think I like starting over. I like the chutes and ladders of life. I mean, I want the corner office, but then I wanna slip back to the beginning and fight for the corner office. I mean, I think maybe it’s better that I don’t get the top spot,” Diane says. LOVE to hear her admit this. I’m not sure I would’ve come to this conclusion on my own, and it sounds like it’s a bit more about how the writers like to write (you know, the “we love our characters to always be underdogs”) than Diane, but... you know what? I believe it. I fully believe it. Diane LOVES to fight, LOVES to feel like she’s in the right, LOVES power plays and to be making progress. She LOVES winning. The fact that she isn’t just choosing to retire right now, even though she’s past retirement age and has a great reputation, is in itself enough for me to believe that she would find it fun to repeatedly start over.

Plus, it’s a fun new direction for the show to take in season six, because they’ll get the same sense of conflict without the actual conflict. This season’s arc was firm drama and resulted in a firm name change... but it didn’t feel like a knock-off of Hitting the Fan. Diane trying to work her way back into power (I assume by becoming a better actual ally, otherwise doesn’t she just end up in the same exact situation?) should also provide conflict without being repetitive.

Hahahahahaha Kurt immediately reacting to this serious statement by being incredibly silly and horny and then Diane singing “I Touch Myself” to him, man, I love these two. I want to know the story behind this song choice.

Wackner emerges from his chambers. The score is tied. Wackner calls Cord corrupt and notes that they can’t just decide to call Downstate Illinois a new state based on his ruling. Now it’s thesis time!

“I was taken by Mr. Cord’s arguments of individualism. So much of our country has been built on people finding their own way, not being held back by bureaucracy. Yet, if we only follow individualism, that way lies chaos. And that was not the point of this court. Or at least not my point. Judgment for the defense. There will be no Downstate Illinois.”

“If we only follow individualism, that way lies chaos.” is probably the clearest of the many theses of this episode. To recap, we have:

(1) Factions are bad. (2) People are persuadable and the rules don’t actually matter. (3) Reality TV changes minds. (4) Institutions only exist when we collectively agree they exist (5) Individualism = chaos.  

But let’s put a pin in this for now and let the chaos of individualism play out.  

The crowd does not like Wackner’s decision, and decides that an appropriate way to express their displeasure is to make anti-Semitic remarks towards Marissa and then start throwing chairs. What nice people.  

As the crowd goes totally 1/6 on Wackner’s court (thanks for pointing this out to me, Ryan—I cannot believe I didn’t make the connection myself!), the door slamming into the desk finally pays off since Marissa and Wackner are able to use it to keep the crowd from reaching them.  

They immediately turn to the police, or they would, if they could get service. I’m sure it’s not a coincidence that as soon as things get bad, they want to involve the existing system.  

Wackner Rules is, somehow, still taping in the midst of all the chaos. I don’t know if I think they’d air this, but someone certainly would. (I wonder if any of the cameras we see in these scenes are actually the cameras filming the other angles of the riot.)  

Cord shakes his head and walks out, unharmed.  

“You think they’ll kill us?” “I think they might,” Marissa and Wackner fret.  

“My dad said the whole world would be a better place if everybody realized they were in the minority. ‘No matter where you are,’ he said, ‘Make sure you keep an eye on the exits, and make sure you’re closer to the exit than the Cossacks are to the entrance.’” Marissa says. Love Eli Gold coming through with thesis number 6 (and maybe thesis number 7).  

“Your dad sounds a little paranoid,” Wackner says, correctly. Remember how I mentioned I accidentally wound up watching 5x22? Eli calls Alicia and responds to her hello with, “DISASTER!!!!” I miss him.

“He was, but he wasn’t wrong. He said, ‘Stay away from parades. They’re cute until they’re not. And don’t trust any pope who was Hitler Youth.” “What’s that law called?” “Godwin’s Law. My dad said anybody who argued for Godwin’s Law has never been near an actual crowd. Crowds love you, they hug you. Then they grab a gun and try to kill you.”

“Why? Why do they do that?” “I don’t know. Hate is fun. It’s clear-cut.”  

I really like all of this. It is a little preachy, but it isn’t wrong and it’s self-aware. And, more importantly, it’s in character. I absolutely believe that Marissa would tell lots of stories about Eli in a moment of extreme stress. It’s nostalgic, probably comforting, and it also helps her feel like she’s on the right side with the right arguments. So, even backed into a corner, she’s still a winner: she has theory on her side.  

Wackner speaks a foreign language (I do not know what language but I wish I did) and says, “A guy could get killed doing this,” which makes him and Marissa laugh as things crash around them.

Idk about you all, but I couldn’t really get myself to actually worry about their safety during this scene. Maybe Wackner’s, just a little, but I got the sense we were supposed to focus more on the chaos and destruction and monologuing than on the actual danger. That’s not to say the stakes didn’t feel high, but rather to say that this didn’t feel like an action sequence where you don’t know what’s going to happen next. The point was to watch the court fall and think about why it fell, not to worry about if Marissa would live.  

Diane and Kurt are woken up by sirens and loud noises. The cops arrive and are shocked to find professionally dressed white people in a basement cell. They let Diane and Kurt out with compassion, but scream, “don’t you fucking move” to the people on the floor.

“It’s okay, they didn’t do anything,” Diane says. This is, as I theorized earlier, probably why Diane just sits there until her punishment blows over instead of escalating things.  

If the cops weren’t there to free Diane, why were they there? Why, because they like David Cord and David Cord has gotten Chicago PD officers to protect Wackner’s IP.  

If I had to say one thing in favor of Vinetta being the originator of the community court idea, it would be that it’s SUCH a gut punch to watch Diane and Kurt walk away from their bizarre little adventure as Vinetta gets arrested in the background, and it hits ten times as hard if Vinetta’s only being charged because some white guy is claiming IP that’s actually hers.

(I think Vinetta is probably, at this point, actually being arrested for imprisoning people illegally, but, still.)

“Pfft. Some judge,” one of the cops who adores Wackner says of Vinetta. Racist much?  

Marissa and Wackner emerge from the backroom. “I think I better get back to work,” she says, meaning her RL job. "Me too,” Wackner says, grabbing a Copy Coop apron. He’s an employee of ten years.  

I don’t think this lands as well as it’s meant to. I think the point is supposed to be that Wackner’s just some guy—not a billionaire, not an academic, not a judge, not a lawyer—with an idea. But it’s a little too neat. And it doesn’t explain how Wackner financed his court initially, nor does it explain why he has basically unlimited access to Copy Coop space and resources. I’d buy it if he were the OWNER of Copy Coop, but I have so many questions about him being an employee.  

Diane tells Liz she’s actually going on vacation this time, and they laugh about how Kurt bonded with STRL.

“I want you and Allegra to be name partners. I’ll be an equity partner,” Diane says. “Why?” Liz asks. “Five years ago, when I hit rock bottom, this firm took me in. So I don’t like the idea of splitting this firm in two. And I can’t lead if no one will follow.” “And your clients?” “We’ll manage them together.” YES! I love this. I don’t love it because I necessarily think it had to go this way, but because it’s so refreshing to see Diane say that she actually is willing to take a step back because she cares about the firm and the people there more than she cares about being a name partner. This isn’t something we usually see. When we hear “this firm took x in” it’s usually being said incredulously against someone who’s decided to leave and steal clients (cough, Hitting the Fan, cough).  

It’s been pretty clear for most of this arc that Diane and Liz like working together and they like their firm, but that no one (other than Diane, I guess) is willing to let RL lose its status as a black firm, and that the employees and equity partners weren’t going to be satisfied until Diane stepped down. Diane really had three options: Stay and piss everyone off and claim the whole firm for herself, quit and go somewhere else and totally abandon the good working dynamic she had, or step down and put her money where her mouth is.  

Also yeah the clients were never actually going to be an issue! They were only an issue because Diane intentionally went about informing them she was stepping down in a way she knew would make them worry!  

“I think I need to prove myself,” Diane says. I’m not sure that’s the key issue or that she can ever prove herself fully, but we’ll worry about that next year.

“I missed you,” Liz says. “I’m here,” Diane replies. “I know. Thank you,” Liz says.  

Diane decides she’s going to move downstairs so Allegra can have her office. I think there’s another office on this floor, since she, Adrian and Liz all had offices. This feels a little bit like Diane’s in love with the idea of making things difficult for herself and maybe hasn’t fully grasped the point, but, you know, I’ll take it.  

Diane tells Kurt her decision and he asks if it was the right thing to do. She says she doesn’t know—but she says it with a smile. Kurt notes he’s going hunting next month with the STRL folks and will put in a good word for her. Ah, yes, because STRL still controls all of this and all of this is moot! Thanks for the reminder Kurt! Diane says she wants in on the hunting trip. Of course.  

And the elevator doors close. Remember how closing elevator doors was a motif earlier this season??? It’s back!

Then we get a little coda with Wackner Rules airing a new episode that’s just violence and destruction. This sequence seems to straddle the line between being there for thematic reasons for the viewers and there to show what happened in the show’s universe, but I think it’s main purpose is theme, so I will not go on a full rant questioning why Del would want to air this.

A white blonde lady in an apron watches the destruction of Wackner Rules. She looks concerned. “That was violet,” she says with dismay. And then we see she’s holding a guy in a jail cell in her kitchen.  

And then we see other courts, as America the Beautiful plays. One’s in a garage debating kicking someone out of the neighborhood; another is across the street about the same case. There’s one in Oregon about secession. There’s one among Tiki Torch Nazis deciding only white people can own property. There’s (inexplicably) one about pronouns. There’s one with arm wrestling, one that happens while sky diving, and a bunch of others. It’s pretty ridiculous, and not necessarily in a good way. It feels at once like the natural extension of the Wackner Rules show and like an over the top parody you’d see on another show. Tiki Torch Nazis screaming “only white people can own property!” is the opposite of subtle writing. Tonally, this sequence feels more like the zany humor of Desperate Housewives or the insanity of BrainDead than anything TGF has done before (and TGF’s been plenty surreal), and it doesn’t quite work for me. It feels like it is trying to prove a point in the corniest, most on the nose way possible. It almost feels like it’s parodying its own plotlines.  

On my first watch, this ending for Wackner left me stumped. I knew the writers were making an argument against individualism (Wackner’s speech + the repeated references to The Apprentice) and cults of personality. But I couldn’t figure out a real life analogue to Wackner’s court, and since this ending was so obviously trying to be About Something, that bugged me. Sure, that last sequence could be an argument against people making community courts, but WERE people making community courts? I didn’t see the urgency.

And then I talked to @mimeparadox. And as soon as he said that it was about factions and people playing by their own sets of rules beyond the justice system, it clicked. I’d been looking for Wackner’s plot to be a commentary on the legal system. It is much broader than that. It’s a commentary on the weakening of democratic systems (the Big Lie, etc.), more broadly, and Wackner and his common-sense approach are just a way to get liberal viewers to go along for the ride.  

Now that I understand the point, or what I think is the point, I like this conclusion. Circumventing the system leads to chaos; that’s why we have institutions and bureaucracy, and I think the show is arguing that these institutions should still be respected despite their flaws. The many theses of this episode all come together to make this point (though the reality TV stuff is a little more tenuous and I'm a little shocked we got through all of this without any commentary on social media?): If we stop having a shared belief in institutions and instead follow individual leaders (whom we may learn about through reality TV), the rules will stop mattering and we’ll end up with a fractured country and widespread violence.  

But, and maybe this is just about me being upset I missed both the obvious 1/6 parallels AND the point of the arc the first time through this episode (my defensive side feels the need to also note I first watched this episode at like 5 am when I was barely awake), I don’t know that I actually think this episode does a great job of driving its point home. There are SO many moving pieces to the Wackner plot and SO many references. There are so many threads we never return to from earlier in the season, and there’s so much that strains credulity (like Wackner taking Dr. Goat seriously for more than a split second). It’s pretty clear what the themes are—even though I’m saying I missed the point my first time through, I've hit on all these themes separately in past recaps and posts—but, I dunno, something about this episode just feels scattered. Maybe it’s all the moving pieces, maybe it’s all the moments where it sounds like the characters are voicing related ideas that don’t quite snap together to form one coherent picture, or maybe it’s that Wackner’s plot gets two endings (the actual ending + the coda) and it’s up to the viewer to put together how they relate.

I really don’t know. At the end of the day, I think there was a little too much going on with Wackner and that the writers needed to use the episodes between the private prison reveal and the finale to narrow—not broaden—the scope of what they were trying to do with Wackner. But I also think that what they were doing with Wackner was really, really smart and original. I don’t think I can overstate how impressed I am that the writers took an idea that sounded, frankly, awful when I first heard about it and turned it into something captivating and insightful that I was happy to spend nine weeks watching.  

Overall, a few bad episodes aside, I thought season five was the strongest season of TGF yet. I haven’t seen this show be so focused in... well, maybe ever. Having two overarching plots that received consistent development and felt like they were happening in the same universe at the same time REALLY helps make season five feel like a coherent whole, and I can’t wait to rewatch it.  

[stxvercgersslut]

Apologise

Description: Jake’s been ignoring Y/n for weeks and only spending time with his friends over his own girlfriend. But after while she had finally had enough. One day she decides to confront him.

A/n: I just had to write this😂 after rewatching the film a few days ago how could I resist? It just needed to be written 😂 (I also made it modern time btw just so it was easier to write for 😂) yeah I know that this is extremely angsty but I promise that there’s a whole lot a fluff at the end so the angsty part is definitely worth it 🥺💞 Jake is one of my ultimate loves that definitely needs some more loving then he got 🥺I didn’t plan on making this a fucking novel but here we are 😂

A/n: and okay yeah this is once again another submission for @stargazingfangirl18 and @navybrat817 writing challenge how could I not? 😂

Prompts: 2. “Can you just not right now?”and 14. “Did I...fall asleep on you??”

Warnings: Mentions of smut (nothing too descriptive), argument, being ignored, language, mentions of parents dying, mentions of weight loss, just a whole lot of angst, mentions of being poor and small bit of fluff at the end.

Temporary tag list: @jtargaryen18 & @et-lesailes

For weeks Jake has been neglecting you. Much rathering to play football with Reggie Ray and Austin then even hang out with you, his girlfriend of literally almost 1 year. How the hell did that even make sense? You were his girlfriend! Surely you were more important then some football game right? Well wrong! Apparently football was his only love. You’d always come in second to all of that.

Over the course of those insanely long 8 weeks that he’d been pushing you aside you had managed to keep your calm, just ignoring it. Thinking maybe he’d just been having a tough time studying for finals and training for football season. But as time continued to pass, still no texts, calls or even a FaceTime, you began to fear that your once loving relationship with Jake was steadily coming to a almighty close. Something that really did scare the life out of you. You loved Jake with all your heart and to lose him over the fact that he’d rather play football with his friends then hangout with you would send your heart into meltdown. No way could you let this happen to the both of you.

The pair of you were pretty much inseparable during the early stages of your relationship, always opting to spend time over at his house in the warmth then be at home where not even your heater worked. Obviously his sister still trying to fuck him was a huge problem for you, usually making you uncomfortable whenever you were ther but Jake had assured you that nothing was going on between them. Besides, he was just as uncomfortable (if more so) as you were with the immeture and disgusting way Catherin was acting around her BROTHER!

You came from a much poorer family then Jake did. But, surprisingly to you, Jake hadn’t actually seemed to care that you didn’t have any money. In fact he actually much preferred it sometimes since he had gotten to spoil you rotten with peculiar gifts and meals at fancy restaurants that almost 100% of the time just weren’t your style. Yeah he was a asshole sometimes but that didn’t mean that you didn’t love him. Most days you even struggled to pay your rent in your lonely one bedroom apartment that you’d moved into once your parents had past away last year. But no matter how many times Jake had attempted to lend you some of his inheritance in order to help pay rent, you never wanted to take it. Too afraid you’d have to pay it back somehow. There was even a time where Jake had offered for you to move in with him, not that his parents would have agreed with that, yet he didn’t seem to care. Food was hard to come by when you were at home, so whenever Jake had been able to, He’d make sure that you ate or at least tried to eat since he knew that you struggled a lost due to the fact that before you’d started dating him it was hard to get food. You mattered way more to him at the beginning. But right now it didn’t seem like he really seemed to care even a little. No more being at his house for warmth, no daily check ups, no food payed for and no offers to help pay for rent. It was like he’d retracted back to his old self. This wasn’t the Jake you had fallen in love him. He’d changed.

But nonetheless, the tenderness between the pair of you was irreplaceable. So of course you couldn’t just let this come between what the two of you had. But this was going to be a tough one to crack! Especially since you literally hadn’t talked to Jake for 8 WHOLE WEEKS!!! That’s right two months with barely any contact apart from when you were sitting at lunch listening to him blabber on about football or some damn movie he’s watching with his mates. Come on y/n think! It can’t be that hard to figure something out can it?

❅──────✧❅✦❅✧──────❅

There it was again! That unnecessary tension rearing it’s ugly head once again at your usual table in the cafeteria. Jake, being the popular dick he was right now, had made himself comfortable next to you. Slowly taking one quick glance at you before once again completely ignoring you without a second thought. 8 weeks of this bullshit! It was a Miracle that you hadn’t murdered him already for neglecting you the way that he had been doing for 2 whole fucking months! So of course it was understandable that you snapped. Just listening to his smug laugh as he laughed and joked with Austin about the new hot chic was enough to set your entire body on fire.

With a stern look on your face you finally began to talk. Worth a shot right? “So I was won—“ you began as you attempted begin a normal conversation with you boyfriend, not really giving two shits about the fact that you were interrupting his dirty minded talk with Austin since you didn’t really care for the blonde. But before you could even get 10 words out Jake had already stopped you “y/n I’m in the middle of talking with my friend.” He cockily spoke with a shit eating grub appearing on his face for a millisecond before he turned back to his mates in hopes of continuing his ‘innocent’ conversation. Oh but that was not at all what happened. “Oh my bad! Didn’t realise that me literally about to invite you over for sex was me interrupting you. Silly me. I’m only your girlfriend!” You bit back, your glare completely fixed on Jake, not even caring that Austin, Reggie Ray and Malik all now has their mouths wide open in shock like they were having a fly collecting contest. You were half expecting Jake to nervously laugh it off and practically beg for you to forgive him, resulting in a quickie in the janitors closest. But that wasn’t what happened at all. In fact no amount of overthinking could prepare you for Jakes next choice of words.

“Can you just not right now?” The raven haired boy pressed with a insanely serious look on his face now. All thoughts that he might have just been joking had left your head completely. Hearing those words coming from Jakes mouth were like daggers pressing into your head and twisting Infinitely. Not only had it been a shock to you but it had also been a shock to everyone on the table. Jake Wyler, the most popular jock, refusing sex? Most importantly refusing you? What the hell was wrong with him? Oh you intended to find out. But for now you just stood up, shooting one more hurt glare towards your boyfriend before turning on your feet and leaving your spot at the table. Instead seating yourself on a table further away from them so that you didn’t risk another hurtful comment. Now this really was getting out of control.

❅──────✧❅✦❅✧──────❅

Currently, for some unknown reason, YOU were sitting on the large length couch at some unknown douchbags house as you sipped from your red cup. Eyes scanning the room eagerly in an attempt to spot your dick head of a boyfriend. Even if you hadn’t Necessarily been accomanied by Jake to the party you knew for sure that he was a party animal. So why on earth would he miss this? Especially since the place was filled with doubly intoxicated high school students who most certainly were underage drinking. But then again so were you.

However, as you say there waiting for your raven haired beauty of a boyfriend to walk through those doors and unintentionally avoid you once again, you continued to run over your incredibly thought out plan in your head. Knowing with every bone in your body that this plan was most certainly going to get his attention, if not make him throw you over his shoulder, take you back to his place and fuck you until you can’t walk for at least a week. Yeah maybe you were secretly hoping for that second one.

6 drinks in Jake finally arrived at the party, accompanied by Reggie Ray and that stupid smug looking blonde ashole who you had conveniently forgotten the name of at this point. Only this time your raven haired boyfriend actually acknowledged that you were even there by letting his eyes scan over your perfectly curvy body. Which tonight was barely even covered by that incredibly revealing outfit that consisted of: a risky white vest like short with a very thin material that let your light pink bra peak out underneath the fabric, paired with a nude coloured leather skirt that barely covered your ass and some beautiful black boots to accompany the rest of your outfit. Of course this particular get up just so happened to be the only sexy outfit that you owned due to the fact that Jake had bought this for your birthday when you had only just started dating. You could definitely still remember him insisting that you wore this exact outfit to any party he took you to. So why waste it? After all it was just hanging up in your closet.

Even from 5 feet away from him you could still hear the cogs working away in his brain as your outfit caught his attention instantly. And in a matter of moments he was already sauntering over to you. Step one: Grab his attention complete. Oh but he wasn’t going to win that easy. No way was that going to happen! You hadn’t just come to this party wearing such a risky choice of clothing that was so out of your comfort zone to just let him win so easily.

“Hey baby, you wanna dance?” Jake asked with a slight smirk on his face, almost as if he was pretending like all of that god awful neglect hadn’t happened. Which you weren’t going to forget about. But this was operation get Jake jealous after all so you really did have to forget about what he’d been doing, at least for a few hours so that you could continue on with your plan.

Step two: dance with another hot jock who wasn’t Jake. After careful consideration you finally picked your target. Austin. Why? Because you knew for a fact that you dancing with Jakes asshole teenage playboy of a best friend was definitely going to make him jealous. “Sure” you teased, pausing for just the perfect amount of time for Jake to walk closer to you and almost grab your hand before you continued on “just not with you” there it was! Almost a millisecond after the last syllable had left your mouth! That gorgeous face of Jakes contorting into a look of pure jealousy just from those four simple words. “Not with me huh? If I’m not mistake I’m your boyfriend, so why won’t you dance with me?” Jake questioned whilst he still continued to attempt to grab at your waist, failing miserably every single time since you dodged him.

Those words in themselves were enough to light the fire in the pit of your stomach. Reminding you exactly why you had come up with this devious plan in the first place. Jake needed to learn a lesson and he needed to learn it now! Or else you’d most likely end up breaking up with him. “Because I don’t want to dance with my neglectful boyfriend.” You spat back before sauntering over to where Austin was standing, grabbing onto his hand and with no word of warning pulling him onto the makeshift dance floor.

Fiftheen minuets had dragged on by as Jakes eyes remained glued to your figure. Red hot anger coursing through him every time he watched your ass grind up against his friends crotch. Was this pay back for him treating you like your were worthless for 2 months? Because if it was then this was some carefully planned out payback that was not going to be working out in your favour later. “What the fuck!” Jake seethed. The sight of you now grinding against Austin’s very noticeable buldge was the fine straw! Causing him to leap out of his chair, rush over to the dance floor, throw you over his shoulder and walked out of the room with you kicking and screaming for him to put you down. Finally putting an end to your hideous plan all together. This most certainly hadn’t been how you had expected this to go but boy oh boy were you excited to see what happened next.

It wasn’t until Jake practically threw you onto a king sized bed and began yelling at you that you realised that this wasn’t going to end in sex. Or at least for the time being it wasn’t “Austin?? Of all fucking people you could have grinded up against you chose that bastard? What the fuck y/n?!” Jake spoke, anger clear in his tone as he fists clenched together in the dark room. “Do you really think that was the greatest of ideas huh? Embarrassing me infront of almost everyone? You really are a fucking bitch sometimes!” Oh how he wished he could turn back time and retract those words. Jake regretted those words as soon as they had left his mouth.

But unfortunately it was too late, he’d already hit a nerve inside of you that had been so desperate to appear this entire time! “You’re really asking me what the fuck all of that was about? Seriously Jake you don’t know? You don’t know that you’ve been ignoring me for the past 2 months for no fucking reason and doing god knows what?” Oh you were beyond finished at this point. “Embarrassing you? I embarrassed you? Really? That’s rich coming from the man who embarrassed me infront of our entire high school in the cafetière by practically telling me to shut up infront of everyone when I was actually going to invite you over for sex? You don’t need to know why I did what I did. But I deserve a ducking explanation as to why you’ve been neglecting me for two months and ignoring me any chance that you get! I’m the one that should be asking what the fuck! Have you fallen out of love with me Jake? Are you cheating on me? What is it? Why are you ignoring me whenever I try to talk to you? I’m your girlfriend don’t you think I deserve a explanation?” And with that the tears began to fall from your eyes. Oh no you’d released a damn. This definitely wasn’t going away anytime soon. Shit. Every single word that has been said was unfortunately true. Now all that was left to do was wait for Jakes reaction.

Every single one of your words were like tiny daggers sticking into his chest. But every tear that fell from your eyes was poison strong enough to kill him. How had he let this go on for so long? How had he not seen how disgusting he was being around you? How had he not realised he’d stopped treating you like his girlfriend and more like a slut? He really had destroyed the only perfect girl in his life and what for? Some stupid football game and some boring study sessions with his private tutor that his parents had provided? This wasn’t right! None of this was right. Oh god how could he fix this?

“Baby....I—“ the Raven haired boy began, swallowing thickly as he took large steps towards you. Once again scooping you into his arms. But this time once you were in his arms he laid back down with you. Ignoring your weak struggles to get out of his grin before you finally calmed down and relaxed into his touch. Still sniffling due to all of the tears that had been falling from your eyes.

For the rest of the party Jake made it his mission to give you bet might of your life. Ignoring his friends and instead focusing all of his attention onto you without a doubt trying to make it up to you. Of course every so often he’d whisper a apology in your ear or kiss you deeply in an attempt to mend his guilty conscience once and for all. But nothing seemed to help at all.

❅──────✧❅✦❅✧──────❅

By the time you woke up at exactly 12:04pm the next day, you’d found yourself wrapped up in Jakes arms as he began placing gentle kisses against the back of your neck and shoulder. Something he’d been doing for the last several minutes. “Morning beautiful” he mumbled upon noticing you were awake. “Hmmmm...morning Jake..” you hummed back blissfully as you turned round in his arms. Happily staring him in his beautoful baby blue eyes before kissing him deeply just enjoying the moment.

After a very tired Make out session your eyes seemed to widen in horror as you looked down at your almost completely nude body, a little confused as to why you weren’t completely naked or even wearing Jakes shirt. That just didn’t seem right. “Did....I fall asleep on you?” The words in itself causing you to cringe. But you never did receive a actual answer. Instead you were answered with a loud laugh before your boyfriends lips were back on yours. Instantly getting on top of you to finish what you had started the night before.

[livefordrama]

Reviewing Dramas I Have Watched Part 6

It’s been a while; I haven’t been able to watch a lot between school and just life. Not to mention the time I do have is spent doing buddy watches of kdramas I have already seen with my friends and family (On teleparty of course.) Again, here is my rating system:  1- Did not like, 2- Enjoyed but probably wouldn’t watch again, 3- Enjoyed and would watch some episodes again (or for movies may watch again), 4- Enjoyed and would watch again, 5- Loved

Korean Drama

Melting Me Softly: 3/5

Melting Me Softly is about a guy and s girl who get cryogenically frozen for an experiment for what was meant to be only a day. Unfortunately, something happens, and the 24-hour experiment turns into 20 years. Now they have to deal with the changes of not only their family and friends but the world and society as a whole all while trying to uncover the darker secrets behind the experiments.

I gave this a 3 because while the earlier and later episodes were amazing and hilarious, the episodes in the middle of the season bored me. I am not much of a romance person unless it is either subtle or played out a specific way and the romance in this wasn’t my personal cup of tea so it just got boring for me. On its good episodes though, it was funny, sad, and cute. I really did like the dynamic between the two main characters and the romance is pretty good, just a little slower in the middle of the series. The relationships with the family members of the two were so cute and so sad, I loved the all the scenes where the mains got to interact with their families. I did feel awkward and weird about the second-lead, I’m not sure if he counts as a second lead but for lack of a better term that’s what I’m calling him. I love Choi Bo-Min as an actor, and it had nothing to do with his acting, just the whole situation was uncomfortable to me. That other guy who doesn’t even deserve to be the second-lead, if you watch it you know, the stalker one, I despise that man. Not once during the entire show did I like one of his scenes. That could be why I didn’t enjoy the middle scenes as much cause he found a way to worm his way into almost every scene and I would get so annoyed with him. This show does have its good points and bad points, so I would recommend it for those who like romance with a little bit of suspense and humor.

Welcome to Waikiki (season 1): 3/5

Welcome to Waikiki is about a group of friends who own and attempt to run a guesthouse together. When they find a baby left behind in one of their rooms, they have to find out how to take care of her and find her mother. This becomes even more complicated when the mother returns in tears saying she had no where else to go and didn’t want her baby to suffer. After hearing about her troubles, they decide to take the two in, in exchange for help working at the guesthouse. It follows the group and mother as they try to figure out how to take care of a baby, save their failing guesthouse, and achieve their own dreams, all while falling in love.

This show was hilarious, I watched it because everyone was talking about how funny it was and I agree. I especially love how it focused on all the characters instead of picking just one or two and focusing on them. I love when shows really work on all their characters and this show played it out so well. Not one was neglected and I didn’t feel like any of them were underdeveloped by the end, and Sol was super cute! I loved every single one of her scenes, she was so funny and sassy and I know she is just a baby but she is amazing. I watched some episodes on the tv and my sisters even made comments on how cute she was when they looked up at the TV, even though they didn’t watch it. I enjoyed the ending and how it all played out and tied together nicely. 

It was a delight for the first two thirds of the season. However, yet again that romance hit and the humor kinda dissipated to be replaced by the romance for a good few episodes. While it was admittedly cute, and I adored the romance scenes in the last few episodes, most romance scenes gave me such second-hand embarrassment I had to pause the show for a while and gain the courage to restart it. I did enjoy it but would probably only ever rewatch the first two thirds and maybe the last two or so episodes. It reminds me of Love With Flaws in the second-hand embarrassment romance scenes, so if you enjoyed that show, definitely give this one a chance. If you like romance, humor, and can handle the second-hand embarrassment stuff I highly recommend this one! It’s super cute and hilarious!

Missing Nine: 5/5                                

Trigger Warning: Plane crash, Blood, Injuries, Suicide attempts, Murder

Missing Nine is about a girl who gets hired as a stylist for an arrogant and cold idol. On her first day, the plane they are all riding on to an event crashes on a vacant island. Only nine of them survive the crash and must now fight to survive and be found all while struggling with the betrayal of one of their friends who began to murder them one by one.

I really enjoyed this one, it was my perfect type of show; angst, suspense, subtle romance, crime, found family. The only issue I had with it was the unrealistic ending, I just don’t understand how it is possible and don’t know how I even personally feel about it. I am also probably one of the very few people who didn’t watch it for Chanyeol, don’t get me wrong I am an Exol too, but like really new Exol. You can skip this parenthesis if you want, it’s a kpop tangent. (I am a huge multistan. I love all the kpop groups I have listened to so far and have all the dalcomsoft games minus Gfriend even though I love them, cause I feel like it’s going to be a BTS superstar and get deleted so it’s not worth my time or efforts. Feel free to talk to me about any group and any member. If I don’t know them, I would be happy to find new ones so even if they are not well known or new, don’t feel worried about squealing to me about them, I would love to make kpop/kdrama loving friends.) I watched for Jung Kyung-ho and only when I started did I see Chanyeol which was cool to find. This also means POSSIBLE SPOILER ALERT I wasn’t disappointed or biased after a certain episode like many of the people I saw raging in the Tvtime comments, not saying this in a bad way just stating that since I am neutral on certain events, I will be focusing on specifically the plot and how I felt about said plot versus how I feel about characters. SPOILER ALERT OVER

Overall I really loved this show, it was certainly an emotional roller coaster. I felt that it could have had a second season or a spin off to tie up that last little cliffhanger but I personally and satisfied with how the main issue wrapped up, other than that one weird ending scene. If you like angst, suspense, crime, and a little romance seen in an enemies to lover type of trope then I highly recommend this show. I gave it a 5 cause I personally loved it and am already planning on rewatching it with my friend. It does have a lot of blood and injuries so if you are sensitive to that, I wouldn’t recommend it to you. 

Because this is my first life: 5/5

Trigger Warning: Sexual Assault, Attempted R@pe (but it didn’t get far at all, just be careful)

Because this is my first life is about a woman (Ji-ho) who has to find a new place to live as her brother is getting married and her parents gave the son the apartment that they had bought for both their children. Because of many misunderstandings and coincidences, she accidentally rents a new apartment with a very strict and stoic man (Se-hee). Due to more problems, the two come to an agreement that they should get married since they both can gain something from it. The woman gains a place to stay and the man gains a tenant to help pay the bills, no more, no less.

Okay, so while I said that I didn’t like romance this is the exception, much like Shopping King Louie, it was just a really cute slow burn that I thoroughly enjoyed watching. Many people in the fandom, on TV time at least, were giving Se-hee a hard time and saying he was using and manipulating Ji-ho but I didn’t see it that way. She consented and never voiced anything other than that and the deal was for her to stay in the apartment since she needed a place to live and he needed someone to help pay bills. He didn’t ask for anything more, she was already following his schedule before the marriage issue and was just fine and accepting when they decided to get married. Neither had any expectations of falling in love, they just both needed something that marriage would help them gain and both consented to it. Later on, Se-hee even asked her if any advances were okay and backed off when they weren’t with no questions asked which I find admirable. Okay, rant over. It was cute and at times annoying cause you just want them to get together already. I laughed so hard in so many episodes and cried in a few too. The cat was so adorable and I love the interactions the main’s had with the little fluff. The best, and sometimes most painful, bonding moments between the main’s were the ones that dealt with the cat. I wasn’t too fond of the love triangle but was pleased with how it actually played out with the two women actually accepting each others presence instead of being horrible to each other for the most part. Highly recommend it to any romance lovers, and especially to those who are fans of shows like Shopping King Louie as mentioned above.

Flower boy next door: 3/5

Trigger Warning: Stalking, Panic Attacks, Sensory overload, Bullying, Teacher Crushes and Manipulation of Such

Flower boy next door follows Dok-mi, a young woman with crippling social anxiety to the point she never leaves her apartment. From her window she watches her across the street male neighbor every day, taking note of his entire schedule. This all comes back to bite her when her neighbor’s brother comes to visit from Spain and catches her. What starts as an attempt to make her stop stalking her brother, quickly progresses into a mission to help her overcome her past, anxiety, and to get out of the house and adapt back to a healthy social life. As this mission goes on the two begins to realize they have feelings for each other, but Dok-mi’s own next-door neighbor has his own mission of getting her to stay inside and fall in love with him. He has been writing a web comic about her being a modern Rapunzel and has been in love with her for many years.

I enjoyed this one, I watched it cause the actor from Psychopath Diary starred in it and it was really cute. The romance was adorable, and the whole telepathy thing was a great addition that made me laugh. I love the whole adorable dork male with quiet cold girl trope so much. I didn’t like the whole stalking situation very much, it’s just kinda weird and was something that made me really uncomfortable during the first few episodes. I wasn’t a huge fan of the next-door neighbor, he just seemed like an enabler to me and I found myself angry through most of his scenes, as well as through most of Dok-mi’s childhood friend’s scenes. Other than those two characters, I enjoyed it well enough. I know some people can get annoyed by each characters flaws but I usually am good with morally grey characters as long as they learn from their mistakes. Some did in this show and there was a lot of character development and some didn’t which is realistic but makes me kind of sad. I recommend it to people who like a cute romance show with some angst and don’t mind morally grey characters.

Web-drama/Mini-series

Ghost Vros: 4/5

Trigger Warning: Suicide, Death, Some gore, Jump scares.

Ghost Vros follows two young men who are trying to start up a business where they hunt ghosts using virtual reality software. The main character is able to sense the ghost through his ears turning red and his friend programs the virtual realty to make sure the main has everything he needs to catch the ghosts.

I liked this one, it was fast like many web dramas are, but really interesting. I did attempt to translate it myself with my, admittedly little, Korean knowledge before finding the English subs (which you won’t be able to find now that Youtube has rudely removed community subs, unless it’s uploaded somewhere else. If someone finds it please let me know.) I was always engaged during the show and wasn’t bored at any point. It did have some confusing points and I wish we got more backstory as there was mentions of some interesting things that was never explored further, but it is a web drama, so that is more than likely too much to ask for. Recommend to anyone who enjoys a quick comedy ghost story.

 Cats Taste and Cat Bartender: 5/5

Cat’s Taste and Cat Bartender follow three cat gods who run a bar at night to make money for their injured owner. At this bar, they give upset humans cocktails which enable them to either posses said human or go into a dream world, this isn’t really clear, and correct the issue in exchange for items the cats find interesting on top of the alcohol cost.

This show was so cute, I absolutely loved and couldn’t stop smiling. I got the first season, Cat’s Taste, on my youtube recommend and decided to watch it since I was bored. I am so glad I did, I got super excited when I saw that there is a second season as well and spent forever trying to hunt it down before a kind person on MyDramaList put a link to the English subs in a comment (if anyone needs it, I will be happy to send it.) Both seasons were amazing, and I am hoping for a season three as the ending looks like it might be set up for one. The way they showed the bartending moves was so pretty and satisfying and I liked how all three cats got to show their moves instead of just the one.  I don’t like alcohol, have tried many kinds many times to but just don’t, however this show makes me want to drink the mixed drinks even though I know I would hate the taste.

Also, is it just me or does Ms. Hana remind anyone of Johnny from NCT? I don’t know if she looks like him or what, sometimes someone reminds me of someone else and the two look nothing alike. Don’t know what that’s all about but let me know because I could not shake the feeling that she reminded me of Mr. Johnny from Chicago. Anyway, tangent aside, I highly recommend to someone who like a quick but cute drama.

Korean Movies

Beautiful Vampire: 3/5

Beautiful Vampire is about a female vampire who tries to avoid people due to her nature, but has all that shattered when she runs into her landlady’s son one night and begins to fall in love.

This movie was pretty good, but a little confusing. I couldn’t even write a proper plot explanation cause I was just so confused. I honestly felt like a fever dream, though a relatively interesting fever dream. I wish we had more information and backstory cause it just kinda felt like a rollercoaster ride of pining. It ended okay; I mean I was bored at the time, so it was something to do. If I am bored in the future, I might watch it again. I agree with most on TvTime when they say, it wasn’t bad, but it wasn’t good, it was just something to do. I feel like the story line needed more work done and that it ended too fast and progressed in such a way that it was hard to follow. If you are bored or have nothing to do, give it a try, you might like it more than I did.

Chinese Drama

Take My Brother Away: 3/5

Trigger Warning: Alcohol Abuse

Take My Brother Away is based on a web comic about two siblings living with their alcoholic, debtor father in China, after their mom filed for a divorce and left. It follows the two as they go to school, work, and try to live a normal life. The sister hates her brother for being lazy and not being able to help her get what she wants, and the brother gets annoyed at the sister for always getting violent with him and nagging him.

I loved this one, it was really interesting to see the dynamic between the family. I felt that the brother should have been given more credit in the beginning for all he does for his sister and I felt really sorry for the sister because she just wanted to be like the other students who could afford to read web comics or go on trips. Some episodes were hilarious, some were heartbreaking, some were admittedly annoying, some gave me secondhand embarrassment. I just love it all, the only reason I give it a three is because I wouldn’t watch all 50 episodes again, I loved it but some were more on the boring side like filler episodes and I just, don’t think I’ll ever watch the whole series again. I can defiantly say however, I will probably watch most of the episodes again. I enjoyed the ending though it was admittedly on the strange side, and felt it was wrapped up nicely. There was a lot of character development too which is always great. I recommend this to those who enjoy some dysfunctional family humor and some angst and who are able to commit to long seasons.

 Part 1

Part 2

Part 3

Part 4

Part 5

[happymeishappylife]

Prep for the 60th: 2nd Season of Doctor Who

“One day, I shall come back. Yes, I shall come back. Until then, there must be no regrets, no tears, no anxieties. Just go forward in all your beliefs, and prove to me that I am not mistaken in mine.”

The second season of Doctor Who begins to introduce us to the fundamental concept of Doctor Who and that is change. This season we begin to see why change makes the show work and makes the show last. But of course there are tears, smiles, and memories that established with every departure and yet excitement over the possibilities that can now come with fresh faces and voices. So beginning with the TARDIS team, this is how the season started:

(From left: The Doctor, Ian Chesterton, Susan Foreman, and Barbara Wright)

And this is the TARDIS team jumping into season three:

(From left: Vicki, The Doctor, and Steven Taylor)

With the departures of Susan, Ian, and Barbara, we get a fresh new start to what it means to be a TARDIS team and travel with the Doctor. And one of things Classic Who does really well in my opinion is the blending of teams as people leave and join the team, plus there aren’t catastrophic moments when a companion departs even if you might not like it (like I did with Susan). Still with a fresh TARDIS team, let’s introduce the new companions.

Vicki Pallister is a sixteen year old girl from Earth from the 25th century. She is rescued by the Doctor, Ian, and Barbara after her spacecraft crash lands on the planet Dido and she is lied to by a convict who has killed the rest of the crew, including Vicki’s father, to avoid being locked up again. Thankfully, she gets picked up by the Doctor who fresh off the emotions of leaving his real granddaughter behind, takes Vicki lovingly into his world.

Steven Taylor, is also from the future though its unclear which era exactly he comes from. He is found on the planet Mechanus where after crash landing, he has been held prisoner by the Mechanoids for over two years on his own. Once he meets the Doctor, Barbara, Ian, and Vicki, he gets energized to escape, but its chaotic when the Daleks start battling the Mechanoids. So at first you don’t think he makes it into the TARDIS, but after one serial, I’m glad he stole away because he’s a fun guy to get to know.

The serials:

1. Planet of Giants

This serial introduces the first instance where something wrong can happen to the TARDIS and the team has to deal with it in whatever situation they find themselves in. In this case, something affects the TARDIS’ materialization that causes the TARDIS to not fully materialize at its full size, but instead at a miniature level. So while the Doctor and Susan are climbing sink drains and Ian and Barbara are dealing with giant insects and insecticide, what the team doesn’t realize is they inadvertently help prevent this extremely toxic chemical from going to the market by being present while full size humans are murdering each other over money. Overall Rating: 7/10

2. The Dalek Invasion of Earth

The Daleks have conquered Earth in the year 2164 and are in the process of extracting the core of the planet and replacing it with a machine to allow them to pilot the planet. It’s a crazy plan, but even though they’ve conquered Earth and enslaved humans to force slavery onto other humans, there entire plan falls apart when the TARDIS lands and the team finds ways to stop them and embolden the humans of Earth. But this is the first episode of goodbyes because the Doctor makes the decision to leave Susan behind so that she can explore her wish to belong somewhere and follow her dreams without him. Overall Rating: 8/10

3. The Rescue

The Doctor is surprised when they land on the planet Dido, a place he’s been before, that the inhabitants are gone and in there place is a few monsters and a crashed spaceship. He then helps discover the true reason for this, that Koquillion isn’t a true resident of Dido, but Bennet who has not only killed his crew and some of the Dido people in order to be rescued by Earth and not still be convicted of his previous crimes. Foiling his plan, the Doctor also takes Vicki Pallister into the TARDIS once she tells them she’s been orphaned due to Bennet’s actions. Plus missing his granddaughter, the Doctor immediately latches onto Vicki who is need of care. Overall Rating: 8/10

4. The Romans

After leaving Dido, the team takes a break in ancient Italy enjoying a month’s vacation in an empty house and living life of Romans. But eager for adventure the Doctor and Vicki set off for Rome and quickly get caught up in the affairs of Cesar Nero’s court when the Doctor is mistaken for a famed musician. But instead of continued life in luxury, Ian and Barbara get kidnapped for a slave trader, Ian going to hard labor in a boat and Barbara to the court of Cesar Nero as the Empress’ pretty handmaid. Ian of course breaks few and chases after her and there’s a great sequence of all four being in close proximity and never seeing each other. Plus we learn the Doctor is the reason behind Cesar Nero’s idea for burning down all of Rome. Overall Rating: 10/10

5. The Web Planet

I know this is one of the beloved serial from Classic Who, but I’m sorry, I can’t. Between the constant beeping of the Zarbi, the weird speaking and hand motions of the Menoptra, and the bizarre enemy of the Animus who makes webs but is some ethereal being, I just can’t get on board with it. Plus while the scattering of the companions in other episodes is okay, this one just feels unnecessary and ridiculous when the final scene is all four coming together in the Animus chamber to then defeat it. Plus, how do any of these creatures actually live and breathe on this planet? Overall Rating: 3/10

6. The Crusade

Having just recently read the book novelization of this serial, I was happy to rewatch it again, though it is disappointing that two of the episodes are missing. The show itself tells a good story of how the TARDIS team lands in the middle of the crusades, explores the two factions between Richard the Lionheart and Saladdin, but also was just a good watch this snippet of history and don’t get too involved with the major events. Sure Barbara is captured and the story revolves around Ian rescuing her, but for the most part the TARDIS team takes a backseat as we explore Richard’s weariness to go home and his trials to try and end these long wars. Overall Rating: 8/10

7. The Space Museum

This is the second serial that explores the problem of something weird happening to the TARDIS, when it materializes a few moments ahead of it actually physically materializing and gives the team a glance at a possible future in which the four are turned into exhibits for the space museum they stumble upon. Fearful of accidentally ending up this way, they instead find themselves running from the keepers of the museum and in Vicki’s case, starting a revolution against them to try and prevent the outcome. It’s one of the more suspenseful early stories, mainly because the Doctor almost does get turned into nothing but a model, but also when he does sneak inside an empty Dalek shell to escape his captors, we see that silly side of him come out. Overall Rating: 9/10

8. The Chase

In probably the most confusing Dalek story ever, we go on quite the journey to avoid the Dalek’s chase of the TARDIS team. It starts on the planet Aridius, ends on the planet Mechanus, and somehow manages to go to New York for the first time, the Mary Celeste ship, and a haunted horror house where Frankenstein destroys a Dalek. We do learn some interesting things about the Daleks and the TARDIS in this episode, but its also notable for two reasons. The first is we meet Steven Taylor and though its unclear, we learn in the next episode he steals away on the TARDIS to avoid being stuck on Mechanus. The second is it’s the serial where Barbara and Ian leave the TARDIS once they realize the Daleks’ time machine can get them back to London in their own time. Overall Rating: 6/10

9. The Time Meddler

We meet another Gallifreyan and the first besides the Doctor and Susan when the Doctor lands just before the Battle of Hastings. We also learn more about the Doctor’s people (though not their species or planet yet) and that there are principles to Time Travel which the Monk has no issue exploiting for his own amusement, but the Doctor is strict about. This leads to the Doctor finding ways to prevent the Monk’s plan of destroying the invading Viking fleet while also removing a key component in the Monk’s TARDIS so he can’t meddle through time anymore. Overall Rating: 9/10

Adding to our previous lists, items in bold are things we learned in Season 2:

Historical Figures:

Marco Polo

Kublai Khan

Maximillen Robespierre

Napoleon Bonaparte

Ceasar Nero

King Richard the Lionheart

Things we learn about the Doctor:

Pioneer among gallifreyans

Ian only refers to one heart being okay “his heart is okay”

Knows three dimensional graph geometry

Things I’ve learned about the TARDIS:

It has a computer that reads and feed data to compute information about where to go next

It has a food generator where you pick flavors to be added to a nutrient bar

The lock comes away from the door and has 27 different mechanisms, getting one wrong might melt the lock

Field dimensions can be damaged by breaking down doors

The TARDIS is made of material that is impervious to Dalek shots

The Doctor does not have a Mark 4

Things we learn about Gallifrey:

It’s quite like Earth, but at night the sky burns orange and the leaves on the trees are a bright silver

Timelords we meet:

The Monk

People the Doctor has supposedly met before:

Pyrrho

Henry VIII

James Watt

[trashfor-imagines]

My Senpai | 4

Ushijima x Reader

Summary: You’re Goshiki Tsutomu’s older doting sister, second year at Shiratorizawa and captain of the girl’s track & field team. At your brother’s first practice you sneak in to support him and end up meeting the impressive force that is his captain. Warnings: None really. Mentions sex. Spoilers: We’re encroaching on manga territory. Takes place after Karasuno v Shiratorizawa.

Author’s Note: Sorry for not updating in forever! I lost my original chapter and got discouraged. I started rewatching Ushijima episodes to refresh my grasp on his character.

[1] | [2] | [3] | [4] | [5]

-

It was a shock. You never thought Shiratorizawa was capable of losing this year. Ushijima appeared unaffected, but that was just him. It was always mental for him and he had the ability to act with a sort of chivalric grace whenever faced with conflict. God, your boyfriend was really cool. Your brother, however, it broke your heart to see him cry.

After the award ceremony, you raced down to wait by the bus. Ushijima walked out first, his head held high. Noticing you, he simply rested his large hand on your head before getting on the bus. Quiet hello’s and thanks for coming’s were whispered to you. Your little brother could barely make eye contact, the last one to get on the bus. Reaching for his hand, you gave it a squeeze before letting it go and heading for the bus that brought the cheer squad.

The ride felt long. You spent most of it listening to music and playing with the sleeve of Ushijima’s spare team jacket he’d given you shortly after dating. You smiled and chatted occasionally with your fellow students, but the topics of discussion were focused on how Ushijima and the third years were doing. They expected you to have the answers and quite frankly, you thought it was obvious.

Getting back, you made your way into the gym to see the team working on serves. You sat quietly on the sidelines and watched as everyone gave their all, letting out their frustrations from the day. You never knew you could find the slams of volleyballs to be comforting to where they could put you to sleep. Or maybe you were just exhausted. Either way, you woke up from being carried.

“Wakatoshi,” you mumbled, snuggling closer to his chest.

The two of you snuck into your dorm room, stripping down into your underwear and entangling under the sheets. Ushijima’s body was like a radiator, warm and comforting.You ran your fingers through his hair patiently. If he wanted to talk, then he would. Until then, you whispered little praises to him, pressing kisses to his shoulder between sentences.

“I won’t lose again,” he spoke quietly.

Months passed and things continued to go well between the two of you. They were better than ever honestly. During Christmas you visited each other’s families at his request. You didn’t even have to prompt it! Your parents loved him. They thought he was quite the protector type and approved. His mother ended up accepting you once she realized you were intelligent and genuinely loved her son. Your personality had definitely thrown her for a loop.

Graduation was soon approaching and the two of you decided on a five year plan together. Long nights were spent discussing goals and dreams, wondering if they would be compatible with one another. He intended on going pro right after school; the Schweiden Adlers seemed most likely and they were based in Oita. You still had your third year of high school to finish, but you were applying to Kyushu University for architecture. It was in Fukuoka and closer than your other options to Oita. It was just a couple of hours by train or car. You also had plans to stick with track and field and keep your spot on the national team for as long as you could. You both had your eyes on the 2016 Olympics.

For a year the two of you managed to maintain a healthy long distance relationship.

After graduation, there were farewell and congratulatory parties almost every day, but the most fun for you was going apartment hunting, together. It was like a vacation, enjoying the beaches and hot springs. You spent a week staying at his apartment where the lease was ending soon. He said the two of you needed a new place together, that his current apartment wasn’t fitting enough for you. On your third day in Oita, Ushijima decided on the place, a 2 bed and 1.5 bath townhome instead of a one and one apartment. When you told him it was a bit expensive, he said it was perfect because he wanted you to have your own space at home to study for school without being bothered by him. You cried right there and he handled it like a champ. The two of you moved in a week before you started school.

“Wakatoshi!” you called to him from the rooftop terrace. He appeared, sticking his head out from the sliding glass door. You wiped your cheek, smudging dirt across your face. “Can you help me move this bag?”

He slipped on his outdoor shoes and walked over, lifting the bag of dirt and moving it to one of the two raised garden beds that he built earlier today. The two of you had plans for a small vegetable garden. “I thought we were going to plant seeds after lunch. I’m almost done cooking.”

“I know, I just got really excited. I was staring at your beautiful work and couldn’t help myself,” you cooed, giving him starry eyes.

Sighing, he set the bag down where you needed it before taking your hand and dragging you back inside. “We’ll do this after lunch. Together.”

“Aw, are you jealous I tried to start before you?” He didn’t say anything in response, making you grin. “My handsome farmer, I’m so sorry.”

After lunch, the two of you filled the garden beds with dirt and carefully planted seeds for carrots, lettuce, tomatoes, peas, basil, parsley, rosemary, thyme, marigolds, lavender, and scarlet plume celosia. Ushijima had done quite a bit of research on complimentary plants. Hours really. Hours spent doing online research and drawing diagrams of how the garden should be set up for its fullest potential.

You were watering one of the garden beds when you caught a glimpse of Ushijima squatting with a spade in his hand. It was so cute how concentrated he was and how much attention he was giving this simple task. Biting your lip, you sprayed him briefly. He blinked, as if not comprehending what happened and looked up, as if blaming the sky. A muffled laugh escaped you. You went back to watering the garden bed as he went inside. Minutes later you heard the glass door slide open and didn’t pay much mind to it. Suddenly you felt chilled and were thoroughly soaked. Moving your hair from your eyes, you looked up to see your boyfriend holding a bucket over your head.

“Wakatoshi!”

Soon you were off to university, moving into a small dorm room with a single suitcase. Your dorm was littered with photographs of you and Ushijima and it was hard to cope with the fact that you wouldn’t see him through at least the rest of summer, maybe not even until the end of September if your school’s track team did well.

For a month you and Ushijima would call or FaceTime every night and tell each other about your days. He was quite proud of the garden the both of you planted and would send you progress photos and then describe what he saw in fine detail. Honestly, you didn’t realize your boyfriend was capable of being so invested in something other than volleyball. There were a few times you tried spicing up your phone calls, but honestly Ushijima didn’t get it. He was terrible at phone sex. It was fine though. Summer break was.... just a few months away.

It was a Saturday night after track practice when you got a phone call from your boyfriend.

“Wakatoshi! You’re calling early. I haven’t gotten back to my dorm yet,” you spoke, excited to hear from him.

“(Y/N), I’m lost.”

Your brows raised in surprise. “Lost, how? Do you need me to look up how to fix something?”

“No, I’m somewhere on your university’s campus.”

You felt your heart skip and you immediately ran toward main campus. “Okay well tell me what you see.”

In thirty minutes you were in your dorm taking a shower and Ushijima was reading the newest shonen jump he picked up at the train station on your bedroom floor. You came out with your hair in a towel and one of Ushijima’s t-shirts you had stolen. He set aside his magazine and pulled you down into his lap, holding you tight.

“I’m so surprised you came. I’m so happy,” you squealed, burying your face into his neck and running your fingers through his hair.

“I missed you too. I can stay for two days, but then I must go home.”

Pulling back, you let your fingers run over the stubble on his jaw, pouting a bit, “So what do I owe this short visit?”

His stare was intense and a faint blush kissed his cheeks. “I recognize that a few times you’ve tried to... initiate some things on the phone. I admit I’m not very good at it, so hopefully my presence now can make up for my... lack of experience.”

“Wakatoshi,” you breathed out in surprise, gazing at him with so much love. He literally traveled almost three hours because you were horny without him. Pulling the towel from your hair, you knocked him over onto his back as you jumped him.

Visits like these happened sporadically and soon it was fall. Track and field season was over which meant you could make your weekend visits home to Oita. You’d leave Wednesday nights and head back to school on Sunday mornings. Despite the second bedroom serving as a private study for you, you found yourself curling up to Ushijima almost always - as long as he wasn’t busy.

This was life for a couple of years. The two of you had become quite the duo. In fact, throughout your relationship, you had only argued about two things:

You broke your phone once and he wasn’t able to contact you and he freaked out from not knowing what was going on.

He forgot your anniversary and cancelled on your date for volleyball and you laid in on him for it.

Things were great until the 2016 Olympic qualifiers came around. You had broken a metatarsal in your right foot at the first qualifying meet of the 2015 season. You were out for the next eight weeks and even then, you weren’t going to be in shape to qualify because you had to go through physical therapy and get your athletic abilities up to par. Your coach told you that staying on the national team, going pro, and qualifying for 2020 was still possible for you. It didn’t stop the feeling of complete and total devastation that wrecked you and you were jealous.

Ushijima wasn’t sure of how to help you; he’d never seen you so vulnerable before, never seen you so sad, but he did his best to support you, even if that meant being a punching bag. He was consistent, despite things he had going on for his own Olympic goals.

After two months it was summer break. You had to go through physical therapy and you moved back home to Oita, transitioning to online classes for the second term of the year. Because Ushijima’s love language was different from most, you found yourself being forced to do your PT homework exercises, no matter how down and bratty you got.

“Wakatoshi, I don’t want to do stairs,” you groaned, curling up into a ball on the couch.

“You must, or you won’t be ready to start training any time soon,” he replied simply.

Your foot was throbbing and you were on your period, and everything just felt like shit. All you wanted was to watch anime and eat the small bag of chips you had hidden under the blanket you were under. Ushijima had been so strict with your diet and honestly all you wanted were trans fats, sugar, and carbs. With ease, he ripped the blanket from you, exposing you in your underwear clutching a bag of Calbee honey butter flavored potato chips.

“You should get up and walk the stairs now,” he said, prying the bag of chips from your hands, “if you want these back.”

Throwing your legs over the couch, you winced, balling your hands into fists in frustration. You got up, favoring your left foot, which he noticed. He walked up the stairs and sat on the top step, waiting for you to follow. Biting your lip, you moved slowly, trying to ignore the pain. There were 14 steps to the top and you had to go up twice and down twice. You were doing fine until your second trek up the stairs. It was a misstep and you slipped and you were clinging to the stair case, crying. It was embarrassing for you to be like this in front of him. This sweet giant quickly enveloped you in his arms and had you lying on your side of the bed, gently caressing your foot as you sobbed through it.

When you were calm again, Ushijima left for a while before returning, dinner in hand. The two of you sat in bed and had the meal he made in silence. You’d barely eaten, but you waited until he finished before you curled up to his side.

“I’m so sorry, Wakatoshi.”

“I would be surprised it you took this easily. You’re a competitive person. It’s one of the things I find attractive about you,” he replied. He wrapped his arm around your shoulders, his fingers gently running up and down along your own arm.

“Really?” you asked, feeling shy. He hummed in affirmation, glancing down to make eye contact. Smiling, you played with the hem of his shirt that was beginning to ride up. “What else do you... find attractive about me?”

“You’re thoughtful, kind. The way you pursue your passions and you’ve encouraged me to pursue my own; you believe in people wholeheartedly.” A thoughtful expression settled on his face as he spoke on effortlessly. He paused and his brows furrowed briefly before settling into a relaxed expression. “You’re beautiful.”

Placing a kiss to your forehead, you watched as he got up and headed to take his evening shower.

While you couldn’t compete, you concentrated on therapy and school and finished your courses early for your degree. You picked up a simple class to stay enrolled until your four years at school were up*, this way you could go back to competing your last year of university. The summer of 2016, Ushijima took you with him to Brazil. Japan didn’t win, but the competition was incredible. You got to meet with track and field athletes and it reignited your passion for competition.

You’d graduate come spring and then your focus was on 2020 Tokyo.

-

*In Japan, early graduation doesn’t exist. It was explained to me that if you attend a 4 year university, you have to be a student for 4 years before graduating, even if you complete your degree early.

tag list: @hihiq​

[stellacolletore]

08.21.2020

though i would hide it, in my face it still appears (it is true i love) anime: chihayafuru characters: oe kanade, mashima taichi/ayase chihaya summary: with a love like theirs, Kanade’s sure Taichi and Chihaya will be alright. note: covers the events from season 1 (had to rewatch a looot, taichi/kana brotp still the best), seasons 2&3, and my post-queen’s match headcanon (see 7 wonders of mizusawa for details)

i.

President Mashima swipes block over the stalker’s number, and suddenly, Kanade feels things fall into place.

He’s in love with Chihaya-chan.

There isn’t enough room for celebrating her newfound discovery as she laments over the fact that she’s the only one around with eyes that see this. Ergo, she’s the only one who would be knowingly standing along the sidelines, watching wherever the depths of love would take two of her dearest friends. Surely, there’s nothing more frustrating for a lovestruck girl than that.

Chihaya-chan gapes at her phone, totally lost on the purpose behind Prez’s gesture. Kanade sighs.

This love will really take its sweet time, won’t it? 

ii.

He’s just won his most important match to date and still, they find him only thinking of her.

“Chihaya, get up. Let’s go,” Prez is tugging Chihaya-chan’s limp arm, voice tinged with unusual urgency. Dazed at the turn of events, Kanade’s mind is unable to make sense of what’s happening in front of her. The match had gone most unexpectedlyーopening with Prez effectively losing the unnerving level of concentration that has kept him unbeatable throughout four straight games, continuing with the tension (and fault)-filled Class B finals that kept her, Chihaya-chan, and Hanano-san on edge until the last card, and ending with him donning a worried expression in place of a happy one after reaching the long-elusive Class A title.

Her inner voice spells the situation out for her. 

He’s taking her to Wataya-san. Prez thinks Chihaya-chan’s been watching the wrong match, the wrong boy, all along.

That certainly explains the oddly messy game he played with Yamamoto-san. 

But that’s not right.

Kanade’s about to shake him out of his self-sacrificing behavior when Chihaya-chan beats her to it.

“Omedetou, Taichi. Y-You’re Class A now. Congratulations.”

Like mirror, President Mashima’s eyes reflect Chihaya-chan’s glassy ones. Euphoria washes over him as he finally acknowledges his achievement. Kanade wishes she could capture the moment like a photograph, could mark it in long-lasting verses of poetry.

See, Prez? She cares for you just as much. It’s Wataya-san’s big match, too, but she’s only thought of you.

iii.

Prez is playing the game with his heart on the line, and finally, she’s looking at him.

Hanano-san sees this, too. Beside her, Kanade once again admires her kouhai’s pure love, steadfast in the face of heartbreak. It bears the same signature as the President’s, and a twinge of bittersweet feeling swirls in Kanade’s heart. She prays for Hanano-san’s own happiness before bringing back her attention towards the final and most personal match of the Yoshino tournament, sincerely hoping.

Please keep looking, Chihaya-chan. He’s there because of you. President Mashima’s made it there because he loves you.

iv. 

When President Mashima leaves the club, he takes a part of Chihaya-chan with him.

Kanade’s well-aware of what it is, and so she picks up the fallen microphone on the ground, abandoned in the wake of Chihaya-chan rushing out after him. Even though she’s equally left in the dark about Prez’s decision, she understands. That is why, with tears brimming in her eyes, Kanade holds the microphone to her lips, wills her voice not to waver.

You can leave this to us, she thinks, it’ll be alright. 

Needless to say, things are the opposite of alright after that, and soon enough, Chihaya-chan parted ways with the club as well.

Doubt, fear, and helplessness cloud over the remaining members of the Mizusawa Karuta Club now that their sun and moon are missing. Still, Kanade learns to find comfort in the fact that the string of fate tied between President Mashima and Chihaya-chan won’t easily give way. 

A wave of loneliness sweeps her with the chilly night air on the road home. Kanade draws warmth from a poem that sympathizes with her deepest hope of the moment:

Swift waters Parted by jagged rocks Are joined By the river’s end.

v.

Chihaya-chan is a formidable force, poise unbent and passion blazing just as strongly, even in the middle of unmet promises and a missing loved one. 

She pulls them in the classic team huddle. And talks about the fear and the hope she’s been avoiding since he walked out on the club and out of her life. 

“Mashima Taichi, a person who made the karuta club with me, quit the team, but… I believe he will be back someday, maybe years later, or tens of years later. In the meantime, I will become the queen. And...while I wait for him, I will make Mizusawa into a karuta powerhouse like Hokuo Academy…”

The karuta she plays against Wataya-san is one they’ve never seen before, but feels inexplicably familiar. 

It takes Kanade a remainder of the match to realize why. 

Poem 16. 

vi.

President Mashima comes back to fight for the place closest to Chihaya-chan.

In the end, the match went in Wataya-san's favor; leaving everybody in tears at President Mashima’s defeat and Wataya-san’s sincere display of gratitude at the Prez’s valiant effort in playing karuta. 

Kanade just dried her own tears off when she turned towards Chihaya-chan. “P-President Mashima gave it his all, did he not, Chihaya-ch…”

At the sight of the girl before her weeping with strong, bitter tears, Kanade’s thoughts come to a halting stop, untilー

If her tears are indeed for President Mashima,

Then he may just have reached the place closest to Chihaya-chan after all.

vii.

Nobody could believe it.

Chihaya-chan is going for the win, as if she hadn’t been on the brink of losing two matches ago. Taking Wataya-san’s advice of entering her own “arena”, Chihaya-chan played the third and fourth games as Mizusawa’s Ace, pushing the limits of her hard-earned skills and natural talents to get cards for her team. Kanade feels honored to be a part of Chihaya-chan’s strength.

Chihaya-chan swipes the last card at Wakamiya-san’s formation, and just like that, they’re down on the luck of the draw.

Kanade checks the two remaining cards on Chihaya-chan’s side. 

No way. 

There are a hundred cards in karuta, a hundred poems in Hyakunin Isshu, and yet those two cards remained. If this isn’t fate, Kanade doesn’t know what it is.

Kanade looks over at Wataya-san, watching Chihaya-chan’s match after claiming the Meijin title a game ago, and her suspicion is confirmed. The se card belongs to Wataya-san. 

And, of course, the tachi card is Mashima-kun’s.

This is more than sending a card, Kanade realizes. 

Fate is asking Chihaya-chan to choose.

She remembers a strategy Chihaya-chan has always followed as Harada-sensei’s star pupil. 

“Since I’m an offensive karuta player, I would send my special cards to my opponent, and it’s because I want to get some things badly that I would part with them. And I would go into the fight with the resolve to get them no matter what.” 

Chihaya-chan moves to pick up a card.

“Challenger Ayase-san sends ‘tachi wakare’...”

viii. 

“‘Let’s play karuta forever, Taichi’ーSince when?! Ayase-senpai, since when did you like Mashima-senpai? What do you just mean by ‘play’? Is it play, play or play as in let’s date and get married and live happily everーhmhm, mph!” Kanade cuts off Hanano-san’s tirade, noting Chihaya-chan’s rapidly reddening cheeks and startled eyes. “Hanano-san, shouldn’t you congratulate your senpai before anything else?” 

Hanano-san recovers quickly enough, her own cheeks flushed in embarrassment, and says, “Omedetou, Ayase-senpai. You’re incredible.” 

Chihaya-chan merely blinks at them in reply, and Kanade’s instantly worried that her brain has gone haywire after being cornered with Hanano-san’s frank questions. She lays a comforting hand on Chihaya-chan’s arm, thinking about what to say to divert her attention. “Chihaya-chan, Harada-san’s waiting at the break room for you. Shiranami Society’s already throwing a party there, why don’t we goー”

“I just don’t want him to disappear again.” Chihaya-chan’s looking straight at Hanano-san, a mixture of desperation and determination swirling in her eyes. “Apart from chiha, the card that I won’t absolutely let go of is tachi. I want to show him how much I want to get to him by sending and getting the card butー” her eyes start to glisten, her voice shaky, “ーbut he didn’t see me, didn’t he? He’s not here, he’sー”

“Chihaya-chan,” Kanade tries to conjure a warm, reassuring tone. “Don’t worry. If he hadn’t seen youーwhich I highly doubtーthen you’ve just got to show him again, right? You’re an offensive player, Chihaya-chan, I’m sure you won’t give up without a fight.”

Thankfully, those words are enough to quell Chihaya-chan’s despair. She fixes her posture, her resolve following suit, and her eyes twinkle with a newfound passion. She smiles, “Thank you, Kana-chan, Sumire-chan.” 

Kanade beams. President Mashima might have been MIA as of the moment, and Wataya-san is fast approaching with a look that tells he’s about to have a long, overdue talk with Chihaya-chan, but it’s all right. 

With a love like theirs, Kanade’s sure Taichi and Chihaya will be alright.