#renoir quartet

[diceriadelluntore]

Dimmi 10 cover di Stairway To Heaven. Grazie <3

Dopo anni arriva un anonimo che mi fa una domanda così! Grazie

Allora, partiamo da una versione non cover, e cioè quella di How The West Was Won, live ufficiale dei Led Zeppelin, per me la più bella di sempre.

Poi (artista, album di riferimento)

Dread Zeppelin, 5,000,000 - Rodrigo Y Gabriela, Tamacun - Frank Zappa, The Best Band You Never Heard In Your Life - Stanley Jordan, Flying Home - Rolf Harris, The Definitive Rolf Harris - Rick Wakeman, Piano Portraits - Natalie Renoir & DJ Leao, Singolo - Vitamin String Quartet, Vitamin String Quartet 1999 - Iron Horse, Whole Lotta Bluegrass A Vocal Bluegrass Tribute To Led Zeppelin Songs - London Symphony Orchestra, Kashmir

Sono le prime dieci che mi vengono in mente, fammi sapere quale ti piace di più

[paleparearchive]

Reasons for Being Close Friends

Renoir's initial 2★ story (1/1)

Location: terrace (morning) | Characters: Renoir, Monet, Sisley, Bazille, Aoi/MC

Renoir: Hmm… It's a beautiful day, isn't it. The sun is mild and the wind is fresh. This is perfect... A perfect day for sketching, don't you think?

Monet: Yeah. Well then, let's all go a little further afield today and paint on the riverbank!

Sisley: Yes, I agree. There's a good spot upriver. At this time of the year, the flowers are always blooming beautifully when I pass by on my deliveries. I think a good picture can be painted with great comfort.

Renoir: Alright. Once that's decided, we'll need a lunch box, snacks, and some drinks.

Bazille: We don't need alcohol…

Sisley: Yeah. You can't paint if you drink, can you?

Renoir: Then, if we shift it to a hanami picnic, there would be no problem at all.

Bazille: Jeez. I thought we were talking about going out to paint, weren't we?

Renoir: I thought we were talking about going out to have fun, fufu. It would be great to drink with pretty ladies, wouldn't it?

Sisley: It's all about having a party for you, is it?

Renoir: Oh come on, come on. It's all about having fun with paintings and flowers.

Aoi: It's certainly lively here. What's up with you all getting together?

Renoir: Hello, my lady. You've come at the right time.

Aoi: Uh, is that so?

Renoir: Indeed. We were just having a fun conversation.

Aoi: Wow, what is it, what is it about?

Monet: Sketchin', cherry blossom viewing, banquet... I guess.

Aoi: Hmm? Ah, are you all going out together?

Renoir: Sisley said he knew a good spot.

Monet: Yup! Because it's fun to paint together!

Sisley: But it's going to be more of a banquet than a sketching session, though.

Bazille: I'm unwilling to do that…

Aoi: Fufu… The four of you are really close.

Monet: Yeah! We've known each other for a long time!

Aoi: Did you go to the same art school?

Bazille: Yeah. At Gleyre-sensei's place.¹

Sisley: We're all different types, though.

Monet: But I don't know how… I was comfortable bein' with these guys.

Renoir: Fufu, that's right. I guess you could say we're a perfect match. Maybe it was all balanced out, I don't know.

Bazille: It's mainly Monet who rushes through and Renoir who stirs things up appropriately…

Monet: But Sisley is a nice buffer for us.

Sisley: However, Bazille always follows through with whatever we say.

Aoi: Really... As I said before, you're a good quartet.

Renoir: That's right. Because good alcohol tastes even better when the four of us drink it together. I feel like meeting everyone here is a lifetime treasure.

Monet: Yeah.

Sisley: Yes.

Bazille: …²

Aoi: That's lovely, isn't it.

Ah. So the four of you are going out to sketch today?

Renoir: Exactly, however…

Aoi: However?

Renoir: Hey, you should come with us too, my lady.

Aoi: Huh, me as well?

Monet: Yeah! I like that! Let's go together, director.

Sisley: Ah, however, wouldn't it be a nuisance to invite the director out of the blue…?

Aoi: No, it's fine for me. Wouldn't that be a distraction for you, though?

Bazille: If that were the case, we wouldn't have invited you in the first place.

Renoir: Yes yes. Also, I'd be happy for you to be my model as well.

Aoi: I-I see. If it's okay with me, I'd be happy to.

Renoir: Thank you. Aah, I'm looking forward to it. Cherry blossom viewing party with beautiful scenery, delicious drinks and a lovely young lady.

Aoi: (H-Huh…? They're going to sketch, right?)

(Well… Whatever.)

¹: Marc Gabriel Charles Gleyre was a Swiss artist who was a resident in France from an early age. He was an important Impressionist artist and he taught many young artists, including Monet, Renoir, Sisley and Bazille. [Source: Wikipedia]

²: I can't really put it into words but please assume that Bazille is smiling in this part, he was quiet but he was smiling. Bazille you dork ↓

[nexthlive]

01 00:00 Wicked Game (Strange Desire Mix) - Ituana 02 03:09 Here Comes The Sun (Remix) - @SarahMenescalOfficial 03 05:47 Clocks (Sign Of The Times Remix) - Ituana 04 08:32 Your Love (Bellestar Remix) - Dinah Eastwood, Bellestar 05 11:17 Can't Take My Eyes Off You - Natalie Renoir, Stereo Dub, Brazil XXI 06 14:13 The Sweetest Taboo (Remix) - Scubba, Ivette Moraes, Ronan 07 17:21 Lovefool (Dalbani Remix) - Urselle, Dalbani 08 20:29 Dreams (No.oN Remix) - Eve St. Jones, No.oN 09 23:48 Everybody Wants To Rule The World (Dataset Extended Mix) - Stereo Dub, Dataset 10 27:59 Hold On, We're Going Home (Urban Love Remix) - Francoise Sanders, Urban Love 11 30:51 Your Love Is King (Ronan Remix) - Amazonics, Ronan 12 33:45 Love Is In The Air (Bellestar Remix) - Urban Love, Bellestar 13 36:59 Wonderful Life (Klub Rider Remix) - The Cooltrane Quartet, Klub Rider 14 41:00 Good For You (Krister Remix) - Style Project, Krister 15 44:12 Always Remember Us This Way (Extended Remix) - Roger Beck 16 48:01 Love Will Tear Us Apart (Ronan Remix) - Bellestar, Ronan 17 50:40 Self Control - Krister, Dalbani 18 53:41 Time After Time (Dataset Remix) - Sarah Menescal, Dataset 19 57:13 Don't Dream It's Over (Gm House Remix) – Sixth Finger 20 59:37 Magic - Trippynova, Natalie Renoir

[danbenzvi]

Just listened to: “The Favourite (Original Motion Picture Soundtrack)”

Vivaldi

Featuring the following tracks:

Orchestra “Classic Music Studio” featuring Alexander Titov - “Handel: Concerto Grosso in B Flat, Op. 6, No. 7, HWV 325 - 1. Largo“

Brigitte Haudebourg & Orchestre Pro Arte De Munich & Kurt Redel - “W.F. Bach: Harpsichord Concerto in A Minor, F. 45 - 3. Allego Ma Non Tanto”

Jean-Philippe Collard & Vincent Royer - “Ferrari: Didascalies”

Ars Antigua & Rachel Barton Pine - “Vivaldi: Viola d’amore Cocerto in A Minor, RV 397 - 1. Vivace”

John Eliot Gardiner & English Baroque Soloists & David Blackadder - “Purcell: Trumpet Sonata in D Major, Z. 850 - 2. Adagio”

Renoir Quartet - “Meredith: Songs for the M8 - Movement II”

Olivier Latry - “Messiaen: La Nativite Du Seigneur - 7. Jesus accepte la Souffrance”

Miklos Teleki - “J.S. Bach: Pastorale in F Major,  BWV 590 - 3. Aria”

Peter Hurford - “J.S. Bach: Fantasia In C Minor, BWV 562″

Simon Preston - “J.S. Bach: Prelude (Fantasy) and Fugue in G Minor, BWV 542 - “Great” - 1. Praeludium (Fantasy)”

Renoir Quartet - “Meredith: Songs For The M8 - Movement V”

Brigitte Haudebourg & Orchestre Pro Arte De Munich & Kurt Redel - “W. F. Bach - Harpsichord Concerto in D Major, F. 41 - 2. Andante”

Sonatori De La Gioiosa Marca & Giuliano Carmignola - “Vivaldi: Violin Concerto in E Minor, RV 277 “Il Favorito” - 2. Andante”

The English Concert & Trevor Pinnock - “Handel: Water Music Suite No.1 in F, HWV 348 - 2. Adagio e staccato”

Arthur Schnabel - “Schubert: Piano Sonata No.1 in B Flat, D.960 - 2. Andante Sostenuto”

Elton John - “Skyline Pigeon”

[Availability for this one is *weird*.  Amazon has a listing for a physical version but it’s not in stock, Spotify has a listing for it but it’s missing three songs, Amazon’s streaming version appears to be complete, the Apple music listing only has 5 of the 16 songs available...like I said, *weird*.]

[iseilio-blog]

Bruegel 之 旅

著者：中野 孝次 https://ja.wikipedia.org/wiki/中野孝次

賞析節錄

The Hunters in the Snow

（前段自述略）

Bruegel 為什麼如此親切的對我說話？幾乎每天都往來於附近的美術

史美術館，光呆在那個展覽室就夠幸福了。那裡帶我進入了靜逸的

世界；安靜的��音，就好像在告訴我：這裡才是老弟應該來的地方。

其中，就以這幅色調鮮明的「雪中獵人」的世界最吸引我。

https://www.bing.com/images/search?q=Bruegel&form=HDRSC3&first=1 那是在酷寒嚴冬的自然之中的營生。烏雲覆蓋的地面埋入了深雪，

池塘、河川映照著凝重的天空，帶著綠青色的冰凍。在那裡，穿得

臃腫的孩子們玩耍，人人縮著頸項趕路。然而這一切越離越遠，連

他們的叫聲、歡樂聲都聽不到，世界在寒氣之中靜悄悄。向著這樣

的世界，三個倔強的獵人背負貧乏的獵物，帶著筋疲力竭的獵犬，

一步步的走上歸程。畫的前景，切過了整個畫面一般，從左至右

形成接連著近景的高斜面；獵人剛結束了在深雪中空無的勞動，

終於到達了這個得以俯瞰村落的小丘。觀畫者為貫穿畫面，整體

大幅描寫這些疲勞而沉重的背影，從左至右一整列默默行進的存在感

所吸引，也同時感知這三個人還有必需走的距離。一棵棵黑而光禿禿

的樹圍繞著這一團，如同強調著孤立於世界之外，必需依靠己力行走

的姿態。左邊山丘的另一端，忙著冬季打點的旅宿人們也不瞧他們

一眼。旅宿人家有他們的活要幹。焚燒著的��，好像在傳達寒氣

一般，成了一條直線。畫 似乎是在訴說著這就是人世間的生活。 人，絕對沒有自然來得優越。他的命運就如同這靜默的嚴冬一般，

併在裡面深深跟從著自然的運行。就這個當下，自然，以雪、冰

和寒氣，向人們顯示著他那難以測度的魔力，教人們如何耐過

生之慘苦。在那裡，色彩的氾濫、感傷、人性的肥大、意識形態，

通通沒有。所有的一切都在緻密的被眺望，被描寫的位置那裡，

以他們自己的力氣在那應該有的地方，應該有的存在著。散布在

遠景的細節，一部分被強調的，也很精緻的成為微型的繪畫世界，

分別的構成了他們自身完結的世界。人們免不了被那不大的故事性

中所散發魅力的細部所追趕。還有那型態的大小、構成，或配置，

構築出來的整體形像，而回到了畫的思想。 在那裡，既沒有 米蓋郎基羅 由於煩惱而異常擴大的 “人間性”

https://en.wikipedia.org/wiki/Human_sexuality   也沒有

超自然的理性的勝利、英雄 , 賢者、Rembrandt 一般優秀又有

個性的市民，就只是那裡都有的一般人。因為看不到獵人的

面孔。而即便如此，在這白、綠、黑褐色調相間，自然的嚴酷

支配下，他們一個個是有著如何飽滿的存在啊。他們的背影遠遠，

小小的，就是很確實的，無法替代的存在；在那邊就可以感覺

得到。我不曾看過這幅畫。那似乎是與我少年時代以來所熟悉的

印象派等近代繪畫完全不同的原理所製作出來的，用不一樣的

語言訴說，是我第一次見到這一類別的畫。那就是只說出所謂

「東西」的存在感。然而印像派一直以來教給我的是「東西」，

與主觀勝利的拋棄。如此說來，在這畫中的任何形象都畫得如此

線條明確。然而印象派主張拋棄線條，從色彩解放。還有也就是說，

將繪畫一意的從視覺的感覺解消。我腦中浮現出了 Renoir 的 ：

Luncheon of the BoatingParty https://www.ss.net.tw/page.asp?id=Renoir001

覺得那是如何的素樸而完全信賴著自然與人性。感覺的��快，主觀的

勝利；這是怎麼一回事呢？然後我又想到了來到巴黎接觸到 印象派

的時候，Van Gogh 那貧弱的線條與搖搖晃晃的樹木。連畫出

「The Potato Eaters」的這位聖畫家都進入成了印象派之毒的

「眺望 Mont des Martyrs」（圖缺）、「Rue de Clichy」那麼

貧弱的世界。

https://www.ss.net.tw/page.asp?id=VanGogh032

https://www.gallery-aoki.com/replicatop.html 相對的，輪廓線條明確，只有堅固「東西」的存在感而成立的這個

畫面的沉默，可是何等冷靜而強力的傳達了訊息。觀賞著標題為

「雪中獵人」，連想接續而至。在不知不覺之間，我發現到自己

正在與自己的半生對話（當時我 41歲。）印象派讓我連想到

高村光太郎，或者 白樺派 對「個性」、「自然」等野放圖的謳歌、

即便在戰爭時代，高校教育也向著教養主義的氛圍，在如此的

氛圍下，將藝術帶向自青年時期以來所高漲的、日常生活異次元的

價值。我感到自己的對處無方，走上了錯誤的道路。因為不去看

毫無疑問在眼前存在著的東西，很愚蠢的繞遠路，構築了抽象的

觀念世界。而在這裡，令到一般無名民眾的日常生活世界裡，幾乎

大部分以原般原樣的姿態純化至聖性。 有著強烈西洋經驗的 高村光太郎，在歸國之後，將這樣的國度，

以近乎嘔吐的程度，正面的凝視了日本的現實。然而在那之後，

就鑽進了觀念性的人間性與讚美自然的超現實的世界。這不免

感想到，對啊，誰都一樣在相同的地方走上了迷途也說不定。 〈〈任誰都一面說著必需從日本的現實出發，而其實大家都處在

暗黑花叢的樂園裡。〉〉（野間 宏 “黯淡的畫”）

這就是 1937、8年左右一個沉迷於革命美夢意識形態裡的青年們

的告白。和 光太郎 的藝術苦惱無關，在彈壓社會主義運動下苦惱

的學生們。這兩者迷途的地點，就非現實的觀念性上面來說，竟然

是如此的相似。 似乎自嘲一般，聽到了一個聲音��“立身成名”；終究我們在這百年間

只是在如此的召喚中盲目的奔走罷了。我們應該是純然的缺少對藝術

與自然的自律性信仰、社會主義的夢、成名主義的要素。在對著同樣

的社會氣流中孤獨的戰鬥，大家向社會之外、觀念的世界追求。

說起來是要他人接納，在那裡無由產生對話。而且，在沒有戰鬥

夥伴對話的世界，現實變得越來越不現實。只有孤獨的編織著夢

與抽象的世界，才是現實也說不定。 既不是夢，也不是觀念，為做為現實所有物存在的西洋現實感

所壓倒，只是讚嘆，都成了毒素積累一般，一邊為憂鬱所啃蝕，

一邊徘徊就像這樣在異國街道的現在這個當下的自己，是何等

非現實的存在啊。想到自己既沒有所學的專屬，就只是在少年

時代被提升到巨大幻影象徵的土地，只是以見識為目的的目的

的我，是如此憂鬱著的我。絲毫不關心中央部都會區的文化，

出外打拚賺錢的外勞，豈不是更加來得有現實性？在清晨用水

洗著巴黎污垢的黑人、替代了法蘭克福，慕尼黑 的在地階級

子弟，由 近東、南義大利，或者 西班牙，從事著地下鐵工事，

在建築現場，在街道改裝工事等肉體勞動的外籍勞工。他們是

如此實際的存在著。親身接觸著過路人輕侮的眼光、媒體的警戒

論調，一個房間住了好幾個人的慘淡 ; 感受著所有露骨的個人主義。

又想起了每個休假日在黯淡的車站建築內無事走動的褐色皮膚，

令人感覺不舒服的男人們。想像那令人感覺的不舒服，侵蝕著歐洲

所有的關係，卻是不可欠缺的存在的樣子。相較起來，遠東黃皮膚

的西洋崇拜者；簡單的說，好像也只是無害的存在罷了吧。

＊＊＊＊

作者的思慮，寫到後來，原本的憂鬱具體的多愁善感了起來。

這麼一個來自高度文化國度的作者，與外勞自身的國度，隨著時間

的演化，一如既往的還是相當的不同。至於對線條明確的存在感，

或者虛無氾濫的感傷，恐怕是想得太多。然而卻也因此，而讓日本

一直的還能夠維持令觀光客喜愛的原因吧。它的原因可能就是來自

如此一般的自省能力。總的說來，有鑽牛角尖的書呆子氣 － iseilio

──

教養主義：

• 不關心於世間樣式的煩瑣，只集中關心於當下的自己。有教養地，

做一個隨時，對著什麼，都想說些話語的女性。

＊ 世間的 な 煩 らしさに無關心になれて今、自分でありたいと思う

事に關心を集中させたい。教養的である、何時でも何か話しかける

事の出來る女性になりたい。

• 爸爸 ﹗感謝您！ 請救救我 ！

＊ パパ ﹗感謝しています，たすけて下さい ﹗

－－－－

當我首抵弟弟的家門，在家母睡房的衣櫥上看到贴著這麼兩張紙條。

翻��成 “ 救救我！” 當然是有感於家母對人生當下的處境而來的直接

感觸 。就個人來說，只是太閒無聊而已。

－ 我走出房門拿起了電話 ﹕ 嘟 － 嘟 － 嘟 － ﹗「 喂 ﹗」「 如此

如此 ‥‥ ！ 這般這般 ‥‥ ！ 要有覺悟！‥‥ 要早做安排！‥..，

‥‥，」

2010 －－

世界名畫家畫作 總覽 https://iseilio-blog.tumblr.com/post/190291009087

Arnold Schoenberg, String Quartet No. 1 in d minor, op. 7 https://www.youtube.com/watch?v=kpTXZDVe5Wg&t=142s

[ethereal-tongue]

1. Concerto Grosso in B-Flat, Op. 6, No. 7, HWV 325: 1. Largo – Orchestra “Classic Music Studio” & Alexander Titov (1:11) 2. Harpsichord Concerto in A Minor, F.45: 3. Allegro Ma Non Tanto – Brigitte Haudebourg, Orchestre Pro Arte De Munich & Kurt Redel (6:19) 3. Didascalies – Jean-Philippe Collard & Vincent Royer (15:07) 4. Viola d’amore Concerto in A Minor, RV 397: 1. Vivace – Ars Antigua & Rachel Barton Pine (3:10) 5. Trumpet Sonata in D Major, Z. 850: 2. Adagio – John Eliot Gardiner, English Baroque Soloists & David Blackadder (1:32) 6. Songs For The M8: Movement II – Renoir Quartet (2:19) 7. La Nativité du Seigneur: 7. Jésus accepte la Souffrance – Olivier Latry (4:56) 8. Pastorale in F Major, BWV 590: 3. Aria – Miklós Teleki (3:03) 9. Fantasia in C Minor, BWV 562 – Peter Hurford (5:55) 10. Prelude (Fantasy) and Fugue in G Minor, BWV 542 – “Great”: 1. Praeludium (Fantasy) – Simon Preston (5:11) 11. Songs For The M8: Movement V – Renoir Quartet (1:55) 12. Harpsichord Concerto in D Major, F.41: 2. Andante – Brigitte Haudebourg, Orchestre Pro Arte De Munich & Kurt Redel (6:42) 13. Violin Concerto in E Minor, RV 277 “Il Favorito”: 2. Andante – Sonatori de la Gioiosa Marca & Giuliano Carmignola (4:04) 14. Water Music Suite No. 1 in F, HWV 348: 2. Adagio e staccato – The English Concert & Trevor Pinnock (2:15) 15. Piano Sonata No. 21 in B-Flat, D.960: 2. Andante sostenuto – Artur Schnabel (11:18) 16. Skyline Pigeon – Elton John (3:37)

// 빈 칸 채워넣기.

[joegattnet]

Saved on Spotify "Songs For The M8: Movement II" by Anna Meredith, Renoir Quartet https://open.spotify.com/track/7Ijt4tyEbqRk76q1LYwSiH

[shiningwizard]

Boudu Saved from Drowning (Jean Renoir, 1932) it’s almost a pity he was saved, because the movie then becomes a much more interior-set comedy of ill-manners. but it returns by the end. wonderful use of music. the best. just where it comes from: the flautist on the roof, the street organ, string quartet on the bridge, the marching band, the piano inside. and the tranquility of him floating down the river. i think i like renoir a lot.

[joegattnet]

Saved on Spotify "Songs For The M8: Movement V" by Anna Meredith, Renoir Quartet https://open.spotify.com/track/4mkCnyoMeKGQpQwyJicttp