#relevant to my scheming interests | Explore Tumblr posts and blogs

chloe-petrichors · 6 months ago

Text

cradling constellations // jace x reader

when rhaenyra brings her family to court to celebrate the king's fiftieth name day, there was but one thing on your mind: getting to see jace, the boy you'd loved in secret, once more.

whatever our souls are made of, his and mine are the same. —emily brontë

fandom; house of the dragon pairing; jacaerys velaryon x f!aunt!reader (no use of y/n) warnings; canon-typical incest, canon-au (it's viserys' birthday party baby), altered timeline (jace and reader are in their 20s) idiots in love, instant attraction/love at first (second) sight, childhood sweethearts (kinda?), soulmate vibes, love confessions, switching povs, smut (mdni !) including masturbation (m), p in v, fingering, oral (f receiving), implied loss of virginity, unprotected sex, mild marriage kink if that’s even a thing, body worship, dirty talk, praise kink, multiple orgasms, mild overstimulation, soft dom vibes, jace being a tits man. word count; 15k+ (oops) notes; me, obsessed with jace? more likely than u think. this whole fic spawned from the fact that i noticed jace's freckles on a gif and lost my gd mind. this was meant to be a quick smut fic. and then i took 11k+ words to get to the smut part. i'm sorry (i'm not). this is totally self-indulgent, soulmates, love at first sight kinda fluff-to-smut and i regret nothing. way too much time of writing this was me trawling through the asoiaf wiki pages to find details that are relevant for one whole sentence. why am i this way. valyrian is pulled straight from a translator i found online, pls let me know if you notice any errors! requests; are open !

the first time you laid eyes on jacaerys velaryon, you knew he was something special.

you had just been children, then, uncertain of each other due to the discontent between your families. but he had been kind to you, dark eyes warm, and it had been an easy thing to be kind in return. your brothers make it difficult, of course, as they seem to do with everything they get involved in. aegon had been the worst at first, spouting off the same vitriol your mother had always whispered into your ears, but aemond had not been far behind him.

after the events of laena’s funeral and the loss of aemond’s eye, the hostilities only grow and grow. helaena keeps herself apart from most of it by virtue of her typically distant manner, but your brothers insist on drawing you into the same arguments again and again. it's tedious, laborious, but they are your family.

jace and luke are too, of course, not that anyone else seems to want to admit it. for all that they are velaryon’s by name (and strong in heart, mayhaps, yes), they are your nephews. your brothers only seem interested in remembering this when it serves them, however — which is usually when they’re lording it over the dark-haired boys.

in truth, the velaryon’s are hardly innocent either. it seems like the two sets of boys bring out the absolute worse in each other without fail, and it’s usually left to you to try and be the voice of reason.

away from your brothers’ taunts, jace is like a different boy entirely. endlessly curious and ceaselessly kind, the brunette seems to always have time to talk and jape with you. your friendship grows surprisingly easy as children, and with early adulthood comes the bloom of a different kind of affection, too. you never say anything, knowing all too well that if your brothers catch even a whisper of your feelings that there will be no end of hells to pay.

it matters little, regardless. your mother will never tolerate a betrothal between the two of you and you know better than to even attempt to broach such a topic. it had been sheer miracle that she hadn’t tried marrying you off to aemond after securing aegon and helaena’s marriage, and you aren’t willing to tempt fate by giving her ideas now. so what if you spend countless nights dreaming of freckled skin and dark hair? it matters not in the scheme of things.

rhaenyra flees kings landing after daemon’s return to westeros, leaving you feeling strangely bereft without your nephews’ company. years go by with no contact from your sister’s family, and so you let your old daydreams fall to the wayside. there’s no use dwelling on what you can’t have, and no point bringing it up since even now just a mention of luke or jace is enough to inflame aemond’s temper.

and then, of course, the news comes that rhaenyra is returning to court for the king’s fiftieth name day. there are great feasts and celebrations planned in honour of your father, which you privately think silly considering it’s unlikely he would be well enough to attend half the festivities. still, there’s no denying your excitement at the idea of seeing jace again. he would be a man grown, now, his twentieth name day having passed only a few moons ago.

for once the majority of your family will be under one roof, and you are certain it will end in disaster — but you intend to enjoy it while you can.

going flying the morning of the velaryons arrival is perhaps not your smartest idea.

your nerves wake you well before dawn. you feel as if you’re going to crawl out of your skin if you don’t do something, and you know your chances for flying will be limited with the celebrations expected to start tomorrow. so you decided to take the chance while you can, dressing quickly in your riding gear before creeping to the dragon pit well before any of your family wake.

silverwing likes it when you take her for unexpected flights, so she makes no complaint when you have the dragon keepers release her. you go through the motions of saddling her yourself, as you always do, taking the chance to reinforce the bond with your dragon.

silverwing hadn’t been your hatched dragon. the egg that you had slept beside as a babe had never hatched, just as aemond’s and helaena’s hadn’t. it had infuriated aemond when you were children, that jace and luke’s dragons hatched while he was left without. it had made him an easy target for the other boys; aegon had often led the others in riling him about his lack of dragon until he had claimed vhagar. you can admit now that the others had oft been cruel to him in their japing, and it had ended poorly for everyone involved.

your claiming of silverwing had been incredibly boring in comparison. she had found you, in truth, a year after aemond claimed vhagar. she’d been your great-grandmother the good queen alysanne’s dragon before your own, and had not taken a rider since the queen’s death. she’d flown from the dragonmont to find you, and you’ve been nigh on inseparable since. your mother despairs over it, hating how her often her ‘perfect daughter’ has shown up to court late with windswept hair and flushed cheeks.

but, to you, flying is freedom.

there’s nothing else like it in the world; the sensation of silverwing beneath you, the seven kingdoms at your fingertips, and only the sky above. your mother has never really let go of her fear of the dragons, and you can understand it in a way; she is no targaryen, and she’ll never know what it is to bond with a dragon, to have that presence so alien and yet so familiar nudging against the corners of your mind. any attempts to explain it to her are met with bemusement and wariness, and you’d long ago learned to stop bringing it up.

silverwing’s joy to fly merges into your own as you climb atop her, running a soothing hand over the gleaming silver spikes at her neck as you adjust the straps. her impatience thrums loudly through the bond as you settle yourself into the saddle, and you feel her heart beat through you like a second pulse as your own anticipation rises.

“ivestragī īlva sōvegon, ñuha raqiros! [let us fly, my friend!]”

she needs no further nudging than that, and with a delighted roar she launches into the air. your laughter is stolen by the wind as she beats her wings, propelling you higher and higher before sweeping over the towering peaks of the red keep. with a shouted instruction she banks sharply to the left, flying out over blackwater bay as the sun finally crests the horizon. the dark sea lights up with reds and golds beneath you, the sky gloriously blue above, and silverwing’s distinctive scales shine in the breaking dawn.

a glorious morning, you think, and as the two of you climb higher to the sky you feel all your nerves and excitement for anything but the flight leave you. this is what your mother will never understand; flying is an escape, yes, but not from your duties as she assumes it is. this is an escape from your worries, from the petty machinations of court. in the sky with your dragon, you need worry only about how chill the wind will be, or if aemond is out with vhagar, who’s a grumpy old beast at the best of times and silverwing is feeling mischievous.

you find peace, here, in the sky. this is what you were born for.

long minutes pass as you fly leisurely, circling over the bay and the keep and back again in ever widening circles. sometimes silverwing dives just to do so, plunging so close to the blackwater that you could reach out and skim your hand over the dark depths. you lose track of time as the two of you fly, contentment bleeding across the bond so completely you can’t even tell which one of you it’s coming from.

a dragon’s cry in the distance catches your attention, and silverwing pulls up from where she’d been ducking her head into the water to snatch fish. she propels you rapidly higher into the air, crying out in response as you break through the thin cloud cover. you expect to find aegon’s dragon; sunfyre is the only dragon silverwing likes, rather than tolerates, to be making such a noise in greeting.

but it’s an unfamiliar dragon that greets you, olive green scales shining with the damp from the high altitudes. your mind races as you struggle to place it, and it’s only when you catch sight of a head of dark curls astride the dragon that you realise who it is.

vermax.

and jacaerys.

your heart skips in your chest, silverwing’s unexpected excitement tangling with your own nerves as she swoops towards the much smaller dragon. it’s only her sheer happiness that stops you from panicking or shouting a command to halt in valyrian, and moments later you recall she’d have known vermax from her time on dragonstone.

she somersaults over and around vermax playfully, and you release an exhilarated laugh in response as you cling tightly to the saddle. you see only snatches of jace as your dragons fly complicated patterns around each other, but the quick flashes you do get find an easy smile on his face.

the dragons spend a long while flying together, racing and diving and spiralling to new heights. they move so quickly that you have no chance to try and greet jacaerys, can offer nothing more than quick smiles as you pass him. it gives you the time for your nerves to settle back down, time to reassure yourself that any childhood feelings are long faded and that you will be able to act perfectly composed when it is time to greet him.

eventually you realise your dragon is not going to land until you tell her too, and vermax is clearly just as willing to chase after the larger she-dragon for as long as she is willing to be chased.

“māzigon, silverwing. istiti tegun [come, silverwing. we must land],” you shout, laughing again when the dragon whines her displeasure. she listens regardless, soaring down in tightening circles with vermax following close on your tail. her landing in the dragon pit is far from smooth, but you’re well used to compensating for the jostling as she settles onto the ground once more.

you’re quick in freeing yourself from the saddle, murmuring warm thanks and praise to your dragon as you walk to the side of her great head to meet a single burning eye. “kirimvose, ñuha raqiros. kesi sōvegon arlī aderī [thank you, my friend. we will fly again soon],” you tell her, and she responds with a content grumble as she nudges her head gently against your chest in affection.

you leave the dragon keepers to return her to her cave, instead turning to watch as jace shares his own goodbyes with his dragon. you take the chance to look at him, properly look, and find yourself suddenly warring with self-consciousness and a burning in your chest.

despite the acrobatics of the dragons, he looks perfectly put together with his dark curls brushing his shoulders and a pleasing tan to his skin. you fear you must look a ruin, with your hair undoubtedly a mess and cheeks flushed from the cold bite of the wind. your breath is still a touch laboured from the exertion of the flight, while he looks perfectly composed in his fancy black and red doublet. you curse the old gods and the new that you’d picked out your old riding gear this morning — comfortable, yes, but certainly not ideal for greeting the heir to the heir and the man you’d once daydreamed about marrying.

you push the thoughts away with determined stubbornness, refusing to dwell on the warmth in your chest when jace finally turns to look at you. he’s grown, you note immediately, now standing at least a head taller than you. any traces of baby fat have left him, leaving behind a strong, square jaw and strong yet slim shoulders. his dark eyes are warm, though, and his smile friendly as he takes you in.

you dip instinctually into a curtsey, a perfectly respectable greeting ready on your lips, but you’re startled into straightening back to standing when jace laughs.

“come now, princess,” he says, fond and teasing he approaches you. he’s the only one who’s ever been able to make the title sound more like an endearment. “since when have we been ones for formality?”

it sets you at ease immediately, tension relaxing from your shoulders as you beam at him. “i suppose we never have been very good at that, have we?” you let your eyes skip over him again, something like relief settling in your bones at the sight of him. “it’s good to see you again, jace.”

“aye,” he returns, dark eyes sparkling. “it is good to see you, indeed.”

for a long moment he simply looks at you, and it makes that peculiar warmth in your chest blaze a little brighter. there’s something in his face that you’ve never seen there before — but then you think of course there is. you haven’t seen him in so long there’s probably all kinds of things about you him you no longer know. it aches, almost, to think it, but in a way he’s a stranger to you; a man with the kind eyes of the boy you’d loved in secret, once.

you clear your throat as you drop your eyes from his stare, glancing at the bustling keepers as they tend to your dragons instead as you cast about for something to say.

“are the rest of your family not flying in?” you query after a moment.

he shakes his head, dark curls swaying with the movement. “no, arrax and tyraxes are still too small to fly luke and joff for such a journey, and mother would rather stay with my brothers on the ship.”

you nod in acceptance, shifting slightly on the spot. “well then, let me be the first to welcome you back to king’s landing, my prince.” you take the formality out of your tone with a playful wink, and are gratified to see the way he chuckles at your antics.

“i had hoped you’d be the first i’d see.” he admits this casually, as if this doesn’t set your heart and mind racing. “i have missed you, aunt.”

you duck your head again to try and hide the smile spreading across your face. you tell yourself sternly to stop acting like some lovesick child, all the while that small flame continues to burn away inside of you. “and i you, nephew.” you glance up at him shyly from beneath your lashes, teeth worrying at your bottom lip, and you don’t miss the way his eyes track the movement.

he’s the one to clear his throat, this time, stepping a half-pace away from you and gesturing for you to proceed him. “shall we head to the keep, then? my mother’s ship should have arrived by now and we wouldn’t want to miss the formal welcome.”

“as you say,” you agree, and the two of you set off.

you spend the long walk to the keep catching up on the long years between you. you’d expected the time apart to be like a gulf between you, a canyon that could not be crossed, but if anything it’s the opposite. it’s as if you’d last seen each other only hours ago. it should startle you, how simple it feels to fall into your old friendship, but you don’t have it in you to be surprised. that’s always been the thing with jace, after all — it’s easy. being around him, speaking to him, listening to his odd tangents. it all comes as natural to you as breathing, as if there’s a part of you that was just born knowing him.

he's dodging your questions as you finally arrive at the keep, having let slip something about an old secret from the days of your childhood that he’s never shared with you. it makes something flutter in your chest, the way he looks at you as he says it. the way he’s looked at you the whole time, in fact, has you having to bite back a smile. he looks at you as if he is looking at something precious, expression tender and fond and uncomplicated. it threatens to steal your breath again, and so you make an effort to try and act as unaffected as possible, because he cannot mean it in the way you think you might want him too.

“oh, but you simply must tell me!” you wheedle cheerfully, a mischievous smile on your lips. “you wouldn’t keep a secret from me, would you, my prince?”

you pout at him, fluttering your lashes in the way you usually do when trying to get your way with your brothers. jace swallows audibly at the sight, some emotion you can’t read flickering across his eyes as his gaze drops to your mouth and then lower again before returning to your eyes. something in his expression makes you flush, cheeks burning as your lips part slowly. a heat rises in you, unbidden, as he steps ever so slightly closer into your space. you’re overwhelmed with the smell of him; sea salt and dragon smoke and something almost woodsy underneath it, something entirely jace.

he murmurs your name so quietly you almost miss it over the sounds of courtyard. his hand twitches as if to reach for you as he ducks his head slightly, and you think if you lifted yours just so you’d be able to brush your lips over the strong line of his jaw. you realise suddenly how much you want to — how much you want to drag your tongue over his skin and taste.

oh.

you want him. that peculiar feeling that had been burning in your chest — you recognise the desire for what it is, now. the easy camaraderie that you’d fell into on the walk to the keep subsides in the wake of it, and abruptly all you can think of is what his mouth will feel like on your own. the palpable tension between you makes your hands tremble with the urge to touch, heart pounding so loudly in your ears it drowns out anything that isn’t him as the rest of the courtyard fades away.

you sway the barest inch closer, inhaling his scent deeply, and watch as jace’s nostrils flare in response. with a shaky breath you lift your chin, eyes dropping to his parted lips, and you bite your bottom lip as his tongue sweeps over his own.

“jace…”

“brother! there you are!”

luke’s voice startles you both back to reality as you spring apart. you hadn’t realised just how close you’d gotten, your chests almost brushing with every breath, until the gap between you widens. you drop your eyes to your feet, cheeks blazing with embarrassment as you realise how close you’d come to kissing him in an extremely public place. you chide yourself internally for forgetting yourself, and take another second to gather your composure before lifting your head with a smile.

“hello, nephew,” you greet luke warmly, doing your best to ignore the way jace’s eyes burns into the side of your face. “it is very good to see you again.”

“aunt!” luke fairly cheers, and you note how the youth still clings to his face. while certainly older than the last time you’d seen him, he still seems like a child to you. his limbs are long and gangly, in that awkward stage at the cusp of adulthood where he’s not quite grown into himself yet. he bounds closer, drawing you into a hug that you allow and return with a fond laugh.

“luke, honestly,” jace tuts, shaking his head as the two of you separate. “we’re at court, now. at least try to remember your manners.”

the younger boy winces. “ah, right, yes.” he sketches a quick but perfect bow your way. “it is a great honour to see you once more, princess.” he flashes a cheeky smile and a wink your way as he straightens out, and you press your hand to your mouth to smother a giggle at the exasperated look on jace’s face at his brother’s antics. he’s hardly one to talk, you think, considering how quickly he had dispensed with manners when greeting you.

in return, you dip into a practiced if impish curtsey. “it is a sincere pleasure to see you as well, prince lucerys.”

luke does giggle, then, as jace rolls his eyes so hard you think they’re at risk of falling out of his head. despite his dramatics, you spot the smile twitching at the corner of his mouth as he watches you jape with his brother.

“the queen is looking for you, dear aunt,” luke says after the greetings are done, and your amusement flees you as your stomach drops.

it’s only then you realise that with both luke and jace being here, you’ve certainly missed the official welcome of princess rhaenyra back to court. you wince at the thought of your mother’s ire, resigning yourself to a long lecture about your responsibilities and how dragon riding is ‘not one of them’. jace catches your expression, concern creasing his face as his brows furrow.

“alright?” he checks, and you do your best to offer him a reassuring smile.

“yes, i’m sure all will be well.” you hesitate a moment before offering a one-shouldered shrug, ignoring the voice in your head that sounds far too much like your mother telling you how unladylike such a motion is. “i expect my mother will be displeased with me for missing the official welcome, but the festivities will surely distract her quick enough.”

luke and jace both offer you a commiserating smile as the three of you head into the keep. you expect your mother will be waiting in her solar, which is on a close route to the guest suites set aside for the visiting royals, and so you walk with the velaryons as far as you can. when it comes time to part, jace lingers at the entry of the hall as luke continues down the corridor. his dark eyes are fixed to yours so intensely it steals your breath as you slow to a stop as well.

“i’ll see you at the feast,” he says quietly, capturing your hand in his much larger one and bringing it to his mouth. your breath hitches in your chest, eyes widening as he brushes his lips tenderly over your knuckles. your lips part in surprise, tingles racing up your arm from where his mouth makes contact with your skin. before you have chance to respond, jace dips into a sweeping bow and then bids you farewell, leaving you staring after him for a long moment.

well. if your mother doesn’t kill you, you think jace certainly will.

jace sinks into the hot water of the bath with a deep sigh of relief.

after meeting with his mother to explain why he’d been late to the formal greetings — or, rather, offer excuses as to why he’d been late, since he doesn’t think his mother will take well to the idea he was so busy enjoying himself flying with you that the thought of any formal welcome party left his mind entirely — he’d sought his chambers. the bath had been ready and waiting for him, tendrils of steam wafting from the clear water, and he’d wasted no time in shedding his clothes. he’s keen to wash the dragon stink from his skin before the feast, and he makes quick work of scrubbing his skin clean. when he’s done, he allows himself to relax against the metal of the tub, arms draped carelessly over the metal rim as he soaks.

king’s landing from dragonstone is not too long a journey on dragon back, but flying for such a stretch causes its own particular aches. vermax had enjoyed the chance to stretch his wings, at least, and had enjoyed the playful flight with silverwing even more.

he can admit to himself he’d enjoyed it, too, the sight of you astride your dragon lighting something within him. it’s been so long since he’d seen you, not since the aftermath of laena’s funeral, and he hadn’t been prepared for how the sight of you — breathless and flush and beaming at him — would make him feel. he’d almost managed to push back his boyhood adoration and childhood daydreams of marrying you one day with the years passing, but seeing you again brings it all rushing back and he feels as hopelessly enamoured with you now as he did as a child.

you’ve grown well, there’s no denying that. where childhood had left you sometimes awkward and gangly, you’ve become a woman grown now with all the curves and delights that come with it. he’d been embarrassed at how hard it had been to pull his gaze from you on the trip to the keep, but you’d not seemed to notice. too occupied with filling the air between you with light chatter, you’d been oblivious to the way his eyes had dragged over your form again and again.

you just — you’re so unlike anyone else he knows. he’d let himself forget how lovely you were, but there was no way to ignore it now. riding the high of your flight and genuinely happy to see him, you’d been like something out of a dream. your face had been as open to him as ever, plainly delighted to see him, and seeing you had eased some ache he’d become so used to he’d not even know it was there until he felt the lack of it.

he’s not some foolish child. he knows better than to think of things like love when his head must lie with his duty. but the thought remains regardless, lingering in the back of his mind that you would be as easy to love now as you had been when you were younger. it had been a childish love then, of course; innocent and sweet in the ways only children could be. but it had been there, unspoken and unacted upon, but no less real for it.

you’re not children anymore. it would be impossible to think otherwise with the way your riding gear had clung flatteringly to your chest and hips. your mouth looked so pretty stretched into a smile, a smile for him, and he thinks it’s a testament to his restraint that he’d not kissed you on the spot when you’d pouted so prettily up at him. he’d thought for a fleeting moment that perhaps you were going to kiss him with the way your eyes had darkened, how you’d gravitated into his space as if without intention.

heat pools in his stomach as he thinks about how the neckline of your riding dress had cut low enough to allow him a peak at your chest, heaving as you struggled to catch your breath. he wonders what your mouth would taste like, what noises you would make if he’d slid his tongue against your own. gods, he feels like a green boy seeing a woman for the first time — almost undone at just the thought of you. he won’t be able to get through the welcome feast like this, he thinks, so on edge with his lust for you burning him from the inside out.

it’s not even a conscious choice to curl his fingers around his cock, half-hard already as he thinks of you. jace’s head tips back against the rim of the bath, eyes drifting closed as a quiet gasp escapes him. the warm water eases his way as he strokes himself, and he lets himself imagine it’s your slick, instead.

he pictures you before him, pretends it’s your hand teasing at the skin at the head of his cock. your hands are so small, so dainty, he thinks you probably wouldn’t be able to wrap them all the way around him. he imagines they’re a little calloused — soft, mostly, but with the fingertips just rough enough from years spent riding and caring for your dragon. they’d drag so deliciously against his skin, and you’d take to the task with the same voracious enthusiasm you do with everything else. you’d watch him closely, pick up on the cues of his pleasure, and he’d unravel for you so quickly it’d be embarrassing if it was anyone else.

“fuck,” he hisses out, thumb dragging over the liquid leaking copiously from his tip. his head tips back even further, water dripping from his curls onto the stone floor as he chases his release. his imagining splinters into disconnected fantasies; you, on your knees with your mouth stretched around him, lashes damp with reflexive tears as your eyes fix on his. you, sprawled beneath him and writhing as he feasts on your cunt like a man starved. you, babbling in high valyrian as he sinks into the tight wet heat of you. you, clenching and shuddering around his cock as you come for him, blazing and beautiful. you, you, you.

his release hits him hard, a low groan tearing from his throat as his hips thrust up into his hand as he drags out those last few moments of pleasure. his panting breaths sound loud in the silence of his chambers, and jace is suddenly acutely aware of the fact that he is alone. there is, of course, no trace of you.

he knows in that moment he has to have you. he cannot tolerate the thought of anyone else — not for himself, and certainly not for you. he wants you as his wife, his queen, the mother of his children. jace doesn’t care how he must do it — as long as you’re as willing as he is, he is going to make you his.

the feast has started by the time jace arrives.

his indulgence had cost him time, and then he’d spent longer than usual readying himself while trying to ignore the fact he was doing so only to impress you. by the time he makes it to the hall his family are already seated and the minstrels are playing a jaunty tune. his eyes seek you instantly, and he resists the urge to frown in disappointment as he sees you sat between helaena and aemond. he’d hoped to sit beside you and use this time to see if there was any hint of you returning his feelings. no matter — there would be time enough later. if he has his way, there’ll be all the time in the world.

you look beautiful, he notes. you’re dressed in your usual deep green, the gown cut flatteringly for your shape. your face is animated and happy as you chat to aemond, and though he finds the idea of anyone enjoying that grumpy prick’s presence bizarre, he enjoys the sight of you so at ease.

as he approaches the head table and the empty seat between his mother and luke, your eyes linger on him. he’s gratified by the way you light up when you spot him, offering him a warm smile in welcome for all that you’re quickly entangled into a conversation with your sister. it eases some of the sting at finding you unavailable, and he’s helpless but to smile back at you even when your gaze slides back to helaena.

luke eyes him strangely as he settles into his seat but says nothing as jace reaches for a goblet of wine. his mother greets him absently, entangled as she is in conversation with the king, and he takes the moment to glance out at the hall.

it’s a relatively small feast. large enough to not cause offence to the heir to the throne, but not so grand as to detract from the festivities planned for the next fortnight. he recognises a few faces in the crowd, people from different houses from across the kingdoms. the king’s birthday celebrations are no small affair, and he spots representatives from all the great houses as well as some of the more minor ones.

it makes him want to slump in his seat, for all that he keeps his posture straight. he knows the next few weeks will be full of politicking and double speak, and it grates. as the heir to the heir, jace knows it’s partially his responsibility to ensure their alliances still stand while seeking out any news one that might present themselves. he has no doubt that some of the lords in this crowd will have brought their daughters, planning to parade them in front of him and his brothers in hopes they might pick one as their betrothed.

his lack of betrothal has been a point of contention for many of the court, he knows. most had assumed he would be betrothed to his stepsister baela, and he’d thought the same for years. it was only when his mother had confided that baela had no interest in being queen and, in fact, was so strongly opposed to the idea that she swore to fly to essos and never be seen again if they tried marrying her to him that he realised just why such a betrothal had never been announced.

it had left him free, in a way, to pursue his own desires; without a betrothal attached to him he’d shed any guilt about seeking company at the pleasure houses. but, in turn, it had left him open to the machinations of the other houses who all sought to have their blood on the iron throne. it’s incredibly tedious, but he knows he must grin and bear it for the sake of his mother and his house.

the food arrives then, and he busies himself with the meal and talking to his siblings. his grandsire makes a speech welcoming his daughter and her family home, and jace notes the sour faces of alicent’s sons. they keep their tongues, at least, which shows a maturity from them he truthfully hadn’t expected. perhaps they’ve grown just as you have, he thinks, but dismisses the thought when aemond catches his eye and only sneers in response to jace’s tentative smile.

he's often wondered at the conflict between the two sides of the family. the animosity now he can pinpoint, of course; aemond losing his eye. but there had been years before that of tense, standoffish behaviour interspersed with camaraderie when everyone seemed to forget they weren’t meant to be friends. he remembers playing pranks with aegon while luke trailed after them, and he remembers sitting with helaena while she perused the dirt for bugs.

he remembers you, most of all. kind and fearless and smart, you’d enamoured him from the moment he was old enough to recognise girls were different to boys in interesting ways. even before then you’d been fast friends, something in your similarly mischievous behaviour drawing you into each other’s orbit. he’s always been drawn to you, he thinks, to the uncomplicated joy you took in your life. there was so much to be miserable about, so much duty on all your shoulders, but you always found something to smile over. your unfailing optimism would no doubt be irritating to some, but to him it has always been one of his favourite things about you.

his gaze, predictably, shifts to you. he startles to find you looking at him already. you flush immediately as your eyes lock, presumably embarrassed at being caught, and he enjoys the colour it brings to your cheeks. you don’t drop his stare, though, not until helaena says something to draw your attention back to her once again. he catches sight of a private little quirk of your lips as your head turns, and something like satisfaction settles in his chest as he hides his own smile in his goblet.

perhaps this feast won’t be as tedious as he’d feared.

“are you enjoying the festivities, princess?”

jace’s voice pulls you from where you’ve been staring into your wine as if it holds all the secrets of the world. you’ve lost count of how many goblets you’ve had, chattering away with your siblings before aegon had started to become cruel in his inebriation and you’d all opted to split apart through the hall. you glance up to find the velaryon prince standing before you, hands perched loosely on the hilt of his sword. he looks unfairly handsome, you think, with his tumble of curls and well-fitted doublet, and something about the slight smirk on his face makes you think he knows it.

“i am enjoying them well enough,” you allow, flicking your gaze from his to look out at the dance floor. aemond is dancing with helaena, aegon far too deep into his cups to bother thinking of his wife. your mother is as tense as she has been since you’d found her earlier; her stepdaughter’s arrival to court has set her incredibly on edge, and the lecture she’d given you earlier had certainly been one of her worst. and your father is oblivious to it all, simply too pleased at the presence of his favoured daughter to care about the way the rest of his family are fracturing apart.

he's not been a good father to you, the king. he’s called you and helaena rhaenyra more than once over the years, and even when his eyes are you on you, you never feel like it’s you he sees. your mother had tried to soothe the ache of his absence, of his blatant favour for a woman who was not here, but as the years stretched on even she had seemed to fade further and further away from you all. for so long it’s just been the four of you, clinging to each other and tearing each other apart in equal measure. you’ve oft thought that daeron is the luckiest of you, able to thrive at the hightower and away from the mess of your family.

you pause at the maudlin turn of your thoughts, peering contemplatively into your wine again before offering jace a slightly sheepish smile. “i… fear i may have indulged in too much wine,” you admit, startling a laugh from the darkhaired prince.

it’s aegon’s fault, you decide; before he’d gotten belligerently drunk he’d been so cheerful, seemingly pleased to have the pressure of being the eldest targaryen child in court off of his shoulders. in his cheer he had plied you with wine, laughing and japing with an arm over your shoulder as you reminisced on simpler times of your childhood. happy to see him so, you’d not resisted, but now you find yourself regretting those choices as your thoughts tumble sluggishly through your mind.

jace shakes his head fondly at you, reaching out to carefully steal your goblet away. his fingers brush against yours as he does so, the barest of touches and yet enough to set your heart racing as you blink slowly up at him. he sips from your wine deliberately, amber eyes darkening as he holds your stare, and your lips part with an unsteady breath. something about him drinking your wine from your cup has your stomach fluttering pleasantly.

gods, i want him.

the thought is enough to startle you, heat suffusing your cheeks as you avert your gaze. jace doesn’t, though, and you can feel the weight of his stare on you like a tangible thing. it makes your skin prickle with warmth, and you lurch a touch unsteadily to your feet before you can say anything silly like ‘kiss me, please’.

“i think i should retire to my chambers before i make a drunken fool of myself,” you announce, fingers smoothing over the green velvet of your dress.

“i’ll escort you,” jace returns, tone leaving no room for argument.

he sets aside the wine and offers you his arm, quirking an eyebrow as if in challenge. you hesitate for barely a second, taking a steadying breath, before looping your arm through his and allowing him to lead you through the crowd towards the open doors. the woodsy smell of him you’d noticed before is clearer, now, and you take another deep breath of the scent. it calms your nerves and yet inflames your desire, and your fingers tighten infinitesimally against his bicep.

you stop at the doors of the feasting chamber for long enough to let ser erryk know that you’re retiring for the evening, leaving it to him to pass the message on to your mother, and then you and jace are alone in the halls of the keep.

of course, you’re not truly alone. guards litter the corridors and even at this late hour servants bustle along, busy with their chores. but in the quiet of the keep as jace leads you to your rooms, you can almost imagine yourself alone with him. the thought threatens to overwhelm you, mad fantasies of him tugging you into a dark alcove to devour you flashing through your mind, and you scold yourself internally.

you’re really very cross with aegon. he and his wine have left you in this state, too far into your cups to keep control of your dangerous wonderings. if only he had not kept calling for more of that gods-be-damned arbor gold, you’d have been able to keep your wits about you. you’d wanted to dance at the feast, too, mayhaps even with jacaerys but at the very least with your brothers. instead, you’re being led back to your rooms like a child who’s had their first taste of wine with dinner and let it go to their head.

jace’s presence helps your intoxication little. seeing him again, touching him, smelling him — it’s all too much when all your defences are down like this. you feel like a girl again, staring breathlessly after him and so full of certainty that you love him, and it’s just— ridiculous. you’ve spent mere hours in his presence and you’re like some lovelorn idiot with no thought in your mind beyond being as close to him as is possible. it’s foolish, reckless, absurd. but it’s there, regardless, unfurling in your chest with a lovely kind of agony.

you keep quiet on the walk, too afraid that if you open your mouth you’ll beg him to have his way with you or, worse, confess your re-blooming infatuation for him, and jace seems content enough to walk in silence for a while. eventually, though, he speaks.

“i don’t think i’ve ever seen you drunk before,” he observes, tone light.

you glance at him sidelong, pursing your lips at the teasing smirk curling on his mouth. “it’s aegon’s doing,” you tell him solemnly. “my brother is something of an expert on the subject of wines, and his tolerance is… much higher than mine own.”

jace snorts. “aye, i had noticed.”

you lapse into silence, again, only now you find yourself stealing glances at him. he really is very pretty, you think, though in quite a masculine way. something about the sharp line of his jaw and the curl of his eyelashes keeps drawing your attention, and you suspect you are not being subtle with your admiration in your inebriated state. as you walk by an open window moonlight floods into the hall, sending jace’s profile into sharp relief, and your eyes catch on the smattering of freckles on his smooth skin. something about the pattern makes you think of the stars, and you realise too late that your quick glances have turned to a lingering stare.

“is there something on my face, princess?”

jace’s mockingly innocent words draw your eyes to his. he’s smirking down at you, eyes dancing with amusement, and your cheeks flush. gods, you don’t think you’ve blushed so much in moons compared to the mere hours you’ve spent in his company. the things this man is doing to you — it is unconscionable. you don’t know how much more of this you can take before your resolve breaks.

“i apologise, my prince,” your respond after a beat, teeth biting at your lip. “i did not mean to… i was leagues away.”

his eyes darken, mischief fleeing them in favour of flickers of something else as they linger on your mouth, and that damnable heat in your stomach blazes. you want desperately to surge forward and kiss him, or for him to take you in his hands and kiss you. you just want, and ache, and burn. and it’s too much, far too much for your wine-addled brain to process, but you know if anyone was to happen upon you in this corridor, starting at him with your mouth parted and your breaths shuddering through your lungs, there will be consequences.

“we should— we are almost at my chambers.” your words are stumbling, loud in the sudden quiet that had descended over the pair of you, and jace startles a little, eyes darting away from yours as your stomach plummets. gods, what are you doing? staring at him in such a way? he must think you a simple-minded fool, gaping at him for the sake of a few freckles. you step away from him, rubbing your arm as you turn your eyes to stare intently at your feet instead. “i can make it the rest of the way from here. you should return to the feast.”

jace is quiet for a long moment and you peek up at him to see him watching you with an indecipherable expression for a charged breath before nodding slowly and taking a step away.

“as you wish,” he murmurs, ducking his head in a simple bow. “sweet dreams, princess.”

you stutter out your own farewell, half-convinced you’ll be dreaming of nothing but his hands and his mouth this night, before turning and all but fleeing down the hall.

oh, yes. jacaerys is certainly going to be the death of you.

jace spends the next few days at court so entangled in his responsibilities he feels he barely sets eyes upon you.

he and his mother are roped into starting the celebrations in the absence of the king himself. his grandsire’s health is failing, of that there is no doubt, and after enjoying himself a touch too heartily at the welcome feast he requires a few days to recover. he thinks perhaps that’s why these festivities are so important; it’s unlikely the king will make it to his five and fiftieth name day, and almost certainly not his sixtieth. it leaves him with… complicated feelings.

when his grandsire dies, he will no longer be the heir to the heir, but the heir to the iron throne itself. it’s a daunting thought; for all that his mother has seen him well prepared to sit his throne one day, it feels such an impossible task. he doesn’t understand how he’s ever supposed to be ready for such a thing.

the thought rises, unbidden, that it would be easier with you by his side. with your kind heart but sharp mind, you’d make a fine queen. he finds himself daydreaming of it still and scolding himself all the while for acting the green boy, and yet unable to stop. it’s as if his every thought leads back to you in some way or another — he sees a flower and wonders if you’d like the smell of it, or sees a dress and thinks of how much lovelier it would look on you. at night he indulges in more sensual wonderings, and he swears he’s not felt the urge to touch himself so much since he was a boy of five and ten just starting to discover the pleasures the touch of another can bring.

for all that you’d appeared to reject him the night of the welcome feast, he finds himself certain you desire him just as he does you. in fact, he fancies it’s that very desire that had led to you fleeing his company and avoiding him in the days after.

because you are avoiding him.

yes, he is busy with the festivities and you are perhaps equally so. but he does not think it’s busyness that drives you to seek conversation with absolutely anyone else when he looks for your company, and it is not busyness that has you clinging to aemond’s side so fiercely either. you know he won’t approach you when you’re with your brother, knowing how it hurts you to see them trade barbs and knowing himself well enough to know he will not be able to bite back his rancour if aemond says a word about his father.

jace is not an idiot. he knows what people say about him, the words they barely bother to whisper behind their hands about who his true sire is. he has complicated feelings about that, too, but it all boils down to one simple thing: he is his mother’s son. she is heir to the king, and he is her heir. for him, that’s all that can matter.

he knows it’s all that matters to you, too. for all that your brothers had spit bastard at him for as long as he can remember, you’ve never done so. you’ve never looked at him differently for the rumours of his birth, and it’s just one thing among many he treasures about you.

perhaps it’s foolish, to cling to these childhood feelings so tightly, but he cannot let the idea of the two of you together go. he knows luke has noticed how he stares after you in longing, since his brother has never been shy about teasing him relentlessly. he thinks his mother has noticed, too, from the few carefully inane comments she’s made about betrothals and duty.

he supposes an argument could be made for the fact that with the years without contact between you, he doesn’t really know you anymore, not as he once did, but he doesn’t feel it matters. he can learn anything new about you and will in fact do so joyfully, but the important things? the things that speak to who you are at your core? jace has always known those, has always felt connected to you in a way he never has with another, and he loves you now just as he did as a boy.

it would be easier in a way if he felt sure you didn’t reciprocate his feelings. at least then he could try and move on from them, put to bed his endless wonderings of you. but for as often as he turns his head to look at you, he finds you looking away from your own watching of him. the few, brief interactions he has with you over the next few days feel loaded, the desire and affection between you a palpable thing, and he’s tiring of pretending there’s nothing there anymore.

he’s tired of pretending he doesn’t miss you.

so, at the halfway point of the celebrations when there’s another, larger feast held with plenty of chances for dancing and sneaking away into dark corners, he makes it a point to keep an eye on you. the moment he spots you, finally alone, he beelines for you. your attention is on your necklace, readjusting the pendant that rests on your chest, and he cannot help but let his gaze linger on the swell of your breasts as he approaches. he’s found himself staring at your chest more often than is wholly appropriate over the last few days, but then he knows his own weaknesses when it comes to a woman’s form.

“p-prince jacaerys,” you greet weakly when you look up from your necklace, hands smoothing over the skirts of your dress. your eyes dart about the room as if seeking a rescue from someone, and he tries not to feel how such a response to his presence stings. “how are you enjoying the feast?”

“well enough,” he returns, echoing the words you’d spoke to him days ago. gods, has it only been days since that conversation? it feels like an age, and he has felt more distant from you in these passing moments than he is in your years apart.

“that is… good.” your fingers twist around each other, teeth catching on your bottom lip, and he has to swallow back the sudden rush of desire to be the one nipping at the pouting flesh.

“would you do me the honour of a dance, princess?”

his request startles you, eyes widening as your fingers drop back to your side in surprise. he thinks for a wild moment that you’ll say no, make some excuse to remove yourself from him, and he feels himself bracing for the rejection. but you hesitate, searching his face, and whatever you find there seems to soften something in you as you nod.

“of course.” you offer him your hand, an unsure smile on your face.

he takes it with relief, trying not to react at the sensation of your hand in his own. he was right in thinking your hands are smooth, but as he leads you to the dance floor and your fingers slide over his palm he feels the drag of callouses as he’d expected. it pulls him back into that heated imagining of before for a moment, and he has to shake his head slightly to keep himself from losing his wits.

you stay quiet as he guides you into position, dainty hand resting on his shoulder as he places his own at your hip. he leads you through the first few steps in quiet, too, taking the moment to enjoy having you in his arms, having you close. but he realises after a silent minute that you’re obviously not going to say anything, and even as he looks beseechingly at you appear to avoid meeting his eyes.

“you’ve been avoiding me,” he speaks lowly, watching you carefully as you stare purposefully at the bridge of his nose instead of his eyes.

your eyes flicker away and back and then away again, fingers tightening around his own as he leads you through the steps of the dance effortlessly. “aye,” you admit quietly. “i have been.”

“why?” he doesn’t mean to sound so desperate nor so accusing, but the quiet hurt that your absence has caused him surges forth before jace can stop it.

you finally meet his gaze, eyes helpless and wanting and aching, and his stomach twists at the sight of your conflicted expression.

“i— jace, i can’t.” your voice cracks with the weight of your emotion and without thinking he pulls you closer, arm wrapping tight around your waist to provide you some semblance of comfort. “i can’t. not here, please.”

wordlessly he alters the steps of the dance, drawing you with precision through the crowd of dancers until you come to one of the balconies. it’s blessedly empty of anyone else, and as soon as you realise it some tension seems to shake loose of you.

you step out of his grip slowly, almost reluctantly, and walk to the railing, palms splaying on the stone. he joins you after the barest hesitation, drinking you in as you stare out at the courtyard and beyond. he notices how tightly you grip the banister, colour leeching from you knuckles with the strength of your grip, and almost without thinking jace rests his hand beside your own, pinkie fingers brushing. the touch seems to release something in you and he hears how your breath shudders before you speak.

“i embarrassed myself on the night of the welcome feast,” you confess miserably. “i drank too much, and the way that i behaved— staring at you in that way— it was not becoming behaviour of a princess, nor of a, a friend. i did not wish to make you uncomfortable again, so i thought it best i keep my distance from you.”

he blinks in surprise. “uncomfortable?” the mere idea of such a thing is maddening. he recalls the sight of you before him, lips parted and oh so kissable as you’d stared at him with such intention it had set him ablaze. how in the name of the gods can you think he found such a thing uncomfortable? “princess, i can assure you, the only feeling i took from your admiration is delight.”

your head snaps around, eyes finally meeting his own again, and he shakes his head in bemusement at the sight of your desperate hope. “truly? you do not jest?”

he resists the urge to chuckle, knowing you’ll take any kind of laughter, no matter how well meaning, poorly. instead he reaches for you, grasps your hands in his own and tries not to bask in the way you lean into him as he steps recklessly into your space. he feels your trembling breaths puff against his jaw as he ducks his head to stare intently into your eyes, and if he were a weaker man jace thinks he’d be on his knees in prostration for you in that very moment.

“surely you must know how i feel for you?” he murmurs, tracking the way the flush in your cheeks travels down your neck and onto your chest with greedy eyes. “how desperately i adore you?”

“jacaerys—.” you huff, shaking your head in denial for all that with every breath you take you sway ever closer to him. “we hardly know each other anymore. i won’t deny there is, is a yearning between us, mayhaps, but you cannot claim to adore me when you know me not. it’s been years since—"

“—do you think time matters?” he talks over you, strong in his conviction that you and he share a bond that transcends time or distance or duty. “that any distance between us could change what i know in my bones? i loved you before i had a name for it. i loved you when we were children and, yes, i love you again now. mayhaps i don’t know your favourite sweet or if you prefer to watch the sun rise or set, but i know you. i know who you are, princess, for all that i might no longer know the rest of it. i know your good heart, your quick mind and i know that i love you.” he hesitates, drinks in the dawning, open wonder on your face, and then adds, “and i think you might love me just the same.”

you sigh out his name sweetly, fingers tangling with his own as he squeezes your hands tenderly. you tilt your chin towards him as your eyes flutter shut. his nose slides against your own as you turn just so to the side, and your mouth is so close. he could kiss you, right now, and he knows that you would not pull away. but he’s too aware of the noise of the feast, the crowd of people that at any moment could find you in a compromising position.

he wants you, gods does he want you, but he will not ruin your reputation, will not sully your virtue for the sake of a stolen kiss on a balcony when he desires no less than forever with you.

“i will not push you,” he murmurs against your lips, breathing the air right from your lungs as he presses his forehead to yours for just a moment. “if you do not want this — if you do not return my feelings — i won’t push you nor pursue you. i hold too great a respect for you for that.” he cradles your jaw, thumb dragging at the corner of your mouth, and he glories in the way you shudder at his touch. with an unsteady breath he separates himself from you, hands clenching into fists at his side in an effort not to immediately reach for you again.

“but if you decide you want me as i want you, that you love me as ardently as i you, then my chambers will be unguarded and unlocked for you.” he sketches a bow, heart thundering in his chest as you stare at him in wordless shock. “i hope to see you later tonight, my princess.”

you have no chance to respond before jace leaves you standing on the balcony.

he leaves you with your mind swirling, one thought after another coming so quickly you have no hope in processing them. you’re glad to be outside, at least, the cool breeze helping soothe the heat that blazes through your veins as you press your hand over your racing heart. you don’t know what to think, what to feel, what to do. all you can think about is jace, earnest and honest and in love with you.

he’s in love with you (!).

it’s too quick. too much time has passed with too little contact. in the years since he left court you’ve grown into new people, people who for all intents and purposes are strangers to each other. the lust is there, there’s no point in denying that with how your body warms at the smallest glance from him. and that old familiarity that blossomed as friendship as children and now into easy companionship as adults, that remains as it always has. and mayhaps you’ve thought to yourself, in the dark quiet of the night, that you’ll surely love him once more. that to know him any better at all is to love him again, because how can you know him and not love him?

but there’s been years and leagues between you for so long. time and distance have their ways of changing a heart, and he might say it doesn’t matter but it does. it does.

only it doesn’t, not at all, because giddiness is bubbling up in you so sudden that you cannot fight it, a helpless laugh escaping you as you press your hand over your mouth in unabashed amazement. your brave prince, plunging headfirst into the long-unspoken feelings between you. it incites you to act, drives you back into the hall where you catch aegon for long enough to tell him you’re retiring for the night before escaping into the quiet corridors.

you feel like your heart is going to burst in your chest, nerves and excitement and awe twisting together inside of you until you feel like you might vibrate out of your own skin. the walk to jace’s chambers is a haze, and in the morning you expect you’ll panic, wonder if anyone saw you walking so shamelessly towards the prince’s rooms. but now, in this moment, all you can think of is how fervently you want him, how guilelessly you love him.

the knock on his door — unguarded, as he had promised — echoes loudly in the silent corridor. you can hear your own heartbeat thundering in your ears as you wait for him to answer, and when he finally does he takes your breath away.

he’s shed his doublet and sword belt, standing in only his breeches and a billowing off-white tunic. the ties are loose on his neck and you’re entranced by the peek of tanned skin there, the freckles you can see disappearing beneath the shirt. he says your name, once, and your eyes snap back to him in time to see the relief and wonder coalesce into smouldering fire.

he curls his fingers around your wrist, thumb swiping over the delicate skin in a way that makes you shiver, and he uses the hold to wordlessly tug you into his chambers. you step into the space, eyes darting from the large bed to the roaring fire and back to the bed again as he locks the doors behind you.

you are finally, blissfully, alone.

you feel his presence behind you, heat and woodsmoke radiating from him as you turn to face him. something in your chest loosens at the blatant awe in his amber eyes, like liquid gold in the light of the flames, and before you can pause to think you’re speaking, your feelings escaping you in a flood.

“i shouldn’t be here,” you say shamelessly. “i know my being here is—. i shouldn’t be here. but i couldn’t not be, jace, not when you left without giving me a chance to tell you how i feel. because, gods, of course i feel for you. it’s unreasonable, insensible— there’s so much about each other we just don’t know anymore.” you shake your head, smiling at him wide and helpless and hopelessly, hopelessly in love with him. “but despite all the rationality in the world, all the good sense — despite knowing the trouble this is sure to bring us — i am completely and utterly in love with you, jacaerys velaryon.”

he kisses you, then, surges into your space and cups your cheeks and slots his mouth so sweetly against yours. you gasp into his lips as he kisses you deliberate, slow and tender in a way that makes your chest ache. your arms loop around his neck, pulling him as close as you can as his own arms wrap around your waist. your noses bump and your teeth clash in your eagerness and it’s still glorious, it’s the best kiss you’ve ever experienced because it’s him.

it’s always been him.

you part after a few minutes, remaining close together as he runs his hand through your hair before cradling your face once more. “tell me again,” he whispers against your mouth, breathing your breath.

“i love you,” you say, smiling so wide it makes your cheeks ache. “i love you, i love you, i lo—”

he kisses you again, a quick press of his mouth against your this time, and then he’s laughing softly as his golden eyes shine down at you. “i have loved you forever,” he tells you, indulgent and affectionate as his thumb traces over your cheek. “i will love you forever, my princess.”

he draws you closer still, holds you tightly against him but far enough that he can drink you in, and for long moments you simply bask in the presence of each other, of this slow unfurling of happiness in your heart. this close to him, you can once again see the freckles dotted across his face. without even thinking of it your hand rises, and with butterfly-gentle fingers you trace a path over the constellations mapped on sun-kissed skin. jace sighs softly with your touch, dark lashes fluttering closed as his lips part.

“iksā sīr gevie [you are so beautiful],” you murmur, slipping into high valyrian in the quiet of his chambers.

he exhales shakily, breath hitching in his chest as your fingers brush gently over his eyelids, the slope of his nose, the furrow of his brow. you want to remember him like this forever – bathed in the soft firelight, trembling beneath your tender touch, wholly and entirely yours.

“ñuha dārilaros [my princess],” he breathes, and hearing him speak possessively of you in your mother tongue ignites something within you so suddenly you cannot fight it.

arousal roars to life, deep in your belly, and you are helpless but to do anything but lean forward and press your lips to his once more. jace meets you just as greedily, hands gripping tightly to the flesh of your hips as he hauls you closer until your chests press together. your hand moves from his face to fist in his hair, tugging at his curls until he whines against your lips. he kisses you deep and open mouthed and filthy, tongue sliding against yours so deliciously that you can feel heat pulse between your legs.

one of his hands comes up to tangle in your hair, pulling until your head is tilted back. he trails hot, wet kisses along your neck and you hiss at the sensation, pressing his head closer to your skin. you feel him smirk against you before he mouths at your pulse point, teeth nipping just enough to send a thrill of pain and pleasure through you.

“jace,” you moan, grinding against him shamelessly as he sucks a bruise into the sensitive skin of your throat. you want him so fiercely it makes you reckless, makes you insatiable as the hand not buried in his curls drags down his back to grip at his ass. he groans against you, your name spilling from his lips so deep and husky that you want to do whatever you can to make him say it like that again and again and again.

“this is— we shouldn’t,” he says into your skin. he pushes at the shoulder of your dress to expose more of your bare skin to his greedy eyes, lips trailing the path his fingers have taken. “we should wait until we—. if anyone knew of this—”

“—no one will know,” you assure him, fingers flexing into the taut skin of his ass to drive him closer to you.

“i don’t want to, to besmirch your honour.” even as he speaks he’s dragging his tongue against your collarbone, chasing a bead of sweat down to the swell of your chest.

“fuck my honour,” you burst out, and your language has him moaning. you hitch your leg around his waist and his hand drops instantly to grip you at the knee, pulling you just so until the hard length of him is grinding deliciously against your core. you can’t think, can’t breathe, for wanting him. his touch and his scent and his taste consumes you, inflames you, and you care for nothing but the feel of him against you.

he pulls away from your chest, mouth swollen and pupils blown as he pants hotly. he presses his forehead to yours, squeezing your hip to still you as you shamelessly try to rub yourself against him. “this will bring ruin to you if it gets out, do you understand? it would break me to be the cause of such a thing.”

his desperation makes you hesitate, something about the fierce tone breaking into the haze of lust that consumes you. you take a moment to look at him, and you know with certainty that if you ask him to stop right this second he will.

but you don’t want him to stop. you’ve never wanted anything less.

“jace.” you cup his cheek, thumb dragging over his bottom lip as you force him to keep your gaze. “i know the risks of this as well as anyone.” you lean in closer, your nose sliding against his before you tilt your head to pepper soft, deliberate kisses along his jaw, the corner of his mouth. “i love you.” he sighs softly in pleasure before turning his head to capture your mouth again, and this kiss is a softer, slower thing.

when you break apart, you stare deeply into his eyes, making sure he can see the truth of your words. the heat in his amber eyes threatens to splinter you to pieces as you swallow thickly, almost overwhelmed once more with your desire for him.

“i am yours, jacaerys velaryon,” you say steadily. “no matter what happens from here— i belong to you.”

it’s like a dam breaks in him. his hands are suddenly everywhere as his mouth devours yours relentlessly, leaving you gasping and arching into his touch. he backs you towards his bed as his hands fist in your skirts, bunching the material up to your hips. he breaks from your mouth long enough to tug your dress over your head, leaving you in your thin small clothes, and despite the sweltering heat of the room your nipples harden beneath the sheer material.

“look at you, pretty thing,” he says reverentially, the weight of his heated gaze tangible as he stares at your heaving chest. “is this all for me?”

“yes,” you hiss, head tilting back as he trails kisses down the column of your throat. “all for you, jace. only ever for you.”

he groans at your words, deft fingers making quick work of the complicated stays of the brassiere, and when the material falls from you he stares for a long moment as if transfixed by the sight of your bare breasts. it makes you smug, knowing that those times you’ve caught his eyes lingering on your chest haven’t just been in your imagination.

“you are perfect,” he murmurs worshipfully, large hand cupping the side of your breast tenderly. “such a perfect girl for me.”

his thumb sweeps over your nipple, featherlight at first before returning more firmly when you sigh and lean into his touch. his other hand grips your hip once more, pulling you close to him as he lavishes more attention on your neck. he nips and kisses his way down your throat, your shoulder, the swell of your breast until he’s hunched slightly in front of you, sucking bruises into the tender skin of your chest.

“jacaerys, please.” you know not what you’re pleading for, only that you need something, and it’s as if he can read your mind as his mouth closes over your nipple. his hand, now free, gropes at your other breast as his tongue swirls tight circles around your nipple and your head tips back with a moan. it’s somehow enough and yet not, your hips bucking aimlessly as heat and slick pools between your legs, and you crave.

“more, please,” you beg shamelessly.

jace drops to the floor in response and the sight of him on his knees for you has your head spinning. he presses open mouthed kisses to the soft skin of your abdomen, bites gently at your hip as his hands slide steadily up your legs. you tremble beneath his careful ministrations, and he murmurs wordless assurances into your sweat-slick skin.

he hooks his fingers into the waistband of your smalls, dragging them agonisingly slowly down your legs until you can step out of them. standing completely bare before him you expect to find yourself shy, but the way jace looks at you rapturously has liquid heat licking through your veins instead.

he leaves lingering kisses on your thigh and down your leg, and when his mouth brushes over the tender skin at the back of your knee you feel them buckle. he huffs a gentle laugh against you, warm hands cradling your waist as he urges you to sit back on the bed. you do so unsteadily, planting your hands against the soft feather mattress and watching him with intent ardour.

he nudges your legs apart and settles between them, his shoulders spreading you wide around him and you release a soft breath as his thumbs rub soothing circles into your thighs. “let me take care of you, my princess,” he pleads, eyes wide and soft and beseeching as he gazes up at you. you nod hesitantly, not wholly sure what he intends, but then his eyes finally drop to your core and darken so quickly it makes your mouth dry.

“gods, look at you.” he drags a finger through your folds and your head cants back, a whine escaping you at the touch. “you’re so wet for me, love. so gorgeous.” he brings his finger to his mouth, licking it clean of your slick and it has your mouth dropping open because he’s obscene, you think. he’s glorious.

“you taste so good,” he says, his voice so rough with arousal it makes you shiver. “wanna taste more of you.”

with no more warning that that, he licks a deliberate strip along your slit before circling his tongue over your clit. your hand shoots to his hair, tangling in the dark curls as he feasts on you. his name falls from your lips over and over again like a prayer as he laps at your core, tongue pressing deliciously inside you. you grind wantonly against his mouth, panting as he laves at your cunt.

your pleasure climbs sharply, rising so high you’re helpless to resist the way your stomach tightens. as if sensing your approaching high jace shifts his focus to your pulsing clit, flicking his tongue rapidly over the bundle of nerves.

“jace, gods, feels so good,” you gasp out, fingers tightening in his curls to press his head impossibly closer. “please don’t stop, ‘m so close—”

he sucks harshly on your pearl, ever so carefully dragging his teeth over the sensitive flesh, and you fall to pieces as that tightly wound ball in your stomach snaps. he coaxes you through the trembling release, gentling his attention on you to drag out your pleasure until you’re squirming away from him in sensitivity. when he pulls away from your core his face is shining with your slick and the sight makes you feel feral. you bend to reach him and he presses up to meet you, kissing you hot and messy as you drink the taste of yourself from his mouth.

“you did so well for me, my princess,” he pants into your mouth as he crowds you onto the bed and the praise blooms hot in your chest. “need you to be good for me a little longer, okay? need to prepare you.”

you whimper, capturing his mouth in another sloppy kiss and nipping thoughtlessly at his lips as he settles between your legs. you can feel the heavy length of him against your hip, kept from you by his breeches, and you’re suddenly insensible with desire to see more of his skin. you tug wordlessly at the hem of his tunic, pulling it free from his trousers, and with a huff of fond amusement he separates from you to pull it over his head and toss it aside.

you drink in the exposed planes of his chest, leaning up to drag your tongue from freckle to freckle along his collarbone, and jace groans out your name in response. you follow the map of constellations down his chest, pressing kisses and gentle bites to the skin until you come to one of his nipples. hesitantly you flick your tongue out, curl it around the puckered skin just as jace had done to you earlier.

“fuck,” he hisses, fingers clenching in the sheets as his arms tremble with the strain of keeping himself steady above you.

emboldened by his response you lavish the pebbled bud with attention, switching to the other when the fancy takes you, until jace is shuddering with desire and pushing your shoulders back into the bed. he swallows your protests with a flurry of kisses as his fingers trail down your chest, your abdomen until he reaches the heat between your legs. he presses a finger against you again and you arch into the touch, tossing your head back into the pillows.

“i want you so badly,” he confesses in a whisper as he sucks another bruise into your neck.

“yes,” you respond senselessly, hips bucking up to meet the slow stroke of his finger. “want you, jace, please.”

“i need to prepare you first, love,” he tells you again and you whine in displeasure. “i don’t wish to hurt you, so i need to get you ready for me.”

you’ve heard that it can hurt, what happens in bed between a man and a woman. you can’t comprehend the idea with how good you feel right now, how good he’s made you feel already, but you nod in acquiescence at jace’s stubborn expression and he beams down at you.

“that’s my good girl,” he utters affectionately, pressing a tender kiss to your forehead.

the finger that’s been sliding leisurely against you shifts, pressing inside with a familiar stretch. you’ve touched yourself before, explored what pleasure you can draw from your own body in the late of the night. you don’t know if it’s different because it’s the angle or just because it’s jace, but the feeling of his finger pumping into you is so much better than anything you’ve managed with your own clumsy digits and you moan with the pleasure of it.

“you’re so tight,” he says in amazement, burning gold eyes staring down at you worshipfully. “can’t wait to be inside you, my princess.”

you moan at his filthy words, hips bucking into his touch as he presses a second finger into you. this one pinches more, makes it almost uncomfortable until jace starts to rub slow circles over your clit with his thumb. any discomfort melts into liquid pleasure as he mouths at your neck once more, fingers crooking inside of you just so until stars burst behind your eyes.

“fuck, jacaerys—”

he shushes you softly even as his eyes gleam with smug pride. he picks up the pace, now, fucking you with his fingers as your pleasure starts to climb once more. just when you start to feel like you can’t take it anymore he slides a third finger in, the stetch burning deliciously this time, and you come apart on his fingers with a strangled moan of his name. he doesn’t relent this time, though, even when you writhe helplessly beneath him; he just chases another release for you without giving you a chance to recover, and the thrill rises so quickly it almost makes it a little hard to breathe.

“just one more,” he soothes as you whine, pressing delicate kisses to the corner of your mouth as he drives his fingers into you relentlessly. “you’re doing so well. just one more for me.”

your third climax hits you so hard your back bows up from the bed, mouth parting in a silent cry of pleasure as jace coaxes you through it before pulling his fingers from you. you ache at the loss, mewling your displeasure as your cunt clenches around nothing. he breathes a laugh at your impatience, kissing you so sweetly in such contrast to the delicious heat between you that it almost makes you weep.

with shaking hands you reach for the ties of his breaches, fumbling with the laces while he kisses you languidly. you make a triumphant little noise when you finally untie them and he smiles at you, adoring and soft and yet somehow feverishly aroused as you push the leather trousers down his hips. he helps you the rest of the way, kicking them off before returning to hover over you.

your hands brush his abdomen as you reach for him, fingers curling gently around the hard line of his cock, and he realises a shuddering breath in response. he watches you intently as you stare at his arousal, fascinated by the way your fingers barely close around the thick girth of him. he’s going to fill you so well, you realise, and you bite your lip as your core clenches again. the tip of him is leaking fluid, and you drag your hand up his cock to swipe your thumb over the head.

jace moans at the movement, so you do it again and again, watching in inflamed curiosity at the way his stomach contracts as he thrusts into your hand, the wet noise of it making you flush down to your toes as desire sparks in your core. his hand covers your own abruptly, stopping your exploration, and you pout up at him as he fixes you with a blazing stare.

“if you keep doing that, i’m not going to last,” he says, voice shaking with the weight of his desire.

“fine.”

you huff, pretending at annoyance even as you eagerly lie back and spread your legs for him. you fix him with an expectant look, raising an eyebrow, and he chuckles fondly as he settles himself between your legs once more. you’re not expecting the velvet heat of him dragging against you and you gasp at the sensation, grinding against him as he thrusts shallowly against you.

“are you ready for me, love?” he checks, cradling your face in his hands as his thumb rubs over your jaw.

you turn to press a kiss against his palm, near overwhelmed with your love and affection for this man. “yes,” you say simply, and it’s all the permission he needs as he ducks down to kiss you unhurriedly.

his head catches at your opening on the next thrust, and with the slightest shift of your hips he’s pressing inside of you. the stretch of him burns, pinches, but just as he did with his fingers, he worms his hand between your bodies to drag circles over your clit. you do your best to relax, keeping your eyes fixed on his golden stare as he slides into you, agonisingly slow.

the whole while he keeps up a litany of praise, calling you good and precious and perfect as sweat beads along his forehead. when he’s finally fully sheathed inside you he stills his movements, kisses you hard and wanting as he thumbs at your pearl, and when you’re ready you tilt your hips. the stretch of him burns, still, but in a way that sets your skin alight as you cling to his shoulders.

he moans your name like a prayer, drawing away from you until the tip of his cock catches at your entrance once more, and this time when he sinks back in your eyes roll back into your head. he feels so good, stretching and filling you so completely that you’ve no room to think, to breathe, to do anything but take it as he thrusts into you. he buries his head in your neck, resting on his forearms as he plunges into you again and again and again, and between your own choked breaths and the sounds of skin against skin, you hear him muttering in high valyrian.

“sīr sȳz syt nyke, sīr ȳrda, sīr lōz. vēttan syt nyke. ñuha dārilaros, mirre ñuhon [so good for me, so tight, so wet. made for me. my princess, all mine].”

it drives you wild, his voice and his words and hearing him speak in valyrian combined with the exquisite torture of the slow drag of his cock inside you. it’s too much, not enough, and leaves you with nothing but the need to feel as much of him as you possibly can. your hands drag up and down his back, fingernails leaving raised red lines in their wake as you seek to be as close to him as you can bear.

“more, jace, gods, please, i need—”

he cuts you off with a hard thrust, your breath punching out of your lungs as he starts to drive into you harder and faster. it’s so good, so fucking good, but still not quite enough and you whine, seeking something you’re not sure you know how to verbalise.

“whatever you need, love. i’ll give you whatever you need.”

understanding your need even when you don’t, jacaerys rears up, grips your legs and presses your knees to your chest before bearing down on you. like this he reaches so deep it hurts in the most unbearably, searingly pleasurable way. and it’s perfect, exactly what you needed, feeling him so far inside you that it soothes you and ignites you and makes you ache all at once.

“y’feel so good,” you manage to slur out, head lolling as you lose yourself to the feel of him taking you apart so expertly. “so— fuck— so deep. so good, jace, so good.”

jace groans your name, pounding into you so hard and so deep that it’s unconscionable, has your eyes rolling back into your head as your hips buck up to meet him recklessly. your peak approaches again, searing heat blazing through you as you inch closer to another climax, and all you can do is whine and moan as he fills you over and over again. he starts to lose the thread of his rhythm as you clench around him, valyrian and common tongue mixing senselessly as praise spills from his lips.

“avy jorrāelan [i love you] my perfect girl, gūrogon nyke sīr sȳrī [take me so well], can’t get enough of you, hells, i love you, ao sagon ñuhon [you’re mine], my love, my princess, my queen, ñuha ābrazȳrys [my wife].”

you come so hard you see stars, walls pulsing around jace’s cock as he curses. he thrusts sloppily into you, chasing his own release and dragging out your own as you keen, nails digging into the skin of his shoulders. he finds completion with a drawn out noise, seed spilling hot and thick inside of you as he lazily pumps his hips two, three more times before collapsing on top of you.

you press absent kisses to his temple, brushing back the sweat-soaked curls from where they’ve matted on his forehead as he shudders against you. you feel lethargic, body aching in the sweetest of ways as you fight to catch your breath. eventually the heavy weight of jace on top of you becomes uncomfortable and you squirm beneath him in protest. with a sigh he slides himself free of you, rolling over onto his back and wrapping an arm around you to pull you with him so that you sprawl over his chest.

you bury your smile into his neck, satisfaction settling bone-deep as his hand runs up and down your back idly. for long moments the two of simply lie together in the quiet, the only sound the rustling of the sheets and the crackle of the dying fire.

“i’ll speak to my mother and the king on the morrow,” he says into the quiet and you raise your head to look at him. he looks serious, amber eyes contemplative as he peers down at you. “i’ll not let another night pass without you as my betrothed.” he smiles at you then, a little crooked as his eyes crinkle, and without thought you reach up to press a lingering kiss to his mouth.

“i love you,” you say, eyes shining with mischief. “ñuha valzȳrys [my husband].”

jace swallows your laugh with another kiss, doing a poor job of hiding his own amusement as his smile presses to yours, and as the candles burn down you let all of your worries and doubts fade.

you love him. he loves you.

there’s nothing else that matters.

#jacaerys velaryon x reader #jacaerys velaryon smut #jacaerys velaryon imagine #jacaerys velaryon fanfic #jacaerys x reader #jacaerys smut #hotd #hotd fanfic #house of the dragon #house of the dragon fanfic #jacaerys targaryen #jace velaryon #jacaerys velaryon #jacaerys targaryen smut #jacaerys targaryen x reader #jacaerys targaryen imagine #jacaerys targaryen fanfic #my writing

3K notes · View notes

xinganhao · 2 months ago

Text

♍️ svt reacts to your interest in astrology.

@flipflopscrop -> "what do you think of ot13 reacting to readers’ interest in astrology?"

✩ astrology and horoscopes, mostly crack/humor, cussing and good-natured bickering. short headcanons under the cut.

♍️ headcanons .ᐟ

— lives for it ✩ seungcheol, soonyoung, seokmin, chan.

to absolutely no one's surprise, seokmin is the most likely to revel in astrology. he likes the little daily horoscopes and reminders that he feels are 'curated' to him. you may have to warn him every so often that these are mere suggestions, and not in fact something that should be taken to heart. on the flipside, chan's interest in astrology may come as a bit of a surprise! really, though, he seems to just enjoy the memes attached to his sign. expect to be on the receiving end of a lot of aquarius-related jokes or jabs. seungcheol is 100% the type to say "it's because i'm a leo" without really understanding what being a leo entails. he feels like it excuses a lot of his behavior, so he'll probably lean into it for the hell of it. soonyoung is similar, though he takes it more to the extremes. he might wreak havoc and then proceed to justify it by reasoning that he's a gemini.

— begrudging acceptance ✩ jeonghan, mingyu, seungkwan.

the vibes in this line is very "what the hell, sure." mingyu is admittedly bordering on 'lives for it' and 'general confusion', which just means there are times where he might deign to act on his horoscope of the day. as it is, though, he doesn't really understand what being an aries means in the grand scheme of things. jeonghan openly judges you for this, but he also knows there's no stopping you. he'll listen to his horoscope with mild interest; he's not about to do anything with it, and he may even make some snide comments here and there about you being gullible. seungkwan will subscribe to astrology when it benefits him. is his horoscope good for the week? alright, then he's happy to be a capricorn! is mercury in retrograde? eh, astrology doesn't mean that much, anyway.

— general confusion ✩ joshua, junhui, jihoon.

these boys have no idea what you're talking about. jihoon is the most confused out of everyone, admittedly, because what does being a sagittarius have to do with anything? he no longer tries to hide the fact that he's completely clued out on anything astrology-related, though he'll let you say anything if it makes you happy. joshua is confused but also pleasantly surprised every time you relate his behavior to being a capricorn. he'll look things up as necessary and debunk them, even, if he thinks it's not relevant. junhui gets frustrated, more often than not, and so you can expect some overreactions when you clock him for being a gemini. he will want in-depth reads as to how you related his actions to his sign; be warned, he'll be rolling his eyes and scoffing quite a bit.

— vehement denial of anything & everything astrology ✩ wonwoo, minghao, vernon.

this feels relatively self-explanatory. these three aren't accepting or confused. they are bona fide disbelievers and haters of astrology, and any/all mentions of it will only serve to irk them. wonwoo? narrowing his eyes at you, as if anticipating that you'll chalk up his behavior to being a cancer. ready with a quip and a groan for when, inevitably, you fall right into the stereotype. minghao? launching into a whole tirade about the death of free thinking. his side eye is absolutely lethal as he mumbles about the cons of astrology. and vernon? he hates being perceived, but he hates it even more when he's lumped in with a whole group of people solely because of his sign. expect his grumblings of "be for fucking real" as he mopes about your predictions.

› scroll through all my work ദ്ദി ˉ͈̀꒳ˉ͈́ )✧ ᶻ 𝗓 𐰁 .ᐟ my masterlist | @xinganhao

#svt smau #seventeen smau #svt imagines #seventeen imagines #── ᵎᵎ ✦ mine #── ᵎᵎ ✦ reqs #── ᵎᵎ ✦ queued!#[ lore drop: xinganhao is a virgo ]

463 notes · View notes

centrally-unplanned · 2 months ago

Text

There are two big "AI Art Discourse" events of note recently, which I thought were interesting: ACX's "AI Art Turing Test" and the new paper on "AI Poetry Beating Human Poetry". Both of these I think reveal the shape of "what is AI art for", and also say a lot about how these results were utilized in discourse.

To take the latter first, some academics quizzed people on some poetry and had these results:

We found that AI-generated poems were rated more favorably in qualities such as rhythm and beauty, and that this contributed to their mistaken identification as human-authored. Our findings suggest that participants employed shared yet flawed heuristics to differentiate AI from human poetry: the simplicity of AI-generated poems may be easier for non-experts to understand, leading them to prefer AI-generated poetry and misinterpret the complexity of human poems as incoherence generated by AI.

More human than human poems! This certainly seems impressive - and it is. You couldn't have gotten these results ~5 years ago. But that maybe doesn't mean as much as you might think? Because here is the opening half of the winning "Walt Whitman AI" Poem:

I hear the call of nature, the rustling of the trees, The whisper of the river, the buzzing of the bees, The chirping of the songbirds, and the howling of the wind, All woven into a symphony, that never seems to end. I feel the pulse of life, the beating of my heart, The rhythm of my breathing, the soul's eternal art, The passion of my being, that burns with fervent fire, The urge to live, to love, to strive, to reach up higher. I see the beauty all around, the glory of the earth, The majesty of mountains, the miracles of birth, The wonder of the cosmos, the mysteries of the stars, The poetry of existence, that echoes near and far

This fucking sucks. Straight up 2/10 poem. Did this bitch seriously establish the world's most predictable rhyme scheme only to try to rhyme wind with end? You had one job that you chose for yourself, and you screwed it up! This poem has been written a million times before, and says nothing - the Miley Cyrus lyrics of verse.

The reason this won is, yes, because AI tools have advanced heavily in the past few years. But it is also because it is being tested on a dead art. No one cares about poetry - certainly not the survey respondents:

We asked participants several questions to gauge their experience with poetry, including how much they like poetry, how frequently they read poetry, and their level of familiarity with their assigned poet. Overall, our participants reported a low level of experience with poetry: 90.4% of participants reported that they read poetry a few times per year or less, 55.8% described themselves as “not very familiar with poetry”, and 66.8% describe themselves as “not familiar at all” with their assigned poet.

"Or less" is doing a LOT of work there; "yeah I read a few nonfiction books a year" oh sure, totally. 90% of these respondents haven't read a poem that wasn't displayed in the end credits of Minecraft since high school. No one does, poetry as a medium is essentially a relic. That isn't an insult to poets, by the way! There is no shame in being a niche. Not everyone can have the reach of hentai doujin artists; the community is small but they get a ton out of it. But you can't take the art of the community and expect that art to hit outside of it.

This survey didn't ask people to evaluate art; it asked people to evaluate their stereotypical impression of an art they don't care about. It was ~600 people hired off a website, they banged it out ASAP and moved on. This is not to invalidate the results; I am not actually claiming that "real" poets would have scored much better? Maybe, I don't know - that just isn't very relevant.

Let's swing to the AI Art Turing Test results to get more into why. Again, AI art is absolutely "art" in the sense that it is able to pass the test handily. You have to be head-in-the-sand at this point to think that AI can't make an impressionist painting a la the "most liked" art in this contest:

I have seen the "well real paintings have physicality this is a jpeg" discourse points and the cope couldn't be more real - 99% of art consumption in the modern world is digital or at least prints, let's get you back to bed grandma. But I did find it pretty funny that Scott noted this AI piece as one he particularly liked:

Because it is nonsensical, right? All that "faded paint", how was it originally painted - just bucket splashes of red and blue? What are those random doors, the random stairs going nowhere on the sides, the vague-nothings engravings? Scott just didn't care about that - he liked the vibe, right? Ancient ruins, epic scale. It isn't a coincidence that the Impressionist art did the best - current AI tools are always impressionist, they have an idea of the vibe and invent the details in between. In Impressionism that is the whole point.

Now the trap is to go "REAL artists can tell because of this or that" because idk, the tools might get better, they might fill in more and more details. The real revelation here is that you don't need the tools to get better - visual art isn't so different from poetry. Most people don't pay attention to it all that much. You see thousands, thousands of pieces of art a week; you probably don't even realize how many. Do you really care if the fading paint makes coherent sense on a billboard ad or a doctor's office wall painting? So much art that is made is "industrial" in this sense - it has no need to be good. Only good enough to fulfill its utilitarian role. In these fields AI absolutely is going to Take Your Jobs in some form, and already is (though imo not a ton of them). And it won't really bother most people. This can go pretty deep - I promise you people are "utilizing" AI porn right now. They are ~appreciating the details~ way more than is typical, the product is working.

All this works until it doesn't, though. When it is an art book by a favourite artist whose vision you want to pour over, learning that all the individual details were just made by AI completely defeats the purpose, right? Imagine reading a book of these poems. Outside of the novelty, "AI is the point" factor you would rather watch infomercials on repeat, I can't imagine a more pointless use of my time. "Reading arbitrary poems" is never fun, regardless of the quality of the poems. Most people don't care about poetry! The reason you care is that you care about the poet, and what they want to say. You read poetry with context, it being inserted with intent into the pages of a manga, at the end of a video game, because you like the artist and follow them on twitter. The quality of the prose isn't more important than that.

Which is a harsh limit for all of these kinds of tests. They essentially aren't testing art, right? You do not ever get paid twenty bucks to sit down and read a dozen poems and score them. That has no bearing on how you would actually ever learn to care about a poem. Which doesn't make AI art useless or anything, more that these tests will very quickly run into their limits of what they can meaningfully tell you. The actual bar is "creating something someone cares about". From that lens, I fully believe hybrid methods that privilege artistic intent are currently working and will improve. But I think for "solo" AI art getting that to work is going to be complicated.

#ai art discourse

264 notes · View notes

remxedmoon · 2 months ago

Note

You should tell us about color psychology that sounds cool as hell

YES… HA HA HA… YES!

GGGOD I WISH I WASN’T OUT OF THE HOUSE RIGHT NOW. but i’ve been thinking about colors literally all day so you all get to be subject to my madness! sorry this is long and rambly wauaua. nightmarishly long post under the cut.

okay. first things first, a few basics. color theory and color psychology tend to get confused a lot in discussions, but they usually refer to different things. color theory is more about we physically perceive colors (color wheels and color schemes the like), while color psychology focuses on our emotional response to colors. if you’re familiar with the children’s hospital color theory post, that poster wasn’t actually talking about color theory, but color psychology (and also it’s incredibly surface level and heavily misunderstands the subject because in what fucking universe does the quantity of positive associations with a color matter more than the context it’s used in and sorry i have personal beef with this tumblr post).

color theory is also a special interest of mine but i’m not gonna touch on it too much here because it’s not entirely important. mmmaybe another time…

essentially, certain colors (and color combinations) have associations in our brains and that affect our behavior and emotions. these associations are also very much affected by the context a color is used in. colors don’t exist in a vacuum! so while red can symbolize passion and love when used in something like a dress or a bouquet of flowers, it has a very different connotation when it’s, say, splattered on the walls or smeared on the ground in a snail trail.

or for a less Children’s Hospital Themed example, i’ll put my euphrasie and king designs here!

(of course the saturation and brightness of these blues play a massive part in how they’re perceived but this is not a post about color theory this is n)

and, of course, combining colors in a piece can also change their meanings!! i’m about to get real fucking normal.

i’m gonna be focusing on the color combo of red and yellow here because it’s the one that’s most relevant to my art (and also it’s really interesting.) basically, seeing these two colors together activates the part of our brain that controls our appetite, making us actually feel hungry. this is why so many food companies use red and yellow in their branding! it’s neat stuff!!

also, if you’re familiar with it, this is why the mv for butcher vanity uses this color palette!! along with red’s general associations with danger and blood, the color combo also physically induces hunger. pretty fitting for a song about cannibalism!

(there is also red’s association with lust and passion and how that intersects with the double meaning in the lyrics but i cannot derail this post into being an analysis of butcher vanity i’m sorry. we’d be here all week. maybe another day... wipes a tear from my eye)

and i think this might be the reason why some people feel hungry when they see my art, even when i’m not drawing food. while i don’t tend to use red outright, most of my art has very warm undertones (red-oranges and yellows especially), which could be activating that hunger response??

(ah fuck color theory managed to weasel its way into this post again)

admittedly this part is just speculation on my end. i think my rendering style and Shapes also play a role in it, but it’s interesting for me to think about!!

this is only scratching the surface of how complicated colors can get. i was going to go on an entire tangent about color grading and how green lighting can make a scene feel unnerving but this post is already Too Fucking Long. aaaa super sorry if this is Rambly or hard to understand!! i’m not Entirely sure how much the average person knows about color theory and psychology so if there’s any confusing terms here i’m fine with adding stuff for clarity!

wauauuaa thank you so much for asking!!!! i love talking about colors.

tl;dr colors have a bunch of different emotions and meanings tied to them, but you’ve gotta pay attention to the context in which it’s being used. so maybe take a step back before you put that thick red trail on the floor of your children’s hospital.

#marshtalkin #<- and by god did i TALK.#hhholy fuck how long is this. im so sorry i thought this was gonna be WAY shorter #admittedly i only realized colors were a special interest. fairly recently?#i genuinely didn’t consider that most artists probably don’t spend hours pacing around thinking about color symbolism #<- god don’t even get me started on color symbolism in my designs i’m so fucking normal #…do i even tag this as isat?? i mean i know i have to tag spoilers anyways #because of euphrasie #but this is mostly a post about color psychology even if i’m using my isat art as examples #aaaa whatever #isat #in stars and time #isat spoilers #color theory #color psychology #asks #also actually as a sidenote. sometimes color psychology is called a subsection of color theory?#but generally when someone is talking about color theory they’re talking about the technical side of things #terminology is weird and confusing unfortunately…

210 notes · View notes

anarchotolkienist · 6 months ago

Note

you’re attacking that neopagan kind of birthstone post about druid plants, but could you please elaborate or at least clarify the explicit trope that is being used that has been historically weaponized?

I used to spend about a good third of my time on this godforsaken website attacking that idea, but sure, I'll do it again. This will be a bit of an effortpost, so I'll stick it under the readmore

There is a notion of 'celts' or Gaels as being magicial and somehow deeply in touch with nature and connected to pre-Christian worldviews that the people who decided to make up the "Celtic tree astrology" used. This is also why Buffy used Irish Gaelic as the language of the demons, why Warhammer uses Gaelic as Elvish, why garbled Scottish Gaelic is used by Wiccans as the basis for their new religious construct, why people call themselves Druids to go an say chants in bad Welsh in Stonehenge, or Tursachan Chalanais, or wherever, etc etc. This stuff is everywhere in popular culture today, by far the dominant view of Celtic language speaking peoples. Made up neopagan nonsense is the only thing you find if you go looking for Gaelic folklore, unless you know where to look, and so on and so on. I could multiply examples Endless, and in fact have throughout the lifespan of this blog, and probably will continue to.

To make a long history extremely brief (you can ask me for sources on specifics, or ask me to expand if you're interested), this is directly rooted in a mediaeval legalistic discussion in Catholic justifications for the expansionist policies of the Normans, especially in Ireland, who against the vigourous protestation of the Church in Ireland claimed that the Gaelic Irish were practically Pagan in practice and that conquest against fellow Christians was justified to bring them in like with the Church. That this was nonsense I hope I don't need to state. Similar discourses about the Gaels in Scotland exist at the same time, as is clear from the earliest sources we have postdating the Gaelic kingdom of Alba becoming Scotland discussing the 'coastal Scots' - who speak Ynglis (early Scots) and are civilised - and the 'forest Scots' (who speak 'Scottis' (Middle Gaelic) and have all the hallmarks of barbarity. This discourse of Gaelic savagery remains in place fairly unchanged as the Scottish and then British crowns try various methods for integrating Gaeldom under the developing early state, provoking constant conflict and unrest, support certain clans and chiefs against others and generally massively upset and destabilise life among the Gaels both in Scotland and Ireland. This campaign, which is material in root but has a superstructure of Gaelic savagery and threat justifying it develops through attempts at assimilation, more or less failed colonial schemes in Leòdhas and Ìle, the splitting of the Gaelic Irish from the Gaelic Scots through legal means and the genocide of the Irish Gaels in Ulster, eventually culminates in the total ban on Gaelic culture, ethnic cleansing and permanent military occupation of large swathes of Northern Scotland, and the destruction of the clan system and therefore of Gaelic independence from the Scottish and British state, following the last rising in 1745-6.

What's relevant here is that the attitude of Gaelic barbarity, standing lower on the civilisational ladder than the Anglo Saxons of the Lowlands and of England, was continuously present as a justification for all these things. This package included associations with the natural world, with paganisms, with emotion, and etc. This set of things then become picked up on by the developing antiquarian movement and early national romantics of the 18th century, when the Gaels stop being a serious military threat to the comfortable lives of the Anglo nobility and developing bourgeoise who ran the state following the ethnic cleansing after Culloden and permanent occupation of the Highlands (again, ongoing to this day). They could then, as happened with other colonised peoples, be picked up on and romanticised instead, made into a noble savage, these perceived traits which before had made them undesirable now making them a sad but romantic relic of an inexorably disappearing past. It is no surprise that Sir Walter Scott (a curse upon him and all his kin) could make Gaels the romantic leads of his pseudohistorical epics at the exact same time that Gaels were being driven from their traditional lands in their millions and lost all traditional land rights. These moves are related. This tradition is what's picked up on by Gardner when he decides to use mangled versions of Gaelic Catholic practice (primarily) as collected by the Gaelic folklorist Alasdair MacIlleMhìcheil as the coating for Wicca, the most influential neo-pagan "religion" to claim a 'Celtic' root and the base of a lot of oncoming nonsense like that Celtic Tree Astrology horseshit that started this whole thing, and give it a pagan coat of paint while also adding some half-understood Dharmic concepts (three-fold law anyone?) and a spice of deeply racist Western Esotericism to the mix. That's why shit like that is directly harmful, not just historically but in the present total blotting out of actually existing culture of Celtic language speakers and their extremely precarious communities today.

If you want to read more, I especially recommend Dr. Silke Stroh's work Gaelic Scotland in the Colonial Imaginary, Dr. Aonghas MacCoinnich's book Plantation and Civility in the North-Atlantic World, the edited collection Mio-rún Mór nan Gall on Lowland-Highland divide, the Gaelic writer known in English as Ian Crichton Smith's essay A real people in a real place on these impacts on Gaelic speaking communities in the 20th century, Dr. Donnchadh Sneddons essay on Gaelic racial ideas present in Howard and Lovecrafts writings, and Dr. James Hunter's The Making of the Crofting Community for a focus on the clearings of Gaels after the land thefts of the late 18th and early 19th century.

@grimdr an do chaill mi dad cudromach, an canadh tu?

#gaelposting #hope this is even vaguely readable lol

283 notes · View notes

hazamacore · 15 days ago

Text

The Interweaving of Desmond & Eloise

an analysis on how they have been established as a pair

Collection of all essays so far

At the stage we are currently at, the end of chapter one with around thirteen hours of content to watch and even more outside of direct canon to examine, Desmond and Eloise have established themselves as a pair in a similar vein to Damon and Eva or Mark and Jett. Their pairing feels obviously deliberate and indicative of deeper meaning, which we’ll no doubt see more of as the game proceeds. In this essay I want to cohesively lay out all of my current thoughts on them - developed from TikTok posts I have made (x / x / x) with other newer points from my notes that do not appear in said posts.

While I personally enjoy their relationship in a romantic context, this is not intended as a ship post, and you are of course free to interpret it how you like. It’s just looking at how they relate to each other as characters and their canon relationship and giving my thoughts on what that means for them! Regardless of how you interpret the context of their relationship, that these two are being set up as close is undeniable.

SPOILERS FOR CHAPTER ONE AHEAD!

Firstly, I want to establish the significance of pairs in Project: Eden’s Garden overall. So much about the game circles back to pairs: the killing game ‘officially’ ending when only two remain, everyone waking up in pairs, Toshiko being the Ultimate Matchmaker, Tozu and Mara being a pair, bunking in pairs, splitting off into pairs… and much of this can be put down to the theming of the Garden of Eden with Adam and Eve. With everyone’s animal motifs, another Biblical story in Noah’s Ark comes to mind. The point is that the abundance of pairs is both relevant and very deliberate.

Fundamental design

From the moment we first see them in the train CG, Desmond and Eloise are together. When we first formally meet them, they are the only ones in the courtyard. They are a pair from the beginning in the same way as Mark and Jett and Wolfgang and Grace.

And, on first looks and first meetings, I’ll begin my thoughts on how they as individual characters relate to each other as foils with their visual designs and names. Being fictional characters, there was an entire design process filled with intent that went into creating them, and I really think Desmond and Eloise were created with the other in mind to make them both contrast and complement each other.

Their contrasting colour schemes of blue and black VS red and white immediately relate them to one another and put them in proximity of one another. Through their colour schemes they have been designed to be seen next to each other.

It is also their colour schemes that give instant insight into how they contrast each other in personality. Desmond’s blue suits his cool, composed disposition, his observant nature and how, although he is more reserved, he still integrates with the group and is a primary contributor. Throughout the situation and throughout all the suspicion he endures based on his talent, Desmond remains calm, in part, I think, because he knows he cannot afford to appear angry lest it confirm people’s biases. Considering how prominent that idea of prejudice has been with Desmond so far, I also heavily doubt him being designed as Black is coincidental or without connotations. Especially when you consider just how irrational the suspicion and assumptions placed upon him are.

(Desmond’s third Free Time Event, talking about how difficult a confined space like the academy is for him) Damon, internally: And yet, that cool demeanour of his never falters - even when talking about his situation. Is this what he means when he talks about discipline…?

Conversely, Eloise’s red speaks to her being more volatile - prone to outbursts of fear, panic and, notably, rage. It is interesting to me that Eloise’s colour scheme is primarily white/grey, with her reds as secondary and, in her clothing, beneath her uniform. But her eyes, the “windows to the soul”, are red. Eloise at first impression seems only timid, and this leads both characters and audience alike to assume that she is weak, and she is also reserved and rather closed off especially in conversation with the likes of Damon. But Eloise has a strong fortitude that manifests later in chapter one as she gains confidence in the setting - standing up to and threatening Grace, leading the accusations towards Grace in the trial, and her Free Time Events most notably. Her red is closed off until triggered. Damon notes that “the most confident she’s ever sounded” is when she’s expressing her belief that the runners of the killing game should receive the death penalty which so starkly contrasts with Desmond’s focus on resolving things peacefully. Similarly to Desmond being Black, I also heavily doubt that Eloise being designed as fat is without connotations regarding this theme.

The meanings of their names push this even more blatantly. Desmond’s name is of Anglo-Saxon origin and means “Great defender” which adds to how spelled out the theme of guarding, protection, defence becomes in his character during chapter one - notably in relation to himself and Eloise. In his blackmail, which I will go into in more detail later, it explicitly says he “guards the only one he trusts”. This defence finds contrast with offence in Eloise’s name being of French and Teutonic origin meaning “Fierce warrior” which speaks to how assertive she becomes when pushed. Her Free Time Events serve as good indication with how she says outright to Damon that she plans to fight back if targeted for murder and expresses anger when he starts “prying into [her] personal life” in an outburst of “It’s none of your f-fucking business!”. Down to their names they present as foils.

Linking to this talk on personalities and first impressions is how these two contrast in how they are perceived by other characters and audience alike - their shared theme of “judging a book by its cover”.

While Eloise has a talent centred around combat and wielding a blade, she is not nearly suspected the same way Desmond is due to her appearance as pale and soft in conjunction with her timidity, with the decision to make her fat adding to this as well. She is actually afforded first impressions based on personality, where Desmond is instead defined by potential threat in his marksmanship - the first thing Wolfgang ever says to him is, “With all of those weapons, I must ask…you…haven’t killed anyone, have you?”, and Eva’s belief that everyone is out to get her and have marked her as an easy target merges with preconceived notions about Desmond’s character and talent to lead her to assert that telling Desmond about his blackmail could “put [her] in danger”. Contrasingly, in building up to their confrontation of Grace, Damon perceives Eloise as “bumbling”, “uncoordinated”, and not of “any help in a verbal shutdown”, and he proceeds to be utterly proven wrong - with the use of “uncoordinated” in reference to the Ultimate Fencer giving great indication of his poor judge of character. This contrast, then, makes it notable how they stick together and understand each other in a way others do not.

(RE his bunking idea: Eloise understands what Desmond’s intentions are while others assume ill of him) Cassidy: I mean - hey, don’t expose us! That’s unfair! Desmond: Hold on, I’m not trying to expose anyone…! Eloise: Um, I think I get what he’s trying to say. Eloise: You just want everyone to be honest with each other…so we can cover all our bases…right? Desmond: Yeah…that’s right… (During the chapter one investigation as Grace guards Wolfgang’s room and denies everyone entry) Desmond: That’s what I tried telling everyone else, but they pretty much gave up. Jett and Mark went to the dining hall, Diana went to the laundry room, and Toshiko and Ingrid went to the courtyard. Desmond: Eloise and I, though…we’re not gonna let this slide.

When going through their Free Time Events, it becomes clear that Desmond and Eloise even contrast each other when it comes to their backgrounds and honing of their talents. Desmond comes from a notably wealthy family who have a history of Ultimate Marksmen - that talent being as hereditary as literal genetics. From the start, Desmond has been showered in opportunity - he mentions having an expansive field that puts the academy’s courtyard to shame, a personal shooting range, a personal tennis court, and a personal swimming pool. He used to attend competitions on a local and regional scale until he got the opportunity to compete in the Olympics.

Comparatively, Eloise had no such influence when it came to getting into fencing and simply joined a club and her honing of her talent was defined by a lack of opportunity. She rose through the ranks via forfeits - her opponents were so afraid they point-blank refused to fight her and so she had to take matters of improving into her own hands by practicing alone or with her teacher. Her lack of opportunity stems from how her family is certainly not as well-off as Desmond’s and she comments on giving her prize money to her mother and sisters. This is a point of similarity between the two - they both disregard the money they have earned through their talent for themselves and instead place focus on their families. Desmond cares more about making his parents proud, and Eloise cares more about giving the money to her family.

Beyond every aspect in how Desmond and Eloise foil each other is how similar thematically they are in a way that allows them to understand and trust one another in a way they don’t seem to lend to anyone else. They understand that the other is perceived by strangers in a way that doesn’t necessarily align with their fully realised selves, Desmond’s calmness soothes Eloise’s volatility, Eloise’s sword takes the front while Desmond’s guns and bows take the rear - they are an inversion of each other and interwoven as a pair.

To finish off with their fundamental designs, official art for Project: Eden’s Garden is, in my opinion, interesting to look at. Desmond and Eloise are depicted next to or interacting in some way with each other in every piece of official art they share which pushes them further as a ‘pair’. It really emphasises how rarely in-game they’re apart - with the only instances of that being during nighttime, every free-time after the first one, and most prominently the Prologue’s investigation. Otherwise, they are always at least in the proximity of each other. I don’t think official art and seeing which characters appear together the most and how exactly they are interacting is insignificant at all - two sets of Halloween official art stand out to me as entwining Desmond and Eloise by their talents. In one, Desmond is dressed as Link from the Legend of Zelda and wielding a blade and, in the other, Eloise is dressed as Artemis from Greek Mythology - the Goddess of the Hunt who was known for her archery, a choice that becomes especially interesting once you remember that Artemis’ fellow archer brother, Apollo, was heavily associated with swans.

Blackmail, blackmail

“With his weapons at hand, Desmond guards the only one he trusts.”

Since I posted my initial interpretations of this on TikTok, I’ve seen more discussion on it, and I don’t think it is controversial at all to suggest that the “only one” referred to here is Eloise. The only other options, to me, are this “only one” being someone outside of our main cast or Desmond himself. However, I have found myriad evidence that points towards it being Eloise that I’ve spread across different videos on TikTok but can now relay all in one place here.

First, what is meant by “weapons”? As the Ultimate Marksman, Desmond has access to guns and bows in the literal meaning of that and this is how Eva, Damon and everyone else interprets it. It is also true - Desmond is always depicted with his quiver slung over his back, so he does indeed have his weapons at hand. However, there is another way of looking at this - Desmond’s “weapons” do not have to be literal.

During chapter one’s trial, Grace admonishes everyone for “trusting Desmond so easily” after he defends himself from accusations based on the taser gun and Damon has the option of commenting on Desmond’s charisma that persuades people to trust him (or… “charm” as he puts it). Desmond’s “weapons” could refer to his rhetoric, especially with how he utilises the angle of ethos in comparison with Damon’s logos and Diana’s pathos - that being, focusing on getting across and defending his character, something that as previously discussed Desmond is exhaustively used to doing. His “guard” could manifest in him coming to this “only one”’s defence in verbal bouts just as much as it can be taken literally, something that we have in fact already seen if you subscribe to the idea of that person being Eloise.

Next, the meaning of “trusts” should be dug into. It is easy to assume that because Desmond behaves cordially with everyone and seems to possess a vested interest in getting everyone out of the killing game and to safety this means he is openly trusting in the way Diana is, but there is a lot once you start looking that proves otherwise. Desmond does not vehemently deny the possibility of murder like Wolfgang or Diana do but instead accepts the reality of their situation and approaches it with the knowledge of murder in his mind. He is against exploring the Alpha Sanctuary due to whatever Tozu has hidden within it, he takes note of the dangers of the pharmacy and what drugs could possibly be used to murder - even saying that “we should all start paying more attention to our food” - and is the one to come up with the bunk buddies idea due to the broken locks. Desmond does not trust that his peers absolutely will not be tempted by murder. Most illuminating is during his second Free Time Event when Damon tries to use the trustworthiness of the other students as a debate topic and Desmond becomes noticeably uneasy and closed off.

Damon: How about… we debate the trustworthiness of the other students? Desmond: Huh…? What do you mean? Damon: Isn’t it self-explanatory? You and I argue about whether or not the others are trustworthy. Desmond: Uh… I don’t know, dude. I’m not really comfortable with that. Damon: Why? Desmond: W-what do you mean why? I can’t just say my… (own emphasis) Desmond: I mean, I can’t just throw doubt at people for no reason.

Despite this, he still wants said peers to trust him. His motivation to escape the killing game and prevent murder, I believe, is genuine - however, he remains beneath the veil of hypocrisy in how he expects everyone to trust him without him trusting them.

So, how does this link to Eloise?

From the prologue, the theme of Eloise and Desmond being each other’s alibis and backing each other up is established. Wolfgang asks Desmond to keep a shaken Eloise company and he does so for the duration of all the other introductions. When the fake body of Cara is discovered, Eloise insists that she heard no screaming from the courtyard nor did anyone run out, and calls on Desmond to back her up, which he does. This is the first exchange of trust and reliance between them, and it only strengthens during chapter one.

The first major instance is in relation to Desmond’s idea of sleeping in pairs. Knowing his distrust towards his peers and that he has this one person he has an interest in protecting, it is notable both that he would be the one to raise concerns about the broken locks and that he would proceed to input that, “As the one who suggested the idea, I’d say we just pick our buddies ourselves-”. Desmond wanted to choose his bunk buddy, ostensibly so he would be able to more readily “guard” them, and this, I think, is crucial as evidence that the “only one he trusts” is someone among the class. While he doesn’t respond outwardly negatively to Toshiko’s desire to be in charge of the pairs and Ingrid’s subsequent assertion that they split by gender, this is easily explained by how intent he is on maintaining a calm disposition.

Eloise’s behaviour in this scene is equally noteworthy. She defends Desmond from accusations that he’s making people vulnerable and that she harkens to ideas of honesty and understanding Desmond’s intentions speaks to a building closeness between them. Much like Desmond, Eloise appears selective with her trust through how focus is repeatedly placed on her as ways to assign bunk-buddies is discussed, combined with how her character profile notes how she is “always ready to make her escape if anyone gets too close to her”, which I believe can be applied in both a literal-in-regards-to-fencing and figurative sense. We can discern from her Free Time Events that Eloise holds her privacy close to her and that she has certain people that she openly does not trust nor like - she doesn’t want to have a decision like who is going to be with her at her most vulnerable just chosen for her.

Toshiko: Fear not! In all my infinite wisdom and kindness, I shall pair the rest of you! Eloise: Ah… that’s not really necessary… (...) Ingrid: Strangers’ll usually be more comfortable spending the night with the same gender. Eloise: Then… we’re splitting it by gender…? (...) Wolfgang: We won’t have Ms. Kayura’s help, but I’m sure we’ll figure something out. Let’s go. Eloise: …

Furthermore, it does not feel at all coincidental that the scene directly after Desmond’s blackmail is revealed by Eva sees Grace pressuring Eloise to hand over her blackmail and Desmond attempting to defend Eloise before she reassures him. Eloise’s silence after Grace says that she better not have shown anyone speaks volumes - from the map during Free Time and their alibis for the time of Wolfgang’s murder alike we can explicitly see the amount of time these two have been spending around each other in the courtyard.

Grace: That fencer girl has been giving me the side-eye ever since the blackmail was announced. There’s no other explanation! Grace: Give it! Desmond: H-hey, stop that! Eloise: It’s okay…I’ve got it…

On the morning of Wolfgang’s murder, Desmond and Eloise spent all their time together in that courtyard, paralleling their positioning in the prologue. Just as then, they are each other’s alibis and they are the main one backing the other up. They proceed to stay by the other’s side literally throughout the investigation and figuratively throughout the trial. It is notable that textually Grace and Kai underscore how defensive Eloise and Desmond have been of each other throughout chapter one’s investigation and trial to accuse them of working together - ostensibly, Desmond being the murderer and Eloise his accomplice. When the two of them and Damon confront Grace during the investigation, they are largely backing each other up and adding to each other’s points while Damon chips in on his own - even going as far as to threaten Grace, knowing that she was shot at by Mara before.

Eloise: Um…for us to believe that, we need to see it ourselves… Grace: You think I’m lying? Desmond: There’s a chance you could be, unfortunately. (...) Eloise: Also, um…couldn’t this be considered breaking the rules…? Eloise: Tozu wants this game to be fair, but… being prevented from searching every room doesn’t seem very fair… Grace: …Even if it isn’t, what are you gonna do? Eloise: … Eloise: I’ll…report it to Tozu. Grace: A-ah? Desmond: Nice idea. What do you say we look for him now? Desmond: If Tozu agrees this is sabotage, he might call Mara to help…

In the trial, when Eloise first accuses Grace, Desmond backs her. When Grace’s innocence is proven and Eloise apologises for accusing her, Desmond continues to press Grace when she shouts at Eloise by insisting she “must know something about [Wolfgang’s] last known whereabouts”. When Desmond brings up the golf clothes and equipment in Wolfgang’s room, Eloise backs him. When Mark accuses Desmond of having access to weapons like the taser gun, Eloise reacts before Desmond does. During the nonstop debate about the taser gun, Eloise brings up her and Desmond’s shared alibi as they were together the whole morning. If the player takes the Pathos Route during the trial, it is Eloise’s voicing of her doubts in voting Diana and wanting to hear her side of the story that then leads into Desmond’s own agreement to hear her out. This series of events, I think, proves a degree of trust that has built between the two that they have not extended to anyone else - even during Eva’s execution and Diana’s speech, the two are depicted together.

The nature of Desmond’s blackmail combined with how he and Eloise are written in this chapter as consistent supporters of each other and consistently shown together leads me to be rather firm in my belief at the moment that Eloise is this “only one” his blackmail refers to. Their relationship is given as much focus as Damon and Kai and Wolfgang and Grace, which indicates the importance of it and really, really doesn’t bode well for their survival. My personal speculation at this current moment sees Eloise killing in self-defence, in which instance we will see Desmond’s ‘guard’ come to fruition.

Sharks and swans

It can’t be a P:EG analysis without looking at the characters’ animal motifs - especially with how chapter one confirmed their relevance with the focus on Wolfgang, Eva and Diana in particular!

Desmond’s animal motif is a shark as represented by his shark’s tooth earring and this is immediately notable in tying into the dominating theme of prejudice and “judging a book by its cover” that has presented itself in contrasting ways in his and Eloise’s characters. Desmond being instinctively assumed to be dangerous and a ‘threat’ due to his position as the Ultimate Marksman directly correlates to how sharks are perceived in the media and, by extension, society. One way his shark motif is relevant lies in how it conveys this theme of being misunderstood.

As previously noted, the first thing Wolfgang ever says to Desmond is an interrogative question about whether or not he has killed someone before, it does not take any amount of mental gymnastics for Eva and Damon to agree Desmond’s blackmail makes him dangerous, and it does not take much convincing for the majority during the trial to agree on his likelihood of murdering Wolfgang due to the taser gun originating from his room. Surely, we are instantly reminded of how sharks are similarly misunderstood as obvious killers due to how they have been negatively sensationalised by the media - leading to a general consensus in society to view them as an inherent threat.

“Sharks have been vilified in human culture for centuries, and negative attitudes toward sharks continue to pervade mass media, perpetuating stereotypes, often conveying inaccurate information [7–11]. One way the public’s fear of sharks, which resonates deeply and viscerally, manifests itself is a pervasive overestimation of the likelihood of being ‘attacked’” (Andrew Nosal et al, 2016, The Effect of Background Music in Shark Documentaries on Viewers' Perceptions of Sharks, p.2)

Eva asserts that Desmond finding out about her having his blackmail could make her a target and, generally, the other characters are quick to assume ill intention from him. For example, him bringing up how everyone’s locks to their dorms are broken raises accusations of him exposing people and him testing people’s locks sparks similar reaction - with Wolfgang even denying him future agency by saying Desmond should go to him first.

Desmond’s shark motif combines with how his talent is perceived to beg us as viewers to deconstruct assumptions of him being this ticking time bomb waiting to explode - to pick apart preconceived notions, examine what makes you think that way and why. It is simultaneously fascinating and frustrating to see predictions from fans about how the rest of the game will play out position Desmond as an ‘obvious’ killer due to his marksmanship and because his animal motif is an apex predator painted as a “man-eating monster” by the media, ignoring how his talent has been handled thus far and contributing to the dominating narrative about sharks that does not reflect reality.

The majority of shark attacks on humans are results of curiosity bites on the shark’s end or mistaking humans for, say, seals. In personifying sharks and acting as if they have the same moral decision making as humans and go out of their way to maim and kill, they have become severely endangered themselves. In an article on shark conservation that analysed how sharks are portrayed in American and Australian media, it was identified that there were “four types of risks from sharks and fourteen types of risks to sharks in the articles” and that “Forty-four percent of the articles mentioned elevated public risk perceptions or fear of sharks” (Bret Muter et al, 2012, Australian and U.S. News Media Portrayal of Sharks and Their Conservation, Conservation Biology, Vol.27, No.1, p.190), which is to say that humans are more of a risk to sharks on the whole than sharks are to humans such as through overfishing, finning and habitat destruction and that this can directly parallel the ‘attacks’ on his character that Desmond has endured so far in the story.

In direct contrast in this respect, there is Eloise and her swan motif represented by her hairpin. The dominating cultural perspective on swans is that they are uniquely beautiful and elegant, they are symbols of purity and aristocracy and are a protected species in many countries including the US, UK and across the whole of the European Union. This places them at the utter opposite end of a general consensus scale to sharks and their features in popular culture reflects this from Hans Christian Andersen’s Ugly Duckling fairy tale to Tchaikovsky’s Swan Lake ballet.

Swan Lake is of particular note to me due to its duality of the white and black swan that can be applied to Eloise’s characterisation. Through her white clothing, fencer-defined elegance, and timid demeanour, Eloise brings to mind Odette the white swan - or the Swan Princess - who was cursed to be a swan by day and woman by night and who is revered for her beauty and purity. Contrastingly we have Odile, who impersonates Odette while she is bound to her swan form and is the ‘black swan’ - more conniving and wicked. Traditionally, Odette and Odile are roles performed by the same ballerina and so represent this idea of duality even more. Now, Eloise is neither conniving nor wicked, but she certainly is not the ‘Odette’ that people perceive her as on a surface level, and has assertive and, really, quite aggressive talons that unsheathe when she deems necessary.

(Eloise’s first Free Time Event, unprovoked) Eloise: If…if you ever try to do something to me… Eloise: …then…I’m going to fight back. (...) Eloise: Once, I completely overpowered a person using just a pen… Eloise: And, uh…if you don’t believe me… Eloise: …I…can give you a taste of what that person felt.

Additionally tied to this is the Medieval moralist view on swans as symbolic of hypocrisy. The idea stems from Hugh of Fouilloy’s Aviarium where he asserts that swans’ white plumage concealing their supposedly black flesh is reflective of a sinner who conceals their sins with a faux pious front…this line of thinking of “white = morality, black = immorality” is notoriously flawed and susceptible to challenge, and this specific idea alluding to black flesh even more obviously so. However, as a spiritual Christian belief, it is relevant when considering Project: Eden’s Garden not least because the game’s religious allusions ask us to question the very concept of Eden and how Western institutions use religious imagery - especially in how they distort it and use it for their own narrative. Every image of nature in the academy being artificial highlights this. Thus, this old idea about swans and hypocrisy may be taken into account… it is not so much direct hypocrisy that relates to Eloise, but the theme of appearance not reflecting reality and a warning to “not to be deceived by outward appearances” (Natalie Jayne Goodison, Introducing the Medieval Swan, p.12). Eloise’s character profile outright tells us to “not be deceived” (by her “size”, but this can apply generally).

And this neatly leads into the fact that swans themselves, despite their innocent and pure iconography, are fierce - especially when it comes to defending themselves or their nests. As Aristotle puts it in his (outdated by over two millennia yet still incredibly interesting) work The History of Animals, “[swans] will repel the attack and get the better of their assailant, but they are never the first to attack” (Trans. D’Arcy Wentworth Thompson, 9.12) and Eloise explicitly references this in her fight against her own underestimation and to combat the perception of her as weak both in form and fortitude. Despite what Damon believes, I refute the idea that Eloise’s volatility makes her emotionally weak because chapter one’s trial proves otherwise as does chapter one’s investigation that instantly sees Eloise disprove Damon’s idea of her. Speaking of Damon, it is interesting how he comes to respect and almost understand Desmond who is misunderstood as a threat by others much like himself, but cannot extend the same to Eloise whom he has no axis of relatability to.

“Still, it is significant that the administrative and agricultural experts voiced concern that aesthetic, cultural, and sentimental ideas about swans guide the birds’ protection in a strange or illogical way, and the resources expert agreed that the main—if not the only—value associated with continued protection of the whooper is sentimental value.” (Shauna Laurel Jones, 2018, Feathered majesty in the grainfield? Conflict, conservation, and the whooper swan in Iceland, p.39)

Desmond’s shark motif presenting through a shark tooth earring is not merely an aesthetic choice and instead possesses symbolic connotations. It is the choice in his design of a shark tooth earring that allows us to connect indigenous beliefs about sharks to his characterisation, as in indigenous Hawai’ian culture, shark teeth are traditionally worn as protective talismans, and certain species of sharks in indigenous Hawai’ian culture also relate to the concept of ‘aumakua’ where under certain conditions a deceased person is reincarnated as a shark and acts as a “beneficent guardian spirit” (Leighton R. Taylor, 1993, Sharks of Hawai’i: their biology and cultural significance, p.19) towards their family, both of which link to the increasingly potent theme of “guard[ing]” in Desmond’s character.

Similarly, we find ideas of “guard[ing]” with the swan, especially the idea of being guarded. Most blatant is the fact that swans are a protected species in many particularly Western countries such as the United Kingdom, the United States, France, Denmark, Germany, and Iceland, meaning it is illegal to kill or injure them. In a literary sense, we have the Finnish national epic Kalevala wherein the hero Lemminkäinen is tasked with killing a swan that swims and sings in the Lake of Tuonela that surrounds the underworld, but instead he is killed - not textually because he has attempted to kill a swan, but the context of swans as a protected species and how they are symbolically viewed certainly influences this narrative.

However, as a point of contrast, while sharks can be associated with life in the sense of survival and their integral position in ecosystems, keeping them intact, swans are associated overwhelmingly with death. Firstly examining the former, it is notable to me that Desmond’s animal motif is one heavily concerned with conservation efforts to protect against endangerment and extinction, conditions that are in no small part due to human impact. When one sees apex predator their mind tends to swipe to violence, to these creatures being bloodthirsty, instead of taking it for what it really is: an animal that plays an indispensable role in regulating ecosystems. Already, Desmond has cemented himself as a secondary contributor in trials alongside the likes of Jean, Ulysses and Wenona, and within the group he assumes a position not the extent of leadership like Wolfgang and Jean but certainly as a prominent initiator. Sharks have lived for millions of years and their survival is integral to the smooth management of marine ecosystems, to remove them would cause a disastrous knock-on effect. In tandem, the condition of its ecosystem is integral to the survival of the shark, which raises the aspect of Desmond’s Free Time Events that has him lament the lack of open space in the academy.

“As apex predators, sharks play an indispensable role in regulating marine populations, maintaining biodiversity, and preserving the health of our oceans (amongst many other parts they play in the tapestry of life that is below the waves). However, despite having roamed our oceans for millions of years, they currently face a myriad threats that of our own doing, including overfishing, habitat degradation, and climate change.” (Melissa Cristina Marquez, 2024, Exploring the Intersection of Indigenous Knowledge and Shark Science)

Turning to the association between swans and death is the ever-omnipresent swan song. The myth that swans are silent their whole lives until just before they die, when they sing their haunting song. Eloise can be interpreted according to this in how “silence” can be applied to her initially reserved and shy nature, with the more she develops across the story akin to the theme of transformation found in many European folktales and, unfortunately as a result, becomes closer to death her development in becoming more openly confident will be her “song”.

My personal speculation at the moment is that Eloise will become the blackened through killing in self-defence - something I find fitting for her characterisation, predicted character arc, fencing talent, and swan motif all in one - and so her swan’s song will manifest as her final plight during her trial before she is inevitably sent to death. Relatedly, the conclusion of Swan Lake sees Odette, the swan princess, and Siegried, the prince, die together. I view Desmond and Eloise’s relationship to end in one of two ways - either one of them kills/is killed and the other kills/is killed the chapter after, or one of them kills/is killed and the other survives. Either way, they cannot both live.

The silver Swan who living had no note, When death approached unlocked her silent throat; Leaning her breast against the reedy shore, Thus sang her first and last, and sung no more: "Farewell all joys! O death come close mine eyes, More geese than swans now live, more fools than wise." (Unknown author)

And so arrives the final point to wrap this whole essay up in one neat bow: Eloise’s swan motif presents in her unwavering loyalty as a pair with Desmond. This is so unsubtle that it is underscored by Grace and Kai in the chapter one trial, sending accusations of them working together to murder their way. As has been reiterated, the two are seldom not depicted together, react to accusations towards each other with the same intensity were they to be directed at them, and defend each other with a consistency they do not afford any other character, with only Diana coming close in Eloise’s case. Like swans who mate for life, Eloise and Desmond have essentially become pair bonded. This happening so quickly is not necessarily a cause for doubt either in my opinion as that also connects to swans who bond as a pair even before they reach sexual maturity at twenty months despite living for a good two decades, and we know Eloise and Desmond’s time is far shorter than that.

“Someone has to leave first. This is a very old story. There is no other version of this story.” (Richard Siken, War of the Foxes)

With everything we have of them so far, regardless of how Desmond and Eloise’s individual stories play out, they will be in one way or another entwined.

Thank you for reading, and I would love to know your thoughts!

BIBLIOGRAPHY:

Aristotle, Thompson D. W.,The History of Animals

Goodison N. J., 2023, Introducing the Medieval Swan

Hugh, 1172, Aviarium

Jones S. L., 2018, Feathered majesty in the grainfield? Conflict, conservation, and the whooper swan in Iceland

Lönnrot E., 1835, The Kalewala

Marquez M. C., 2024, Exploring the Intersection of Indigenous Knowledge and Shark Science

Muter B. et al., 2012, Conservation Biology, Australian and U.S. News Media Portrayal of Sharks and Their Conservation, Vol. 27, No. 1

Nosal A. et al., 2016, The Effect of Background Music in Shark Documentaries on Viewers' Perceptions of Sharks

Taylor L. R., 1993, Sharks of Hawai’i: their biology and cultural significance

Tchaikovsky P. I., The Swan Lake Ballet

#★: p:eg #project: eden's garden #desmond hall #eloise taulner #p:eg

103 notes · View notes

divineei · 1 year ago

Text

TOOTM one. to keep a promise

! ko kyungjun x fem!reader

a/n. this shit took so long omfg. whoever said writing was easy can suck my nonexistent left nutsack.

"i don't get why this is even a discussion."

"oh, cmon! you don't think the conflict around it is interesting?"

"whether its interesting or not doesn't matter because this shouldn't be an existing argument. if your partner or someone you love commits a murder and there's serious evidence pointing back to them, how could you just act like it's not even there?"

"dude, you're missing the point entirely. the question is not about what you would do in that situation, it's about what you should believe."

"that's so stupid. the only factor you should need is evidence. it doesn't matter if the accused is a long time friend, your partner, or even your child. sure, your judgment on their character is still relevant, but if their fingerprints were found at the crime scene there's just no way you can objectively ignore their culpability. at that point, you should either believe your partner is guilty or at best remain undecided."

"in that case, would you say that following the evidence is morally required?"

"absolutely."

"you don't think there might be other ethical factors to consider?"

"for example?"

"even though the evidence is strong, there's still a chance they might not be guilty. imagine how it would feel like to be innocent and have no one believe you, not even your own partner! by not supporting them you run the risk of seriously hurting them on a crucial time of need. and consider what this lack of trust would do to your relationship. could you really go on after seriously suspecting–and believing–they're a murderer?"

"are you saying you'd rather ignore the crimes of your partner, even when the truth is staring you in the face, just for the sake of love?"

outside of the ethical dilemma resonating through yoon yn's headphones, the girl shifted around on her seat. her limbs felt numb from remaining unmoving for so long and, even though the only companion by her side was her bag, the compact space paid no mercy on her back.

after finding a comfortable position she set her eyes on the view outside the window. sunlight hued over the fields of grass and the occasional farm, making the rural landscape imitate a painting in motion shaped by the most gentle brush strokes. the scene felt so engrossingly peaceful, she could almost feel the gale caressing her features despite the glass separating her from the world.

yn couldn't help but thank the scene–and the long lasting battery of her headphones–for giving her something to focus on, seeing as the ride to the resort her class was directed towards had resulted to be such an otherwise tiresome one.

"YES!"

an obnoxious voice popped yn's bubble in spite of the maximum volume she'd set for her podcast. distracted by the sound she turned to glance at the very back of the bus, where the students grouped up at the last row of leathered seats frowned in unison at heo yool–who mocked them with the cheekiest grin one could imagine. judging by their sullen looks, yn figured the citizens had lost yet another round of mafia, a game they'd been playing for who knows how long.

she recalled when her classmates had urged her to join the game the moment she stepped into the bus, which she declined, prioritizing her tranquility over the headache she knew they'd give her, yet promising she'd join in the next time.

after figuring out the source of that ruckus yn set her focus back on her podcast, purposely missing the eyes of the guy she'd been avoiding to the best of her abilities for days now.

just a few rows behind her, kyung jun's eyes never left yn as she disappeared between the sea of heads flooding the bus, and his scheme of intentionally leaving the space by his side unoccupied for her came to mind, especially remembering how his grand plan backfired when that fucking basketball-star-wannabe gave up his seat for her.

that annoying prick just couldn't get the memmo, couldn't he? to him, hyun ho had always been a nuisance; a pest that treaded on yn's heels at every chance he got–even when she used to hang onto the feared delinquent's arm.

"they're so loud," kyung jun muttered. he'd been trying to settle down the bittersweet echoes of his mind since the start of that damned school trip, in vain, since the blaring voices behind him made the flare that was his temper even harder to quell than any of those memories.

luckily, he needn't lift a single finger to make the commotion stop, and he was able to get some peace of mind thanks to his lackeys acting as spokesmen for his aggravation.

on the other side of the large vehicle, kim so mi sneakily took pictures of the class president.

"hey look, isn't he gorgeous?" the vice president called, showing what was sure to be one of her new favorite pictures to her friends seated behind: park ji soo, cha yoo joon and park woo ram. "doesn't this belong in a magazine? how can he look so gorgeous?" so mi repeated with a dreamy sigh, looking at her screen.

"i will tell jun hee tomorrow that you took a photo of him," woo ram threatened with a playful smile.

"oh yeah? what if i tell yn about all the videos you have?" so mi replied, pointing at the camera that always hanged around the guy's neck.

"please do, maybe i'll finally seduce her."

"oh my god," exclaimed yoo joon, "you are so delusional."

"why?" he lifted one of his hands in response to the very serious offense.

"dude, you barely talk to her."

"woo ram, you have the same chances of getting with yn as me and yoo joon of breaking up." ji soo stated.

the guy in mention glanced at his girlfriend, seemingly unaware of the joke. "that's zero, right?" question to which ji soo only rolled her eyes.

"i don't care what you say," woo ram brushed off. "i know she's the love of my life."

"ko kyung jun!" called out so mi.

like a tiny animal trying to save itself from a threatening predator, woo ram jumped to the empty seat by his side, hiding from the vandal's peripheral as much as possible while the rest of his companions laughed.

"fuck, kim so mi!" he cried out, "you trying to get me killed?"

"relax, he's not even looking," revealed the vice president with a cheeky smile.

as if they'd rehearsed it, the four students turned around to catch ko kyung jun's eyes still set on yoon yn, and by the looks of it, he didn't have any plans to cease his staring.

"not seeing them together is kinda weird," yoo joon pointed out.

"does anyone know why they broke up?" so mi asked to her peers, who all looked at each other expecting an answer none of them had.

"whatever," dismissed ji soo, "yn is better off without him anyway."

"yeah, she's been around us a lot more since then." agreed so mi.

"i bet kyung jun barely let her talk to us."

"right? he looks like the controlling type."

"i would never treat her like that." acknowledged woo ram, making his way back into the conversation only to get beaten back down by the three others.

the time inside the bus seemed to work differently than the rest of the world. minutes and hours mixed up in a disorienting spectacle that at least seemed to follow the sun setting over the horizon.

when they finally arrived to the resort, the only source of light were the numerous lamps adorning the streets and the inviting shine of the building before them.

with the bus door finally opened, the students of class 2-3 thronged the exit with overwhelming excitement. the trip had been longer that the teacher had promised and everyone was ready to get comfortable on their temporary rooms. of course, that included yn, who unfortunately had to wait for the rest of her classmates to take their suitcases out of the loaded trunk since her luggage ended up dropping to the back during the ride.

after everyone collected their belongings, the girl was able to retrieve her case at last. it was somewhat heavy but the tiny wheels at the bottom made it easier for her to slide the valise out of the bus' compartment. taking out the retractable handle, yn rolled her suitcase for at most six steps before someone else got ahold of it.

"what are you doing?" she questioned, but the guy simply walked away while pulling her luggage along and up the stairs.

"kyung jun."

at the sound of his name, he stopped. walking towards him, yn stood right between the entrance and the suitcase-stealer.

"what do you think? i'm helping you."

"i can do it myself." yn chided, staring him down harshly.

kyung jun had received many looks like that one throughout his life. from parents, teachers, students... they were all identical, ranging from disappointment to resentment and back. he was used to it. it was his day to day, how could he not be? yet he never imagined the same eyes that used to watch him with so much endearment would scrutinize him so cruelly.

"you used to love when i carried your stuff." he reminded her, scanning yn's face for a spec of something–anything–he hoped could save him from the pain her gaze struck him with.

the girl let out an exasperated sigh. why couldn't he leave her be? why was it that, no matter how much she wanted to distance herself, he always found a way to squeeze back into her life?

yn grabbed the handle of her suitcase and pulled. she wanted to leave, to get away from his side and free herself of his piercing eyes. unfortunately his strength surpassed hers, and she was forced to stay as he kept his grip.

"can you let go?"

"yn," he asked but the girl just focused on the luggage he kept hostage. "can we talk?"

"about what?" she sneered, speaking with as much disdain her troubled feelings allowed.

"you know what."

once again, she sighed. his antics were so infuriating; always pushing down the barrier she tried to put between the two.

"not now."

"then when?" he instantly snapped back, then took a deep breath to stop his grating tone. "you always say that but then you ignore me for days."

"look, i don't have time for this." for the second time, she attempted to retrieve her case. "i promised i'd help with the preparations for the class picture, so–"

"oh, c'mon," and still, he pulled back. "since when do you care about this school-spirit-bullshit?"

he was right, yn never involved herself with whatever activities the school came up with. time and time again, they'd skipped so many classes as to not get involved with all those school projects they both deemed as meaningless, deciding to spend their mornings strolling around parks and nearby shopping districts instead. but that wasn't an option anymore, and yn needed some way to blurr the images that kept torturing her with the agonizing nostalgia of a broken relationship.

"promise me we'll talk. tonight."

"sure," for the third time, she attempted to take back her luggage. but his answer was the same.

"no, yn. promise me."

with every fiber of her being, yn summoned the last shreds of her patience and met his gaze. his eyes held her captive, beseeching her in silence to unravel the troubles he was willing to share with no one but her, and the hypnotic pull of his gaze weakened her willpower to resist.

"i promise." she reluctantly gave in.

as kyung jun finally released the carry-on, yn didn't even bat an eye before snatching it up and walking away. however, as she made her way into the resort center, she couldn't help but feel frustrated with herself for falling for his tricks. all the effort she had put into avoiding him seemed to have gone down the drain so quickly, leaving her feeling defeated.

not wanting kyung jun to catch up to her, yn rushed inside the building.

warm lights illuminated the vast entrance, composed by a lounge area with leathered sofas that accentuated the beige walls with brighter colors and a water dispenser conveniently placed next to the cushioned seats. at the center, a beautiful statue engulfed by faint blue lighting towered over everything below. the perfectly crafted marble giant was impossible to miss, looking like a still guardian watching over the resort's grounds. yet that didn't stop yn from overlooking the sign with the qr code needed for the resort's wifi and facility app.

following the arrows pointing out the way towards the elevator, yn got in and pressed the button labeled dormitories. the heavy doors slid and shut before the steel cage trembled, signaling its vertical movement. suddenly, the girl felt the air tighten inside her chest, twisting her lungs in a way that seemed to strangle them. oxygen got caught up in her throat as images of cables snapping and an imminent fall to her death plagued her mind. in, out, in, out. yn's breath increased as rapidly as tidal waves when the lights malfunctioned and in between flickers, she saw a dark figure out of the corner of her eye.

the moment she snapped her head back to take a look, a faint bell announced the door sliding open. taking in the air as steadily as she could, yn grabbed her suitcase and escaped the cage of death. frightened and disoriented, she questioned if what just concurred has been a quick fever dream or reality. and if it wasn't, why did her mind torture her like that? as far as she knew, never in her life had she experienced something that'd cause this crippling fear of high spaces. so why...?

she shook her head and brushed off the uncanny feeling, dismissing it as a consequence from the tiresome trip and forcing herself to focus on finding the room she shared with ahn na hee and kim so mi, who'd invited her with overwhelming coercion. compared to the elevator ride, figuring out her way to her dormitory was a piece of cake. the girl left her stuff in an empty corner and took the stairs down towards the gymnasium. there, instead of getting scolded by the teacher like she expected, what greeted her was a plethora of different activities performed by her classmates.

in the middle of the room, a group of students flawlessly danced to the rhythm of the songs reverberating from a large speaker, followed by lee joo young and choi mi na silently fighting for the spotlight, and being interrupted by ko kyung jun, who apparently had nothing better to do than to mess with their practice by turning off the music while his two loyal followers, shin seung bin and kim jin ha, played a very dedicated match of ping-pong.

on opposite corners of the gym, jin da bum, choi joo won, lee yoon seo and oh jung won were consecutively separated in two pairs, all conversing with their respective best friends. up on the second floor, cha yoo joon and park ji soo, who never seemed to stay away from each other, watched from above. on the stage, band members im eun chan, nam yeon woo and baek eun ha dabbled with their instruments to make sure everything was perfectly in tune. lastly, jang hyun ho and kim dong hyun busied themselves by organizing all the sport equipment laying around.

"yoon yn!" called kim jun hee from a large set of tables surrounded by the other members of the student council which, of course, included kim so mi and her friend ahn na hee.

with no sight of their teacher around yn walked stress-free to said table, although not before catching park woo ram pointing his camera right at her, which made the guy hastily turning to film someone else.

"you're here," the class president stated. "we thought you got lost or something."

"sorry, i got caught up with something." yn replied. she didn't really care about these preparations, but she did promise to help, and yn wasn't the type to use that word lightly.

"yeah! i was going to text you but we've been so busy preparing everything." so mi ranted, sprinkling salt into the wound.

"i can see that," yn commented, deciding to ignore so mi's backhanded scolding.

"what happened, though? did you really get lost?" na hee asked.

"no, i got stopped by kyung jun."

"oh, right. he was a bit late too now that I think about it."

"is that jackass bothering you again?" hyun ho, who'd come closer to the table just as yn approached, joined in and put a hand on her shoulder.

"no," yes. "everything's fine."

truth be told, yn would rather drop dead than having to deal with kyung jun. however, she knew that telling her classmates about it wouldn't lead to a positive outcome. after all, the only person who had the courage to confront the delinquent was hyun ho, and, given their history, yn was certain his involvement would only make matters worse.

in another area of the bustling gym, the noticeable trio of vandals were causing a ruckus in the corner. as they tossed a basketball back and forth, jin ha hurled the ball at kyung jun, who was too busy gawking at yn's arrival to notice. the ball smacked him right in the chest–a painful reminder of how his focus seemed to always follow after her.

"shit, my bad!" jin ha exclaimed.

their leader squatted to grab the ball at his feet and got back up only for his gaze to fix back towards the girl who constantly distracted him and, of-fucking-course, hyun ho standing right next to her, as always. the sight made his blood boil and his knuckles turn white as he clenched the basketball in his hands, while his rapid heartbeats deafened any coherent thought telling him to settle down.

seeing this, jin ha and seung bin looked at each other before the latter sighed and came closer to his friend. throwing one arm around his shoulders, he spoke:

"why don't we go outside, man? get your head out the gutter."

"yeah," kyung jun agreed, seeing seung bin was clearly trying his best to support him. perhaps he was right, some air would probably do him good right now. "let's go." was the last thing he said before disappearing through the gymnasium's exit, just in time to miss the teacher entering from the other side.

after informing the class presidents about a problem regarding the other bus full of students set to accompany them on this field trip, he left, clearly in a panic because of the unexpected turn of events.

in the meantime, most of class 2-3 remained in the gymnasium. no more than a few minutes went by before the dancing group, who now were fixing their hair and makeup while sitting on the floor, called yn over. ever since they found out about her break up, the girls had been offered her to go out again and again, an opportunity they took to invite her to join their club with not-so-subtle comments.

"oh yn, you should hang out with us more!" were the kind of utterances she always received from the class' cheerleaders.

mi na had insisted on brushing yn's hair. taking the empty stop in front of her classmate, she felt the bristles effortlessly flowing through the roots of her hair to its ends. the conversation was an amicable one. the girls often taking their time to butter up yn and saying how cool it'd be to have her in their club–until the self proclaimed hairdresser decided to dive into something she'd been curious about.

"hey yn."

"yeah?" she answered, eyes closed while enjoying the soothing sensation of the hairbrush.

"why did you and kyung jun brake up?"

mi na found herself at a loss for words when she faced the disapproving and critical stares of the entire group. why would you ask that? their glares yelled in silence, making her feel like she just made a terrible mistake.

"that's between him and i, mi na." yn abruptly ended the change of topic.

why did they break up? that's a question she'd been asked countless times ever since her classmates took note of their separation. a query yn remembered avoiding like a plague, long before this trip. only this time, a strange, guttural discomfort buried into every corner of her brain as she noticed a spec of something missing, unable to put together if the same evasion came as a reflex or because she couldn't answer it herself.

"right," mi na's shame, reinforced by the brutal glares of the other girls, took over her face as her cheeks flushed. "sorry."

luckily for her, just as her face morphed into a cherry tomato, a painful ringing roared through the speakers before the absence of light engulfed the high schoolers in deep darkness.

"c'mon! what is this?" one said.

"what's going on?" asked another.

"hey, turn the lights on!" resonated a voice from above.

a loud clang similar to a metal pipe hitting a hard surface echoed over the four walls, followed by the piercing shrieks of several people. helping themselves with the flashlights provided by their phones, the students revealed a white figure in the middle of the room.

"quit joking around." before any more screeches could be heard, hyun ho launched a basketball to the sheeted ghost, making it fall to the ground just as pathetically as your average cartoon villain.

with the precision of a well-rehearsed act, the room was suddenly lit up, revealing the mischievous culprit behind the childish prank. and lo and behold, it was none other than heo yool.

the collection of complaints from everybody present synced in a perfect expression of annoyance and the occasional insult.

"guys, listen carefully." the class clown™ gathered his classmates' attention as he stood from the ground. "i've heard that, a long time ago, a high school girl killed herself here," he explained, playing the role of a surprisingly talented storyteller. "so there's a few things you should never do: don't look at the mirror and turn around at midnight. and if someone grabs your ankle when you're sleeping, don't look down. if you break these rules," he turned to the group of dancers. "a ghost will pop up!" dashing towards them with the form of a rogish halloween scare actor, he was met with the frightened squeals of the girls.

yn, whose interest in the paranormal had never been deep enough to scare her, grabbed mi na's hairbrush and hurled it towards heo yool. an action that encouraged the rest of the class to throw everything they had at hand, along with some despicable remarks and the teasing laugh of the insufferable rascal.

defeated by heo yool's stunts, the students decided they've had enough as one by one they exited the gym.

"are you coming, yn?" so mi asked.

the girl nodded before answering, "i'll be there in a minute. i want to get some water first."

at the entrance, so mi and yn parted ways. she approached the water dispenser and took one of the cardboard cups provided by the machine. ever since the lights of the gymnasium had turned off, the girl noticed an unusual taste in her mouth that reminded her of her frightening fever dream at the elevator. she felt it at the back of her neck: something eerily creeping behind her at every given moment. was it possible that heo yool's story actually got under her skin? trying to brush off the uncanny sensation, yn took a sip from the refreshment in her hand.

"yn!"

the call startled her, making the water get caught up in her throat. she coughed and patted her own chest as the liquid scraped its way down her larynx, like a tiny bug trying to escape a spider's web. once able to compose herself, yn glanced towards the voice.

"im so sorry!" joo won panicked in a stutter, "i didn't mean to do that, are you ok?"

"im fine." she wiped the water from her lips with her long sleeve.

joo won and his companion standing behind, da bum, stared at her in silence.

"do you want anything or...?"

a simultaneous no and a yes echoed trough the entrance, followed by a confused frown from the girl and whatever silent conversation the two guys were displaying with their eyes.

"do you think maybe you could," joo won took his sweet time to mutter his next words, as if scared. "talk with kyung jun?"

"excuse me?"

what the fuck...? did kyung jun put them up to this?

"we just, well," the spokesman of the duo halted. "we gave some money to his friends a few days ago and we just don't want to bother them."

oh.

"so you bother me?"

"no, no!" da bum spoke promptly and grabbed his friend's arm, pulling him along as he took a few steps to leave. "it's ok, yn. we won't bother you."

joo won released himself from da bum's grasp and walked towards yn. "please," he pleaded, holding one of her hands tightly with both of his. "he'll listen to you."

right as her heart started beating with enough sympathy to care for their situation, the front door opened. seung bin, jin ha and kyung jun walked into the building, the latter playing around with a basketball.

the three delinquents would've kept their saunter if it weren't for yn's presence, which made the group's top dog stop in his tracks. his companions did the same and all stared at the situation unfolding right in front of them. kyung jun's eyes stayed on the hands holding yn and after noticing his threatening glare, joo won leaped away from her.

"what's going on?" asked the fearful leader.

"you owe them money?" yn countered, her eyes flickering between the trio.

"what?" the blonde one laughed, brushing off the accusation.

"they do!" joo won blamed, but instantly went back to his helpless self when met with the bullies' threatening scowls. "please, i just need it for my tuition."

the firm glare of the girl pierced through the tough act of the tamer vandal, making him drop his facade as he approached the feeble boy, closed fist in the air.

"fuck, man! we're on retreat, why are you asking us for money now?"

"yeah," seung bin joined in, defending his friend. "what are you, a loan shark? we told you we'd give you interests. give us some time, dipshit!"

kyung jun, who'd only taken the role of observer until that moment, put down the basketball he held and intervened to slap both of his lackeys' heads. "did you do sports betting again? huh?"

like scolded puppies, seung bin and jin ha faced the floor as they stepped aside.

"da bum," he called, and the guy lifted his head to stare at the bully. "did you lend them money too?"

"huh?" as kyung jun stalked closer, da bum's heart raced faster with every step. his eyes frantically scanned the room, desperately seeking any distraction from the intimidating figure slowly closing in on him. "yes. but i can wait for my money. there's no rush." with a lump in his throat, da bum braced himself for whatever was coming next.

"how much?" kyung jun's open hand grabbed the side of da bum's face, forcing the terrified boy to look right at him. "ill pay you back."

"you will?" da bum stuttered.

"of course," his grin turned into something sinister, which allowed only da bum to see because of their proximity. "in return play basketball with me, yeah?"

he faintly smacked his victim's face twice before coming up to yn. "everything's alright here, yn. see? no need for this." kyung jun reached out to hold her hand but she pulled away before any contact could be made.

was she really so revolted by him she wouldn't even let him touch her? accepting his defeat, kyung jun hid his hands inside his jacket's pockets.

"right," yn looked at da bum and joo won, who were currently being pushed around by the other two, before turning back to kyung jun. "in that case, i'll get going."

"you're not coming with me?" just as yn started to walk away, his words pulled her back in.

"i'd rather not."

"are you sure?"

with a swift nod, kyung jun signaled seung bin and jin ha to go ahead and, bringing along the poor students they were about to torment, they disappeared down the hallway.

they were left alone, just like kyung jun liked it. only them, with nothing and no one around to interrupt their precious time together.

not a single second did he stop looking into her fiery eyes, which only seemed to hold a hostility that antagonized his own devoted regard.

"it's almost midnight."

both held each other's gaze, which kyung jun took as an invitation to step towards the girl. he stopped right in front of her and, unfortunately, yn's heart betrayed her mind as she internally screamed for it to cease its raising beats.

kyung jun's hands raised to yn's face, completely forgetting her previous rejection. for a second, he thought of apologizing, since she'd made it clear time and time again how much she now despised his presence. but how could he apologize for something he was barely conscious of? he couldn't help himself, not when she was merely inches away, not with her. maybe if he insisted–if he didn't give up–she'd finally understand why staying apart was never the world's plan.

"you promised me. remember?"

his hands were close. so close he could feel his fingertips grace her cheeks, a touch so minuscule, yet enough to make his skin crawl with anticipation.

he was too close.

yn stepped back just as she felt the fleeting spark. she would be dammed if she ever allowed him to touch her again, in more ways than one. or at least that's what she told herself as she fell right into another one of his tricks. kyung jun knew her well; too well for her liking. and with such measly words she found herself helplessly cornered by her own self-discipline and morals.

fucking bastard.

up in the vast dormitory area of the resort center, different groups of people were each caught up in their own conversations, without a single care in the world or the impending sinister feeling hanging over their heads like an invisible wrecking ball about to crash and destroy every single thing they ever cared for.

in her room, lee yoon seo was finally able to lose herself in her novel when her phone pinged. slightly annoyed by the distraction she took a closer look to her home screen, which displayed an app in process of downloading.

"i told you i didn't need this." she showed the screen to her roommate.

"it wasn't me." jung won answered, just as astounded.

our perspective changes and now we observe a group of various students, all gathered in one room. the class couple, the cheerleaders and members of the student council all sharing snacks and stories between them in perfect harmony until a knock interrupted.

"come in!" allowed the vice president.

"hey guys," the door opened, reavealing hyun ho accompanied by his best friend, dong hyun, who stayed on the hallway behind him. "has anyone seen yn?"

"how come you don't know? you're always following her." mocked woo ram before taking a handful of chips from one of the various bags scattered around the room.

"you're one to talk." ji soo muttered, which provoked woo ram to throw a scrambled napkin her way.

"i'm serious." hyun ho replied, "i've tried texting her but this wifi doesn't even work."

"she told me she was going to get some water, isn't she downstairs?" just as so mi finished her sentence, one by one every phone in the room chimed.

notifications spread throughout the resort like a 14th century pandemic, resonating around every room as if imitating the never ending bells that announced the beginning of the end.

back in the gymnasium, joo won stood shaking below the basketball hoop with his friend by his side, eyes shut tight as neither dared watch the nearing hit from the ball.

"joo won, stay right there." kyung jun sneered as he prepared himself to throw. he looked up, targeting the net as he bent his knees, faked a jump, and sent the ball right into the boy's stomach.

joo won kneeled in pain, groaning and grasping his abdomen with both hands in his best attempt to soothe the aching sensation puncturing his body.

yn watched the situation unfold as she sat on the rubber gym flooring, otherwise cold if it weren't for seung bin's zip-up laid out below her. it had been kyung jun who'd instructed the blondie to give up his hoodie, since yn declined on taking his own. not a single word was heard from the girl ever since stepping into the gym as the trio took turns tormenting their two victims, until now.

"i didn't come here for this, kyung jun."

almost ten minutes had passed and she was still waiting for kyung jun to approach her and start the conversation he so adamantly pushed onto her.

"c'mon yn, let me give it one more shot."

he must've lost his fucking mind, thinking he had her wrapped around his finger to waste her time in such a way. fed up, yn got up and snatched the basketball out of his hands before throwing it away. it rolled towards jin ha, who immediately picked it up to quite the sound of the bouncing that only seemed to raise the tension of the ex-lovers' quarrel.

yn opened her mouth to give kyung jun an ultimatum, a last opportunity out of her remaining patience, when a sudden ding emitted out of her skirt's pocket. she would've payed no mind to it if it weren't for the other five identical sounds that propagated right after.

each person in the room took out their phones and faced their screens, which displayed a virtual envelope eagerly waiting to be opened.

TAP TO VIEW YOU ROLE, read the text below.

"wasn't this the resort's app?" asked jin ha, to nobody in particular.

resort's app?

she never knew about any app.

"mafia?" seung bin laughed from his spot at the floor and showed his screen. "what's this about?"

"what the fuck is this?" kyung jun mumbled with a frown, clearly confused.

yn brought one hand to the back of her neck as the abnormal sensation from minutes ago reappeared. goosebumps started breaking out throughout her skin and every cell on her body seemed to tremble uncontrollably while she stared at the little black mirror on her hand. which, as she would soon find out, reflected the last version of herself with any shred of purity.

🏷️ @flaneurpastel - @jwijii - @watamotee33

#fem reader #night has come #night has come kdrama #go kyung jun #ko kyung jun #cha woo min #kyungjun #nhc kyung jun #nhc x reader #nhc #night has come ko kyung jun #night has come kyung jun x reader #night has come x reader #ko kyung jun x reader #go kyung jun x reader #kyung jun x reader #night has come kyung jun

413 notes · View notes