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consanguinitatum · 1 year ago

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An in-depth look at David Tennant's 1993 short film, 'SPACES'

I'm back!

Today's David Tennant post will stick with my trend of covering David's roles in his harder-to-find short films. Before 1997's short Bite (covered in my last post) and 2001's One-Eyed Jacques (covered a few posts back), David played the lead role in the 1993 short film SPACES.

SPACES got made because of a Scottish joint short film initiative called First Reels. First Reels - funded by Scottish Screen/Scottish Film Council and STV - was launched in 1991 to provide grants for young and first-time filmmakers to complete their first film or video project.

With a running time of 14:54, SPACES was written and directed by Steve Pang and produced by Pang, Jo Roberts, and Stray Dog Film Company. SPACES starred David as Vinny, Colin Brown as Duncan, Becky Baxter as Jane, Mike Gibbin as the Kilted Drunk, and Daniel Byrne as the Homeless Boy.

When the First Reels project was announced, Pang was studying at Edinburgh's Napier University. He submitted a script - and won the grant. When I spoke with him, Pang told me winning the grant helped provide the funds to make SPACES a reality, in the way he wanted it made. "Had we not won the grant," he said, "I think the film would have still gone ahead in some form, but we would not have been able to pay the cast or equipment suppliers – which would have undoubtedly had a detrimental effect on the film, in my opinion."

In the following years Pang decided to shift gears and move into film and television editing. He began in film as an assistant editor in the 1997 James Bond film Tomorrow Never Dies and on television in 1997-1998’s The Vicar of Dibley. Since then he's worked in various editing capacities on a lengthy list of projects including Band of Brothers, The Da Vinci Code, Lord of the Rings: The Return of the King, The Hitchhiker’s Guide to the Galaxy, The 10th Kingdom, and Gravity.

Initiatives like First Reels (and Prime Cuts, which funded six 5-min film dramas annually and helped fund the production of Bite) allowed creators the funds to produce incredible pieces of art that would have otherwise never been made.

And bless them for it! The years these kinds of initiatives were active also happened to be some of the first professional ones of David's career since graduating in 1991 from the Royal Scottish Academy of Music and Drama (now the Royal Conservatoire of Scotland). The fact these initiatives were both available and encouraged certainly gave us David Tennant fans more early opportunities to see him on film!

IMDb describes the short as "a young man's night shift in a car park in Edinburgh and the characters he meets over the course of the night: an older colleague with a troubled past, a bright young girl who uses the empty car park for her violin practice, and a young homeless boy." David's character, Vinny, is challenged with a difficult situation and must rise to the occasion to face it.

Pang told me his goal was to "keep things simple", and he came up with an idea to collate all his experiences working part time in a 24-hr car park into a single night. He settled upon an idea that could be shot in one location, and with a small cast.

About David, Pang told me that he was his first choice for the lead role of Vinny in the film. He said DT seemed remarkably in tune with the character he had written, and came across as incredibly natural in the first audition. The role was his immediately. "We contacted a number of local actors’ agencies and as I recall, the actors in the film were all our first choices for each role," Pang told me. "Working with him from rehearsal to shoot was great. We had a tiny budget, a cold dark location, and a night shoot. I remember once our equipment caused a short circuit at the location which required us to completely re-order the schedule. I think our catering consisted of soup and bread for everyone? It was all very basic."

That's it for SPACES. If you want to see it you can- it's available for onsite viewing only at the Moving Image Archive in Glasgow. If you're near there go reserve a viewing. Oh. and here's a screenshot of the film taken from the record for SPACES at the Moving Image Archive website:

And here are all the other screenshots I've gathered up from the film:

#ObscureDavidTennantPerformances #DavidTennant #SPACES #DavidTennantShortFilms

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missv4mpsdiary · 4 months ago

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Miss Vamp’s Diary • Fetish Goths Explained

Introduction

This is my first tumblr post don’t judge me. I’ve been wanting to do this since purple galaxy pattern was trending. I’m also writing this on my phone atm. You can skip the introduction, just trying to show some credibility as a goth content creator (ʃᵕ̩̩ ᵕ̩̩⑅)

Hello, my name is Miss Vamp. You can also address me as “Vamp” or “V4mptiddy” if you’re not one of my simps online. I decided to open up a small blog to elaborate on some small things like my inspirations for my fashion/cosmetics, honest makeup reviews, commentary on gothic culture or just personal experiences as a financial dominatrix. I want to share more dimensional factors about my (attempted) online personality. This is my awkward way of actually conveying some information that I’ve planned on sharing with the public such as how I’ve grown into being “Miss Vamp”.

I’m a year and a half in the industry, I hope to have this as a long term investment in my future. I aspire to be a goth influencer like MamieHades with my own twist. I love her to bits, one of the first people to notice my posts when I started on Instagram around April 2023.

During my time, I’ve managed to have a sub-funded makeup series where subs buy my makeup for me, a collaboration photoshoots with my best friend of eight years (Mellowbatz on IG), and own a 18+ NSFW discord server, “SlutCult”. So that’s also pretty cool too. I feel almost indebted to the Findom, Goth and BDSM community for supporting my dreams. I’m still small, lots to improve on but optimistic on what my capabilities are in regards to my own contribution towards the locals.

(I’m open to mutuals, you don’t have to pay to chat with me. In spite of that, sub that are interested in serving me, my initial tribute is $20. I’m a busy woman so I expect something transactional to catch my attention.)

Anyways, since I’m juggling so many things so early, making so many securities, a lot of people acknowledge it but never really understand how much this occupation means to me. I’ve barely started recognizing the emotional attachment I’ve had with this occupation until six months into it. There’s more intricate details between the line of my presentation. They don’t know my storyline of how I swindled to becoming a sensual sadistic fetish goth vampire that glue down their eyebrows and give subs nightmare fuel with my uncanny goth makeup. Nor have I truly exposed this side of me. In an unfiltered and non restricted manner. This is my raw self and attitude through written work.

Findom, Makeup tutorials and Goth Modeling is honestly my biggest passion as I’m entering my twenties and one of the things that orbits around my individuality. Yes, I have other accomplishments like graduating with an English degree and other adult stuff but this is equally important to me.

I plan on possibly running a YouTube channel with my bestfriend in the future but for now, I wanted to dabble in blogs and possibly have this as an online diary. A media that my intended audience can enjoy and for subs to indulge in secrecy.

If you've followed me on my other platforms outside of tumblr, I identify as a Fetish Goth. At some point, I pathetically failed to articulate that I wanted to have more queer/alt mutuals on an Instagram reel which backfired because I realized my interest is NICHE. It’s not well defined and misconstrued to be something else. Therefore, I feel like I have a sense of responsibility to actually elaborate and educate people who actually have an interest in my vision. I see that there’s attentive people that would like to know what I’m deliberately posting about.

General Explanation About Fetish Goths:

Fetish goth is a style blending elements of gothic fashion with BDSM aesthetics, stands out as a striking and provocative form of self-expression within alternative communities. Sensuality can serve as an identity in an individual’s life by their practice, morality or occupation. Sex sells but committing to the bit is taboo. It’s distinct subculture style within the broader landscape of gothic fashion, drawing influences from BDSM culture, punk fashion, and alternative music scenes. It was formed in the progression of goth culture, embracing edgier and more provocative aesthetics, incorporating elements of fetish wear and erotic symbolism into their attire. Generally speaking, it’s the reason why we wear fishnets, chokers and corsets.

The origins of fetish goth can be traced back to the late 20th century, a period marked by profound social and cultural upheaval with pop culture. Pop Culture media loves incorporating it but the average citizen can sneak a few disapproving glances at you. This fashion statement is not only controversial but can be relevant in today’s societal pandemic of purity culture and norms about fashion. A more honorable mention is the arguments about goth only fans models and idiots arguing in my comment section about how i’m a “poser” yet they lip sync to London After Midnight’s “Bondage Song” as a thirst trap on TikTok. This evolution in thought is not merely academic but has had profound social and moral implications. The motives developed through the ongoing media interpretation of said fashion and formed into a more political statement. In recent years, it has continued to germinate and adapt, reflecting changing attitudes towards gender, sexuality, and identity. As society becomes increasingly diverse and inclusive, fetish goths have expanded their ranks to include individuals of all genders, sexual orientations, and cultural backgrounds, encompassing a more fluid and expansive understanding of alternative fashion and subcultural identity.

As punk and gothic subcultures gained momentum in the 1970s and 1980s, a wave of creative experimentation swept through alternative communities, challenging conventional notions of fashion and identity. Inspired by the DIY ethos of punk and the macabre elegance of gothic aesthetics, early fetish goths began to incorporate elements of fetish wear / symbolism into their attire. The 1990s had a rise in electronic music (synth waves) and Fetish style such as PVC, rubber, piercings, leather latex and BDSM bondaged wear in Goth Clubs. This was an imperative step in separating Goth as a distinct subculture that is dissimilar to the post-punk scene it spawned from. Punk fashion had also incorporated elements of bondage and BDSM-wear because it was popularized in the media (Vivienne Westwood and Malcolm McLaren’s legendary SEX store in London) but it wasn’t as evident. Most punks were wearing D rings rather than O rings. The difference is O-ring is solely meant for BDSM, it means ownership and customized for humans participating in it; Having a D ring on a collar was catered to dogs. This might be a culture shock to some but chokers are called chokers for a reason.

It was merely drawing inspiration from the dark romanticism of gothic literature, the raw energy of punk rock, and the provocative aesthetics of BDSM. Fetish goths crafted a distinct visual language that defied categorization and pushed the boundaries of traditional fashion. The rise of this look coincided with a broader cultural shift towards alternative lifestyles and underground subcultures. As mainstream media and popular culture began to co-opt elements of gothic and BDSM aesthetics, fetish goths carved out their own niche within the subcultural landscape, embracing DIY ethos and a spirit of creative rebellion. From underground clubs and music festivals to online forums and social media communities, fetish goths found camaraderie and solidarity with like-minded individuals who shared their passion for dark fashion and unconventional beauty.

This is the part that could be upsetting to some but I must admit that it’s necessary to emphasize on how insane some users sound when they blame me as “part of the problem”; that doesn’t make sense. Fetish goth is not porn material, I personally don’t pretend to be goth for money. Not every single fetish goth is meant to be a sex worker, some just like it for the sex appeal and nothing more. As for me? I incorporated it into my findom / online branding and it was my own personal choice. There’s something more important to be addressed about within this context, there was always a fetish component to the subculture. It’s inherited into our characteristics. It doesn’t mean that femme presenting people should be fetishized. No one deserves to be fetishized unless there’s consent. I just need to make it abundantly clear it has been adopted by the goth scene entirely and any article of these clothes can be obtained without going to a sex store. It’s the unspoken reason why goth clubs are 18+ and elder goths were so territorial around baby goths. We have adopted explicit fetish accessories and turned it into street wear, the beloved footwear of big stompy boots also deviated from early goth footwear. While Demonia makes many styles of gothic shoes, their most identifiable boots are characterized by their tall platforms and heavy silver hardware, which can take the form of spikes, O-rings, buckles or chains. Both of these that were originally worn by them are now integrated into casual fashion and have influenced gothic culture. So I’d hate to register people on my page complaining about my fashion niche as hypocritical. ESPECIALLY if they’re in possession of Demonia boots and lip service items, it’s like the call is coming from inside the house. It’s so similar to our modern appearance that people can’t differentiate the two or register that it was the blueprints.

One of the key influences on the development of fetish goth style was the BDSM subculture, which was also a distinct community in the latter half of the 20th century.

BDSM, an acronym for Bondage, Dominance, Sadism, and Masochism, encompasses a wide range of practices and identities centered around consensual power exchange and erotic role-playing, Outside of the biased interpretations it’s classified as "a multidimensional paraphilia of sexuality; (consensual) power interchange in sexual encounters." All of this is safe of course, unlike the stigma, there are plenty of rules and reinforcements because it’s disciplinary between two parties (or more).” Fetish attire actively include leather, latex, corsets, and other fetishistic attire serve as symbols of sexual empowerment and personal expression, challenging societal taboos surrounding sexuality and desire to the public interest. It could simply be served as a temptation and pinpoint what kind of individual a person is by their reaction; "A twofold evolution tended to make the flesh into the root of all evil, shifting the most important moment of transgression from the act itself to the stirrings - so difficult to perceive and formulate - of desire" (Foucault, p. 20), reflects the seductive nature of fetish goth attire.

The main introduction is mainly with O rings chokers, big boots (with O rings, chains or spikes), bondage pants, chains/mail materials, and PVC, a type of latex leather that has a glossy shine, and the alternative version faux leather. This style does more than simply shock or oppose societal norms; it questions the foundations upon which these norms are built. By bringing 'the stirrings of desire' into the open, It critiques the notion that internal desires should be repressed or hidden. Instead, it celebrates these as parts of human identity that should be acknowledged and expressed. The visibility of such attire in public spaces and subcultural gatherings underscores a rejection of the idea that the body and its desires are sources of evil or shame. Furthermore, the very act of displaying what is conventionally concealed operates as a form of resistance against societal controls over the body and sexuality. It embodies a challenge to the 'twofold evolution' where the personal, internal aspects of desire are not only made visible but are also celebrated rather than censured. In doing so, fetish goth fashion not only redefines the aesthetics of desire but also reclaims agency over how desire and the body are perceived and governed.

Philosophy In The Details:

In historical context, particularly within Christian doctrine, this transformation can be seen in the transition from a focus on overt acts of sin to a more introspective examination of one's inner life and temptations. This shift places a greater moral burden on individual thoughts and feelings, which are inherently more subjective and less observable than actions. This introspective turn is deeply aligned with the practice of confession, where the faithful are encouraged not only to repent for their sins but to verbalize their innermost temptations and desires, thus making what is internal and hidden into something spoken and external.

So yes, to an extent there is a transformation of desire when most people start experimenting with it. Western societies have conceptualized sin and morality. This statement reflects a significant shift from viewing sin as merely a matter of wrongful actions (the acts themselves) to a deeper concern with the internal desires and impulses that precede and instigate these actions (the stirrings of desire). Without a doubt, there’s a site of moral scrutiny and social control that resonates strikingly with the aesthetics and expressions within it. Fetish goth attire, with its explicit evocations of the forbidden and the transgressive, challenges this historical moral schema by externalizing and aestheticizing what mainstream culture might deem dark or deviant desires. The provocative nature of fetish goth attire is not just a fashion statement but a form of social commentary. It confronts the viewer with a visual dialogue about the nature of desire, transgression, and the body.

In essence, the provocative freedom of fetish goth attire is a powerful form of cultural critique and resistance, embodying Foucault's observations about the shifts in moral scrutiny from acts to desires. It is more avant garde promoting a more inclusive and accepting approach to the diverse expressions of human sexuality and identity.

Significance In MY Life

However, to me, It’s my lifestyle. Arguably, it's the origins of my alter ego. My wardrobe, which is slowly accumulating more BDSM fetish attire and undergarments. Subs tend to buy my accessories, leather goods, makeup, lingerie and underwear. The exhibitionist in me can’t help but to be promiscuous in material. I personally love receiving attention in tight fitted and licentious displays of my best physical assists. I love it when it’s acknowledged and obsessed when I get complimented by anyone really. There’s just something about it that makes me feel really good inside when I challenge the status quo of “modesty” and “purity”. Makes me perky when I get worshipped for these qualities. Truly and honestly, I write this with my full heavy heart that I feel absolutely empowered. I take pride in being a tease and being spoiled for it. I love taking money and turning people on for wearing sexy clothes. For offending conservatives and being labeled as a lecherous “Jezebel”. It's the sensational urge that dwells within my erotic chimera to make someone choke on their tears when they address me as their Mistress. It’s the shine in my leather boots and in my eyes when I fantasize about a pathetic infatuated slave worshiping me at my toe box. The pleasure within holding someone at the end of the leash and consensually treating the participant as a fetish fashion accessory. Excitement to have a drawer full of subfunded panty just to add on the extra flare of what the distance of a fetish goth can preform. The ability to be thankful everyday because it’s another day to spite someone or give someone a sexual awakening. It’s the principles of my morality and the influences in my judgment as a woman in control of a libido. The confidence I have at this very moment, took many years to build up enough to prevail and rip people limb from limb apart. The guideline of sexual ethics, the philosophy of BDSM. My highest pinnacle of self expression. My own form of sexual liberation and sensuality wrapped in black satin and leather. It’s my redemption for being shamed into conformity. I refuse to surrender something valuable like that again.

This seemingly benign practice of sensuality of discussing desires becomes a profound tool for societal control on my end, influencing not just my own actions but the very desires that motivate an individual. It compliments my personality and if you dare to be technical in astrology, it’s the product of having a scorpio venus. I love the intensity, undying admiration and stubborn loyalty that could be formed in a dynamic bond. Overall, I love garnering eccentric fashion and sexual appeal like Elvira, Mistress Of The Dark. I will say it’s not for everyone, including other goths in the community but this lifestyle was solely the reason as to why I was able to reclaim my power and gain an identity as a fashionista and a findom. I do not sexualize goths, I sexualize myself if that makes sense? The funny thing about the assumption from the public eye is that everyone thinks I'm experienced and “ran through” but I'm still a raging virgin with guilty pleasures and hyperfixation on the topic. Regardless, I hold intense sentimental value in my fashion statement overall.

Originally, I treated this like exposure therapy after my assault and learned all principles before applying it into my life. I hope this perspective offers a critical framework for understanding the acts of rebellion and identity expression in communities, which stand in stark contrast to these norms, showcasing their cultural significance and resistance (and look good doing it). I also wanted to share this to formally specify why I make this such a big deal in my brand. Western societies have historically managed individual desires, particularly through the mechanism of discourse. A form of societal command unique to the West — was established to regulate personal desires captures a pivotal shift in the relationship between individuals and societal norms. This injunction wasn't merely a directive to obey the law; it extended deeply into the private realm, dictating that individuals not only confess to transgressions but also constantly discuss and analyze their desires.

Conclusion

(Relatively speaking as a fetish goth/findom)

Western society compels individuals to transform "every desire into discourse." This requirement to vocalize and scrutinize personal desires allows society to exert control over individuals not just through suppression but through the shaping of thoughts and feelings. Desires, once private, become public and malleable under societal scrutiny. I just personally feel like I’ve always been observed under this pressure before I turned 18 because of the brash gooners that had their brain fried from porn. No matter what I wear, it will never be an invitation but that doesn’t mean people won’t stop eye fucking me. So I interpreted this as my own way of processing and making desires a topic of constant discourse but simultaneously serves as a subtle but powerful form of social control for me. Before I turned into a fleshed out goth girl, I was confronted by this behavior on multiple occasion. If people are going to be weirdos, they might as well pay for my bills.

It operates under the impression of transparency and self-awareness, yet it functions as a mechanism through which society can influence and often dictate acceptable desires and behaviors. In the context of the fetish goth subculture, this societal mandate becomes a site of resistance. By openly embracing and redefining what mainstream culture might consider deviant or taboo, members of this subculture challenge the traditional boundaries set by the historical injunction to regulate desires through discourse. So in conclusion, this is how I live in my truth. Either you hate it, love it or fund it.

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hawkeyefrommash · 4 months ago

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what are questions people have about SEO? i’m thinking of doing some ig reels about it bc tech. does well. and i’m canadian so i cant access the creator fund on tiktok lol

#i work in seo.

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my-weird-news · 1 year ago

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🔥 The Chosen Series: How It Took Over!

The Chosen: Jesus and the Gang - A Divine Comedy In this age of streaming cancellations that hit harder than a breakup text, it's like finding a unicorn wearing roller skates when a show actually survives more than a season. But hold onto your halos, folks, because The Chosen is that very unicorn, prancing its way through the TV landscape like it owns the joint. And what's it about, you ask? Well, buckle up, because it's all about the man, the myth, the miracle worker himself, Jesus, and his ragtag bunch of disciples. That's right, even the Son of God had a crew, and boy, did they have some stories to tell! So there's this show, right? The Chosen, brought to you by the folks at Angel Studios, which sounds like a place where cherubs take coffee breaks between harp sessions. They managed to scrape up enough cash to fund a TV series about Jesus and the gang. And let me tell you, it's gained more followers than the guy upstairs himself. Reviewers are giving it that reluctant thumbs-up, while fans are binge-watching like they're trying to get into discipleship shape. Now, picture this: November 2022, Fathom Events throws a party at the local movie theaters, and who's the guest of honor? Yep, you guessed it — the first two episodes of The Chosen Season 3! It's like a biblical blockbuster, folks. And get this: it made more money than a bake sale at a ghost convention. Even the CW, the folks who usually air shows about superheroes in tights, decided to jump on the salvation train and picked up The Chosen. Move over, Superman, Jesus is in the house! But wait, it gets better. The show hits the good ol' linear TV, and 500,000 people tune in to see what the fuss is about. That's a lot of loaves and fishes, my friends. Sure, it's a smidge less than the 100 million global streamers, but hey, baby steps, right? Then there's this whole strike thing, like the plot of a sitcom episode gone wrong, and SAG gives The Chosen the golden ticket to keep filming its fourth season. It's like a divine intervention for TV drama. And oh, the characters! We've got Nicodemus, who's got religious leader vibes; Matthew, the tax collector who's also somewhere on the autism spectrum; Simon, the hot-tempered dude, and his bro Andrew, who's got brooding fisherman vibes. And let's not forget Mary Magdalene, who's battling addiction and alcoholism like they're her arch-nemeses. The show's got more drama than a soap opera, and I'm here for it. Now, when it comes to business and culture, it's like the Last Supper of complexity. Can you imagine portraying Jesus without offending anyone in today's world? It's like walking on water and hoping you won't sink, all while trying to keep the right-leaning fan base happy. But fear not, The Chosen is up for the challenge. They've got this magical formula of humanizing characters and making fans feel like they're in on the whole divine secret. But what's The Chosen all about? It's like a modern-day retelling of the greatest story ever told, straight from the Bible's highlight reel. It's all about Jesus and his adventures with the gang, based on those famous Gospels. You can stream it on Angel's website, Peacock, and even a fancy app. They've even got season one chilling on Netflix, like an unexpected cameo in your favorite show. Creator Dallas Jenkins, he's the big cheese behind this extravaganza, and he's on a mission to show Jesus in all his glory. He's all about that "accurate representation" jazz, but he's not sweating about who's tuning in. So, Angel Studios swoops in with bags of cash, like a biblical Brink's truck, and funds start pouring in. Season one makes it rain with $10 million, and they double down for seasons two and three. That's enough money to turn water into wine and then some! And there's a twist in the script: The Chosen wants to be real clear that while they're jazzing up history and art, they're still keeping it real. They've got this disclaimer at the beginning, like a "don't take this too seriously" memo. But let's face it, for some folks, fictionalizing the Bible is like borrowing your neighbor's lawnmower without asking — a seriously big deal. But this show doesn't just stop at divine drama. It's all about world-building, like a biblical version of SimCity. They're helping us understand the whole Middle East situation when Jesus was doing his thing. There's the Roman Empire, trying to keep it together while dealing with taxes and rebellions. Persecution and drama are like their bread and butter, and competing Jewish factions are throwing shade left and right. And here's the kicker: the characters aren't just your run-of-the-mill disciples. We've got Nicodemus, the religious VIP; Matthew, the tax guy with an extra sprinkle of uniqueness; Simon, who's basically the hotheaded dude in the squad; and Mary Magdalene, who's battling her own demons along with addiction. Oh, and let's not forget the two bros, Simon and Andrew, who are like the original sibling duo. But this show isn't just about miracles and fish-sharing. They're diving deep into the juicy stuff, like racial tension and prejudice, and they've got Jesus himself throwing shade at his own followers. And the disciples? They're dealing with everything from money problems to relationship drama. It's like a first-century soap opera, folks, complete with divine interventions. The thing that makes The Chosen stand out is that it's all about the characters. Sure, there are miracles and swooning vocals in the mix, but it's the gang that steals the show. They're like the Kardashians of the ancient world, but with more loaves and fewer contour kits. But here's the million-dollar question: what's the theology behind all this divine drama? Well, turns out it's a bit of a divine mystery itself. The show's got this sneaky way of not shoving theology down your throat. It's like, "Hey, we're diverse, but not too woke, okay?" And that's a tricky balance to pull off, like walking on water while juggling fish. But don't think The Chosen is all smooth sailing. There's been some drama off-screen too. They had this crew member sporting a Pride flag, and it was like the biblical version of a plot twist. Conservatives weren't too thrilled, and it was like a modern-day parable of tolerance and diversity. So, there you have it, folks. The Chosen, a divine comedy that's part historical drama, part soap opera, and all kinds of interesting. It's like your Sunday School class got a quirky makeover and turned into a binge-worthy TV show. Who knew biblical figures could be so relatable and entertaining? And with divine crowdfunding powers and some miracles along the way, The Chosen is making its mark on the TV landscape. So grab your# The Chosen: Jesus and the Gang - A Divine Comedy In this age of streaming cancellations that hit harder than a breakup text, it's like finding a unicorn wearing roller skates when a show actually survives more than a season. But hold onto your halos, folks, because The Chosen is that very unicorn, prancing its way through the TV landscape like it owns the joint. And what's it about, you ask? Well, buckle up, because it's all about the man, the myth, the miracle worker himself, Jesus, and his ragtag bunch of disciples. That's right, even the Son of God had a crew, and boy, did they have some stories to tell! So there's this show, right? The Chosen, brought to you by the folks at Angel Studios, which sounds like a place where cherubs take coffee breaks between harp sessions. They managed to scrape up enough cash to fund a TV series about Jesus and the gang. And let me tell you, it's gained more followers than the guy upstairs himself. Reviewers are giving it that reluctant thumbs-up, while fans are binge-watching like they're trying to get into discipleship shape. Now, picture this: November 2022, Fathom Events throws a party at the local movie theaters, and who's the guest of honor? Yep, you guessed it — the first two episodes of The Chosen Season 3! It's like a biblical blockbuster, folks. And get this: it made more money than a bake sale at a ghost convention. Even the CW, the folks who usually air shows about superheroes in tights, decided to jump on the salvation train and picked up The Chosen. Move over, Superman, Jesus is in the house! But wait, it gets better. The show hits the good ol' linear TV, and 500,000 people tune in to see what the fuss is about. That's a lot of loaves and fishes, my friends. Sure, it's a smidge less than the 100 million global streamers, but hey, baby steps, right? Then there's this whole strike thing, like the plot of a sitcom episode gone wrong, and SAG gives The Chosen the golden ticket to keep filming its fourth season. It's like a divine intervention for TV drama. And oh, the characters! We've got Nicodemus, who's got religious leader vibes; Matthew, the tax collector who's also somewhere on the autism spectrum; Simon, the hot-tempered dude, and his bro Andrew, who's got brooding fisherman vibes. And let's not forget Mary Magdalene, who's battling addiction and alcoholism like they're her arch-nemeses. The show's got more drama than a soap opera, and I'm here for it. Now, when it comes to business and culture, it's like the Last Supper of complexity. Can you imagine portraying Jesus without offending anyone in today's world? It's like walking on water and hoping you won't sink, all while trying to keep the right-leaning fan base happy. But fear not, The Chosen is up for the challenge. They've got this magical formula of humanizing characters and making fans feel like they're in on the whole divine secret. But what's The Chosen all about? It's like a modern-day retelling of the greatest story ever told, straight from the Bible's highlight reel. It's all about Jesus and his adventures with the gang, based on those famous Gospels. You can stream it on Angel's website, Peacock, and even a fancy app. They've even got season one chilling on Netflix, like an unexpected cameo in your favorite show. Creator Dallas Jenkins, he's the big cheese behind this extravaganza, and he's on a mission to show Jesus in all his glory. He's all about that "accurate representation" jazz, but he's not sweating about who's tuning in. So, Angel Studios swoops in with bags of cash, like a biblical Brink's truck, and funds start pouring in. Season one makes it rain with $10 million, and they double down for seasons two and three. That's enough money to turn water into wine and then some! And there's a twist in the script: The Chosen wants to be real clear that while they're jazzing up history and art, they're still keeping it real. They've got this disclaimer at the beginning, like a "don't take this too seriously" memo. But let's face it, for some folks, fictionalizing the Bible is like borrowing your neighbor's lawnmower without asking — a seriously big deal. But this show doesn't just stop at divine drama. It's all about world-building, like a biblical version of SimCity. They're helping us understand the whole Middle East situation when Jesus was doing his thing. There's the Roman Empire, trying to keep it together while dealing with taxes and rebellions. Persecution and drama are like their bread and butter, and competing Jewish factions are throwing shade left and right. And here's the kicker: the characters aren't just your run-of-the-mill disciples. We've got Nicodemus, the religious VIP; Matthew, the tax guy with an extra sprinkle of uniqueness; Simon, who's basically the hotheaded dude in the squad; and Mary Magdalene, who's battling her own demons along with addiction. Oh, and let's not forget the two bros, Simon and Andrew, who are like the original sibling duo. But this show isn't just about miracles and fish-sharing. They're diving deep into the juicy stuff, like racial tension and prejudice, and they've got Jesus himself throwing shade at his own followers. And the disciples? They're dealing with everything from money problems to relationship drama. It's like a first-century soap opera, folks, complete with divine interventions. The thing that makes The Chosen stand out is that it's all about the characters. Sure, there are miracles and swooning vocals in the mix, but it's the gang that steals the show. They're like the Kardashians of the ancient world, but with more loaves and fewer contour kits. But here's the million-dollar question: what's the theology behind all this divine drama? Well, turns out it's a bit of a divine mystery itself. The show's got this sneaky way of not shoving theology down your throat. It's like, "Hey, we're diverse, but not too woke, okay?" And that's a tricky balance to pull off, like walking on water while juggling fish. But don't think The Chosen is all smooth sailing. There's been some drama off-screen too. They had this crew member sporting a Pride flag, and it was like the biblical version of a plot twist. Conservatives weren't too thrilled, and it was like a modern-day parable of tolerance and diversity. So, there you have it, folks. The Chosen, a divine comedy that's part historical drama, part soap opera, and all kinds of interesting. It's like your Sunday School class got a quirky makeover and turned into a binge-worthy TV show. Who knew biblical figures could be so relatable and entertaining? And with divine crowdfunding powers and some miracles along the way, The Chosen is making its mark on the TV landscape. So grab your Read the full article

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davidmariottecomics · 2 years ago

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It's All in the Execution

Hello again!

Today is the Trans Day of Remembrance. It caps off Trans Awareness Week. It's a somber occasion. And, content warning for gun violence, hate crimes, injury, and death, this year it is particularly somber as we're reeling from the tragedy at Club Q. It is doubtless that these two incidents are connected. And so today we remember Daniel Aston, as well as the others who were killed. We remember the countless other trans lives that've been ended prematurely. This is going out awfully late into the evening, but please take some time to mourn and grieve and hope for peace and justice for those we've lost.

In terms of practical action, tell a trans person you love them. Maybe send them some money. You can also donate to the Colorado Healing Fund. Or Trans Lifeline. Or the Transgender Law Center. Share this map of informed consent HRT facilities. Follow up with your representatives on any anti-trans legislation in your area. Advocate for your communities and be willing to protect the people in them, by force if necessary.

To get the other serious matters out of the way up top, there are a few comics creators who could really use your help right now. My friend Jeffrey Veregge was diagnosed with Lupus last year and is still hospitalized and his family needs assistance. Tess Fowler and Chris Gutierrez are currently dealing with their own medical emergency. And those are just the ones directly on my radar.

And, finally, our attention turns to Owasso, Oklahoma, where a public school library did one of the dumbest things I can remember hearing about in recent memory: at one parent's complaint about one book, Blankets by Craig Thompson, the school pulled ALL the graphic novels from the shelves for two months and are planning on returning them and adding new ones, but only after every single book is examined page-by-page by an adult who can flag any possibility of sexual or other offensive material. I can only hope that Tim Reiland's daughter grows up to be a more thoughtful individual than he is and that the people in charge of this library are reminded of their duty to present challenging material.

With that all said, I'd also still like to talk a bit about the execution of thematic goals in your work, but if you're too drained, I get it. You can come back later.

This year, Becca and I have been seeing a lot of horror movies. In college, I started getting more into horror and now it's probably the genre most likely to get me into a theater. So far, the two best horror movies we've seen this year are neck-in-neck: Pearl and Barbarian (with X, the other movie in Ti West and Mia Goth's trilogy landing as a solid 3rd, and TBH, we still haven't seen Nope though that's on the agenda for the coming week). I could and will gush about Pearl and X at some point soon. I'll also throw in a good word for House of the Devil, which I feel is a very closely related movie, also by Ti West. Sorry, getting distracted already! Anyway, the point is that A LOT of the movies we've seen this year have been thematically very similar, including those two. But the other three perfectly illustrate a sort of Goldilocks scale of execution of an idea.

The Poppa Bear of the group is Men. I know this movie's very divisive. Some people quite like it for reasons I can't explain. Like Poppa Bear's soup which was too hot or his bed which was too hard, Men was an unpleasant experience. The premise is Alex Garland read a couple articles about feminism and decided he should make a movie about how scary men are to women, forgetting that he already made that movie, Ex Machina. A traumatized woman working through a violent incident in her life goes out to a small English town and all the men in town are portrayed by one actor (an actually impressive feat, but not so much so as to outweigh the movie's flaws) and she thinks she's going crazy because they're all one guy and then the last third gets supernatural, but more importantly, super stupid. "Men are scary" is a really simple theme to build a story on and a worthy one because they are (see above). But one of the things that makes men scary is that they are capable of so much in the real world. That's what Men forgets. Sure, it recognizes that men abuse women physically and emotionally, particularly through gaslighting, but one of it's biggest failings is that as the story continues, the horror becomes removed from that reality. Is it gaslighting if all the men look the same because they're actually played by one guy and also are after you personally? What's the deal with the big "horror set piece" of the story being all the men who are the same guy birthing each other out of the mouth and other assorted made-up holes? It's clearly chosen because there're historically strong connections of womanhood and childbearing (reinforced by the ultimate arrival of the pregnant friend), but uhh... other than her friend being pregnant, it has no bearing on the main character's lived experience. It's just seeing a man do a "womanly" thing like giving birth that's "scary". And that's not scary, nor is it particularly smart commentary because it doesn't actually have anything to do with why men are scary. Anyway, do yourself a favor and don't watch Men. It's the pits. You can watch Ex Machina instead. Or maybe you could watch...

The Momma Bear of the group is Don't Worry Darling. Another divisive movie. This one's debatably a "horror", it's more psychological thriller, but I think those're inter-related enough to count. Like Momma Bear's bed, it's not firm enough. The premise is Harry Styles and Florence Pugh live an idyllic 1950s-esque planned community, organized by the mysterious Chris Pine. While Harry, Chris, and the other men go off every day to work on a mysterious project, the women are restricted to the community and to lives as housewives. But all is not what it seems... Spoilers: The men? Slightly scary. Unlike Men (BTW, hate that as a title because it makes talking about other men in the same analysis so hard), rather than turning the systemic oppression of women into a tête-à-tête between one woman and one many-man, it actually explores things on the levels of real communities and the power dynamics that men have both historically exercised and that many men seem to still fantasize about. Genuinely, the highest praise I can give this movie is that the female-gazed horror is a male-power fantasy. It indulges in the reasons why men act the way they do and in doing so actually gives it a reason to be scary. In terms of it not being firm enough, it's a bit unevenly paced and toned, so the stakes don't really feel material for most of the movie--there's too much mystery about what's going on that even when the audience knows something is wrong, they don't feel that the danger is imminent. It's a solid 6.5 or 7 out of 10, but again, you'd probably be better off watching the director's other movie, Booksmart. Or, you could watch...

Barbarian is a movie you should go into with very little knowledge. The Baby Bear of the group all you need to know is that it is just right. Nah, but like, if you usually check content warnings before horror movies, do that, otherwise, the only description you're getting from me is a woman of color shows up at her AirB&B only to find that it's already occupied by a man claiming he rented it who invites her in to sort things out and from there things happen. And, hey, that premise--already more realistically scary than either of the other two because that's shit that could actually happen. It is a complex movie that manages to actually have something to say--and was written and directed by one of the Whitest Kids U' Know (which I just found out, the twists keep coming with this one!). But, suffice to say, by the end of the movie, you'll get that men are scary and why and have that layered with so much more. It's a masterpiece of filmmaking and of using your story--the location, the cast, the pacing, the plot elements--to tell a cohesive story that not only covers the thematic message you want to convey, but embodies it and grows into something more as it continues.

This is going awfully long again, so let me conclude with two last things.

1. The live reenactment of Studio 60 on the Sunset Strip by Alec Robbins, Grace Freud, and friends was AMAZING. Some of the funniest comedy I've ever had the pleasure of seeing live. If the TV show had been half as good as this one-off reenactment, I actually think it would've lasted more than a season. I don't know that anyone will ever be able to see it if you weren't there, but it was magical!

2. Becca's got their last artist's alley of the year on Tuesday. It's NiteNite Night with Biz Baz Club and New Motion Brewery. There'll be artists selling cool stuff just in time for the holidays and karaoke! Becca's going to have some new merch debuting! It'll be a good time! I'll be there too, but only to help Becca. More info in the image! Hope to see you there!

Pic of the Week #2: As promised with the other post this week, here's a not great picture I took of Tiansheng and I cuddled on the couch when Becca was out of town earlier in the week. He's cute!

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musicindustry123 · 14 days ago

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Maximizing Revenue Through Music Video Distribution: A Step-by-Step Approach

For artists looking to make a living from their music, music video distribution has become a critical revenue-generating tool. While creating quality content is essential, distributing that content effectively can lead to lucrative results. Platforms such as YouTube, Facebook, Instagram, and others offer unique opportunities to not only expand an artist’s reach but also monetize their work. The right distribution strategy can transform a simple music video into an income stream by maximizing ad revenue, audience engagement, and even potential brand collaborations.

For independent artists without the backing of a major record label, music video distribution can be the key to building a sustainable income. In this article, we’ll explore a step-by-step approach to music video distribution focused on revenue generation, covering everything from platform selection to engagement strategies and monetization options. By following these steps, artists can turn their passion into profit and make the most of each music video release.

1. Choosing the Right Platforms for Monetization

The first step in maximizing revenue through music video distribution is selecting the platforms that offer the best monetization opportunities. Not all platforms provide the same potential for revenue generation, so it’s essential to understand each platform’s offerings.

YouTube: As one of the largest video-sharing platforms, YouTube offers extensive monetization options, including ads, memberships, and Super Chats. YouTube’s Partner Program allows artists to earn ad revenue, which can be significant depending on the number of views.

Facebook Watch: Facebook offers video monetization through its in-stream ads. For artists with a strong social media following, this platform can be a viable revenue source.

Instagram (IGTV and Reels): While direct monetization options are limited on Instagram, artists can use IGTV and Reels to build an audience, which can lead to indirect income through sponsorships and fan engagement.

TikTok: TikTok’s Creator Fund rewards high-performing content, allowing artists to earn based on engagement. This platform is ideal for short video clips and teasers, which can drive traffic to the full video on YouTube or Facebook.

Selecting the best platform depends on an artist’s target audience, content style, and goals. For instance, artists looking to monetize longer content might find YouTube’s ad program most effective, while those with a younger audience may benefit from TikTok’s engagement-focused model.

2. Optimizing Content for Monetization

For music videos to generate revenue, they must capture and retain audience attention. Well-optimized videos encourage viewers to watch until the end, which increases ad viewability and, subsequently, revenue.

Key optimization strategies:

High-Quality Visuals: Investing in good lighting, editing, and cinematography creates a professional appearance that captures viewers’ interest.

Engaging Introductions: The first few seconds are critical for retaining viewers. Starting with a hook, whether it’s a powerful lyric or eye-catching imagery, can keep audiences engaged.

Strategic Use of Keywords: Including keywords related to your music style, theme, or target audience helps improve video discoverability, especially on platforms like YouTube.

Effective Thumbnails: A compelling thumbnail can drastically increase click-through rates. Ensure your thumbnail reflects the video’s theme and visually attracts viewers.

CTA for Engagement: Adding a call-to-action (CTA) to encourage likes, shares, and comments can enhance video engagement, helping it rank better on platform algorithms.

By optimizing these elements, artists increase the likelihood of viewers watching the video longer, which can lead to higher ad revenue and improve the video’s performance across platforms.

3. Utilizing Ads and Monetization Tools

Once the video is ready, artists can enable monetization tools to start generating revenue. Each platform offers unique ad formats and revenue-sharing models.

YouTube Ads: YouTube allows creators to choose the types of ads they want to show, such as skippable, non-skippable, and bumper ads. Skippable ads can appeal to viewers who want quick access to content, while non-skippable ads increase revenue per view.

Facebook In-Stream Ads: Facebook’s in-stream ads play during videos, similar to YouTube’s model. Artists can enable this feature if they meet Facebook’s monetization criteria, such as having a minimum number of followers.

Fan Monetization: YouTube, Facebook, and Instagram offer additional options like paid memberships, tipping, and Super Chats, which allow fans to support artists directly during live streams or premiere events.

Affiliate Links: Artists can include affiliate links in their video descriptions to earn commissions when viewers purchase through the link. This is particularly effective for collaborations with music-related brands, such as audio equipment, clothing, or services.

Each of these tools provides a unique way to earn revenue, and by selecting the right options, artists can create a diversified income stream from a single video.

4. Building Audience Engagement for Long-Term Revenue

Beyond direct monetization, building a loyal fanbase ensures sustainable revenue growth over time. Fans who regularly engage with an artist’s content contribute to consistent ad revenue, as they are more likely to watch new releases and share videos.

Engagement strategies for sustained revenue:

Live Premieres: Hosting a video premiere allows fans to experience the release in real-time, enhancing excitement and building community engagement.

Behind-the-Scenes Content: Offering behind-the-scenes footage of the video production or songwriting process helps fans feel more connected, increasing their likelihood to support financially through fan-based monetization tools.

Fan Polls and Q&A Sessions: Interactive features such as polls, Q&A sessions, or comments enable artists to gain insights into what fans enjoy, allowing for more targeted content in the future.

Social Media Cross-Promotion: Sharing snippets and behind-the-scenes clips on social media platforms drives traffic to the full video, increasing both views and ad revenue.

Engagement encourages fans to actively participate in an artist’s journey, which can lead to greater video views, shares, and monetization opportunities. When fans feel valued, they’re more likely to support the artist, whether by sharing the content, attending live streams, or even contributing financially.

5. Exploring Brand Partnerships and Sponsorships

As an artist’s following grows, opportunities for brand partnerships and sponsorships become more accessible. These collaborations can be a significant source of revenue, especially when brands see value in an artist’s reach and audience demographics.

Brand Collaborations: Artists can partner with brands relevant to their audience. For example, a music artist might collaborate with audio equipment companies or lifestyle brands.

Sponsored Content: Brands often sponsor music videos, paying artists to feature products or deliver a specific message.

Merchandise: Many artists integrate merchandise promotions into their videos, directing fans to purchase items like clothing, accessories, or digital products.

Building relationships with brands can provide artists with additional revenue streams, and often these partnerships offer further promotional opportunities, helping artists reach new audiences.

6. Leveraging Analytics for Revenue Growth

A critical aspect of successful music video distribution is analyzing performance metrics to refine future releases and improve revenue potential. Each platform provides analytics that allow artists to understand how viewers engage with their content.

View Duration and Retention: These metrics reveal how long viewers watch the video, indicating where engagement may drop off.

Traffic Sources: Analytics show where viewers find the video (search, recommendations, social media links), helping artists identify effective traffic drivers.

Audience Demographics: Understanding who the audience is, including age, gender, and location, allows artists to target future content and even select suitable brand partnerships.

Using analytics to refine distribution strategies can lead to more effective video performance, higher engagement rates, and ultimately, increased revenue.

Conclusion:

In the digital age, music video distribution offers indie artists numerous avenues to generate income, even without major label support. By choosing the right platforms, optimizing video content, utilizing monetization tools, and building audience engagement, artists can turn their music videos into consistent revenue streams. Additionally, as fan engagement grows, so do opportunities for brand partnerships and sponsorships, providing even more financial support for independent artists. Whether an artist is just starting out or has an established fanbase, strategically planned music video distribution can pave the way for financial sustainability and creative growth in a competitive industry.

#music #music industry

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music-industry-updates · 1 month ago

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YouTube Monetization Made Easy: A Guide with Deliver My Tune

In today’s digital age, video content has become a powerful tool for creators, musicians, and artists to engage with audiences worldwide. Platforms like YouTube, Facebook, Vimeo, and Instagram have transformed from mere sharing platforms to significant sources of revenue for video creators. However, successfully monetizing videos across these platforms can be a complex process that requires an understanding of platform-specific rules, requirements, and tools. This is where Deliver My Tune steps in to provide creators with the support they need to effectively monetize their videos, allowing them to focus on creating content while maximizing their earning potential.

Deliver My Tune offers a comprehensive suite of services that simplify the monetization process across various platforms. With their expert guidance, creators can unlock new revenue streams from their video content, regardless of where it’s hosted.

The Rise of Video Platforms and Monetization Opportunities

Video platforms like YouTube have become essential for content creators, offering a space to showcase talent, creativity, and storytelling. As video consumption continues to soar, these platforms have introduced monetization programs that allow creators to earn money through advertisements, sponsorships, fan funding, and more.

YouTube, the most popular video platform, offers a Partner Program that enables eligible creators to monetize their content through ads, channel memberships, and Super Chat. Similarly, Facebook has launched its Ad Breaks feature, which allows creators to earn revenue by inserting ads into their videos. Vimeo and Instagram also offer various monetization methods, including paid subscriptions and sponsored content.

For creators, especially musicians and independent artists, these opportunities are invaluable. However, navigating the technicalities of monetizing video content on multiple platforms can be overwhelming. Understanding the eligibility criteria, terms of service, and platform-specific monetization strategies can pose a challenge. This is where Deliver My Tune’s expertise comes into play.

How Deliver My Tune Assists with Multi-Platform Monetization

Deliver My Tune provides a comprehensive solution for video creators looking to monetize their content across multiple platforms. They guide creators through the entire monetization process, from meeting the platform’s eligibility criteria to setting up and managing monetization tools. Here’s how they help:

1. YouTube Monetization Support: Deliver My Tune’s team assists creators in monetizing their YouTube channels through the YouTube Partner Program. They help artists meet the eligibility requirements, such as achieving 1,000 subscribers and 4,000 watch hours in the last 12 months, which are mandatory for joining the program. Once these benchmarks are met, Deliver My Tune helps creators with the technical aspects of enabling ads, setting up channel memberships, and using Super Chat to engage with fans and earn additional income.

Deliver My Tune also provides insights into optimizing content to meet YouTube’s community guidelines and copyright policies, ensuring that creators don’t face demonetization or strikes that could affect their revenue.

2. Monetizing on Facebook and Instagram: Facebook and Instagram have become popular platforms for video creators, especially with the rise of video features like Facebook Watch and Instagram Reels. Deliver My Tune helps creators take advantage of Facebook’s Ad Breaks program, which allows mid-roll ads to be inserted into videos, generating revenue for creators. They guide creators through the eligibility criteria, such as creating videos that are at least three minutes long and ensuring consistent viewership.

Instagram, too, offers monetization opportunities through branded content and fan interactions. Deliver My Tune helps creators connect with sponsors and brands for paid partnerships, enabling creators to earn money by promoting products or services within their video content.

3. Vimeo and Other Platforms: While Vimeo’s monetization structure is different from that of YouTube and Facebook, it still offers valuable opportunities for creators. Vimeo focuses on premium content, offering creators the ability to sell or rent their videos. Deliver My Tune helps creators leverage Vimeo’s On Demand feature, which allows artists to sell access to their content directly to fans. This is especially useful for filmmakers, educators, and niche content creators who want to offer exclusive, high-quality content.

For other emerging platforms, Deliver My Tune ensures that creators stay updated on new monetization features and tools, ensuring they don’t miss out on any opportunities to generate revenue from their video content.

The Benefits of Multi-Platform Monetization

Monetizing across multiple platforms offers creators several benefits. By diversifying their video distribution, creators can reach broader audiences, thereby increasing their earning potential. Each platform has its unique audience and engagement methods, and Deliver My Tune helps creators tailor their content to maximize revenue from each platform.

Deliver My Tune also provides data-driven insights and analytics, helping creators track their earnings, viewership trends, and engagement levels across all platforms. This information is crucial for adjusting content strategies and increasing revenue over time.

Another significant advantage of working with Deliver My Tune is that they handle the complex aspects of rights management and copyright protection. Ensuring that your content is legally protected from unauthorized use or duplication is essential for long-term monetization success. Deliver My Tune’s expertise in this area guarantees that creators retain control over their intellectual property.

Conclusion

In a world where video content reigns supreme, monetization opportunities are abundant, but the process can be complex. Deliver My Tune offers a valuable service by simplifying video monetization across platforms like YouTube, Facebook, Vimeo, and Instagram. Their in-depth knowledge, guidance, and tools empower creators to maximize their revenue while focusing on what they do best: creating compelling content.

By partnering with Deliver My Tune, creators can unlock new revenue streams and ensure that their hard work is rewarded financially. Whether you’re an established creator or just starting, Deliver My Tune provides the support you need to succeed in the fast-evolving landscape of video monetization.

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