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Do you make a webcomic? Are you looking for an active webcomic community with chill people who make cool comics? SpiderForest hosts a variety of activities and projects which members and even non-members can jump into freely.
If you love collaborative projects with like-minded webcomic creators, send in an application here by June 30, or read on to see a highlight reel of some of our favorites over the years:
đšArt collaborations
In addition to our fantastic group art collaborations featured in our newsletter most months, our members volunteer to plan special events all throughout the year, including a Tarot Gallery, April Fool's genre swap, and guest page exchanges!
đ©âđš Writing and Art Roundtables and Workshops
From our podcast series to our monthly book clubs to our streamed anatomy drawing sessions on Discord, we've always loved talking about the craft of making comics and improving together!
Our project list rotates on volunteer availability and interest, but you can count on all kinds of exciting opportunities to talk shop, practice, and learn in a fun, supportive environment of people doing the same thing as you.
đ Anthology Books
We have successfully funded six comic anthologies, and they've been a great way for our members to get their work to print, learn more about the printing and crowdfunding process, and showcase their work to new audiences!
đ” Conventions, music and so much more
Whether we're sharing our favorite tunes for comic-drawing on our collaborative Spotify lists or sharing an artist's alley table at a local convention, combining forces makes the whole process of making webcomics lots of fun!
Want to become a member? Head on over to our Application Page!
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Hi! Iâm not sure if this has been asked before but is there a reason she moved her bookclub to Charlieâs platform? Also, does she get paid for these talks with the authors? Iâve always wondered that. Thanks!
The answer is ALWAYS money.
My guess is that itâs some sort of a circle-jerk type of deal where she moves her thing to his platform and in turn he does some sort of work for her/Jared like managing their social media.
Remember that Momentus was charging for attending her bookclubs live with the ability to chat and ask questions. Momentus then reportedly gave an undisclosed percent of that fee to charity of choice. Gen probably pockets a portion of the remaining profit, but I donât know that for sure.
Not that long ago, you could also buy her bookclub picks through the Momentus website, but I donât see that anymore. Instead, if you click her âlink in bioâ link on IG, Gen now has her own affiliate link with a site called Bookshop.org. This site has marketed itself as an alternative to Amazon and as an advocate for independent bookstores. Which all sounds great until you do a little bit of research.
Bookshop.org basically acts as a middle man between a wholesale warehouse (named Ingram) and indie bookstores. Bookshop doesnât even take from the indie bookstoreâs inventory. Shops can set up an account, customers order books, they are shipped from an Ingram warehouse, and the site gives the indie seller a 30% cut of the profitâŠbut indie bookstores are concerned because they would make more by cutting out the middle man. Duh!
(Read more here and here)
And when individuals like Gen can become an affiliate and earn 10% on sales, indie bookstores lose out even more.
âPublications that review books can earn much-needed financial supportââŠnope, thatâs not Gen. âBook clubs can earn sustaining funds on each pickââŠthat doesnât feel like it fits either. âInstagram influencers can earn revenueââŠtheeeeere it is!
You see that running total at the top of that website? Gen didnât contribute to that. Her 10% goes right in her pocket. Remember a couple weeks ago when Gen posted a reel about her favorite local Austin indie bookstores? And how important it is to support them?
She cares about her own bottom line even more.
But I bet she would love for you to believe that this was yet another altruistic, pious choice in the name of small businesses and sustainability. Most fans wonât look this deeply into her connection to this site and company itself. They just see that giant number at the top and their heart eyes for Gen dilate that much farther.
Amazon is an evil organization. I use it too, but it is evil. It just is. Amazon has put a lot of small businesses in the ground with their ability to charge less. I appreciate alternatives, and Bookshop is that, but Bookshop isnât innocent. Even though theyâre up-charging for books, remember how many extra people have to get their cut. This company boomed as it launched in 2020 and much profit has been made. And any time major profits are madeâŠsomeone is getting exploited.
(It should also be noted that Genâs link in bio also has her Amazon affiliate link. She doesnât care which shifty brand is paying her, as long as sheâs getting your money.)
I wonder what the people at the distribution warehouse get paid? How do authors make money? How much is the creator of Bookshop worth at this point in comparison?
Hey Gen, can you answer any of that?
Gen, wait!!
âŠI donât think she wants to talk.
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Theres an easy way to prevent creators relying on ads and forums such as YouTube, tiktok, and reels to make their content. There's an easy way to stop them feeling like they have to bend to the weight of mass marketing.
Free to air TV funded by the government. We've shrunk these services to minuscule levels now that we forget they exist. That's where we originally got free content from.
But now we have either:
paid services with not subtle product placement now starting the threaten putting ads back in a poorly regulated environment
unpaid services with HEAVILY not subtle produce placement and ads that are lengthening out to 2 minutes within the video and then extra ads on top in a poorly regulated environment
Our fear of government control over our lives has led us straight into the hungry mouths of huge corporations that want to keep us in a constant state of fear or anger so we keep watching and keep watching the ads.
Free to air government funded TV is actually good, it's usually just a bit slower to get new stuff.
It's a shame that governments have been too cautious about stepping into the new worlds of short and long form content. They could be a great way for up and coming talent to be able to express themselves and their creativity without being forced to perform for advertising companies or corporations.
We've moved the wrong way and I fear we can't go back.
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leave antisemitism out of your activism.
hello, this is going to be a rant, because honestly i am absolutely furious and absolutely DONE.
I'm going to preface this by saying: Yes, I believe that you should support Palestine unequivocally. Yes, you should take a firm fucking stand against Zionism. Yes, I agree, we should all agree that the state of Israel is a coloniser project that should never have been created in the first place. Yes, the people of Palestine have a right to resist and no, Israel is not in ANY way in the right for the GENOCIDE that has been steadily worsening over the last 75 years.
I am also going to clarify that I also have a lot of Jewish heritage, including multiple Holocaust survivors, and despite my parents not raising me religious, I'm currently trying to reconnect with it as when my grandparents fled Germany in the 30s they were forced to leave their culture behind and assimilate into Christian Britain. I also live in an incredibly Jewish neighbourhood, celebrate Jewish holidays with my family (aunts, uncles and cousins) and have many close friends who are Jewish. I have recently realised that I am at least somewhat religious; I identify strongly with my Judaism and with my Jewish community and family, all of whom have been incredibly helpful and welcoming as I try and figure out my identity.
So yeah - when I see antisemitism, I notice it, and it fucking hurts.
So please. For the love of all things you hold dear, whichever God you may pray to. Do not let your criticism of Israel turn into a hatred of Jews.
I was watching an instagram reel of a teenage, non-zionist Jewish creator explaining how to pronounce a name in Hebrew, and I made the mistake of opening the comments. I expected to see people wishing her Shabbat Shalom and putting in future requests.
I wasn't expecting: - N4zi salutes - People chanting 'HH' (I'm sure we can all figure out this acronym, but I don't feel comfortable writing it, and I think my post would get taken down if I did.) - '6 Million wasn't enough' - People telling her to go back to the GAS CHAMBERS - People saying that 'this was why Auschw1tz was needed' - People saying that she should be r***d - People calling her a child r**ist - The conspiracy theories that Jewish people a) dig tunnels under New York, b) are inhuman and c) eat babies. - People calling her a mass murderer - People calling her vermin ...and other general comments about why people support the literal Holocaust!
So let me just say this very fucking clearly.
If part of your 'activism' is just jew-hating, you aren't a freedom fighter. You aren't a good person. You can't prevent one genocide by condoning another. Israel's actions are deplorable, despicable, vile - every fucking word you could think of. But that doesn't make it okay to say that the killing of six million Jews - which occurred before the state of Israel even existed - was a good thing, and it DEFINITELY doesn't make it okay to say that it should happen again. Harassing innocent Jewish people isn't the flex you think it is.
And honestly, even if a Jewish person is a Zionist, it's still not okay to be a literal n4zi to them! Yes, tell them off, yell at them, say fuck you - but don't bring their judaism into it. A Jewish Zionist holds the same views as a Christian Zionist, who is the same as an Atheist Zionist: their identity is not the thing to be criticising, much less in a way that demeans their very humanity and spreads conspiracy theories that have been the cause of our oppression for millennia.
Antisemitism isn't okay. Sending death and r*** threats to Jewish creators isn't okay. Praising Hitler isn't okay. If anything, it's feeding into the utterly untrue Israel-funded narrative that any critique of Israel is a critique of Jewish identity. Don't resort to dehumanisation in the fight for humanity. It hurts us, and it helps nobody.
PS: do not start a fight in my comment section or in my DMs, I do not have the energy to deal with Zionists, not do I have the energy to deal with anti-semites, I'm simply getting this off my chest since I'm exhausted of seeing people say my grandmother shouldn't have survived the Holocaust. Night.
#jewish#judaism#anti zionist#anti zionist jew#free palestine#anti genocide#free gaza#all eyes on rafah#fuck israel#just don't be a dick#antisemitism#leftist antisemitism#cpunk blog#queer blog
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An in-depth look at David Tennant's 1993 short film, 'SPACES'
I'm back!
Today's David Tennant post will stick with my trend of covering David's roles in his harder-to-find short films. Before 1997's short Bite (covered in my last post) and 2001's One-Eyed Jacques (covered a few posts back), David played the lead role in the 1993 short film SPACES.
SPACES got made because of a Scottish joint short film initiative called First Reels. First Reels - funded by Scottish Screen/Scottish Film Council and STV - was launched in 1991 to provide grants for young and first-time filmmakers to complete their first film or video project.
With a running time of 14:54, SPACES was written and directed by Steve Pang and produced by Pang, Jo Roberts, and Stray Dog Film Company. SPACES starred David as Vinny, Colin Brown as Duncan, Becky Baxter as Jane, Mike Gibbin as the Kilted Drunk, and Daniel Byrne as the Homeless Boy.
When the First Reels project was announced, Pang was studying at Edinburgh's Napier University. He submitted a script - and won the grant. When I spoke with him, Pang told me winning the grant helped provide the funds to make SPACES a reality, in the way he wanted it made. "Had we not won the grant," he said, "I think the film would have still gone ahead in some form, but we would not have been able to pay the cast or equipment suppliers â which would have undoubtedly had a detrimental effect on the film, in my opinion."
In the following years Pang decided to shift gears and move into film and television editing. He began in film as an assistant editor in the 1997 James Bond film Tomorrow Never Dies and on television in 1997-1998âs The Vicar of Dibley. Since then he's worked in various editing capacities on a lengthy list of projects including Band of Brothers, The Da Vinci Code, Lord of the Rings: The Return of the King, The Hitchhikerâs Guide to the Galaxy, The 10th Kingdom, and Gravity.
Initiatives like First Reels (and Prime Cuts, which funded six 5-min film dramas annually and helped fund the production of Bite) allowed creators the funds to produce incredible pieces of art that would have otherwise never been made.
And bless them for it! The years these kinds of initiatives were active also happened to be some of the first professional ones of David's career since graduating in 1991 from the Royal Scottish Academy of Music and Drama (now the Royal Conservatoire of Scotland). The fact these initiatives were both available and encouraged certainly gave us David Tennant fans more early opportunities to see him on film!
IMDb describes the short as "a young man's night shift in a car park in Edinburgh and the characters he meets over the course of the night: an older colleague with a troubled past, a bright young girl who uses the empty car park for her violin practice, and a young homeless boy." David's character, Vinny, is challenged with a difficult situation and must rise to the occasion to face it.
Pang told me his goal was to "keep things simple", and he came up with an idea to collate all his experiences working part time in a 24-hr car park into a single night. He settled upon an idea that could be shot in one location, and with a small cast.
About David, Pang told me that he was his first choice for the lead role of Vinny in the film. He said DT seemed remarkably in tune with the character he had written, and came across as incredibly natural in the first audition. The role was his immediately. "We contacted a number of local actorsâ agencies and as I recall, the actors in the film were all our first choices for each role," Pang told me. "Working with him from rehearsal to shoot was great. We had a tiny budget, a cold dark location, and a night shoot. I remember once our equipment caused a short circuit at the location which required us to completely re-order the schedule. I think our catering consisted of soup and bread for everyone? It was all very basic."
That's it for SPACES. If you want to see it you can- it's available for onsite viewing only at the Moving Image Archive in Glasgow. If you're near there go reserve a viewing. Oh. and here's a screenshot of the film taken from the record for SPACES at the Moving Image Archive website:
And here are all the other screenshots I've gathered up from the film:
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Miss Vampâs Diary âą Fetish Goths Explained
Introduction
This is my first tumblr post donât judge me. Iâve been wanting to do this since purple galaxy pattern was trending. Iâm also writing this on my phone atm. You can skip the introduction, just trying to show some credibility as a goth content creator (Êá”Ì©Ì© á”Ì©Ì©â
)
Hello, my name is Miss Vamp. You can also address me as âVampâ or âV4mptiddyâ if youâre not one of my simps online. I decided to open up a small blog to elaborate on some small things like my inspirations for my fashion/cosmetics, honest makeup reviews, commentary on gothic culture or just personal experiences as a financial dominatrix. I want to share more dimensional factors about my (attempted) online personality. This is my awkward way of actually conveying some information that Iâve planned on sharing with the public such as how Iâve grown into being âMiss Vampâ.
Iâm a year and a half in the industry, I hope to have this as a long term investment in my future. I aspire to be a goth influencer like MamieHades with my own twist. I love her to bits, one of the first people to notice my posts when I started on Instagram around April 2023.
During my time, Iâve managed to have a sub-funded makeup series where subs buy my makeup for me, a collaboration photoshoots with my best friend of eight years (Mellowbatz on IG), and own a 18+ NSFW discord server, âSlutCultâ. So thatâs also pretty cool too. I feel almost indebted to the Findom, Goth and BDSM community for supporting my dreams. Iâm still small, lots to improve on but optimistic on what my capabilities are in regards to my own contribution towards the locals.
(Iâm open to mutuals, you donât have to pay to chat with me. In spite of that, sub that are interested in serving me, my initial tribute is $20. Iâm a busy woman so I expect something transactional to catch my attention.)
Anyways, since Iâm juggling so many things so early, making so many securities, a lot of people acknowledge it but never really understand how much this occupation means to me. Iâve barely started recognizing the emotional attachment Iâve had with this occupation until six months into it. Thereâs more intricate details between the line of my presentation. They donât know my storyline of how I swindled to becoming a sensual sadistic fetish goth vampire that glue down their eyebrows and give subs nightmare fuel with my uncanny goth makeup. Nor have I truly exposed this side of me. In an unfiltered and non restricted manner. This is my raw self and attitude through written work.
Findom, Makeup tutorials and Goth Modeling is honestly my biggest passion as Iâm entering my twenties and one of the things that orbits around my individuality. Yes, I have other accomplishments like graduating with an English degree and other adult stuff but this is equally important to me.
I plan on possibly running a YouTube channel with my bestfriend in the future but for now, I wanted to dabble in blogs and possibly have this as an online diary. A media that my intended audience can enjoy and for subs to indulge in secrecy.
If you've followed me on my other platforms outside of tumblr, I identify as a Fetish Goth. At some point, I pathetically failed to articulate that I wanted to have more queer/alt mutuals on an Instagram reel which backfired because I realized my interest is NICHE. Itâs not well defined and misconstrued to be something else. Therefore, I feel like I have a sense of responsibility to actually elaborate and educate people who actually have an interest in my vision. I see that thereâs attentive people that would like to know what Iâm deliberately posting about.
General Explanation About Fetish Goths:
Fetish goth is a style blending elements of gothic fashion with BDSM aesthetics, stands out as a striking and provocative form of self-expression within alternative communities. Sensuality can serve as an identity in an individualâs life by their practice, morality or occupation. Sex sells but committing to the bit is taboo. Itâs distinct subculture style within the broader landscape of gothic fashion, drawing influences from BDSM culture, punk fashion, and alternative music scenes. It was formed in the progression of goth culture, embracing edgier and more provocative aesthetics, incorporating elements of fetish wear and erotic symbolism into their attire. Generally speaking, itâs the reason why we wear fishnets, chokers and corsets.
The origins of fetish goth can be traced back to the late 20th century, a period marked by profound social and cultural upheaval with pop culture. Pop Culture media loves incorporating it but the average citizen can sneak a few disapproving glances at you. This fashion statement is not only controversial but can be relevant in todayâs societal pandemic of purity culture and norms about fashion. A more honorable mention is the arguments about goth only fans models and idiots arguing in my comment section about how iâm a âposerâ yet they lip sync to London After Midnightâs âBondage Songâ as a thirst trap on TikTok. This evolution in thought is not merely academic but has had profound social and moral implications. The motives developed through the ongoing media interpretation of said fashion and formed into a more political statement. In recent years, it has continued to germinate and adapt, reflecting changing attitudes towards gender, sexuality, and identity. As society becomes increasingly diverse and inclusive, fetish goths have expanded their ranks to include individuals of all genders, sexual orientations, and cultural backgrounds, encompassing a more fluid and expansive understanding of alternative fashion and subcultural identity.
As punk and gothic subcultures gained momentum in the 1970s and 1980s, a wave of creative experimentation swept through alternative communities, challenging conventional notions of fashion and identity. Inspired by the DIY ethos of punk and the macabre elegance of gothic aesthetics, early fetish goths began to incorporate elements of fetish wear / symbolism into their attire. The 1990s had a rise in electronic music (synth waves) and Fetish style such as PVC, rubber, piercings, leather latex and BDSM bondaged wear in Goth Clubs. This was an imperative step in separating Goth as a distinct subculture that is dissimilar to the post-punk scene it spawned from. Punk fashion had also incorporated elements of bondage and BDSM-wear because it was popularized in the media (Vivienne Westwood and Malcolm McLarenâs legendary SEX store in London) but it wasnât as evident. Most punks were wearing D rings rather than O rings. The difference is O-ring is solely meant for BDSM, it means ownership and customized for humans participating in it; Having a D ring on a collar was catered to dogs. This might be a culture shock to some but chokers are called chokers for a reason.
It was merely drawing inspiration from the dark romanticism of gothic literature, the raw energy of punk rock, and the provocative aesthetics of BDSM. Fetish goths crafted a distinct visual language that defied categorization and pushed the boundaries of traditional fashion. The rise of this look coincided with a broader cultural shift towards alternative lifestyles and underground subcultures. As mainstream media and popular culture began to co-opt elements of gothic and BDSM aesthetics, fetish goths carved out their own niche within the subcultural landscape, embracing DIY ethos and a spirit of creative rebellion. From underground clubs and music festivals to online forums and social media communities, fetish goths found camaraderie and solidarity with like-minded individuals who shared their passion for dark fashion and unconventional beauty.
This is the part that could be upsetting to some but I must admit that itâs necessary to emphasize on how insane some users sound when they blame me as âpart of the problemâ; that doesnât make sense. Fetish goth is not porn material, I personally donât pretend to be goth for money. Not every single fetish goth is meant to be a sex worker, some just like it for the sex appeal and nothing more. As for me? I incorporated it into my findom / online branding and it was my own personal choice. Thereâs something more important to be addressed about within this context, there was always a fetish component to the subculture. Itâs inherited into our characteristics. It doesnât mean that femme presenting people should be fetishized. No one deserves to be fetishized unless thereâs consent. I just need to make it abundantly clear it has been adopted by the goth scene entirely and any article of these clothes can be obtained without going to a sex store. Itâs the unspoken reason why goth clubs are 18+ and elder goths were so territorial around baby goths. We have adopted explicit fetish accessories and turned it into street wear, the beloved footwear of big stompy boots also deviated from early goth footwear. While Demonia makes many styles of gothic shoes, their most identifiable boots are characterized by their tall platforms and heavy silver hardware, which can take the form of spikes, O-rings, buckles or chains. Both of these that were originally worn by them are now integrated into casual fashion and have influenced gothic culture. So Iâd hate to register people on my page complaining about my fashion niche as hypocritical. ESPECIALLY if theyâre in possession of Demonia boots and lip service items, itâs like the call is coming from inside the house. Itâs so similar to our modern appearance that people canât differentiate the two or register that it was the blueprints.
One of the key influences on the development of fetish goth style was the BDSM subculture, which was also a distinct community in the latter half of the 20th century.
BDSM, an acronym for Bondage, Dominance, Sadism, and Masochism, encompasses a wide range of practices and identities centered around consensual power exchange and erotic role-playing, Outside of the biased interpretations itâs classified as "a multidimensional paraphilia of sexuality; (consensual) power interchange in sexual encounters." All of this is safe of course, unlike the stigma, there are plenty of rules and reinforcements because itâs disciplinary between two parties (or more).â Fetish attire actively include leather, latex, corsets, and other fetishistic attire serve as symbols of sexual empowerment and personal expression, challenging societal taboos surrounding sexuality and desire to the public interest. It could simply be served as a temptation and pinpoint what kind of individual a person is by their reaction; "A twofold evolution tended to make the flesh into the root of all evil, shifting the most important moment of transgression from the act itself to the stirrings - so difficult to perceive and formulate - of desire" (Foucault, p. 20), reflects the seductive nature of fetish goth attire.
The main introduction is mainly with O rings chokers, big boots (with O rings, chains or spikes), bondage pants, chains/mail materials, and PVC, a type of latex leather that has a glossy shine, and the alternative version faux leather. This style does more than simply shock or oppose societal norms; it questions the foundations upon which these norms are built. By bringing 'the stirrings of desire' into the open, It critiques the notion that internal desires should be repressed or hidden. Instead, it celebrates these as parts of human identity that should be acknowledged and expressed. The visibility of such attire in public spaces and subcultural gatherings underscores a rejection of the idea that the body and its desires are sources of evil or shame. Furthermore, the very act of displaying what is conventionally concealed operates as a form of resistance against societal controls over the body and sexuality. It embodies a challenge to the 'twofold evolution' where the personal, internal aspects of desire are not only made visible but are also celebrated rather than censured. In doing so, fetish goth fashion not only redefines the aesthetics of desire but also reclaims agency over how desire and the body are perceived and governed.
Philosophy In The Details:
In historical context, particularly within Christian doctrine, this transformation can be seen in the transition from a focus on overt acts of sin to a more introspective examination of one's inner life and temptations. This shift places a greater moral burden on individual thoughts and feelings, which are inherently more subjective and less observable than actions. This introspective turn is deeply aligned with the practice of confession, where the faithful are encouraged not only to repent for their sins but to verbalize their innermost temptations and desires, thus making what is internal and hidden into something spoken and external.
So yes, to an extent there is a transformation of desire when most people start experimenting with it. Western societies have conceptualized sin and morality. This statement reflects a significant shift from viewing sin as merely a matter of wrongful actions (the acts themselves) to a deeper concern with the internal desires and impulses that precede and instigate these actions (the stirrings of desire). Without a doubt, thereâs a site of moral scrutiny and social control that resonates strikingly with the aesthetics and expressions within it. Fetish goth attire, with its explicit evocations of the forbidden and the transgressive, challenges this historical moral schema by externalizing and aestheticizing what mainstream culture might deem dark or deviant desires. The provocative nature of fetish goth attire is not just a fashion statement but a form of social commentary. It confronts the viewer with a visual dialogue about the nature of desire, transgression, and the body.
In essence, the provocative freedom of fetish goth attire is a powerful form of cultural critique and resistance, embodying Foucault's observations about the shifts in moral scrutiny from acts to desires. It is more avant garde promoting a more inclusive and accepting approach to the diverse expressions of human sexuality and identity.
Significance In MY Life
However, to me, Itâs my lifestyle. Arguably, it's the origins of my alter ego. My wardrobe, which is slowly accumulating more BDSM fetish attire and undergarments. Subs tend to buy my accessories, leather goods, makeup, lingerie and underwear. The exhibitionist in me canât help but to be promiscuous in material. I personally love receiving attention in tight fitted and licentious displays of my best physical assists. I love it when itâs acknowledged and obsessed when I get complimented by anyone really. Thereâs just something about it that makes me feel really good inside when I challenge the status quo of âmodestyâ and âpurityâ. Makes me perky when I get worshipped for these qualities. Truly and honestly, I write this with my full heavy heart that I feel absolutely empowered. I take pride in being a tease and being spoiled for it. I love taking money and turning people on for wearing sexy clothes. For offending conservatives and being labeled as a lecherous âJezebelâ. It's the sensational urge that dwells within my erotic chimera to make someone choke on their tears when they address me as their Mistress. Itâs the shine in my leather boots and in my eyes when I fantasize about a pathetic infatuated slave worshiping me at my toe box. The pleasure within holding someone at the end of the leash and consensually treating the participant as a fetish fashion accessory. Excitement to have a drawer full of subfunded panty just to add on the extra flare of what the distance of a fetish goth can preform. The ability to be thankful everyday because itâs another day to spite someone or give someone a sexual awakening. Itâs the principles of my morality and the influences in my judgment as a woman in control of a libido. The confidence I have at this very moment, took many years to build up enough to prevail and rip people limb from limb apart. The guideline of sexual ethics, the philosophy of BDSM. My highest pinnacle of self expression. My own form of sexual liberation and sensuality wrapped in black satin and leather. Itâs my redemption for being shamed into conformity. I refuse to surrender something valuable like that again.
This seemingly benign practice of sensuality of discussing desires becomes a profound tool for societal control on my end, influencing not just my own actions but the very desires that motivate an individual. It compliments my personality and if you dare to be technical in astrology, itâs the product of having a scorpio venus. I love the intensity, undying admiration and stubborn loyalty that could be formed in a dynamic bond. Overall, I love garnering eccentric fashion and sexual appeal like Elvira, Mistress Of The Dark. I will say itâs not for everyone, including other goths in the community but this lifestyle was solely the reason as to why I was able to reclaim my power and gain an identity as a fashionista and a findom. I do not sexualize goths, I sexualize myself if that makes sense? The funny thing about the assumption from the public eye is that everyone thinks I'm experienced and âran throughâ but I'm still a raging virgin with guilty pleasures and hyperfixation on the topic. Regardless, I hold intense sentimental value in my fashion statement overall.
Originally, I treated this like exposure therapy after my assault and learned all principles before applying it into my life. I hope this perspective offers a critical framework for understanding the acts of rebellion and identity expression in communities, which stand in stark contrast to these norms, showcasing their cultural significance and resistance (and look good doing it). I also wanted to share this to formally specify why I make this such a big deal in my brand. Western societies have historically managed individual desires, particularly through the mechanism of discourse. A form of societal command unique to the West â was established to regulate personal desires captures a pivotal shift in the relationship between individuals and societal norms. This injunction wasn't merely a directive to obey the law; it extended deeply into the private realm, dictating that individuals not only confess to transgressions but also constantly discuss and analyze their desires.
Conclusion
(Relatively speaking as a fetish goth/findom)
Western society compels individuals to transform "every desire into discourse." This requirement to vocalize and scrutinize personal desires allows society to exert control over individuals not just through suppression but through the shaping of thoughts and feelings. Desires, once private, become public and malleable under societal scrutiny. I just personally feel like Iâve always been observed under this pressure before I turned 18 because of the brash gooners that had their brain fried from porn. No matter what I wear, it will never be an invitation but that doesnât mean people wonât stop eye fucking me. So I interpreted this as my own way of processing and making desires a topic of constant discourse but simultaneously serves as a subtle but powerful form of social control for me. Before I turned into a fleshed out goth girl, I was confronted by this behavior on multiple occasion. If people are going to be weirdos, they might as well pay for my bills.
It operates under the impression of transparency and self-awareness, yet it functions as a mechanism through which society can influence and often dictate acceptable desires and behaviors. In the context of the fetish goth subculture, this societal mandate becomes a site of resistance. By openly embracing and redefining what mainstream culture might consider deviant or taboo, members of this subculture challenge the traditional boundaries set by the historical injunction to regulate desires through discourse. So in conclusion, this is how I live in my truth. Either you hate it, love it or fund it.
#goth aesthetic#findom brat#alternative#goth fashion#findomm#80s#post punk#goth makeup#alternative goth#goth#blogging#fetishfashion#black and white#vampire goth#makeup#makeup tutorial#poc goth#dark aesthetic#dark femme#goth subculture
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what are questions people have about SEO? iâm thinking of doing some ig reels about it bc tech. does well. and iâm canadian so i cant access the creator fund on tiktok lol
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đ„ The Chosen Series: How It Took Over!
The Chosen: Jesus and the Gang - A Divine Comedy In this age of streaming cancellations that hit harder than a breakup text, it's like finding a unicorn wearing roller skates when a show actually survives more than a season. But hold onto your halos, folks, because The Chosen is that very unicorn, prancing its way through the TV landscape like it owns the joint. And what's it about, you ask? Well, buckle up, because it's all about the man, the myth, the miracle worker himself, Jesus, and his ragtag bunch of disciples. That's right, even the Son of God had a crew, and boy, did they have some stories to tell! So there's this show, right? The Chosen, brought to you by the folks at Angel Studios, which sounds like a place where cherubs take coffee breaks between harp sessions. They managed to scrape up enough cash to fund a TV series about Jesus and the gang. And let me tell you, it's gained more followers than the guy upstairs himself. Reviewers are giving it that reluctant thumbs-up, while fans are binge-watching like they're trying to get into discipleship shape. Now, picture this: November 2022, Fathom Events throws a party at the local movie theaters, and who's the guest of honor? Yep, you guessed it â the first two episodes of The Chosen Season 3! It's like a biblical blockbuster, folks. And get this: it made more money than a bake sale at a ghost convention. Even the CW, the folks who usually air shows about superheroes in tights, decided to jump on the salvation train and picked up The Chosen. Move over, Superman, Jesus is in the house! But wait, it gets better. The show hits the good ol' linear TV, and 500,000 people tune in to see what the fuss is about. That's a lot of loaves and fishes, my friends. Sure, it's a smidge less than the 100 million global streamers, but hey, baby steps, right? Then there's this whole strike thing, like the plot of a sitcom episode gone wrong, and SAG gives The Chosen the golden ticket to keep filming its fourth season. It's like a divine intervention for TV drama. And oh, the characters! We've got Nicodemus, who's got religious leader vibes; Matthew, the tax collector who's also somewhere on the autism spectrum; Simon, the hot-tempered dude, and his bro Andrew, who's got brooding fisherman vibes. And let's not forget Mary Magdalene, who's battling addiction and alcoholism like they're her arch-nemeses. The show's got more drama than a soap opera, and I'm here for it. Now, when it comes to business and culture, it's like the Last Supper of complexity. Can you imagine portraying Jesus without offending anyone in today's world? It's like walking on water and hoping you won't sink, all while trying to keep the right-leaning fan base happy. But fear not, The Chosen is up for the challenge. They've got this magical formula of humanizing characters and making fans feel like they're in on the whole divine secret. But what's The Chosen all about? It's like a modern-day retelling of the greatest story ever told, straight from the Bible's highlight reel. It's all about Jesus and his adventures with the gang, based on those famous Gospels. You can stream it on Angel's website, Peacock, and even a fancy app. They've even got season one chilling on Netflix, like an unexpected cameo in your favorite show. Creator Dallas Jenkins, he's the big cheese behind this extravaganza, and he's on a mission to show Jesus in all his glory. He's all about that "accurate representation" jazz, but he's not sweating about who's tuning in. So, Angel Studios swoops in with bags of cash, like a biblical Brink's truck, and funds start pouring in. Season one makes it rain with $10 million, and they double down for seasons two and three. That's enough money to turn water into wine and then some! And there's a twist in the script: The Chosen wants to be real clear that while they're jazzing up history and art, they're still keeping it real. They've got this disclaimer at the beginning, like a "don't take this too seriously" memo. But let's face it, for some folks, fictionalizing the Bible is like borrowing your neighbor's lawnmower without asking â a seriously big deal. But this show doesn't just stop at divine drama. It's all about world-building, like a biblical version of SimCity. They're helping us understand the whole Middle East situation when Jesus was doing his thing. There's the Roman Empire, trying to keep it together while dealing with taxes and rebellions. Persecution and drama are like their bread and butter, and competing Jewish factions are throwing shade left and right. And here's the kicker: the characters aren't just your run-of-the-mill disciples. We've got Nicodemus, the religious VIP; Matthew, the tax guy with an extra sprinkle of uniqueness; Simon, who's basically the hotheaded dude in the squad; and Mary Magdalene, who's battling her own demons along with addiction. Oh, and let's not forget the two bros, Simon and Andrew, who are like the original sibling duo. But this show isn't just about miracles and fish-sharing. They're diving deep into the juicy stuff, like racial tension and prejudice, and they've got Jesus himself throwing shade at his own followers. And the disciples? They're dealing with everything from money problems to relationship drama. It's like a first-century soap opera, folks, complete with divine interventions. The thing that makes The Chosen stand out is that it's all about the characters. Sure, there are miracles and swooning vocals in the mix, but it's the gang that steals the show. They're like the Kardashians of the ancient world, but with more loaves and fewer contour kits. But here's the million-dollar question: what's the theology behind all this divine drama? Well, turns out it's a bit of a divine mystery itself. The show's got this sneaky way of not shoving theology down your throat. It's like, "Hey, we're diverse, but not too woke, okay?" And that's a tricky balance to pull off, like walking on water while juggling fish. But don't think The Chosen is all smooth sailing. There's been some drama off-screen too. They had this crew member sporting a Pride flag, and it was like the biblical version of a plot twist. Conservatives weren't too thrilled, and it was like a modern-day parable of tolerance and diversity. So, there you have it, folks. The Chosen, a divine comedy that's part historical drama, part soap opera, and all kinds of interesting. It's like your Sunday School class got a quirky makeover and turned into a binge-worthy TV show. Who knew biblical figures could be so relatable and entertaining? And with divine crowdfunding powers and some miracles along the way, The Chosen is making its mark on the TV landscape. So grab your# The Chosen: Jesus and the Gang - A Divine Comedy In this age of streaming cancellations that hit harder than a breakup text, it's like finding a unicorn wearing roller skates when a show actually survives more than a season. But hold onto your halos, folks, because The Chosen is that very unicorn, prancing its way through the TV landscape like it owns the joint. And what's it about, you ask? Well, buckle up, because it's all about the man, the myth, the miracle worker himself, Jesus, and his ragtag bunch of disciples. That's right, even the Son of God had a crew, and boy, did they have some stories to tell! So there's this show, right? The Chosen, brought to you by the folks at Angel Studios, which sounds like a place where cherubs take coffee breaks between harp sessions. They managed to scrape up enough cash to fund a TV series about Jesus and the gang. And let me tell you, it's gained more followers than the guy upstairs himself. Reviewers are giving it that reluctant thumbs-up, while fans are binge-watching like they're trying to get into discipleship shape. Now, picture this: November 2022, Fathom Events throws a party at the local movie theaters, and who's the guest of honor? Yep, you guessed it â the first two episodes of The Chosen Season 3! It's like a biblical blockbuster, folks. And get this: it made more money than a bake sale at a ghost convention. Even the CW, the folks who usually air shows about superheroes in tights, decided to jump on the salvation train and picked up The Chosen. Move over, Superman, Jesus is in the house! But wait, it gets better. The show hits the good ol' linear TV, and 500,000 people tune in to see what the fuss is about. That's a lot of loaves and fishes, my friends. Sure, it's a smidge less than the 100 million global streamers, but hey, baby steps, right? Then there's this whole strike thing, like the plot of a sitcom episode gone wrong, and SAG gives The Chosen the golden ticket to keep filming its fourth season. It's like a divine intervention for TV drama. And oh, the characters! We've got Nicodemus, who's got religious leader vibes; Matthew, the tax collector who's also somewhere on the autism spectrum; Simon, the hot-tempered dude, and his bro Andrew, who's got brooding fisherman vibes. And let's not forget Mary Magdalene, who's battling addiction and alcoholism like they're her arch-nemeses. The show's got more drama than a soap opera, and I'm here for it. Now, when it comes to business and culture, it's like the Last Supper of complexity. Can you imagine portraying Jesus without offending anyone in today's world? It's like walking on water and hoping you won't sink, all while trying to keep the right-leaning fan base happy. But fear not, The Chosen is up for the challenge. They've got this magical formula of humanizing characters and making fans feel like they're in on the whole divine secret. But what's The Chosen all about? It's like a modern-day retelling of the greatest story ever told, straight from the Bible's highlight reel. It's all about Jesus and his adventures with the gang, based on those famous Gospels. You can stream it on Angel's website, Peacock, and even a fancy app. They've even got season one chilling on Netflix, like an unexpected cameo in your favorite show. Creator Dallas Jenkins, he's the big cheese behind this extravaganza, and he's on a mission to show Jesus in all his glory. He's all about that "accurate representation" jazz, but he's not sweating about who's tuning in. So, Angel Studios swoops in with bags of cash, like a biblical Brink's truck, and funds start pouring in. Season one makes it rain with $10 million, and they double down for seasons two and three. That's enough money to turn water into wine and then some! And there's a twist in the script: The Chosen wants to be real clear that while they're jazzing up history and art, they're still keeping it real. They've got this disclaimer at the beginning, like a "don't take this too seriously" memo. But let's face it, for some folks, fictionalizing the Bible is like borrowing your neighbor's lawnmower without asking â a seriously big deal. But this show doesn't just stop at divine drama. It's all about world-building, like a biblical version of SimCity. They're helping us understand the whole Middle East situation when Jesus was doing his thing. There's the Roman Empire, trying to keep it together while dealing with taxes and rebellions. Persecution and drama are like their bread and butter, and competing Jewish factions are throwing shade left and right. And here's the kicker: the characters aren't just your run-of-the-mill disciples. We've got Nicodemus, the religious VIP; Matthew, the tax guy with an extra sprinkle of uniqueness; Simon, who's basically the hotheaded dude in the squad; and Mary Magdalene, who's battling her own demons along with addiction. Oh, and let's not forget the two bros, Simon and Andrew, who are like the original sibling duo. But this show isn't just about miracles and fish-sharing. They're diving deep into the juicy stuff, like racial tension and prejudice, and they've got Jesus himself throwing shade at his own followers. And the disciples? They're dealing with everything from money problems to relationship drama. It's like a first-century soap opera, folks, complete with divine interventions. The thing that makes The Chosen stand out is that it's all about the characters. Sure, there are miracles and swooning vocals in the mix, but it's the gang that steals the show. They're like the Kardashians of the ancient world, but with more loaves and fewer contour kits. But here's the million-dollar question: what's the theology behind all this divine drama? Well, turns out it's a bit of a divine mystery itself. The show's got this sneaky way of not shoving theology down your throat. It's like, "Hey, we're diverse, but not too woke, okay?" And that's a tricky balance to pull off, like walking on water while juggling fish. But don't think The Chosen is all smooth sailing. There's been some drama off-screen too. They had this crew member sporting a Pride flag, and it was like the biblical version of a plot twist. Conservatives weren't too thrilled, and it was like a modern-day parable of tolerance and diversity. So, there you have it, folks. The Chosen, a divine comedy that's part historical drama, part soap opera, and all kinds of interesting. It's like your Sunday School class got a quirky makeover and turned into a binge-worthy TV show. Who knew biblical figures could be so relatable and entertaining? And with divine crowdfunding powers and some miracles along the way, The Chosen is making its mark on the TV landscape. So grab your Read the full article
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If meta owns the app (Hope not) I have a feeling they might remove the creator fund just like they did with reels. When meta was paying creators for posting reels it did the company a good service I didn't get why they removed it in the first place. Tiktok is a side hustle for people
Yeah, there are definitely changes coming and probably not for the better.
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Odia Asmita can be for real
Odia Asmita for many, for over 80% of people both in urban and non-urban areas, means gobbledygook. An informal survey across the state says that its plain mumbo jumbo for the generation beta. This is the generation which will live long enough to witness the dawn of the 22nd century. Modi government has put industrial growth and cultural consciousness on equal footing, with unprecedented temerity, inventiveness and doggedness. Odisha, on the verge of yet another course of heavy-duty industrial transformation needs Odia Asmita badly to balance between economy and culture. India is on the fast lane of growth, creating assiduously, a balance with the four Cs - Culture, Creativity, Commerce and Collaboration. There is enough to learn and imbibe from the national governmentâs transforming initiatives. Equilibrium between high outward growth and deeper inward journey should be the bedrock of Odia life. Odia Asmita instead of being colored as flinty pride, should be internalized as âcultural confidenceâ, like being comfortable in oneâs own skin. The difference between the two, if only realized, will only lay the foundation for a whole rekindling of cultural mooring. This is the time to choose between genuine Odia culture renaissance or token culture gaslighting. So far Odia Asmita, even before the current marque exercise has not been comprehended as Odia cultureâs innate strength â the Odia Soft Power. Odisha has not yet assumed the flavour of this power because the narratives are limited to vapid & ballyhooed conferences and shows, without substance, which the youngsters are blasĂ© about. Understandably so.  The gobby culture gurus go ad nauseam.
The collective memory from our museums; the empathetic plays and dance of our theatres or the books from our libraries; our festivals, literature and painting, and we are blessed a society ready for a high quality, high pitch national conversation, about its identity or anything else. We have to to raise our benchmark and stay away from low quality dilettante.
Your writer suggests a few immediate drives here.
District Creative Economy (DCE): Deep dive developments in district level culture space is almost non-existent and seldom reviewed in Collectorâs appraisal meetings. Presently, its significance depends on Collector, the person and not Collector, the institution. The district has to create its own Culture Map and high-quality Culture Compendium â in all formats â writing, A/V, pictorial appropriate for both mainstream & social media. Each district has to survey, assess and compile its cultural uniqueness. This is not as daunting as it might sound. In Google and ChatGPT times one doesnât require information overload. But an online visitor or an inquisitor must have hooks: fables, folk tales, contemporary personalities for better acclimatization. What we have today are one off TV Channel shows, dreary and outdated District websites and a few Reels. Reels, despite their weak content, without support, are trying best to keep the storytelling alive. The DCE quotient is strongly proportional to tourism performance of the district. District GDP, without DCE is unsustainable, helplessly resting on extraction industry. Even the budget accruing out of extraction is not deployed to bolster DCE, though DMF (District Mineral Fund) is the fountainhead. The District Culture Office is seeking greater role in developing the districtâs/stateâs soft power. Padma Sri Dr Utsab Charan Das, the renowned Ghoda Nacha Folk Dancer, and many more creators of Odia Asmita, who preserve art & culture, need our attention and patronizing. Asmita is organic and is in dire need of incubation and nurturing.
R&D in arts: Under Asmita, a quantum jump in understanding innovations in the arts is imminent. There are no rigorous definitions of R&D in the arts, nor are we aligned on why it's socially desirable. We are clueless about how to measure how much arts, organisations invest in innovation. Estimation of its return on investment is far away from us now. Institutions like the Odissi Research Centre, University of Culture, Sahitya Akademi, Museum, Sangeet Mahavidyalaya, State Library, Arts and Crafts College, Sangeet Natak Academy, Lalit Kala Academy should demonstrate their contribution to research and internalization of culture. The pathbreaking NEP 2020 allows institutions to blend academic research and internationalization. These institutions, whether public or private should be evaluated, apprised & ranked according to their effectiveness and relevance. The mega rich minerals industry should be sensitized and if necessary mandated to provide CSR support to strengthen these institutions. CSR today is mostly funding community events, dance shows and the like. But sustained institution capacity building warrants big ticket endorsement. Read the CSR White paper and you can find the glaring gap in culture funding.
The National School of Drama (NSD) is on its way to Bhubaneswar, with the setting up of an outreach centre. The swanky infrastructure of the Guru Kelucharan Mohapatra Odissi Research Centre should be better utilized for the public. The building should house NSD permanently because NSD will open avenues for aspirants to build careers in theatre and acting, and with booming OTT, will create mediums to mainstream Odia art, music, lifestyle, social mores and culture. In tangible terms, NSD in that building will give positive RoI on taxpayersâ money. The cultural centers should cease to be rehabilitation centres for retired grandees who have already enjoyed highest level perks and elevated postings. These postings should go to the artistes/technocrats who can give time and energy for the arts and the institutions.
Odishaâs coastline is now elongated by 96 kms more to 574.7 kms. The scenic beauty expands but there is not a single state level art gallery, worth the mention to give place to the prolific artwork inspired from such ethereal landscape. Koraputâs beauty should not be ephemeral in Insta or Reels. Some celebrated artistes (read names) have been given prime plots in Bhubaneswar, but definitely not for family succession. These successful names do not mentor youngsters in the state but claim Odisha roots. Take a policy decision and make an art school mandatory for such artistes who thrive on welfare economy â doles and then skulk.
We seem to know the price of everything and the value of nothing. But Odia Asmita can be for real provided we want it, really. Otherwise, it is a good slogan for the time being. India, the superpower in the making is looking up to Odia Asmita to deliver.
(Charudutta Panigrahi is a writer, policy advocate and culture aesthete)
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Free Video Distribution: Secrets to Releasing Content on Every Major Platform
The world of video creation has opened up countless opportunities for individuals and businesses to connect with audiences globally. However, many creators still believe that releasing videos on multiple streaming platforms requires hefty fees or expensive tools. That couldnât be further from the truth. With the right strategies, you can release your video on all streaming platforms without paying fees and still achieve impressive results. This guide will unveil the secrets to free video distribution and help you take your content to the next level.
The Evolution of Video Streaming Platforms
The rise of video streaming platforms has been nothing short of revolutionary. Platforms like YouTube, TikTok, Vimeo, and social media networks have democratized the way content is shared and consumed. But as competition grows, many creators feel pressured to spend on ads, distribution tools, or premium memberships to stand out.
Fortunately, the evolution of open-source tools and free services has made it easier than ever to distribute videos without financial burdens. Understanding this landscape is crucial for creators who want to maximize their reach while keeping costs at zero.
Debunking Myths About Free Distribution
Myth 1: Free Distribution Means Poor Quality
One common misconception is that free tools result in subpar video quality. This is far from the truth. Platforms like YouTube and Vimeo offer high-quality uploads for free, allowing creators to showcase their work without compromise. Social media platforms such as Instagram and Facebook also support HD uploads, ensuring that your content looks professional without costing you a dime.
Myth 2: Free Services Donât Support Monetization
Many believe that free distribution platforms donât offer opportunities for monetization. While some platforms may take a cut of your earnings, free services like YouTube allow you to monetize your videos through ads once you meet certain criteria. TikTok also provides options like the Creator Fund to reward successful content creators.
The Role of Open-Source Tools in Free Video Distribution
Exploring Open-Source Video Editing Software
Creating high-quality videos begins with effective editing. Open-source tools like Shotcut and DaVinci Resolve provide robust editing options that rival paid software like Adobe Premiere Pro. These tools are not only free but also easy to learn, even for beginners. By using them, you can produce professional-looking videos without adding to your expenses.
Using Free Hosting and File-Sharing Platforms
Before uploading to streaming platforms, itâs often necessary to store or share your videos. Services like Google Drive and Dropbox offer free storage solutions, making it easy to manage your content. Additionally, cloud-based tools help you collaborate with others and streamline your workflow without paying for expensive software.
Creating Platform-Specific Content for Free
Optimizing Content for Each Platform
Every streaming platform has unique features and audience preferences. For example:
YouTube: Longer-form content with engaging thumbnails and SEO-optimized titles.
TikTok: Short, snappy videos with trending audio.
Instagram Reels: Visually appealing clips with creative edits.
Understanding these differences and tailoring your videos accordingly can significantly boost your reach. The good news? This doesnât require premium tools. Most platforms provide free in-app editing features to help you align your content with their audience.
Reusing and Repurposing Content
One of the smartest ways to save time and effort is by repurposing your videos for multiple platforms. For instance, a YouTube tutorial can be broken into smaller segments for Instagram Stories or TikTok. Tools like Canva or Kapwing, which offer free templates, can help you resize and reformat your videos for different platforms without additional costs.
Reaching Global Audiences Without Fees
Adding Subtitles and Captions
Making your videos accessible to a global audience is easier than ever with free subtitle tools. Websites like Amara and apps like Kapwing allow you to add captions to your videos at no cost. Subtitles not only improve accessibility but also enhance viewer engagement by making your content understandable to non-native speakers.
Tapping Into Social Media Communities
Social media platforms are powerful tools for video distribution. Joining niche communities or groups on Facebook, Reddit, or LinkedIn can help you promote your videos organically. Many of these communities welcome valuable content and can act as free amplifiers for your work.
Leveraging Free Analytics Tools to Improve Distribution
Tracking Performance with Built-In Analytics
Understanding how your videos perform is essential for refining your strategy. Most streaming platforms, including YouTube, Instagram, and Facebook, offer free analytics tools to help you measure key metrics like views, watch time, and audience demographics. Use these insights to optimize your future content and focus on strategies that work.
Using Third-Party Tools for Deeper Insights
If youâre looking for more advanced analytics, tools like Google Analytics or Social Blade can provide detailed reports on your performance. These tools are free to use and help you monitor your progress across platforms, giving you a clearer picture of your audience engagement.
Overcoming Common Challenges in Free Video Distribution
Challenge 1: Time Management
Uploading videos to multiple platforms can be time-consuming. To address this, consider using free scheduling tools like Buffer or Hootsuite, which allow you to schedule posts across various platforms in advance. This ensures consistent distribution without manual effort.
Challenge 2: Algorithm Changes
Streaming platforms often update their algorithms, impacting how content is recommended. Staying informed about these changes and adapting your strategies can keep your videos visible. Free resources like creator forums and newsletters often provide insights into platform updates.
Building a Consistent Presence Without Paying Fees
Consistency is key to building an audience, but it doesnât have to be expensive. By planning a content calendar and batching your video creation process, you can maintain a steady flow of uploads. Tools like Trello or Notion, which are free, can help you organize your schedule and stay on track.
Scaling Your Efforts With Free Collaboration
Collaborating with other creators can help you reach new audiences without spending money. Partner with influencers, join creator communities, or participate in challenges to expand your network. Many collaborations are based on mutual benefit, requiring no monetary investment.
Why Free Distribution Is a Game-Changer for Creators
The ability to release your video on all streaming platforms without paying fees is a game-changer for creators of all sizes. Whether youâre an aspiring influencer, a small business owner, or an artist, leveraging free tools and strategies allows you to focus on creating great content without worrying about the cost of distribution. By breaking down barriers, free distribution empowers creators to share their message with the world.
Take the First Step Today
Itâs time to harness the power of free video distribution. Start by identifying your target platforms, optimizing your content, and exploring the free tools mentioned in this guide. Remember, the key to success lies in consistency, creativity, and the willingness to adapt. With these strategies, you can build a strong online presence and connect with audiences worldwideâall without spending a penny.
What strategies do you use to distribute your videos for free? Share your tips and experiences in the comments below!
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For further reading, explore these related articles:
How to Release Your Video on All Streaming Platforms Effectively
Release Your Video on All Streaming Platforms to Get Paid
How to Release Your Video on All Streaming Platforms to Get Maximum Exposure
How to Release Your Video on All Digital Stores for Free
For additional resources on music marketing and distribution, visit DMT Records Private Limited.
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TikTok Ban: What It Could Mean for Creators and Small Businesses
TikTok, the platform that has redefined how we consume and create content, is once again at the center of controversy. Talks of a potential ban in the U.S. have sparked concerns among creators and small businesses who rely heavily on the app for engagement and income. But what would such a ban mean for the millions of users who have built their careers and brands on TikTok?
The Rise of TikTok: A Game-Changer for Creators and Businesses
TikTok has been a haven for creators and small businesses, offering a unique space to connect with audiences in creative and authentic ways. From viral dance trends to educational content, the platformâs algorithm has empowered users to grow organically, reaching millions without hefty advertising budgets.
For small businesses, TikTok serves as a low-cost marketing powerhouse. Entrepreneurs use the platform to showcase products, build brand identity, and engage directly with potential customers. Its short-form video content has proven to be a game-changer, especially for those who rely on grassroots marketing strategies.
Learn more about the ongoing discussions surrounding TikTokâs future and how it could affect creators in this detailed article.
The Possible Fallout of a Ban
A ban on TikTok would send ripples through the digital ecosystem, leaving creators and small brands scrambling for alternatives.
1. Loss of Revenue Streams
Many content creators earn a significant portion of their income through TikTok partnerships, brand deals, and its Creator Fund. Losing access to the app could mean a sharp decline in earnings for influencers who have invested time and effort in building their presence on the platform.
2. Impact on Small Businesses
Small businesses that have relied on TikTokâs organic reach and cost-effective advertising options would face challenges in reaching new audiences. Platforms like Instagram and YouTube might fill the gap, but they come with higher competition and potentially greater ad spend.
3. Shifting Content Trends
A TikTok ban would also disrupt the way content is consumed and created. The platformâs unique format and trends have set it apart from its competitors, meaning creators may need to adapt their style to fit other platforms.
Alternative Platforms: Can They Fill the Void?
If TikTok were to disappear, where would creators and small businesses turn? While platforms like Instagram Reels, YouTube Shorts, and Snapchat Spotlight offer similar features, they donât necessarily replicate TikTokâs viral-friendly algorithm or community vibe. Many users worry that their content will be lost in the noise on these larger, more saturated platforms.
For small businesses, pivoting to these alternatives might require additional resources, time, and strategyâa tall order for those already operating on tight budgets.
The Broader Conversation: Privacy and Politics
At the heart of the TikTok debate lies a larger discussion about data privacy and national security. Critics argue that the platformâs ties to China raise concerns about user data being mishandled. However, many users and advocates view the ban as a disproportionate response that punishes creators and businesses rather than addressing the core issues.
Whatâs Next for TikTok and Its Users?
As the future of TikTok hangs in the balance, creators and small businesses are bracing for change. For many, the platform has been more than just an appâitâs been a lifeline, a career builder, and a community hub.
Whether TikTok weathers this storm or users must find a new digital home, one thing is clear: the creative energy and entrepreneurial spirit it has fostered will endure, even in the face of uncertainty.
While TikTokâs future remains uncertain, its influence on digital culture and small business marketing will not be forgotten. For creators and entrepreneurs alike, adaptability will be the key to navigating whatever comes next.
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How to Make Money from YouTube Shorts
In the digital era, content creation has become a lucrative venture for many. Among the various platforms, YouTube Shorts stands out as a powerful tool for earning money. By creating short, engaging videos, creators can captivate audiences and generate income in numerous ways. In this article, weâll explore how to make money from YouTube Shorts, including tips, monetization strategies, and the potential of this platform.
Understanding YouTube Shorts
YouTube Shorts are vertical videos up to 60 seconds long, designed to compete with other short-form video platforms like TikTok and Instagram Reels. Launched in 2020, YouTube Shorts has quickly gained popularity, thanks to its integration into the YouTube ecosystem. Shorts provide creators with a unique opportunity to gain visibility and grow their channels.
Why Focus on YouTube Shorts?
Increased Exposure:Â YouTube Shorts are displayed prominently on the platform, allowing creators to reach a broader audience.
High Engagement:Â The short format encourages viewers to watch videos in their entirety, boosting engagement metrics.
Ease of Creation:Â With minimal equipment and time, anyone can create and upload Shorts.
Monetization Opportunities:Â YouTube offers several ways to earn money, even with short videos.
Monetization Strategies for YouTube Shorts
1. YouTube Partner Program (YPP)
The YouTube Partner Program is the primary monetization route for most creators. To qualify, you need:
At least 1,000 subscribers
4,000 watch hours in the last 12 months or 10 million Shorts views in the past 90 days
Once eligible, you can enable ads on your content, including Shorts. While the ad revenue split for Shorts differs from regular videos, it can still contribute significantly to your earnings.
2. YouTube Shorts Fund
YouTube has established a $100 million Shorts Fund to reward creators. Each month, eligible creators receive payments based on the performance of their Shorts. To qualify:
Your Shorts must comply with YouTubeâs Community Guidelines and copyright policies.
You should upload original content, not repurposed from other platforms.
3. Brand Collaborations and Sponsorships
Brands are increasingly using YouTube Shorts to market their products. Creators can collaborate with brands for sponsored content, showcasing products or services within their Shorts. To attract sponsorships:
Build a niche audience
Maintain consistent quality and engagement
4. Merchandise and Affiliate Marketing
Creators can use Shorts to promote merchandise or affiliate products. By integrating product links into video descriptions or pinned comments, you can earn commissions on sales. For example:
Feature a product demonstration or review
Add a clear call-to-action (CTA)
5. Super Thanks and Fan Funding
YouTube offers features like Super Thanks, where viewers can tip creators directly. Although primarily used for longer videos, this feature can also be enabled for Shorts if you are part of YPP.
Tips to Maximize Earnings from YouTube Shorts
1. Create Engaging Content
Engagement is key to success on YouTube Shorts. To keep viewers hooked:
Focus on trending topics or challenges
Use compelling visuals and soundtracks
Optimize your content for shareability
2. Leverage Keywords and Hashtags
Optimizing your Shorts for searchability is crucial. Use relevant keywords, such as âHow to make money from YouTube Shorts,â in your titles, descriptions, and tags. Additionally, include trending hashtags to boost visibility.
3. Post Consistently
Frequent uploads increase your chances of appearing in viewersâ feeds. Aim for a consistent schedule to maintain audience interest.
4. Analyze Performance Metrics
Use YouTube Analytics to track the performance of your Shorts. Metrics such as watch time, retention rate, and audience demographics can help refine your content strategy.
5. Collaborate with Other Creators
Collaborations can expand your reach and introduce your content to new audiences. Partner with creators in your niche to create mutually beneficial content.
Common Mistakes to Avoid
1. Ignoring Quality
Even though Shorts are quick to produce, quality matters. Avoid blurry visuals, poor audio, or lackluster storytelling.
2. Neglecting Community Guidelines
Violating YouTubeâs policies can result in demonetization or channel strikes. Always adhere to copyright laws and avoid inappropriate content.
3. Overlooking Engagement
Failing to interact with your audience can hinder growth. Respond to comments and foster a community around your channel.
The Future of YouTube Shorts
YouTube Shorts is continuously evolving, introducing new features to enhance user experience and creator monetization. With the platformâs backing and growing audience, Shorts is poised to become a dominant force in the short-form content space.
Conclusion
Knowing how to make money from YouTube Shorts opens up a world of possibilities for aspiring and seasoned creators. By leveraging the platformâs features, creating engaging content, and utilizing various monetization strategies, you can turn your passion into a profitable venture. Start today, and watch your creativity pay off!
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AFTERTHOUGHTS - ROUNDUP ROUND 16
October - November 2024
Alright that's the end of November! We're actually really close to the end of the year and that's wild to me. It feels like it came both incredibly quickly and also insanely slowly. I'm not sure how much gaming I'm gonna get done in December though. I plan on buying Fantasian and that's all I have planned for the whole month lol.
BUT Fantasian isn't even here yet, so let's focus on what I've already played! I'm also gonna slip some stuff in from October I forgot I wanted to talk about! Might as well, right?
And as always, these aren't reviews! Just me throwing up my thoughts onto the internet! Please play anything I talk about if it interests you!
Webfishing (October 11, 2024) - PC
To get us started, it's Webfishing! This game just started popping up on my feed one day. And I thought it was so cute I just had to grab it so I could play with my sibling and friends (I need to play with my friends more actually)
There's a lot to love in Webfishing. I love the graphics, the music is so relaxing (I love the title screen theme), the vibe is incredibly peaceful while still having room to be funny and vibrant with a surprising amount of cute NPCs. I love that it's a social focused game so you can play with friends and even total strangers and just kind of parallel play with them and chat it up. It's super cute! And I love just HOW MUCH there is to do. A super cute character creator, tons of unlocks, tons of fish to get, hidden treasures to find, all the random drinks, the random props to add to the atmosphere, barking and what now, drawing, playing music. So much of this is completely unneeded in a fishing game but it's just SO cute and adds to the overall experience of just having a fun time with people online. Fishing really is beautiful.
I do have some complaints though. For one, I think the game could use a skybox. I think it's really missing a day/night cycle, even if the time of day didn't impact the fish, it's something I think sticks out like a sore thumb. Similarly more weather than just rain could really add to it. I also wouldn't mind additional maps, you're always in the same area no matter what room you enter and it's a GREAT and super cute map, but I think you could make even more super cute maps! And lastly, I actually think the mashing isn't hard enough, and this might be just a me problem cause I'm a crazy masher. But I feel like now one click clears 10 points when reeling in, and for someone like me that just means there's no challenge to fishing anymore.
But regardless it is a SUPER cute game I'd love to play more of ASAP. I got the spectral rod, I have a big gator in my aquarium, and I love my dog girl. But I haven't really played with my friends as much as I'd like so I'd love to fix that soon! There's still tons to do and this game is endlessly charming!
Pokemon TCG Pocket (October 30, 2024) - Mobile
Here's one (kind of) hot off the presses! A brand new phone game I've been playing way more than I'd like to admit! Recently I've been in a HUGE card game craze, but haven't really had the funds to play them much. The only deck I currently have is 1/2 of a Final Fantasy Deck (it's a fire deck I got for free from a convention and I'm so happy to have it I have plans to upgrade it with some stuff when I get more money). So when they announced a free to play smaller version of the Pokemon TCG, of course I was interested!
And this game is pretty dang good! There's a ton here I really like! I like getting to open up booster packs for free, that's always fun even if you don't play games. And I feel like 2 a day is actually shockingly generous for a phone game, especially since you build up the timer things to open bonus packs at a pretty good rate! And of course the art is lovely and it's great to be able to collect and see these cards in a way that doesn't take up space, and I love you can look at them in 3D and some of them even have neat effects. The Wonder Pick is a cute feature, I love that you can make displays and binders of your cards. I think the password system for playing with friends is really nice and simple, it's all set up good. But I think the shining point is actually playing the card game itself! I like that matches are so quick, I think cutting it down to 20 cards works PERFECTLY for quick bite-sized battles. And I love that I can customize and play around with my own decks and strategies, I'll have to upload some of my collection and and my decks later! It's a ton of fun to experiment with different cards in a space where I can try a smaller version of the game for free!
However, while the actual gameplay is probably my favorite part. It's probably also my least favorite part??? Combat in this game can really suck sometimes. I think if you're playing this game currently you probably also have a few random complaints you've built up while playing. Mine boil down to: Too much of this game comes down to coin flips. I am not convinced coin flips in this game are truly 50/50 odds. I've had TONS of opponents pull that Misty card on me, I've seen it work maybe twice. But secondly, and way more annoyingly: EX Cards ruin this game. I think EX cards you have to evolve to are annoying, but manageable and you at least have to earn it. But Stage 1 EX cards? I HATE these things. They are so unfair and if you draw a bad hand, how will you EVER defeat someone running 2 Circle Circuit Pikachu and 2 Zapdos EX? You just can't. And that Mewtwo + Gardevoir combo is INSANE! I know Mewtwo discards 2 energy when it does the attack, but that's clearly not enough. Me? I personally have taken a hard stance already against EX cards and have removed ALL of them from my decks. They are not fun to fight, they are not fun to win with. So I won't be using them. More power to you if you do, but I'm good. My last complaint is that Fire Types suck and I can't use Charizard because of this. What a horrible oversight, fix it.
There's other nitpicky stuff like no trading and I think the icon selection is miserable (let me use any card art??) But I know a lot of this is probably growing pains from an app that JUST came out. I'll give it some grace while it finds its footing, cause the game for sure is still a ton of fun!
Work Time Fun (December 22, 2005) - PSP
This is a little game that was introduced to me by a friend of mine while we were hanging out and now it's kind of become a new obsession of mine. If you've never heard of Work Time Fun, the simplest way I can describe it is "shitty Warioware". You play horribly unfun minigames for horribly long amounts of time to get horrible pay so you can buy horrible prizes. It sounds awful but... I absolutely love it. I wouldn't say it's fun in a traditional sense but it can be oddly fun to just waste time with mundane tasks (like I genuinely enjoy the 5 fingers game) and the whole crazy and chaotic energy of the game makes it incredibly enjoyable. It's an anti-game but it's actually so charming and fun anyway.
The game is so short and simple that I don't really have much to say on it in specific. I like the visuals and how everything is drawn in different styles, sometimes even using real photos (like the most hilarious: the save file screen which uses a photo of a trash filled car for no reason.) The minigames are stupid and short but they're all just fun enough to keep me coming back. And again the whole premise and atmosphere is what makes it great. Getting emails from total strangers talking to you like friends, the game acting like you're working real jobs, collecting useless garbage out of vending machines. From more minigames, to silly tools like the amazing Ramen Timer (really works!), and even completely garbage knickknacks. It's just, funny! And I can't even get the full experience because I can't do the multiplayer stuff like "outsourcing work to friends??" whatever that means.
The only REAL complaints I have, because it's a little silly to complain about a game meant to be bad. Is that it's annoying you have to wait for the minigame of your choice to show up in a selection of 4. The more you unlock, the lower chances you have of pulling something you actually want to play. But it's whatever. Not a big deal.
Before I wrap this section up I just want to say that this game NEEDS a new entry. I don't think Sony would be able to make something with the same energy nowadays sadly. And I wouldn't want an indie version of it to be like, horror and / or meta filled. But I know SOMEONE can do it. Maybe it's me? Maybe it's you? I think WTF would work SO well as a phone game, I've been playing this PSP one on my phone and it's a blast. But having a new one that can actually be updated to add more awful games and more weird prizes as the game goes on, as well as being able to take advantage of all the stuff phones can do nowadays (like tracking steps, maybe even location stuff??? idk) I think there's LIMITLESS potential for a Work Time Fun Reboot.
Donkey Kong Land 1-3 (June 26, 1995 - October 27, 1997) - Gameboy
So I actually tried to play DKL1 a while back. But it was not hitting, so I decided I wouldn't bother unless it got on NSO with rewind. Well, it happened. So now I have to put my money where my mouth is. I'll give a little rundown on my thoughts on each game in the trilogy:
DKL1 is easily the weakest of the bunch. The visuals are really muddy and hard to see. It's impressive they were able to translate the prerendered SNES sprites to GB. But at what cost? Similarly the game just feels kind of bad to play. It feels slow, WAY slower than actual Country. Rolling covers NO distance and moves soooo slowly for example. I think where this game shines is actually with its original stuff for the most part. Things taken from Country1 are lackluster, I'd rather just play Country1. But stuff like the plot in the manual, the sky world, the city world, that's new and unique! And it stands out the most. Except for the boss fights and the music which are both original (iirc) and very weak. The less said about that the better.
DKL2 is easily the best of the bunch. Sadly it stops doing anything original and is just a straight up port of Country2. While that's less interesting, I do think it helps make the game more solid over all. Visuals are massively improved, while still looking muddy you can tell they made an effort to redraw more of the sprites and it helps make things clearer and makes the game look way better! Similarly the GB versions of the Country2 songs are delightful to listen to! It's just a shame Mining Melancholy, my personal favorite, appears to be the only one left out. It was also cool seeing actual levels I recognize from Country2 translated into a smaller game like this. I was particularly impressed with the fact they had bee hive levels, roller coaster levels, Arctic Abyss, and stuff like that. Gameplay is improved, bosses are improved, level design is improved. And while it may be because it's taken from Country2 directly, you can't deny it does make it a better game. The only REAL issue I have is that the animal buddies use Select for their special abilities, which is odd for my hands to do.
DKL3 is, at the time of writing this, still weirdly NOT on NSO and idk when it will be. So I emulated it. I think Country3 is a really underrated game, but I will admit I remember the levels a lot less than 1+2. So it's a little tougher to speak on how it compares to the SNES counterpart. But a lot of what applies to Land2 applies to this one. Good gameplay, good music (GB Rockface Rumble was a treat lol), better bosses, and an overall more interesting experience than Land1. However, I can't help but feel underwhelmed by the stage selection and their lack of interest in doing some of the Country3's weirder level gimmicks. No levels with the sniper in the foreground, no levels with thunder and water, no levels where they reverse the controls. I know it may have been too hard on GB. But still, it's a shame. Even the Bleak fight is massively downgraded and is no longer a random snowball fight minigame. Is it easier? Sure. Is it as fun? Not really.
But regardless, 2 and 3 are both good. And if you're curious about playing just one. Maybe play the one that corresponds to the Country game you're most familiar with. If you're familiar with all of them then Land2 is absolutely the best one of the bunch. And if you're not familiar with ANY Country games. Skip the Land trilogy and just play the Country games.
Battle Fantasia (April 26, 2007) - PC
Next up is an INCREDIBLY charming fighting game I actually bought all the way at the start of the year. But haven't had the time or energy to really sink my teeth into it until now. Battle Fantasia is an Arc System Works fighter made (I believe) during the time they lost the rights to GG. And is one of the first attempts to reboot the 2D Fighting Game Genre for modern ages. Even before Street Fighter 3! It's based on RPG tropes and is in my opinion, SO charming and cute.
There's almost too many positives to count. I think its aesthetics are immediately what jump out to me. The world is so cute and vibrant and really does feel like a fighting game for a JRPG that doesn't exist. My favorite example I've been showing people is the cave stage. Which has a treasure chest, but also what appears to be a Save Point in the upper left corner.
There is NO reason for that to be there. It's a completely unneeded detail. But it's SO cute and really helps to drive the JRPG theme home and that detail is what made me realize I was gonna love this game. The next best part are the characters themselves. They're ALL cute. My favorites are the Princess Olivia, Odile and Dokurod, and Deathbringer. But all the other characters are all cute or at least have great designs! From Watson the mage bunny to Urs the protagonist with a chainsaw motorcycle sword. The only character whose design I dont really gel with is the Priest/Cleric dude. And I think it's just the short shorts. But the music is great, the graphics are great and also make it feel like a PS2 RPG. The plot is interesting and cool. And the gameplay is simple and easy to grasp while still having enough depth that I actually missed entire mechanics during my playthroughs!
BUT... It's not perfect. I think where this game kinda stumbles for me is the Story Mode. I was really expecting a cool JRPG scale story, or at least an overarching plot where you get to play as everyone as the tale unravels... But ultimately it's kind of just a shorter Arcade ladder for each character with cutscenes in between them. And while some of them contribute to the plot (like Deathbringer) I can't really see how they could possibly exist in the same universe (see, again, Deathbringer). So while the story is cool, it's not really as satisfying as like, Xrd's story. Which is presented in a better way with this kind of ladder story being a prequel to the true story mode. But I understand why they didn't do that. Also, I find it weirdly difficult to remember my moves in this game. I can remember most of them, but for some reason I just cannot recall how to input them and had to keep checking the movelist. It's not too bad cause most movesets are easy to grasp, but it's an odd thing I haven't experienced this badly before. And I think it's cause none of the move names are just saying specifically what the moves are lmao.
BUT YES this game rules and deserves more love! It's on steam and I think if you like small fighting games you really should give it a shot! I hear the netcode is garbage and hopefully it can get rollback eventually. But for now, it's fun!
Dadish 3D (April 22, 2024) - PC
OH YEAH BABY IT'S TIME FOR A NEW DADISH!!! MY GOAT IS BACK!! I actually ALMOST missed this one, with everything happening this year it just slipped my mind. But I was able to get it at an INCREDIBLE price during the Steam Fall Sale. So please, if you like Dadish, pick it up yourself!
Dadish is the 5th installment of the Dadish series I believe. So I certainly think it was time for a change of pace, and I think swapping to 3D was the PERFECT call for the series! The simple gameplay where Dadish's only real abilities are a double jump actually work perfect in 3D and still makes for compelling levels. The graphics are GREAT and super cute, the environments in particular just look really lovely in this one. They were able to bring the style from the 2D games over flawlessly in my opinion.
The music, similarly, is still great! The Toksa Park theme in particular was a banger! And the level aesthetics themselves were also nice, I can't believe there hasn't been a snowy mountain yet as far as I recall? And the plot is so very Dadish, I actually liked the return of Durnak, which is usually something that bugs me. And the bosses were cute too, I liked the gimmick of Dadish guessing their names all horribly wrong. And being 3D really helped making hunting for the stars more interesting than it's been in earlier entries. Similarly, translating the Madish and Burgurgular levels into something similar to Mach Speed sections from Sonic is GENIUS.
However, I'll admit. This game is not perfect. I have one specific issue with it. It's too easy. Like, WAY too easy. Dadish 3 was the hardest game yet, by far. But this one is like the total opposite. I think the biggest reason why is that the enemies are all taken directly from the 2D Dadish games. Down to how they function. Which means most enemies just walk in a straight line. Deadly for 2D, but for 3D? Basically no enemy presents a challenge to you unless it's a whole line of pizzas. But the burgers just aimlessly avoid you, the hotdogs (usually the bane of my existence in this series) can all be easily jumped around. And even the bosses go down SO quickly. Subwoofer should've had the spike appear in a random place, rather than the same place. Stabby should've probably had some sort of projectile cause he can basically never reach you. I think maybe even just second phases for the bosses could help up the ante a bit. Similarly I can't help but feel like I wanted MORE from these 3D Worlds. I think the next game has TONS of potential based on the groundwork here. But it may be time to give Dadish and his foes some new abilities maybe? Or even giving me more to collect through the levels could be huge.
Regardless, it's Dadish. It's peak. This series can do no wrong. Play the Dadish series.
Killer Instinct (November 1995) - Gameboy
And last, but certainly not least. While I was playing through the Donkey Kong Land trilogy, is suddenly dawned on me that Killer Instinct ALSO got a Gameboy port. And if you know me, you know I ADORE KI. So I had to give it a go. It's the only KI I haven't played previously!
Right out the gate, it's remarkably similar to the Land trilogy. The graphics are insanely muddy, maybe even more than the Land games? To the point where if you don't know KI already, I believe you may not understand what's happening in most battles.
Similarly the game just plays so crazy. It's 2 buttons now, and most commands work pretty similarly. But let me give you a secret tip: ALL FALL BEFORE THE MIGHT OF SABREWULF! Since he mostly uses Charge inputs anyway, just mashing left / right and A / B will have Sabrewulf just tear into foes with little they can do about it. I died in the normal arcade ladder TWICE. Once against Sabrewulf, and once against the final boss. It's EASY pickings. Also no Riptor or Cinder. Actually a crime. I'm shocked my favorites all made it in, but in KI1 I play Sabrewulf and Glacius so those are probably some of the safest picks outside of like, Fulgore lmao.
BUT... DAMN IT... IT'S KINDA COOL!! The GB versions of the music honestly kick ASS. Particularly the main theme sounds GREAT on GB. And like, there is a training mode which, from my understanding, is not something to take for granted especially with older weirder fighting games. And unlike Land1, this game is FAST. Like maybe not as fast as actual KI but it keeps its own pace and it's not insanely slow and clunky. Plus every character has their own ending and there's a unique final boss with Eyedol. And there's still combos, and combo breakers, and finishers. Like... It's all here with very little compromise.
Like, it's obviously worse than just playing any other KI game. And just like the Land games, I wish they had maybe drawn new sprites from the ground up rather than trying to scale down the prerendered stuff. And also maybe do some original stuff (COULD YOU IMAGINE IF THIS HAD ITS OWN EXCLUSIVE CHARACTER THAT CAME BACK FOR 2013??) But like... It's so charming. And truth be told, I'm realizing I don't have much bad to say for it considering it's a small 2 button GB fighter. It makes me wish KI got ported to more stuff! Imagine them trying to do the 3D Backdrops from the arcade versions of KI1/KIG on Gameboy Advance or DS? Imagine a Killer Instinct 2013 port to 3DS in a similar fashion to the Street Fighter 4 3DS port? I would have been OBSESSED with that. Much to think about... I may have to revisit KI Gameboy. What a weird world.
Seriously though put this on NSO and I will run tournaments (probably not but I'd love to fight someone in it)
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How To Start Earning On Social Media App Like Instagram And TikTok
Social media sites like Instagram and TikTok are no longer just for sharing memories and interacting with friends. They have developed into profitable areas where both people and companies may generate a consistent income. Through influencer collaborations, affiliate marketing, or the sale of digital goods, these platforms give social media app developers countless chances to make money off of your presence.
These applications offer a huge audience ready to interact with imaginative and captivating material, as they have billions of active users. However, it takes strategy, consistency, and knowledge of what works for each platform to turn social media participation into revenue.
This blog explores practical advice to help you begin making money on social media. Weâll look at efficient strategies catered to platforms like Instagram and TikTok, whether youâre a brand trying to reach a wider audience or a budding content producer. Prepare to make your time on social media a lucrative business endeavor.
Importance Of TikTok And Instagram To Make Revenue
Social media platforms serve as vital resources for individuals and businesses. These platforms offer various ways to generate income. These social media behemoths are strong marketplaces and branding tools that offer more than simply amusement. Unmatched earning prospects are offered by their enormous user populations, creative content forms, and integrated monetization capabilities.Â
They provide businesses with affordable channels to engage with specific audiences and promote items. For individuals, they pave the way to income streams through creative content. Letâs explore why these platforms are vital for revenue generation.
1. Massive User Base and Engagement
TikTok and Instagram attract millions of daily active users globally, providing unparalleled reach. This vast audience ensures exposure for content creators and businesses alike. High engagement rates on these platforms mean better chances for your posts, videos, or ads to drive traffic and conversions. Social media app developers optimize algorithms to prioritize engaging content, further boosting visibility and reach.
2. Innovative Content Formats
TikTokâs short-form videos and Instagramâs reels, stories, and posts cater to evolving consumer preferences. These creative formats enhance storytelling and make promotional content more interactive. Businesses can utilize these features to create appealing campaigns, while creators can connect authentically with followers. Through mobile app development, these platforms continuously introduce advanced features, such as AR filters and live shopping, which increase monetization potential.
3. Built-in Monetization Tools
Both platforms offer creator-centric monetization features. TikTok enables earnings through Creator Fund, live gifts, and brand collaborations, while Instagram supports income through affiliate marketing, sponsored posts, and shopping features. The integration of these tools simplifies the revenue process, allowing anyone with creativity and a strategy to benefit. These technologies are now easy to use thanks to mobile app developers, enabling producers with little technical knowledge.
4. Direct-to-Consumer Marketing
Businesses may effectively engage with their target audience on TikTok and Instagram. They are in favor of corporate practices that sell products and services directly to consumers. Social media app development is essential for new businesses or brands to create apps that work well with various platforms and facilitate efficient sales procedures.
You can take advantage of TikTok and Instagramâs enormous potential to create steady income by using them strategically. These platforms are essential for attaining financial success, regardless of whether you are a business owner or a creator.
Statistics That You Need To Know
1. Instagramâs Surge in Sponsored Posts
In 2021, Instagram saw 3.8 million posts globally with the #ad hashtag. This marked a significant rise in ad content. It was a 27% increase from the 3 million sponsored posts of the previous year. This surge highlights Instagramâs key role in digital advertising. It has become a major influencer marketing platform. Social media developers continue to enhance these features. Their goal is to help influencers and brands reach a larger audience. This also boosts overall engagement on the platform.
2. Cost of Sponsored YouTube Videos
YouTube continues to be a significant force in the influencer market. It has films that have received over a million views. The average minimum sponsorship fee is $2,500. In 2022, videos with 500,000â1 million views sold for at least $1,105. These videos could cost as much as $16,234. YouTube is a potent source of income for creators because of the pricing variance that is impacted by elements like content quality and creator involvement. A dedicated software developer can help integrate effective marketing tools into video platforms to capitalize on these sponsorship opportunities.
3. Cost of Sponsored Instagram Posts
In 2021, Instagram sponsored posts typically cost at least $1,200. This price allowed influencers with millions of followers to earn money from their large fan base. As a result, influencers with substantial reach could monetize their content effectively. On the other hand, macro-influencers, those with 100,000 to 1 million followers, earned an average of $185 per post. Businesses and creators are discovering new ways to make money on Instagram as its shopping and advertising capabilities develop. Influencers now find it simpler to monetize their material thanks to these developments.
4. Cost of Sponsored TikTok Posts
Mega-influencers on TikTok have significant income potential. Influencers that have a million or more followers can make a lot of money. Typically, they charge at least $1,034 per sponsored post. The minimum price drops to $151 for people with a smaller but still substantial following (100,000 to 1 million), with a maximum possible of $793. TikTokâs quick expansion is creating new revenue streams, which makes it a desirable platform for influencers and companies to investigate.
These figures demonstrate the strong commercial potential of social media platforms, demonstrating that sites like YouTube, Instagram, and TikTok are not only for amusement but also for significant income production. A dedicated software developer can enhance your ability to track and optimize these monetization opportunities, ensuring a profitable social media strategy.
Whatâs TikTok and Instagram Technology Stack
Social media platforms have also transformed how we make money off content. These platforms rely on an advanced technology stack to support their enormous user bases. The technology ensures smooth and seamless user experiences. Modern technology powers every element of TikTok and Instagram, from the user interface to the content algorithms. The main technology underlying these well-known social media apps are broken down as follows:
1. Programming Languages
Instagram and TikTok use several programming languages to build their products. These languages ensure scalable performance. By leveraging these technologies, both platforms are able to meet the demands of millions of users.
Python is the primary language used by Instagram for backend development. It is preferred for its ease of use and adaptability. Python excels, particularly when managing massive amounts of data. To speed up development, Instagram also uses Django. It helps streamline backend processes.
To ensure smooth operation across devices, TikTokâs mobile app development uses Java for Android and Swift for iOS. In contrast, the company employs Python for data analysis and machine learning features.
2. Data Storage and Databases
With billions of users and immense amounts of data generated daily, TikTok and Instagram use robust data storage solutions to manage this influx.
Instagram relies on PostgreSQL for relational database management and uses Cassandra for handling large-scale distributed data. This ensures fast and reliable storage, which is crucial for processing photos, videos, and user interactions in real time.
TikTok employs MySQL and Redis to store data efficiently. It also uses HBase for big data management, providing scalability to handle high traffic during peak times.
3. Machine Learning and AI Algorithms
From facial recognition and filtering to content suggestions, machine learning and artificial intelligence algorithms are essential for improving user experiences.
Instagram recommends posts using machine learning algorithms that take into account user likes and behavior. Instagramâs AI-driven systems analyze user engagement trends. This helps provide the most relevant content to users. By understanding these patterns, Instagram keeps users interested.
The AI-powered recommendation engine on TikTok customizes content feeds according to watch duration, user interactions, and other metrics. In order to recommend pertinent videos, the engine learns from each userâs actions. Deep learning methods enhance the platformâs capabilities.
4. Cloud Infrastructure and CDN
Cloud infrastructure is essential to both platformsâ success because of their enormous scale, particularly for scalability and content delivery.
Amazon Web Services (AWS) helps Instagram with cloud hosting and storage. This enables Instagram to handle traffic spikes. AWS ensures consistent performance, even during high traffic periods.
TikTok relies on AWS and Google Cloud Platform (GCP) for scalable cloud infrastructure. These platforms ensure high performance and flexibility. Additionally, TikTok utilizes a content delivery network (CDN). The CDN guarantees seamless and fast video streaming.Â
5. Video Editing and Streaming Technologies
TikTok and Instagram rely heavily on video content. This makes it essential for them to have robust streaming tools. They also need powerful video editing tools to maintain performance. These tools ensure that high-quality content is delivered smoothly.Â
Instagram handles video encoding, streaming, and playback. It uses FFmpeg for encoding and processing video files. For streaming, Instagram relies on HLS (HTTP Live Streaming). These technologies guarantee that films are customized for a range of devices and delivered with the least amount of lag.
TikTok uses FFmpeg as well for video compression and streaming. Its advanced video editing features are powered by OpenGL ES and Vulkan for high-performance graphics rendering, making it easier for users to create and share engaging content.
6. Security and Privacy
Both platforms invest heavily in security to protect user data and maintain trust.
Instagram implements industry-standard OAuth for user authentication and uses SSL/TLS encryption for data transmission to protect user privacy.
Similar security measures and sophisticated user verification methods are used by TikTok to protect user data. Its AI-powered security technologies also continuously scan for unusual activity.
TikTok and Instagram are both still developing, pushing the limits of digital content consumption and mobile app development. These platformsâ advanced technology stacks guarantee that they support content creators in making money off of their work in addition to offering captivating user experiences. A dedicated software developer with experience in mobile app development may assist you in integrating these technologies to achieve your business objectives if youâre trying to create an app with comparable features.
The Significance of Earning Money on Social Media
Social media networks, which provide inexpensive avenues for self-promotion, have completely transformed small business marketing.They assist small businesses develop their brands in addition to offering affordable marketing. They enable companies to communicate with clients directly, improving their comprehension of their requirements. This interaction helps increase website traffic and customer loyalty. Platforms like Facebook, Instagram, and X offer valuable metrics to help businesses understand their audience. These insights allow companies to tailor their products to meet customer demands more effectively.
By making money from social media, small businesses can expand their revenue sources beyond conventional means. By employing strategies like sponsored content, affiliate marketing, and direct product sales on social media, businesses may profit from a sizable consumer base. This contemporary method of generating income creates new opportunities for expansion in the online market that are not constrained by a physical storeâs location.
The Tried-and-True Strategies to Make Money on Social Media
Examples of social media sites that have evolved over time are Instagram and TikTok. They are now flourishing ecosystems for making money. These sites are no longer just places for people to socialize. Instead, they offer vast opportunities for generating revenue. You can establish a steady revenue stream by carefully utilizing tools and methods that complement your specialty.Â
Here are eight effective strategies to monetize your social media, backed by insights that can help you optimize your approach and maximize earnings.
1. Find and Define Your Niche
For social media monetization to be effective, picking a niche is crucial. As a social media app developer, you can produce content that directly addresses the needs of a certain group by concentrating on a small target audience. You can strengthen relationships and draw in advertisers that are prepared to pay for access to your highly targeted audience by cultivating a community of active followers.
2. Optimize Your Social Media Profiles for Growth
To effectively monetize social media, itâs crucial to optimize your profiles. This means using relevant profile images, writing clear bios, and ensuring your niche is evident. Regularly posting content tailored to your audienceâs interests is vital. Additionally, as a mobile app development expert, you can monitor analytics to refine your approach and adjust content types and posting times for maximum engagement.
3. Produce Engaging, Value-Driven Content
A key component of social media success is excellent content. Be it conversational, instructional, or humorous, your material must resonate with your audience. To achieve this, maintain a balanced mix of content. The 60/30/10 rule is one useful strategy. According to this guideline, 60% of your material should be interesting or entertaining. You can use your experience as a dedicated software developer or mobile app developer to produce valuable content that organically incorporates your services or goods.
4. Collaborate with Brands on Sponsored Content
Promoting content on social media is a tried-and-true method of making money. This content is then shared with a broad audience, increasing visibility. For both companies and influencers, reaching out directly to brands can be a good approach. Alternatively, forming partnerships through platforms like Instagramâs Creator Marketplace can also be effective. Sponsored videos or posts can complement your content while boosting your revenue.
5. Use Affiliate Marketing to Generate Passive Revenue
By promoting products from third parties, affiliate marketing enables you to earn money. When customers make purchases using your links, you get paid. You can earn money each time a follower makes a purchase by including affiliate links or codes in your posts. Collaborate with companies and goods that fit your specialization for the best results.Â
6. Develop and Market Online Courses to Inform Your Audience
Selling online courses has grown in popularity as a means of earning money on social media sites like Instagram and TikTok. As creators discover new ways to make money off of their skills, this trend has accelerated. You can produce educational content if you are an authority in a particular topic. Once the video is produced, share it on social media platforms to expand your reach. This approach helps connect with a broader audience effectively. Additionally, you can market your courses globally through platforms like Teachable, Skillshare, and Udemy. These services also help you build your own personal brand.
7. Sell Digital Products to Your Social Media Followers
Digital goods sales are another successful monetization approach. Digital products, such as unique fitness regimens, downloadable templates, or e-books, can offer a reliable source of revenue. As a company or content creator, you can create goods that appeal to the interests of your target market. Digital products are particularly useful since, once generated, they require no upkeep and provide a steady flow of passive income.
8. Host Events to Generate Revenue and Engage Your Community
Organizing events is a fun way to make money on social media. Followers can purchase exclusive access to online classes, webinars, or virtual meetups that you host. In addition to increasing your revenue, this tactic strengthens your ties to the community. Whether through subscriptions, contributions, or ticket sales, holding events can generate recurring income while providing your audience with insightful material.
These tactics provide a range of approaches to monetize your social media presence. Using your skills as a dedicated software developer or mobile app development professional, you can produce content for Instagram and TikTok that gains fans, establishes credibility, and brings in money.
Costs Of Monetizing Social Media Platforms
The following table highlights essential statistics for earning on social media platforms like Instagram, TikTok, and YouTube. These figures emphasize the growing significance of sponsored content, influencer marketing, and monetization opportunities available for creators and businesses alike.PlatformContent TypeFollowers RangeEarnings Per Sponsored PostInstagramSponsored Posts100,000â1,000,000$185 (average)1,000,000+$1,200+TikTokSponsored Posts100,000â1,000,000$151â$7931,000,000+$1,034+YouTubeSponsored Posts500,000â1,000,000 views$1,105â$16,2341,000,000+ views$2,500+ (minimum)
These numbers underline the growing profitability of social media platforms. Businesses and creators alike are capitalizing on these opportunities, making platforms like Instagram, TikTok, and YouTube not just for entertainment but also significant revenue drivers.
Conclusion
To sum up, social media has proven to be an effective revenue-generating medium that presents a plethora of options for both businesses and creators. Many people have demonstrated that significant incomes may be made through strategies including sponsored posts, affiliate marketing, and the sale of digital goods, even if not everyone will be able to match the size of top influencers.Â
Monetizing a social network account requires time and perseverance. It also demands a thorough understanding of your audience. However, the opportunity to earn money online is substantial. This potential is available to those willing to invest the necessary time and effort. Anyone can turn their social media presence into a profitable business with the correct tactics. The secret to long-term success is dedication to these tactics. By focusing on your audience and staying dedicated, you can build a sustainable income.
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**Instagram Post Description:**
đ° **How to Make Money from Instagram Reels** đ°
Want to turn your passion into profit? đ±đĄ Instagram Reels can be a goldmine if used right! Hereâs how you can start making money with your creative videos:
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2ïžâŁ **Affiliate Marketing**: Share affiliate links in your Reels. Earn a commission every time someone buys through your link.
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4ïžâŁ **Creator Fund**: Join Instagram's Creator Fund and earn money based on the performance of your Reels.
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Start creating Reels that captivate your audience, and watch your income grow. đ„đž #InstagramReels #MakeMoneyOnline #SocialMediaMarketing #ContentCreator #Entrepreneur #SideHustle #MonetizeYourContent
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