#red horse of the apocalypse

[illustratus]

The Parca and the Angel of Death by Gustave Moreau

[comicchannel]

Hellboy Action Figure 30th Anniversary Edition - 1000 Toys

Link para compra BR: *Possível importar pelo Link abaixo

Buy here: https://amzn.to/47iiKlH

[aystay]

some wips and sketches (to post at least anything)

[pad-wubbo]

Red Horse

When He broke the second seal,

I heard the second living creature saying, "Come".

And another, a red horse, went out; and to him who sat on it,

it was granted to take peace from Earth,

and that men would slay one another;

and a great sword was given to him.

The red horse cantered endlessly in circles;

for there was no peace to take,

as men slew one another regardless,

without cause other than the simple fact that they were as men.

I draw my curtains and block out the fiery light

of the red horse's mane.

I'm a lucky man.

I can avert my eyes from the horse's throbbing, swollen veins,

for the horse is not in my back garden.

That I don't look at it,

it means that when it does rear its ugly head,

I faint with abject terror.

He's galloping to the radio tower,

conquering the studio floor,

and out comes a triumphant neigh

into the microphone.

I mute the radio,

but the horse stays there,

still in the studio.

There are men less fortunate than I.

The horse chases them into their lodgings,

and devours them whole,

spitting them out as embers,

beautiful embers,

radiant embers,

embers lighting up my television screen,

embers that cannot touch me.

There are children running from the horse,

and it catches up to them with breathtaking pace.

The horse bites down on their skulls

and crushes their lives into pieces.

It rides without end, east and west,

and the rider can never clean the rust of blood off his sword.

There are children holed up,

in their comfy suburban living rooms.

They mustn't be allowed to know that the horse exists.

It could be very upsetting.

Their eyes are sewn shut,

and the rider still has blood on his sword.

"Here are the dangers of letting your children know the red horse exists",

declares the headline of an article

whose author

rides the red horse

and feeds to it the blood of children.

There are two horses making love.

Regular, brown horses.

The rider of the red horse points a finger at them.

Degenerates.

The red horse devours them whole.

Blood drips down its mane.

Somewhere, a television with the red horse's blood-soaked visage

telling you to watch your manners.

The rider is screaming about the brown horses.

Everyone's riding the red one.

Even the children.

There's a brown cape draped over their red horses' backs.

They don't know their horses are red.

Doesn't wash off the blood.

CC-BY-SA 4.0

[anveyegres]

the four horsemen — iv. death

" When the Lamb broke the fourth seal, I heard the voice of the fourth living creature saying, "Come." I looked, and behold, a green horse; and he who sat on it had the name Death; and Hades was following with him. Authority was given to them over a fourth of the Earth, to kill with sword and with famine and with pestilence and by the wild beasts of the Earth. "

[characternerdocs]

This isn't a trick question or one that "has right answer." I'm just curious to see what the general consensus is.

[thedawner]

Gratuitous mule posting

[shabadarada]

Eschatron 9000 group you'll be in my mind forever

[nerdygoth77]

More Red Dead Redemption Undead Nightmare screenshots! With my favorite outfit, Undead Hunter!

[z4gz4gz4g]

I have always kept you closer than you've known I, I am riding in the shadows behind you On a pale white horse

[illustratus]

Four Horsemen of the Apocalypse by Viktor Vasnetsov

[comicchannel]

Funko Pop Comics Hellboy in Suit (Limited Edition) - 18

Link para compra BR: https://amzn.to/3Zh0iYA

Buy here: https://amzn.to/47nKm8P

[st6rly]

❛ love me like how only you do. ❜

synopsis : 　 through every universe, every cycle of rebirth, he will always find you. in which kazuha loves all versions of you; in every timeline, every universe, every breath or non-breath he takes. 　 ╱ 　 word count : 　 1.7k

characters : 　 kazuha x gn!reader

categories : 　 fluff. mild angst. yearning. royalty au. country x city trope. hospital au. modern au. apocalypse & post-apocalypse aus. idol au. inanimate object / nature au?? lot's of aus. 8 + 1 fic.

warnings : 　rusty writing (it's been a hot minute my bad-). brief major character deaths. mention of blood / injury / violence / drowning. illness in characters + family members. fire. zombies. mentions / vague descriptions of death in general.

dedicated to : 　 @yuomizuu, from your stellaronhvnter secret santa :3c when i saw kazuha on your list, i jumped for joy; he’s one of my top genshin characters & im so happy to have an excuse to write for him! // playlist i was listening to while writing // art by @.mayu_mey on twt

In one universe, Kazuha bumps into you on the street. 

Bundles of scrolls and parchment spill from your arms, delicate writing muddied with dirt as the commotion on the street barely comes to a halt. Onlookers scowl and grumble, moving past without a second thought as you scramble to collect your things from the footpath, movements hastened by the spear-tips aiming your way. 

Cape a deep crimson with delicate fur trim, the Kaedehara family crest is embroidered on the back in gold thread. Kazuha always thought it was unnecessary to flaunt his status, preferring respect of the family name over awe of his wealth. But being a gift from a dear friend, he wears it more often than not. In cases like these, he wishes he hadn’t. Your eyes catch the glint of his garments, and you freeze, petrified.  

Lowering to a crouch, Kazuha waves away his guards with dimmissive hand, gloved hands working to collect fallen sheets. 

“Are you alright?” he asks, voice kind and with a smile. He holds out a scroll for you to take back. Your fingers brush his. 

“Yes…” you mutter back, somewhat sheepish. You quickly rise to your feet and offer him a bow. “My apologies, Your Highness.” 

“No need for it.” 

He offers to walk you to your destination. You decline. He insists. The two of you both make it to the library in quick succession, the others on the road making way the minute the red of his cape is seen. 

“This is quite unnecessary, Your Highness.” Kazuha looks over at you. You smile when he meets your eyes. “It was I who bumped into you. There was no need to escort me back.”

“Ah, but I wanted to.” 

It’s when you’re inside, the door closed behind you, that Kazuha stops to stare at where you’d once stood. His cheeks are rosy with warmth.  

“Are you alright, Your Highness?” one of the guards prods, hesitant. “You seem a bit… flushed.” 

“I’m more than alright.” 

The kingdom falls before he can see you again. 

Flames engulf houses and shops; fire starved and ravenous, it becomes a glutton as it licks up the side of the library. His horse whinnies and backs away when the heat gets to be too much, but Kazuha can’t seem to pull himself away from the sight. He needs to leave. He needs to leave. Run. Run. Run. Run—

Some part of him hopes you made it out unscathed, heart heavy as the shouts of enemy troops chase after him. You would’ve liked the palace archives, he thinks, salt trailing down ash-stained cheeks as the ruins disappear in the distance. 

—

In one universe, you’ve just moved from the city to the countryside. 

As your new neighbour, Kazuha took it upon himself to welcome you. The rest of the area had heard about your reasonings: a relative of yours who owned the house you’d be staying in has fallen ill. You’re here to keep things in order while they receive treatment. 

Basket full of fresh fruit from his own farm, he stands outside your door with a nervous frown. His heart beats erratically in his chest, pulse ricocheting off the bones of his ribs. It’s never like him to be so jittery when greeting others. Readjusting his grip, Kazuha sucks in a breath and knocks. 

You shout back, “Just a sec!” 

There’s a brief moment where Kazuha debates leaving, dropping the basket and running. He digs his heels into the ground. The door opens with a click. You smile and— 

Oh. 

He’s been here before, hasn't he? 

Cheeks turning a soft pink, he grins back, holding out the basket. 

“A little welcome gift,” he says, “from your new neighbour.” 

You take the basket from him; your fingers don’t touch his. Is it weird that he wishes they did? Kazuha comes back the next day, handing you a bunch of mail and a package. You invite him to stay this time. 

Kazuha swears he’s seen you before, that you moving wasn’t a coincidence judging by the butterflies that eat at his stomach lining. Whatever it is, you don’t remember him like how he thinks of you. 

You return to the city months later, leaving the confession on the tip of his tongue. 

—

In one universe, you are the wind that greets him every morning. 

The hospital room is stuffy, void of colour except for the stack of “Get well soon!” cards and deflating balloons shoved by his bedside. He misses the farm, he decides, the vast openness of the trees and fields. The smell of medicine had stung his nose at first; now it’s barely there. Kazuha stares out at the sunrise, smiling to himself when a familiar breeze slips through the crack of his window. Bathed in gold with the sun speckled in his hair, he strains an arm and grasps onto a well-loved notepad and pen. 

“One day,” he murmurs, voice airy as he jots down the date, “I’ll be out there too.” 

—

In one universe, you’re a birdhouse and he’s the bird. 

The seeds are kept well stocked; the shelter you provide is always dry. You both get swept away in a windstorm. 

—

In one universe, he is a star. 

Rubble and debris from what were once towering builds block any type of path you may have been able to venture. Despite the lack of them, the stench of walking death still permeates the air.  

“Shouldn’t have taken that shortcut,” you mumble, grunting when your foot catches on another root. 

The trees grow thicker and you swear you’ve passed this part of the woods already. You grumble a string of profanities, plopping down to the forest floor and leaning against the bark. You look up. 

“You’re here at least.” The words are soft, much too gentle for the atmosphere. Kazuha doesn’t respond. Can’t respond. “You’d scold me for scavenging this late. I know it.” 

The star grows brighter, as if laughing. 

— 

In one universe, Kazuha’s flesh can be tasted on your tongue. 

Tied up in the corner, your arms pinned behind your back, he sits about two metres away in front of you on a broken crate. The gun lays loaded in his lap. Eyes closed with his head down, fingers resting on the cool metal, Kazuha’s lips stretch into a thin line. 

“It’s not right,” he mutters, mainly to himself as you thrash in the corner, desperate to reach him. “It’s not my right to rob you of life.” 

You snarl in response. Eyes bloodshot and crazed, he wonders if you can still understand him. Would you plead for him to shoot you? Would you beg to be spared? Could he bear to do either? He’s going to be sick. 

“It’s not right,” he repeats, shaky hands curling in his lap. “It’s you and me. We haven’t come all this way just to end.” 

The world has taken enough from him. Kazuha refuses to let it take you too; not without him.  

He stands in front of you. The gun lays off to the side. 

Somewhere in the back of his mind, a voice screams at him not to fold. They wouldn’t want this, it wails, clawing at the walls of his skull. Another tells him, Do it. And so Kazuha undoes your binds, kisses you, smiles tearfully when your nails claw into his skin. Blood runs down his back, stains his tattered clothing. He hugs you. Your jaws clamp down on the junction of his neck and shoulder. His nose brushes against your jaw. 

“It’s ok,” he whispers to ears that cannot hear reason, hold tightening, “we’ll be ok.” 

—

In one universe, you two never meet. Not face-to-face at least. 

Kazuha smiles at the camera, holding up a peace-sign, before the view switches to another member on stage. The clip goes viral very shortly after its creation. You come across it one day. 

“An idol, huh…” you mutter. 

 You scroll away. 

— 

In one universe, he’s stuck behind a screen, a watcher to your world as you go through the motions of life. 

Fate isn’t his, but he can’t seem to mind. When his splash art first coloured your screen, when he first witnessed that giddy look in your eyes, Kazuha knew he was smitten. 

Even if you ult at the wrong times, run out of stamina in the middle of climbing, skip dialogue, Kazuha is there beside you. For every beginning, end, every plotline in between, he’s a staple of your team. 

One day, you stop logging in. It was gradual at first; daily tasks, some resin here and there, you’d skip a day then come back the next. A day turned into two. Then three. A week. A month. Kazuha still waits. It’s funny how his world comes to a standstill when you do. He hopes you’re doing well. 

—

In one universe, he is a leaf and you are a river cutting through the forest. 

He drowns in your embrace, waterlogged and swept away as you carry him down stream. If he had a conscience, Kazuha would do it again. 

—

In this universe, it’s finally Kazuha and you. (There is no need to say he loves you when his name is already beside yours.)

Kazuha watches as you pack up your things. He stands from his spot next to you, bag slung over his shoulder as he waits. Other students are already leaving the lecture hall, milling about as he admires you from this short distance. 

In this universe, it’s been Kazuha and you since birth. Friends since forever, it surprised no one when both of you confessed. It would be nice if every universe were like this. 

“You’re staring.” 

He blinks, hand finding yours automatically. You squeeze back. 

“It’s hard not to when you look like that,” he teases back. 

“C’mon, the winter festival is starting soon.” You roll your eyes. 

Foot catching on the chair, Kazuha steadies you before your books can fall out of your hands, giggling when you’re quick to apologize. 

“I had a weird dream last night,” he blurts out once you’re back to standing. 

“About me falling?” 

“More than that.” He traces your skin with his thumb, lost in thought before speaking again. “I’ll walk you back to your dorm. Drop off your stuff and all.” 

“Nah, I can just meet up with you.” 

Would it be nice if every universe were like this? That’s silly, he thinks with a smile. No world could make me love you less. 

“I insist.” 

notes : 　inspired by multiverse concepts, including “everything, everywhere, all at once,” arcane, the "do you think we're together in every universe?" trend, and this one poem i read that i can’t remember. this ended up being shorter than i thought it would be, but there are a lot of parallels between scenes and such so i hope those were caught! apologies if the prose doesn't flow too well TwT

[anveyegres]

the four horsemen — iii. famine

" When He broke the third seal, I heard the third living creature saying, "Come." I looked, and behold, a black horse; and he who sat on it had a pair of scales in his hand. And I heard something like a voice in the center of the four living creatures saying, "A quart of wheat for a denarius, and three quarts of barley for a denarius; but do not damage the oil and the wine." "

[inthedayswhenlandswerefew]

Where Will All The Martyrs Go [Chapter 1: Welcome To A New Kind Of Tension]

Series summary: In the midst of the zombie apocalypse, both you and Aemond (and your respective travel companions) find yourselves headed for the West Coast. It’s the 2024 version of the Oregon Trail, but with less dysentery and more undead antagonists. Watch out for snakes! 😉🐍

Series warnings: Language, sexual content (18+ readers only), violence, bodily injury, med school Aemond, character deaths, nature, drinking, smoking, drugs, Adventures With Aegon, pregnancy and childbirth, the U.S. Navy, road trip vibes, Jace is here unfortunately.

Series title is a lyric from: “Letterbomb” by Green Day.

Chapter title is a lyric from: “American Idiot” by Green Day.

Word count: 5.1k

💜 All my writing can be found HERE! 💜

Let me know if you’d like to be added to the taglist 🥰

“What do you think, should we kill ourselves now or later?” Rio is spinning his Beretta M9 around on his index finger. This is not advisable. He doesn’t care.

Your hands are gripping the skeletal latticework of the transmission tower, steel hot enough to burn you; no electricity hums in the power lines suspended above your heads. Your eyes are on the horizon, golden June sunlight over fields no one has planted. Weeds are growing up through the earth, feral and defiantly useless, reclaiming their land just like the deer are, and the rabbits and the opossums and the turtles and the squirrels and the doves. The reign of humanity is over. Now you’re prey animals too. “Let’s wait.”

“For what?”

“Maybe someone will save us.”

“Ain’t nobody coming, Chips!” Rio says. “We’re a hundred feet off the ground in the middle of nowhere, motherfucking Catawissa, Pennsylvania, and we haven’t run into anyone since that Amish family back in Lightstreet, and I wouldn’t count on them driving by in their horse and buggy to pick us up.”

“We’re about sixty feet off the ground.”

“Okay, Bob the Builder, why don’t you whip up a helicopter or something to get us out of here?” Rio’s M9 has one bullet left in it, yours has three, nowhere near enough. At the bottom of the tower is a swarm of fifty-four zombies; you’ve counted them twice. There are no cute euphemisms: walkers, biters, the infected. They were once people and now they’re not. They wear the vestiges of their former lives, like how those who believe in reincarnation see meaning in birthmarks: here you were stabbed, there you were kissed by your true love. They lurch and snarl and hiss in their professional attire, college t-shirts, Vans and Jordans, septum piercings, wedding rings. They decompose in a miasma of metallic blood and spoiled meat. Parker had been the last one to the transmission tower, and they grabbed him by the legs. Now they’re chewing the gristle off his bones: disconnected ligaments that swing like strands of cobwebs, scarlet threads of muscle. “Oh shit,” Rio says, looking down. “We’ve got a smart one.”

Most zombies don’t have the fine motor skills to climb, swim, or open doors, but every once in a while—just like out of every 5,000 or 10,000 or however many ordinary humans you’ll pull the lever on the genetic slot machine and get a Picasso or a kid who can score a 1600 on the SATs—you run into an overachiever. This zombie, a teenage boy with red hair and a blue plaid shirt, is slowly scaling the tower. He’s already ten feet off the ground.

Rio aims his M9, semiautomatic, packs a punch but won’t break your arm with the recoil. “Fuck off, Ed Sheeran!” He fires and misses; the bullet grazes the boy’s shoulder. He groans dramatically and asks you in defeat: “Will you take care of that, please?”

You pull your pistol out of your holster and lean away from the tower to get a better angle, holding onto the scaffolding with one hand. You feel Rio’s large fingers close around your wrist, ready to yank you back if you slip. You click off the safety with your thumb, peer through the front sight, aim and wait until you’re sure. It’s a headshot: shards of skull ricochet off steel beams, half-rotten brains spray out in a mist. The carcass plummets to the earth.

“All this horror, all this catastrophe.” Rio’s eyes, dark like a mineshaft, drift mischievously back to you. “We could…distract each other.”

He’s not serious; this is a game you play. “No thanks.”

“You don’t want to die a virgin.”

“I do if you’re the only other person up here.”

“You deny a condemned man his final wish?”

“We’re not dying,” you insist. “What about Sophie?”

“Sophie would understand given the circumstances. She would want me to be happy.”

“What if we have sex and then immediately thereafter get rescued? You’d be a cheater. You’d be consumed by guilt. You’d never be able to take me back to your parents’ doomsday prepper cult commune in bumblefuck Oregon to wait out the apocalypse in peace.”

“You’re going to appreciate those doomsday preppers when you’re eating Chef Boyardee out of a can instead of shuffling around as a reanimated corpse.”

“Yeah, I’m sure I will,” you muse. “So you agree we’re going to get off this tower somehow.”

Rio sighs and whistles a morose tune: what a shame. “You should have gone out with that Marine at Corpus Christi.”

You frown, repentant, wistful. There’s nothing on the horizon except fields and trees and black storm clouds of crows taking flight. “I was afraid of making a mistake.”

“And now look at you. About to die as pure as Pope Francis.”

“How did this happen?! We’re not idiots, we’re goddamn professionals!” You re-holster your M9. You’re still wearing your uniforms from when you went AWOL, stealing away from Saratoga Springs like rats from a sinking ship.

“I’ll tell you exactly how this happened. You let that loser Parker come with us even though I knew it was a bad idea—”

“I couldn’t just leave him there! He started crying!”

“And he had one job, which was to check the oil in the Humvee, and clearly he failed because…” Rio glances at his watch. “Approximately four hours ago, the engine started smoking and the whole thing died on us, so we had to get out and walk, like we’re pioneers or some shit, and then that hoard down there came out of nowhere, and the only place left to go was up. Freaking Parker. I could murder that guy.” An awkward pause. “I mean, the zombies beat me to it. But still.”

“He had two jobs. He was also carrying the extra ammo.”

“Don’t remind me.” Rio isn’t messing around with his M9 anymore. He’s contemplating it as the sun hovers just past noon, hot and shadowless. “How many bullets do you have left?”

“Two.”

“Good. Don’t use them.”

You look at him, this man you’ve known for over four years, this man you’ve traveled the world with. You’ve already gone so much farther than Oregon together. How is it possible that what was once a six hour flight is now a month-long journey that might kill you? “It’s not over yet, Rio.”

“Remember what you promised me.”

His hushed voice in the moonlit indigo of the Humvee the night you left Saratoga Springs: Don’t let me die alone. “We’re going to be okay. We’re going to make it to Oregon.” Then you grin, sweltering summer air breathing over you, humid, heavy, the screeching of insects in the trees. “But if it comes to that, I’d be happy to shoot you first.”

Rio smiles as the zombies below growl and claw at the steel framework of the transmission tower. Flesh peels off their fingers until you can see the gore-stained white of their bones. “Don’t miss.”

“I rarely do.”

“Do you have any more packs of Cheddar Whales in your pockets or—?” He cuts off as he spots something in the distance. His eyes go wide, his jaw drops open. “What…what is that?!”

It’s an SUV, massive, dark blue, rumbling across the field in a dust storm of displaced earth. It’s headed straight towards you. There is someone standing up through the sunroof, short dark hair that whips wildly in the wind, binoculars. You can hear the engine revving and, faintly, Kanye West’s Gold Digger. As the SUV nears the tower, Sunroof Kid ducks inside and closes the hatch.

Rio explodes into hysterical, rapturous laughter. “Oh my God, we’re saved! We’re not going to die up here! Oh, thank you, Jesus, thank you. I’m never going to jack off on Sundays again.”

The SUV, still accelerating, plows through the mob of zombies. Severed limbs go flying; bones crunch and snap. There’s a woman driving, you can see now through the slightly tinted windows. She puts the monstrous vehicle and reverse and does another pass. Zombies paw futilely at the sides of the SUV, a Chevy Tahoe, as it turns out. They smack their open, soggy palms on the windows; they gnaw and lick at the bumpers and the wheel wells. The Tahoe circles to regain speed, the engine growling, a bear, a dragon, and barrels into the remaining ambulatory zombies. The hoard is now largely incapacitated. Rio is cheering and clapping his hands.

The Tahoe’s doors open, and your rescuers appear. There are two men wielding baseball bats: one with long dark curly hair, the other tall and blonde, and there’s something wrong with his face, the left side, though you are too far away to see clearly. They move rapidly through the battlefield of felled, moaning bodies, swinging their bats and crushing skulls. There’s another blonde guy, shorter, softer, pink with sunburn, wearing plastic sunglasses and a teal polo with a popped collar. He’s spinning a golf club in his right hand. He is followed out of the Tahoe by one last blonde, spindly and swift, stalking the perimeter with a compound bow, a quiver of arrows secured to his belt. Rio is singing along to Gold Digger, drumming his fists on the steel beams.

“Now, I ain’t sayin’ you a gold digger, you got needs

You don’t want a dude to smoke, but he can’t buy weed

You go out to eat, he can’t pay, y’all can’t leave

There’s dishes in the back, he gotta roll up his sleeves…”

The driver wriggles out of the Tahoe with some difficulty; she is seven or eight months pregnant. “Stay in the car,” Madame Driver tells someone inside as she slams the door shut. She’s holding a hammer and sets about euthanizing the zombies still squirming on the ground and gnashing their cracked teeth at her.

Golf Club says: “Jace, bro, that’s so embarrassing. You’re gonna let her do that?”

Curly—or, rather, Jace—shrugs. “Exercise is good for the baby.”

All three blondes respond at once in a chorus of appalled disapproval. Interestingly, your rescuers have British accents. From within the Tahoe, someone turns off the CD player. This is wise; noise tends to attract more zombies. Madame Driver, unaffected, puts her hammer through the eye socket of a former Arby’s employee.

Jace flings back: “She likes helping! It would be sexist to tell her she’s not allowed to!”

The Scarred Man looks up at you and Rio and salutes, two fingers glanced off his forehead. You begin climbing down the scalding rungs of the transmission tower to meet them.

“Oh fuck, Aemond, you gotta deal with this,” Golf Club says. He is holding a yowling zombie at arm’s length by the straps of its overalls. It’s tiny, maybe a kindergartener. “You know I can’t kill the little kid ones.”

The Scarred Man, Aemond, turns to him. He’s wearing a maroon Harvard University t-shirt. “You have to learn how to do things yourself. I might not always be around.”

Golf Club scoffs. “As if I’d outlive you.”

“Go on. You can do it,” Aemond says. Behind him, more people are emerging from the Chevy Tahoe: Binoculars Buddy, a slight girl with shifting, watchful eyes, a blonde woman in a billowing sundress and with a burlap messenger bag slung over one shoulder.

Golf Club is still struggling. “Aw, Aemond, man, he’s got light-up sneakers!”

Jace strides over irritably. “Aegon, you’re so fucking useless…” He kicks the miniature zombie to the dirt, raises his bloodied baseball bat, and brings it down on a skull that disintegrates like an overripe Halloween pumpkin. “You’re welcome.”

“Get bit, you poodle.”

Rio hits the ground first, his boots thumping against untamed earth. Aemond sets his baseball bat aside and reaches out to offer assistance as you dangle from a white-hot steel beam. “No,” Rio tells him roughly. “Back up.”

Aemond shows his palms and complies, retreating several paces. Rio helps you down. Now you can see Aemond’s face perfectly. There’s a relatively fresh wound running down the left half of his face, the violent red of burgeoning scar tissue, clear stitches; his eye has been sutured shut. But that’s not why you’re staring at him. His other eye is a focused, hypnotic blue, his short blonde hair disheveled. He keeps touching his chin, a nervous tick. Immediately, there’s something you like about him. He gives you the impression of someone who has gotten very good at hiding how afraid he is. Aemond looks away from your gaze, thinking you’re horrified by his injury. Then, reluctantly, he comes back. There’s forbidden temptation the lines of his ravaged face, a curiosity, a hesitation.

“Thank you for saving us,” you say to your rescuers, tearing your attention from Aemond. It’s not easy. “That was really, really cool of you, and we know you didn’t have to do it. So thanks.”

“Yeah,” Rio adds. “Sorry your Tahoe is covered in guts now.”

Aemond turns to confer silently with his companions, then asks you: “Where are you headed?”

“Odessa, Oregon.”

He nods. “We’re going to California.”

“NorCal,” Jace says, holding his baseball bat across his shoulders. “Bay Area.”

“Are you two together?” Aegon asks.

“Yeah,” Rio says, misunderstanding the question.

“Not like that,” you clarify. “He has a wife and baby, that’s what’s in Oregon.”

“So you’re single,” Aegon says, grinning toothily. His fellow travelers—family? friends? classmates? a combination thereof?—grumble and roll their eyes.

“Um, I mean, yeah, technically…?”

“Aemond’s also single,” Madame Driver informs you, relishing the chaos.

“He’s single but deformed and traumatized,” Aegon says. “I am mentally uninjured.”

You chuckle awkwardly. Your eyes, by their own volition, flick back to Aemond. He peers down at the ground then up at you again, smiling, a little sheepish, a little wicked.

Aegon groans, swinging his golf club around. “Man, come on.”

“I didn’t say anything,” Aemond replies.

“No, it’s just right there, all over your fucked up face.”

Madame Driver feigns a sympathetic frown at Aegon. “How sad. Guess you won’t have anyone to give your syphilis to.”

“I don’t have syphilis,” Aegon tells you. Then, to the others: “I can’t be the only single guy! It’s pathetic!”

“I’m single,” Archery Team says brightly.

“You’re like twelve. You don’t count.”

“I’m seventeen!”

“Are you Army?” Aemond asks you and Rio.

“Navy,” Rio replies. “We were stationed at Saratoga Springs in upstate New York.”

Aemond is fascinated. “You’re deserters?”

“What are you gonna do about it, Brit Boy?” Rio says. Aemond blinks at him. Aegon cackles, drawing huge circles in the air with his golf club.

“Everyone’s deserting,” you explain diplomatically.

“They were going to evacuate the base and send everyone left into New York City,” Rio says. “Fuck that, we’d heard things, we weren’t about to go on some suicide mission. We weren’t even in a combat unit for Christ’s sake, we’re Seabees.”

“You’re what?” Aemond asks, puzzled.

“We do construction. That’s why we were still at the base. If they’re putting us on the front lines, the situation is desperate. I’m not going in the meatgrinder. I’m not gonna be like those Hitler Youth kids sent to Russia.”

Aegon is squinting behind his sunglasses, truly lost. “Huh?”

“We should go west together,” Aemond suggests. He’s attempting to sound casual.

“I thought we didn’t want to travel with strangers, Aemond,” Jace says pointedly, mocking him. “I thought they couldn’t be trusted, Aemond. I thought they might slit our throats and steal our Tahoe in the dead of night, Aemond.”

“We’re useful!” Rio bargains. “We can shoot things!”

Aegon is very confused. “I thought you did construction.”

“Everyone has to go through basic training,” Aemond tells him impatiently, watching you.

“She got the Marksmanship Medal,” Rio says, grinning, proud.

“A lot of people get that,” you demur immediately.

“We can give you guys weapons training,” Rio continues. “You seem…like you probably don’t know about guns. Like you read a lot of books.” He gestures to Aegon. “Except that one.”

Aegon snickers, unoffended, still swinging his golf club around. “I don’t read books. I read maps.”

“Okay, lets do it,” Aemond says. “We’ll stick together across the Midwest and split up before we get to the Pacific. That puts us at ten people, and there’s safety in numbers.”

“Why do you get to make all the decisions?!” Jace demands. “Who signed that fucking contract? I didn’t consent to those terms.”

“Because that’s what Criston told us the last time the phones worked,” Aegon replies smugly. “He said Aemond’s in charge. So he is. If you want to find your way to California on your own, you’re welcome to try.”

“Who’s Criston?” you ask.

“Our fake dad,” Aegon says.

“Oh, your stepdad?”

“No, our mom is still married to our dad, he just sucks.”

“He does suck,” Archery Team confirms.

Rio tells you: “Hey, Chips, you’re standing in a torso.”

“Am I?” You look down. Your boots are buried to the ankles in the rotting gore of a bare midsection with only one limp arm still attached. You step out of it and shake off the bits of decomposing organs. “Gnarly. Thanks.” You spot Parker’s backpack containing the extra ammunition, pick it up out of the dirt, and throw it over your shoulders.

“Chips?” Aemond says. “Like…chocolate chips?”

“No, like woodchips. I’m a carpenter. I mean, I was a carpenter, I guess. That’s what I did in the Navy. Some people call the carpenters Chips.”

“I was an electrician,” Rio says. “So clearly, now that all the power is down, that turned out to be a fantastic career path.” Then he formally introduces himself. “Hi everyone, I’m Rio.”

Aegon perks up. “Oh, like the Rio Grande.”

Rio pretends to be scandalized. “Wow, racist.”

“So racist,” you agree.

Aegon’s chubby pink face fills with horror. “No, wait, I didn’t…um…”

Rio laughs and taps the nametag on his chest, black letters stitched over green camouflage: Osorio.

“His first name’s Bryan,” you say. “But no one calls him that.”

“My mom calls me Bryan. Sophie calls me Bryan.”

Aemond points at his companions, one after the other. “That’s my brother Aegon and my sister Helaena. Jace and Luke are our cousins. Then Baela and Rhaena are their girlfriends. Well, Baela…she’s kind of a fiancée. But there’s no official ring yet.”

Jace says: “Unfortunately, all the jewelry stores were looted on account of the apocalypse.”

“And I’m Daeron,” Archery Team says buoyantly, waving. Then he shields his eyes as he notices something at the edge of the field. “Oh, guys…?”

There are zombies approaching with clumsy, staggering strides, only a few now, but more will follow. That’s the thing; they are in seemingly endless supply. It’s easy to get too comfortable with them, to think of them as slow and mindless, even comical, even pitiful. But they can surprise you. And it only takes one bite to become just like them.

“Time to return to the Tahoe,” Baela announces, waddling towards the driver’s seat. Rhaena climbs in the passenger’s side. The rest of you pile into the back. The SUV has nine seats; Aegon crouches on the floor without being asked to. He’s unfolding a map he pulled from the pocket of his salmon-colored shorts and laying it flat across Rio’s knees so everyone can see. Baela turns the key in the ignition and the Tahoe rumbles to life. You spot a few red gas cans under the seats. If you can’t find more when that runs out—siphoning it out of other vehicles, stumbling across a gas station that is miraculously not drained dry—you’ll be walking, biking, or skateboarding to the West Coast. Or embracing the Amish lifestyle with a horse and buggy.

“We were planning to swing by Fort Indiantown Gap,” you tell Aemond. He twists around in his seat to look at you, that absorbed crystalline blue gaze. “That’s where we were headed before our Humvee broke down. It’s a National Guard Training Center. It’s probably cleaned out like everywhere else, but if it’s not…we might be able to find some guns and ammo there.”

“Where is it?”

“An hour south of here, just outside of Harrisburg.”

Baela is watching Aemond in the rearview mirror. He gives her a nod. “How do I get there?” Baela asks you.

“South on Route 42. Did you see the signs on your way in…?”

“Yup. Got it.” Baela steers the Tahoe across the field, kicking up a vortex of parched soil. She intentionally runs down four zombies before swerving left onto a two-lane road. Then she turns up the volume on the CD player: War Pigs by Black Sabbath. “It’s a mixtape,” she informs you.

Aegon points to southcentral Pennsylvania on a map of the United States of America, highway arteries and local route veins. “We’re here,” he says, sliding around on the floor of the Tahoe as Baela drives. His index finger traces the path; it’s a precarious balance between avoiding the most heavily populated areas and still having access to the necessary trappings of civilization: supplies to scavenge, roads to follow, buildings to take shelter in. “We’ll stop by Fort Indiantown Gap and then head northwest, thread the needle between Pittsburgh and Cleveland, stay south of Detroit and Chicago, cut across Iowa, Nebraska, Wyoming, that top part of Utah, then go our separate ways in Nevada. Oh my God, it’s just like the Oregon Trail! Do you guys remember that game?! Fording rivers, getting dysentery, hunting bison to extinction?” He starts humming the theme song.

Jace smirks, chomping on a Twizzler. “Hope you don’t die of a snakebite or something. That’d be awful.”

Aegon ignores him and refolds the map. “Rio! Fuck, marry, kill. The last three first ladies before Biden.”

Rhaena says, exasperated: “Aegon, you have to stop asking people that. It’s inappropriate.”

“Oh, easy,” Rio replies. “I’m fucking Laura Bush.”

“That’s what I’m saying!” Aegon gives him a high five.

“And then I have to marry Michelle.”

“You gotta.”

“Which means Melania gets the grape Flavor Aid.”

“It’s the only logical answer.”

“I’d fuck Melania,” Jace says.

“Of course you would, you sick, sick man,” Aegon mutters, rolling down a window and sticking his head out like a golden retriever, his sunglasses still on, his blonde hair flapping in the wind. There’s a tattoo in black ink on his forearm, you notice for the first time: It’s not over ‘til you’re underground.

~~~~~~~~~~

Fort Indiantown Gap is a ghost town like a gold seam emptied, an oil well run dry, a collapsed coal mine. There’s no central armory but instead a series of arms rooms, one for each unit. Every single scrap of lethal metal is gone: no pistols, no rifles, no grenade launchers or machine guns, no ammo, not even pocketknives, although you do find clean PT uniforms for you and Rio to change into, t-shirts and running shorts and sneakers. Clothes are surprisingly difficult to acquire now. Most stores have either been looted or overrun by zombies, and Amazon is tragically no longer delivering. You can break into houses that seem abandoned, but then you have to hope the people who lived there just so happened to be your size and also aren’t waiting inside to eat you. It’s not usually a wise gamble.

You study Aemond and his companions as you move through the base clearing buildings, you and Rio with loaded M9s in your holsters and clutching borrowed baseball bats; gunshots are best avoided if possible so as not to attract unwanted attention. Aemond and Jace take point, almost always; Aegon hovers on Aemond’s blind left side, wagging his golf club around, occasionally slapping Aemond’s shoulder to remind him he’s there. Daeron prowls at the back and on the periphery. Baela pretends she isn’t struggling to keep up. Luke and Rhaena are the lookouts. Helaena fills her burlap messenger bag with small treasures you don’t even notice her accumulating: bottles of Advil, batteries, lighters, pens, tweezers, Band-Aids, Uno cards. You encounter only three zombies, easily decommissioned. Fort Indiantown Gap must have been evacuated weeks ago. You wonder what pointless battles her soldiers died in. Everyone knows the dead have won.

What the abandoned base lacks in weaponry it makes up for in food. You find a chow hall with an untouched kitchen, a wealth of shelf-stable delicacies: chili, saltine crackers, applesauce, fruit cocktail with bright red gems of cherries, peanut butter, strawberry jelly, green beans, carrots, peas, beets, tuna fish, chicken noodle soup. You feast—a Thanksgiving, a Last Supper—then settle into the barracks next door as the sun begins to set. There are plenty of bunkbeds and a closet full of pillows and sheets. Someone always has to be up to keep watch; Daeron and Jace immediately go to sleep so they can get some rest before they are shaken awake sometime around 2 or 3 a.m. Baela says she’s going to lie down for a minute and almost immediately begins snoring. Helaena makes silent amendments in her notebook; she keeps an inventory of everything the group has, needs, or wants.

Outside, Rio and Aegon are engaged in a spirited game of Uno. Luke is sitting cross-legged on the roof of the Tahoe with his binoculars. Rhaena is beside him softly reading a book out loud: The Hunger Games. Aemond is on a wooden bench on the front porch of the barracks, watching the sun sink into the west. When he notices you, he seems pleased. “Hi.”

“Hi. I’m sorry we wasted your gas to come here.”

“No, it was a good idea. It was worth a shot. And now we have a safe place to sleep tonight.” His eye drops lower, his scarred brow crinkles in concern. “What happened to your hands?”

“My hands?” In the haze of the adrenaline, you didn’t even notice. Your palms are blistered, swollen and stinging. “Oh. It was the transmission tower. The steel beams got really hot while we were up there. I’ll be okay.”

“Let me bandage them. You don’t want to get an infection.”

“Really, I’m fine, I shouldn’t inconvenience—”

“Sit down,” Aemond insists. You take a seat on the bench while he goes to the Tahoe to fetch a black nylon bag about the size of a briefcase. Rio casts you a furtive, crafty grin. It’s nothing, you mouth back, more to convince yourself than him. Your pulse is thudding in your ears; your cheeks are warm. You haven’t felt like this since you almost agreed to go on a date with that Marine you met at Corpus Christi, where your battalion had been dispatched to build a series of new airplane hangars. Aemond returns to the bench and begins wiping down your palms with antiseptic. “Sorry if this stings.”

It does, but you’re grateful for the distraction. “It isn’t too bad.”

“You’re not from Oregon.” He’s noticed your accent.

“Kentucky,” you confess.

“You aren’t making a stop at home before traveling west?”

“Why would I want to go back there?”

Aemond looks at you uncertainly; he can’t tell if you’re joking. You like the way his voice goes quiet when it’s just the two of you. You like the way he barely shows his teeth when he talks, like he’s keeping secrets.

After a moment, as the sky begins to turn to orange and pink and lilac, you continue. “People join the Army for a paycheck and a place to sleep, free college, health insurance. People join the Marines to prove they’re the best. People join the Air Force because they want to be in the military but think they’re too smart for grunt work. And people join the Navy to get away from home. I wanted to get far, far, far away.”

Aemond smiles. “Are you far enough yet?” He doesn’t mean by miles. He means the fact that the world will never be the same. Now he’s coating your hands in a thick white ointment, cool and blissful.

“I was afraid of so many things, and now none of them matter.”

“We all have brand new things to be afraid of.” He gets a roll of gauze and begins to wrap your palms, careful to keep your fingers and thumbs unencumbered.

“Aemond?”

“Yeah.”

“What happened to your face?”

He shrugs. He’s trying not to be resentful about it; he can’t change it anyway. “We were scavenging supplies from a Home Depot. We had to board up the house and wait until things…got quieter and it was safe to travel out of Boston.” And by got quieter, he means that the initial wave passed, the zombies began to wander out of the cities and disperse, the survivors were hunkered down and not participating in gunfights or Vikings-style pillaging in the streets. “A piece of sheet metal fell on me from the top shelf. Aegon and Jace dragged me home, they thought I was dying.”

“I’m glad you weren’t. Who treated it?”

“I did.”

You can’t disguise your shock. “You…you stitched up your own face?”

He smirks, finishing the bandages on your hands. “I was in medical school before all this.”

“You’re a doctor?”

“I was an intern. So definitely not a doctor, but the closest thing to one I had access to. And I had taken some things from the hospital when everything went to hell. So I got a little mirror, and I lidocained myself very generously, and I started suturing.”

You don’t know what to say. His eye?? He stitched his eye shut?? “I mean…you did a great job.”

“I’m aware I look like Frankenstein, but I guess it’s better than not being here at all.”

“No, seriously. You look amazing, Aemond.”

He stares at you, bewildered. You realize how bizarre it must sound. You both start laughing as Aemond packs his supplies back into his medical kit. He touches his fingertips to his chin a few times—restless, meditative—then stands to return inside the barracks. “I’m…going to go check on Helaena.”

“Yeah. Cool. See ya.” You don’t watch him leave. This takes intentional effort.

Seconds pass anonymously: no time you need to be anywhere, nothing late, nothing early, no television premiers, no football games, no State Of The Unions, no time zones to do mental math over. You aren’t even sure what day it is. The earth has erased your invisible prisons. Now all that remain are the real ones: weather, terrain, disease, predators.

There is the creaking of weight on the porch steps. You warn him: “I’m not interested in your commentary.”

Rio winks as he says: “Maybe you won’t die a virgin after all.”