#really please just check my spelling and commas

[lightthewaybackhome]

Grammarly, if I want to use the word tempest, then I will use the word tempest and I will not be replacing it with a different word, especially one that isn't nearly as cool.

[gkyoyukinona]

How to Write an Essay (Without Losing Your Sanity lol)

The essay. That dreaded form of writing that often brings out feelings of fear, dread, and confusion. But fear not! Writing an essay doesn't have to be as terrifying as it seems. Whether you're a student or someone who just got stuck with a writing assignment, i am here to guide you through the process. Get ready to unlock the mystery of essay writing in a very simple way.

Step 1: Understand the Prompt

First things first: Read the assignment. I know, I know—this sounds too easy, but you'd be surprised how many people skip this crucial step. Understanding the question you're being asked is the foundation of your entire essay. You wouldn’t build a house without a blueprint, would you? (Unless you’re a DIY enthusiast)

Ask yourself:

What is the essay asking me to do? Analyze? Argue? Explain?)

Are there specific guidelines or requirements? (Word count? Format? Citation style?)

What’s the purpose of the essay? (Are you informing? Persuading? Telling a story?)

Step 2: Research Like You’re the Next Sherlock Holmes

You may be tempted to skip this part and just write whatever comes to mind. Big mistake! Essays are all about backing up your ideas with solid evidence. So, channel your inner Sherlock Holmes and start researching.

Use reliable sources (we’re not citing Wikipedia here, folks).

Take notes and organize your thoughts. This will save you from diving into a writing frenzy and realizing halfway through that you’ve completely lost track of your argument.

Look for a variety of sources—books, articles, interviews, or anything that feels appropriate for your topic.

Once you’ve done your research, take a deep breath and let the facts fill your brain. You’ll need them in the next step.

Step 3: Make an Outline

Okay, you’ve got your research, and now it’s time to plan out your essay. The outline is like a map that keeps you from wandering into the unknown wilderness of “I don’t know what I’m doing anymore.”

There are different ways but this is how I make the most simple outline for my essay

Introduction: This is where you grab your reader's attention. Start with a hook—something that piques curiosity or makes them think. A quote, a question, or even a joke (that’s relevant, of course).

Body Paragraphs: These are the meat of your essay. Each paragraph should cover one main idea. Start with a topic sentence, support it with evidence, and wrap it up with an analysis. Rinse and repeat.

Conclusion: Time to bring it all home! Restate your main points, tie everything together, and leave your reader with something to think about. And please, for the love of all things good, don’t just copy-paste your introduction.

Step 4: Write the First Draft (Embrace Imperfection)

Now, it's time to write! Don’t worry about making it perfect just yet. The goal is to get your thoughts down on paper. You can always clean it up later.

Here are a few tips:

Write freely. Don’t censor yourself—let your ideas flow.

Use transition words like "however," "for example," and "in conclusion" to connect your ideas smoothly.

Don’t obsess over grammar and spelling in the first draft. You’ll have time for that later.

Now once you're done writing drafts think of some title ideas related to the topic of your essay. Remember a catchy title is necessary as it serves the first impression of your write up. ( Some of you may do this before starting your essay and i really admire you for that becoz for me thinking title take hours )

Step 5: Edit Like You’re a Grammar Ninja

Once you’ve got your first draft, it’s time to put on your editing hat. You know, the one with the sharp sword of logic and the shield of perfect grammar.

Check for clarity. Does everything make sense? Is your argument easy to follow?

Grammar and punctuation: This is where you get to play the detective. Look for missing commas, awkward sentences, and spelling errors. Use apps or Google to check your grammar

Step 6: Polish and Submit (The Final Touches)

Now that you've edited your masterpiece, it's time for the final touches. Ensure your essay follows the required format and citation style (MLA, APA, Chicago—pick your poison).

Take one last look at your essay:

Are your paragraphs well-organized?

Is your argument clear?

Is your spelling flawless?

Congratulations! You've now survived the essay-writing process and emerged victorious.Keep practicing, and soon, you'll be an essay-writing pro—no sweat, no tears, just a few cups of coffee and maybe a well-timed joke.

Good luck, and happy writing!

Visit this link to see my essay and other writeups on Instagram

https://www.instagram.com/gkyoyuki.nona?igsh=Mzhxa2c5ZjNpY2kx

[transfemlogan]

Texting Headcanons

Patton: using emojis 24/7. Literally every text will have some sort of emoji, even if it doesn't fit the original message. Texts like a dad & a mom combined. Uses grammar occassionally. Usually types in all caps, because he doesn't know how to turn them off. Sends the laughing emoji when he laughs at something. Prefers talking in person if he can.

"HEY, KIDDOS 👋 YOUR HAPPY-PAPPY PATTON LOVES YA ALL! 🥰💙😻"

Roman: uses emojis occassionally. Types in caps when he's excited. Uses capital letters when necessary and never any time else. Shorten words and uses popular acronyms. Says "ROLF" and "LMAO" when he laughs at texts. Uses the sparkle emoji constantly. Loves to facetime. Double texts like CRAZY

"Helloooo~ ✨️✨️ romans here!! A REMINDER for all of u 2 tell me what u thought of the script ASAP bcus thomas NEEEDDS it by tmrw!!!!"

Virgil: shorten every word ever even if its not readable. Types in all lower case with 0 grammar. Sends 💀 or "lol" when he inhales through his nose at something. Keysmashes when he finds something really funny. Prefers to text above all else & will cry if you try to call him. Spelling mistakes all over the place. Hard 2 tell if something is supoosed to be an acronym or if its a mistake?

"im not rding ur stpjd script roman also twll thomas not 2g2 that dumb party on sat or i swear 2 god ill bloqk all of u ok bye also hi pat"

Logan: proper grammar all of the time. Probably ends his messages with "sincerely, logan" (he knows theyre not letters or emails, but he can't help himself.) Says "that was funny" when he finds something funny (very rare). Prefers in person communication or calling, as he is usually busy working and can't text if he's using his hands. Doesn't use emojis ever & finds them so so stupid but will SOMETIMES use the heart emoji if he's comforting virgil or trying to be nice. Learns about tone indicators after virgil tells him & now he uses them all the time. Will start to let loose if he's comfortable around you. Looking at his msgs with virgil is almost like an entirely different person.

"Hello, all. I have read your script, Roman, and will be sending you my edits soon. I find it to be very long and wordy and full of mistakes. /neg You are lucky you have me to help you. Also, Virge, I'll try to get Thomas to not go to that party /srs, as he has many responsibilities that day, such as: cleaning his room, recording, and doing his laundry. Here is a link to my plan for next week. Please let me know if there's any complaints. Sincerely, Logan."

(Virgil: thnk u L . m not reading ur plsn ethr

Logan: Hi Virgil. That is alright. I'll just let you know next time we "hang out". Sincerely Logan.)

Janus: also texts all lower case & never uses commas but does use periods. Loves to use ":)" and "<3" (<- in a mean sarcastic way most of the time). Doesn't express laughter anytime anywhere. Prefers facetime or in person communication. Doesn't text often. Also doesn't respond often. Will leave you on read, he has other things to do. Uses tone indicators only if he is personally texting logan and no one else. Will sometimes not even respond to what you said in the first place.

"oh of course logan let's have thomas work all the time and never ever get any rest. sounds very healthy :). roman i read your script. hi patton".

(Roman: aand jan? What did u think??

Janus: Read 2:43 pm)

Remus: sends nudes in chat. And the most random gore vids he can find. Types in all caps willingly. Sends very strange emojis that dont match up with anything. Responds lightning quick but also ignores everything you say in order 2 send what he wants 2 talk abt so it doesnt even matter. Homestuck speak. Has never read homestuck.

"H3Y0 🦿🍒🛝😝 CHECK OUT TH12 PHOTO I JUST T00K RN. (Sends a dick pic)"

(Patton: 😨 REMUS, PLEASE DELETE. ❌️

Roman: THIS IS WHY WE NVR LET U IN GROUP CHATS !!!! I WISH I COULD WASH MY EYES OUT. 🤮

- Virgil has left the group chat -

Logan: Hello, Remus. That does not look very healthy. We should send you to a physician to get that checked out. Sincerely, Logan.

Janus: read 2:48 pm)

[ailelie]

I have been lectured multiple times at work for my tone in emails. This is now my formula for emails that read as 'warm' to people.

Hello [use name if possible]! (comma is also fine)

[Positive statement regarding their well-being. For example: I hope you are doing well. / I hope you had a good weekend. / I hope the week is treating you well.]

[If the receiver does not know me: Quick introduction and explanation of how I got their name and maybe a foreshadowing of why I'm emailing them. For example: My name is Ailelie. So-and-so suggested I reach out to you about That Thing. / My name is Ailelie. I'm the project manager of the State Project and need some guidance on Topic. I saw on the intranet that you are a Topic Expert.]

[The stuff I actually care about, but broken in to short paragraphs with key points bolded. I try to ensure that my words are never accusatory. For example:

I noticed this morning that your review of Document isn't done yet. I just wanted to check in and see when you thought you might be finished. As a reminder, we need this by 10am tomorrow.

I have a couple questions about the surveys. (1) Do you know when we conducted the last survey? (2) Can you point me to the survey results online? (3) Do you know who designed the survey?

This is just a reminder to upload your consent forms to the Airtable by EoD Friday.

I am reaching out because we still need to schedule your interview. Please review the following list of times and let me know today which one works best for you.]

[If necessary, I tell them "Please don't hesitate to reach out with any questions!"]

[If any part of the email involves a request or a response to something they've done, include a 'Thank you!' You can use this instead of the closing statement.]

[Closing statement wishing them well. For example: Have a great afternoon! / Have a great weekend! / I hope you enjoy the play tonight!]

Sincerely,

Ailelie

--

Every email, I've learned, also needs a minimum of 2 exclamation points, though 3 is better. The exclamation points may only be connected with positive statements.

Other tips I've picked up is to be very, very clear with dates and expectations. Then, write the thesis first (I need X by Y) followed by the supporting details (For X, please include A and B, but don't worry about C).

And, when giving feedback, always use the cliched compliment sandwich and explain the feedback instead of just telling it.

This is really good. I love the level of detail you included. I did notice, however, that you use school years instead of actual years. Our audience isn't just education people and so they may find school years confusing. Also related to audience, I'd love if you could include a bit more explanation about how turnkey professional learning works before you justify using it. I think that will help them understand your arguments better. Overall, though, I think this is a solid start. Thank you!

And with that I've not been lectured in a few years. If an email is tricky (read: firm for any reason or on a touchy topic), though, I still get a co-worker to read through it first.

ETA: For feedback, sometimes it is very helpful to give the compliment, give the reason for criticism, and then give a list of specific bulleted things you want them to change, and then close with another comment. Some people can handle paragraph feedback. Some people need it super spelled out.

just like me fr

[annabtg]

A piece of advice often given to writers is "just write; you can always edit later."

It's good advice, but with a caveat: you can't always edit later. You have to know how to edit.

Editing is a different skill from writing. Only recently have I managed to edit my own writing; up until the last few months it was either write it correctly the first time around or get a beta to edit it for me/tell me what to fix.

And as I'm editing/rewriting a scene right now, I wanted to share with you some tips I've picked up from practice and other resources.

A. STYLE

- Run grammar and spell check. If you haven't already. Personally, I like to look these things up as I write, but I suppose some of you might prefer to write your stream of consciousness first and edit later. Whatever works. (Just please run your check at some point. It's crucial.)

- Read out loud. You can find from missing commas to typos to stilted dialogue if you check how your writing rolls off the tongue.

- Count your adjectives, your adverbs and your -ings. Not to keep score, obviously; but these are parts of speech that are best used in moderation. If there are three adverbs in one line of text, you might need to eliminate one or two.

- Use your thesaurus. Again, in moderation. Look for oft-repeated or very trite words and replace them. If there are no working synonyms and you're still being too repetitive, consider a full rephrase.

B. CONTENT

- Be prepared to lose content. You might be forced to edit out a turn of phrase you like or a background detail that's not necessary for your story. Make your peace with it. Do try to work it in if you like it, but don't do it at the expense of your story. This is the cornerstone of editing.

- Don't hard delete. Keep your previous drafts. They may come in handy.

- Apply the writing tips you're given. For instance, "show, don't tell". Look for instances of telling that could be improved by showing, and rework. (Not going to get into an exhausting list of these.)

- Check the purpose of the scene. Every scene you write has a purpose, be it plot-wise, characterization-wise, setting up the scene for something or whatever else - otherwise you wouldn't be writing it. Read the scene again: does it do what you want it to do? If not, focus on your goal: what would be another way to achieve it? And work from there.

- Count your dialogue, introspection, and descriptions. This depends on your style too, but sometimes the problem with a scene may be that it's too heavy on one or the other. Often, I may not be in my best writing shape, but a dialogue pops in my head; I write it down to use as my guide, then when it's editing time, I add the details around it.

- Reread your previous scenes. It will help you get more in touch with your story and style and perhaps give you ideas such as what you can address that you haven't already.

- Mimic your favourite writers. Imitation is the sincerest form of flattery. If something doesn't work for you, think: How would X write it? What would they tell me to change if they read it? Don't worry, you won't get nearly close enough for it to be a problem. 😋

- Be prepared to rewrite. Sometimes editing just doesn't cut it; you have to rewrite from scratch. Paste your previous draft where you can't see it and start again.

C. GENERAL

- Take some distance. Look at your writing again tomorrow, or next week, if you can afford to. I know when my writing is fresh I am too attached to it. A week later, I am much more likely to edit out a sentence that doesn't work even if I really like the fancy verb I chose to use in it.

- Be aware of time and circumstance. Not all days are good for editing. You may be too tired one evening; you may need another cup of coffee one morning; you may be too aware of your pending chores one day. Don't force it; give it another shot when you're in a better state of mind.

- Write down your comments. Too often, we feel something is not good but we don't know why. Write down your comments as if you'd explain to someone what you don't like about it, then come back to it.

- Get a beta. Boy, do I know it's hard! But a good beta is a (all right, figurative) life-saver. Ask around, or ask a friend. I'm not saying don't post unless you get a beta, but I'm telling you it's not a shame to ask for help. I literally never post without at least getting someone to read my work first, even if all they are equipped to say is "It was good, I liked it."

- Beta for others. It's easier to spot what needs fixing in a piece that's not your own. You don't have to be super experienced, catch every single mistake, or produce a professional result; just read and comment on what feels off, explaining why (so that it's easier for the writer to know how to fix it). It's good practice, and you help someone.

I hope this will be of use to some of you! Happy editing!

[starlessea]

Ultimate Guide to Proofreading

Here’s the next installation of my writing tips series!

[Just a quick disclaimer: this isn’t meant to discourage anyone! We are all still learning. These are just some tips you may want to consider when editing your writing].

As a language / linguistics student, I tend to focus on the grammar, or just the overall presentation of my writing. Obviously, if you’re writing online or self-publishing, without a beta reader that is, then no one is going to scrutinise you over the small things.

However, it can elevate your writing SO MUCH if you simply proofread it. Often, I find myself taken out of the immersion of a story because a typo is so glaringly obvious. Most of the time, we can gloss over them and they don’t impact the reading experience too much - but if your work is littered with small errors, they tend to pile up.

Proofreading is an easy way to get your readers to stick with you - and it often doesn’t even take that long! You just need to know HOW to proofread, and it will save you time. 

1) Spell Checkers

I know this seems really obvious, but I read so much work that could be improved tenfold just by being copied-and-pasted into a spell checker. You can literally type ‘spell checker’ into Google, and use an online service.

Personally, I use Google Docs. I just Ctrl+A, Ctrl+C, and Ctrl+V my work into it - and it will underline the spelling mistakes in red, and the grammar errors in blue. 

It’s as easy as that.

2) Consistency and General Grammar Points

This section is by NO MEANS an exhaustive list, but I’ve just compiled the things I’ve noticed the most when reading online. 

American English vs. British English:

This one is quite self-explanatory. If you’re going to use American spellings, then use them consistently throughout - and vice versa with British. Some common ones to look out for include:

color / colour

neighbor / neighbour

humor / humour

(US/UK respectively)

I found a good article here that gives a more comprehensive list.

Homophones or the Question of Verb / Noun:

You may want to double-check that you’ve used the right form of a word (verb / noun) - especially if they sound the same. 

affect / effect

hoard / horde

practice / practise***

*See this article.

allowed / aloud

were / where

I know these can sometimes get a little tricky for non-native speakers - especially since English is really quite a weird language. But these are the most common errors I’ve picked up on.

A lot of the time, things like Google Docs won’t spot these - so it’s good to be aware of the TYPES of errors you’re trying to find.

Also, remember that Google Search is your friend. I can’t even count the number of times I look things up when writing - THERE IS NO SHAME IN IT. It doesn’t take long to check if you’re using a word in the correct context, or the correct form of the word.

Showing Possession:

A lot of people tend to get confused about using the genitive marker, apostrophe ‘-s’ to show possession. See the examples below:

[Disclaimer: don’t judge my name choices...]

Jade has a bag. That is Jade’s bag.

Jade Simpson has a bag. That is Jade Simpson’s bag.

Jade Simpson lives with her husband, John Simpson. They are the Simpsons.

That is the Simpson household. That is the Simpsons’ house.*** 

*This is the one most people struggle on. There are two Simpsons, so the apostrophe comes at the end to show PLURAL possession (i.e., belonging to BOTH Jade and John).

This is Jess. That is Jess’ bag.

Here, the above can be written as Jess’s, but the extra (-s) usually gets ellided if it is following an ‘s’.

Another thing people get confused about is its/it’s. 

In English, ‘it’s’ = a contraction of ‘it + is’ (NOT TO SHOW POSSESSION). ‘Its’ is the possessive form in this case.

E.g., The dog lost its collar; it is brown = The dog lost its collar; it’s brown (the collar is brown).

Punctuation Consistency:

Personally, I don’t mind what style of punctuation you use. Whether you put your full stops INSIDE your quotations, or OUTSIDE;

E.g., “Go away.” vs “Go away”.

or if you sometimes like using hyphens in place of a comma; likewise with capitalisation, and whether you decide to capitalise certain nouns etc.

But, whatever you choose, BE CONSISTENT WITH IT.

You don’t want to give your readers whiplash by changing styles every couple of lines. Otherwise, it’s like you’ve chosen one academic referencing style for your essay, only to switch it half-way through. It’s confusing. It may seem like a nit-picking point, but people will notice it - and it’s good written practice to focus on being consistent.

3) Formatting:

Dialogue:

PLEASE PLEASE start a new paragraph/line if SOMEONE NEW IS SPEAKING.

Your readers will be so confused if you don’t properly distinguish who is speaking. It takes away from the reading experience when you think one character has said a line, but it turns out to be another. 

Don’t just rely on “[...]” John said. We should know if someone new is speaking by the format, not just the name that follows the dialogue.

Paragraphs:

Don’t let your work be one block of text. Break it up and make it more digestible for your readers. Try to start a new paragraph for a new topic, place, thought, etc. You can find some really great guides online that go into more detail. Personally, I think it’s quite a stylistic thing - but you should still be consistent in how you choose to establish your paragraphs.

4) Other Things to Look out For

Detography: Have you written a word twice?

Pronouns: Are you using the following correctly?

their/they’re/there

your/you’re

Tenses: Are you sticking to the same tense? Are your verbs all conjugated in the same tense? Do you switch tense half-way through?

Repetition: Are you relying on the same words a lot. Are you using the same verb / descriptive word very close together?

For this, I just make a quick Google search:

E.g., “said synonym” or “angry synonym” - it adds variety to your writing.

Character Names: This seems obvious, but make sure you’ve spelt them correctly throughout - same goes for place names etc.

5) READ YOUR WORK ALOUD

I really can’t stress this enough. Even after studying language, literature and linguistics for as long as I have, I still miss so many of my own errors if I don’t read my work aloud. My editing process literally involves:

Write the draft

Read over the draft and correct any glaring errors

Copy and paste into a spelling/grammar checker

Re-read the new work and edit again

Read aloud and edit as I go

Final read through

Obviously I don’t do this every time - but it shows just how easy it is to miss mistakes when you’re still finding them during step 6.

6) Bribe a Beta-Reader (or a Friend)...

This is a really helpful step if you are able to find someone willing to check over your work. Often, we become blind to our own writing after we’ve read over the same thing a number of times. It can be really useful to get someone to take a look at it with fresh eyes!

Disclaimer: These are just some things I’ve noticed that I tend to look for in my own work. Also, I want to make a point of saying that English is a strange language, so please don’t be discouraged if you’re a non-native speaker feeling confused. I still get confused!

Also, please feel free to ask me any questions! I might not always be available to give a full beta-read of your work, but if you have any queries relating to grammar etc., don’t hesitate to drop me a message!

[the-lincyclopedia]

I'm happy that people have bid on my sonnets and podfic recording, but no one has bid on my fan labor yet, and I'd really like to fulfill that offer for someone! As you can see above, @nerdsandthelike can vouch for my skills as a sensitivity reader, and @newtsoftheworldunite is enthusiastic about many of my fandom-related abilities.

I thought perhaps it would be helpful for me to elaborate on what I my fan labor might entail, so here goes:

Beta services: My biggest strengths as a beta are my copy-editing/proofreading abilities. I will notice your comma splices and the places where you forgot a period at the end of a paragraph. I have less experience giving feedback on plot development and characterization, but I've been writing fic for 16 years and have also gotten two (as of yet unpublished) novel manuscripts to at least draft three, so I have a lot of experience writing and giving and receiving feedback outside of just SPAG. I'm currently the in-house editor of a couple of print publications at my job, and I've got a lot of other editing experience (professional and otherwise) under my belt.

America-picking: I have lived in the Upper Midwest for my whole life, mostly in a decent-sized metro area, though I lived in a small town for four years in college. I can talk about regional weather, religion, politics, food, immigration history, demographics, cultural stuff like state fairs and summer camps, etc., in addition to general America-picking like switching spellings from British spellings to American spellings.

Sensitivity reading: I am autistic, and I'm offering to sensitivity read for the characterization of autistic characters. I got diagnosed nearly six years ago, so I've had some time to process and learn more about the diagnosis. Every autistic person has a different experience and a different combination of symptoms, so I can’t provide a universal perspective, but I can provide my own experience and ask other autistic people if needed. I really enjoy consulting and sensitivity reading, and I always approach it with the goal of mutual respect--I never want my feedback to feel like an attack.

Here's a list of characters I think can be read as autistic, whose characterization I'd love to consult on:

The Queen's Thief: Autistic!Irene x ADHD!Gen for the win. I'd also love to see autistic!Helen (homegirl thinks she's been poisoned when she falls in love) or Pheris (though his disabilities manifest very differently than mine).

Check Please: Jack is definitely autistic (which I’ve written about). I’ve also seen people make the case for Dex and/or Chowder. (Please note that I’m white and can’t speak to the ways Chowder would be treated as an autistic person of color.)

Carry On: Simon is the character I’ve seen read as autistic most often, and I think that makes sense, but I’d also find autistic!Baz or autistic!Penny fascinating. 

Harry Potter: Give me all your autistic!Hermione. Also Luna. Quite possibly Neville as well. (Note: I’m happy to work with fics in the Harry Potter fandom, but I’ll definitely be happier about it if you donate to a trans cause.)

Sherlock: Sherlock is definitely autistic, and I’d love to see that explored. 

Yuri on Ice: I’ve really enjoyed autistic!Yuri Plisetsky and autistic!Otabek. I’m less confident about my ability to consult on the cultural dynamics at play here, though, both because I’ve lived in the US my whole life and because I’ve never been an athlete at any level, let alone their level.

Percy Jackson: I’m a Solangelo shipper, but I also love Percabeth. It’s easy for me to see Annabeth and Nico as autistic (and autism and ADHD go together super frequently in the real world! I don’t have ADHD, though). I’m down for reading just about any of the PJO characters as autistic, honestly. What would interest me most would be a fic exploring Annabeth struggling academically/not enjoying school even though she’s conventionally intelligent–even if I’m not the beta/sensitivity reader on this fic, I’d love to read it, if it’s out there! Give me your “book-smart good girl” who’s fed up with the ableist educational establishment! 

Lizzie Bennet Diaries (or really any iteration of Pride and Prejudice): Darcy is autistic. It’s just a fact. And I’d love to see that explored. 

I'm happy to help with other characters, as well, but these are the ones I'm familiar with and have thought about.

If any of this sounds like useful expertise that you'd like to have on hand while working on your next fic, bid on my offering in Fandom Trumps Hate!

lincyclopedia's Fandom Trumps Hate offerings

Y'all, I'm so excited for the @fandomtrumpshate auction to open in a few days! Here's what I'm offering this year:

Fan poetry for the Queen's Thief: up to four Shakespearean sonnets about Queen's Thief characters, max rating T, minimum bid $5

Podfic for the Queen's Thief: up to 20k words of podfic, max rating T, minimum bid $20

Fan labor in ANY fandom: beta services, culture-picking for the Upper Midwest in the US, and/or sensitivity reading for autism, for a fic of up to 20k words with a max rating of T, minimum bid $10

Get all the details on Dreamwidth here!

If you want to read my previous fics, they're on AO3 here. Please note that they're all archive-locked, so you do have to log in to view them.

[watermelonlipstick]

Editing Valentines

Just a little Valentine’s Day drabble. Sorry I’ve been sort of MIA recently, school is absolutely KICKING MY ASS. I’m hoping to get my shit under control soon.

Title: Editing Valentines

Pairing: Dean Winchester x Reader sort of? Almost entirely just Sam and Dean being brothers

Word Count: 582

Summary: Sam helps Dean edit a Valentine for the girl he’s seeing (implied she hunts with them).

Warning: swearing, FLUFF

           “You know what, if you’re going to be a dick, forget it,” Dean scoffed, snatching the notebook back from Sam.

           “No, I—come on, I’m not trying to be a dick. I just don’t know that Foreigner is the most romantic band to be quoting in a valentine.”

           “See, I knew you were going to be like this. That song was playing when I first told her I loved her, asshole.” Dean got up from the motel’s kitchenette table and slammed it in a little too hard.

           “Wait, really?” Sam’s eyes went a little soft around the edges of his teasing. “That’s actually pretty cute.”

           “Yeah, whatever.” He flopped onto the cheap couch hard. It made the pullout machinery within creak angrily and Sam knew it must’ve hurt a little even if Dean’s angry pout didn’t shift.

           Sam waited for his brother’s defensive embarrassment to calm down for a few minutes before speaking. “Can I read the rest of it?”

           “Fuck you, no you can’t read the rest of it.”

           “I shouldn’t have said anything about the Foreigner stuff; you asked me to check for spelling and grammar, not commentary. Please?”

           Dean glared at Sam from the sofa, but Sam knew better than to think he was actually mad; this kind of thing wasn’t in Dean’s wheelhouse and the nerves were practically crashing off of him in waves. He held Dean’s gaze, trying his best not to let any touch of smile cross his face, until Dean finally rolled his eyes. “Fine. But only because I have no one else to ask. And if you laugh again I’m shoving your computer so far up your ass you’re going to blow keys out of your nose.”

           “Won’t laugh, I swear.”

           Dean tossed the notebook over to Sam like a frisbee and specifically looked away from him, biting the cuticle of one thumb and tapping his foot until his little brother finished reading.

           “Dean this is—this is really sweet.”

           “Shut up. Use that diploma and tell me if I spelled something wrong. I don’t want her to think she’s with a complete dumbass.”

           “You’re not a—never mind. I’m serious, it’s—uh, it’s really nice. There’s one comma here that I think should be a semicolon but other than that it looks good.”

           “Think she’ll like it?”

           “Dude, I think she’ll cry.”

           Dean tried to hide the impulse to smile, biting the inside of his lip in a futile attempt to cover the twitch.

           Sam got up to hand the notebook back. “You have a card you’re going to write it in or something?”

           “Think I should?”

           “I do, yeah. Something sturdy too, so she can keep it.”

           Dean grinned down at the notebook in his hand before clearing his throat. “Uh, thanks, Sammy.”

           His little brother nodded back, not wanting to push the moment too far. “I can ask her to help me with this spell if you need time to go get one. I think there’s a mall by the highway, they’ll probably have some kind of stationery store or something.”

           “Okay, Beaches.”

           Sam not only lets him have the low-hanging fruit but doesn’t even rise to the joke knowing it’ll help recalibrate Dean’s mood. Returning to his laptop, he starts thinking absentmindedly about a realistic excuse for needing assistance with what seemed so far like a basic spell. Dean taps the notebook against his leg a few times before jamming it in the side of his duffel bag, covering his untamable smile with rough fingertips as he flicks on the TV.

-

Thanks again for reading! If you liked it, check out my Masterlist or send me a request!

Tags: @sams-sass​ , @anxiousbarnes​ , @deanwinchesterswitch​ , @akshi8278​ , @itsjensenanddean​ , @flannellover67​ , @weepingwillowphoenix​ , @tj-drinks-tea​ , @whatareyousearchingfordean​ , @winchestergirl2​ , @winchest09​ , @samwisethegr8​ , @fawnxng​ , @nurse-sarahrn​ , @lovers-in-japan-reign-of-love​ , @thewinchesterandreidwhore​ , @deanwanddamons​ , @stressedoutkitten​ , @winchestershiresauce​ , @tatted-trina6​ , @percico-heronstairs​ , @downanddirtydean​ , @moosewinchester-deactivated2021​ , @mamitoqueens , @queenoftheunderdark​ , @lyarr24​ , @thinkinghardhardlythinking​ , @wonder-cole​ , @sergeantsea​

And as always, if you want to be on my taglist, were on the taglist and changed your handle, or I lost track of it, please let me know!

[kyoupann]

Please do more of the writing head canons. It’s really interesting to see other people’s ideas on the topic, so if you can be bothered, I would highly appreciate more, thanks bye <3

Y’all don’t know how happy I am to talk about these headcanons, they are my babies and I love them so much :’) thanks for asking g <3

Handwriting Headcanons

Same dynamic as before, try to guess whose handwriting it is before reading and tell me how many you got right! <3

You can find the first post here (no need to check it tho)

Quick disclaimer: halfway through making my initial notes, I remembered I had one (1) single lesson of graphology in my applied linguistics class, but that was a year ago and some information might be off. I just thought it was neat to include.

Another quick disclaimer: I don’t know much about Hylian, but I like to think it has a similar stroke system to Japanese, so the pressure and accuracy of your strokes play a major role in your handwriting (among other things, ofc.) so there are some parts where I focus more on that

(First Row, from left to right)

Sky

Our first boy is mother hen! Believe it or not, he has the prettiest handwriting out of all of them! Sky: probably has nice, even elegant handwriting because Sun forced him to practice when they were little. In the end, that paid off because his handwriting is the prettiest one. There’s no pressure, but he is confident in what he writes that his lines aren’t thin. Mistakes? what is that? this boy has impeccable grammar and spelling. No mechanic errors to be found in his letters! I’d like to think that many of Hyrule’s classic/staple poems were originally written by the firt king aka sky child. Like, imagine, after a retiring from being a Person of Power (as the first ruler), Sky finds comfort in the arts: revisits his old woodcarvings and starts writing poetry about the world he still doesn’t fully understand. wowie. tldr: sky writes poetry and you can pry it from my cold dead hands.

This is what one of his letters would look like: 

Next one is the one and only, our Hero of Time

2. Time

I’ll die on the “Time didn’t know how to read and write” hill. His handwriting is simple, not pretty but not messy. It has some grammar and spelling mistakes here and there. Can become unreadable if writing in a hurry, he sorts of forgets spaces between words are a thing/letters have different sizes and lowercase letters end up the same size as capital letters. I’m not saying he sometimes forgets to write articles: he just doesn’t want to. Honestly, he just has this dad-neat handwriting. He is a gentle dad and writes like a dad, if he puts too much pressure onto the paper, his handwriting become too sharp/angle-ish and ends up looking ugly. And as much as he would like to not care about it, in the end he does (:

Malon taught him how to write and it was quite the experience. At first he didn’t want to because he was ‘too old’ to learn and it was torture at first, but now look at him devouring his cowboy novels. 

A chunk of his handwriting: 

*sniff* such a dad quote.

3. my mansss, your  4x1 deal at Target: Four

Look, my boy is patient! He could do some nice and fancy lettering if he wanted to. He was taught that handwriting and spelling said a whole lot about him as a person, you know, like a first impression kinda thing; so he always proof reads more than twice before sending ­a letter. Super rare grammar mistakes.

The faster he writes, the more slant his writing becomes. Under stress/ when not sure how to write things down, run-on sentences are everywhere and his handwriting is inconsistent in general (I don’t headcanon each part of him having completely different handwriting because handwriting becomes muscle memory over time. It’s just slightly different variations of the same, like idk  Vio’s handwriting is neater than Green’s and Red writes hearts instead of any dot/circle and no, I do not take constructive criticism on that, jk i do.) Adding on to each of the colours’ handwriting, I’d think Red and Green write with words slanted to the right( inclined), Vio is a mix of the opposite, so reclined and straight, and my mans blue a true neutral writes straight (kinda like Time’s).

The logic behind this is that inclined writing supposedly means honesty and need for giving (and getting) affection; reclined means, as you can probably imagine,  defensiveness and repression of true feelings, but also shows great concentration; straight handwriting means self-control, observation and reflection as well as distrust and indifference. But as complete being (tm), Four just writes as in the image example which is not too straight and not too inclined, and I believe that’s a good middle for him

HOWEVER, if I’m feeling in the mood for crack, I totally accept this boy to have the ugliest, chicken scratches-looking handwriting! :’D It’s just funny to think that someone like him, who has to be precise and careful in his work, can't write neatly to save his life. 

One of his letters would look like this: 

Also I just LOVE how his hero titles look in this font ksksks

and that’s

(Middle row, from left to right)

4.- Mister Bunny Boy - Legend

His uncle taught him how to write. I’d call his handwriting pretty and neat at a first glance, but he presses too hard on the paper, most of the time staining the back or the following page. Sometimes will retrace some words if he doesn’t like how it looks (which only makes it messier). According to my notes, a thick or strong handwriting represents determination/commitment.

As I also headcanon him to know many languages, mechanical errors are more present than grammar ones; that is, weird capitalisation of words. Punctuation is somewhere in between; uses too many commas when he should just cut the sentence. he mixes punctuation from two languages or more in writing when too distracted (or too focused, because, well, pressure.); when he writes for himself, he has almost no problem following said language’s punctuation rules. Also, this is just polyglot culture, and I’m projecting a bit, but when he forgets a word in the language he’s writing, he just replaces it with its equivalent in another language because we don’t care about fluency, but rather functionality. in this household (more on that in my language hc, ksksks).

An example of his writing:

so powerful

4.-  Mr. Wolfman, howl me a song - Twilight

I don’t have much for him because 1) I don’t think he writes a lot and 2) he is a hands-on/visual learner, I’ll die by that. He only learnt how to write because Ulli insisted it was important and he was not about to disrespect his momma; he IS That Guy, but doesn’t really write enough to have neat handwriting.

Many people seem to overlook the fact that his house is filled with books and write him as completely illiterate (which if not explored properly, ends up feeling a bit disrespectful and full of prejudice, but go off I guess; and that’s on my core Headcanons for Twi); however, he sticks to simple sentences. Knowing how to read and understanding a text is different from knowing how to write them. Like, when we would see a semicolon and understand its position in the text, but didn’t understand the nature of it. Is this clear? idk i’m sorry. So yeah, boy reads a lot, writes very little.

As for his Actual Handwriting, as opposed to Legend, his handwriting is thiccc but not because he presses into the paper; he is just that messy, he has no sense of ink-flow-control, he does what he can with what he has. To the untrained eye, his handwriting illegible letters like v, n, u are very similar; when he makes notes for himself he does it in the form of doodles or small ‘icons’. But! He reads a lot, so he rarely makes spelling mistakes (: he is your go-to guy when you don’t know how to write a word.

An example of his writing:

He keeps a journal, sue me.

3. My first born- Warrior

Okay, first off... I accept this is completely biased. I saw the idea and said “That’s True”. If you haven’t, please read Effective Communication; or The Lack of Thereof by htruona, a fic where the boys reflect on the language barriers between them. It’s incredibly funny and probably what made me start making these silly notes. So, if you’ve read that fic, you know where I’m going.

My man, Warrior, can’t fucking write. I mean, he physically can, but it’s very bad. Here’s the reason for it, tho, and it’s not his fault: Technically, he knew how to write alright but he joined the military and whatever note he had to write had to be concise or in the worst case coded. He mixes capital and lowercase letters. If we consider that he joined the military at around 15, his handwriting and grammar had yet to continue developing. Just think about how after summer break, your handwriting was always slightly worse than before because you didn’t write for an entire month. Now think what 2 years can do to that. Hmm, not cool, dude. He makes quick notes, when writing he’s all gotta go fast. he is the lighting mcqueen of writing; good for emergency messages, not ideal for love letters. His punctuation also suffered a lot, he only know full stops and commas and hardly uses them. A sentence for him is either one word or fifty without a single comma, no inbetween.

His hero title and an example of his writing.

(Bottom row, or what I like to call “fuck cursive” row)

7.- Magic man - Hyrule

I’m basic and I do agree with the popular headcanon of he not knowing how to write because well, y’all know his Hyrule. He only knows how to write his name because that’s important, same with numbers. I don’t see why would he write/read except checking the roadsigns. (he can even use this as an excuse for getting lost frequently; he thought it said something different.) But I do think that because his habitual reading consists of roadsigns, his ‘punctuation’ is weird af and places full stops/points/periods at the same level of his words and his commas/question/exclamation marks below them. Yk, creative license. Sadly, I don’t have much about my magic hands man so here’s what his writing would look like if he actually wrote a paragraph:

Man, I love Hyrule.

8.- Man, I don’t understand this boy -  Wild

Cursive? ain’t nobody have the time for that. He woke up and had to save the world in his underwear while not knowing how to read nor write.  He learnt during his journey and was taught by multiple people from different regions, that explains his inconsistent spelling of things and names for them. So Wild knows language variations for many items and uses them interchangeably (even if they aren’t exactly the same). Another headcanon related to writing/language skills that I’ve been thinking about is that if the shrine was able to cause amnesia, I’m sure there were other areas in the brain affected which leads us to language disorders such as agraphia and aphasia. But that’s a story for another day ksksksk

An example of his writing (after relearning)

9.- The best of sons - Wind

I don’t have much for him and that makes me sad. Look, he’s a kid, doing kid things like stabbing dudes on the head. This boy was taught cursive by his grandma, but could never do it and no one needs it anyway. His handwriting is good enough for his pirate life, Tetra is the one to handle Official stuff, he just gotta sign. Spelling and grammar mistakes abound. He is still relatively young and can correct his handwriting if he desires. But same as Wild, with how many times he’s been thrown out and hit his head, I’m starting to consider some language disorder for him as well.

An example of his writing:

aaand that’s it.

Thanks, y’all for showing interest in this silly thing uwu it was fun to finally talk about this. If you ever want to discuss ideas/headcanons(especially if they are related to language and culture), I’m your person (: I’m always happy to hear new headcanons. Feel free to add anything to this post either in a reply or in a reblog, I’d love to hear from y’all <3<3

[hood-ex]

Can you give any pointers for fanfiction writing? It's something I've considered trying, but I've never done creative writing and it's a bit intimidating. I'm mostly interested in writing Nightwing, and maybe having other characters (Batfam and Titans) but still always having Dick as the center.

Welcome to Fanfiction 101! I’m here to keep you from making the same mistakes I’ve made in the past. 

Pre-Writing Process

There are some people who enjoy outlining the shit out of their story, and then there are people like me who just kinda make the story up as they go. Whatever you decide to do, try to at least have an ending planned out. That way while you’re writing, you can start to craft the pieces you need to get to the ending you have imagined. You can even work backward and plan your story out from end to beginning. 

For example, let’s say I want my ending to be Dick and Damian hugging in a hospital. Okay, what pieces do I need to get to that point? Well, if they’re in a hospital then one of them needs to be hurt. Who do I want to hurt? Let’s go with Dick because I want this story to show how much Damian cares about Dick.

Great. Now how does Damian find out that Dick is hurt/how does he save Dick? Let’s say Damian is in the cave when the batcomputer gets an alert from Nightwing’s suit. The alert shows that Dick’s vitals have gone haywire. Damian panics, tracks down Dick’s location, and then both him and Alfie take the flying batmobile to save Dick. They find Dick and take him to the hospital. 

Cool but how does Dick get hurt in the first place? Hmm, well, Dick usually always rides a motorcycle, right? So let’s say Dick gets into a motorcycle accident. How does he crash his bike? Maybe it’s because of the weather or because a baddie crashes into him. I don’t want to write a huge action scene so let’s say Dick accidentally drives over black ice, spins out, and crashes in a ditch. 

And there you have it. A whole story right there from end to beginning. You can plan things out in a more detailed way before you jump in and write if you want. A basic outline like that ^ is usually enough for me to go off of. The details just come to me while I’m in the process of writing. Try and see what works best for you. 

One-Shots vs. Multi-Chapter Stories 

If you haven’t done a lot of creative writing, I would suggest you start off by practicing with one-shots. Now, one-shots can be shorter content, but on the flip side, there’s also one-shots that are like 50k words. Totally depends on what the author is willing to put into it in terms of plot, description, character development, etc. 

I personally have a hard time finding the motivation to finish multi-chapter stories, which is why I usually stick to one-shots. Short one-shots can be easier because they don’t have to be super fleshed out. The action is quick, the dialogue is impactful, and the scene is memorable. 

You can also just jump into the action when it comes to one-shots. You don’t have to do as much build-up. For example, I could jump right into a scene of Dick having trouble breathing like this: 

Dick’s having a hard time making sense of things. Vaguely, he can hear Bruce shouting for Alfred. He can feel hands on him. His vision is going in and out. Then, suddenly, there’s silence. Dick wakes up, confused. Tim is sitting at his bedside, holding his hand. Bruce is close by, and when he realizes Dick is awake, he immediately goes over to him. Bruce explains that Dick had a bad reaction to a drug he was injected with. Bruce cards his hand through Dick’s hair to comfort him, and Dick reflects on when Bruce used to do the same thing when Dick was a kid. 

End scene. 

Okay, so, obviously a real story would have way more description than that, but you get what I’m saying, yeah? That whole scene could be the entire story and it would be enough. But if you have the motivation to do way more than that with a ton of character development and what not, you totally could prolong that one-shot into 50k words. Or just break everything up into a multi-chapter fic. 

The problem with writing one chapter at a time for a multi-chapter fic is that it’s hard to keep the motivation to keep writing each chapter. You write one chapter and then put the story to the side for a few days, and suddenly, you keep making excuses about why you don’t want to write the next chapter. To be fair, this can also happen with a basic one-shot, but yeah, tis the life of a writer. Don’t be discouraged if it happens to you. Trust me, it will at some point. 

Character POV

Listen, I love writing in first person. In other fandoms, I used to write a lot of my stories in first person POV. I’ve got some bad news for you, though. Generally, people don’t like to read fanfics that are in first person POV. They just don’t. Nowadays, even I tend to skip over stories that are written in first person POV. 

Third person POV is going to be your best friend. Get comfortable writing it. 

Admittedly, sometimes it’s easier for me to grasp a character’s voice if I first write the story in first person POV. I then go back and change all the “I’s” and “me’s” to he, his, her, hers, etc. That’s just a little trick I do sometimes if I’m having a hard time getting a story started. 

Characterization

If you’re not 100% sure how to write a specific character, try and figure out a few facts about them. Like if you want to write Dick then think about some key qualities of his. Sprinkle those traits throughout the story to make the character sound more authentic. 

For example, I know Dick doesn’t like cucumber sandwiches. Sometimes I’ll have him or other characters mention this in the story. I also know Dick can struggle with perfectionism. I can make that something he has to struggle with in the story. It doesn’t have to be what the whole story revolves around, but if I just throw in some things here and there about how Dick is mad at himself for failing about something then that makes him feel more in character. 

Character Interactions

At first, writing multiple characters interacting at once can be really difficult. It can fuck up the pacing of your story, it can be hard to insert each character enough to make sure they aren’t ignored, and it can be hard to make sure each character is getting a chance to speak. 

If you find yourself struggling with this, try and just stick to two characters at first. Once you’re comfortable writing a conversation between them, try adding in another character. And another. And another. 

The more you practice, the more you’ll be able to write multiple characters interacting in a scene in a way that feels more natural and realistic. 

Genres and Tropes

When it comes to figuring out what you want to write about, you need to know what kind of content your audience wants. For example, fantasy niches (fairies, vampires, etc.) can be harder to “sell” in this particular fandom. There are people like myself who enjoy those niches, but just know that they may not be the most popular niches within this specific fandom. 

What are some niches that the majority of fandoms do like? Hurt/comfort, sick fics, whump, fluff. Those kinds of fics are always in demand. People love it when their favs get hurt. People love it when other characters worry about their favs. People love it when their favs get hurt while protecting others. People love it when their favs are getting along and being affectionate with one another. 

Go on AO3 and sort the fics in this fandom by “most comments” or “most kudos.” Now look at the most popular fics that come up and look at the tags they use. See what kinds of things those authors are writing about. Read their summaries and try to get an idea of what the stories are about. 

Once you get an idea of which kind of genres and tropes are most popular, try and write a story that includes those genres/tropes. People will be more likely to read stories that have tropes they usually like to read about. 

Now, of course, you can also just write whatever the hell you want without trying to appeal to your audience. This is what I do a lot of the time. Turns out that the things I like to write about tend to fall more in line with the tropes that are already popular in this fandom. 

Spelling and Grammar

People really hate to read stories that have tons and tons of spelling and grammar mistakes. Make sure before you post anything, you put your story in Word or Grammarly (I use the free version) to check for spelling, grammar, and punctuation mistakes. Trust me, your readers will thank you for it.

Practice, Practice, Practice

I’ve been writing creative stories since I was 11 years old. The stories I wrote back then are absolutely shit compared to the stories I write now. So please don’t get discouraged if you write a story and you don’t feel like it’s very good. 

Keep trying! Just like with anything else, the more you do it, the better you’ll be at it. There are so many things you’ll learn as you continue to write. Seriously, just recently, I realized I wasn’t always putting a comma in my compound sentences to break up the independent clauses. But hey, hey, now I know. 

Pacing, characterization, and plot are also things that will improve the more you write. Writing drabbles (stories with maybe just a few hundred words) will help with this. It will help you learn to choose the most important scene or dialogue and write it in an impactful, emotional, and compelling way. 

Okay, class is dismissed! If you have any other questions then feel free to send me another ask! 

[inventors-fair]

Tri, Tri, Tri Again

What makes a common? Usually the little black and/or white symbol on the card, but that’s not the point right now. What makes a common different than an uncommon? The thing is, we know the difference between a common and a rare, even when sometimes those lines are a little weird on older cards like Scion of the Wild and Sinkhole in their own ways. The line is there these days, and we’re designing for the modern era whether we like it or not. I’d hope that after over twenty years of tinkering we’re at a place where we do like it, so there’s that.

What stops a common from being an uncommon, though, is a little harder to quantify. We have to talk about recursion, multiples, finishing, the role in the draft, the complexity for new players, etc. There are so many factors that can make pushing commons hard in ways that we don’t touch that often. I wanted to do this contest because it’s both a restriction and a challenge. Making a common card isn’t easy unless you know your slot. Making a common with the three lines of text, well, that’s something else entirely. And for the most part, I think people did amazing work. There are a couple obvious cases where I feel people should have looked at prior examples, but in terms of general work, we’re on the ball here. 

We’re only doing two bullet points this week: “Things I like” and “Where to improve.” I feel that that’s the most constructive, yes? Gimmicks can be fun, but let’s be real, we are here to get as much positive feedback as we can and to improve what we like to do, which is making custom cards. Easy enough. Let’s pick some cards and some brains. 

@deg99 — Emberwild Inferno

Things I like: On its surface, this is mechanically just fine. It’s a three-mana bolt, but with a distinct upside, and you know, nobody’s going to be upset when playing this in a draft. Red removal is perfectly fine and anti-prevention, while a corner case most days… Well, kind of. There are actually ten current standard cards that prevent damage, which is kind of surprising to me! Still, ten ain’t as much as it could be for relevance, BUT, it’s still perfectly reasonable to see that it would be in this set.

Where to improve: Firstly, “Emberwild” is spelled with an “e” at the end in every iteration of MTG cards printed thus far, and it’s kind of throwing me off. Also, it’s a term from Dominaria; what city is doing the blessing? What city are they in? There needs to be a comma after damage, “cannot” should be “can’t,” and I feel that we have to tell at least one person almost every contest: Damage needs a source. “Emberwild Inferno deals 3 damage to any target.” No spells after 1999 use that kind of wording. Please, please proofread your cards.

@dim3trodon​ — Reassembling Sentinel

Things I like: Totally fine to be using Ward here, and I like where it’s going. This is an interesting cost-to-PT ratio, definitely more aggressive, and I don’t hate it. Flying and first strike later in the game are also totally valid. I’m personally not the biggest fan of ability counters, but in this instance, there’s absolutely nothing wrong here. Permanent additions like this are important for modern Magic.

Where to improve: But why add the ability counters only if they don’t have them? Is there some ruling corner case that I’m missing? Why not just four mana for a flying counter, three for a first strike counter? It doesn’t feel intuitive to me. Yes, multiple counters are waylaid on cards like Crystalline Giant, but that’s because it wants as many as possible. Here, where you can choose, I feel you could have just had it add the counters. Regarding flavor, I don’t see how this card is “reassembling” anything. Assembling, yes, but REassembling? Not clicking for me.

@dimestoretajic​ — Mob Beast

Things I like: Gruul rules! Well, there’s no ruling, but—anyway, this card works in interesting ways and I think it’s pretty serviceable. Raging Kronch comes to mind, and the beasts of Ravnica are definitely up there. It’s an interesting name for sure, and it’s making me think more than it is making me feel critical. Is this beast part of the mob, or belonging to the mob, like it’s being wrangled? It could be either, and that’s fair. This card would make a good finisher.

Where to improve: I’m worried about multiples in draft for sure. I mean, chances are you aren’t going to get too many of them, but having a bunch of hasty finishers can be a bit of a pickle especially when you can also slot these into other multicolor strategies. Maybe it’d need to be tested to be believed, but, y’know, how many one-mana 3/3s are there, right? For the flavor text, emdash your quoter and put them on a separate line. If it’s too cramped, time to revise.

@dumbellsndragons​ — Fledgling Nightblade

Things I like: Renown is fantastic here. I don’t necessarily know how renowned an assassin wants to be, but in their own circles, heck yes. It encourages blocking in its own way, and it’s certainly powerful on that front with the deathtouch. I think for me the flavor is one of the stronger points here, and I want to see a little bit more of a “professionally getting better in all colors and competing” world, so thumbs-up there.

Where to improve: The last time we saw deathtouch and menace at common was Kederekt Creeper from Alara, and, well, I don’t think that’s precedent; deathtouch and menace is strong. Really strong. Like, at common, I think it might be a bit too strong. It shows up printed so little because of that, even at higher rarities. Honestly, a 3-mana 1/2  or 2/1 might be better, but that’s also my worrywart tendencies. I’d have to play. This design as it stands would be fine in a Modern Horizons power level set more than a standard one.

@gollumni​ — Sovereign’s Duty

Things I like: I’m a big fan of “can block any number of creatures” for someone who isn’t super defensive when playing the game. I think it’s neat, and represents cool stuff, and I like this card a lot! The name is generic, but I don’t mean that as an insult. I could see this in a core set, on Dominaria, on Theros, on Eldraine, any number of planes, and for a common, that’s a good thing. That’s some success right there. 

Where to improve: That last ability made me worried about layers until I checked with some rules people. It’s not the layers so much as it is the wording. “As long as enchanted creature’s toughness is 5 or greater, it can block any number of creatures.” Continuous effects. Argh, that really threw me for a second! It was also kind of frustrating because there wasn’t any great precedent, but you know, nothing wrong with new territory.

@hiygamer​ — Guider of Souls

Things I like: Exploit would make a very cool mechanic in Orzhov, and I think that if we ever do a “mechanic/faction mixup” contest then you get precedent on that front. Totally flavorful and totally awesome. I think that Orzhov tokens was one of my favorite draft archetypes from RNA and this card continuing that tradition with death triggers is definitely up there in terms of capturing that feeling.

Where to improve: This card feels busy for some reason. Unfortunately, for this contest, you had to have the three lines, but were this printed, I don’t think it would have vigilance. Two flying bodies would be enough. If you wanted to keep vigilance, I’d definitely knock it down to one body. Two fliers… I feel that that’s too much. But, what do I know. Also why aren’t they white and black like the other Spirits? Regardless, that flavor text is also pretty dry. Not bad, but dry. What if it was the guider talking to the spirits instead? “Come, let me lead you to the light of Orzhova.” Little simpler, shorter, more personal.

@hyenagirldick​ — Poisoned Gookeeper

Things I like: I think despite this being kind of a placeholder, everyone liked this card’s name. I’m up there. This one, wow, this is giving me a lot of whiplash. The typeline is making me think Simic, but the “horror” is making me think Innistrad, but the Scavenge is making me think Ravnica again, but—and so on and so forth. I want context! Mechanically, using “scavenge onto” as a verb here is interesting and I don’t hate it. A good twist on this mechanic.

Where to improve: Despite that drive for context, I think ultimately the mashup is making me more confused than intrigued. It’s just over the line, to be fair, but it needs consolidation of ideas. You’re asking a lot of us here, to interpret the world, a new use for the mechanic (that seems considerably cheaper than the average common scavenge-r), to have a deathtouch blocker like this with the high toughness, etc. It’s not bad! But it’s a lot.

@hypexion​ — Blade of the Blessed

Things I like: I feel that the trend of having cool explorations of auras and equipment is 100% the right way to go and this card feels like it slots right in. Let’s talk about flavor, because without flavor text, this card still tells an amazing story. As long as you’re able, pick up the sword and fight. But, if you’re blessed by XYZ deity, then the blade becomes easier to wield. Fantastic. That much I like.

Where to improve: I believe that the last ability is too complex for common. It’s not that it doesn’t make sense or that it’s too powerful, but I believe that it’s asking stuff from players that they wouldn’t necessarily understand at common; it’s not immediately grokable. I like the space and I like what it’s doing. I think if you drop the cost to 1W it would be a fine uncommon. And you know what, I think I’m in the minority. I think that there will be disagreement, and I understand where that’s coming from.

@i-am-the-one-who-wololoes​ — Mummification

Things I like: I’m always a fan of cycling abilities for sure. Can’t be countered, instant-speed, powerful effects, heck yeah. I’m also a fan of finisher abilities like this. Black’s triggers for life-loss were definitely fun with those big enchantments. There aren’t a heck of a lot of common noncreature non-aura enchantments out there as precedent, but regardless, they exist.

Where to improve: Looking up precedents for this effect, I’m definitely skeptical about this at common. For one, it’s any player. For two, it’s whenever a spell is cast. For three, it’s harder to remove. All that together combined with a potential common cycling shell where you can draft a bunch of these and then make all black spells have extort? Actually, this card is almost strictly better than a two-mana enchantment with “Black spells you cast have extort.” Almost. I think this might have had to go back to the drawing board. As for the flavor, I don’t grok what the name, text, and abilities have to do with one another.

@koth-of-the-hammerpants — Coffin Devourer

Things I like: I just read the flavor text, and, uh. I love it but wow. That’s some nasty, funny, funky stuff. So! Let’s talk about the card. Perfectly serviceable in terms of getting things out of graveyards then making creatures big. There aren’t too many cards with tap abilities and vigilance at common, but they’re definitely there, so that’s okay. Man, I can’t get over that name and flavor combo. That’s really something special.

Where to improve: This card doesn’t really fit the prompt, and I think next time I’d have to reach out about something like this. Vigilance and trample go on the same line; yes, even in standard-legal sets where sometimes abilities don’t go together, because that’s mostly for starters and core sets and the like. Technically it fits the prompt, but for all practical purposes it’s a workaround that shouldn’t have been submitted as-is. Now, that’s Fair meta. The card’s totally fine on every other front, I think. You’re gonna have to decide, though, if you wanna stick with the sort of Scavenging Ooze wording or the Tome Shredder wording. I think you should go with the second, with the exile as a cost.

@mardu-lesbian​ — Rifleman Trio (JUDGE PICK)

Things I like: Huh, another card with vigilance and a tap ability. Well there we go! This card’s also got a lot going on, but it doesn’t feel like anything is at odds with itself, and is also on the upper side of being pushed without going into strictly uncommon territory. It’s got reach (“Stay on the defense, fellas!”) for blocking as it comes down, it’s got conditional vigilance (“Learn from those organized chaps!”) which encourages multicolor play but doesn’t force it, and it’s got that cool damage that is both a finisher, a pinger, and teaches a little about the combat advantage (“FIRE!”). So yeah!

Where to improve: I guess the only question would be where the rifles come from. Is this Ixalan-ian? I don’t think it super matters. This is a great commendable card.

@masternexeon​ — Bloodstarved Beast

Things I like: “Vampire beast” is one heck of a typeline. I like that part a lot, and honesty, I like weird echo costs a lot to. I’m surprised this isn’t a name already, actually! This card feels like its basis is in a lot of neat love letters to old-school Magic and high fantasy, even outside of the choice to submit with old-border.

Where to improve: The complexity of this one is definitely up there and past. Doing weird things with established mechanics that aren’t immediately grokable probably don’t belong at common. What happens when you blink it after previously paying an echo cost, a player might ask? Paying a cost for a continuous effect feels...weird, and I actually don’t know if that works within the rules. Nothing wrong with that specific echo cost, so that’s fine, but the second ability isn’t something I’d personally want at common. For the last ability, it should be “you draw a card and you lose 1 life,” see Phyrexian Rager.

@misterstingyjack​ — Flames of Anarchy

Things I like: Removal and cycling is perfectly serviceable. The cost suggests that the set has a stronger monocolor theme if the removal is costed like this, although it might just be for the slightly more powerful effect (sort of) and the ability to cycle if you don’t have the RR already. Name’s pretty darn awesome, too.

Where to improve: I know that you tried to balance it by making it only his creatures or planeswalkers, but this is still a recursive damage spell that’s asking weird things of you. What sort of set would have a sorcery-matters theme at common? What’s the as-fan? I think you had a cool idea that is indeed cool, but what you’re asking of your set and your rarity is too much than what can be provided. I don’t think this kind of recursion is what you want at common. In the shell that it’s intended to be in, I think it’s too powerful.

@morbidlyqueerious​ — Proven Sword (JUDGE PICK)

Things I like: Like I said earlier, new things with equipment and auras are totally awesome, and I fully support this kind of cost. Equipping to certain creature types for cheap makes sense to me because nine times out of ten it’s not something that’s going to be radically changing; either the creature is there or it’s not, and it’s either a Warrior or not. And that’s cool! First strike can be really powerful with that boost that you’re giving it, and if you have any other warrior or equipment strategies, then you better believe things are gonna get nasty on the field. I think this is a one-of in your pool, but it’s a fantastic one-of. Equipment can be undervalued at times!

Where to improve: I’m not 100% down with the flavor text. The blacksmith doesn’t “make” the metal, do they? They make the blade. I think that you had a good concept but it’s not exactly there yet.

@naban-dean-of-irritation​ — Physical Fluctuation

Things I like: Well, the art’s a big plus, and the flavor’s funny, so that’s pretty great. I think that common combat tricks in the GW sphere have always been a little funky, especially with Ravnica’s weird return to that again and again. There was even that green one, but searching for things that have multiple instances of “target creature” on Scryfall is such a pain.

Where to improve: Seeds of Strength is weird, but they’re all +1/+1 so at least that much makes sense, same buffing all around. Martial Glory is a little harder to grok sometimes, but it’s only up to two creatures, so that’s not the worst that can happen. If you have three creatures, then this card has a number of options that is legitimately making me worried about my ability to do simple math and statistics. The variance here in P/T distribution is off the charts. Yeah, it would make sense in-game, but just on principle, I don’t want that much at common. It’s—you know what, I’m gonna do some math. … There are at least 27 different variations if you have three creatures. I don’t think that that’s what people need at common.

@narkis24 — Unbound Devil

Things I like: Pushed P/T with drawback is totally valid. I like the fact that the “unbound” in the name refers to the fact that you can’t control it, literally, without someone holding the leash. That could make for some fun flavor things. If you’re on-curve, then you got some big beats that you can get in early.

Where to improve: I honestly wonder if it’s too much, actually. Yeah, it has to attack every time, but if you can get a one-drop then this then any removal on-curve and/or more Devils, then you’re in one crazy good spot. I think in terms of power level, this is uncommon for sure. In terms of abilities, I did a little searching, and there isn’t any precedent for non-temporary control switching at common. That’s for a good reason, IMO. Again, this is a great card, but definitely uncommon. And a good draft uncommon, too!

@nicolbolas96​ — Lost to Memory (JUDGE PICK)

Things I like: This is a really funky pauper card that also happens to have great draft function. The destruction is conditional, but on-curve you’re going to be fine with it. If there are no good targets, you can at least get a card out of their hand and deck. I think that the versatility there is awesome and that this card is definitely up there in terms of playability. And, well, it’s not that powerful. That’s a good thing! It stays at the common line while having great effects and not pushing anywhere it doesn’t need to be. Yeah, maybe the Pauper-rack meta doesn’t want it at sorcery speed, but heck, I think it’s great. Good with Chittering Rats

Where to improve: The flavor text lacks something for me. I know sometimes he asks questions, but unless they’re directed at someone specific, they tend to be either contextual to another statement or answered. I don’t know, it just doesn’t feel as...suave as Bolas usually is. It seems small but it’s a hangup for me. Feel free to up his grandiosity.

@partlycloudy-partlyfuckoff — Idyllic Falchion

Things I like: Heh, back to equipment. You know how I feel about that. Interesting sacrifice trigger. I think that that’s the strongest part of the card in terms of—well, maybe not power, but in terms of the “cool” factor and “push” factor. It’s fine for common, and it’s strong, and you need the color to cast it, so that’s awesome. And bonus points for making me look up the word “falchion” too; it helped to envision the weapon and scenario you had in mind.

Where to improve: The second ability doesn’t work. The equipment would need to be on the battlefield for the equip cost to be activated. Instead, it would read: “{cost}: Return ~ from your graveyard to the battlefield attached to target creature. Activate only as a sorcery.” And that would honestly be kick-ass for like...six mana? Get that in your archives, ‘cause I like the idea a lot. As it stands, doesn’t work rules-wise.

@rasputin-gold​ — Copse Fiend

Things I like: “Copse” got me, and I like the vocab check there, very nice. I think that your typing and the general mood is really fantastic, and holy crap, look: that flavor text literally gave  me a touch of ASMR. It’s not the next great American novel, but it fits so well, and it feels great and creepy, and it tells me so much, and that, that’s awesome.

Where to improve: Let’s take all that mood and make a different card with it, because there’s...a lot going on. A four-mana 4/3 with wither would be totally fine by itself at common. GG activation for a lure? Okay, makes sense, but combined with the wither, that’s something that’s far too powerful at common, assuming a set with the mana alignment to make that happen. The assumption that you have a Forest (capital F!) to give it first strike (tertiary in black and NOT in green) and potential recursion is way too far gone. If this card were presented without rarity I would assume it was rare. So, yeah, this is one of those times where it’s not a bad card but for this contest it’s just too much. Keep it appropriate for rarity.

@reaperfromtheabyss​ — Dwarf Forge Scrapheap (JUDGE PICK)

Things I like: Well, I already talked about the clues from the winners’ post, so I’ll go out on a limb and say that yes, I like this one too. A combination of the “shifting animated pile of knobs and gears and junk that when animated can come to life and hit you in the face” with “forget this I’m gonna make mana” is pretty funny to me, in that dry card way, and this card in general is pretty cool. In terms of gameplay, yeah, you can have a beater on turn four if you really need the boost, or late in the game as a colorless source, but it’s also mana-fixing, a three-mana buttwall, and just a cool card all around. I think that this is one of those that could have great art flavored on a cool world, and the name could be changed to fit just about anything. 

Where to improve: “Add ONE mana of any color.” ONE. I’m unreasonably curmudgeonly about that error, somewhat jokingly, a little rib-nudgingly. Easy oversight, but don’t let it happen again! (Kidding, kidding, I know I need to up my editing skills too.)

@snugz​ — Sidestep

Things I like: this card. I like this card, dangit. I don’t care that it wouldn’t be very playable in a whole lot of decks or archetypes as a weird combat trick, but I like it. It’s simple and funny and plays into the “I’m gonna right myself while tripping you up” gag and that’s great. The simplicity speaks to some Rookie Mistake vibes that I’m down with.

Where to improve: Again, I don’t think it’s playable. I could see them printing this card and having it be basically draft chaff, but maybe not, maybe it’s something in a combat-trick heavy set with some radical payoff. Maybe it’s a pauper Heroic card that could make the deck tier-1. But it’s so simple that it’s hard to talk about! I’m sorry I can’t give more feedback than that, honestly. The card’s too well-made. So, with that in mind, you need to season this steak. Any flavor text for any context would be awesome.

@starch255​ — Scab-Clan Brawler

Things I like: 100%, this feels Gruul. It’s a big fighter that’s on-curve with some brutal flavor despite no flavor-text. The notion of the Gruul tribespeople fighting among themselves comes across here fantastically, and having a 3/3 trampler is definitely something that a RG drafter will want on turn three.

Where to improve: [Foreword: This is a lot of text and I swear it’s mostly not criticism; you made me think.]  Brawl needs work. A lot of work. As it stands, either you lose a small creature, you lose this one and put a +1/+1 counter on your bigger creature, or you happen to have a 2/4 that can survive. I am… I’m working this out as I’m writing, and I want to like it, and I want to improve it, but the more I think about it, the more I think that the mechanic isn’t the problem. I think it’s actually surprisingly complex, almost more complex than a Gruul player would want immediately. The choice of payoffs is so hard to think about—and at this point, I’m not so much criticizing as I am ruminating. I really want to play with this mechanic just to see if my knee-jerk “fighting your own creatures is bad, ugh” is lizard brain and if there’s galaxy brain behind it. You’ve put me in a conundrum here. Hold onto this one.

@thedirtside — River Delta

Things I like: Great name, makes sense. I can picture the landscape where you would want this place to appear. Nonbasic lands are pretty interesting to design at common, and breaking away from the Guildgate/Life-gain lands was an ambitious move.

Where to improve: I know fetchlands are weird on the scale, but in terms of probability, the ability to (1) get your colorless mana if need be OR (2) tutor for the land you need while thinning your deck and furthermore (3) getting a 3/3 body once you’ve sacrificed it later in the game… This is borderline rare and might even be pushed for an uncommon. Yes, it’s basic, but in limited that’s a non-issue and in constructed there’s nothing wrong with getting your basic lands just to make this card work for you. The part about it being tapped really isn’t that much of a massive drawback. I like this card a lot. It’s not common power level. Small notes: “shuffle your library” can just be “shuffle” IIRC, and your comma between the 3UG and Exile seems wonky.

@wilsonosgoodmcman​ — Ruthless Vigilante

Things I like: Gotta love a vampire rogue. This particular card doesn’t seem to have a home, but it doesn’t seem to be sending any mixed-messages either. Ixalan doesn’t really want the roguishness, Dominaria could have it but where’s the vigilantism, Innistrad has different colors, Ravnica has different flavors, etc. etc. So does it belong? Yes! But “were” is yet to be determined. That’s totally okay. 

Where to improve: IMO, your abilities are too strong together. Vigilance and deathtouch is a pretty powerful combo once you get yourself in a position where you can attack, because, well, then you still have a murderous blocker. There’s a reason it hasn’t appeared at common yet. The lifelink feels a bit odd, honestly, and the toughness boosting feels out of place. Why is an aggressive vigilante boosting its toughness? Actually, why does a rogue have vigilance? There’s no precedent or flavor connection there. I’m just not feeling what this card is offering me. It might play, like, fine, but it doesn’t feel good and it doesn’t feel like it has a place that couldn’t be replaced by a more cohesive card.

@wolkemesser​ — Dry Sands Summoning

Things I like: We haven’t had a real good desert world since the Abzan from KTK, and I miss that. Having a sandy feel and aesthetic could be really cool here, and I think that what you were going for what the flavor of turning the desert into, like, part of the warrior tribe. That much I like a lot.

Where to improve: I find myself a little frustrated trying to write commentary, because there’s a lot to go on here and I don’t want to be too harsh. I’m going to address the individual parts, but in general, please, please run these cards by people before submitting.

The hybrid cost is fine but that’s pushing it a little. Eventide was an exception I personally liked, but the color weight doesn’t always play well with others. That part is honestly fine.

Enchanting cards in graveyards should never currently appear at common. Spellweaver Volute is a rules nightmare/abomination. 

It would be “Enchant land or land card in a graveyard.” “Warrior” needs to be capitalized. “Enchanted land is a 3/1 Sand Warrior creature with haste. It’s still a land.”

What is the purpose of having a land also be a creature in your graveyard? At common? I can’t envision any scenario in which that would be a reasonable theme. It can’t attack from your graveyard, it would be weird for type-changing in the graveyard with Conspiracy, and it wouldn’t move it to the battlefield either.

The retrace is a decision that’s almost designed to cause confusion. So it could enchant a card in a graveyard, but not be in a graveyard, until it’s in your graveyard, whereupon you can discard a land to cast it from your graveyard, but not target a land discarded this way.

@yourrightfulking​ — Mutilated Faerie

Things I like: This name and the intention of the flavor text is almost grimdark; I’m not averse to that. I actually really like the fact that it can’t block, because it lets you have deathtouch with a little more aggression. The fact that it’s an assassin almost makes me wonder about the story of this individual character, and you know what, that means that flavorfully you’re doing something really right.

Where to improve: The “human sacrificing” part feels important to your implied set, and I don’t know how to feel about that. You get a 2/1 deathtouch body and potentially take out another faction? I mean, if this was Eldraine, this card would probably be actually sought in drafts with the human as-fan. Might be a little too powerful on that front depending on the environment. But, uh, the flavor and name? I want to like it but it’s more confusing than not. “Pixie plucking” seems like either a poaching crime or a children's game, and the reason WHY pixies are plucked could be better specified. The second sentence is a fragment. Your story implies that a plucked pixie will 100% die, but then, how did this one get mutilated? To kill the culprit, the pixie would have had to escape mutilation, and this mutilated one apparently survived a 100% kill rate? Not sure where you’re going with this. Sort it out and you’ll be fine.

And there we have it. Again, I wanna stress, I’m using my best judgement and opinions here, but people are absolutely free to disagree. I hope that the constructive portion, even if it’s something you disagree with, helps see another perspective. Lots of cards here help me see other perspectives as well, and thank you for that. Tune in for something tomorrow. What will it be? The world may never know. Or maybe it will. Or will it?

— @abelzumi​

[some-dr-writings]

Teruteru x M!Reader One-shot: Please Understand My Feelings!

Teruteru was so absolutely excited today! It was his birthday and there was only one thing he wanted. He wanted you! Well, that could be rephrased. To tell you he loved you! And he also wanted you. The two of you were instantly best friends the moment you met! You were hot, loved his cooking, and were overall an awesome and fun person to be with. Teruteru had tried confessing before but he always chickened out or turned it into another one of his innuendo laden remarks even when he was trying not to do that. But not today! He was going to confess to you no matter what it took! Even if it meant making the event into an extravagant show!... E-even if he had to outright just say it plainly. He’d rather just cook you something with “I love you” on the top. He wasn’t sure his heart could take saying it out loud. Even thinking about it sent his poor little heart a flutter beating faster and faster till Teru passed out. But hopefully it wouldn’t come to that. Maybe. Please.

Taking a deep breath, he pressed send on the text asking you to meet him in his lab for breakfast… At three in the morning. He needed time to cook and prepare. And he also couldn’t sleep a wink. He prepared an entire feast. He poured his soul into his dishes, needing everything to be absolutely perfect!

“Hanamura?” “Ah, Y/N. Perfect timing! Just take a seat and I’ll be out in a moment!” This was it; THIS WAS IT! He was finally going to confess to you and through his greatest passion no less! This was going to be the best confession! He had to take several trips in order to get all the dishes out to you. “What’s with the domes over everything?” You lightly scratched you head in confusion seeing most everything had a dome covering it. Teru normally only used those things when the food needed to be kept hot or needed moisture. In fact, because of the moisture Teru avoided the things since it could so easily ruin the food. “Should I remove them before the food get’s spoiled?” “No, no, no. The food’s fine. But if you simply can’t resist you can take a peek.” Though he said that, he wanted to see your reaction, but who was he to deny you satisfying your curiosity. Much to his delight you did in fact wait for him, tenderly smiling and giving him a small wave in greeting.

With flourish Teru removed the domes from each of the dishes revealing what was inside. Steamed rice in a heart shaped bowl with Natto in a heart shape on top, Miso soup with heart shaped tofu, eggs and bacon systematically placed to make a heart shape as well as the aebleskivers too, a German pancake drizzled in lemon, berries placed atop it spelling “I love you”, more berries spelling out his feelings atop French toast and pancakes and crapes and other such items. You gasped at the sight of it all. Everything glistened in a beautiful sheen, all the baked items were that perfect, crisp, golden-brown color. All the delectable smells melded together yet were still distinct making your mouth water from it all. Cutting a piece from the German pancake and French toast your ears tingled hearing that light crunch. You sighed and awed as the delectable tastes simply melted in your mouth and on your tongue. “This is amazing!” Your cheeks were sore from how much you were smiling.

Meanwhile Teru stared at you absolutely baffled. Did… did you not notice? But HOW!? “Uh, but don’t you notice anything about your breakfast today?” “Hmm? Well… I notice there’s a lot more than usual, and there’s lots of hearts and you wrote ‘I love you’ a few times, but… Ah, I guess I didn’t really notice since I was expecting it!” … WHAT!? D-did you know already he liked you!? For how long!? “Today’s your birthday! It’s important to tell yourself you love yourself today! And I can taste it as well! I’m glad you have so much passion for your wellbeing!”

In that moment Teru began to question his life choices and how those lead him to falling so hard for such a sweet and kind dolt to the point of finding this alarming yet endearing at the same time. All he could bring himself to do was gently pat you on the head as you eagerly enjoyed your meal.

Alright, so breakfast was a bust, but Teru had other ideas for how to confess to you! “Ah! Class is starting soon! We should get going. I’ll come back at break to clean up, alright? I can at least do that so you can just enjoy today and relax!” You quickly got up from your seat and made your way for the door. “Now, hold on. I don’t want you slaving away cleaning dishes on my birthday.” He pinned you to the wall or tried to. He just slapped his hands against the wall blocking your way. “Kabedon?... Hanamura I think you’re a little short for this.” “I-what? NO! Listen to me! I much rather have you all to myself today.” “… OH! Yeah, I’m cool with hanging out! But… I do have a birthday surprise I’m still preparing so I can’t be with you all day, but when I have free time, I’ll come find you! Now let’s get to class before we’re late.” … Perhaps Teru should have been a bit more specific in his wording. Oh well. If you were going to be spending most of the day with him, at least that gave him more opportunities to confess. Or at this rate just keep trying too.

In class Teru wrote ‘I love you, Y/n. Yours truly Teruteru Hanamura’ on a piece of paper and folded it into a paper plane. Then ever so carefully, he tossed it to you. “Hmm?” You examined the paper for a moment before noticing Teru was waving at you. You waved back before your attention was drawn back to the plane. Teru intently watched as you began writing on the page! Oh no. What were you going to say? Did you like him back, did you not? What were you going to say!? Then you tossed it back! Unfolding the page Teru realized you just filled out the math sheet and never looked at the back where his message was. He was going to attempt this again this time with a complexly blank page but Miss Yukizome noticed and put a stop to it.

Okay, something else! Instead Teru wrote you a letter pouring all his feeling onto the page! THIS had to work! “Y/N! I need you to read this right now!” “Huh? Okay!” Teru fidgeted as you took what felt to be forever and a day reading that letter. “You used the wrong ‘your’ and ‘you’re’ through the whole thing. You are missing a few commas on the fifth, sixth, twelfth, and eighteenth lines. And… the line where you call me a hot stallion, I think you mean to compare me to a hot stallion. Now if you excuse me, I have a phone call to make!” Before leaving you passed him the letter back.

… Maybe writing his feelings out was the problem! “Mioda! I need your help!”

Finding it difficult to hear her on the other line you put in ear buds and turned your volume up hoping that would help. Unfortunately, she was also in a crowd, so it only helped so much. As you exited the building you found a stage had been set up. Not even a moment later you got a text from Chiaki asking you to come to said stage. And so, you did. Still trying to make the call work.

You were incredibly confused seeing Ibuki, Chiaki, Nagito, Kazuichi and Teruteru on stage, everyone with an instrument of some sort except for Teru who stood before a microphone. They began to play something, but of course in that moment your special guest was at a crucial juncture and you had to help her with directions and finding landmarks. You texted Chiaki an apology saying you had to go and would likely be busy for a while.

Of course as you were walking away was when the heart shaped fireworks went off and Teru belted out his feelings in an impromptu speech.

Teru sighed in defeat, falling to his knees seeing you dash away. “Y/n, darlin’ why must you be so elusive, like making the perfect mix of spices for Mama’s sweet and spicy chicken skewers.” Kazuichi kneeled down beside Teru, lightly patting his back. “Sorry man. Maybe next time.” Chiaki placed down the bass guitar she held and took out her Gameboy. “Yeah. You haven’t lost any lives yet. Keep trying and you’ll get him to notice… eventually.” Kazuichi nervously scratched his cheek as he stood up. “Yeah, that guy’s always been oblivious. Even from the start.” “Yes, I knew that when I fell for him.” Teru took out his phone, looking though the notes for ideas he came up for confessing to you. “Thank you for trying to help me.” Seeing what the next plan was, he got to his feet reinvigorated. “Alright! There’s only so many hours left in the day; I better get started on my next plan!” “Wonderful!” Of course, Nagito had to speak. “Go Hanamura! With that blooming hope in your heart go after Y/N!” Before Nagito could go on another of his hope rants, Teruteru ran away.

As you were rounding the corner to your dorms Teru jumped out dressed in a white suit with a bouquet in hand. “Y/N, watch this video!” “H-huh? Uh, sure?” The video was about the language of flowers and their meanings. When the video was finished you found Teru kneeling on one knee. “Cool. Though I’m not sure you have to get a bouquet of flowers meaning ‘I love you’ to show me the video. And I think kneeling like that is bad for people’s posture. If you’ll excuse me, I need to get to my dorm to check my reservation.” All Teru could do was just stand there dumbfounded. “… HOW!?”

You hurriedly placed on your windbreaker as you slammed the door open. “Hanamura? What are you doing here? And with an umbrella?” “Y/N, it’s raining! Share this umbrella with me!” “What? But there’s not a cloud in the sky. Wait, then why is there rain?” “Just… if you’d like please share this umbrella with me.” “Uh…” You walked out into the precipitation and looked up. “Oh. Hanamura, it’s fine.” You then waved up at the dorm ceiling. “Hey! Souda! Could you turn off the water hose and stop pointing it over Hanamura? He thinks it’s raining!” After a moment Kazuichi face-palmed and dropped the hose. “Hanamura, I think this is a lost cause.” Then Nagito popped out of the window to his dorm room. “Just hold on to that beautiful hope inside you! I believe in you Hanamura!” “Uhh, anyway! Hanamura! Your birthday surprise is ready! Well more like on it’s way. But! Please, please, please, come with me! I promise you won’t regret it!” “… Sure. I’ll come with you.” “Heck yeah! C’mon! We’ve waisted enough time already, I’m already a little late!”

“Hurry, Hanamura! We’ll be late!” “I-I’m hurrying as fast as I can!” You took Teru’s hand and dragged him along at your breakneck speed. “We can’t miss the train! Hurry up!” “Train?”

“T-thank goodness. We got here in time.” You both collapsed onto the train seats, completely winded, desperately catching your breath. “Yay. We made it before rush hour.” You slumped in your seat, looking out the window at that gorgeous sunset. You so goofily smiled to yourself imagining Teru’s reaction to your gift. You just couldn’t wait. “Hey, Hanamura. You just as excited as I am? … Hmm?” You got no response. “Hanamura? HANAMURA!”

…

You sighed in relieved seeing him waking up. “Just in time, we’re almost at our stop!” “Huh? Wa-? What happened?” “Uh, once we were on the train you keeled over and started foaming at the mouth. But you seem okay now! I think. How are you feeling? Please be okay.” “Oh, no, no, darlin’ I’m fine.” He was snapped out of that haze realizing he accidently let his accent slip out! Hopefully you didn’t notice. “Ah, your accent!” Of course you notice that! OF COURSE!... At least you seemed happy to hear it.

Once you got off at your train platform you swiftly lead Teru to a car lot. “You rented a car?” “Yeah! I’ve been saving for months for this and other things, and even took driving lessons for this, but it’s worth it! C’mon! Get in! We can’t be late!” You dragged him in by the collar of his shirt, too excited to wait for him.

“This shouldn’t be a long trip, but if you want, you could turn on the radio.” Taking you up on your offer he flipped it on, hoping it could distract him from wondering where you were taking him. A farm for fresh ingredients? But you said it wasn’t far and you were still in the city. A love hotel perhaps! That’d be a dream come true! Before his mind could start to run wild, he noticed the song that was playing. Yuki no Hana, Snow Flower. A classic. Odd it was playing though since it wasn’t winter yet. The song was literally about watching the snowfall with a lover. “… Y/N.” “Yeah.” “This song reminds me of you.” “… I remind you of winter?” “No, the other part.” “… Uh… The coming of winter?” “No, not winter.” “OH! About helping one another through hard times! Always being together!” Teru was silent for a moment, just taking in that moment. “Yeah. That part.” You weren’t wrong… It was close enough. “I’d like to stay by your side too! You’re my best friend.”

…

Maybe the only way to get it though your thick skull was to just out right, out loud, say it. But the question was… could he bring himself to tell you so directly without chickening out like he had done in the past.

“An airport?” You giddily chuckled seeing Hanamura trying to puzzle out why the two of you were here of all places. Once you finally found a parking space, you immediately stepped out to make a call. You then lead Teru into the airport. You looked around, trying to figure out if you had missed her already. “Did we pass by already?” “Mama!? Is that you!?” Teru raced to the woman, giving her the tightest hug he could. “Teru, my baby!” “Mama! How are you here! What about the diner!?” She simply pointed to you, who was mumbling to yourself about how she said she’d be by the shops which was where you were. “Y/N.” “The little sweetie. He’s been planning this for months now. Saving up money for plane tickets, my hotel, and covering the payment I would have gotten from working. The dear even tried tracking down your brother and sister but there just wasn’t enough time before your birthday.” The woman gently pat your arm, finally getting your attention. “Huh-Oh! There you are ma’am! I thought we missed you. Ah, let me take your luggage! I’ll take it all to the car while you and your son catch up!” “… Y/N.” “Yeah, Hanamura? OH! I forgot! Happy birthday! That’s what you were expecting, right? Sorry? I got caught up in th-” “I love you so much.” You simply stared at Teru as a bright red dusted your cheeks. “You… you love me? Wait…” One could see the cogs turning in your head as your blush darkened and spread to the tips of your ears. “I’M SO SORRY! I DIDN’T REALIZE SOONER!” “Sweetie-” He held one of your hands in both of his. “YOU WERE TRYING TO TELL ME ALL DAY!” “Darlin’-” “YOU LITERALLY WROTE ‘I LOVE YOU’ IN BERRIES!” “Y/N-” I’M SO SORRY I DIDN’T NOTICE! HOW COULD I BE SO DUMB!? I’VE HAD A CRUSH ON YOU SINCE WE MET! I LOVE YOU AND I DIDN’T EVEN NOTICE YOU-… you love… me too…” You buried your ever-reddening face in your hands realizing what you just said. “… So Mama, this is my boyfriend, Y/N.” “H-hi, Ma’am.” Teruteru’s mother simply looked at you two happily yet with confusion evident in her eyes. “I thought you two were already boyfriends since you write so much about Y/N in your letters and how Y/N went to all the effort to get me here.” “M-Mama! I-I don’t write about him that much in my letters!” “Oh, my mistake, there’s some other sweetest, kindest, most selfless dope in the world you’ve been trying to confess to for the past few months?” “YOU’VE BEEN TRYING TO TELL ME FOR MONTHS!?”

This… was certainly not how Teru imagined getting together with you but thinking about it on the ride to the hotel you got for his mother. He wouldn’t have it any other way.

[rpbetter]

Traditional Writing Advice & RP

I see a lot of people reblogging writing advice posts, and while it pleases me to see people trying to appreciate RP as writing, those pieces of advice don’t always translate from traditional writing to RP writing.

Following the advice for writing a traditional book manuscript you want to have published, you are going to run into some issues if you follow every point of it faithfully in an RP setting.

For one thing, this isn’t just your story, you’re telling it with another writer. In RP, our reading audience and our writing partners are the same. We have to create well-written, engaging stories that are also meant to be picked up by someone else and furthered. For another, even among the most writing proficient RPers, this is a more relaxed style of writing for a reason; we’re writing neither a paper to be graded nor a work to be published, we’re expressing creativity with other people. It can fall flat quickly, to your writing partners and to yourself, if you are writing in an extremely formal manner in RP.

Writing is one of the creative pursuits that has lent itself heavily to what I’m going to politely call snobbery, and that is part of the problem here. The RPC is rather filled with muns who are self-concious, devalue themselves and their work, and can be desperate for the approval of being A Real Writer. If you love writing and you do write, you’re a writer. No, that definitely doesn’t make you a good writer, but following rules not meant for you isn’t going to make you one either.

There is a wrong way to write, actually, there are hundreds of wrong ways to write that make me want to rip my own face off on the regular. The thing is, there is no one-size-fits-all correct way to write any more than there is such a standard in visual art. There are principles that one should know and follow, but your style might be neoclassical or modern or impressionist. Saying that, in my personal opinion, things falling under the heading of modern-style art is horrid, thus inherently wrong and not art, I’d be imposing my personal aesthetics instead of encouraging people to follow appropriate principles, run with their passion and skill, and make art that moves people who are not me. That’s important, in general, but it’s even more important when we’re talking about creative art as a hobby-as a legitimate passion project one isn’t obliged to devote themselves to.

That’s the way we need to be looking at writing as well. Not as an academic and absolute Right Way, but as an art form that has principles, and indeed, literal form. By insisting otherwise, we’ve damaged writing as a hobby and a profession, and it really shows in the RPC where you have a rather stark division of muns who, on the one side, are so ate up with bizarre concepts their professor threw out about never using “said,” forcing the ideology of their personal academic experience on others, and using traditional writing advice as Word of God to shame others and elevate themselves. On the other side, you have a ton of muns who just won’t even bother anymore, and why should they? They’re genuinely not up to par, but working on it means both a process of shaming and killing their own creative experience.

In saying all this, I want to be really clear here: I am in no way saying that shitty writing, an inability to follow basic grammatical principles, being unwilling to use the damn spellcheck that is standard everywhere, and having no concept of things like storytelling, characterization, and word flow is excusable or ideal. 

It isn’t. It’s a terribly destructive force in the RPC, and I’m not in the camp of excusing disinterest in learning, improving, and perfecting one’s hobby because it is an unpaid hobby. In my opinion, it’s part of the blight of the current RPC. However, the snobbery and inability to recognize that there is nuance to learning and writing situations has done nothing but worsen this issue.

So, that being said, some items that are 100% good to use traditionally and in RP include:

Grammar, spelling, and punctuation.

We’re not all native English speakers, and grammar is difficult anyway. It can also turn a story bland with expedience when too properly adhered to. Know the basic principles, but also, be asking yourself about both popular works of fiction and your own favorite works. Chances are, they do not strictly adhere to the rules. Experienced, naturally gifted, and learned writers all manipulate those rules to work for their stories, characters, world-building, and so on. It becomes a personalized writing style, and it’s alright if it takes you some practice to find yours.

Just remember, grammar exists for a reason. Removing or mutating too much will leave you with a difficult to read and understand mess that isn’t a style, just a fucking mess.

If you struggle with grammar, the best way to help yourself is to practice. Additionally, seeing what errors you are making can be quite helpful; Grammarly offers a free add on for both Google Chrome and FireFox that will show you spelling and grammar mistakes. It also explains the mistake, while offering you a suggested fix. This way, you can see the mistakes you’re making in action. {Presumably, there are other such resources, but since I have no experience with them, I’m not the one to recommend them.}

As I said above, spellcheckers are standard now, in fucking 2021. This has been standard on devices and browsers for so long that I highly doubt most people on tumblr even remember a time when you had to use additional software to have them.

You make a mistake or misspell, and if it isn’t corrected for you, it’s underlined very obviously for you to tap/click/float over to correct. If the word is so terribly misspelled that no suggestion comes up {not all spellcheckers are created equality; some do not recognize slang or relaxed spellings, archaic word use, myriad, particularly specialized jargon-legal, medical, technical-and so on}, we also live in a time period where we can highlight the word, right-click that bitch, and select from the menu the option to search for the word. If the word was so weirdly misspelled that your checker couldn’t figure it out, it is incredibly rare that Google doesn’t throw out the correct spelling when you search it. If the spelling was correct, but the word-use is slang, jargon, or archaic, Google is also going to tell you that-you’ve confirmed it is correct, and can now decide if you want to use it or pick a possible synonym for it instead.

There is no fucking excuse for egregiously misspelled words anymore. None. I mean...listen, I spell quite terribly myself, but no one reading my RP replies is ever going to know that fact. Having difficulty with spelling is not, and has not been for a very long time now, an impediment to writing.

Furthermore, we all miss a typo here and there, especially if we write lengthy novella. Those aren’t always going to be caught by spellcheck, and we might edit the reply five times without seeing it. That happens, it’s alright when it’s minimal! Anything other than that, though, it’s just a combination of rushing and laziness. You really couldn’t be assed to take your time with that reply, read it over at least once before posting, and/or to click the underlined word.

There. Is. No. Excuse.

Again, not all spellcheckers are the same. If you feel like yours is lacking, try an extension for your browser. Since I said it above, I obviously have Grammarly on my mine. My replies effectively go through three different checkers, actually. I write all drafts outside of my browser where it is initially checked by Pages, then, when I paste it into tumblr, it’s being checked natively and by Grammarly. It wasn’t my intention, I just wanted to be positive I was never losing a draft or cooking my ancient laptop with Google Docs. However, it’s been nice as hell to get the perspective of multiple checkers, and as such, I definitely recommend it. It isn’t like I’m putting any extra effort into this, and I’m not paying for Grammarly, either.

When you refuse to behoove yourselves of the spellchecker natively available to you, at least, you’re seriously telling your writing partners that they were not important enough for you to click a fucking word. It’s inexcusable.

Punctuation being nonexistent isn’t a writing style or aesthetic, neither is a refusal to capitalize anything. If never using a comma is part of your Aesthetic™, please, rethink your fucking life and the hobby you’ve chosen.

Punctuation is a part of grammar, and I understand that there can be complexities present that might be confusing. That is one of the reasons why you should bother to know the basics as regards when and how to use punctuation. It’s also another way in which telling people that they should adhere to advice meant for traditional and academic writing can be a shit idea. Especially in an RPC known to misunderstand shit and go overboard.

When you tell the RPC that writers use too many commas, the RPC stops using them all around. Especially, when you also attach this to the idea of evil “wordiness.” That’s something that the RPC is desperate to avoid anyway, as the majority of people here are allergic to reading and writing; anything you advise that lessens the word count for them is going to be grabbed and erroneously applied. Someone implies that wordiness and commas equals run-on sentences, and the RPC gets not only believes it, it gets this message, “if I take out the commas, it isn’t a run-on sentence.”

You have all fundamentally misunderstood what a god damned run-on sentence is. It’s not a long sentence, it isn’t a proliferation of commas. A run-on sentence is when two, or more, sentences that should be individual are conjoined without proper punctuation {a fucking comma, for example} or a coordinating conjunction.

Run-ons can be surprisingly short, in fact. As in the example I lifted from here, “I love to write papers I would write one every day if I had the time.“

That should be written with a comma, separated into two sentences, or broken with a comma and the conjunction “and.” It’s also what I see incessantly on my dash from this bizarre idea that we shouldn’t be using commas. That a run-on sentence is a very long one separated only by commas. That is literally not what a run-on sentence is.

You absolutely can use too many commas {if you want to read some examples of how to use commas, go here}, but I rarely see anyone doing so to such an extreme. The extreme being that a sentence becomes a nonsensical string of conjoined thoughts, ideas, and descriptions that could have been written better broken up into fully formed sentences. I sometimes see muns who go a little nuts with commas by putting them in wildly incorrect places in this way.

What I see constantly is either muns berating themselves for perfectly normal, readable sentence structure or muns reactively using no punctuation at all.

It is all legitimate run-on sentences or those made so short and blunt that they become nonsensical, change the tone of the writing, or have no flow together.

Which brings me to...

Sentence flow is a thing, and you should be doing it.

Unfortunately, this good writing advice tends to throw people. We’re not talking about the flow that needs to be present in academic sentence structure, or exactly the flow that is present in poetry. Though it may require practice to understand and apply well, it’s an incredibly simple concept.

You want to balance out shorter, blunter sentences with those that are longer and more flowing. It gives the text a pleasant, natural rhythm. However, it isn’t just about length, a thing that the RPC is weirdly fixated on. Rather, it’s about word use within those sentences as well.

It’s always important to write with a tone that works with your scene and, overall, with your muse. For example, in a tense, aggressive scene, or with a muse who is generally this way, it gets the message across to use short sentences and clipped words. We can feel the tension, annoyance, and threat.

Furthermore, the way your muse thinks about and uses words is relevant. A well-educated muse from the 1800′s isn’t going to have the same approach to words that a modern-day high school student does. You should be making that clear in the way they speak, but also, in the way you express their thoughts and actions. If you are only writing your muse’s personality and emotional tone when your muse is speaking, you’re not giving me the tone all the way through. It can feel like a marked delineation in flow.

However, you should be considering the overall flow of your writing as well. Did you just lay down back-to-back eloquently verbose sentences? If so, you may want to either follow them up or space them with a shorter sentence comprised of simpler words.

This is legitimately good writing advice for any manner of writing.

So is...

Show, don’t tell.

Which is another piece of advice that throws people when they try to make it more complex than necessary. That, and it grates up against the RPC’s need for short, quick writing. The idea that anything a mun gives you that your muse cannot react to verbally or with action is filler to be avoided. That idea comes from some principle advice that translates badly to RP; essentially, don’t wax poetic for three pages when it has nothing to do with the plot, characters, scene-setting elements, action, and so on. Don’t be Tolkien describing every tree and rock in excruciating detail on the way to destroy the One Ring, basically.

That isn’t fully appropriate advice in RP, where we’re having to write tiny chapters to each other to add onto. While it still has some merit, the RPC definitely has taken it to mean that you shouldn’t show anything. My muse’s private thoughts, emotions expressed and unexpressed, stirred-up memories, things they planned to say/do, but that were naturally interrupted by the flow of the thread all become Unnecessary. With...no mind to what they are showing and creating.

This particularly erodes writing muses as legitimate feeling people. As in the last example of what my muse intended to say or do that was interrupted. That’s a normal, human experience. It would be difficult and not enjoyable to read every instance of a muse’s broken thoughts and impulses or intentions, but giving one every so many replies in a natural feeling way keeps my muse presenting as a real person having a real person’s experience. Simple things like this go a long way toward your muse being “believable,” and by ignoring them or refusing to do them, you’re not making your muse very realistic. So much of the human experience is private, unknowable to outside parties.

Look...if you only knew me based upon a sterilized version of what I was saying to you or doing purely within the context of single interaction at a time, you wouldn’t know me at all. You’d have no idea what sort of nuance there is in my words, how I am expressing or withholding an opinion or emotion. I may not have any opinions, emotions, or other experiences that you are not contributing to. That’s very unrealistic, I’m not actually a person anymore. I haven’t any personality, I didn’t exist before you interacted with me.

That is the way it is with muses too. By stripping them of their internal experiences, we’re stripping them of more realistic feeling characterization. {It becomes, or adds to, a disastrous domino-effect of projected, cardboard stand-in style muses that are in no way a joy to interact with.} This is bad writing, makes for bad reading and interacting.

No one seems to understand show, don’t tell. Let me put it in a simple example: don’t tell me your muse is a good person, show me. Don’t tell me your muse is upset right now, show me.

Your muse has character traits you feel makes them A Good Person. They are compassionate, selfless, and genuinely interested in others. Don’t just leave that in the muse’s bio, or relegate it to statement-style lines like, “she cared deeply about others.” Show me these traits in action and thought. You don’t require anything dramatic to it, either. A muse like this should be a good listener, proceed with their love language in a way reflects personal involvement and a desire to comfort, be willing to sacrifice time and personal interests {don’t keep it to dramatic and literal self-sacrifice to show “selfless”}, legitimately doesn’t think of themselves first and foremost and may need reminding to care for themselves, and will be troubled by unfairness and cruelty in the world.

Your muse has been in a disagreement with a loved one, they’re not just “upset,” they are sad, angry, disappointed, and maybe even confused or surprised. While those are more descriptive and defining of the type of complex “upset” going on here, don’t leave it at these words. Don’t tell me that she said, angrily. Show me that she is having thoughts based on these emotions, actual emotional turmoil at her expectations of a loved one being devastated. Paint me a picture of the sadness in her features, the anger in her walk, how her words come out unpolished and jumbled in her surprise and turmoil.

This is what it means to show me, not tell me.

It also extends to scenes and recollections.

If your muse is happy sitting in her garden, don’t just tell me this. Show me why she is happy there, and define the sort of happiness in her thoughts, body language, voice, and expressions. Describe the aspects of the garden in tones of the happiness they bring, draw comparisons between this and her outward expression of joy with similar word use. It ties together both seamlessly in a way that we can relate to and feel, even if we hate the outdoors.

If this muse had a traumatic incident in her past, this is going to inconveniently come up, even if only in her mind. Don’t play coy about it and drop shit on your partners like, “she was thinking of things and stuff that was bad again.” No. Even if you are alluding or otherwise keeping the actual event secretive, you need to be describing how the muse is feeling, how she is experiencing the world around her through an overlay of upsetting reminders. Show me how she is having a visceral reaction to triggering stimuli while having to keep working or talking.

Additionally, even when your muse isn’t experiencing the scene you have set directly, you should show me instead of telling me about it.

Since my actual least favorite PSA on how it’s better to just tell people because no one wants to read “all that” deals with rain, we’re going to as well. Because it doesn’t have to be excessively descriptive to fucking show me it’s raining or has rained instead of just stating the fact.

Not, “it was raining.” Not, “it was wet outside.”

“In between her words, the distant, wall-dampened splash of cars driving through puddles.”

“He passed by windows beaded with moisture on his way to the kitchen.”

Wow, that was so complex, really a lot to read to get the idea that it is, or has been, raining outside without me directly telling you this!

There isn’t anything wrong with being more descriptive than this {nor is there anything wrong with using the word “rain,” so long as you’re backing it up with a description}, some of us do like to read and write about things like oil-slicked puddles in the street if our muse is seeing them or it is otherwise relevant. It’s just that you don’t have to do this, or have to do it at all times, to show instead of tell. This is yet another serious misunderstanding.

It isn’t that the description is often really that excessive, it’s more often that it is irrelevant to the extreme of sticking out weirdly. In the puddle thing, if my muse isn’t seeing it and/or I am not using that description to further experience, their mindset, personality, or tying it to an analogy later in the reply, it feels weird.

Some superfluous shit isn’t bad either, and superfluous can be purely subjective. It is, again, when it is to such an extreme as to leave your writing partner feeling oddly about a point in the text that seemed to ring with importance, but then held none. That isn’t an act of showing or telling, and neither is it your partner trying to show off as a gifted writer. For whatever reason, they just saw or felt that moment with such passionate clarity they had to include it immediately instead of waiting until a better moment for it. That’s literally it, there’s no need to project your insecurity in weird ass ways.

There are definitely other pieces of traditional-based writing advice that are great and either do transfer to RP perfectly or can with small amendments, but these are the most basic, commonly seen, and important combinations. They are also easy to better understand and apply!

When reading writing advice posts, please, ask yourself how they fit into RP. If they do at all. Many times, when it comes to the absolute basics of writing coherently and enjoyably, or developing characters, they’re great. It’s when they get into topics of some nuance that they don’t cross over so well and are outright damaging.

These pieces of advice are often being misunderstood or misapplied already, then are being passed around to a community notorious for its lacking application of critical thinking. Severe misunderstanding will happen, and terrible writing “rules” within the RPC develop from them.

Do be interested in writing, don’t separate traditional writing and RP writing into categories like “real writing and RP,” be invested in learning and improving. Just ask yourself how it applies to cooperative storytelling that is often thematic in nature, and proceed with caution and the mindset that writing is an art.

If you have the principles down and both yourself and others are enjoying your writing, you’re not doing it in an inherently wrong way because it wouldn’t be published. You’re not writing RP to have it published, and that’s not a bad thing. It’s just a difference to keep in mind when reading PSA’s about the Rules of Writing Whatever. 

[fujiokaa]

Rules

1) Grammar and punctuation. I expect you to take care when writing out your responses. So capital letters, full stops, commas, question marks. And just run a basic spell check before you send it. I can forgive some mistakes, heck I’m not perfect, but it has to be literate. I will get increasingly annoyed by constantly poor quality.

2) Paragraph roleplaying ONLY. No script and no one-liners. I always used to say that I want 5-6 lines of writing at the very least for each response, but I think I’m going to change that now. I want you to at least attempt to match the length of my responses. I won’t do a full blown essay (unless my creativity is really sparked) but I like long responses, so I will always give you a decent chunk of text to work through and I’d like to get the same.

3) Muses. My experience in RPs happen to be with female characters, and if you want me to write with something I am comfortable with, please remember that this is something I have experienced in my own growing up. While I never went to public school or understood what it was like to be in High-school, I have seen and watched a number of TV shows that depict Highschool accurately, according to friends I have grown up with.

My Muses will be openly Pan, bi or Ace. I am pro LGBTQ+ but shipping with the same sex, transgendered sex or Heterosexuals will all depend on chemistry! Even if I ship something, whole-heartedly, if you’re not trying to form a reasonable relationship with my muse, then there will not be a ship.

4) Messenger. My Messenger is *strictly OOC only!* I will not engage in any RPs in messenger! If you’re interested in pushing a story that is not suitable for Tumblr, please ask me for my Discord, but I will not stress enough that messenger is not your get-away excuse to start some sort of NSFW Roleplay with me.

5) Progression. This is the most important rule of all for me. I cannot stand roleplayers who do not take the initiative to move the plot forward themselves, leaving me to make all the decisions. Don’t be afraid to take things in the way you want. Equal input all the way. But at the same time you can’t just ignore me and do whatever you like. We are roleplaying with each other after all, so while there will be moments when our characters won’t be with each other we both need to take the time and effort to push them together again, do not just go off and do something yourself without even a hint of acknowledging the other side.

6) Rating. This is a sensitive topic to most, but I want to make this 100% clear; My blog is 17+ for sensitive topics and romance— but NSFW will not be RPed on this blog. I will request the RP be moved to Discord or another platform.

[fandomandflowers]

About Beta Readers: For Authors

This is a guide for those who are wanting to work with a Beta Reader.

I posted a guide for Beta Readers here, but even though this is aimed at authors, I think it is good to read as a Beta Reader too, as a lot of the messages apply both ways.

(There is also the fact that many Beta Readers are also Authors, and many Authors are Beta Readers)

These are just my thoughts on the matter having been a Beta Reader, had help from Beta Readers, and having friends who are writers and Beta Readers alike.

It should also be known that I don’t always listen to these. I’ll not say no when I should, or I’ll leave a fic in the middle for months before picking it up again while my Beta Reader hangs on, just waiting to know what happens next. But even so, I hope that anyone who reads this will take the information into consideration and do their best to consider things from a different perspective:

Beta Readers don’t work for you.

I wasn’t planning on putting this up the top, but actually, I think this rule is most important (watch out, I’ll say that a lot!) They work with you. They don’t work for you. While there are some who work for hire and money, that is not my point!

So work with them. Talk about your ideas. Ask questions. Open dialogue. This is an opportunity for you to grow as a writer, to learn from mistakes, and to see things from a different perspective.

And just as they don’t work for you, don’t expect them to do all of the work for you.

They’re not your personal spell-checker! That is what Grammarly is for, so use it. And if you can’t use it, then find a basic spell-checker. They’re very helpful! It is also helpful to have a dictionary and thesaurus so you don’t sound repetitive. Grammar guides and “The Emotion Thesaurus” by Angela Ackerton are good to have handy while writing.

I think one of the more annoying things as a Beta is when you put all this work into correcting SPaG, sentence structure and repetition; then the author just accepts all the corrections, not even looking through them. It is fine if you agree with every suggestion/ correction, some Beta Readers are just amazing like that. But what I mean is that you should be reading and considering each of them. This way you can see where you are making the same mistakes over and over, and learn, not repeating the mistake again.

Some things I have learned from Betas: When to capitalise titles, when to use a full stop rather than a comma in quotation marks, that it is great to be passionate about what I write, and that con-crit is super helpful when you ask for it.

Respect a Beta Reader’s limits.

If your Beta Reader tells you they have Arachnophobia, then it is your job to let them know if there are spiders in your piece of writing. This goes for everything. Just because you don’t get triggered or squicked by something doesn’t mean they don’t. Everyone has different things they can and can’t tolerate and different reactions. There are certain things where if I read them then it can lead to me spiraling and not being able to think of anything else for days.

It is your job to know what is in your fic. If someone says they won’t read a certain thing and it is in your fic. You must tell them. They might be okay with it, they might ask you to black it out, they may have to leave you to find another Beta. But you won’t know unless you tell them. Because I know for me, nothing will make me want to leave a fic more.

Know what you want.

Before you even start looking for a Beta Reader I recommend you have some clue what sort of help or advice you’re looking for. I am likely to think all of these notes are the most important, but trust me when I say that this one really is. Or if not the most important than for sure one of the most helpful notes.

Some things you should think about before asking around for a Beta Reader:

Are you after a critical analysis, or a cheerleader?

Is there a time restraint?

Is your writing in the final stages, or are after ideas?

What are you needing checks for? (these are some common ones)

SPaG

Britpicking

Flow and pace

Plot holes

Sentence structure and wording

Canon accuracy

Realistic dialogue

How you’re going to talk to them throughout the process

What content warnings you may need to give

The word count. (less something you have to think about, but definitely something you’ll need to communicate)

Once you think you have a general idea of what you’re after, then you need to actually tell your Beta Reader. They’re not mind-readers. This is really the most helpful information to receive as a Beta Reader.

If you have no clue what you’re really after then that is okay, just say that! You can ask your Beta what they think needs work… If they’re a regular Beta or have done it a couple of times then they’ll probably have a pretty good sense.

Communicate!

I’m trying not to be a Google Docs advertisement here but seriously, it is amazing! You can see each other in the doc, in real-time! There is a chat function in the top-right corner. Maybe I need to write a Google Docs fan piece. (*Writes that down in my notes*)

If your Beta corrected something and you don’t know why,  having the ability to point it out and ask why is great! Talking things through and having someone to bounce ideas off of is one of my favorite parts of having Beta Readers!

It is also important that you be open and honest with them, if you have a preference for a certain platform then tell them! If you’re both going around in circles saying ‘oh, I don’t mind,’ then nothing is getting done, is it?

If you’re having issues in your personal life and can’t devote as much time to writing or looking over things with them, then tell your Beta that. Don’t ghost. Talk.

Commit to your story.

Be passionate! Care about your story! You don’t have to be in love with every aspect, you can not love it in general for all I care… But there has to be some sort of attachment to it, because if you don’t care about your own story, then why should I?

While there are different types of Beta Readers, for the most part, if you’re asking for someone to look over your work then you’re usually not far off posting. If that is the case then please do so! Or at the very least tell your Beta Reader

Don’t make us feel excited about the fic and never finish or publish it! If there is a valid reason then that’s okay, but really, if you’re looking for a Beta Reader you should either let them know that you may never finish it, or that you may not publish.

I am 100% guilty of this. And I am sorry to my friend A. who is still waiting for me to write an ending. I’ll get there, I promise!

If a reader says no, or drops out, don’t get angry at them.

Please! Things happen. Don’t get angry, it just makes everyone feel worse in a situation no-one is happy with to start. Besides, if you get mad then it is a pretty easy way to make sure they won’t come back or Beta for you again.

You’re allowed to say no, too.

This is my favorite note. This applies to everything in life, and sometimes it can be difficult to remember that you’re always allowed to say no.

If you put out the details of a fic and say you’re after a beta Reader, you’re allowed to say no to anyone who puts their hand up. As a matter of fact, I recommend it! It is your fic, your writing, your baby. While it is nice to help out people who’ve never Beta read before it is also important that you feel comfortable with the person who is about to be looking at your writing. (Especially with the amount of self-projection I put into my fics.)

You’re allowed to say no to suggestions. If your Beta Reader gets offended that you’re not accepting all of their suggestions then I would be questioning if they’re the right fit for you. I always recommend you read through every suggestion and think about them before accepting or rejecting them.

You’re allowed to say no to a Beta in the middle of them going through your document, (just tell them first.) It is your creation, and you should always feel safe and comfortable with whoever is looking at your rough, unfinished work.

You’re allowed to say no to anything and everything.

Don’t say ‘I don’t take criticism well’ to your Beta.

It is perfectly valid not to take con-crit (constructive criticism) well; I certainly don’t. The point of a Beta is to give you con-crit to help you improve. It is okay to have feelings about your writing; I am very sensitive about everything I write. But if you’re asking for a Beta Reader, then that is what you’re asking for. You can tell your Beta if you’re more after cheerleading or critical analysis, or maybe a bit of both. (Always communicate what you’re after.)

But if you tell your chosen Beta that you’re not good at taking con-crit, then it can put them in a tough spot; they may feel like to be able to help you then they have to hurt you, and I don’t think anyone ever wants to feel like that. And for me, if it is a choice between hurting my friends or leaving them. Then there is no choice, I will leave.

If you’ve already told them in another context that you’re not good at taking con-crit and they are worried, then tell them that there is a difference between unsolicited con-crit and asking for it. A big difference.

Stan our beloved Beta Readers.

I know someone who records themself reading the document and correcting things as they think of them. That is pretty gosh darn cool! I wasn’t sure where to put that… but I think it is important to say that writing and Beta Reading, they’re fun! That is the whole point, so have fun! Chat about your creation and as I frequently do, gush about the characters! Talk about your favorite lines! Because you’re allowed to love and be proud of your work. I recommend it, it is such a lovely feeling.

We stan our Beta Readers. They give us so much help and encouragement; help us learn and grow. I hope that every passionate writer finds a Beta Reader just as passionate. Because making friends, to me, is the best feeling in the world.

[basilflowers]

About Beta Readers: For Authors

This is a guide for those who are wanting to work with a Beta Reader.

I posted a guide for Beta Readers here, but even though this is aimed at authors, I think it is good to read as a Beta Reader too, as a lot of the messages apply both ways.

(There is also the fact that many Beta Readers are also Authors, and many Authors are Beta Readers)

These are just my thoughts on the matter having been a Beta Reader, had help from Beta Readers, and having friends who are writers and Beta Readers alike.

It should also be known that I don’t always listen to these. I’ll not say no when I should, or I’ll leave a fic in the middle for months before picking it up again while my Beta Reader hangs on, just waiting to know what happens next. But even so, I hope that anyone who reads this will take the information into consideration and do their best to consider things from a different perspective: (TL;DR @ The bottom)

Beta Readers don’t work for you.

I wasn’t planning on putting this up the top, but actually, I think this rule is most important (watch out, I’ll say that a lot!) They work with you. They don’t work for you. While there are some who work for hire and money, that is not my point!

So work with them. Talk about your ideas. Ask questions. Open dialogue. This is an opportunity for you to grow as a writer, to learn from mistakes, and to see things from a different perspective. 

And just as they don’t work for you, don’t expect them to do all of the work for you.

They’re not your personal spell-checker! That is what Grammarly is for, so use it. And if you can’t use it, then find a basic spell-checker. They’re very helpful! It is also helpful to have a dictionary and thesaurus so you don’t sound repetitive. Grammar guides and “The Emotion Thesaurus” by Angela Ackerton are good to have handy while writing.

I think one of the more annoying things as a Beta is when you put all this work into correcting SPaG, sentence structure and repetition; then the author just accepts all the corrections, not even looking through them. It is fine if you agree with every suggestion/ correction, some Beta Readers are just amazing like that. But what I mean is that you should be reading and considering each of them. This way you can see where you are making the same mistakes over and over, and learn, not repeating the mistake again. 

Some things I have learned from Betas: When to capitalise titles, when to use a full stop rather than a comma in quotation marks, that it is great to be passionate about what I write, and that con-crit is super helpful when you ask for it.

Respect a Beta Reader’s limits.

If your Beta Reader tells you they have Arachnophobia, then it is your job to let them know if there are spiders in your piece of writing. This goes for everything. Just because you don’t get triggered or squicked by something doesn’t mean they don’t. Everyone has different things they can and can’t tolerate and different reactions. There are certain things where if I read them then it can lead to me spiraling and not being able to think of anything else for days.

It is your job to know what is in your fic. If someone says they won’t read a certain thing and it is in your fic. You must tell them. They might be okay with it, they might ask you to black it out, they may have to leave you to find another Beta. But you won’t know unless you tell them. Because I know for me, nothing will make me want to leave a fic more.

Know what you want.

Before you even start looking for a Beta Reader I recommend you have some clue what sort of help or advice you’re looking for. I am likely to think all of these notes are the most important, but trust me when I say that this one really is. Or if not the most important than for sure one of the most helpful notes.

Some things you should think about before asking around for a Beta Reader:

Are you after a critical analysis, or a cheerleader?

Is there a time restraint?

Is your writing in the final stages, or are after ideas?

What are you needing checks for? (these are some common ones)

SPaG

Britpicking

Flow and pace

Plot holes

Sentence structure and wording

Canon accuracy

Realistic dialogue

How you’re going to talk to them throughout the process

What content warnings you may need to give

The word count. (less something you have to think about, but definitely something you’ll need to communicate)

Once you think you have a general idea of what you’re after, then you need to actually tell your Beta Reader. They’re not mind-readers. This is really the most helpful information to receive as a Beta Reader.

If you have no clue what you’re really after then that is okay, just say that! You can ask your Beta what they think needs work… If they’re a regular Beta or have done it a couple of times then they’ll probably have a pretty good sense.

Communicate!

I’m trying not to be a Google Docs advertisement here but seriously, it is amazing! You can see each other in the doc, in real-time! There is a chat function in the top-right corner. Maybe I need to write a Google Docs fan piece. (*Writes that down in my notes*) 

If your Beta corrected something and you don’t know why,  having the ability to point it out and ask why is great! Talking things through and having someone to bounce ideas off of is one of my favorite parts of having Beta Readers! 

It is also important that you be open and honest with them, if you have a preference for a certain platform then tell them! If you’re both going around in circles saying ‘oh, I don’t mind,’ then nothing is getting done, is it?

If you’re having issues in your personal life and can’t devote as much time to writing or looking over things with them, then tell your Beta that. Don’t ghost. Talk.

Commit to your story.

Be passionate! Care about your story! You don’t have to be in love with every aspect, you can not love it in general for all I care… But there has to be some sort of attachment to it, because if you don’t care about your own story, then why should I?

While there are different types of Beta Readers, for the most part, if you’re asking for someone to look over your work then you’re usually not far off posting. If that is the case then please do so! Or at the very least tell your Beta Reader 

Don’t make us feel excited about the fic and never finish or publish it! If there is a valid reason then that’s okay, but really, if you’re looking for a Beta Reader you should either let them know that you may never finish it, or that you may not publish. 

I am 100% guilty of this. And I am sorry to my friend A. who is still waiting for me to write an ending. I’ll get there, I promise!

If a reader says no, or drops out, don’t get angry at them.

Please! Things happen. Don’t get angry, it just makes everyone feel worse in a situation no-one is happy with to start. Besides, if you get mad then it is a pretty easy way to make sure they won’t come back or Beta for you again.

You’re allowed to say no, too.

This is my favorite note. This applies to everything in life, and sometimes it can be difficult to remember that you’re always allowed to say no.

If you put out the details of a fic and say you’re after a beta Reader, you’re allowed to say no to anyone who puts their hand up. As a matter of fact, I recommend it! It is your fic, your writing, your baby. While it is nice to help out people who’ve never Beta read before it is also important that you feel comfortable with the person who is about to be looking at your writing. (Especially with the amount of self-projection I put into my fics.)

You’re allowed to say no to suggestions. If your Beta Reader gets offended that you’re not accepting all of their suggestions then I would be questioning if they’re the right fit for you. I always recommend you read through every suggestion and think about them before accepting or rejecting them.

You’re allowed to say no to a Beta in the middle of them going through your document, (just tell them first.) It is your creation, and you should always feel safe and comfortable with whoever is looking at your rough, unfinished work.

You’re allowed to say no to anything and everything.

Don’t say ‘I don’t take criticism well’ to your Beta. 

It is perfectly valid not to take con-crit (constructive criticism) well; I certainly don’t. The point of a Beta is to give you con-crit to help you improve. It is okay to have feelings about your writing; I am very sensitive about everything I write. But if you’re asking for a Beta Reader, then that is what you’re asking for. You can tell your Beta if you’re more after cheerleading or critical analysis, or maybe a bit of both. (Always communicate what you’re after.)

But if you tell your chosen Beta that you’re not good at taking con-crit, then it can put them in a tough spot; they may feel like to be able to help you then they have to hurt you, and I don’t think anyone ever wants to feel like that. And for me, if it is a choice between hurting my friends or leaving them. Then there is no choice, I will leave.

If you’ve already told them in another context that you’re not good at taking con-crit and they are worried, then tell them that there is a difference between unsolicited con-crit and asking for it. A big difference. 

Stan our beloved Beta Readers.

I know someone who records themself reading the document and correcting things as they think of them. That is pretty gosh darn cool! I wasn’t sure where to put that… but I think it is important to say that writing and Beta Reading, they’re fun! That is the whole point, so have fun! Chat about your creation and as I frequently do, gush about the characters! Talk about your favorite lines! Because you’re allowed to love and be proud of your work. I recommend it, it is such a lovely feeling.

We stan our Beta Readers. They give us so much help and encouragement; help us learn and grow. I hope that every passionate writer finds a Beta Reader just as passionate. Because making friends, to me, is the best feeling in the world.

TL;DR

Beta Readers don’t work for you.

Respect a Beta Reader’s limits.

Know what you want.

Communicate!

Commit to your story.

If a reader says no, or drops out, don’t get angry at them.

You’re allowed to say no, too.

Don’t say ‘I don’t take criticism well’ to your Beta. 

Stan our beloved Beta Readers.