#really like these even if they're messy

[ribticklercentral]

unassorted doodle dump from twitter

[demaparbat-hp]

In your Spitfire AU, since Zuko is looking after Lu Ten II, what happened to Ursa?

Zuko is slightly older in the Spitfire AU. He was banished at fifteen, his head a little clearer and denial a little weaker than in canon. After his first look through the Air Temples, Zuko decides that if he can't find a myth, he might as well search for the next best thing.

Finding Ursa isn't easy, but in time he makes it to a secluded house in a near-forgotten part of the world. His mom is there, older and stronger and alive.

But she isn't alone.

And Zuko, as it turns out, didn't keep the best company during his search.

When Ursa is discovered and her secrets are laid bare for assassins (for Ozai) to find, she begs Zuko to take his little brother and run. She'll do anything it takes to protect her children, even if that means leaving them behind to keep a target off their back. Ursa diverts attention from them and allows Lu Ten's ancestry to be kept a secret. She orders Zuko not to follow her again, and disappears.

Zuko is left with a little three-year-old brother to raise and a mother he cannot hold onto.

[seance]

I'M GONNA SEE MY MAN, 'TIL I GET SATISFIED / for @izzy-hands

[greenerteacups]

What do you think of jkr as a writer? I for one has always felt like she didn’t treat her female characters well. It felt strange, being critical of her when she was god queen of the earth, and also being 10

I think most of the problems in her books can be chalked up to genre hopping. Books 1-3 are perfectly good and serviceable children's books — great children's books, even! They have compelling, relatable characters and juicy mystery plots. They have problems, sure, but for the first three books someone's ever written — especially someone with little or no background in creative writing — they're really fucking good. So: there's her flowers.

The last four books pivot sharply into much more emotionally complicated and sociopolitically loaded territory, because they're describing a war. And it's hard to write children's books about war. I would venture you can't really do it, at least without dramatically misrepresenting what war is! And so Rowling makes the executive decision somewhere during the writing of Book 4 that she's not going to flinch away from that, she's going to go for dramatic realism, and she kills Cedric Diggory to let us know. People had died in Harry Potter before, of course — Quirrell gets sent to the fucking shadow realm, for example. But children haven't. (It also gives parents who are reading these books with their children a warning shot: shit is about to get significantly more real, think twice before you buy the next one of these for your 10-year-old.) After that, Rowling starts leaning much more into dramatic realism, and the fast-paced mystery-novel plotting of the first few books is replaced by a slow, simmering political conflict that unfurls over the course of about a million words.

The problem — besides the fact that she's picking one of the hardest things to write about, like, in all of literature, war is really insanely complicated and emotionally intense and hard to portray well — is that she's now trying to use characters, plot points, and technologies she developed for a children's series to enact a sprawling war drama among teenagers and adults. So Hermione, who was a reasonably precocious snobby eleven-year-old, becomes this sort of encyclopedic all-knowing savant of the wizarding world, who somehow remains functional and mostly even-headed despite her identity being the chief target of a prolifically murderous terrorist group. Draco Malfoy, a schoolyard bully whose primary tools included 1. namecalling and 2. telling teacher, JOINS said terrorist group (and admittedly does react reasonably, i.e., has a total crashout and takes to sobbing in a girls' bathroom whenever he gets a free minute). Dumbledore, who starts out as "whimsical friendly winky-wink trustworthy grandfather type", ends up being Magical Winston Churchill in a violent game of spycraft and espionage, eventually revealing he's only been keeping Harry at all these seven years because he wants to KILL him! And like, maybe really good technical writing could smooth out these transitions and make the first-order dramatic choices seem more natural, but Rowling is like, a Fine Writer, technically speaking. meaning she's reasonably consistent in characterization, her plotting is well-paced and believable, she has a clear authorial voice, and her prose is readable. personally, that's not enough to get me to buy into some of the changes that happen in the later books, and because she stuffs these things so full with new elements every installment, a lot of stuff ends up getting glossed over.

And like, I still love the books. I think they're wonderful, and they taught me how to read. but i can say that and also say that Rowling probably did herself a disservice by trying to write four giant war novels as sequels to her first three mystery children's books.

[morathor]

Pike and Scanlan getting married: I'm not into this but it's the end of the campaign. It's easy enough to let it go and move on. Pike indicating she and Scanlan are amicably divorced: The knowledge that it didn't work out adds a bittersweet angle to the marriage that actually makes me like it more now. Whatever the fuck Pike and Scanlan have going on now: This is a glorious disaster and I want like a million episodes of this.

[diokiraceo]

so I've already seen a few ships for Reca being thrown around, but have we considered

[torchickentacos]

Been getting really into tiny pen sketches lately. I get bored of them and start new ones so I never actually finish any of them, but I think it adds a je ne sais quoi tbh. Here's a few I've drawn (or at least started drawing) today and yesterday :) they're all 2.5 x 2.5 inches. They are not great, but they are small and I love them

[ferronickel]

Thinking bout the time someone yelled at me because they didn't understand butches.

[sciderman]

Let’s be honest.Who would be the healthier couple.Wade and Peter or Peter and Johnny.?

you're joking

[thevegetablewhichnoonedaresname]

I'm starting Mission to Zyxx Season 5 now, and I have feelings about that.

First, it generally scares me when people hype anything up at all because there is no guarantee that anyone values the exact same thing I do to the same degree. Even if I trust the creators of a thing to value something and try to do right by it, that doesn't always necessarily mean it will be successful, especially if that involves doing something wildly different than what made it good in the first place (I have been burned this way before). I guess I'm just hoping they continue the format of goofy improv shenanigans for the majority of it with something more planned and emotional in the finale if they want, like they've been doing all along. I'd think they would, and I've heard nothing bad about the ending, but I guess it still makes me nervous because I'm so close to the end and I want it so badly to stick the landing. I'm setting my expectations on the floor so I can be surprised instead of disappointed, but honestly, I don't need it to be better, I just need it to be on par with the rest.

Second, and more briefly, I'm happy it's (hopefully) ending before it has a chance to decline. I am so on board with that philosophy. But on the other hand, finishing a thing that I really, really like and knowing there's not another one out there gives me a special kind of heartache. Like, I know there will be other good media, and stuff that's good and unique in other ways, but I know for a fact that there are no other podcasts out there that have the same mix of a balance of off-the-wall improv and structured narrative, quality comedy, fantastical sci-fi setting and loveable characters, and high quality production. There are other things out there with many of those qualities, but nothing that checks every one of those boxes. It's a lightning-in-a-bottle thing that very much feels like the right people had to be in the right place at the right time to do it. Attempts to do it again would feel hollow because it had to be born out of necessity and passion and the talents of the people involved, so if you switch out the people it loses the reasons it's great, and if the same people tried to do it again it'd feel tired. That makes me so, so grateful it exists, but also so, so sad that it doesn't, and I'm 80% of the way done. When it's over, it's over.

Anyway. Now that that's all out there, I'm just gonna finish listening and have fun. Wish me luck.

[modgirlyreposts-revamped]

I don't really go here, but all the members in The Amazing Digital Circus are in a polyamorous relationship methinks

[graceful-not]

Yk what actually. I'm sick of staying quiet Conya is a perfectly fine ship. I don't understand why people dislike it so much. In early Ninjago? Sure, back then it wasn't the greatest dynamic and didn't really have much in terms of actually substantive interactions. But people are still casually hating on it and putting it on DNI lists right next to ships like Greenflame like they're comparable and I'm sickkkk of it it's been YEARS!! Their dynamic has grown so much since then!!!! They're on the same level as Braincell for me in terms of ships I really like I think they have a great and interesting dynamic!!!! They're cute together!!!!!! EVEN OUTSIDE OF MUDSHOCK!!!!! RAGHH!!!!!!!!!

[moe-broey]

Why did I start like three other projects when I was already working on a big project when I just got hit with the autism exhaustion beam (requires. At least One Full Day just dead in bed, and then some more Taking It Easy time after)

[ruvviks]

what is the event/main cause that made roksana cut her mom off?

now this is interesting to talk about because it would be a very gradual process spanning over many many years but it would all come to explode during the events of the broker, despite that fic focusing on vitali; the events of that fic affect his whole family even though it doesn't elaborate much on the effects on his siblings. i initially had several chapters dedicated to roksana but had to cut it short and put it all in one chapter only but when i go for the rewrite i'm putting all of the initial ideas back because it's IMPORTANT. she and vitali are so similar in so many ways but also not at the same time. anyway ok yes here we go

so for roksana specifically she's kind of been a background character in the family ever since she was young. you'd think that after two other kids her parents would know how to parent her correctly but instead they just kind of let her do her thing and she got away with everything, which was nice in a way because it gave her freedom within the house itself but outside of that there was just nothing there for her. with the whole world to her disposal but nobody there with her to help her or keep her company through it all life just got suffocating to her in a way :(

she felt trapped in her family and her brothers always got the spotlight (mostly negative attention, since mainly their mother nadya was always just angry at vitali and after vitali left home daniil just kind of became her new therapist; but roksana did not really pay attention to this, all she saw was her brothers getting attention and not her), so roksana ended up fitting herself into all the boxes her parents wanted her to be in just to get some attention from them and get the love that she deserved. she was the family's poster child, but at the same time this whole role was an act of her, acting the way people expected her to act to get some respect and it was actively chipping away at her psyche, it stopped her from actually growing up and becoming her own person if that makes sense?? her personality was just fabricated specifically for her parents. but that's not who she was or wanted to be. but she knew nothing else

roksana and her father matvey have always had a very professional relationship. he was always busy with work and didn't do a lot of parenting so roksana came to see him more as a guy who lived under the same roof as her rather than her father; in the broker this escalates with matvey seeking revenge against vitali and roksana getting dragged into it and becoming a messenger girl in it all, but by then she's entirely neutral towards her father so there's not even bad blood between them when she stops talking to him; he's just a stranger to her. this is what much later allows her to hesitantly come back after vitali and matvey have made amends to try and build up that relationship again

roksana and her mother nadya however are a different story. the main difference is that roksana always hoped that nadya would understand; that she would understand the position roksana was in and understand her anger and her misery and her sorrows and regrets and that she would try to make it easier for her, give her some relief from the burdens she had to carry. but nadya refused to listen to roksana and refused to take her seriously (much like how she had always treated vitali; important to note that vitali is a trans man and to nadya he was still "her daughter"), not allowing her to show any sort of weakness because she herself had by then long killed her own weaknesses within herself and she expected roksana to do the same

and nadya got what she wanted. roksana grew up a cold and bitter woman, she let her anger win (contrasting vitali who after all this time STILL chooses kindness; if the roles for him and roksana had been reversed, though, he would have turned out the same as her, but the contrast and parallels between vitali and roksana is a story for another time) and she knows it's nadya's fault and she HATES her mother for it. she hates what nadya turned her into and she hates that she never got a normal childhood and she wants nothing more than to get out of there. this is why she vanishes from night city after her appearance in the broker fic, and why initially it is entirely unclear if she'll ever come back

so basically to summarize, nadya robbed roksana of her childhood and her softness and her ability to become her own person by forcing her to be the poster child of the family, and in classic dobrynin family fashion roksana tends to take grudges to her grave, so i don't really see her forgiving her mother for it any time soon. add to that the fact she sees nadya as the cause the entire family started crumbling apart in the first place (whether or not this is true is at this point very hard to tell because like, how far can you trace something like this back and who can be held responsible for what etc etc, but especially taking into consideration she never respected vitali's identity which is what drove him away from home, then did not allow him to reconnect which is what got him into arasaka, and THEN pushed matvey to get revenge after vitali indirectly got them fired at said corporation, and all of THAT is what drove daniil away from home and what caused roksana to change so drastically i'd say it's safe to say she is one of the bigger players in it all LMAO) AND doesn't feel comfortable around her anymore after her affair with ravager (nadya did that while still being married to matvey; they're divorced now), and there you go. mother privileges have been revoked

that being said, roksana does wish things were different. she stuck around for much longer than her brothers did almost in an attempt to fix things?? which again parallels vitali with how he also ends up trying to fix things in the broker fic but basically both of them fail and that's why roksana ends up leaving, she doesn't see the point in staying anymore because there's nothing there for her anymore :(

she does eventually come back to reconnect with vitali (most of their past beef was caused by twisted perspectives of the other's life at home as a child + daniil's rancid behavior bringing out the worst in both of them) and matvey (what i said earlier about them being strangers; no bad blood so an attempt can be made), but nadya has been cut off entirely and so has daniil for roksana because of how similar he is in his behavior to their mother, i talked a bit more about that here

this got very long i am so sorry i am positively insane about this family and all the dynamics. basically the tl;dr is that nadya gets worst mother of the year award forever and always

[jackknife-roach]

malice, cowboy PI

[automatonknight]

lone star shine down on my hometown

id: a digital greyscale drawing of kurier-she’s white and has long, dark, graying hair as well as a beard. she’s visible from her head to her chest. she’s wearing a cowboy hat, a plaid, unbuttoned shirt over a white tank top and a simple, black eyepatch over her left eye. the background is solid black with a lone, white star shining right above kurier’s head, they’re looking up at it with a sad expression. end id