#realistic fiction novel

[literaryvein-reblogs]

Writing Notes: Realistic Injuries

References (Minor Injuries; Head Injuries; Broken Bones; Dislocated Joints; Cutting & Piercing; Blood Loss; Blunt Trauma; Burns)

WHAT'S "NORMAL"

For a normal, reasonably healthy adult the following reading are ‘normal’. Some variation is usual and what’s normal for one person may be abnormal for another.

Pulse Rate

Between 60-100 beats per minute

A fitter person will have a rate towards the slower end of the margin and a child or young person will have a naturally high rate.

Any drastic increase or decrease in pulse rate is cause for concern.

Blood Pressure

120-140 over 70-90

Can vary with the time of day, amount of stress and a number of other factors.

High blood pressure is not usually immediately dangerous but can cause long term damage.

Low blood pressure can cause faintness, dizziness and blackouts and is usually a sign that there is an underlying problem to be treated.

Body Temperature

36°C (98.6°F) to 37.5°C (99.5°F)

Relatively minor variations in temperature are cause for concern.

MINOR INJURIES

Bumps, bruises, cuts and grazes

All inconvenient.

But not incapacitating.

A blow to a bony part of a limb or to a joint

Hurts a lot at the time of impact (as anyone who’s banged their shin will agree) and may swell and stiffen.

The impact may also have the effect of temporarily disrupting the ‘power supply’ to the limb meaning the person getting hit is likely to lose their grip on anything they’re carrying and be unable to move the joint for a few minutes.

Bruises

Can take anything from a few seconds to over a day to appear and anything from a day to several weeks to fade away again.

Soft fleshy areas bruise much more colourfully.

Sprains and torn muscles/tendons etc.

Will stiffen, swell and become more painful after a few hours.

A bad sprain can be every bit as incapacitating as a broken bone.

HEAD INJURIES

Probably the most common injury in fiction.

From “let’s bash the bad guy over the head to stop him running after us” to those scenes where everyone gets thrown all over the flight deck by the first bit of turbulence and bounce their heads off consoles.

Minor Head injuries

The human skull is pretty robust and designed to take a fair amount of punishment. Consequently the occasional bump won’t do all that much damage.

A minor bump on the head may leave a character feeling dazed and suffering from a headache, blurred vision and ringing ears but will clear within a few minutes.

Facial bruising - quite uncommon, it takes quite a hard blow or a blow that impacts with the soft tissue around the eyes to leave a mark.

Minor cuts and lacerations on the scalp and face will hurt and bleed out of all proportion to their seriousness. [NOTE: A ‘laceration’ does not mean ‘a very bad cut’ – it is a term for a specific type of wound caused by the tearing rather than the slicing of the skin. It’s the sort of cut you get from being hit with a blunt object (or a fist).]

Medium Head Injuries

A more forceful blow (equivalent to a fall of several feet) can lead to complications of the injury.

Concussion (damage to the brain tissue) is quite common after a hard blow to the head and is often accompanied by temporary unconsciousness. (And it should be very temporary if you don’t want your character to be permanently damaged). This can also result in dizziness, nausea and, not surprisingly, a nasty headache.

Medium cuts and lacerations will be painful and messy but not dangerous. There may be scarring.

Severe Head Injuries

A blow to the head resulting in prolonged unconsciousness will almost certainly result in brain damage, possibly a fractured skull and bruising or bleeding within the brain itself. It can be fatal either straight away if the damage is extensive enough or later as the blood from the injury causes pressure to be put on the brain.

Severe cuts - can damage muscle and sinew and do permanent damage. The pain from such injuries would have most characters unable to concentrate on much else.

Concussion Symptoms

Confusion, disorientation, memory loss,

Dizziness, headache (lingering after the first few hours)

Nausea, vomiting,

Pupils uneven in size and/or reaction,

Sluggish reactions, sleepiness.

Any painkillers given to treat the headache must be non-narcotic and relatively mild. Otherwise it is difficult to tell if sleepiness is caused by a worsening of the injury or by the painkillers.

Someone suffering from a suspected head injury should be watched for at least 24 hours, and woken every few hours if they’re asleep, to check for the above symptoms.

BROKEN BONES

In general they hurt. A lot. Any character with a broken bone (with the possible exception of the ribs) is going to know about it and not be very happy. It is possible that if there is no displacement they might not hurt much at all, and it may not be immediately obvious that the bone is actually broken.

The initial shock and pain is often enough to cause unconsciousness. Keeping the limb immobile will minimise the pain but any pressure or movement is going to be extremely unpleasant.

Severe breaks (compound fractures) can cause part of the bone to protrude through the skin, this will also cause blood loss, which can be severe enough to be dangerous. Nerves and blood vessels can also be permanently damaged.

Smaller bones are obviously more likely to break than larger ones but they hurt every bit as much.

Distinguishing between breaks/sprains is not always easy with just 'it hurts to go on but as a guide… Lots of pain but some movement is a relatively good thing -- it indicates 'just' a tear. Less pain but very limited movement is a worry, because it can mean you've snapped something, and the joint becomes useless without surgery.

Broken Ribs

All sorts of nasty complications can arise here. For a start, though a character who has just broken a rib will feel winded and uncomfortable, the initial discomfort will pass quickly and they may feel fine for some hours afterwards. Possibly they may not even realise that they had broken anything.

After a few hours it will start to hurt badly and breathing may be impaired and painful. Problems can occur when the injured person is breathing only shallowly because of the pain and not expanding their lungs fully, lungs can collapse as a result, causing pneumonia. Interesting in a morbid kind of way is that the breathing difficulties of a collapsed lung aren't what gets you - it's the air pressure that builds up in the chest cutting of the blood flow to the heart.

Broken ribs can also puncture a lung or even the heart with fatal results. A punctured lung would result in death within 3-15 minutes if untreated.

DISLOCATED JOINTS

Hurt just as much as broken bones.

Can be forced back into place without medical facilities but it’s not recommended and will hurt a lot, probably enough to cause unconsciousness. On-the-hoof treatment is the same as for broken bones – imobilise and support the limb.

There are a few dislocations which can be life-threatening -- the sterno-clavicular joint (where the collarbone joins the breastbone) is one. It requires a lot of force to pop it (most people's collarbones will break before the joint goes), and the collarbone usually goes outwards, but if it displaces inwards, it can compress the airways. This joint can dislocate if you get slammed very hard into something like a wall and take the impact on the point of the shoulder. I can also say it hurts very badly and for a very long time.

CUTTING & PIERCING

most human beings come equipped with a healthy set of defensive reflexes to avoid it. If at all possible they will try to put something else (like hands) in the way of the blow. Most people injured in a stabbing have injuries on their hands and arms as well from trying to ward off their assailant.

The severity of the injury depends a great deal on its location:

Limbs

The arms and legs are not protected by much flesh so even a shallow cut or piercing injury here may damage bone and muscle and render the limb effectively useless.

Severe blood loss can occur if the major blood vessels in the inside of the upper arm and inner thigh are damaged.

Abdomen

Piercing injuries will bleed a lot and can easily do fatal damage, although unless a main artery is hit then it’s not going to be a quick death. A piercing more than 2 inches deep starts to get dangerous.

If the main descending aorta is hit, the character has seconds to live.

The femoral or renal arteries will lose a fatal amount of blood in 2 – 3 minutes.

Injury to internal organs would cause bleeding, infections and a nasty slow death if left untreated. Bleeding from the spleen or liver would cause death within 20 minutes. Less major damage to internal organs would cause death either from blood loss over several hours or up to several days later from infection and other complications.

Relatively slight cuts to the stomach area would affect breathing and damage muscles, More major cuts to this area can damage nerves and muscles, meaning the injured character would have no control over their legs. Not nice, when you’re trying to get away from the nutter who’s just sliced you up and suddenly your legs don’t work…

Extensive cuts here can also mean the insides are suddenly outside. Not pretty, not comfortable and, untreated, leaves the character with about 15 minutes to live and they’re going to wish it was much less. Quite apart from the pain (which is pretty horrific) the sight of their own insides tends to make most people quite hysterical.

BLOOD LOSS

Major blood loss will result in a fast weak pulse and accelerated respiratory rate.

For an average healthy person about a litre of blood lost is enough for shock to set in.

Loss of approximately a litre and a half to two litres or more will require transfusion.

Loss of more than 2 and a half litres will probably result in unconsciousness and, if transfusion is not given, death.

Symptoms of Blood Loss

Blood loss in litres < 0.75 || 0.750-1.5 || 1.5-2.0 || > 2.0

Percentage of blood lost < 15% || 15-30% || 30-40% || > 40%

Blood pressure Normal || Normal || Reduced || Low

Pulse rate (beats per minute) < 100 || > 100 || > 120 || > 140

Pulse pressure Normal || Decreased || Decreased || Decreased

Respiratory rate (breaths/min) 14-20 || 20-30 || 30-40 || > 35

Mental state Alert || Anxious || Confused || Lethargic

State of extremities Normal || Pale || Pale/Cool || Pale/Clammy

Amount of blood loss by injury

Severe blood loss, as a wound larger than a fist or that caused by a compound fracture. All figures are approximate and somewhat variable. They are meant as a rough guide only.

SITE OF INJURY || NORMAL BLOOD LOSS (Litres / %) || SEVERE || MAXIMUM

Shoulder: 0.85 / 17% || 1.25 / 25% || 2.1 / 42%

Arm: 0.4 / 8% || 0.85 / 17% || 1.25 / 25%

Elbow: 0.4 / 8% || 0.85 / 17% || 1.65 / 33%

Forearm: 0.4 / 8% || 0.85 / 17% || 1.25 / 25%

Wrist: 0.2 / 4% || 0.6 / 12% || 0.85 / 17%

Chest: 1.25 / 25% || 1.65 / 33% || 5.0 / 100%

Spleen/Liver: 1.25 / 25% || 1.65 / 33% || 5.0 / 100%

Pelvis: 1.25 / 25% || 1.65 / 33% || 5.0 / 100%

Thigh: 1.25 / 25% || 1.65 / 33% || 2.9 / 58%

Leg: 0.85 / 17% || 1.25 / 25% || 2.1 / 42%

Ankle: 0.85 / 17% || 1.25 / 25% || 2.1 / 42%

BLUNT TRAUMA

Getting hit…

Aside from the obvious risk of getting smacked upside the head or breaking bones (see above) there are assorted other injuries and complications which can arise.

Due to the elasticity of the ribcage getting smacked in the chest can cause a person to fly backwards some distance. Of course this means they can bounce off of something else and hurt themselves that way. At best they’re going to be winded and have difficulty breathing, which causes a certain amount of panic in most people. And it looks rather alarming.

Heavy blows to the back can damage the spine resulting in possible paralysis and death. Kidney injuries are also common when someone is hit in the small of the back. They can bleed and may shut down altogether. Kidney failure means the body can’t clear certain waste products from its system, if the waste products build up too far then coma and death can result.

Internal organs such as the liver and spleen can also be damaged by blunt trauma and bleed as detailed above. Other organs which may be injured are the pancreas and the intestines.

If the pancreas is damaged it may spill digestive enzymes which start to digest the person’s own insides. Obviously this is rather painful and unpleasant.

Damage to the intestines can result in blockages (causing pain, nausea and vomiting), bleeding, and the release of bacteria into the bloodstream resulting in septic shock (high fever followed by sudden drop in temperature and blood pressure – fatal if not treated) This can take 24 hours or more.

Usual treatment for internal injuries is IV feeding, antibiotics, painkillers and sometimes surgery.

BURNS

Burns are classified into degree by their seriousness.

1st degree burns – Red, sensitive skin, like a sunburn.

2nd degree burns – Blistering on the first layer of skin (the epidermis) only.

3rd degree burns – Damage to both the epidermis and dermis (the first two layers of skin), visible scars.

Burns over more than 70% of the body are life threatening due to dehydration and the risk of shock, kidney failure and infection.

Electrical shock

Physical marks can vary from none at all to severe tissue damage depending on the severity of the shock.

Internal damage can be done by electrical current traveling along the nerves and blood vessels.

Source: Leia Fee (with additions by Susannah Shepherd) Part 2 ⚜ Writing Resources PDFs

[crowleyssakesnow]

Oh, to have the type of banter found in an Emily Henry novel.

[fuckyeahchinesefashion]

chinese guzhuang fashion

[thewriteadviceforwriters]

Unlock the Secrets of Writing Realistic Fiction: Research Strategies for Authors

Understanding the Basics of Writing Realistic Fiction

Understanding the basics of writing realistic fiction is a key part of becoming a successful author. Realistic fiction is a genre of writing that strives to recreate the everyday realities of life as accurately and realistically as possible. It's often based on true-to-life characters and settings, and requires authors to draw on their own experiences and observations in order to create believable stories. To ensure that your writing is as realistic as possible, it is important to familiarize yourself with the genre, understand its core elements, and explore research strategies that can help you create realistic stories.

The Benefits of Writing Realistic Fiction

Writing realistic fiction has a number of benefits for authors, including the ability to draw on the real world for inspiration. Realistic fiction allows authors to create stories that are rooted in reality, allowing them to capture the nuances of everyday life and explore complex themes and issues. Writing realistic fiction also allows authors to create characters that are well-rounded and believable, allowing readers to connect with them on an emotional level. Additionally, by writing in the genre, authors can help create a sense of empathy and understanding between readers and the characters they are reading about. With these benefits in mind, it's clear why writing realistic fiction can be so rewarding and satisfying for authors—and why it's worth taking the time to research and plan your story before you begin writing.

Research Strategies for Writing Realistic Fiction

Research is an important part of writing realistic fiction. It helps to ensure that your story is based in reality and believable to readers. In order to write realistic fiction, authors should use research strategies that will help them to create an accurate and believable story.

When researching for your story, it is important to look for accurate information. This means researching in reliable sources such as libraries, historical societies, and government websites. Additionally, authors should make sure to take notes or keep track of the information they have gathered.

Another important research strategy is to talk to people who have experienced the topic you are writing about. This could include interviewing people, reading memoirs, and observing people in their natural environment. This will help you to create more realistic characters and scenes in your story.

Finally, it is important to keep track of all of your research and use it to inform your writing. Make sure to review your research notes regularly to ensure accuracy and credibility. Additionally, make sure to review your story with a critical eye to make sure that all of the details are true-to-life and believable.

By using these research strategies, authors can create realistic and believable stories that will captivate their readers.

Identifying the Core Elements of Realistic Fiction

Realistic fiction is a type of story that is based on real-life experiences and events. To write a convincing and believable story, authors must identify the core elements of realistic fiction. The most important of these elements are believable characters, a setting that is realistic and plausible, a plot that is believable and engaging, and writing that is vivid and evocative. Identifying and understanding these elements are essential to creating an authentic and believable story. When beginning to write a realistic fiction piece, the author must first decide which elements to focus on. Once these core elements have been identified, the author can begin to develop a story that is both believable and compelling. Researching and gathering information about the elements of realistic fiction will help the author create a story that is well-crafted and engaging.

Structuring Your Writing for Realistic Fiction

Structuring your writing for realistic fiction is an essential part of the creative process. It's important to plan out how you will structure your story before you begin writing. This can help ensure that your story has a logical flow and is consistent throughout. When structuring your writing, you should consider the overall plot arc, subplots, and the pacing of the story. You should also consider how the characters will interact with each other and the overall setting. By considering all of these aspects, you can ensure that your story is structured in a way that will pull readers in and keep them engaged throughout the story.

Crafting True-to-Life Characters

Creating believable characters is an essential part of writing realistic fiction. While it may be tempting to rely on stereotypes or stock characters, it’s important to remember that readers will be looking for characters with realistic motivations, flaws, and personalities. To craft true-to-life characters, authors should start by researching common character traits in their genre. It’s also important to create characters with unique features and backgrounds that will be relatable to readers. Additionally, authors should use research to create characters that are believable within the context of their story’s setting. Finally, it’s important to use research to ensure that characters’ actions and conversations are true to life. By following these tips, authors can ensure that their characters are realistic and engaging for readers.

Setting the Scene with Realistic Details

When writing realistic fiction, it's important to incorporate realistic details to make the story more believable. Setting the scene with realistic details helps to draw readers in and create a more immersive experience. This can be achieved by researching the setting and other details such as the time period and the culture of the characters. Using accurate language and descriptions will add to the authenticity of the story, making it more believable. When writing about a particular location, it's important to research the landmarks, geography, climate, and other relevant details. Knowing the culture of the characters is also essential for setting the scene with realistic details. Researching things such as the architecture, music, food, and language of the location can help bring the story to life. Finally, it's important to research the current events of the time period in order to provide an accurate backdrop for the characters and plot. By researching the setting and other details, authors can create a vivid and believable setting for their realistic fiction story.

Developing a Plotline that is Believable

Developing a plotline that is believable is essential for creating a successful piece of realistic fiction. It’s important to ensure that the plot follows a logical sequence of events. It can be helpful to come up with a basic outline of the story and then brainstorm the details. Ask yourself questions about the characters and their motivations and then use this information to build the plot. A believable plot should also have a clear beginning, middle, and end with rising action towards a climax. Pay attention to the pace of the story and make sure that there are no gaps in logic. When crafting a plot, it’s important to consider both the external and internal conflicts of the characters. This will help to create a realistic storyline that resonates with readers.

Finding Inspiration for Writing Realistic Fiction

As an author of realistic fiction, it’s important to have a source of inspiration for your stories. Fortunately, there are numerous ways to find new ideas and inspiration for writing realistic fiction. One of the best ways is to use research strategies to explore different topics and ideas. Researching different cultural backgrounds, settings, and events can provide writers with insight into the world of realistic fiction. Additionally, authors can draw inspiration from their own personal lives and experiences, incorporating them into their stories. Finally, reading the works of other authors in the same genre can also be a great source of inspiration. By using these strategies, authors can find the inspiration they need to write believable and captivating stories.

Making the Most of Your Research Strategies for Writing Realistic Fiction

Conclusion

Once you have completed your research for your realistic fiction story, it is essential that you make the most of the information you have gathered. To do this, you should take the time to review your notes and highlight the key pieces of information that you will use in your writing. Think about how you can incorporate the details in a meaningful way that will bring your story to life. Additionally, consider how you can use your research to deepen your understanding of the topic and create a realistic and believable story. Finally, be sure to use the research strategies you have developed to keep your story on track and add authenticity to your writing. By doing this, you will be able to create a story that is unique and engaging.

Copyright © 2023 by Ren T.

TheWriteAdviceForWriters 2023

[middlegradeeveryday]

Just Roll with It by Veronica Agarwal

Summary: As long as Maggie rolls the right number, nothing can go wrong...right?   Maggie just wants to get through her first year of middle school. But between finding the best after-school clubs, trying to make friends, and avoiding the rumored monster on school grounds, she’s having a tough time...so she might need a little help from her twenty-sided dice. But what happens if Maggie rolls the wrong number?   A touching middle-grade graphic novel that explores the complexity of anxiety, OCD, and learning to trust yourself and the world around you.

Genre: Realistic Fiction

Book Type: Graphic Novel

[chronicfatalist]

yall know about that novel im writing?

if not: im writing a novel! its very much still in the works but ive been working on it for a while now. i realized i have free will to draw what i think the characters look like so; here they are

Meg Vasques

Soren Harbor(not based off me.)

Charlie Tsuma

if you have questions please send me an ask! im willing to answer any questions about my novel ❤️

[waltheruwu]

I haven't heard about small things like these will be premier In Indonesia 😭 does anyone had clue !?

I wanna see him so bad 💔💔

Char : Bill furlong (Cillian Murphy) from small things like these.

[raspberriesandcream]

venesect characters (gonna edit probs)

ahsan al-nasir (26) drusil armani | echinacea winters (53) jacqueline winters (32) harper winters (31)

silas winters (32) athena winters (34) dr. bailey clair (43) beckett jordyn (21) mikhael zaitsev (28) hexuba seong (28)

[icewindandboringhorror]

Apparently I can meet my goal of roughly 400,000 words in 6 months if I just somehow write at least 2,200 words a day ghbjh... Almost 2,500 today... huzzah...

[atlantic-riona]

hot take but I think a lot of current fantasy has lost the "what the heck" nonsensical vibes and that's why a lot of it is so bad

[literaryvein-reblogs]

Writing Notes: Realistic Injuries (pt. 4)

The Mechanism of Injury

Assists in establishing both the safety of the scene and guides the remainder of the primary survey.

The seriousness of the mechanism of injury is a significant clue as to the potential seriousness of the patient's actual injuries, be they external or internal.

Relaying the mechanism of injury to downstream care providers early in the course of transport helps them be better prepared and have the necessary resources available for when they are treating the patient in the near future.

A patient with a severe mechanism of injury (MOI) warns providers that they may have a patient who requires many hands/tools/teams for treatment.

Getting those people alerted and organized is a great head start for the patient.

MOIs can be divided into 2 broad categories:

Significant Injuries. Some examples:

Ejection from a vehicle.

Prolonged extrication time.

Multi-system trauma.

Motor vehicle-pedestrian/biker accidents.

Motor vehicle accidents where any occupant of the vehicle was killed.

Any fall over 3 times the patient's height.

Insignificant Injuries. Some examples:

Fights or physical altercations without loss of consciousness.

Minor injuries to isolated body parts.

Car accidents without injury or symptoms of injury to any occupant.

The division between these groups is nothing more than the likelihood that a patient with a certain MOI will present with trauma requiring intensive care. Not all patients with an insignificant MOI are free from severe injuries and vice versa.

More Mechanisms of Injury Categories used to Classify Narratives

Caught accidentally in or between objects

Drowning

Electric currents

Explosive material

Exposure to radiation

Fall

Firearm

Overexertion

Poisoning

Suffocation

Head-on collision frequently results in the rider ejecting or partially ejecting over the handlebars. Common injuries include:

Head and neck injury if no helmet in place

Thoracoabdominal injury from handlebar impact (common in children)

“Open book” pelvic fracture—a splaying open (like a book) of the anterior and posterior pelvis from striking the handlebars

Bilateral femur fracture

Skin abrasions, lacerations

Injuries are decreased when a helmet is in place in proper position and if protective clothing is worn.

Gunshot wounds (GSW) are usually intentional (suicide, homicide) but can be unintentional (hunting, gun not in holster, gun cleaning).

Some mechanisms at work with gunshots include:

Yaw: vertical and horizontal oscillation about the axis of the bullet; can result in a larger surface area on impact with the body depending on the position of the bullet on the axis at time of impact.

Tumbling: rotation of the bullet upon impact resulting in some parts of the cavity larger than others as the bullet rotates along the path.

Rifling: spiraling grooves within the barrel of the weapon put spin on the bullet as it exits the barrel; provides stability in flight along the axis.

Hollow-point bullets: deform on impact causing a larger surface area to inflict damage.

Shotgun: multiple pellets within the cartridge; also possible to have one large projectile, such as a “pumpkin ball,” both air resistance and gravity spread the pellets over distance; closer shotgun wounds result in serious large wounds as the pellets remain clumped together.

The bullet does not usually travel in a straight path. This results in the need for exploration as multiple injuries can occur although the path appears to be in a straight line. Intentional injuries may require either psychiatric support (suicide attempts) or safety (homicide attempts).

Stabbings are also usually intentional (suicide, homicide) but can be unintentional, (eg, a slip on wet floor and landing on open dishwasher with knives pointing upward). A stabbing most often:

follows a direct path,

is low velocity resulting mostly in damage along the line of the path itself, and

are of varying depth.

The type of blade affects the wound inflicted, such as straight blade versus a serrated edge.

From a forensic medicine perspective, a stab is deeper than it is long and a cut is longer than deep.

A cut differs from a blunt laceration in that the edges are clean and the direction of the wound inflicted indicates the direction of the force.

Stabs to the chest and abdomen are particularly important to investigate as the angle of the penetration may indicate that the wound crosses both cavities injuring the diaphragm in between the two.

Sources: 1 2 3 ⚜ Part 1 ⚜ Part 2 ⚜ Part 3 ⚜ Writing Resources PDFs

[passionforfic]

Slow Dance: A Novel By Rainbow Rowell

I had this book in my cart since it became available for pre-order. I went to the bookstore last Saturday to gift my mom a book of her choosing. I saw this book on display and with no hesitation, I took a copy for me. I could have finished this book in two or three days of non stop reading. But I wanted to make it last, I didn't want it to end too soon. I finished it an hour or so ago. This has become one of my contemporary romance favorite stories. It is relatable. It felt so real. . . I loved the story, the characters. . .

Rainbow Rowell nailed it again.

[drinkthemlock]

just showed the first small draft of my br regency story to my teacher and he said: “well i think you need to reforce how problematic slavery is more often”. hello???? one would think the reader knows that slavery and sexism and racism and ableism are bad without the author having to tell them again and again! omg

[luxi-storyteller]

http://kck.st/4bd6CmL

[middlegradeeveryday]

2024 Reads:

Greenglass House by Kate Milford Past Reads This Year:

Turning Twelve by Kathryn Ormsbee (4.5 Stars)

Aggie Morton Mystery Queen: The Body Under the Piano by Marthe Jocelyn (5 Stars)

Primer by Jennifer Muro and Thomas Krajewski (4.5 Stars)

The Unexplainable Disappearance of Mats Patel by Sheela Chari (4.5 stars)

Frostheart by Jamie Littler (4.5 stars)

Maybe a Mermaid by Josephine Cameron (4 stars)

Front Desk by Kelly Yang (5 stars)

Almost There (A Twisted Tale) by Farrah Rochon (4 stars)

Emily Windsnap Book 4: The Sirens Secret by Liz Kessler (4.5 Stars)

The Sun and the Star by Rick Riordan (4 Stars)

Emily Windsnap Book 3: The Castle in the Mist by Liz Kessler (4 Stars)

Emily Windsnap Book 2: The Monster in the Deep by Liz Kessler (4 Stars)

Straight on till Morning (A Twisted Tale) by Liz Braswell (4.5 Stars)

The Cursed Carnival and Other Calamities by Rick Riordan Presents (4.5 Stars)

The Tail of Emily Windsnap by Liz Kessler (4 Stars)

Stars Above: A Lunar Chronicles Quintet by Marissa Meyer (4.5 Stars)

When Life Gives You Mangos by Keeren Getten (5 Stars)

The Tea Dragon Society by Kay O’Neill (4 Stars)

Magical Boy: Volume 1 by The Kao (4.5 Stars)

Jujistsu Kaisen 0 by Gege Akutami (5 Stars)

Jessi’s Secret Language (Graphic Novel) by Ann M. Martin (4 Stars)

Aru Shah and the End of Time by Roshani Chokshi (4.5 Stars)

Goldilocks: Wanted Dead or Alive by Chris Colfer (3.5 Stars)

[lo-cinno]

Orv killed many people (me and lock included)

- tired

Kdj included