#razzies

[allweknewisdead]

Xanadu (1980) - Robert Greenwald

Boy oh boy, they sure don't make rocks like they used to!

[mysharona1987]

Sorry, but Crowe was genuinely great in this movie. He knew exactly what film he was in.

Similarly I don’t think you can call Vin Diesel’s performances in the Fast and Furious films *bad*. Seems to have held the whole franchise together.

Between this and picking on child actors, The Razzies aren’t fun anymore.

[theladyfromplanetx]

Hey Razzies, here’s two more people you owe an apology.

[sunyot]

Cinematic Moments - Catwoman 2004

[silveragelovechild]

I have a strong feeling these will be the only awards Marvel wins this year:

Worst Director (Payton Reed)

Worst Prequel, Remake, Rip-Off Or Sequel

Worst Supporting Actor (both Michael Douglas and Bill Murray)

[ashadowofburnedoutstardust]

God, if you're real

Please let him win 🙏

[moovees]

March's Most Popular Movies on the Criterion Channel

But, Dave! Some of those movies are notoriously horrible?!!

Every year, the Golden Raspberry Awards (a.k.a. the Razzies) honor the “worst” in contemporary cinema. Yet in doing so, they have often inadvertently shed light on films so out-there, so uncompromising, so beyond the bounds of accepted “good” taste that they demand attention. While some infamous Razzie winners like XANADU, BARB WIRE, and GIGLI live on as classics of camp and cult, others, like Michael Cimino’s HEAVEN’S GATE, Elaine May’s ISHTAR, and Paul Verhoeven’s SHOWGIRLS have been reclaimed as fearlessly ambitious expressions of personal vision. In a topsy-turvy way, this program pays tribute to those divisive films that continue to fascinate and provoke debate, while calling into question the very line that separates high and low culture.

[destinyc1020]

Yikes..... 😬

[luggagetuesdays]

LWAFLMOYT podcast hosts Carl (NJ comedian) and Mike (me) voted for the Razzies, the worst movie awards. We go Morbing and talk Razzie Winners of 2022.

[popcornforone]

Has it really been a fortnight already?

Besties we’ve got a busy episode for you all this week.

Let’s start off with the awards I missed out the Razzies, my bad. But it’s very interesting.

Then we will look at what you & I have watched at the cinema & at home in the last 2 weeks.

Then the item you’ve all been waiting for… The Last of Us discussion ahhhhhhhhhhhhh. Spoilers I talk for quite a while about this.

& then finally my big review of the fortnight which is for the movie 80 for Brady.

Yea it’s a long one but it’s what you wanted

I am back next week for the blogs birthday episode. So I will speak to you all then

[queen-daenerys]

Blonde being up for the Razzie of worst picture really truly just warms my heart ❤️

[allweknewisdead]

Cocktail (1988) - Roger Donaldson

Days get shorter and shorter, nights longer and longer, before you know it, your life is just one long night with a few comatose daylight hours.

[mysharona1987]

Ana De Armes and Chris Evans in Ghosted prove that despite how hot and talented you both are…if the chemistry isn’t there, it just isn’t.

And no one at Apple noticed this.

[zot3-flopped]

Laughing at the ogre in charge of the fhc trying desperately to explain why dwd doesn't feature in the Razzies.

All she could come up with was that the film "wasn't important and memorable enough."

Not important and memorable with over 200 reviews and more think pieces written about it than all other films combined this year?

Not memorable when the fhc freaks themselves still cannot shut up about Olivia and Flo and dwd months after it premiered?

In reality, dwd simply wasn't a disastrous enough film to deserve Razzies, not by a long, long way.

👏👏👏

[sunyot]

Cinematic Moments - Catwoman 2004

[rickrosset]

For the most part, I avoid articles such as this one that are written in the tone of a film school essay but what separates Mark Asch’s breakdown of the guilty pleasures of watching “trash cinema” is that it’s subject scratches an itch I’ve always had for “great bad movies.”