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#ray route be 2
chrismcshell · 8 months
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why must i work today when i could be getting another ending in 999
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tecchan · 8 months
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Izumi Rei you literal fucking angel
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mukuberry · 6 months
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Rika and Zen (mysmes) were such good characters i love them to death but they got completely fucked over by their route
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killjoy-prince · 3 months
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I'm only posting this convo bc Jaehee saying "Don't drag the Catholics into your plan" made me laugh
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no1ryomafan · 8 months
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Been having a lot of anxiety to share the getterxmegamanzx crossover idea I’m cooking up due to a load of factors-that I won’t get into unless someone asks-but one thing that I’m trying to remind myself is “of all the things I could’ve crossed over getter with that isn’t a mecha, this is better than if it was something mainstream”
Because if I was more obsessed with mainstream media I absolutely could crossover this over with undertale/deltarune and everyone would fucking kill me especially because I would find a way to make it scarily work
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fuckyeahgoodomens · 8 months
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HELP - Good Omens Season 2 DVD - HELP 🥺❤📀
It's been more than half a year since the S2 of Good Omens came out and there are still no news of the DVD. I think it's time to let Amazon and BBC know that there is the market for it!!! :)
UPDATE! - BBC does not own the rights, so the one to write/call is Amazon!
I deleted the BBC parts from the post.
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The plan 📋:
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Please help - let's use multiple ways ❤ 🐍😊:
We need to tell BBC and Amazon that we want the DVDs - after S1 DVD was announced with no commentaries we wrote to BBC and it worked and they made commentaries! :)
Classical post - physical letter
If you can spare a coin for the post stamp please write them physical letter, physical letters are very good :).
Amazon Studios address:  AMAZON STUDIOS, 1620 26TH STREET SUITE 4000N, SANTA MONICA, CALIFORNIA, 90404
2. Phone
This is the option for those comfortable with calling :) <3. Call them and let them know we want the DVD (with commentaries)
Amazon customer service: 1-888-280-4331
3. E-mail
With amazon this is a bit tricky since I am not sure what are the proper emails to use, for amazon the customer service one is [email protected], also there are emails on the amazon studios page but those seems more for media enquires ? [email protected], [email protected].
Edit: on insta alexis.frykman.smith said: While talking with Amazon customer service several months ago, I was told that the correct email address for requesting the show be released on disc is [email protected] They do not actually reply to emails sent, from my experience, but it’s worth sending the plea.
4. Social media
Not sure how much this will help, but #GoodOmensS2DVD could be a nice tag + tagging amazon studios, and prime video on the social media of your choise :) <3
What to write/say ✍️
I am writing something along the lines:
Hello,
I am a big fan of the BBC+Amazon series Good Omens. I have bought several pieces of merchandise including the Good Omens Season 1 DVD and Blu-ray but there is no announced Good Omens Season 2 DVD. Please make Good Omens Season 2 DVD/Blu-ray for this wonderful series and put commentaries on each episode (ideally by Neil Gaiman, David Tennant and Michael Sheen).
(apologies if this is the route to say this, please redirect to the correct hands)
Thank you and have a wonderful day.
To summarize :)
Write emails
If you can, send physical letters
If you can, call
Tag social media for Amazon with #GoodOmensS2DVD hashtag
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dadsbongos · 7 months
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i am a sword // i am a shield
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word count - 15.8 k // warnings - unhealthy/codependent relationship themes, reader has ego/identity issues, potential dub-con but nothing actually happens, brief mention of animal death, existential crisis, past manipulation/abuse from makima for both of you, also you and denji are both adult-core, and reader is specifically written as a girl, CSM part 2 spoilers!!!
summary - The Rejection Devil gets put on a new mission -- to be Denji's girlfriend so he doesn't blow his cover as a normal guy living a normal life!
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In late 1995, you are led into a tall building with a smooth, plain white finish and windows you wouldn’t be able to count even on both hands and feet. You aren’t sure where you were before this, and you can’t be certain why you agreed to trail the red-headed woman downstairs. All you know is that your life - your real life began with that red-headed woman and those winding stairs into the bureau basement. She’s speaking in a voice so silky smooth, you’re compelled to listen even though her words make your head hurt.
“I wasn’t expecting you to be so easy to track down this time. You fight more than this.”
You hug your arms around yourself as the darkness swallows you both whole, a door clicking shut behind your backs and leaving your only route to be following this strange woman. She smells like iron and spoiled milk veiled thinly by cheap vanilla perfume. It makes your nose wrinkle.
“Are you sure I can stay here…?” your eyes drift to the many metal doors lining the cramped basement walkway, “It’s scary down here.”
She giggles, hands clasped behind her back, and doesn’t so much as look at you as she replies, “You’ll be safer here than out there.”
Coming to a delayed pause outside a gaping steel doorway, the woman maintains her straight-lace posture while you hunch into yourself. Coldness wheezes out of the room, and a single twin mattress on the floor with no sheets or pillows laid in the middle, making your arms wind tighter around your midriff. Your beige dress may reach the ankles, but it's still thin - branded together with noncommittal strands that fray at the hem.
“Can I… go home?”
“Where?”
You swallow the lump in your throat and nod silently. Right. There is no home. There is on the mattress she provided, or there is under her mud-stained boot heel. You step into the concrete room - a boxy affair that wouldn’t even hold a bed larger than a twin.
“Good girl,” the woman coos, head tilting sweetly as she lays a hand over the steel door, “And I’ll be back tomorrow to see you again, how does that sound?”
You nod meekly as the door slides shut with a heavy groan and shick.
The woman is not back the next day. Or the one after that. Or even the next five. By the time you see her again and learn her name (Makima, you recall: it tastes like sour cheese coated in sugar on your tongue), there are sixteen shallow tallies on the wall nearest your bed, and blood and rock mix grossly under your index fingernail.
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In mid-1998, the debut of Tokyo’s summer showers threatened to kick off overhead.
Swirling, lumpy clouds mask the sun’s golden rays behind a sickly gray - sky darkening as the rumbles of an incoming storm roll under your feet. Yoshida marches ahead of you in confident strides, his familiarity with the building ahead your only savior to navigating Fourth East High School.
“Chainsaw Man really goes here?” you fidget with the unevenly hanging ribbon tied around your collar, “Why? Couldn’t He just avoid high school? I hear it’s terrible…”
“It is,” Yoshida confirms, not so much as looking over his shoulder at you as he guides you to your shoe locker, “But Chainsaw’s supposed to live a normal life now.”
“How would I help with that?” you watch Yoshida’s slender fingers pry open the rectangular metal door to fish out a pair of white lace-up sneakers. He lets them clutter to the floor before tapping the door’s plated number and wandering off to his own cubby, “Isn’t Kishibe His warden now? Why are we getting involved?”
Knowing Kishibe, Chainsaw Man is most likely left to his own devices more often than not. The man called “Mad Dog”, after all, would not be your top choice of fatherly figures, so perhaps Chainsaw Man is better off controlling his own life.
After swapping his own shoes, Yoshida stands where the entrance tile ends and the hall tile begins -- the entrance tiles are slightly darker in shade. Alabaster over pearl. He waits patiently for you to stuff your outside shoes into your locker and slam it shut before continuing down the hall. Teenagers in uniforms just like yours (though, you notice embarrassed, much neater and straighter than yours) are crammed by the walls, clogging staircases, and even looming in open bathroom doorways. So many voices all at once, they hurt your ears when they fight each other over who can draw the most attention. The joke is on them, with so much chatter you can’t pick out even a single conversation.
“Yoshida,” you call timidly from over his shoulder, and he hums - tilting his head just barely in your direction to indicate he’s listening, “How are we helping Him?”
Yoshida pauses in the middle of the corridor and turns to face you, one hand securing the book bag slung over his shoulder and the other in his pants pocket. His cheek meets his shoulder as his eyes flutter from the top of your head to the toe of your shoes, “I’ll show you at lunch. Just know you’re really doing good here.”
“At a high school?”
“For Japan,” he shrugs and turns back around, “Maybe the world.”
You like working with Yoshida more than most other devil hunters. He’s soft-spoken, but not from some unbearable shyness -- and he’s gentle, but not pitying. But even so, Yoshida is as much of a devil hunter as any and that means he selfishly uses what isn’t technically his. Well, technically it is actually.
Your power technically belongs to everybody except you in the name of public safety.
Cringing at your own overuse of the T-word, you slide wordlessly into the seat Yoshida points to as soon as you both enter a classroom. Your new classmates are sparse, and you assume that most of them remain out in the common space to squeeze out as much socializing time as possible. A few eyes follow you, so you flatten the crinkling, wrinkled material of your vest and undershirt with shaking hands. Secretly, you hope the sweat in your palms will slick the material down.
In the desk behind you, Yoshida sits with his cheek resting in his palm. Tired, lidded eyes skip over your withering frame and up to the clock above the teacher’s podium. His foot starts tapping as if he’s already expecting the dismissal bell to ring.
When a gaggle of girls approach and their gaze sticks to you a little longer than you think is appropriate, your hands shiver up to your hair. A terrible fire in your chest urges you to pat and soothe down any untamed strands you may have somehow missed in the mirror. Not that the mirror in your room is one of those great fancy ones you see in movies - the kind that fits the whole wall and never has a bothersome speck - but you think it gets the job done. Apparently, not well enough, you huff bitterly, glaring down at the pleats in your skirt joined by haphazard wrinkles vining down the unfolded sections.
You, still with a hand wound nervously in your hair, twist to look at Yoshida’s lame face, “What’s He like?”
“Hm?” Yoshida drags his dark eyes from the time to your pinched face, “Stupid.”
“Be nice…”
“Well, then he shouldn’t be stupid if he doesn’t want me to call him stupid. And lousy. But pretty. And he likes cats.”
Yoshida grins lazily when you perk up at that, stress lines melting away in favor of raised brows and wide eyes, “Really?”
“Mhm. Has one, too.”
“No way,” you perch both hands on the back of your chair and inch closer, “What’s its name, do you know? Is it black? Or white? Does it have long whiskers?”
“No idea.”
He watches your impressed gape press thinly into a frustrated line, “I thought you knew Him!”
“I do, but I don’t know his cat.”
“Do you think He’ll let me meet His cat?” you lean closer despite your apparent disappointment.
“Definitely,” Yoshida’s grin widens, eyes narrowing up at your buzzing excitement, “Why wouldn’t his girlfriend meet his cat?”
“Huh?” your brows furrow again, but you’re prevented from inquiring further by the attendance bell, your teacher tiredly saddling up to her podium soon after.
You’re going to help Japan (maybe even the world) by being Chainsaw Man’s girlfriend?
The sentiment is so baffling and strange, that you’re almost unable to sit still through class (not that the cause of your distress being sat right behind you helps any).
Yoshida’s standing just after the first ting of the lunch bell, his first curls around the oddly bent collar of your uniform before he’s yanking you up. Your new classmates file out of the room and Yoshida keeps a hand pressed flatly against your spine. He’s practically shoving you down the hall, towards one of the upward staircases.
“Where are we going?”
He sighs quietly into your ear, “Where do you think?”
“What?!” your hands scramble down to where your top is tucked into your skirt waistband, hoping it looks as neat as it did this morning. You trip on one of the step ledges, almost smashing your nose into the floor until Yoshida’s shoving hand grips the back of your vest tightly. He yanks you back into his chest, and you toss your head back to stare into his obsidian eyes, “We’re meeting Him now?!”
“Duh,” he forces you forward once again.
“No way!” you can feel your throat swelling, knees filled with jelly as Yoshida pushes open a heavy metal door. The dark sky greets you above, the rare ribbons of sunlight available reflecting off steel bars.
A lone boy leans against the furthest railing, his hair is tousled and unkempt. A pretty, silky coral that reminds you of the softness of mangoes’ flesh. Long in the back but trimmed at the sides in a way that tells you he might be cutting his own hair. His uniform is unbuttoned, flaps billowing in the wind behind his lax frame.
“Hey, Chainsaw!”
Lone Boy turns, plum bags hang under drowsy, unimpressed copper eyes. He sticks up a peace sign to acknowledge the call and waits silently as you and Yoshida approach his post. Despite the careless stance, he smells strongly of ashed cigarettes and dog fur unsuccessfully obscured by the plastic mimicry of a floral detergent.
Any polite greeting you’d hoped to muster is trapped in the dry cavern of your mouth. Tongue too heavy to form words. Your hands twitch up to the rail and you press your entire weight onto it to alleviate the wobbling in your knees. Yoshida stands at your side, squeezing your shoulder before speaking,
“I wanted to introduce your girlfriend,” he pitches you like those men in polos talk so passionately about whatever product is hottest in sterile white film studios, “And the best part? When it comes to her, you don’t need to keep any secrets ‘cuz she already knows.”
Denji stands straighter, his slumped leg shooting out in attention, “You know I’m Chainsaw Man?”
You nod skittishly.
He tilts his head, “You a fan?”
“Of course!” you chirp, hands squeezing around the rail so tight it burns, “You’re amazing!”
“Good to hear,” he leans closer, coppery eyes igniting with interest, “How’d you know? When’d you find out? What’d you think when you found out?”
“Oh- I’m- !” you reach up, straightening your bowed ribbon and trying to even the strands, “I’m a devil…” you shake your head, “Not as impressive as You, Chainsaw, just the rejection devil…”
His silence is chilling, and the disgust he must be feeling from your claim is starting to rot your insides. A terrible, agonized rot that no amount of blood could heal.
“Sooo,” he places a hand over his shirt - it has his own chainsaw form’s silvery and orange head on it with bubblegum pink characters lining his name, “You think ‘m a big deal, then?”
“You are a big deal!” you lean into him, at least hoping to lap up his body’s warmth if you can’t get his approval, “Huge!”
“Good, then?” Yoshida gives Chainsaw Man a thumbs up, “I’m sure a devil wasn’t your first choice, but a girlfriend’s a girlfriend and she’s nice. Listens. Easily impressed. Plus your big mouth won’t ruin anything.”
Chainsaw Man ignores Yoshida completely, grinning at you through shark’s teeth, “Name’s Denji. I like girls that like me.”
“I’m a girl!” you beam, bouncing on the balls of your feet, “I like you!” you tug sharply on the black ribbon around your neck, “I think you’re the best!”
Denji nods curtly, visibly smug. His posture curves again, all suave and cocky, “What can I call ya?”
Yoshida steps back when you glance at him uncertainly.
“My name?”
“Uh-huh.”
“My name,” you state blandly, blinking at Denji as you try to cobble together sounds and vowels that sound familiar. Makima had a name. Could you have one, too? Angel just went by, well, Angel. Quanxi had a name. So did Princi. You must have a name, right? “I don’t know…”
Yoshida chips in, both hands in his pockets, “Nobody really calls her. If they do, it's just Rejection.”
Denji glares at Yoshida, “That’s shitty.”
Yoshida shrugs, “She’s enrolled as Yoshida, Reiji.”
“I am?”
Denji wrinkles his nose at that before looking back towards you, “Do you like that name?” you shake your head, just slightly enough so you can deny doing it if the only real Yoshida child gets offended, “What do you like?”
“I like fruit…” you twist your hands around the rail, the metal cooling your flushed skin, “And cats.”
“Peaches?”
“I like peaches.”
“Okay, peachy,” he stands straight, and there’s something sweet about the way he smiles at you -- the way his body jitters, like the thrill of being a boyfriend is jumping out of his veins, “We should go out! After school. Today.”
“Okay! Totally!”
You realized quickly that going on a date with Chainsaw Man (Denji, you correct yourself, Denji) meant that you’d be going out without Yoshida when the boy walked straight past you and out the gates without so much as a goodbye. He didn’t even wait for you to change out your shoes before leaving. How nerve-wracking…
Pacing, you wait for Denji to exit Fourth East and tell you where you’re both going for your first official date. You watch the black slip-ons Yoshida shoved at you this morning crease against the floor with every step. You get so entranced by the sight that you don’t notice Denji’s approach until a hand stops you by the arm.
Jumping under the sudden touch, you gasp at the sight of Denji before awkwardly calling, “Hi!”
“Hey,” he drawls out the vowel, releasing his tender grip on your bicep, “So, where d’ya wanna go?”
“Huh?” you tense up - was that a genuine question? - before gnawing your bottom lip unsurely, “I don’t know. I thought you’d know.”
“Is there anywhere you’d wanna go?” Denji starts walking, book bag hanging limply over his shoulder.
You rush to catch up to him, tightly clutching the straps of your own bag in front of you, “I don’t know!”
“Really?” he turns to stare at you, only to find you watching your feet against the pavement with a soldier’s focus. So he looks back up, glaring when a man in suit and tie doesn’t move to the far side of the sidewalk to avoid knocking shoulders with you. The man glares back at Denji, but relents to dodge you, “Anything you’ve always wanted to do?”
“I don’t know…” your brows draw towards the middle of your face in concentration, “I like… Food?”
“Me too,” he murmurs in solidarity, “What about ice cream? There’s a place nearby, and cheap! You can get two soft creams for three hundred yen!”
“Woah!” you don’t know anything about that or how important it actually is to get two servings for three hundred yen, but Denji is excited and that feels like a good enough reason.
“Right?!” his steps quicken, hand circling yours and pulling you along. His hand is warm with rough calluses blooming around his digits, but it feels nice in yours, “And you can combine any two flavors for no extra charge!”
Upon arrival, you are only a little disappointed, but you suppose you probably shouldn’t be. It isn’t like you were genuinely owed your preference, that’s why it was a preference, right? In the same way, you prefer to have control over the heat to your room in the commission basement but don’t.
“Ah, no mango…”
“You like mango?”
“I’ve never had one,” you admit, albeit confusingly following it up with, “It’s my favorite, though.”
“Oh. Okay,” he nods as if filing the information away for later, and you hesitate to ask if he actually cares, “My favorite is the bubblegum. It makes me sick if I eat it too fast, but it’s really sweet,” you nod this time, slowly, “But you like fruit, so you’ll probably want the strawberry one, right?”
You nod faster.
When neither of you steps towards the patiently smiling vendor, Denji leans forward, “Do you want me to order for both of us?”
“Yes!” when you realize how outright eager you sound, you try to quiet yourself down, “Please, that’d be nice.”
Denji gives you a peace sign before taking charge towards the old man behind the open counter.
Upon his return, Denji holds out the small cardstock paper cup to you, a miniature plastic spoon buried into the soft pink mound. Darker red splotches decorate the scoops, sinking to the bottom the longer you take to grasp the treat.
With unsteady hands, you almost knock the soft serve from his fingers before clumsily clutching it with both palms. Sadly, the spoon could not be saved once rattled from its spot; the plastic unceremoniously clattering onto the pavement. Strawberry sweetness splatters onto the toe of your shoe, staining your laces. Your chest fills with the heaviness of dread, the freeze of the ice cream spreading through your hands and all the way down to your wiggly jelly knees. You look up from the grizzly death scene to Denji’s blank face.
You squeeze the cup, strawberry cream teasing to gush over the lip, “I’m sorry.”
Denji shakes his head, orange peel locks flicking wildly. His coppery eyes gaze up at you through his dark lashes, soft around his stare. Suddenly, the cherries of his cheeks brighten up, balled and red with glee, “‘s fine!”
“It is?”
“I have an idea…” his posture straightens and he reaches for his own cup, scooping out hot pink bubblegum and swallowing down the sugar before offering the utensil to you, “We can share!” you reach for the spoon and Denji creeps closer, anxiously rolling his fist as you use the same spoon, “This is our first indirect kiss.”
He swallows down the other woman that briefly flashes through his mind. Instead, he focuses on the way your tongue swipes over your lips to lap up any excess ice cream. You blink up at him and smile before holding out the spoon with a soft, “Sorry…”
Shaking his head again, Denji feels the sparks of excitement spark little fires down every vertebra of his spine, trailing over the rungs of his ribs when he brushes your fingers, “What’re you sorry for?”
“You have to indirectly kiss me every time you want ice cream…”
Denji raises a brow at you, having a spoonful of his treat before passing the plastic back to you, “You’re kind of a downer, huh?”
“Ah,” you cradle your ice cream closer to your chest, “Sorry.”
“Downer, yeah,” he nods to himself, slipping the spoon from your hand - gentle, warm fingertips pressing into your skin again, “I guess if we were both jumpy, it’d get boring,” catching your downcast stare into your liquidy strawberry ice cream, Denji cranes his neck to force eye contact with you. He says nothing, but slides the spoon into your cup.
He’s honestly just glad to be so close to a girl without her trying to kill him. He’d hoped you’d be glad to be here, too.
His eyes follow as you glumly take the spoonhead over your tongue. Denji is consumed by the need to know your every thought, each tissue’s twinge should be beamed into his brain the second it happens. For a moment, he even finds the idea of knowing each other so well to be comforting. Like warm toast smeared with every jelly he can get his hands on.
You say you like him, but you keep apologizing for indirectly kissing him - it’s confusing. A dull buzz began to ache through his head at the mixed signals. Denji is excited every time his turn for the spoon comes around (even now, his hands are rattling with anticipation as he reaches for it). He can’t separate the taste of your saliva from anything else, but the hint of saccharine strawberries is more than enough. He’d never apologize for greedily sucking at the aftertaste of your ice cream if the roles were reversed.
Does this mean he pushed it with the indirect kiss? Should he have just asked for another spoon? Will you let him have a direct kiss anytime soon?
None of those questions shake Denji in his beat-up shoes, which are tearing at the soles, so he decides that if you really hated it -- then you would’ve told him. Besides, Denji got lucky(????) having his first direct and indirect kiss on the same night and not everybody is so fortunate(????).
The women, however, he grimaces just remembering. So instead of focusing on a fuzzying eyepatch and unrecallable (yet unmistakably soft) voice, or hair like consuming embers and too-tight smiles -- Denji turns to you. To your modest displeasure over the flavor, you’d been stuck with over your apparent favorite.
“Are mangoes really your favorite fruit?”
You shrug, slapping the spoon against your melty cream and watching droplets rocket over the cup’s edge, “Even though I haven’t had one, yes. I like the flavoring best of any other fruit. Do you like mangoes?”
“Haven’t had one either. Haven’t had most fruit,” he looks up and notes that the cloudy weather is inappropriate for an ice cream date, but you haven’t said anything against it so he doesn’t either. Then, as he stares into unfolding skies, blue peeking through clearing patches, he tries to recall any fruit he’s had that isn’t a plain apple or grapes. All the fruit he knows about is through artificial recreations, and for some reason that strikes him as unpleasant, “Do you prefer mango over peach?”
It takes a few prolonged, stiff seconds of silence before you snap to the realization that Denji expects a response.
“Mango is…” you twiddle your thumbs, wondering which answer he would rather hear. You aren’t sure, you don’t know which fruit he likes best. Or if he even likes fruit! So you stab your left thumbnail into the pad of your right thumb and decide to give the answer you truly feel, “‘Mango’ is a weird nickname - peach is fine. Peach is actually… cute.”
Denji nods rapidly, you notice he’s standing a little closer than before, “Okay, peachy. I’ll stick to that.”
Azure whistles overhead, downtrodden weather fading away calmly. You wonder what else is left for people to do on dates -- you’re sure they spend time together, but doing what? Denji took you for ice cream because he likes ice cream, does that mean you get to choose the next activity? When does the date end?
Does it ever end? You two are already boyfriend-girlfriend after all.
“What- “ you’re cut off by the sound of Denji’s voice, “When- “
“Sorry,” you wave him off, “Go, you go first.”
Denji purses his lips before drinking the syrupy remains of his aggressively saccharine bubblegum ice cream, he wipes his mouth with the back of his hand and stares at the stained base of his cup, “When’d you decide you wanted to be my girlfriend?”
“I didn’t. Yoshida just said I was being reassigned.”
“Oh, so you didn’t know?”
“No.”
You can’t read Denji’s expression at all. It’s all straight except for the smallest downturn of one corner of his lips, “You didn’t know anything about me, did you?”
You shake your head, “I just knew I was going to meet Chainsaw Man. I didn’t know He was you.”
“You’re really only here ‘cuz you knew I was Chainsaw Man?”
Denji shouldn’t be hurt, he knows that was the plan eventually. To catch a fly with honey.
But when you plainly nod, it does hurt. It hurts a lot.
“Well,” you’re itchy all over, uncomfortable because he’s uncomfortable, “I think you’re great.”
“Right…”
Frowning, you hang your head and stare at the floor, “I do.”
You can’t read Denji at all. You’re supposed to placate him and you can’t even do that right. What if he breaks up with you? You’d be far too embarrassed to show your face back at work. The Rejection Devil met a force she could not deflect (seconds later you realize that the irony alone of being rejected as the very devil itself alone might kill you). How humiliating.
Denji’s head flops back limply, the apple of his throat exposed. You’re almost alarmed by the way you want to nibble it. He blinks up at the rolling sky, eyes watering as the sun burns away fitful clouds.
“Denji,” you plea weakly, feeling as small as an ant under his downcast mood, “I like Denji, too.”
His eyes flutter over to you, “You do?”
It feels like an opening - when the battle is at its climax and your opponent’s foolishly left their weak spot unguarded in the adrenaline rush, “Of course, I do. You’re cool when you’re Chainsaw Man, but you’re cool when you’re Denji, too.”
“Really think so?”
“I really do.”
Denji smiles suddenly, and you smile too just because he does, “You free tomorrow after school?”
Of course, you are.
You choose not to point out that keeping him company is what you should be doing after school anyway. Hopefully, he doesn’t consider that fact.
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In January of 1996, you meet an imposing man with stitches across his left cheek and a flask tucked haphazardly into his trench coat - the silver glints under sickly fluorescents.
“Timid, but useful, if she can behave without me there,” Makima talks about you like you aren’t standing directly in front of her. She keeps her helix eyes just over your head at all times, “I’m sure she will, but I think you’re the best thing to test her with first.”
The man behind you reeks of booze and womens’ perfume and mold, but somehow it feels less safe than Makima’s more foul stench.
“Quiet one, huh?” as if to begin the ‘test’ early, he pokes you in the back of the neck, “Sure it's a Devil?”
“Positive,” she winks and taps her nose, “I have a good sense about this stuff.”
You don’t want to go anywhere with the man with the stitches. Physical attacks and special abilities from your fellow Devils are things easily deflected by your own power, but Miss Makima has taught you a new lesson:
Words do not bounce off the Rejection Devil.
And the man with the stitches doesn’t smile at you with any kindness.
“Then let’s get to work, yeah?”
You think he’ll actually enjoy finding all the ways around your rejection abilities.
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“I thought we were going out today…”
Denji’s been your boyfriend for a measly two days, but he already hates the look of your disappointment. Those glassy eyes and pouting lips, they make him want to chew marbles and swallow. Instead, he scratches at the soft skin on his neck, clawing up red marks from chipped, short nails.
“I wanted to! ‘m just failing… hard. So I need to get my history shit done.”
“I can help!”
“It’ll be boring as hell…“
“No, really,” you hesitate to grab his hand before committing, his cheeks flush at the warm contact, “I could even just watch.”
Life is more boring when Denji isn’t around anyway. You’re mostly just… waiting to see Denji again every time you two part ways. Even the books and journals they supply you with at the commission cannot distract you from how gray and cold your room is now. All you think about is sunshine hair and thick lashes.
“I just don’t- “ you release his hand and look down at your white indoor shoes, “I just thought we would be together longer today. If you want to work by yourself, then- !”
Denji snakes his hand back into yours, shaking his head vigorously, “No way! That sounds terrible.”
“Okay!” you try to smother the elated smile rising to your lips, but it's totally hopeless. You nestle into Denji’s side, using him to navigate the (largely abandoned) halls of North East as he leads you both towards the school library. Your attention drifts to your feet against the floor once again.
Denji pulls his hand slightly behind his back, squishing your body tighter to his, every time someone passes you both, “Why do you do that?”
“Do what?”
“Look at your feet.”
“If I tripped over myself in public, I’d just about die…”
“Makes sense,” he glares at a trio of boys walking down the narrow corridor shoulder-to-shoulder until they break apart to avoid bumping into you.
You remind him of Kobeni for that. He realizes he hasn’t spoken to her in a very long time. He wonders if she’d even appreciate him trying to reach out. Probably not, he concludes; but he likes you better anyway, which is appropriate given the circumstances.
“Why do you…” you hum quietly, contemplating the question as you both arrive at the library. Denji squeezes your hand encouragingly, finding you two a table far off from the rest, “Why did you try using Him to get a girlfriend?”
“We’re the same person,” Denji shrugs before tilting his head and shrugging again, “I dunno. It worked before.”
“Really?”
“Not really,” he isn’t minding his volume as he replies, not like you do. Two other students are holed at tables by themselves, one underclassman debating two books in the nonfiction section, and the librarian at her desk, “Every girl I’ve met before you has tried to kill me…”
“Aw, that’s terrible… You’re not someone I’d kill.”
“,,,”
“Not that I could. But even if I could, then I still wouldn’t.”
Denji nods, a pensive screw overtaking his face, “What if there was a prize? Like. Something really, really cool that you’d get. Would you kill me?”
Instantly, you’re shaking your head, “Never!” you’re still whispering, cautious of irritating others even as your boyfriend drags you into the depths of his ego death, “I’d run away with you if it came to it.”
Iron pools in his mouth. A severed tongue. Soft daisies leave dirt and spit-up trailing over his chin. An ominous choker that stayed on, even when she stripped to go swimming.
“What if I couldn’t run away?” he still has a family after all. Bigger than last time, even. If he had to run away, he wouldn’t.
You frown, “Then I guess I’d have to stay away for good…” then, you settle your head in your hands, palms cupping your cheeks, and Denji has to look away to avoid spilling his guts about how cute he finds that, “Wait, I’m not gonna have to run away am I?!”
The shrewd librarian raises her head only to shush you before burying her nose back into her binder of book logs. Denji flips the old lady off at the same time you mutter an apology.
She takes note of neither act.
It irritates Denji in a way he’s unfamiliar with because more than the urge to be acknowledged is the need for him to know that the woman heard you.
“I really can help, if you want, also.”
“Huh?”
“You said you’re failing,” you point out, leaning forward onto the table by your elbows, “I’m passing everything, so I actually can help. If you want!”
“Seriously? Didn’t you just get here? How’re you already all smart?”
“I just don’t want to fail,” you wave out your hands as though to dismiss any ill-intent, “Not that it’s… I’m not sure how to say it… I don’t think it’s terrible of you to fail, school seems really hard. I just feel sick at the thought of not doing well.”
“Your class is lucky to have you to answer questions, all my classmates are dumbasses,” he bites bitterly.
“Oh, I don’t really answer questions. Yoshida does sometimes, though.”
“Why don’t you?”
“What if I’m wrong one day?”
“Are you ever?”
No, but that doesn’t mean you’ll start raising your hand anytime soon. To distract Denji from this topic, you stretch closer to him over the table and insist on helping him finish his history work. That way, he won’t have to do it in replacement for your date tomorrow.
“Hey. Why d’ya like Chainsaw Man?”
His fiery eyes are all raw, mushy dough. He looks terrible and sad. You want to fix it, whatever or whoever made him this way. You simper sweetly and confidently declare,
“He’s so powerful. He can kill any devil he wants. And so can You, Denji. You’re both so amazing. But I like You best.”
“... I like you, too.”
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In February of 1996, you are sent on your first real mission with Kishibe -- Makima stating he was your safest partner option after training together so long.
Your tie is tied too tight, and your pants cinch uncomfortably around your thighs. You can’t maintain any sort of normal breathing pattern and that’s beginning to occupy more brain space than your actual upcoming fight. Mostly, you’re trying to level your heavy breaths so as to avoid irritating Kishibe. Logically, you know him to not be hotheaded and prone to rash lashing out, but the fear of him slicing your chest open lingers there.
Far too soon for your liking, the car lulls to a stop outside the boarded, graffiti’d Love Hotel. Swiftly abandoned by faculty and regulars alike as soon as the Devil made itself known on the fourth floor.
Just remembering the bold letters printed at the top of Kishibe’s briefing report sends a shiver down your spine -- FOUR CIVILIANS DEAD. TWO PUBLIC HUNTERS M.I.A. ONE PRIVATE HUNTER K.I.A.
“Come on,” Kishibe jerks his head towards the building and you trip after him like a newborn puppy.
You follow Kishibe into the Love Hotel and patiently wait for his orders before heading for the top floor. He pauses at the stairs to jerk your body in front of his, shoving you in the back to hurry up the flight as he meanders behind.
“I want you to clear the first floor ahead of me.”
A command, no room to fight back. Not that you would. Following his orders blindly feels more comfortable, anyway.
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“You ever get the urge to bite people?” Denji pops the question while watching you peel an orange. The underside of your thumbnail is stained yellowish from the skin you punctured, and some bizarre voice inside him whispers that he should dig the flesh out with his sharpest tooth.
“Hm…” you roll the orange peel into a ball and settle it beside you on the rooftop pavement, seeing as there are no nearby trash cans, “I don’t think so…” you rip the conjoined slices in half and hand the slightly fatter side to Denji, “Maybe when I first met Kishibe. He scared me.”
“Really?” Denji pops one of the juicy slices into his mouth, eyes still trained on your fingers as you carefully squeeze out the brown seeds inside before eating, “I just thought he was a geezer.”
“That’s rude!” you’re trying in vain to keep your lips pressed in a straight line, as if the Mad Dog would apparate at your back and kick you just for laughing.
Denji leans back and chews another slice of the orange, tucking the seeds under his tongue and debating whether or not it’d be a waste to spit them out. He shrugs, “‘s true. He had a flask, too. Definitely thought he was some weirdo.”
“I guess maybe a little…” you hesitantly admit, “He super liked beating me up when we met.”
“Oh, yeah. Like for training?” Denji finishes his half of the orange and settles on swallowing his seeds.
Just as you go to respond, the bell to end lunch rings and Denji is stumbling up to his feet, swiping up the pile of orange skins and your discarded seeds. He offers a hand to help you up and you wonder if it’d be more polite to spare him from the sugary orange blood on your skin.
“My hand- “ you begin, words sudden and jumbled, and you feel shyness suffocate you under his blank stare, “Sticky… it’s sticky with-“
“I know,” he waves his hand out again, “I watched you.”
“You don’t mind…?” you take his hand, earnestly shocked by the quickness with which Denji yanks you off the ground.
And just as Denji opens his mouth, Yoshida is yelling at you both to hurry inside from the doorway to the roof. Denji flips Yoshida off before turning to you, he squeezes the orange in his hand and thinks about the sweetness.
Oranges are better than apples, he thinks, but he can’t find a real reason as to why. The seeds are a hassle, and he’d hate to sit there and peel one, but he liked sharing just half an orange with you more than he liked having an entire apple to himself in Aki’s apartment. He can see the orange juice still glistening on the bow of your lip. His eyes linger there, and he knows you notice because you’re suddenly fidgeting under his gaze.
You wait patiently, eyes flickering down to your shoes before meeting his again. He isn’t sure what that means. So he turns back towards Yoshida and stuffs the boy’s palm with the orange husk before walking you to class in stiff silence.
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Your bed is thin and flat against the floor. A bookcase that only reaches your waist is pushed against the opposite wall. You’ve read every book in it twice over. You don’t remember when every empty slot was finally occupied, and you don’t remember the last time you touched one of the books and felt genuine interest.
You do know that you once requested a brand new book from Makima, and she’d refused you so simply you once believed it was a personal slight you’d committed against her. You also once requested a television -- you had it for one week before it was taken away. You never asked why because Makima herself came to oversee your beloved TV’s removal from atop your dusty bookcase (though you doubt you would’ve had the courage to ask even if she was absent).
During that week, however, it was the happiest you’d been since coming to Tokyo.
A lot of what you watched was utter garbage. Contrived plot lines and miscommunication and shallow characters you’d sooner choke out than shake hands with, and it was the most beautiful entertainment you could’ve asked for. What you quickly discovered to be your favorite viewing material was movies made specifically for television. Usually lower budgets and completely unknown actors. A paradise all to yourself.
“That’s it, watch your back,” Makima’s soft voice called when one of the men nearly slammed into your doorway on the way out. She turned to you with a smile, “Anything before I go?”
A prompt, you figure, to ask if you had the courage to demand your stolen present back.
Rather, you shook your head shyly, twiddling your thumbs, “Well, could I maybe get a window…? I’d like to see something other than…” you gesture to the walls around you.
They, too, are covered in a thick layer of cloudy dust.
Makima extended a hand to pat over your head, “No,” she stated as blandly as your room was decorated, “You’re still a security threat.”
Another test. Would you deny it? Would you dredge up the fact that you’d never once reacted with hostility? Would you bare your teeth and try (in vain) to rip her apart?
You nodded solemnly and watched Makima exit.
And your room has remained untouched since.
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Denji’s handwriting was a sloppy chicken scratch, often paired with backward or mismatched characters, which was why he asked you to write his reminder note.
YOYOGI PARK ON SATURDAY. 12PM.
And at 12:02 PM, you sit on a picnic table surrounded by tall ginkgo trees with bouncing knees as Denji makes his approach. In one hand, he clutches a plastic bag, logo wide and distressed around a massive bulb shape. In the other, is a knotted tangle of black and red leashes tethering seven wiggling and yappy dogs to his side.
“I didn’t know you had so many dogs,” you hold out your hands for the dogs to sniff and lick before petting over their heads and behind their ears.
“I got a cat, too, but I dunno if she’s allowed in.”
You sit straighter, letting the dogs press their heads into your hands for more attention, “So you do have a cat?!”
He nods, laying the bag on your table with a thud and crinkle before sitting beside you -- thigh firm against thigh and arms brushing, “You’ll meet her eventually.”
Denji leans over the edge of the seat to lift a corner of the table, stapling the leashes into the grass. Even if they weren’t collared, you doubt they’d try running off anyway with each dog avidly jamming itself into both your spaces. Big drooly jaws resting on your lap and paws digging into your calf for even more attention.
“Hey,” Denji whines when he sees the opaque slobber Tiramisu is webbing on your pants, “Off. You’re makin’ her gross.”
“It’s okay,” you insist, tempted to rest your head on Denji’s nearby and tantalizing shoulder as you pet the husky, “I have a lot of these pants in my room.”
“These’re your casual pants?”
“Yeah.”
Denji side-eyes you, but says nothing more about your white button-up and black slacks being ‘casual’.
“If I could have a job, I’d buy you lotsa clothes,” he mutters, “Whatever you wanted,” he’s so quiet you almost feel apologetic for hearing him at all; but before you can suss out a response, he suddenly whirls around in his seat and sticks both hands into the plastic bag, “A mango!”
“A mango?”
“Uh-huh,” he wrestles the fruit free from its plastic confines and rolls it into your hands, holding an arm out in front of you to keep his licking dogs at bay.
“...for me?”
“For you!” he echoes. He’s trying to play everything off casually, but really his hands are moist and vibrating - his gut cramping as he awaits your feedback, “Old man was in Kyushu, so I had him get a souvenir… I hope you like it, he bitched about how expensive it was the whole time I saw him.”
Taiyo no Tamago. Egg of the Sun. Gold leafing into fierce, flaming oranges and reds. You bet that the real slices are even juicer, tastier than faux flavorings.
Between both hands, you gingerly cradle the large mango and feel your mouth watering just as you stare at the fruit.
“Kishibe got it?” you lift the mango towards the blazing sun, inspecting the skin for any damage, “It’s not poisoned, right?”
“Nah,” he squints at the fruit as well, just to be extra sure, “I can try it if you want?”
“Aw, no, it’s- I’ll be okay either way, but I trust you,” Denji watches you pet over the mango like it's a fat kitten curled over your arm. He grins at the sight and doesn’t question it, scared that if he does, then you might stop, “So, does he watch over you?”
“Not really. Sometimes he comes around just to know I'm alive.”
“Do you get lonely when he’s not there?”
His face wrenches sourly at the idea of Kishibe lingering around the apartment, “I got the dogs and Meowy. And a little sister… friend… type living with me,” his eyes dart over you warily, “You’ll probably meet her eventually, so…” he inhales sharply, “It’s, eh, you know, the new Control Devil.”
“She got reincarnated already?” you whisper it, like you’re saying something inappropriate.
“Well,” he winces, “Nayuta’s her own person. Same Devil stuff, but she's nothing like Makima.”
“Sorry! Of course! I didn’t mean it like that…”
Denji feels a pang in his chest at the sight of your cowering frame, consumed by guilt over misspeaking, “Don’t worry ‘bout it. Just didn’t want you freakin’ out when you meet her or anything.”
“I’m nothing compared to Her, I’m not really in the place to freak out.”
Something disturbs Denji so staunchly at the ease with which you say that. He can’t place it, he just knows that the very sentence made his stomach curdle and tie his intestines in knots.
You tilt your head, “Can I ask…?”
“Shoot.”
“Is it… well…” you shake your head, but Denji shakes his back.
“Just ask. Whatever ya wanna know.”
“You said Nayuta is her own person,” his brows furrow but he lets you finish before speaking, “Do you never consider maybe they’re… similar?”
He’s quiet for an unbearable eight seconds before answering casually, “Guess if I thought about it for a long time, I could find ways they’re alike. But I don’t really think about it that long. Nayuta’s my little sister. Makima was…” he shouldn’t say exactly what Makima was to him in front of you, he knows that much about being a boyfriend at least, “Makima. They’re totally different.”
It’s extraordinarily complicated to even put words into describing what Makima meant to him. A lot of things he’s learned were sick, but some things he almost… wants to hold onto.
He definitely shouldn’t say that to you. But it isn’t like he misses her, he misses the comfort of their early days. If you could even label it “their” days. Makima may have been like Nayuta at one point, but he knows Nayuta would never so meticulously stab him in the back. Or the chest. Repeatedly. Miserably, however, he knows that even if she did -- he’d probably still love Nayuta like she were his sister. How he imagines an old dog still craves the warm hands of their human as they fall asleep for the last time.
Dangerously, he wonders if he may one day feel the same for you, smiling as you dig a knife through his chest just because his girlfriend is still holding him.
And when you blink up at him like he’s as delightful as the mango in your hands, he thinks he might.
You beam at Denji before shyly turning your gaze back onto the mango, curling both arms around it. This time with all the tenderness you would a baby and tuck it into your chest.
If Makima and Nayuta are different maybe you are too.
You hope so.
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Tsuyu time is finally looking to drag to an end by early July -- with yet another rain storm. Fourth East faculty has very kindly allowed students to stay past the usual close time of 6:00PM due to such harsh winds and lightning raging outside. You hadn’t accounted for this when you asked Denji to accompany you to a bookstore’s summer sale after school. The frustration you feel could boil the falling rainwater with how heated such sudden weather has you.
Impatiently, you and Denji are leaning right side against one of the entry door frames with his chest to your back.
“They’ll be closed by the time the rain lets up…” you grumble.
Denji almost wants to laugh: the first time he sees you act minorly unpleasant is over books.
“There’s always tomorrow,” he’s not sure, actually, “Probably.”
You scowl out at the wretched, amalgamated clouds, “Sale better still be on tomorrow…”
“If not, there's next year.”
In an embarrassing instant, your annoyance wavers. You tilt your head back into Denji’s shoulder to look at him, “You think we’ll be together next year?”
Honestly, he hadn’t meant to imply that. All he meant was that you’ll be able to go next summer whether the sale ended today or not, but when you bat your eyelashes at him all softly he’s compelled to agree to whatever you want.
“Why not?” he shrugs, fighting to keep his arms relaxed at his sides rather than folded over his chest defensively.
Your lips stretch with mirth, a smize following lead, “I want to go with you to the summer sale next year, Denji.”
The confidence of your confession is rattled from you as quickly as it’d appeared.
Until, “Even if we go today?”
His tone is bleeding hope.
“Even if we go today,” and you’re all too merry to confirm.
Denji slides to your left, hands shaking wildly, “Can I- should we?” you quirk a brow at his chopped questions, “Can we kiss?”
“Do you want to kiss me?”
He nods rapidly. You want to kiss him, too. You reach for one of his hands and tug him closer with a much slower nod.
“We can kiss, Denji.”
“Awesome,” he lamely sighs under his breath.
You remain glued against the metal frame, leaving Denji to be the initiator. He’s the more dating-experienced party anyway.
Denji swallows audibly before steeling his nerves and leaning so his lips are just brushing yours. You can feel the hot puffs of air he lets out, and you’re praying he can’t feel yours. Neither of you has shut your eyes yet, weirdly certain that the second you do disaster will strike.
Up close, you can really see everything -- his messy sunset hair, the peeling skin on his lower lip, and the faint red veins peeking around his sclera. His skin is stained dark like pomegranate juice. Finally, he tenses his eyes shut with a wrinkle in his brow and commits. Given how chapped his lips looked, you’re amazed they feel nice against yours at all.
Your eyes flutter shut and you press back.
You don’t dare venture further than the chaste lip-lock before Denji pulls away, leaving a sharp stabbing sensation on your bottom lip in his wake. His low-lidded stare widens as soon as he sees your chin.
“Oh, shit.”
Cupping the aching area, you feel a slickness slowly leaking over your fingers. You dip a finger to your lip and pull back to find a stain darker than pomegranate juice.
“Denji!”
“Sorry, sorry,” he grimaces, reaching up to swipe away the blood spread over your chin.
“You bit me!”
“I know!” (he does a poor job hiding the aggravated trill in his voice there)
His fingers are all smeared with your blood by the time he’s done makeshift mopping up your lower face, and he wipes his hands off on his black school pants. You pull your lip back as if you’d be able to see the trivial wound. The motion tests Denji: wanting to maintain his nurse act, but also wanting to kiss you again.
“It doesn’t hurt anymore…” you twist a hand into your rumpled uniform skirt, “It’s okay. I wasn’t mad, just surprised.”
Forlorn, Denji reaches up to gingerly thumb at the spot he bit -- now swollen and darker than the rest of your lip. Only minutely, but still. His brain can’t compute how small-scale your injury is over the fact that he was the one to cause it in the first place, “I’ll be more gentle next time.”
You nod, face growing hotter the longer Denji touches you so softly, “I trust you.”
The rain thins outside.
“Can I try again?” Denji’s hand slides from your lip to your jaw until he’s tenderly cupping your cheek.
Again, you nod, hoping the shift in movement will get air to cool your melting cheeks.
Puddles are splattered by a few brave students rushing home, and Denji holds onto hope the storm clears fully before the bookstore closes.
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By spring of 1996, you’re given your first journal and pen; and in winter of that same year, you finally pluck up the courage to try putting your headache-inducing thoughts to words.
A Devil is more humanoid the more that Devil tolerates humans -- you don’t know where you learned that. Or why you remembered it. It’s just something you’re always certain of, in the exact same way you blink and breathe you are also indistinguishable from a human being. When the both of you met, Makima spent time examining you from head to toe to see if there were any visible tells of your true species.
You aren’t sure why you look the way you do, you don’t like humans. Although, you don’t exactly dislike them either. When you think of people, flailing on swings and cramping grocery store produce sections and knitting warm winter sweaters, you feel only a vague thrumming in your heart at the knowledge that they could send you back to Hell. A primal and innate sensation of spine-tingling fear. If enough people discovered you outside Makima’s care, then you would be back in Hell.
Maybe it’s that fear. Your knowledge of the tipping power scales could be maintaining your flesh and bones. Strangely, you wish you looked more horrific - a gaping, toothy maw and claws in place of hands. Swells of discolored flesh that twitch with each beat of your heart.
You wish you looked appalling. Absolutely ghastly. Maybe then Makima wouldn’t like looking at you so much.
But then, what if you were so scary that Chainsaw wanted to eat you?
While being free of the perpetual motion of death and rebirth in Hell unto Earth and Makima’s inescapable, piercing gaze, you wouldn’t want to face off against Chainsaw. He’s the Hero of Hell, so wouldn’t that make you the villain?
You’d rather be reincarnated and stared at by a million Makimas than be so terrible that the puritor of Hell forced himself to consume you. And he’d be able to -- you’re sure of that, too. Not even your rejection of other Devils’ powers could be so strong as to deny Chainsaw. No, no. He’s far too great.
You think of that figure - one that makes your usual aching thoughts whirl into devastating stabbing pain just trying to remember - covered in Devils’ blood and guts and you feel nervous that perhaps Makima will try finding him too if she reads of him in your journal.
So instead of expressing those thoughts to free your searing skull, you jot down a plain:
Made a new contract today. His name was Yoshida, Hirofumi. He said I was nice for not wanting to eat his body parts as payment :)
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“Denji! Over here!”
It's a stubbornly drizzling Tuesday when you’re shouting through the school gates, inky uniforms parting around you like a gentle river flow. Usually, getting your peers to not body check you is terribly difficult, but maybe the authority you carry in a Public Safety suit and tie is more pressing than yourself. While students shelter their heads with small book bags and hands and vests, you’ve got the plastic handle of a black umbrella warmed up in your palm.
Denji tilts his head at your distant frame before suddenly shooting ramrod straight. He rushes out from under the shelter of Fourth East and through the gates to your side - puddles splashing under his quick feet all the way.
“Heard you were out,” Denji ducks under your umbrella, tempted to hook his chin on your shoulder and sap up your body warmth.
“Just a mission,” your hand clenches with the urge to grasp Denji’s, but you take no such initiative, “Sorry I couldn’t tell you myself.”
He shrugs, “‘s fine,” then he sighs shortly, brows scrunching, “Fucker let me sit on the roof for ten minutes before saying anything.”
“Aw, I’m sorry! I told him to let you know in the morning…”
Again, Denji shrugs off your worry -- eyes trailing slowly from the pristine white collar of your shirt down to the smooth black slacks snug around your waist and thighs, “Been awhile since I’ve seen one of those.”
Ironed and fresh and symmetrical black-tie apparel. It seems far too dismal on you, he doesn’t like it. Memories of strawberry blond hair and scorching blue eyes snuffed out, he tries to smother those down as often as possible.
“Oh, I have my school uniform!” you lift a plastic bag up, sealed around more black and white folds, “In case I needed it…”
In case you want me to change -- you don’t add that part. You’re not sure Denji would appreciate the reminder of a power imbalance while you’re dressed like this. You already know that you don’t like thinking about Makima while dressed like this.
He nods, wordlessly sneaking the bag from your grasp to his so he can hold your now free hand, “You look pretty.”
“Really?” you two finally begin walking away from Fourth East and to the same ice cream place he’d taken you on your first date.
“You always look pretty,” Denji doubles down as if it's that easy. As if it's so simple. As if it’s undeniably true, “‘m glad I saw ya. Thought we wouldn’t be able to go out after school.”
“Sorry, again. They’re trying to avoid giving me more work, but I guess this one couldn’t be helped…”
You’re almost nervous Denji picks up on that sentiment of “more”. That “more” means you’re already working, which is mortifying because even if Denji is technically work you don’t want him to think that. You chalk that concern for his feelings up to not wanting him to grow tired of dating you.
But Denji doesn’t make any indication of having noticed, “I guess I’ll have to get used to it: dating the Rejection Devil.”
Now you’re genuinely nervous.
That sentence alone freezes every cell in your body -- heartbeat stilling lethally. Your hands crinkle down your long pant leg before scrunching up the material around your thigh -- ruining the plain smoothness. Desperate to feel something in the spiraling numbness, you stab your teeth into the ripe flesh of your lip, tearing up thin strips of skin. And you chalk this up to a defect in your usual personality.
“Hey, Denji?”
“Hm?”
“When was the last time you called me ‘peach’?”
“I dunno,” he answers honestly before he blinks his brain into action and looks over at you, “I’ll use it more often, if that’s what you’re saying.”
“No, you’re fine, really. I just…” you can feel your chest bump in tune with your heartbeat, so overt and harsh it's causing authentic sparks of pain in your chest, “I’m sorry.”
For what, you can’t be precisely sure. You think, as a general rule to yourself, you’re sorry for everything that he doesn’t like, especially when it comes to everything about yourself.
But he just thinks you’re still stuck on earlier today, “Like I said, I’ll just have to get used to dating the Rejection Devil.”
Despite the two being in one body, you’ve come to learn that Chainsaw Man is Denji, but Denji is not necessarily Chainsaw Man.
While yes, you think Chainsaw Man is great, you think Denji is somehow even greater. It’s almost unfair. The Rejection Devil is okay, but are you? You as in you as in the fleshy, squishy, bloody you? You as in the you with a name you don’t remember (and desperately hopes her government-assigned boyfriend calls her peachy)? You as in the you that likes sugary fruit juice and soft cat fur? Are you okay? Could you one day be great?
Or are you only as useful as the devil you are? Protecting hunters and killing beasts and soothing the lively Denji (and therefore the Chainsaw inside him).
Are you still Denji’s girlfriend because he likes you? Or are you Denji’s girlfriend because he knows you might be the only available option? Could you be great like Denji? Could you be named?
Or is your soul too entwined with the Rejection Devil? Is your soul the Rejection Devil itself? Do you have a soul at all?
You must if you keep coming back. If your birth and death are celebrated and mourned, you must be alive.
Too bad you remember none of that.
If you died now, would Denji mourn?
You know you’d mourn him, but is that your choice?
You know you like Denji, but is that really you? Or is that Rejection Devil admiration spiraling into an infatuation for the Chainsaw and his host?
Does it even matter at all?
“Do you wanna come over after school tomorrow?” Denji asks like it's an afterthought, one he doesn’t even need to look at you for. Maybe he already knows your response.
“Yeah.”
Maybe he’ll grow bored soon. You wouldn’t blame him.
“Yeah!” you repeat it louder this time, hoping to entice a bigger reaction from him (this is the first time you’re going to his apartment after all), “I’d love to!”
He nods, though with a rosier tint to his cheeks than earlier and that’s good enough.
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By October of 1997, your second diary was full with one last addition.
The wall closest to your bed has only 273 tallies, and you stare at the dust pooled in the shallow divots when you get bored. With every book read and only the same four walls to stare at until a Devil Hunter came with a contract proposal or a mission -- you were bored more often than not.
In a strange way, you still got excited when you saw Makima because it meant something new was coming. However quickly it would then be stripped away wasn’t even an afterthought.
But you’ve gone a long while since seeing her. You can’t be sure of the days passed with no window or calendar or even clock; you can’t even be sure you’re sleeping at night and awake during the day. Part of you is sick over the ache in your heart the longer you go without seeing Makima, Yoshida, or even Kishibe. As though they’ve all forgotten you exist. You could be locked down here for eternity with no means to die and not a single soul would be bothered to find you. But if they did?
If they found you, would they care?
Would they cry?
You don’t think so. You’re hardly something to cry over.
So does it matter at all that you’re down here? Certainly, a life of nonexistence is better than languishing in a cellar, burdening commission resources with no purpose.
Maybe when Makima finds Chainsaw, she could have him eat you. That would be nice. An honor to be so miserable upon humanity that Chainsaw is left with no choice but to consume the concept of your being. An honor to finally be wiped off this planet.
With a drying pen, you scribble that down.
To be eaten by Lord Chainsaw. That would be freeing.
And after sleeping that night(?), you awake to find Makima blatantly reading out of your journal. When she turns to stare at your crumpled form on the bare mattress, she smiles and reaches over to pat your head. Like an eager puppy, you push up into her touch and don’t dare demand she stop reading.
“You’re a good girl,” she coos down at you.
“I am?” you croak.
“You are,” she stands, snapping the book shut and continuing to smile down at you, “And you have a mission today.”
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When Denji notices you curiously eyeing the black slip-ons by the door (which are multiple sizes too small to be his), he’s quick to explain.
“Just Nayuta. She throws her shoes wherever she wants.”
“Okay.”
You hadn’t planned on asking, but you like to imagine that maybe he didn’t want you getting jealous. Then you wonder why you like that so much. Probably because he’s your boyfriend, and you’re meant to.
Before you can spiral, a soft mew nabs all attention. Dogs’ nails clack against the faux wood tiles and you and Denji are quickly surrounded on all fronts by wagging tails and soft fur. Sniffing, happy puppies lick at your hands. You wrinkle your nose at the unadulterated smell of dog and you're hoping Denji doesn’t notice when suddenly a long tail wraps around your ankle. Loudly, you gasp and swoop down -- frightening Denji only a little -- to smooth your hands over the fat white cat’s fur.
“Kitty!” you’re borderline squealing in glee, and Denji shoos his dogs away after giving them their due pets, “So big!” you encourage the feline to pounce onto your lap with quick taps against your thighs.
“Meowy,” Denji clarifies (as if you could forget!), leaning over your shoulder to scritch under the cat’s chin, grinning when she starts purring in your coddling hold.
“I love you, Meowy,” you whisper to the cat, and Denji sits on the floor beside you after figuring the fat cat won’t be moving on from you anytime soon.
You’ve been looking forward to this since you heard about the cat, and somehow all your expectations have been exceeded.
“Didn’t know you liked cats so much, peachy, I woulda introduced you sooner.”
“Cats are so picky,” you keep your voice low as if raising it could startle Meowy off, “When a cat picks you, it feels so nice.”
“You must be a hit with the strays, then. Meowy usually fucks off in the living room instead of hanging by the door.”
You shrug, sluggish and dismal, “I’m not usually allowed out unless it's for school. Or you.”
Denji feels nauseous. His whole chest is tight with this unpleasant curdle. Quickly, he decides that he hates this feeling and wants it eradicated as soon as possible. Subconsciously, he must believe the solution is you because before he can really think about it, he’s lugging you off the floor and towards his room.
He lays you on his bed and falls into your side with Meowy now latched to your chest; purring loudly as you pet her with one hand, and Denji snatches the other. Rather than link his hand with yours like usual, he splays your fingers into his mess of tangerine hair.
Turning your head so your cheek meets the feather plush of his pillow, you find Denji’s eyes boring into yours. You blink at him with your hand limp over the side of his head, “Do you want me to pet you?”
Denji nods, crimson overtaking his cheeks and sweat beading over his palms.
“Okay.”
You card your fingers through his hair, gently prying loose knots apart over your knuckles before tenderly dancing your nails along his scalp. He presses his head closer, cheek now smooshed on your shoulder and eyes flickering shut.
Shakily, he raises an arm and lays it across your stomach, careful to avoid spooking Meowy. You can sense his hesitation in how the weight of his arm is so light it's imperceivable, then you press your hand flat against the back of his head and pet there, too. His arm relaxes, fully settling the weight on your gut.
This feels right.
Crushed and warm.
You’re doing a good job, you think.
You smile at the thought of being so useful and Denji hugs you tighter.
“Can I…” Denji swallows, throat cinching dryly, “I wanna make you feel good.”
“I do feel good.”
“Good good,” he’s quiet now. Voice all raspy and unsure, “I want to do something for you.”
That would be good for Denji too, right? He’ll be happy.
But you’re not sure you want to.
But not wanting to isn’t exactly your job.
Your job is to make Denji happy. So you lift Meowy from your chest with great remorse and watch the cat prattle out of the bedroom, “Okay.”
Sickness unlike the kind before a big fight builds in your stomach. Bloats all the way to your throat as you go limp in bed and allow Denji’s hands to wander. He sits up and untucks your uniform vest and top before gliding under those and resting over your bra.
Denji looks up at you for encouragement and finds a stoic appraisal. Then his eyes drift to your balled fists at your sides, and the lip you’re ravaging between your teeth.
If you had offered this to him -- he’d be on cloud nine, so what’s he done wrong? Denji clears his throat and finds a burning sensation at the back of his eyes, he tries blinking the fire away but it only makes the pain worse. He’s certain that this is what boyfriends and girlfriends do for each other. They bring each other to euphoria and lave one another in attention every night. This kind of service (or rather, the promise of service) was one of a few things that Denji recalled fondly from his days under Makima. Unfiltered affection: nasty and raw and intimate.
But the longer his hands are cupping over your bra, the more defeated you look.
The vicious pain in his chest bites up to his head.
“This isn’t hot at all…” Denji’s hands peel off from your chest to stow in his lap.
You shrink into yourself, shoulders coming to your ears as red-hot shame climbs up your neck, “What?”
“This isn’t hot,” he leans back with his arms outstretched behind him on the mattress. Hotter and hotter the burning grows until it's all wet, stinging heat in his eyes, “You’re not into it…” he looks around his room and tries finding anything out of place (he was sure he made it perfect!). But no, all the posters a girlfriend wouldn’t like are hidden under his bed with the magazines a girlfriend would hate. The blinds are drawn. His door is locked. He sniffles and looks down, hoping you don’t notice the flooding along his lower lashes “What’s wrong? You don’t like me? Ain’t I handsome?”
Inching your shoulders even higher, as if to somehow hide behind them, you frown, “What if you think I look weird naked? Or I make a sound you don’t like? Then you won’t want me anymore…”
Denji scoffs, lips twisting in an almost offended snarl, “You’re my girlfriend! I’ll still want you!”
He’s sure you don’t look or sound weird, but he’s also simultaneously sure that if you do then his loyalty will twist the weirdness into some obscure new fetish.
But you’re shaking your head, what more does he want?
What if he finally does have sex and realizes he never wanted you at all? What good are you doing then?
“We’re hardly a real couple…” his pout is just that, and one of his eyebrows is quirked curiously - he’s totally clueless, “What’s my favorite color?”
“I dunno!” he groans, then shrugging and sitting up straighter, “I know you like mango best even though you’ve only had a single one in your life. And you like staring at your feet when you walk so you don’t trip, which is annoying ‘cuz I gotta make sure nobody runs into you. And you never raise your hand in class even if you know the answer. Which is even more annoying ‘cuz now people think you don’t pay attention, but you’re passing every class,” he frowns a little, “You’re the smartest girl I know,” his frown deepens when you don’t smile like he’d hoped you would, “And you like cats more than dogs.”
“I like your dogs,” you weakly defend.
But he never meant it to be a jab in the first place, “But you like Meowy more.”
“I think we should break up.”
“Oh…”
“Just for a couple days,” your voice is tittering, all soft mush. If he so much as stood up and crossed his arms then you might take the suggestion back, “Three at most… just to see if this is really what you want.”
“I do, I know I do.”
“I know you want a girlfriend. Do you want me? Me me.”
“‘Course I do,” he sulks, “You’re…” he stops himself, the churning ache in his stomach sensing how displeased you may be with the repeated argument of you’re my girlfriend, “Do you want me?”
You’re silent. He tenses.
“I don’t know if we want each other.”
“I do. I want you. I want to- I haven’t given you anything. I want to give you things. I want to be nice to you, too. I want to make you happy.”
But how could he? You’re a tool, and now you’ve upset him. Are you worthy of being upset over? You aren’t so sure.
You aren’t even certain you have the power to make the call for a break-up. You’re a tool -- you don’t think you’re anything worth crying over.
But Denji is absolutely sure you are. And he knows he wants you, and that feels right because you’re his girlfriend. But curiously, even after you leave and he’s apparently now single, he continues to want you. He wants you so bad that he turns onto his stomach and buries his face in the pillow you laid on, just to see if he can still smell your perfume on it (he can).
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In November of 1997, Makima got you a cat.
“You like them, right?”
“I do!” you’d smiled so wide your cheeks hurt, giddily petting your new friend, “Thank you, thank you! I love him!”
That same night, she makes you hold the small, quivering kitten above your head as she takes aim with a single finger. Your words are slurred with spit leaking down both corners of your mouth in your hurry to beg for your friend’s life. Your eyes are squished half-shut, trying to juice all the tears out without cutting Makima from your vision. You choke on your own breath, snot sour on your tongue as you shriek for her mercy.
bang
You don’t remember much else after that. You think you passed out as soon as the wall to your right indented.
You do, however, remember waking up the next morning and weeping into the kitten's soft fur. Hugging the warm, live feline to your chest and praying Makima would die on her next mission (by now, though, you were smarter than to think your prayers had merit). You even feel rebellious enough to engrave the edgy remark in your personal journal.
As repentance, Makima sends you on a month-long mission only days later. When you return, it’s to an empty room -- aside from a note left on stationary you recognize as ripped straight from your journal.
Kitten got sick. :( - Makima
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Yoshida is stomping ahead of you the entire way to school the next morning, and you already know he’s fuming. You had hoped that by the time you both reached Fourth East, he would have calmed down; but you’re quickly proven wrong as he storms up to you once you’ve switched shoes at your cubby.
“Are you- !” Yoshida holds both hands over his face, muffling the scream he unleashes, “Are you serious?! You were doing everything right! You two were fine!”
“I’m sorry, I just- I don’t think I should be here… I’m really confused about how I feel all the time. I think I should go back to- “
“You don’t get to decide that,” he hisses, visible eye wide with rage, “You better beg him for another chance, I am not letting you fail this mission just because you’re ‘confused’.”
“I don’t want to beg him,” you stand a little straighter, maintaining fierce eye contact, “I want him to be sure- “
“This isn’t a dorama!”
“Hey, stop yellin’ it's annoying,” a passing voice snaps. The both of you look up to see Denji glaring sharply at Yoshida, “And don’t yell at her at all.”
Yoshida is quiet as Denji stalks off, the latter’s back growing smaller the further into the distance he goes.
“Did you like him?” Yoshida asks, voice returned to his typical lulling forbearance.
“Huh? What does that matter?”
“Shut up,” he commands before redundantly asking again, continuing to stare deep into the direction Denji was headed, “Did you like him?”
Did you?
You did. He was prettier than Yoshida prepared you for. And more considerate, too.
Deep down, you even think that maybe he’s inspired you - regarding you higher than you’d ever taken yourself for. You’ve realized things since dating him: you hate your room at Public Safety, you want to try petting more dogs, you don’t like school, and you really, really hate not having a name.
A real name.
“I think I did… Can I still like him?”
Yoshida groans under his breath before walking off, “Do what feels right!”
“What?!”
Scratch that -- you really hate that cryptic answer above all else!
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Despite not having anything else to be tending to, you dawdle around Fourth East more often than not after being dismissed. You prefer wandering around the track twenty times over retiring to bed as soon as you get back to the commission’s basement.
Not even homework can entrap your attention long enough for the days to be less agonizing.
You watch your outdoor sneakers line one after the other along the white paint - you wobble less now that your body’s used to the limited movement. However, the idea of falling onto your side on lap twenty-one is mortifying. So when you’re too busy staring at your feet, you jostle into a body at the starting line. Your head bumping into their chin, their hands gently cupping your arms to keep you upright.
“You should seriously look up when ya walk.”
“Denji!” you cough, clearing the excitement from your tone, “Denji, what’re you…” you stop yourself, fretting over how rude he might think you suddenly are, “Hi.”
“Hi.”
“What are you doing out here?”
“Do you want to see a movie with me?” you open your mouth and Denji watches your lips part before interrupting you, “Don’t overthink it.”
Do you want to watch a movie with him? Yes.
Should you?
Don’t overthink it.
Does it matter? Honestly, what’s even waiting for you at home?
Why shouldn’t you watch a movie with Denji (especially when every nerve in your body is screaming at you to say yes)?
Denji ends up sneaking you two into an R-18-rated horror film. One with a single poster lit up in the theater lobby - blood dripping down a screaming woman’s face and the title in a gaudy, pure hot red. You’re the only ones in the theater, sitting in the middlemost seats Denji could scour. Your hand is bound in his on your shared armrest, warm flesh tangled in warm flesh.
And it’s the worst movie you’ve ever seen.
The main actress has the inflection of a primadonna teenager despite portraying a single mother lawyer, and halfway through you’ve seen more strip teases than blood. Not one of the characters is likable beyond being a slice of dead meat hooked on the end of the killer’s cleaver. You can’t even discern the plot of the movie other than some brick wall villain slashing down a woman and her coworkers.
You earnestly laugh as the woman runs upstairs in the creaky old cabin in the woods rather than out the wide open door. In the corner of your eye, you can see Denji looking at you. You return his stare, giggles still chittering through your teeth at the ridiculously forced story beats.
“Terrible, right?” he doesn’t bother whispering.
But you do, “Horrible,” his eyes flicker down to your lips again, “I love it.”
“Me too.”
It may be your favorite movie of all time.
“I missed you,” you admit, fully ashamed of backtracking a mere day after your decision to break up.
“I missed you, too, peachy,” his voice is unweathered by that shame.
“I don’t know…” you look down at your dark shoes, they fade into the swathing shadowing of the theater, “How can I know this is real? That I really do like you? That this isn’t just because I was told to?”
Away from Fourth East, above your small room in the basement, and throughout the barren offices of Public Safety, the shadow of Makima hangs heavy over everyone. You’re not certain when you started submitting to her, and you’re not sure when you started submitting to everyone she told you to, and you’re especially not sure when submitting to everyone felt comfortable. What you do know is that you are a useful tool for the public. You are a good instrument when devil hunters need assistance, for your technique and regeneration -- on missions and off them. And to keep Denji’s identity hidden, you are to be a sweet, giving, and kind shield.
But you hate all of that. You hate fighting and you hate everyone you work with. You miss movies. And you like Denji.
Is it some late-stage rebellion as the death of Makima truly settles in, or is this who you are?
“How should I know?” Denji mutters, kicking at the plastic back of the seat in front of him, “I don’t care about any of that. I don’t care about devil hunting or who controls who. I choose my life, and I choose to be your boyfriend. If I didn’t like you on our first date, I wouldn’t like you now.”
“What if I change?“
“You can’t change in a way I don’t like,” he frowns when you don’t smile at his declaration, “I just want you because you’re…” nice, weird, interesting, and if he pushes the right buttons you can be lively and loud, “you. I like you. You can’t change in a way I wouldn’t like unless you tried killing me.”
“I would never try to kill you.”
So does it matter if this was chosen for you?
You can like Denji and be with him, or you can like Denji and be away from him. You feel like the second option would be more miserable. So how does it matter, then, that dating Denji was chosen for you? Either way, you like him.
A lot.
You smile, and he copies it, “I like you, Denji. I want to be your girlfriend.”
On the big screen, a woman is being stabbed to death, but Denji eagerly closes towards you as if the projection is completely blank.
“I wanna be your boyfriend!”
A flashlight blinds the both of you suddenly, a stern male voice you briefly mistake for some impossibly higher calling following after, “How old are you two?”
“Eighteen!” Denji flips the man off, one eye cinched shut and the other squinted in a nasty glare, even as he answers honestly.
“Yeah, eighteen!” you copy, grabbing one of Denji’s hands with yours.
The man holds out his palm, flexing his fingers once. Denji scoffs but hands over his student ID with you taking example.
“Hayakawa, Denji… Yoshida, Reiji…”
Reiji. れいじ. It feels as unfamiliar as it sounds.
You almost open your mouth to protest - that’s not my name! before remembering that in the eyes of Fourth East High, it is. You don’t like it.
But you don’t like Rejection, either. You feel bigger than that. You are bigger than that. You like ginkgo trees even without the fall glow, you think mangoes are the best fruit, you like the smell of ashed cigarettes and dog fur, and you think the color orange is prettier than people give it credit for. You wait until the strange guard leaves before voicing,
“I want to change my name,” you continue to whisper although neither of you is paying any attention to the movie.
Denji sticks his legs out, resting them over the back of the seat in front of him, “What to?”
His volume startles you a little before realizing that it doesn’t matter how loud he is; the two of you are alone.
You raise your voice to a normal volume, “No clue yet, but I’m excited to find one…” you smile when Denji does, he tightens his hand in yours, “I wonder if I’ll find one unique or pretty.”
“If it's yours then it’ll be pretty anyway,” there’s a pause, you stare at him and he stares at you. You like how the projection reflects over his pale face, his eyes sparkling from the bright screen. Finally, he speaks again, “You’re really pretty.”
I think I actually love you.
“You’re pretty, too, Denji.”
I think I actually love you, too.
“You should leave Public Safety for real. We can get you real clothes. And you can stay with Meowy all the time when you’re not in school. Nobody will order you around ever again.”
“They’ll try dragging me back,” you doubt that they’d let a Devil -- even one that has no interest in being a Devil -- roam free in Japan on some fluid, lucrative “mission” of dating Denji.
“I’ll fight ‘em off,” he sounds so determined, “I’ll protect you.”
You look back at the movie, you wonder if you and Denji are the only ones to have seen it since it came out.
“Okay,” he brightens up at your agreement, “I’ll live with you. I’ll leave Public Safety.”
Denji lifts your linked hands from the shared armrest and pulls it up, shoving it into the gap between your back supports to yank you closer to his chest. He hooks his chin on the crown of your head and squashes you in a tight embrace like a child would their stuffed bear. He kisses your head, nose dug into your hair. He feels so excited he could burst out of his skin, and the only solution is to keep hugging you as unbearably annoying characters are slaughtered onscreen. To cram the both of you so tight together you’ll explode as one -- that’s the only way he can escape this whole-body buzzing.
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Immediately after deciding to live together, Denji made the frightening choice that you should meet his sister. On the way back to his apartment, he’s internally scolding himself for not having introduced you sooner but pushes the nagging feeling away. After all, Nayuta wants what’s best for Denji just like Denji wants what’s best for Nayuta -- if she can feel the same coziness that Denji always does when he’s with you, then she’ll like you. He’s certain of it.
“I told her about you, so… She shouldn’t be weirded out when you meet anyway…” if not for the blush on his face, you could mistake him as being casual about this!
You, however, feel so nervous you’re hunched into your boyfriend’s side and fighting the urge to gag up your lunch.
“What if she hates me?!” you heave, a hand clawing at the unevenly tied ribbon around your neck. It’s somehow too tight and too loose. Simultaneously suffocating and unable to ground you.
“She won’t!”
He’s so sure, he foolishly doesn’t even prepare a backup plan for if she does hate you. Besides, revising house rules to adjust for your incoming presence went well enough -- so how could it not work out now?
By the time Denji’s managed to steer you up to his apartment’s door, your legs are overdone noodles. He knocks twice - brief pause - then three more times, and waits. A caucus of rowdy barks and animated paws on fake hardwood thrum behind the door before a faint click hauls your heartbeat to a stop. As soon as the lock is undone, the door’s hinges squeal open and a little black-haired girl with untrimmed bangs is poking her face through the gap.
Her eyes are electric yellow, burning straight through your skull, with crimson rings around her iris.
“This is her?”
“This is Her,” Denji nods sternly, certainly much more serious than you’ve seen him before.
Nayuta’s stare is just as intimidating as Makima’s was, despite the girl being a grade-schooler. You’re frozen stiff under her gaze, heart thundering so hard you’re absolutely positive that she can hear it even feet away.
Suddenly, she nods, “Okay.”
“Yeah?” Denji’s positively beaming.
“Yeah,” Nayuta shows off a peace sign, receiving one in turn from Denji, “She’s got a nice scent.”
She doesn’t say it, but she thinks you smell like sugary fruit punch and honey.
Terrified of sullying her (apparently positive?) impression of you, you squeak out a childish, “Thank you…?”
Nayuta slinks an arm through the door, careful not to let any of the yipping, jumpy dogs out, and takes hold of you to pull you inside, “Mhm.”
She hugs your arm through the door and into the common space.
That night, Nayuta almost makes you miss Public Safety curfew -- desperately trying to worm you into the cuddle pile of the dogs and Meowy and Denji that they sleep in. You almost feel compelled to break curfew and listen, and not from her own power. As a compromise, you promise to be back the next day and she demands you honor your word before letting Denji walk you to the train station.
After a bite-free kiss from Denji, you’re sitting on the train to the commission’s haunting office building. Alone and warm all at once.
And you have to agree with your boyfriend, Nayuta is nothing like Makima.
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In late 1998, you met with Yoshida at your shoe cubby for the last time. A cold breeze of December’s premiere christens the moment.
“It took some help from a senior hunter, but I got your release papers signed,” Yoshida holds up the manilla file in question, “I’m supposed to hold onto them in case you do something they don’t like, but I have a lot of work on my plate already.”
As if you wouldn’t understand, he waves the file around Fourth East’s expansive entrance. Then, he holds the folder out to you, jerking it further when you don’t immediately grab for the thing.
“Are you- ?”
Yoshida cuts you off quickly, “It needs to be renewed every five years, and I’m sure you’re not stupid enough to think there’s no consequences of fucking up. So just live a normal life, okay? Don’t make me and Kishibe regret this.”
Kishibe?
“Kishibe?! Seriously?”
Yoshida shrugs off your question and heads for class, fully intent on dodging any of your future attempts at interrogation.
Fortunately for him, you don’t give chase; too busy giddily reading over the official statement of your release from Public Safety. The final plot to yours and Denji’s journey of moving in together since you’ve had your few possessions sent to his apartment (and due respect to whatever nurturing side Makima had, no matter how selfish in nature, because you genuinely forgot how plain your room could be with no old books or journals).
“Thank you!” you call after the boy, ignoring the odd stares from your peers and holding the folder to your chest as if it may disappear.
Inside on the very top line is a printed line for your taken name. 恣恩 -- Shion -- is slated over the last name spot, preceding the empty bank for your first name. A pen is tucked into the corner of the folder.
Looking up again, you find Yoshida nowhere in sight, but you still whisper after him with a gooey need to express your gratitude, “Thank you.”
“You got it?”
“Yep!” you can tell who’s behind you without needing to turn.
For a reason you cannot discern, that makes you proud of yourself. Knowing Denji so well you can pick his voice from a crowd. You like that. A lot.
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Nayuta drearily slips into the tight kitchen space, rubbing crust from her eyes while watching you and Denji stare into a pan. You’re closer to the stove with Denji huddled just over your shoulder.
“Breakfast?” Nayuta meanders over, wrapping her arms around one of yours and burrowing into your side.
“Eggs,” you and Denji answer.
Then you tack on, “And toast.”
She nods sluggishly against your shoulder, lazily blinking as Denji holds the pan for you to scoop the fried egg with one hand. You hold the egg up while Denji scrambles for a plastic black plate with a piece of toast on it. Once the egg is settled onto the bread, Denji holds the plate out for Nayuta.
“You’ve still gotta get ready for school!” Denji calls after her as she moves to the living room.
When you hear no response, you poke your head out to look at the little black-haired girl, being sure to keep your voice gentle as you ask, “Did you hear Denji?”
Nayuta throws up a peace sign, chewing her egg on toast.
“She heard you.”
“Figures.”
Denji yawns and slings both arms around your shoulders just to rest his head against yours -- the motion itself is selfish and monopolizes your entire personal bubble. You return the embrace around his waist and press a kiss against his cheek: soft and warm and pink like peaches. He hums at the affection and squeezes you tighter.
I think I love you
I think I love you, too
Denji almost gathers the courage to say it, but instead settles for, “You skippin’ again, peachy?”
You nod against his cheek, “Think I’ll wash the dogs.”
He snorts, “Your attendance is shit.”
“Oh well…” you think you’ll drop out at this point -- Fourth East is a slough of swamp water unless you’re cutting class with Denji by the track field.
Denji kisses your forehead before leaving to finish putting on his own uniform, “Yeah, oh well.”
He’s certain he’s in love with you. You’re certain you love him back.
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On nights when you and Denji aren’t sleeping in his room -- Nayuta has you all holed in hers. You learned quickly that Nayuta was possessive (you expected it, even), what you didn’t pick up on was that her possessiveness spread rapidly to you as well as Denji and the pets. If you and Denji make the mistake of not putting her to bed with enough soothing, she’ll slither her way between your arms.
Like tonight;
You and Denji are laid out first in a loose sweetheart’s cradle, Nayuta flopping onto the wide mat next. She rests perfectly in the middle with both of you throwing an arm around her. Tiramisu will jaunt up behind you while Custard takes Denji’s side, and Meowy will always find a way to settle her weight on your lap or hip. The remaining five dogs will circle your pre-established huddle for the most comfortable spot before sighing into the mattress as well.
Nayuta’s stray hairs tickle your cheek and Denji will carefully card the strands away. It’s a repetitive routine, but a comfortable one.
You had a routine in the basement, too. It was less comfortable.
Much less comfortable.
~~
@ghostlykeyes hopefully i got the depressed:pathetic ratio right!!
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ncat · 6 months
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The Conduit
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So heres the conduit! I'm very happy with how this turned out.
The conduit as a class is best described as a "Con Based Martial with spellcaster aesthetics", since, mechanically, it fills a martial role, being a class that doesnt use resources, with a primary party focus on dealing damage, while flavor wise, it goes around slinging blasts of energy at people.
This class mechanically is very much based on the warlock of 3rd edition, with flavour and some mechanical inspiration from the Kineticist of Pathfinder 2e.
The two core design elements that I tried to stick to with making this were 1. Being resourceless and 2. Customizability.
For the first point, none of the class features are limited in uses per day. No feature adds an additional resource for the player to track, nor uses spell slots nor etc. The closest it comes to a resource is its Exertion mechanic, where certain things tire out your conduit character. Though, this serves less as a resource, and more as a temporary debuff, reducing your damage output whilst its in effect, before being easily removed.
The second point is customizability. The first element of this is subclasses. Of course, theres the variety of subclasses to pick from, but notably, is that unlike other classes, you aren't bound to picking just one subclass. From 7th level onwards, whenever you reach your subclass feature level, you can choose to continue advancing in your subclass, or you can take the initial features of a different subclass. This means while you can do a more traditional route of going "I'm the lightning guy, I'm taking lightning every level", you can also do an avatar style "Master of 4 elements" and have 4 different subclasses by level 20. Mix and match them as you like, be the "Fire and Lightning" person, be the "I control water mostly, but also a little bit of ice", combine your elements and so forth.
The next part of customizability is in talents. Talents are very much your classic invocation style feature, of which there are... like. 60 of them at this point. But! Theres a lot of variety in what they do. While you have your choices of ones that give additional powers, like flight or teleportation or whatnot, a large bulk of them are dedicated to one thing: Reshaping your elemental blast. Go out there as a fire guy and blast people with fire, then turn around and literally explode everything around you in flames, then focus your blast into a roaring line of fire that pushes everything within it towards you, and then rush the last man standing with a spear made of literal fire.
The talents are designed around not just being able to reshape and modify your blast in a bunch of different ways, but you can combine them together and do cool stuff.
Because at its core, I wanted to design this class to fill a very specific style of fantasy, and thats of the type of magic you see in some settings where its just "I control this one element", and then from that the mage turns that into a billion different things.
A fire wizard will say "I can cast fire bolt, fire ball, and scorching ray". A fire conduit instead just has an elemental blast, but they can turn that elemental blast into a bolt that is hurled at one person, or have it explode into a ball of flame, or split it into multiple beams.
Its very much a creativity first subclass, and thats whats behind its capstone! The capstone is all of this at its epitomy, the ability to freely reshape your elemental power (By freely, temporarily learning talents) into whatever form you imagine.
Hell, customizability is built even into the very core of its flavour
Yeah <3
I hope you guys enjoyed reading this class as much as I enjoyed writing it and as much as I enjoy talking about it <3
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highlandwhackamole · 2 months
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We could've seen. bus.
Peter Anderson, in his Ineffable Con 5 session, was asked about the name of the boat in the pile of items that the procession climbs in the Season 2 intro. He didn't know off the top of his head. But he did follow that up with: "Speaking of which, did anybody look at the bus? What was on the bus?"
He didn't really elaborate on the bus, other than it "was a special Good Omens bus."
Let's assume for the purposes of this post that he's talking about a bus in the intro, which was the current topic of conversation. (Rather than the actual, in-service bus that was wrapped to promote the series.) I am pretty sure this is the bus in question:
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So what's on the bus?
There's an ad on the side, which is interesting. Wings for Victory was a fundraising effort in 1943.
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And there's also what looks like a route identifier on the front:
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I think this says GO2 (as the route number): Soho, Green Park, Victoria; Soho Square. That's a fairly reasonable bus route; the actual 38 bus takes a similar one.
In the X-Ray, Peter Anderson also brings up where the bus is going. Very briefly. So clearly it means something to him.
There is one more thing I found, because of course there is. Amazon did a behind the scenes tour of the Season 2 set as a prize for a promotional contest. There was a bus involved:
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Interestingly, there was also a TikTok including the bus which shows a different set of stops for the route.
What does it mean? I have no idea. Ours* is not to reason why; ours is to deliver packages. Of research. What do you think?
*and by Ours I mean Mine
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pinkthrone445 · 8 months
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-Your new neighbor- Part 2
Part 1
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Pairing:Melissa Schemmenti x Reader
Gender:Fluff, love, hurt
Warnings: manipulation, mention of accidents, mention of blood and medical procedures
Summary:Upon hearing the tragic news, Mel decides never to leave your side again
Fuck fuck fuck At what point had this happened, hours ago Mel was sad and angry not knowing whether to talk to you again or not, and now that she was driving to the hospital like crazy, she would give everything in her life to see you and hear your voice once again...What if she never saw you again? Guilt would eat away at her all her life for fighting the last time you were together. The guilt would swallow her for not having listened to you, for not having given you the opportunity to explain things, for not opening the door for you every time you went to see her, for not going to your exhibition... Maybe if she had gone to the exhibit you would have gone out to eat together or talk and this wouldn't have happened, maybe she would have driven home and taken a different route or you two would have gone out earlier to celebrate somehow and you would never have crossed paths with that drunk driver. If she hadn't revived the idea of the gallery art, you wouldn't have ended up driving late at night and this accident wouldn't have happened...What if... What if... What if she lost the best thing that ever happened to her...
A thousand things went through the redhead's head while she was trying to find out where they had you hospitalized, when she finally found the hospital, the whole world fell apart when she finally realized everything that was happening, she couldn't believe it was real, no one at the front desk wanted to tell her anything about you, they wouldn't let her pass or answer her questions fearing that she was just another reporter of the many who had gone. She tried to explain a thousand times, begging to be let her in or to ask your sister to confirm that they knew her, but no one listened to her. She didn't even know if you were alive or not, she needed to see you, touch you, listen to you, beg you to forgive her stupidity, she needed something, she needed you.
Melissa sat in the waiting room thinking of some plan so they let her through, she thought about breaking in but surely she would be caught and taken to jail or something and that would only make it difficult to see you, she also thought about calling one of her guys, but no one had enough power to accomplish this, she thought of begging, of crying, of somehow going up to the terrace and going in that way, of searching room by room in the thousands of stretchers that were there, she was thinking the impossible, everything was worth thinking but nothing would work, nothing would take her to you, she was desperate to see you.
Not knowing what else to do, she took out her cell phone and unlocked your number, all the messages you had sent her in this time apart, began to arrive and that only made her feel worse and cry more.
-"I miss you" "I need you" "My life it's not the same without you" "Im sorry if I hurt you, can we talk?" - and the last one, minutes away from the accident-"The art gallery was a success, and I owe most of it to you... Thanks for giving me the courage to do what I love... I really wish you were here..."-She was the last person you texted before the accident, she was probably your last thought before everything happened and she was so stubborn that she might never see you again. All the chances she missed, all the wasted time being mad for nothing... When she could have been with you... Melissa was freaking out, she needed to hear from you, to see you...
And then... Like a gift from heaven, like a ray of hope. Your sister came out of the elevator, Melissa jumped out of her seat like a spring and tried to run with your sister but was stopped by doctors
-"Please! I beg you! Let me in, I need to see her"-Melissa pleaded with her teary eyes, her screams caught the attention of your sister
-"Let her in, she's coming with me"-Your little sister whispered hoarsely for crying so much, Mel sighed in relief when she saw that she was let in, as she approached your sister, Mel hugged her tightly and your sister barely reciprocated with almost no strength to even breathe
-"How is she? Can I see her?"-Mel asked and your sister just sighed looking at the older one
-"She is in intensive care, intubated without reacting... She had broken bones and internal bleeding, she barely made it out alive, the next few hours are critical and we have to see how she reacts... If you want I can get them to let you in, but she doesn't look good, she's so beaten up..."-Your sister whispered, still hugging the redhead and about to cry again
-"I need to see her, please" - Mel pleaded and your sister nodded, after lying at the front desk and saying that Melissa was your wife, they gave her a pass so she could come into your room and see you.
You were only in a few floors above, but the wait un the elevator took forever. When the elevator beeped and the doors opened, your sister guided her to your room, it was a very controlled private room. When she entered, she could see on one of the tables the teddy bear that you used to have on your bed along with some flowers. When her eyes fell on your body, her heart almost stopped. There you were, so fragile, so pale, so hurt. Lots of machines hooked up to you, your face full of cuts and bruises, a part of your head bandaged, your leg in a cast and held high, the serum attached to your arm and a tube went down your throat so you could breathe. Mel turned to look at your sister, who avoided looking at you because of how bad you were. Carefully the redhead approached your bed and took your motionless hand, caressing it gently with her thumb while tears fell down her cheeks unable to help it
-"Hey... It's me, Melissa... I... I..."-Mel sighed, trying to find the strength to talk to you-"I need you to listen to me carefully hon, I know I was an idiot for not giving you a chance and listening to you and maybe you don't even want to see me right now, but I need you to keep fighting, to wake up even if it's just to yell at me how stupid I am. I need you to get better, I know how much you love your sister and I know you don't want to leave her alone. We need to see you well, you still have a lot to live for, a lot to paint and a thousand things to do... We need you to live, to fight, please..."-The redhead began to cry as she squeezed your hand tighter-"I need you please, I can't lose you again... You can't win a fight this way... Wake up please, fight me, fight dead, you're the strongest and smarter person I know, fight for your life, if isn't for yourself do it for me or your sister, if you are gone, we lost our happiness, our whiling to live, please. I need you, I... I love you..."-Her own sobs wouldn't let her continue, it was the first time she had ever said I love you to you, the first and she wished it wasn't the last... She had waited too long to say it, the words were choking her... Why she had to wait that long?...
-"Melissa... You have to go"-Your sister whispered, breaking the moment
-"What? Please don't, I just got here... I need to stay by her side, please..."-Mel pleaded and your sister sighed-"She needs me, I need her"-Melissa's voice was wobbling, she had just arrived, she needed to be by your side until you woke up and got better, she needed to take care of you
-"My father is coming and it's better of he doesn't see you here... Wait for me at the lobby, I need to tell you a few things..."-Your sister begged for Melissa not to insist anymore, the redhead nodded and kissed your hand gently before letting you go.
A few minutes later, while Melissa was drinking coffee, your sister sat down next to her
-"I'll tell you a few things and I need you to listen without interruption" - Your sister commented and the redhead nodded giving her the space to speak-"My sister... She loved you, she still does... I've never seen her so in love with someone as with you, the only one who knows the place where her paintings are besides you is me... She would never hurt you... My father, he is a man who always gets what he wants, he wanted my sister in the company and he got it, he got her to leave her dreams to work with him. He doesn't like you at all, you revived her dreams, you revived her, her happiness... My father threatened her for countless times, if she continued with you, with the paintings, with this life, he would take away her inheritance, she didn't care, she would rather be with you than have the money or the company... Then, he paid her ex to make a "business diner" with her, he also paid her to kiss my sister in front of some paparazzi so it would be in the news for you to see, so you would have a reason to stay away from her... His plan worked... She wanted to run away from him and back to you, but my father told her that if she did that, he would take me away from her... So she stopped trying to convince you to talk, she just gave up because of me, but that didn't mean that she was guilty of this or that she didn't loved you..."-Your sister finished speaking and Melissa sighed, she felt so stupid for ignoring you for so long, for not listening to you, the tears began to fall again, she was angry for so long by something stupid and now she didn't know if she would ever see your beautiful smile again, how she missed your smile... - "You can't be here, he will ruin your life too and if my sister wakes up, she won't forget herself if something happens to you... I will keep you posted, I will tell you when you can come here, but you can't stay right now, do you understand?" - Your sister asked, and Melissa nodded sadly.
The days began to pass, Mel came to visit you and take advantage of the minutes she could when your father was away, she talked to you about school things, about paintings, about your favorite restaurant, making future promises and begging every day that you would wake up.
One night, a call almost shattered her, your leg had become infected and you were in surgery, your leg was cut off below the knee before the infection could spread. Mel went to the hospital even though your father was there, a big fight started there between your father and her, but nothing made the redhead leave your side.
A week later, you began to show signs of improvement, as you no longer had an infection, your body began to improve greatly and quickly, you began to breathe on your own and the intubation was removed, now there were fewer machines and more space in the room, the redhead took it upon herself to decorate the room with things you liked.
One of the nights when the redhead was taking care of you, thanks to your sister convincing your father to leave her be there, Melissa fell asleep in a chair next to you clutching your hand as if her life depended on it
-"Mel...I'm thirsty and my leg itches"-The redhead heard your voice in her dreams as she had done so many times, but now you felt closer, more real-"Melissa... Please... I'm thirsty" - You insisted and the redhead opened her eyes waking up and smiling to see that it wasn't a dream, you had woken up
-"Hon! You're awake! Oh thank God and the doctors" -The redhead started kissing your face with a lot of emotion while you closed your eyes laughing almost powerlessly-"I'll call the doctors, wait for me please"-Mel ran excitedly and screaming through the hospital even though it was 3 in the morning, she also called your sister to let her know what was happening. The redhead had never felt happier in her life.
The doctors monitored you from top to bottom, they also informed you of the current situation and what had happened to your leg
-"I still can feel it, It itches" - It was the only thing you whispered trying to understand what had happened, the doctors explained that it was phantom syndrome and it was normal with people who had lost limbs. Mel held your hand the entire time as you talked.
Your life took a complete turn after all this, when you were discharged you couldn't be alone at home and for almost everything you depended on someone's help, you felt uncomfortable and worthless, and like a burden to others.
When your leg finally healed, witch it was hard to look at it by yourself, they started working on your prosthetics and starting to walk, which was another difficult reality to accept, the prosthetics and exercises hurt, everything they put was uncomfortable, you still felt your leg there, some days hurt more than others and cost more than others. You fell many times before you could take your first steps, and it took you a lot more work to be able to walk without crutches or without holding on to some things.
It took you even longer to be able to touch your scar and see yourself in front of the mirror without clothes and without prosthetics. Melissa stayed every part of the process by your side, cooking food for you, helping you clean, cleaning your scar, helping you bathe, in your therapies, in everything, she was there in every step. You were grateful for that, but you also felt like a complete burden to the redhead.
-"Mel... Can we talk please?"-You whispered as the redhead cooked, carefully stopped what she was doing, and came back with you sitting down in front of your wheelchair, giving you her full attention-"I really appreciate what you have done for me, I know I was not the easiest person to handle in this process, I appreciate your meals, your care, your help, your patience ,I really appreciate you... But now I've started walking on my own and maybe you should go back to your old life... I don't want to keep bothering you, I don't want to take up space in your life that maybe you could be taking up to do other things or meet more people..."-You whispered without looking at her, the hatred with which she had looked at you when she saw the news of your kiss with your ex was still in your head and you honestly didn't understand what she was doing there, why she came back to you. You didn't understand why she was with you or why she treated you so affectionately, it couldn't be because of attraction, maybe she was attracted to you before, but as you were now it was very difficult for the redhead to find you cute or enough
-"So, are you saying you want me to leave? Are you sure you don't need my meals anymore?"-The redhead joked and you sighed trying to show her you were serious
-"I'm saying that I'm letting you go... You don't need to do this anymore, you don't own me anything, you deserve a life, you don't need be stuck with me just because we makeout a couple of times, you can get someone better, someone whole..."-You whispered and the redhead understood, you were insecure about your new condition
-"But I don't want anyone else, there's no one better, I want you, I'm happy to be here... I almost lose you one time, I won't let you go again. I don't care if I have to help you go to the bathroom or help you get in the car, I'll do everything you need, I'll be by your side all the time. I know you are a little insecure about yourself right now, but believe, you look gorgeous, stronger, more perfect than ever, and I'll be by your side always to remind you... I love you so much that I can't be away from you, I won't go, no matter what or who comes between us, I won't walk away this time..."-Melissa whispered, taking your face in her hands, looking into your eyes
-"You love me?"- You whispered in disbelief
-"I've loved you since the first time I saw you smile at that party you threw... Neighbor" - She whispered smiling and kissed your forehead making you smile- "I love you since that time and I'll love you until my last breath"
-"I love you too neighbor... I came back for you, thank you for staying by my side all this time" - You whispered caressing her cheek-"Thanks for coming back for me"
-"Thanks for not giving up on life... Thanks for not giving up on me" - Melissa whispered and leaned her forehead against yours appreciating the quiet moment
-One Year Later-
A lot had happened in a year, since your sister was already 18 years old, she was no longer dependent on your father and thanks to a lawsuit in which you helped, she managed to inherit the company halfway with you. While you still helped a little with some things at the company, you decided to do what you loved the most and applied it to teach art, you quickly got a job at the school where Melissa was.
-"Well kids, please give a welcome to the new art teacher, (Y/N) Bright! - Melissa said excitedly presenting you at the kids, the children smiled a lot when they saw you enter, one of the little ones approached you curiously noticing your leg
-"Hi miss Bright, are you part robot?"-He asked, and Melissa looked at him nervously, fearing he would make you feel bad or embarrassed
-"I'm! I'm a cyborg teacher, I'm super smart and strong" - You responded by smiling at the redhead and the child, Mel heaved a sigh of relief and kissed your cheek
-"I will let you to it, you call me if you need anything" - she murmured before leaving the classroom listening to how the children asked you questions and said things
-"Cool! I've always wanted a robot teacher!" - A girl commented
-"Yeah! Tell us how you got your superpowers!"-Another little one added
Melissa smiled as she felt like you made up a story to entertain them, maybe you weren't a robot, but without doubt, you were the strongest person she knew.
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insane-brit · 1 year
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Royalty (Ch. 2)
Muzan Kibutsuji x Soulmate!Fem!reader
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Park Links: Prologue, Chapter one, Chapter two, Chapter three
Tags/Warnings: Enemies to lovers, semi slow burn, dark story/themes, violence, fighting, mentions of prostitution/entertainment, anxiety, shock, anger, flashback.
MINORS DO NOT INTERACT
Word count: 2.7K
The trek to Yoshiwara felt almost effortless despite her interpersonal matters. Her mind was consumed with staring at the thread protruding from her wrist. Receiving this gift bestowed upon her kept her from an ounce of rest that night. She marveled at the tie and couldn’t help the flurry of questions that infiltrated her mind. As much as she prided herself in problem-solving and anything clever, her intellect was stumped. Regardless, she thanked whatever higher power for this opportunity that had forsaken her from a young age.  
She kept her promise to Tengen as much as she wanted to find him and ramble about the occurrence. He would be happy for her but the nagging in her mind knew that it would be selfish to present this information to him when his wives were in potential danger. When the sun broke through the horizon and dawn showed its lovely face, she packed her things and set off. It had been a day or two and the path ahead was cracked. Clear evidence was strewn about of it being a well-traveled route. She supposed that was a good thing. The blazing heat caused sweat to bead along her forehead and nape. Pulling on her haori, she fanned herself in a fruitless attempt to circulate air. 
It wouldn’t be long before she reached the district. The pit in her stomach from the night her thread appeared was still apparent. She thought that it was her intuition expecting something to happen. That something being the appearance of her soul tie, but with every passing minute, it never ceased. She had attempted to suppress the feeling while remaining cautious, but it would relapse and grow every time she tried to forget it. It caused her to lash out at a poor maple tree the previous night. Her Nichirin sword left deep grooves in the bark as she unleashed her irritability and unease. Lucky for her the outburst did not harm her blade. She did not have the time nor patience to deal with Haganezuka and his damned vengeance that would be seeking her blood. That man would know the moment any of his blades even had a scratch and the next minute he’d be screaming obscenities with steel to your throat. Sighing, she chuckled at the thought. He cared for his work, and she admired him for that.
The sun continued its descent to the horizon, the atmosphere growing ever so slightly cooler as she pursued the winding path. The tree’s canopy bestowed some shade upon her figure and a faint breeze accompanied the peaceful atmosphere. If she had to guess, she would make it to Yoshiwara a bit after the sun's rays faded under the vista. Perfect timing on her part and she mentally patted herself on the back.
The shade around her grew until it covered the terrain and a chill shot down her spine. The breeze blew some wisps of hair in front of her face. Caressing her features as she clutched the Tsuka of her blade. The ray skin was coarse against her palm and she gripped it until her knuckles turned white. There was virtually no sound. The birds were silent, cicadas halted their clamor, and all that was heard was the fluttering of leaves. Her heart was in her throat threatening to claw its way out, but she was static. Eyes swept across the dense foliage, searching for the source that caused much attentiveness. 
The crunching and rustling of leaves and twigs promptly made itself known as a commotion rapidly approached her stable form. The movement of air being cut resounded to her right and she swerved as an amalgamation of leathery skin settled in the spot she once stood. Its landing kicked up filth and a cloud of dust blew upwards. Eyes hardening, she readied herself as it subsided. Revealing one of the more grotesque demons she has ever had the pleasure of encountering. Its frame was thin, skin stretched over its bones. Back turned to her, it jolted, and she could hear cracking as its limbs moved unnaturally. The bending of tendons and grinding of joints had her mentally winching. 
“Wretched thing.” She seethed, angling her katana. The blade flashed in the dying rays of the sun and the emerging moonlight that peaked through the canopy. It snapped its head towards her, the eyes were pitch black with a single prick of white in the center and a red line streaked across it. A smile, full of needle-like teeth stretched as it locked its gaze onto her. It darted back and forth between her face and sword. If it was even possible, the grin got wider. 
“A Hashira,” its voice was grainy and sandpaper-like. “Lucky me.” 
She growled lowly and gritted her teeth. How revolting, and to think she was almost to her destination without getting into any trouble.
“I think you’ll find yourself unlucky.”  Digging her foot into the dirt she lunged at the monstrosity. Its face contorted in what looked to be glee before parrying her attack. Retaliating in a flurry of precise assaults aimed to incapacitate the slayer. She veered away with ease and brought her foot up, slamming it into its chest. Staggering backward it groaned, hesitating, and looking stunned. 
“Come on demon!” She hissed and swung her blade. The demon dodged and glared at her. Not making any sudden moves and being motionless. She furrowed her brows and kicked up dust to distract it. Why wasn’t it trying harder? It’s not even moving. 
She had advanced behind it and leaped. Readying her blade to strike its vital point. To sever its head from its neck and watch its twisted body disintegrate. It cocked its head towards her. Eyes wide and mouth stretched into a tight line. It seemed like it was forcibly constant. It raised its arm in a futile attempt to block as she sliced right through the flesh like butter despite its appearance. 
The body stiffened and collapsed in a heap as the head rolled. Coming to a stop a few feet away from her. She watched the expression on its face contort in a multitude of emotions.  “To think, for a second I thought you would’ve fought harder.” She smirked and sheathed her sword. It still looked at her. An expression of shock and something she couldn’t recognize. Frowning, she dusted herself off before turning away from the slowly deteriorating demon. 
“The progenitor.” it rasped. 
She halted and looked over her shoulder. Confusion and agitation were written across her face. 
“His presence,” it choked out as its mouth started to turn to ash. “Hashira, you- “
“Enough with your delusions demon!” she hissed and glowered at the lowly creature. “Whatever scheme you’re planning in death will not deface me in any way. You mutter nonsense and plead to the thing you call Master.” 
For a demon who appeared so delighted in the prospect of fighting a slayer earlier, it was quite a weak and depressing display. Begging for its Master, Kibutsuji Muzan, and conniving to bring her into the ordeal. Maybe it was going to threaten her. Regardless, she cut it off before it could utter its last words. The lower half of its face was gone, and the rest engulfed itself into cinders. Surroundings quiet once more, she stood there staring at where the demon once lay. Disgust and unease flooded her bloodstream. 
She shuffled from one foot to the other. Mulling over the limited words the demon spoke. Sure, these creatures threatened people, especially slayers, but she can't recall one ever mentioning him in their final moments. She had to admit, it was odd, but it had to just be trying to strike fear into her. Which ultimately failed. Kibutsuji was a master at evading the corps or he was just a coward. The only one to have seen him in ages was Tanjiro and he should be thankful to be alive. If she ever came face to face with the creator of these things she wouldn’t hesitate to fight to her dying breath. That was the oath she pledged long ago, and she would be damned if she broke it. However, killing his creations would suffice for now. Taking in her surroundings, she groaned realizing she would arrive later than she hoped. 
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The streets of the district were flooded with people. Loud chattering and bright lights evaded her senses as she took it all in. It had been a while since she walked its streets, but not much had changed. There were still the festivities, women entertaining avaricious men and hidden trades. Pulling out some of the letters Tengen gave her, she skimmed through them and made note of the houses each wife “belonged” to. Tokito, Kyogoku, and Ogimoto. Three of the top houses in the district. 
She stepped out into the crowd, feeling slightly overwhelmed by the sheer number of bodies. It seemed that wherever she looked, more people spawned and searched for whatever kind of entertainment suited them. It felt almost impossible that she was ever going to find clues to where Tengen’s wives may be.  Much less encounter them. Going straight up to the houses didn’t feel like the best idea to her. She didn’t want to deal with the heads. Besides, if they were missing, she doubted they would know anything. Much less disclose that information to a random woman on the streets. She would have to wait for the pathways to clear if she dared try and use her forms. Even then it may attract attention, but she had to do it. She made a promise.
Pushing through the waves of people, she excused herself a multitude of times before falling silent. Opting to stick to the edge of the crowd to avoid getting swept away by its tide. Her sword had been tucked under her haori and she held it close to her side almost protectively. It brought a sense of comfort as she knew that having it meant being able to dispatch almost anything if she felt it was necessary. 
Gripping the hilt, she flinched at the sudden pressure in her wrist. Looking down, she observed her thread and saw that it had tightened slightly. Pupils blown she jerked her head up. Looking at it as it weaved itself through the crowd of passersby.  
Are they here?
Following the line, she saw that it led to a prominent house in the district, the Kyogoku House. She felt a slight pang in her heart at the thought of her soulmate engaging with other women, but maybe that wasn’t the case. She reassured herself and stepped through the crowd. A few people rammed into her, and others mumbled vulgar things as she excused herself. Just checking wouldn’t hurt right? She couldn’t make much progress in the way of using her forms to locate Suma, Makio, and Hinatsuru until the masses died down anyway. At least, that’s what she told herself. Truth be told she was often unable to restrain herself when it came to certain things. Though rare, this was one of those times, but she would never admit that. 
Freeing herself from the horde she continued following the glowing fiber. It darted around a corner and felt tauter than ever before. She leaned against the wall of a building and took a deep breath. Her feet felt heavy as she stepped out from the corner. The area before her was dark. Not terribly so, but devoid of more people than the street behind her. A few mingled about and the lights gave off a subtle amber. Only illuminating a few feet away from their position. Surveying the scene, she followed the string as it stopped where darkness met light. 
A man stood there, back facing her. An obvious line hovered between them. Bleeding a scarlet hue. She squinted and stepped forward trying to get a better look at the man, but as her eyes adjusted, she froze. 
Air caught in her lungs, and she found it hard to breathe. Her mind went blank save for all but one memory. 
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Sitting next to his hospital bed at the Butterfly Mansion, she smiled softly at the young boy. He was bright, and his spirit spoke for him. It was quite rare to see such a youthful soul full of compassion and determination in the face of danger. 
“Tanjiro,” she started looking slightly downcast. “May I ask you a question?” 
He regarded her with that same smile and nodded his head. “Of course!”
Sucking in a breath, she looked away before locking her eyes with his. 
“What did Kibutsuji look like?” 
The smile that graced his face downturned as he gazed at his hands. Gripping the sheets until she swore, he would tear them. It was an immediate switch and fury radiated off him. He clenched his jaw as she went to speak but he cut her off before a sound could be uttered from her mouth. 
“Human,” he exhaled. “Completely human.” 
Cocking her head, she furrowed her brows. “What do you mean?” 
“He blended in with everyone. No one could tell that he was a demon. Only me,” the fire in his eyes smoldered as he continued. “His eyes were a deep red, black hair that hung closer to his shoulders in the front, pale skin, and he wore a black patterned suit with a white hat.” 
She could see him slightly shaking at the mention of Kibutsuji. Not from fear. It was anything but fear. 
At that moment she felt terrible. She had heard from Tomioka briefly about what had transpired in the mountains with Tanjiro’s family. Later, Tanjiro filled in the missing details himself. She felt reluctant to have learned of such an event as it felt too personal, but if he discerned her to be someone he could confide in, she wouldn’t turn him away. 
“I’ll kill him if it’s the last thing I do,” he seethed. “He’ll pay for what he’s done.” 
Remaining silent she observed him. Reaching out she put her hand on his shoulder. A means of comforting the boy, however, deep down she knew that no amount of comfort could close a wound so deep. Giving him a soft smile, she stood up. 
“I believe in you but be careful,” he looked up at her. The fire slowly smothered itself out. “You’re a good person but don’t get ahead of yourself. Your sister needs you. The corps needs you. There’s been too many people lost.” 
He studied her expression before giving her another big smile. “Right, of course!”
Regarding him with a nod of her head she turned to leave but paused. “And Tanjiro, just know you’re not alone.” 
 ————————————————————————
Bile rose and burned her throat. Swallowing her tongue was the only thing keeping her from retching. One hand pulled at her collar and the other shakily reached for the Tsuka of her Katana, the world around her seemed to slow and fall away. Gaze solely focused on the man feet away from her.
Jet black suit. A rustic gold pattern on parts.
Her eyes darted around. 
White hat.
She sucked in a breath.
Sickly skin. Dark hair.
Blood trickled and filled her mouth with iron as teeth punctured her lower lip. 
Mind racing, she pleaded for him to not turn around. This had to be a mistake. A coincidence even. There was no way this could be the same man that Tanjiro described. That this could be Kibutsuji. There had to be many others out there who looked similar. Her chest hurt from how hard her heart pounded. It was in her ears and a cold chill ran through her body. 
He appeared to be contemplating. Clearly sensing her gaping at him. Cocking his head in her direction, he fully pivoted it towards her. The coiling pit that constricted her stomach like a snake snapped. Her eyes went wide, and her mouth parted slightly. A choked noise fell on deaf ears. 
His gaze locked with hers and carnage churned in them.
The attachment tightened, locking. Signifying what she dreaded and didn’t want to admit once she feasted her eyes on him. 
His eyes were a cavernous crimson.
His pupils were slits. 
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marshmallowprotection · 3 months
Text
Saeran and Saeyoung Birthday Art Analysis 2024!
I don't know if anybody grasps how insane it is to have an image of Unknown and MC in a romantic light. Do you know how many of us clamored for one of those in 2016? The fans are finally getting what they've been asking for all along!
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You would think that they would have more images together because he's an antagonist and there are so many endings where you fall into his clutches, but they just don't exist. If we're speaking strictly about the game itself, there were only two images before last night where Unknown and MC were in the same frame.
Zen's Route and the Christmas DLC.
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The only other photo we have apart from these two in game is the one from the Secret Ending where SE Saeran is next to MC. I do not count it even though Unknown and SE Saeran are the same person.
Because we use the names SE Saeran and Unknown in the fandom to distinguish between them—where they are in regards to the timeline is relative to white hair versus red hair, you know. I knew we didn't have many pictures with him, but when I went back to double check myself, I was put in a position where I felt floored.
All these years, and these are the only pictures we have in the game of Unknown and MC? I don't know why I briefly thought there might have been more than that.
I am so happy regardless of the quantity because the quality of the picture we received last night was beyond my expectation. I didn't think we were going to get separate pictures. I think most, if not all of us, assumed the boys would be together and there would be no sign of MC. That's the way it's been for the past 2 years, after all.
In favor of doing less art, they decided to put the brothers together instead of separating them. I can't fault them for that because it has to take a long time to do art for them! It's a surprise when we're able to get more than one, though!
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I think the thing that stood out to me almost right away was the use of purple. Now, Ray, Suit Saeran, and GE Saeran are depicted with the color pink. But, do you know who was depicted with only purple before that? Unknown.
I know this may not be something the newer fans are familiar with, but, in all of the merchandise that used to be created for Unknown, his accent color was a deep purple. I can give you a few examples to look at. I knew this was Unknown when I looked at it, but the fact the artist went out of their way to use purple told me they knew what they were doing.
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I like seeing him with purple because it's an homage to the beginning and he's been watching us from the start. To be completely honest, I liked the idea that the Saeran hearts would be his purple. I was all too surprised when they gave him a magenta color, which is a blend of a nice pink and purple.
It makes sense for his character in Another Story, but when I think about Unknown and SE Saeran, I can't detach them from purple. I'm certainly not complaining, purple is my favorite color. These ribbons are close to my favorite shade of purple, which is lilac, so it's lighter than his traditional purple, but close enough to make my heart swell.
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Actually, I know what you guys were waiting for. You came into this post to ask me questions about flowers and by God, I'm going to tell you guys about flowers. So, I'm going to lay down the flowers that are depicted in the photo and you guys are going to listen to it.
The flowers that are in MC's hair could go one way or the other. I'm going to present both options and leave it up to you to decide. They could be camellias or peach blossoms. Visually, they do share some similarities but in a photo like this where artistic choices have been made for minimalism, it's hard to figure it out one way or the other.
Pink Camellias.
Pink camellias can symbolize longing, especially for someone who is missed. They can be given to friends or romantic partners in both platonic and romantic relationships. For example, they can be a good choice for someone in a long distance relationship.
Peach Blossom.
In Chinese culture, it is believed that its delicate and pink petals have the power to cleanse the spirit and attract good luck and fortune. The blossoms are often used in traditional Japanese art and poetry to symbolize the transience of life and the importance of cherishing every moment. In addition, peach blossom flowers are also associated with the spring season, which represents new beginnings and growth.
Okay, the rest of these I'm sure of and don't think I'm wagering a wrong guess.
Red Roses.
Red roses are a classic symbol of love, passion, romance, and devotion. Red roses have been used as a way to express love for centuries, even when verbal expression was considered inappropriate. During the Victorian era, lovers used the language of flowers, or floriography, to send secret messages.
The shade of red can also have different meanings: Bright red: Symbolizes passion, love, and desire Dark red: Represents deep emotions, longing, and devotion
Red Alstroemerias.
Red alstroemeria, also known as the Peruvian lily, can symbolize love, passion, romance, and intense feelings. It can also be a way to say "I love you" without using red roses. The alstroemeria flower is the flower of total happiness. It symbolizes the sheer pleasure of being together, in friendship, as well as in love.
Pink Roses.
Pink roses can symbolize sweetness, femininity, appreciation, and admiration. They can also represent grace, gentleness, and joy. Pink roses are a delightful way to express gratitude for someone, for any type of relationship, romantic or not. Lighter hues of pink reference joy in relationships. This can symbolize the beginning of a new relationship with blossoming feelings towards one another, or simply the beginning of a great friendship.
Unknown falling in love with somebody is something that happened slowly, not all at once. You need to respect his boundaries. It is beyond important to help him feel like he's his own person, to allow him the opportunity to look in the mirror and not feel sick at the person he sees. You help him realize there's more to life than what he gave up on, and he can dream of a better world. He's grateful to have known you.
He adores and admires you but he can't always say it. It's hard to say he loves you. It's hard to say those specific words. It puts him in a vulnerable place. It takes him time to say it because no matter how much he tells himself that you won't hurt him when he confesses his vulnerability, there's always a fear in the back of his head.
That fear never goes away even if he wants it to. He doesn't want to think that way, though. He doesn't want to be afraid, either. But, that is one of the reasons why it takes so long to get close to him in the first place. You need to break down his walls and he needs to let you break them down to begin with. You need to show him that he isn't being forced to trust or even like you. You only want him to trust you because he wants to.
You want him to have self-autonomy.
You sit together at first, then you start holding hands little by little, and it builds from that point. You steal glances at each other, you smile, you laugh, and he sighs, not because he's annoyed, but rather because, he's happy. He's happy to see you smile and by God, he's so happy he can smile after a lifetime of apathy. He doesn't need to kiss you to show you he loves you... and even if he takes forever to say the three little words, you almost don't even need to say it.
That's how good you are at being able to communicate with each other silently.
There's something very deeply beautiful about Unknown or even SE Saeran holding hands with you. It's the way I've always imagined him to express his affection.
Even if he can't say it, he can show it.
I'm going to cover this in this post because I've talked about it all day at this point. I'm aware of the AI accusations for Saeyoung's artwork in particular. Please read this post I made about the subject since it needs to be spoken about in some capacity. I'm aware of people who have already reached out to Cheritz for clarity, so we're going to have to wait and see what they have to say about the matter.
[Post]
I can't say if AI was used one way or the other in the image. I can say I understand why people believe that portion of the image was created with AI. I think the artist was forced to go on a time crunch to get out the image out by this Thursday no matter what.
As far as we know, there's only one artist doing all this art. Counting the four images released last night, that makes a total of five images for the month of June. That is a lot of artwork for anyone to do, much less to complete in a month. July is also the anniversary, which leads me to believe that this artist probably was told they needed to get the art done for this month so they could get started on that image since anniversary art has almost always had a lot of characters.
This is PURE SPECULATION but it's possible that the time crunch and deadline they're on had Cheritz make them use AI to touch up or even finish the image they drew to meet the deadline; And, if it wasn't AI, there's also REASON TO SPECULATE, that they rushed the artist to get it out even if they made mistakes.
Because, I noticed one error in the Unknown artwork that could be an artist mistake, one that a lot of artists make. That's the fact that one of the water ripples is just above the frosting on the cake? I swear I've done things like that before. I'll have the layer in the wrong place and I won't notice until I post it. I hate it when that happens, but, hey it's a mistake a lot of artists make accidentally.
I don't want to believe that Cheritz would use AI in Mystic Messenger art because they said they wouldn't but words are just words. They're not powerful when Cheritz used AI in the past without so much as a second thought. Once you break that trust it is damn near impossible to win that trust back. I can't blame people for speculating when they see something off in an image. But, I hate that it's come to this and it isn't fair to anyone.
[Another Rant about AI]
I hate that the current environment has people on edge. I hate that people have to prove themselves. I hate that people can't trust each other. I hate that we have to deal with art theft. I hate that we have to see artists suffer. I hate that art theft nearly killed this fandom in the first place and THAT art theft is not only art being reposted without credit now, it's art being STOLEN and USED TO TRAIN AI.
I hate that Cheritz even remotely thought it was okay to use AI in the SSUM. I hate that people look at what could possibly be a byproduct of an artist being rushed to meet a direct deadline no matter what is seen as AI. I hate the possibility that AI was actually used in the art to get it done, no matter how much AI was used, whether it just be for a cake, or the entire image itself.
I hate that art is being fed to soulless algorithms for some heartless people to churn out bullshit because they don't want to learn how to draw and they don't want to pay actual artists what they're worth.
Because no matter what, AI or not, it hurts me to know that AI itself caused this conversation to begin in the first place. Even if there's no AI involved, like I said, rushing an artist to meet a deadline isn't it. We could've waited another week. All you had to do was say, "We need a little more time! Sorry folks!"
Transparency is what makes a world of difference for people.
Cheritz broke the trust of their fans by using AI in the first place, and once you break someone's trust, they might never trust you again. It's painful but it's true. So, AI or not in the birthday artwork, the reason I have to say something about this at all is because they used AI in the SSUM and now the smallest error in a drawing makes people want to speculate and tear the image apart to find out if it's AI or not.
It hurts me because I look forward every year to being able to write and analyze the artwork we've given. I love being able to find details that show me the artist really put their heart into it. That's something AI can't do. It can make a concept all day long, it can even make the art look "pretty", but it's making it with our stolen artwork and that's what makes it soulless.
It stole the hearts of wonderful artists and their hard work to create an amalgamation of "self-gratifying" bullshit by people who just don't care about the time and effort that goes into creative pursuits. I don't want to sit here and talk about how much I hate AI, I want to sit here and write about how much I love Mystic Messenger and what it has done for me and my life. But, I can't avoid the elephant in room when I talk about this art because the less we talk about what's happening, the more of a damn problem it is.
Until we see some clarity from Cheritz, we won't know one way or the other about the mistakes in the artwork. I want to believe the artist in this situation was rushed to meet the deadline and that lead to some mistakes slipping through the cracks. If that's not the case, then I will have to come back to this post and edit it to say, "Wow, they used AI for sure. It's no longer speculative."
I'm disappointed either way that we have to live this way.
I just don't like having to live in a world where we have no real choice but to analyze and speculate for AI all the damn time. The world is a bad enough place as it is at times, even if we all try our best to find a sense of good in it, and I'm so exhausted. So, hang tight, hopefully it is just a mistake of the artist being rushed to meet the deadline. That is my hope. It may be a naive and childish hope, but I'm so tired and I just don't want to hear them say they used AI again.
We'll see.
Moving on because I want to talk about what I noticed in the cake that didn't set me off.
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So, I'm going to break your hearts in a matter of seconds. Prepare yourself for this one. So, in the birthday illustration from two years ago, Saeran and Saeyoung have a cake with both strawberries and blueberries.
That look on Saeran's face seems to imply the cake was a surprise to him. Saeyoung is winking as he looks at the cake, which tells me he's recently figured out his brother likes strawberries and blueberries on his cake. When I was analyzing that photo two years ago, I suspected that maybe Saeyoung liked blueberries.
But, that went against the core headcanon I've had for years about Saeyoung loving cherries. I've shaped a lot of his interest around his love of cherries in my mind, so to see him with a cherry cake stands out as an important reference and a brief moment for me to say that I got it right, hehehe! It makes sense, Dr. Pepper has cherry flavor in it.
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But, do you notice something else interesting about that cherry cake? It's from Saeran! That tells me he wants his brother to have something that he enjoys for his birthday instead of always doing something for him instead. He needs to stop diminishing his own needs in favor of Saeran's.
Which, if anybody was going to make a point of telling him to think more of himself, I think the only person he would listen to would be his brother and to some extent, his MC. That man never thinks about what he wants. He would rather take the clothes off of his back every time if it means somebody else gets to be warm even if it makes him cold.
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You know what, MC appreciation moment because I love the dress MC is wearing. It feels in style for them because it looks a lot like the dress from the proposal scene!
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Did you guys know that there are flowers on the cake? You have to let your eyes look beyond the cherries! Right there! Did you know those flowers are also depicted in two other places in the game?
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One place is in the common gallery where we see the bookmark that V tried to give Ray, and the other place we see is a birthday image from a few years ago with Saeyoung and MC, where they're wearing a set of matching rings. They are the same flower depicted time and time again to represent Saeyoung, well, outside of baby's breath. His Christmas CG was a baby's breath bouquet, after all!
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Those flowers are geraniums.
Red geraniums are representative of a wish for good health. They are often gifted as a house-warming present to ward off negative energy from approaching your loved ones.
If you ask me, these are the perfect flowers to represent Saeyoung.
Who is he if not someone who has wanted to gift peace and protection to his brother? That's his dream, but I think in many ways, it's important he learns how to accept that he is also deserving of happiness and protection. Saeran wants his brother to be happy and healthy, too. It isn't fair for only Saeran to know peace and prosperity.
Saeyoung is just as worthy.
I think it's important to point out that the apartment drawn in this picture is not Rika's apartment. This is what her apartment looks like and we've got two angles to work with.
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And this is the background in the new image. There is nothing similar about these backgrounds whatsoever!
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Why is it significant? Well, I ask you to think about it a little bit harder than that. The bunker is the place he created to protect himself from all the monsters and demons that could ever think of hurting him and his family. He would never leave that bunker willingly unless he knew his family would be safe without a shadow of a doubt.
So, given the fact that he is in an apartment that's not Rika's—that means they've moved out of the bunker and they have a cute little apartment in the city.
An apartment where he doesn't have to feel like he has to live underground. He gets to see the sky, the clouds, the sun, the moon, buildings, people, and the rest of the world. He gets to have the world at his fingertips.
Can you believe that? Can you believe that this man whose face is a depiction of what it means to be paranoid in the dictionary is living in an apartment without fear? I can hardly believe it because I've always thought of him to be somebody who is terrified of what comes next.
I can't blame him for feeling that way because all of the monsters and demons he's afraid of are real. They're not something he cooked up in his head. They are real people who can hurt everyone he loves. So, for him to be in this apartment tells me that there is no longer a reason to be afraid.
His father and anyone from the agency who might come after him must be taken care of now. He doesn't have to be afraid and it means he gets to build the kind of life he wants to live. Better yet, he gets to have a normal life and it's a life worth living.
The cake is from his twin brother. I know I already talked about this earlier in the post, but I feel like it's an important distinction to bring it up here.
The only reason why he would have a cake delivery from his brother is if he wasn't with his brother on their birthday. I know, I know, I can already hear a lot of you trying to tell me that the boys shouldn't be separated. I don't think they should be separated either, but I do think this means SE Saeran gets to live separately from Saeyoung and MC.
I think that's the healthiest outcome after he's had time to heal and there's no more demons threatening their livelihoods.
He wouldn't want to live with his brother but that doesn't mean he wouldn't want to see his brother. That's why his sending a cake to his twin brother is such a big deal. Sure, they might have a celebration for their birthday together, but it's ultimately okay to have individual celebrations, too.
It's okay to enjoy the day by yourself.
Saeyoung is undoubtedly guilty of smothering his brother in this timeline. Many of us understand why he does it, and if you would like to read more about why he tries so hard in the first place, [I should point you in the direction of this post I wrote not too long ago about parentification.]
We know why he wants to do everything he can to make sure his brother stays alive and gets to experience life for what it is. But we also know that his methods aren't always the healthiest. He does the best with what he has but that doesn't make it okay, you know? His smothering of Saeran is... well, we know why he does it, but it doesn't make it the right choice.
His willingness to let his brother live alone is a huge step not only for his paranoia but in working to heal the relationship between them after everything that happened in the Secret Ending and Saeyoung's Route.
I don't think they would live far apart from each other, but I do think there would be enough distance so they could breathe. They need to be able to be individuals just as much as they need to be a family in my opinion. See, this is one timeline where I think it would be for the best if they didn't live together.
I want them to live together post-RAE. But, the only reason why I can see that working is because they're in a different position and it's easier for them to talk about their issues in a constructive way. You can't have that in the SE, per se. It's not tainted forever but it's not easy for either one of them to come to terms with everything.
I know things are going to get better for them in the future, but it's never going to be the way it was when they were kids. It couldn't even be like that in the RAE. There's just a different and unique sense of loss in the Secret Ending that isn't present in the RAE. It's not a bad thing, it's just different and that can be hard to stomach for a lot of people, I know.
Different lives, different choices, and different experiences led to different paths.
But, you know what gives me hope?
The fact that Unknown (or, who we could presume to be SE Saeran after dying his hair back to white) is wearing a cross. There is no real reason whatsoever for him to be wearing a cross. He's not the type to love church. Side eye at Mint Eye for being also being a byproduct of Rika's religious trauma.
He is not the religious type. I don't know for sure if he believes in God, but I know he believes in something, not sure what exactly, because he doesn't want to believe in nothing. I can't see him wearing a cross as it isn't something that brings him peace. But you know who it does brings peace to? His older brother, Saeyoung.
So, if you ask me, I think his brother gave him the cross because that was a way to make sure his brother was always protected.
"Could you wear this for me? It's okay if you don't want to wear it, I just... I want you to hang onto this for me while we're living apart. I... want you to have a piece of me with you. I know that's asking a lot of you... Something to always remind you that I'm thinking of you and that I never stopped thinking of you. This kept me safe and even if it's not the same magic for you— I want you to know you this is a part of me that is undeniable. You'll never have to doubt yourself. You'll have a piece of Saeyoung-hyung with you this time while we're separated. Not forever... we can see each other whenever we want now."
Because Saeran had no proof his brother existed outside of his own memories until Mint Eye gave him the chance to peek into the RFA servers.
Even if it's silly, Saeyoung wants his brother to have a piece of his soul to keep him safe. Saeran being ultimately willing to wear a cross is a big deal, and being willing to wear the same cross his brother has worn for years is an even larger deal. Saeyoung believes in that cross.
The cross kept him safe and he clutched onto it tightly when he prayed for Saeran's happiness.
That cross is filled with years of Saeyoung's belief and hope for a happy tomorrow.
It's just as much proof of as the images on the floppy disc are. The church is what helped Saeyoung find a way to help himself and his brother, and even if it didn't work out the way he planned, that still means something to him.
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Saeran's wearing something his brother gave him to keep him safe and he's not mad about it. He didn't steal that cross, either. It's not a show of power to mock Saeyoung. The image that is reflected at the top of this post is not one where we are meant to be at the cusp of an elixir bathtub.
It's a staged photo shoot.
It's one where Saeran is looking at the camera.
His face doesn't seem like the typical one you'd expect for someone rotting away in Mint Eye. He seems more at peace. If that is the case, then it makes sense that he's wearing something of his brother's to give him peace of mind. It's a token he took not because he wanted his brother not to smother him—but because it's something he took as he finally understood that his brother just wanted to protect him even if he hasn't always done it the way Saeran might have liked.
After all, it's not Saeyoung's fault that Rika and V failed.
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Something something, these bracelets remind me of shackles after the chains have been broken. Unknown is no longer bound in chains. He's free. What more could anyone want for him? In conclusion, I will say that I love him very much and I'm going to keep staring at him for a while to feel better after this long day. Oh, wait, I have one more left in me.
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MC'S DRESS LOOKS LIKE A BIG FLOWER AND UNKNOWN IS THE CENTER PIECE.
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silver-starss · 1 year
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Ahsoka spoiler thoughts:
My incoherent ramblings.
Holy crap, Natasha Liu Bordizzo is killing it as Sabine. She's got the perfect attitude. Rosario Dawson also seems much more settled into her role this time around, but Liu Bordizzo is the real standout in terms of performance.
Speaking of, I teared up every time Sabine's suite played in the score. Kevin Kiner never disappoints.
I'm glad to see Sabine and Hera's relationship not being neglected. Even if their shared screentime is brief, you great a very good sense that these characters care about one another, and deeply.
Also glad they're taking the non-Force sensitive route with Sabine. It's an intriguing idea, and Ahsoka is one of the few people who would indulge a potential Force blind Jedi.
Ezra's presence looms large over the series, even though he never directly appears. Still, very glad to see the series not downplaying his importance for the sake of casual audiences.
Loving the KOTOR and KOTOR 2 easter eggs! Although I hesitate to use that term since Star Maps and ship are in fact highly relevant to the plot.
Shin Hati my beloved.
Baylon Skoll intrigues me, and not just because Ray Stevenson was an incredible actor. I'm curious to see what his deal is, but I imagine he's (narratively) there to act as a foil to Ahsoka. Someone who doesn't follow the Jedi/Sith dichotomy, but on the opposite side of the Force.
CLANCY BROWN??!
MORE GALAXIES? Is this a Yuuzhan Vong sort of thing? I'm going to reserve judgment for now, but I wasn't a huge fan of the idea the first time around, so I'm doubtful it'll work now. But we'll see what Filoni does with this concept.
This feels much more Star Wars-y than the other live-action series. That isn't a knock on those series, to be clear - shows like Andor needed a gritty, realistic tone, for example - but I missed the more esoteric elements of Star Wars. And Ahsoka unabashedly embraces and celebrates those elements of the franchise.
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joshym · 10 months
Text
Le Morte d'Arthur: Chapter 2
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Pairing: Jake Kiszka x f!Reader, Sam Kiszka x f!Reader (oops)
Summary: It all began with a passion for literature. What was once a dream to walk the halls of the University of Michigan is now a reality.
You thought you were prepared for everything.
A new town, a new school, a new way of life,
but what you were not prepared for…
was meeting the enigma that is Jake Kiszka.
Word Count: 13.5k+
Warnings: (for this chapter) please proceed with caution if you find any of the following to be triggering: poor body image, body dysmorphia, mentions of a past eating disorder, an ill parent, (this will include descriptions of struggling to breathe due to illness & mentions of an oxygen mask) drinking, cussing, Jake is jealous? 18+ ONLY: some pretty heavy making out, (but it's not with who you think it is hehe), mentions of an erection, slight nudity, mentions of being turned on. (please let me know if i missed anything. there are a few heavy topics mentioned, & the last thing i want is for anyone to begin reading without a proper warning.)
a/n: i am so sorry this chapter took so long. i truly hope you love it & as always, please don't hesitate to let me know what you think! i love hearing from you guys. 🤍
also, huge thank you to @jakeyt for being the best editor & being my right hand in helping create this. i seriously couldn't have done it without you. love you SO much. you're the best sister i could ever ask for.
Le Morte d’Arthur Masterlist
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Your morning drives to school are your absolute favorite part of the day. They serve as your singular moment of complete peace to counteract the chaos that can be expected once the day truly gets started. The serenity of the morning air calms your spirit and prepares you for whatever the day may bring. 
You’ve managed to find an alternate route to campus, one that keeps you far away from the heavy morning traffic. It adds nearly twenty minutes to your journey, but the cost of waking a little earlier each day is worth the promise of a few spare moments of quiet solitude.
The new path you’ve found leads you straight to school, and the best part– it’s an image right out of a fairy-tale. 
Trees line the unpaved road, their leaves in early autumnal splendor. Hues of orange and red greet you in their forenoon charm, catching the rays of the waking sun as they glow in bright iridescence. 
This morning, there’s a light rain shower leaving tiny droplets on your windshield. The sun still dares to peek through the gray clouds, illuminating the glittering raindrops as they gently fall to the ground. 
You’ve yet to be met with another morning traveler since you discovered this road only days ago. It feels as though you’ve found some secret passageway— a hidden spot with no name, set aside just for you.
Pure tranquility washes over your body as your foot rests on the gas pedal. 
It’s the moments like these that remind you of the beauty that still exists around you— that no matter what downfall you suffer, the earth will always be there to offer you her tiny bits of wonder to keep your feet planted firmly against her soil.
Your Firebird putters into the university parking lot, amongst the slew of shining, new vehicles with hardly an imperfection to be seen on any of them. You used to be embarrassed of your old clunker, but as time goes on you’ve learned to be grateful for it and all the places it has taken you. 
Your new staff parking spot is awaiting you, of which you are entirely grateful. After your first day, you found that the parking lots fill up rather quickly with commuter students, so having a designated spot just for you everyday has saved you a lot of grief in the mornings. Yet another wonderful perk of being an employee of the university.
The smell of roasting espresso penetrates your senses as you waltz through the doors of the campus coffee shop. You and Natalia had agreed to meet this morning before your classes to study a bit for your course on influential women in literature.
Carmen, your favorite barista greets you as you walk up to the counter. Her sincere smile is always such a pleasant addition to your mornings.
She’s the most lovely vision; her loose curls always tied in a perfect ponytail, her bangs framing the contours of her face beautifully. Her black browline glasses sitting atop her freckled nose that push up past her eyebrows when she smiles, showcasing her sweet dimples.
You’ve made the coffee shop part of your morning routine everyday, so you’re not surprised when she knows your order without you having to say anything more than “Good morning, friend!”
“Large cold brew with oat milk and extra vanilla?” she asks, already writing it on the cup with a Sharpie. 
You smile broadly. “You’re amazing, Carmen!” You hand her a ten and a five, insisting that she keep the change. She fights you a bit but realizes she’s already lost the battle.
She hands you your drink and you thank her, telling her you’ll see her tomorrow at the same time.
You choose a table close to a window so as to have a view of the gloomy, morning sky. 
Watching the raindrops race each other to the bottom of the window seal, leaving their trail as the others merge to quickly join behind them— it gives you a sense of nostalgia that takes you back to a time when things were simply…easier. 
One thing about growing up in Oklahoma— it was always raining. And much to your mom’s discontent, you were sure to be found outside right in the middle of it. 
It probably explains why you were almost always sick as a child. Frequent head colds were the norm for you. It never stopped you, though. The rain brought forth a sense of clarity for you—feeling the cold drops hitting your face was the mental reset your mind needed, and it still is to this day.
You’d always been fascinated with weather— but specifically the rain. A poem you’d fawned over in your childhood spoke of rain carrying the ghosts of the past— a sentiment you’ve held onto dearly ever since. 
That very poem is the reason you love literature. It’s the reason you’re here, to study the thing that brings you the most comfort. 
Each time it rains, you’re flooded with lovely memories…memories of the ghosts that still linger from your youth.
This is the first rain shower you’ve experienced thus far in your new home; it feels as though the earth is trying to tell you it’ll all be just fine. She’s telling you that you do belong here, that you’re right where you need to be. 
“Daydreaming much?” Natalia pulls out the chair opposite of you, sitting her usual hazelnut latte down as she takes her seat.
“Guess you could say that,” you say through a smile. “I just adore the rain.”
You each pull out your laptops and Charlotte Brontë books, catching up on your weekends with one another.
“You’ll never believe what I agreed to on Friday,” you say.
She looks at you with a smirk splayed across her glossed lips, her rose colored cheeks still wet from having just walked through the rain. 
To your surprise, she asks, “Does it have anything to do with a little medieval film project?”
“How in the hell do you know about that?” 
“My brother,” she responds. “He’s helping Josh with it. Doing set designs, costuming— it’s quite impressive, honestly. Those costumes are some of the most beautiful I’ve ever seen, and I’ve done theatre my entire life.” She blows air on her coffee to cool it down a bit before taking a sip, wincing from the heat as she pulls the cup away from her lips. “I knew they were searching high and low for a Guiniverre— guess I should’ve known it’d be you.” Her long, butterfly lashes flutter with a wink as she giggles.
You’re not entirely sure what to make of her last statement. You just chose to ignore it.
“He said it’ll be killing two birds with one stone— that we’ll be helping out his brother for his film class, while also having something for our project in Movack’s class.” You pause to take a deep breath, “But I am no actress. And if it’s all truly that impressive, I may prove to be a bit of a disappointment.” Your hands fall into your lap as you stare down at yourself— your body comfortably covered with your usual oversized sweater and leggings, feeling a rush of insecurities as you imagine yourself being filmed. “I’m more of a behind-the-camera type of gal, anyways.” 
You’ve fought this inner battle for as long as you can fathom— your appearance is a topic you tend to avoid. You hide behind people for photos, or offer to be the one taking them to get out of being in it altogether.
Disordered eating had been a side effect of the severe dysmorphic thoughts. But thankfully, after years of receiving help, you’re finally in a stable place in your recovery.
The thing that still lingers, though; the harsh way in which you view yourself. Specifically, your appearance. 
“You said you’ve done theatre your whole life— why aren’t you playing Guiniverre?” you ask her. “I can’t imagine they haven’t thought of you.” 
Natalia is far more fitting for this film. She carries the beauty required to take on such a role; the beauty of a lust worthy queen. Just as well, she clearly has the experience you so greatly lack. 
She scoffs as she sets down her coffee and crosses her arms. “I was not about to kiss Sam. Nope. No way. That boy is a pain in my entire ass.”
Sam?… Kissing? 
This is the first you’ve heard of any of this. 
“Wait— what?” Your reaction seems to have caught her by surprise. Her eyes become wide and her lips part as she takes in your obvious confusion. 
“Jake…didn’t tell you about that? Did he tell you anything?” She leans in closer to you, a slight look of irritation present in her honey eyes. 
“He only gave me a vague synopsis— just about the infidelity in Arthur and Guinevere's marriage.” 
You suddenly come to a harsh realization that you hadn’t even thought about until now. 
Adultery and infidelity— forbidden romance. An entire film all about said romance, of which you are a main component. Of course there will be kissing in this film, perhaps even more. 
Your stomach drops at the prospect, and you're silently cursing Jake for leaving this little tidbit out.
Of course, it isn’t entirely his fault. You should’ve guessed when he told you the focus of the film.
You’ve already agreed, and backing out now would mean you’re back to square one with a project for Movacks class. 
All you can do now— beg to be anyone but Guiniverre. 
“First off,” you question, “who on earth is Sam?”
“Sammy? He’s their baby brother. He also takes classes here— well, when he decides to show up, that is. He lives with the twins.”
You pick up your coffee, taking a large gulp to keep the caffeine running through your system. “And why do I have to kiss him again?” 
“I can’t believe he didn’t tell you,” she says, huffing a laugh under her breath. “Josh has…plans.”
You cock an eyebrow at her, having a pretty good inclination about what these plans entail. You nod your head to let her know to continue.
“There will be a few…intimate scenes, between you and Sam. He’ll be playing the knight of romance and chivalry himself, our beloved Sir Lancelot.” She follows suit in taking a few swigs of her coffee now that it's cooled down a bit. “You and Sam will really get to know each other. And from what I’ve gathered about this film, the emphasis will be on Guin and Lance’s love. Arthur will have a different love interest— I think they’ve already casted her? Anyways, I doubt you and Jake will have many, if any, scenes together. At least no saucy ones. Which I’m sure you’re glad to hear.” 
You were not prepared in the slightest for intimacy. Intimacy in front of a camera— with someone you don’t know, all for the sake of someone you hardly know. Someone who’s been a massive dick to you, no less. 
But her last statement— about not having any special scenes with Jake. She’s right, mostly. It would be incredibly uncomfortable to have any scenes like that with him…right? 
But, if you're being fully honest, a small part of you is a bit…disappointed. 
You shove that thought down fast. “Uh, yeah. I’m more than thrilled to hear that. That would be awkward as fuck.” You’re doing your best to be sure she doesn’t see right through you. 
“But seriously, y/n. Those costumes…” She smiles widely, shaking her head back and forth. “ My brother did a great job finding those. They’re going to accentuate you in all the right ways.”
That is exactly what you’re afraid of. 
With your elbows on the table, you throw your face into your open palms with such force that you nearly knock your cold brew to the floor.
“Nat, I– I don’t think I can do this.”
She lightly takes your wrist in her hand, jolting you a little so you’ll lift your face. “Hey, what’s wrong? It’s just acting, love. It’s not that serious, I promise.” Her voice is so sweet and gentle, her eyes have softened and are full of quiet concern.
“I know it’s not that serious,” Out of instinct, you pull your sleeves over your hands and take your hair out from behind your ears, hiding yourself as best as you can. “I just don’t like…this,” Your hands motion to your body covered with the security of your baggy clothes. “I’ve never liked this. I mean, just how much will these costumes… accentuate me?” The thought of baring yourself even in the slightest has your stomach tumbling with somersaults. 
“Listen— I know Josh, and he will never let you do something you’re not comfortable with,” she assures, her honest smile making an appearance. “His mind is wide open and his soul is in all the right places. If there’s something you don’t like, just tell him and he’ll fix it.”
You’re racking your brain with the thought of his twin being as wonderful as she described. How could someone who shares the same DNA profile with Jake truly be that amazing?
“And stop worrying about the costumes. I can promise you, y/n, you will look sexy as hell.”
She’s doing her best to reassure you— though it’s not totally working, you act as though it is to change the subject and get started on your studies.
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You frustratedly close the lid to your laptop after having nearly failed your quiz. You had set aside plenty of time this weekend to study, but with how distracted you are right now from your conversation with Natalia this morning, all the time in the world for studying wouldn’t have mattered.
And of course, it’s Movack’s class— the one you most want to excel in, the one you share with Jake. 
He closes his laptop only seconds after you. 
It’s not a fucking race, Jake.
Movack stated at the beginning of class that once you finish your quiz, you’re free to leave. You quickly pack up your things, trying to make a hasty escape before Jake to avoid any possible conversation with him. 
You’re halfway down the hall and as you’re about to turn the corner to safety, you hear, “Hey, y/n! I need to ask you something.”
Fucking hell.
You pause for a moment, dramatically rolling your eyes before you turn around to see Jake walking towards you.
He takes his sunglasses off and places them in the breast pocket of his shirt. He makes eye contact with you, a rarity for him, before he asks “Are you free on Saturday afternoon? Around 4:30?”
…what?
That is the very last thing you’d ever expect to come from his lips. 
His gaze has yet to break as he awaits your response. His deep set amber eyes are piercing right into yours. He has an almost desperate look about him— as if he’s anxious for you to reply.
Is he…asking you out? 
Your intuition tells you there’s no way, but…why else would he be asking you this?
Suddenly, your body begins to tingle. The butterflies in your tummy begin swarming. 
You don’t know what changed— perhaps agreeing to the film? Maybe he’s finally seeing you as more than a scholarly competition, maybe he’s finally seeing you. Whatever it may be, you’re not questioning it any longer. 
You’ve decided you’re completely infatuated with him, and getting to know him even better outside of this classroom sounds…wonderful.  
“Y-yeah! I don’t have anything going on. I’m totally free!” With a full toothed grin on display and perhaps a bit too much eagerness, you follow with, “Why? What did you have in mind?”
His brows then become furrowed, his slight look of desperation transforming into one that says he’s now… confused. 
“Um… okay,” His voice sounds unsure, his inflection coming off as more of a question than a statement. “I’m only asking because my brother wants to go over a read through of some of the script on Saturday…you know, for the film project.”
Oh. My. God. 
You’re mentally smacking yourself across the forehead. You want to crawl inside the deepest fucking hole on this planet and stay there with your shame. 
What is wrong with you? It’s as though you’ve completely forgotten you have a project to do with him— that that would be the only logical reason he’d ask if you were free. Obviously.
That’s why he looked desperate. Not because he wanted you to agree to some date— because he needs your help with this stupid fucking project you regretfully agreed to.
Your face (noticeably, you're sure) drops. You’re so humiliated at your response. No wonder he looked so damned confused. 
“Sure, yeah. I can do that.” You revert back to your initial irritated tone, refusing to look him in the eye now, hoping that he’ll somehow forget you were any other way. 
“He also needs you to try on the costumes, too. Make sure they’re the right size.”
The costumes. 
This couldn’t get any fucking worse. But you can’t turn him down now, given you were so quick to tell him you’re free on Saturday. 
You simply say “okay,” as you nod your head in agreement.
He takes out his notebook, writing down his address before ripping the sheet of paper out and handing it to you.
You tuck it away in your bag, bidding him a quick adieu before turning to walk far away from him.
Tears threaten to fall from your eyes. Not out of sadness, but out of mortification. Out of irritation.
Irritation with yourself, with him. And it’s not even his fault. You’re the one that jumped to ridiculous conclusions— jumped the highest you possibly could.
You feel utterly stupid. 
So fucking stupid.
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Your mom looks at you in shock as you walk inside your apartment. Ridding yourself of your bags with a swift toss to the floor, you slump down next to her on the couch.
“What are you doing home so early? I thought you had class until later this afternoon,” she probed.
“Just a little tired,” you say. “Thought I’d give myself some time to rest before work.”
“This isn’t like you, y/n. What’s wrong, sweetie?”
She’s right— this isn’t like you. You normally wouldn’t even think of skipping class, your education being the most important thing to you. But, you just couldn’t bring yourself to do it today.
“Kind of a long day, I guess. And I’m a little stressed out with my classes.”
She then turns the television off and glares at you with the eyes of a worried mother.
“Talk to me, y/n. I know there’s more.” 
You should know by now that you can’t hide anything from her. She knows you too damn well.
You can’t hold it back any longer as you begin to spill it all. 
“It’s… stupid Jake. I thought he was asking me out today, but he most definitely was not. And I made an idiot out of myself because I misunderstood and—”
She stops you mid sentence, “And who is Jake?” she questions. 
You haven’t told her a single thing about him, about your project, anything. It’s not that you were trying to hide it from her, you just really didn’t want to talk about it.  
With a heavy sigh, you say, “He’s my partner for this huge semester project in my King Arthur class. We’re doing an Arthurian film with his brother,” you put a palm to your face. Looking up at her with a sarcastic smile, you add. “Oh, and Jake is a major dick.”
“Do you like him?” she asks with a smirk curling at the corner of her lips.
“Absolutely not!” you exclaim— rather loudly, at that. 
Even you don’t believe the words that came out of your mouth, so why would she?
She just chuckles at your response, knowing better than that but deciding to not ask you about it any further, switching the topic to your project. “Tell me about this film you're doing,” she says.
“You won’t believe this but, I’m actually acting in it.”
“You? Acting? Okay, who are you and what have you done with my daughter?” she jokes, forcing a smile out of you.  
“Just wait. It gets better,” you say. “I’m actually playing Guiniverre and Jake will be Arthur. It’s all about their adulterous marriage, and the focus will be on them cheating on each other. Quite romantic, huh?” 
She begins to laugh again, trying not to wear out her weak lungs, but it doesn’t work. She gets caught up in a huge coughing fit, struggling to catch her breath. 
This always happens; she can’t even laugh without her lungs giving her trouble. It shatters your heart. She’s always had the most contagious, obnoxious laugh. You miss the pure, unpunctured sound of it so much. 
You reach for her oxygen mask and gently place it over her mouth. “Just breathe, mom. It’s okay, I’m here. Just breathe for me, in and out…”
As much as it scares you whenever this happens, it scares her even more. The look in her eyes makes you want to cry. It’s a look that says “please make this stop.” 
You wish more than anything that you could.
It’s the moments like these that you want to curse your dad for leaving, for leaving his wife of almost twenty years like this.
She begins to calm down, her breathing slowing as she’s able to take full breaths again. 
“You okay?” you ask.
She moves your hand and lifts the mask from her face. “Just fine, sweetie. Sorry about that.” Her voice sounds so frail, like she’s just run a marathon. 
“Don’t apologize, Mom,” you lay a hand on your skinny thigh, squeezing reassuringly. “Please.”
She nods, then requests. “Tell me more.”
She doesn’t like to dwell on these things when they happen, so you start talking about the film and Jake some more. 
“He’s got a younger brother named Sam, who’ll be playing Lancelot. Apparently, there are a few scenes between him and I in the script that are a bit… sensual, you could say.” 
“Well, is he as cute as Jake?” she snickers.
“Mom! I never said Jake was cute.”
“Didn’t have to,” she says. “You think he is, I can tell.” Her grin says she can see right through you, and she’s not wrong. She never is. 
“I haven’t met his brother yet, so I have no idea.” 
You continue telling her more about the film, telling her about Natalia, but the conversation ends up taking a turn to being mostly (completely, actually) about Jake. 
“He’s just intimidated by you, y/n. That’s why he acts the way he does, so you don’t know his true feelings.”
You just shrug it off, knowing she’s obligated by blood to tell you that. She’s just trying to make you feel better.
“Just wait,” she says. “He’ll come around.”
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You look at your phone to check the time. 
3:45 am. Ugh. 
You’ve been in bed for hours desperately trying to sleep but your body just won’t relax.
You hated seeing your mom like that tonight. Watching her struggle to breathe… it's traumatizing every time it happens. And the episodes are becoming more and more frequent. 
You just want her to be healthy again. You want to be able to have a normal conversation with her without worrying about making her laugh. It’s tearing you down, watching her wither away like this. It’s not fair. 
You just wish there was more you could do. 
Along with the stress of that, you also keep hearing Jake's voice on a loop in your head; “I’m only asking because my brother wants to go over a read through some of the script on Saturday…you know, for the film project.”
“I’m only asking…”
It’s the way he said ‘only,’ as if to say ‘don’t get your hopes up, that’s not what this is.”
Him posing that question (before you knew the true intent behind it) made you realize that— as much as you wish you weren’t— you’re somehow on the cusp of having feelings for him. And your conversation with your mom made that fact even more abundantly clear. 
It’s most definitely not because of his winning personality. 
No; it’s much different than that.
He brings about an air of mystery everywhere he goes. Every step he takes adds yet another layer to your curiosity about him. 
And the way he acted when he asked you to be a part of his brother's film, how his face lit up in a whole new light. There’s a genuine man beneath his exterior— you can sense it. You just wish that were the Jake you’ve come face to face with nearly everyday since classes began a few weeks ago. That’s the side of him (if it is truly there and you’re not just making things up) that you want to discover.
He’s just… different. And you're annoyingly drawn to it. You're completely drawn to it. 
You’ve never met anyone like him— let alone anyone that looks like him. As much as you hate to admit it, he is the personification of the female gaze. And his ridiculous attire, complete with his open shirts that display his necklaces on top of his bare chest— and yes, even his sunglasses that you try (but fail) to hate— all make it incredibly difficult to not find him attractive. 
He’s beginning to consume your every thought, and you’re so mad at yourself for it. 
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Saturday.
You’ve spent the entire week dreading today, contemplating backing out more times than you can count. Jake has been increasingly rude to you since your encounter with him on Monday. He’s spoken one or two words to you throughout the course of the week, but that’s about it. 
Again, you're wondering why the hell you agreed to do him any favors. 
If it wasn’t for this fucking project in fucking Movack’s class…
Without the consistent convincing from Natalia, you would have backed out. No question about it.
“Just make it through Saturday, y/n,” she said. “And if you still feel this way, tell him you want to do something else for your project. He’ll have to understand.” 
You told her you’d do it, but only if she agreed to go with you. Thankfully, it didn’t take much convincing on your part and she happily accepted your terms.
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You bring your fist up to knock and wait a moment; nothing. 
You feel as though you’ve given it ample time, so you knock yet again. 
Finally, the handle on the door twists and is opened by, of course, Jake. 
You embarrassingly stare a few seconds too long, not able to find words.
Unenthusiastically, he breaks the silence, “Welcome to our humble abode.”
He holds the door open as you and Natalia walk through the threshold together. Immediately upon seeing the place, you’re in a state of pure shock. 
You’re not sure what you expected of Jake's home, but a two story, industrial loft apartment— massive loft apartment— right in the heart of downtown Detroit, was most surely not the first thing on your list. Natalia told you it was nice, but you weren’t prepared for this. 
How do three college students manage to afford this? 
The ever plaguing mystery continues.
It’s like walking into a photoshoot for a prestigious interior design magazine. This place doesn’t even look real. 
Your eye is instantly caught by the decor. A tasteful mix of bohemian and modern rustic. The red brick walls lead to tall ceilings covered with exposed steel piping, adding so much unique character to the place. Trailing vines line the huge windows, casting the living room in an almost sage glow.
Jake ignores you, (shocker) as he heads into the kitchen and opens the refrigerator. “Well that’s just great,” he says, taking out a can of Miller Lite and turning to face Natalia. “The least your brother could do is restock our beer when he takes the last one.” 
She just snickers in response. 
Suddenly a loud bang comes from a room up the long staircase, followed by a pair of animated giggles.
Jake turns his head slightly in the direction of the commotion, mumbling “fucking imbeciles” quietly to himself, but loud enough that you heard it.
“What the hell was that?” Natalia asks.
“Our moronic brothers,” Jake grumbles.
Then, a man with a set of wild, messy curls on top of his head jogs down the stairs, giggling while struggling to keep his footing. 
“What were you doing up there?” Jake demands. 
“Do you really want to know?” the curly haired one says, wiping his shiny lips with the sleeve of his shirt before smoothing down his disarrayed mustache. 
“Nope. Not one fucking bit,” Jake scoffs.
Jake then nods his head in your direction, letting him know that you and Natalia have arrived.
“Well hello, my dear Natalia!” he says, pulling her into a hug. 
Then, he catches your eye.
“Ah hah!” he shouts, giving you a long look. “You must be our queen! Lovely to meet you, m’lady,” He grabs your hand and kisses it before making a dramatic display of bowing before you. “If I may be so bold, the name is Josh. Sir Josh of the Frankenmuth, Michigan sector— at your service.” 
This is Josh? The other half of Jake? 
There’s no way. Sure, they have the same face. Well, besides the addition of a mustache and goatee to Joshs, but still. Clearly they’re identical, but so starkly different from one another.
You look over to Jake, noting a slight irritated look from him. Ignoring it, you meet Josh in a hug.
“It’s so nice to meet you!” You throw a little extra emphasis on ‘so’, looking at Jake once more and picking up on his eye roll— even from behind his sunglasses. 
You’re remembering your first encounter with Jake—how it was so vastly different from right now as you’re meeting his twin for the first time.
You instantly felt welcomed with Josh, while with Jake, you felt like a major inconvenience. (And admittedly, you still do.)
How can they be so different, yet look the exact same? 
He’s even dressed like the perfect contrast of Jake.
Jake is clad in his usual monochromatic look—sunglasses, black button down and all. (How many of these fucking shirts does the man own, for godsake?) 
But Josh, on the other hand— he’s wearing a stark white sweatshirt and skin tight khaki pants, pulled together aesthetically with high top tennis shoes that mimic the brightness of his top. 
They are the personification of yin and yang standing before your very eyes.
“Would you like a drink?” Josh offers. “We have beer, wine—”
Jake interrupts him, yelling, “There’s no more beer!” as he takes a long sip out of his can.
“Okay then, no beer.” Josh chuckles. “Well we have water, of course. But that’s far too boring. I'd be happy to mix you one of my world-famous cocktails if you’d like.”
“Take it from me— if you don’t want to end up sloshed, do not let him make you a cocktail.” Another man makes his way down the stairs, stopping once he gets to Josh. He towers over him, being at least six inches taller. He’s awfully handsome, with the same kind, honey toned eyes that mimic those of your lovely friend standing beside you.
“My sweet, sweet Malachi. It’s okay to just admit that I make the most pristine drinks known to man.” Josh grabs his waist and tugs him close in an embrace.
“This would be my brother,” Natalia says.
“This is y/n?” He greets you with a hug, nearly lifting you off your feet. “It’s so great to meet you! You’re so kind to help with this.”
“I’m glad to help! I’m a huge Arthurian nerd, so this is right up my alley,” you say to him. “I just hope I can do Guinevere some justice. I’ve never really acted before.”
“I have no doubt in my mind that you’ll be great!” Josh chimes, “If you’re ready, I’ve got one of your costumes set up in Jake's room. Last door, straight down at the very end of the hall.” 
Jake’s room?
“Okay! Sounds great. I’m really excited to see these. Nat told me they’re amazing,” you say, heading in the direction Josh told you his room is in. 
Josh watches you leave, holding his hands up in a makeshift camera. “Yep. You’re the perfect vision for our Guin. Very pretty,” He playfully nudges Jake with his elbow, “You were right, my brother.”
What does that mean?
Jake’s cheeks become encompassed in a pink hue as he chokes on the beer he’d just taken a sip of.
“Why thank you, Sir Joshua,” you say as you turn around towards him to curtesy.
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You were nervous enough about being in his home, but his room? That is an entirely different story.
A person's room is the most personal, intimate space. The space that holds all their innermost secrets. Walking in feels like the ultimate intrusion.
Your stomach tightens as you turn the knob on his bedroom door.
Immediately, you're struck with the same scent he carries with him. 
His whole room smells like it— like him. 
You turn to shut the door behind you to have some privacy, catching a canvas portrait on the back depicting an iconic Edgar Allan Poe quote: “Words have no power to impress the mind without the exquisite horror of their reality.”
The room is dimly lit, with blackout curtains hanging over the windows—only a single lamp in the corner next to the bed illuminates the space. 
The walls are lined with medieval artwork. Depictions of Ophelia and The Lady of Shalott, with a few famous pieces by the great Edmund Blair Leighton that you’d recognize anywhere. And, of course, no medieval artwork collection is complete without the classic portrait of Morgan Le Fey. She’s illustrated in her quintessential colorful attire, looking as enchanting as ever. A favorite or yours.
Your curiosity is certainly piqued as you notice a few books sitting upon his bedside table. 
The Lord of the Rings series. A Tolkien fan— you’re not surprised in the least.
The Two Towers is splayed open to page 316 with the corners very gently dog eared. 
Next to the book lies an opened notebook donned with scribbled detailings of what he’d read. Little footnotes and observations, brief analyses of chapters.
A smile dares to creep across the corner of your mouth— finding it incredibly nerdy, yet all at once completely endearing that he places so much care in what he reads. 
You know next to nothing about this man, but one thing you do know— he loves literature. And you’d bet he loves it almost as much (if not slightly more) than you do. That truly says something. 
On top of the table on the opposite side of the bed sits a small record player, the record sitting under the stilled needle— Electric Ladyland by Jimi Hendrix. 
You skim a few other album titles placed on the shelf next to it, seeing the likes of Stevie Ray Vaughan, Eric Clapton, Janis Joplin; he’s a blues kind of guy. 
You grew up on that very same music, all thanks to your mom. She made sure you were well versed on music from a very young age. 
A dark red Gibson SG is perched on its stand right next to the table holding the record player. The scratches engraved on its body indicate heavy use— you can tell this thing is quite loved.
He’s… a guitarist? 
God. The mystery surrounding this man is never ending. There’s so much you don’t know, so much you wish you did know.  
Feeling as though you’ve explored far too much of his room, you decide to focus your attention on the garment bag laid out across the black velvet duvet across Jake’s bed.
You unzip it, your nerves exuding through your shaky hands at whatever you’ll discover inside.
You lift the dress out of the bag high above your head as the length reaches clear to the floor. 
Holy shit.
When Natalia told you these costumes were amazing, she was understating to the highest degree. 
Golden hand sewn lace embroiders the deep burgundy corset bodice. The square neckline is garnished with gold and red gems in the most intricate pattern, with the same jeweled design present on the cuffs of the long sleeves. The skirt, the same shade as the bodice, is silken and heavy and adorned with a similar gold design cascading all the way down to the hem.
Truly fit for a queen.
You can’t help but wonder where they possibly found this. It’s the most gorgeous gown you’ve ever seen— and you get to wear it. 
Undressing yourself in Jake's room feels…strange. You feel vulnerable and exposed, but the butterflies in your belly are swarming at the thought— the thought of being only in your bra and panties in Jake’s bedroom.
Taking another look at the corset, you quickly learn that a bra is simply not an option for this dress. You remove it, feeling particularly risqué now being half nude in his room.
You lay the dress on the floor and step into the skirt one foot at time, lifting it up and carefully putting your arms through the sleeves. 
You try tightening the laces of the corset, but without being able to see, it’s proving to be rather difficult. You know there’s not a chance you can get this situated yourself. 
You decide to text Natalia to come help you, but as you go to look for your phone, you remember you left it sitting on the coffee table in the living room. 
“Fuck,” you whisper to yourself. 
You open the door and marginally peak your head out, calling for her to come lend you a hand with the dress. 
“Sorry— should’ve warned you about that,” you hear Josh yell from across the apartment. 
“You rang?” Natalia jokes as she makes her way down the hallway to you. 
“This is fucking impossible to get on,” you huff, closing the door as she walks in the room. 
She chuckles as she shoves your hands out of the way to take over tying the corset. “You’ve really got yourself in quite the mess here.”
She sinches it as tight as it will go, forcing the breath out of your lungs in one final tug of the laces. 
“Jesus, Nat!”
“Oh you’re fine. God, you literature people are so dramatic.” 
“You’re one of us too, you know,” you quip back.
She secures the ribbon tightly with a bow before she says, “I think you’re in. Turn around, let's see what we’re working with.”
You run your hands down your torso and up to your chest, feeling the constriction present against your breasts as you turn your body to face her.
“Holy fucking shit, y/n. That’s what you’ve been hiding under those giant ass sweaters?” she marvels with arched eyebrows and wide unblinking eyes. 
You haven't seen yourself yet, and judging by how snug the top of this dress is hugging you, you’re not exactly sure you’re ready to.
Pointing to the mirror leaned against the wall, she tells you, “Get your ass over there, you have got to see this.”
Years of body dysmorphia have set you up to hate everything you put on if it isn’t something that hides you. Tight fitting garments are your worst nightmare. You feel safe in things that conceal your figure, and being in something that doesn’t do that is forcing you to come face to face with the thing that terrifies you the most. 
With a reluctant sigh, you slowly walk over to the large wooden oval floor mirror standing next to the matching dresser. 
The first thing you notice upon lifting your eyes to meet your reflection— your breasts. From feeling them moments ago, you knew they were on full display, but you didn’t realize they’d be this exposed. One slightly questionable movement, and it’s all over.
The sleeves sit off your shoulders, leaving them exposed with the rest of your chest. 
Your eyes trail down to your waist that is being held tightly by the corset, your figure finally being exposed. 
“O-oh god…” you quietly stammer. “I look…”
“Insanely hot.” Natalia interrupts. 
“…I look fucking ridiculous.” 
“What the hell are you talking about, y/n?” she demands.
“This isn’t flattering…not in the slightest.” You bring your arms up to fold them over your chest. You can’t hide as easily as you would like to in this get up— and the thought of being filmed in this has your stomach in a nauseous hold. 
She walks closer to you and gently brushes your arms, motioning for you to put them down— to stop hiding.“You’ve got to be kidding me, y/n. This dress was made for you.” She adjusts your right sleeve a bit, smoothing down a few wrinkles. With a tender voice, she asks, “What could you possibly not like about this?”
“I’m not you, Nat. I can’t pull this off like you could.” 
“Do not start that shit with me, girl.” She sounds more stern this time. “Just because you don’t look like me, does not mean you aren’t fucking beautiful. If I have to spend all night convincing you that you’re gorgeous, I will.” 
Natalia is the kind of person you’ve needed in your life, your whole life. She just gets you, and she always has the right thing to say at any given moment. 
Not wanting to make this moment any more about yourself than you already have, you simply say, “Thank you, Nat.” 
You reach for a hug and she pulls you in, saying “You’re welcome. Now, get yourself out there. I can’t wait to see the look on these boys’ faces.”
Just in time, a knock sounds against the bedroom door. “Uh ladies? Time is of the essence!” Josh jokingly yells from the hallway, snapping being heard through the wall. 
You’re standing completely still, fear keeping you frozen on your feet. She notices and motions for you to move. 
“You first,” you tell her.
She playfully rolls her eyes and agrees. Opening the door, she says, “Let’s go, your highness. Your kingdom awaits your arrival.” 
You follow her down the hallway, hiking the skirt of your dress up as it’s far too long for you. You're so anxious to let Jake (and the other guys— but mostly Jake) see you like this. Petrified, really.
You’re afraid of his reaction, that it won’t be what you want it to be— that he’ll act disgusted. 
But all the same, you want him to see. Maybe this will change his mind. Maybe he’ll think you look as good as Natalia says. 
You can only hope, anyways.
Natalia pulls out all the dramatic stops to introduce you. “Gentlemen, I present to you, your queen.”  
She stands to the side as you walk forward into the living room. Josh is sitting on the couch next to Malachi, both of them with large smiles across their faces at the sight of you. They each fawn over you, telling you how immaculate you look. Josh praises Malachi over and over for managing to get them the perfect gown, “The sizing is impeccable!” he tells him. Then he winks at Natalia. “Thanks for getting her sizes for us, Natty!”
You hear them, but you’re hardly paying them any attention as you’re stuck scanning the room for Jake, but to no avail. He’s nowhere to be seen. To say the very least, you’re full of disappointment. 
“Well, fuck me,” you hear a voice say, one that you’re not quite so familiar with.
You snap your head in the direction of the voice to see a man— who looks a little like Jake?— leaning up against the floor to ceiling window in the dining room. 
“Seriously, Sam?” Natalia snaps, “Where the hell are you manners?”
Sam— the Sam. The one you’ll be sharing the screen with the most.
It makes sense why he’d be chosen to play ever-romantic Lancelot. He’s a major flirt, quite fitting for the role. And— he’s fucking beautiful. Something you were not anticipating. (And something you hadn’t even thought about, with your mind being so overloaded with thoughts of Jake.)
While he doesn’t share the same similarities with Jake as Josh does, (they’re twins, so, obviously) you most definitely can’t deny the fact that they’re brothers.
Sam is a bit taller than the twins, his body shaped completely differently to accommodate his longer frame. His facial hair is quite similar to Joshs’, with his hair more the likes of Jakes'. 
“Sorry, I can’t help myself when I see a pretty girl,” Sam blurts. “You sure you’re at the right place? Seems you should be galavanting in Hollywood looking like that.” 
A heat rises to your cheeks at his compliment. You’re sure your face is nearly the color of the gown you’re in. He’s awfully bold— and you kind of like it. 
His eyes stay fixed on you as he begins walking in your direction.
“I take it you’re y/n?” he asks, taking your hand and giving your knuckles a quick peck. “I’d say Jake made a good choice for our queen.” He looks into your eyes as he gives the back of your hand yet another kiss— this one a bit more involved. 
You smile at the feeling of his mustache ticking your hand as he grins against the skin. “Thank you, Sam. I’m quite flattered,” you say, still giggling like a fucking school girl with a brand new crush.
“Oh Jesus Christ,” Nat quips with a stark roll of her eyes. 
“This…THIS!” Josh shouts as he stands from the couch, trotting over to you and Sam. “The exact chemistry I was hoping for. You two just naturally have it— you exude it.” He grabs you both by the shoulders and pulls you both into a three-way embrace. “Sam, go put on your costume. We should run through a quick scene. I just have to see how this will play out.” 
Josh is so giddy about it all that he plants a wet kiss to your cheek, saying with a sincere smile, “You really do look wonderful, you know.”
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Josh led you all down a little pathway behind their apartment building that leads to a shrine of towering beautiful, old trees. The sun just barely breaks through the colorful leaves on their full branches, illuminating the mossy ground in a soft and subtle golden glow. 
His vision for this particular scene with Lancelot and Guinevere is to take place in a forest setting, a “secret hiding place tucked away in the depths of nature's wonder,” as he put it.  
You look around in awe; it’s though you’ve walked through the pages of an old story book. An enchanted forest, right in the middle of the hustle and bustle of the busy city. You would have never guessed this was hiding here. The perfect spot for a film– more importantly, it’s the perfect spot for lovers to enjoy their inconspicuous love affair. 
“The lighting right now is unmatched,” Josh exclaims, taking note of the time so he knows when to come out when you’re ready to actually start filming. It’s just after 5:30, and with autumn nearly in full swing, it’s right at the beginning of golden hour. With the way the trees are shading the sun, it makes for the most beautiful, soft scene— almost lucent. 
It reminds you so much of the serene road you’ve found for your morning treks to school each day. You feel the same way here as you do on that secret road; this will surely be a new favorite place of yours. 
You’ve got the script in your hands, skimming through the scene Josh has highlighted for you. 
Guinevere is sending Lancelot off to a jousting match, giving him her red scarf in secret to tie around his arm as a token. He must wear it during the game for good luck, and he’s meant to return it to her once he wins. A common medieval practice amongst lovers. 
It ends with her wrapping her arms around him, enveloping him in a “deep, heated kiss to bid a farewell,” according to the script. 
Oh god.
You read ahead a little. Apparently, this will be what gives their little love affair away. Arthur will recognize the scarf around Lancelot's arm as his wife’s, and the rest will be left to history. Angsty– wonderfully so. 
“Right here,” Josh says. “This is perfect.” 
He positions you and Sam in a spot that’s right in the middle of a circle of trees. 
Sam's skin is glowing beautifully in this light, his dark eyes now several shades lighter as the sun catches them just right. 
You can’t help but stare at him. He’s just so handsome, and he looks particularly regal in his costume. A white velvet, high collar top with white pants that are hugging him in all the right places, and a deep red cape draped over his broad shoulders— the same shade as your dress. 
Is it historically accurate? Absolutely not. But it is most definitely serving its purpose of making him appealing to the eye, or making him lust worthy— which is exactly what Malachi was going for when he chose this get up. 
His cape is meant to match your dress, symbolizing their affection for one another. 
It’s brilliant, honestly. 
Josh puts his hand on your shoulder, his perfectly round eyes meeting yours while he quietly says, “If you’re not comfortable with this, please don’t be afraid to tell me or Sam. Promise me you’ll say something.”
Sam looks at you with the same eyes as Josh, wanting to make sure you’re comfortable enough with everything before you start.
You smile at them both, patting Josh's hand that’s still resting gently on you. “I promise.”
“Okay, great. You guys ready?” Josh asks. 
“I think so,” Sam says, looking down at you with heavy eyes and a sweet smile. “You ready, y/n?”
As you’d walked the path down here, Josh mentioned that Jake left to go get more beer while you were getting dressed. And… he’s still not back yet. 
A part of you doesn’t want to do this without him here. Why? You wish you knew. It just doesn't feel right for some reason.
You look around at everyone once more to see if maybe he’s shown up and you just didn’t realize it.
You see Josh, Malachi and Natalia all standing around you— but no Jake. 
Oh well…
Matching Sam's smile, you say, “Yep. I’m ready.”
Neither of you have your lines memorized just yet, so you both read directly from the script.
Sam begins the scene:
“My love. I accept this token and will wear it as I carry you with me, that with it wrapped around my arm, so as you are wrapped even tighter around my heart.”
Then you:
“With it carries the promise you will return to me, unmarked and whole. Again will you lie with me, again will you hold me as tightly as my token holds you.”
You know Sam is acting, but the way he’s looking at you as you say your line— he looks like he’s madly in love. It’s catching you off guard, making your knees weak as your voice trembles with the next line.
“Seal your promise of returning to me with your lips, my love. Kiss me and tell me it’s true that you will hold me again.”
With that, Sam drops his script to his feet. He lifts his hands to cup your face, holding it gently as his thumbs lightly sweep across your cheekbones. Your breath hitches, and you too, drop your script. 
This… this suddenly doesn't feel like acting anymore. 
He leans in slowly, his lips just beginning to brush over yours. You grip his shoulders, leaning in the rest of the way until, finally, your lips collide with his. 
A kiss so sweet and tender. Not too deep, yet a far cry from a friendly peck. 
He pulls away from you delicately, the sound of his lips breaking from yours the only one you can hear as silence lingers in the air around you.
As you look into his eyes, you notice something different, something real. Like he’s wanted to do that since he first laid eyes on you just a short while ago. 
“Wow, y/n’s got some serious acting chops after all,” you hear Natalia say, slowly clapping.
But it’s abruptly interrupted by someone speaking.
“What— what the fuck is going on?” That voice… you know that voice without even looking away from Sam. 
Jake. He’s back. 
“Bravo, bravo!” Josh shouts while clapping his hands. “God. Beautifully done, you guys. I’d like to run through it just once more. Give me a little more passion this time.”
You finally look away from Sam, seeing Jake standing next to his twin with a bewildered look upon his face. 
In his all black outfit, he really stands out amongst everyone, amongst the golden sun rays that shine down upon him.
He’s not wearing his sunglasses, and you’re once again spellbound by his eyes. Their amber tone heightened in the light.
He just looks so fucking good. 
Sam is beautiful, but he’s just not Jake. 
“Hello? Is anyone going to fill me in on this?” Jake asks again, motioning his arms toward you and Sam.
“We’re rehearsing a scene, Jake.” Josh retorts. 
“Yeah? And what scene might that be?” Jake sounds quite unhappy, much to your confusion.
Josh picks up the script at Sam's feet, holding it open to the page you’re currently working on. “This one,” he says. “The one where she gives Lancelot her token. I wrote this weeks ago, Jake. Why are you acting like you’ve never seen it?”
Jake hastily takes the script from him and reads over the scene in question. “I swear I’ve never read this before.” He continues flipping the pages, going back and finding more scenes that will be shared between you and Sam. “Why the hell do they have so many of these scenes together? When did you decide on all of this?”
“Seriously, Jake?” Josh scoffs. “These scenes have always been there—,” he growls, using his hands to help communicate the emotions in his next words. “You clearly haven't read a word of the fucking script. Guinevere and Lancelot’s affair is the main focus, with some on Arthur’s affair with the maiden. We literally talked about this. Multiple fucking times.” 
Jake gives the script back to Josh, fiercely rubbing his chin as he does so.
“Why are you so upset, Jake?” Josh asks. 
“I’m literally not, Josh.” 
“Uh, yes you are. You only rub your chin like that when you’re pissed.” 
With a flair of his nostrils, Jake says, “Just get on with your goddamn rehearsal.”
“Just ignore them. They do this shit all the time,” Sam quietly says to you. “Ready to do this again?” he asks.
With your attention back on Sam, you smile and nod your head.
You do the scene again, much the same as you had before. But this time, with the watchful eyes of Jake, you feel a bit more… inspired. 
“Kiss me and tell me it’s true that you will hold me again.”
Sam once again takes your face in his hands, leaning in close to you. 
This time, instead of grabbing his shoulders, you opt to run your fingers through his hair. 
Locking eyes with Jake, who’s standing perfectly in your view, you lift your face to crash your lips with Sam— much harder this time. 
Josh wanted more passion, and he’s getting exactly that.
You push your tongue past Sam's plush lips, eliciting a soft grumble from deep in his throat. 
His hands suddenly move from your face to your neck, his fingertips tracing the skin while leaving goosebumps in their wake. He then reaches down to your waist, pulling you tightly against his body.
This is no Guiniverre and Lancelot sharing a secret kiss in the middle of a hidden forest; this is you and Sam enjoying the hell out of each other. 
But even as your mouth is fully enveloped with Sams, even with your tongues fighting for dominance with one another— your only thought… is Jake. Fucking Jake.
You situate your face just so, where you’re again able to look Jake in the eyes. He intensely glares as he watches you in a moment of pure desire with his brother— and he doesn’t look happy.
Incidentally, it's only adding fuel to your fire as your lips continue furiously attacking Sams. 
You wrap your hands even tighter around his soft locks as his tongue is dancing with yours. 
More beautiful, hushed moans escape Sam’s mouth straight into yours as you echo them right back to him. 
He tastes like heaven mixed with a delicious honey sweet bourbon, he’s fucking delectable. 
With a little hesitancy, (especially on Sam's part) the kiss breaks as you are forced to come back up for air. 
Sam is still holding you close, so close that you can feel his enthusiasm between your bodies that’s thankfully being covered by the skirt of your dress.
“You’ve uh, got me in a bit of a predicament here,” he whispers, his lips ghosting over the shell of your ear.
You look him in the eyes, biting your kiss swollen bottom lip. “I can tell. Pretty big predicament, huh.” Your new found bravery has taken even you by surprise. 
Sam just smirks at you while everyone is left stunned at your performance. 
“I… am so fucking pissed,” Josh says. 
“Why, babe?” Malachi asks him.
“Because I didn’t bring my fucking camera. You two… you two were made to do this together. I really hope you can do that again. Holy shit. Bra-fucking-vo.”
“What do you think, y/n? Think we could do that again?” Sam asks you. Although it’s clear he isn’t referring to the film. 
Looking at Jake, his jaw clenched and his fists tight, you say, “Yeah.” You tear your eyes away from Jake, looking at Josh to finish. “I think we could do that again.” 
⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ 
A few weeks have gone by, and most things are going very well with the production. 
Josh is a fantastic director (albeit, a little too bossy at times). Their sweet friend Daniel wound up being a great cameraman, getting shots of you that didn’t make you completely cringe at first glance. Then there was Malachi, who is consistently helpful, just like his sister. Sam, the perfect scene partner— so attentive and great at checking in with you between takes. 
And Nat, ever the loyal friend, has still been coming to rehearsals with you. She hasn’t missed a single one, and her support has meant the world to you. Each time you feel a rush of insecurity washing over you, she’s there to talk you through it and be the encouragement you need.
The only part of these rehearsals that’s getting extremely old is how much Jake inserts his “constructive creative criticism.” 
On more than one occasion, you’d shoot daggers in his direction and remind him that he’s not the director and to leave it to his brother. To which he’d respond with a scoff, palms planted, strong on his hips, and turn to leave the room in a huff. 
Then there are the arguments between the twins… which have been growing in intensity. Some days production ends because the two of them just refuse to see eye to eye, making it impossible to get through a single scene. 
You have to admit— these two are rather passionate about their work.
You just wish they’d stop arguing long enough to showcase their talents. 
The most memorable day on set as of yet was the day Jake's costume had finally arrived. 
He’d been taking far too long to get dressed in his attire, causing Josh to succumb to a near full meltdown. The sun was setting and Josh was adamant about getting at least one scene with Arthur shot outside. 
Jake, however, was extremely unhappy with the costume that was chosen for him. He refused to walk out in it, claiming it was nothing like what he had pictured for the character. “This isn’t Arthur,” he said. “This is a goddamn see-through crop top.”
And that had instantly piqued your attention. You’d walked around the corner of the hallway, Natalia leading the way. Thankfully— because she did not need to be privy to the fact that you were so curious. 
Then, you saw him. Clad in his film outfit that was a cut off chainmail top, with its short, tight sleeves putting his muscular biceps on full display. 
His pecks, (which you’ve caught yourself admiring a time or two before) looked particularly perked and rounded. 
You also loved how sheer the top was, giving you a fantastic view of his skin underneath. 
Jake clearly wasn’t happy about it, but you most definitely were. 
“Goddamn…” you whispered to yourself, watching the way his arms flexed each time he adjusted his shirt. You couldn’t help it. He just looked so fucking sexy. 
“I’m not wearing this, Josh.” Jake asserted. “Nope. This is ridiculous.”
“Yes you are, Jake. It’s only for a few scenes, then you can wear the outfit you chose.” Josh blurted. “And I told you we’d get you a black cloak to wear. Will that make you feel better?” You noted a bit of sarcasm in his voice.
“Fuck no,” Jake said. “And why the hell does Sam get to have my sword for so many of his scenes?”
The argument continued on, and almost an hour later, Jake finally gave in. But, it was too late. The sun had gone down, and you were all ready to call it quits for the night. 
“Well, a fucking wasted day. Thanks an awful lot, Jake.” Josh shouted as he stomped up the stairs.
They were able to shoot that scene the very next day, and as usual, they acted as if nothing had happened. 
It’s pure whiplash with these two. One minute they’re cussing each other out, on the verge of throwing fists; the next, they’re making each other laugh so hard they’re nearly rolling on the floor. 
Outside of filming, Jake has remained stoic– ignorant to your existence. 
At school, he acts as though you don’t exist– only acknowledging you if he absolutely has to. For instance, before you can even try to get a word in before or after class, he’s already shooting up out of his seat before you have time to even think about standing up.
And similarly, at rehearsals, your conversations are limited to one or two words here and there, besides the incessant critiques he tosses around after your scenes. 
Sam, however, has given you nothing but praise after praise. His flirting hasn’t let up— and you’ve been dishing it right back any chance you get. 
You had ultimately decided if Jake wouldn't give you the time of day, you’d give it to someone who will. Who just so happens to be Sam.
Although, it lends more material for Jake’s reproval. The comments he’d make about it were aggravating at best.
“Can you show us all some fucking respect, please?”
“We’re trying to get work done.”
“Do you want us all to have failed projects because you two can’t stay fuckin’ focused?”
And, to every response, Josh shut him down, scolding him for being an asshole. 
“You’re going to chase away my muse, Jake. Please, cut the shit,” he’d roll his eyes, messing with the sides of his hair, fluffing it, cutting a glance at his twin. “I’m tired of you acting like a child. You’re the one causing us to lag with the ridiculous comments.”
The comments did distract you a little from the scenes you knew were coming up rather quickly on the filming schedule… but his remarks also added unnecessary anxiety to the overall atmosphere for you. In which case, Sam would be the one to make you feel better, bringing you right back to him.
The particular scene that’s hurtling towards you is happening later this week. You’re filming a brand new scene with Sam that will be far more intimate than anything you’ve filmed thus far. 
Josh wanted to give you time to adjust to everything and feel completely comfortable before he introduced this part of the film.
You’re still nervous about it, but your eagerness to see the film through has you ready to give it a go. 
The day before the filming of the scene, you go about things like normal. You have so much fun rehearsing with Sam; Nat and Malachi watch in awe as the scene flows flawlessly between the two of you, like it normally does. 
And today, it’s easier because Jake had been strangely absent. But, it hadn’t been better. Because no matter him being so irritating, you had sort of missed looking up at him, mid-scene with Sam. It had become oddly normal to find his eyes while meeting Sam’s lips.
After finishing a rather long rehearsal, Josh reminds you in passing that you’ll be wearing a brand new costume for tomorrow’s shoot.
And you figured today was as good a day as any to give it a peek.
Walking to Jake’s room to locate it, you sent Nat a quick text that you were heading there. She’d slipped away with Malachi to discuss costumes, but you knew if you ended up trying the costume on that you’d need her there to help (or at the very least, encourage). 
Jake’s room has become designated for your costumes, of which he has expressed ample irritation about. Just one more thing for the twins to fight about.
You’re actually starting to believe that Josh made it that way just to spite Jake. 
Once you make it there, the stark red garment bag is hanging on the closet door, awaiting you. It’s the other one that had been laid out on Jake's bed that first day you came over. 
That day had slipped away from all of you with Josh’s insistence that you and Sam re-rehearse the kiss, over and over. So, you never got the chance to try it on. 
You had hesitated looking at it since that day, though, because Nat forewarned you that this costume was much more revealing than the last, and knowing that, you haven’t really been in any hurry to try it on. 
Lifting up on your tiptoes the slightest bit, you grab the garment bag that holds the brand new, different costume that Malachi has specially picked for you.
Nat had fortunately gotten the text and had made it in time to help you remove the corset dress, carefully placing it back in its garment bag. 
Left in your black thong, lacking a bra from your prior costume, you look at the other bag, now laying on the bed. Your stomach sinks to your knees at the possibility of what’s hiding beneath the red canvas.
“Just how bad is it, Nat?” 
The anxiety you faced trying on the first dress weeks ago is now creeping its way back in. You’re scared stiff for a moment, staring down at the costume still hidden beneath the red fabric.
“You’re overthinking it, y/n,” she says. “Just open it and find out. All I can tell you is you’re going to look unreal.”
Not wanting to draw this out any longer, you start unzipping the bag, slowly revealing the black lace that was tucked away inside.
You pull on the hanger to take it out of the bag fully. 
A long black gown of intricate lace and chiffon— a lavish, luxurious piece of… lingerie. The gown exposes skin, hiding just beyond the cloth. Tight at the bust and waist, and flowing out at your hips. 
The neckline is completely open and plunges down to the waist. The mesh material decorated with an elaborate floral design— is utterly see-through. The front of the gown is held together with only a black satin ribbon tied in a bow.
“Holy shit, y/n,” she gasps, admiring every piece of your body she can see. “You look like a piece of fucking artwork. Utterly gorgeous, honey.”
“God, Nat…” You hold it up to your body, running your fingers over the long, bell sleeve. “I really don’t know about this.”
“Josh told you if you don’t like it, they’ll find you something else. But you should at least try it on, see what you think,” she says. 
You’re scared of putting it on and absolutely despising your body; you’ll be forced once again to face all of the things you don’t love about it— you won’t be able to hide in this. Not at all. 
But, you promised Josh and Malachi you’d try it. And Nat is right— they have assured you over and over again that if you’re not happy with something, they’ll fix it. No questions asked. Josh asks you every single day if you’re comfortable with everything, and he’s made it abundantly clear over the course of the production that you must tell him if there’s anything you don’t like.
Clearing your mind of any more thought, (because you’ll overthink yourself to the death if you don’t) you untie the sash, placing the gown over your body. 
As you suspected, there's nothing left to the imagination. 
The lace just barely covers your breasts, laying completely open down to your belly button— and you’ve suddenly become hyper aware of the fact that your nipples are peeking through the sheer fabric. 
“Please tell me they have pasties for me, because this,” you grumble, pointing to your chest, “is not going to work for me.”
Initially you’re talking about your nipples that you can see through the sheer fabric, but you figure there’s no use in hiding what’s on your chest from Nat. Something you would also like to be covered from eyes that you can’t fully trust yet. So, you lift your breast the slightest bit to also expose the red ink lying beneath the supple flesh.
Redrum, in dark red ink etched along the curve underneath your right breast. 
Your best kept secret is no longer hidden with the likes of this dress.
“Is that…. a tattoo?” 
You had decided on an impulse one night (after a few too many drinks) that you wanted a tattoo. It had been a hard week of treatments for your mom, while also simultaneously being the week that you found out about your acceptance to U of M. And you had figured you might as well do something for you— both to celebrate and distract yourself from the sad reality of your mother’s decline. 
No one knows about it (save for Natalia now). Not even your mom. It was gotten with the intent to be something special for you and only you. A part of your body that you could find comfort in despite your dislike for your build— something about yourself to be comfortable with.
And being the massive Stephen King and Kubrick fan that you are, you decided on a tattoo that solidifies your love for The Shining. Both the book and the film have carried through some incredibly tough times in your life, so you can’t really say you regret the permanent decision. But, you like that it’s something sacred for just you. 
“Yeah,” you say, tracing your finger along the flesh like you do nearly everyday. Just to ground yourself. “Important to me for several reasons. No one knows about it. You’re the first to know I have it actually.”
She nods in approval. “I’m honored,” she says, a sweet grin highlighting her features. “And I’m totally here for it.”
You really weren’t ready for everyone to see it yet, though. 
“Do you think there’s something that we could cover it up with?”
She is already walking to the door as you ask, ready to help however she can. 
“I’m going to check with Malachi,” she says, one foot out the door. Then she steps back inside the room, shutting the door to a crack before she whispers. “I won’t tell anyone about it. I’ll just say I wanna snoop through Josh’s Ben Nye.”
“You’re the best Nat,” you feel tears well in your eyes. 
You’ve never had a friend as wonderful as Natalia, and with every small thing she did to help, it solidifies how grateful you are for her. 
When the door closes behind her, you decide to bite the bullet and look at yourself once more.
Your thoughts begin to torment you, but you combat them with Natalia’s words. 
“You look like a piece of fucking artwork. Utterly gorgeous, honey.”
You wish so badly you could eternally shut the thoughts off long enough to see yourself the way others see you, especially in these stunning costumes that you should feel beautiful in. 
Someone as lovely as Nat— inside and out— complimenting you in the way she has, you should feel inclined to believe her; she’s not just telling you what she thinks you want to hear. She’s the most genuine person you’ve yet to meet and the last person to ever bullshit you. 
A few heavier tears have begun to form, threatening to fall at any moment as you take in your image in the mirror.
You do look beautiful.
For the first time in god knows how long, you can see your beauty reflecting back to you, effectively telling your ever intrusive thoughts to ‘fuck off’ once and for all.  And it’s not just in your body, it’s in you. The beauty within yourself that fully encompasses who you’ve grown to become as a woman.
You’ve been through some tough ass shit— had to go through things that you wish you hadn’t had to… and you’re still standing here to speak of it. That, in and of itself, is an accomplishment that shows some sort of beauty and resilience flowing from inside of you. 
It doesn’t feel right acknowledging these things. You’re not used to it. But at this moment, it feels okay. Feels good. You let yourself have it for now.
You normally wouldn’t dare be caught in something like this (let alone allow yourself to be on camera) but now, you’re actually excited. You never would have guessed you had a passion for acting, for playing a character so vastly different from who you are in real life. You’re glad to have somehow stumbled upon this whole thing; it’s helped you find the confidence in yourself that you’ve been desperately searching for your entire life. 
Moving the material covering your thighs the slightest bit, you reveal your leg, flexing it and admiring the taut flesh there. The feminine way your body is built complimenting the lean muscle that’s been built from hard work over time— working your ass off to get to where you wanted to be. Then, you poke your ass out, turning the slightest bit, you see the plush skin of your ass through the thin, dark material. You take the briefest second to appreciate the way it looks, round and full at the top of your thighs. Usually you would hate acknowledging that—hate. it.—but right now? It’s something sort of… sexy, seeing it. It’s hidden away beneath the flowing material, but wholly visible as well. 
It’s mysterious and you like it. The gown acknowledges parts of your body, without putting it on full display and it’s honestly everything you needed. It helps you to accept the curves you usually curl your lip at. 
Just then, as you stand there with your leg completely out of the slit, you hear the handle on the door turn and the door slowly creak as it’s being opened from the other side. 
Nat must’ve found the makeup for your little secret. You hold your breast in preparation to cover the ink, but don’t immediately turn around towards the door. Part of you, wanting her to see this new found confidence you’ve discovered within the confines of this gown. 
“I am so fucking glad you talked me into trying this on. I would have never if it weren’t for you— “
The sound of a throat being cleared of tension is made, interrupting you before you’re able to get the rest of your words out.
With a slight cock of your head in the direction of the door, your hair waving around your shoulders in the process, you realize… it’s not Nat standing on the threshold. 
Stunned, frozen solid in your position that exposes your leg all the way up to the round flesh of your ass peeking through, you realize that standing where Nat should be… is Jake. 
He’s as still as you, with one hand still on the doorknob and the other tightly gripping the frame on the other side. 
You half expected him to shut the door immediately upon seeing you, but he didn’t. He’s just standing there, eyes trailing your barely clothed figure. 
You should say something. You should tell him to get the fuck out and give you some privacy. But as you attempt to open your mouth to do so, nothing comes out. 
His eyes linger on your face for a time, but eventually, they start trailing from your feet, up your legs, over your hips and taut stomach. You’re hardly breathing, but your chest is still heaving short breaths… 
It becomes obvious to you that you like how his eyes feel on you. How he’s observing every inch of your body that you’re feeling brave inside for once… 
You want him to see, to see you exactly like this. 
Suddenly, your nipples harden when his dark, whiskey colored eyes (sans sunglasses, thank fucking god) find your shapely breasts outlined by the fabric just barely hiding them. The hand covering the round flesh tightens in an attempt to conceal the tattoo, but you’re longing to release the hand and show him all of you. 
But you know better. So your hand stays firm, but you let your erect nipple peek through the fingers splayed across your chest. 
You hear footsteps quickly stomping down the hall, becoming louder as they get close to Jake’s room.
“Jake! What the fuck are you doing?” Nat’s hand reaches out from nowhere, takes his arm and shoves him clear of your sight. Successfully breaking your lust ridden trance. “Give her some fucking privacy, godammit!”
And as you stood there, Nat giving Jake a piece of her mind, you can’t ignore how hot and bothered you’d become. You rub your thighs together, searching for a hint of friction from whatever had just transpired between you and Jake, longing for more of it. 
Your friend finally comes in, adamantly running her mouth about how irritated she is by Jake’s intrusion, but you don’t hear her words. 
Because you feel the complete opposite of her. In fact, you want to push her out of the room and bring Jake back to finish what had just barely begun. 
“God, he’s a fucking idiot. I’m sorry about that,” she says as she begins rubbing the stage makeup on the skin of your tattoo, you imagine briefly that her fingers are Jake’s… 
Then, feeling your nipples begin to harden from the thought, you clear your throat. Fuck. Too far.
Cover, cover, cover… 
She can’t know. 
“Damn,” you shake your head, your cheeks hot. “Why do they always keep it so cold in here?”
Thankfully, she doesn’t seem to notice a shift in dynamic as she laughs.
“I know, girl,” she snorts, a curl falling in front of her eye that she blows away. The breath makes your skin prickle with goosebumps. “Malachi is always giving Josh shit about it.”
She finishes blending out the makeup, adding a little powder on top to set it. 
“I’d say we’ve got you pretty well covered. Take a look, tell me what you think.”
You turn back to face yourself in the mirror, and right before you’re able to look at your reflection, a picture sitting on the dresser catches your eye. 
It’s of the three brothers— Josh, Sam, and Jake… their arms around each other as they smile wide.
But you can only look at Jake’s face, his smile so beautiful and bright in the image. 
“Yeah, it looks great,” you say, eyes fixed on Jake’s handsome face, smiling back at you. “Looks really good.”
a/n: any thoughts as to why Jake is being so horrible during this film production? 🤔
buckle up, we've only just begun. ;)
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cerastes · 17 days
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hey drimo, with the RA2 monthly update having dropped I figured it was high time to go build up my Forward Camp a bit for the Warfare monthly maps - do you have any advice on how to create a proper torment nexus in the Forward Camp? 
My first inclination had been to just recreate what I made in RA1 (winding labyrinth with lots of net launchers, gas launchers and a narrow kill lane), but IDK if that will work out and the resource outlay for a properly built up torment nexus IS pretty huge even with all the extra ways to get stuff in RA2
(sent by @the-cornuthaum​)
Recreating an RA1 format base is indeed a good long term goal in my opinion, but as you said, it’s a resource intensive matter, particularly because it takes literal thousands of Stone -- Lighting Ore is really not an issue if you do a lot of Strange Territories -- to make all those ideal Urban Barriers III.
Personally, I would start with making a simple kill lane and building outwards from there, probably with a loop being the next thing after the kill lane. Cover your Campervan with Urbans, then choose a direction and make your lane there, and then stretch to either side of preference and make a basic loop surrounding 3-4 Battlements. This is highly informed by my own preferences and player expression, mind you, because I love radial range units -- Lin, Gnosis, Arturia -- and it tends to be how I start, but, of course, I think you need to adjust your layout to your own preferences.
I know most people don’t share my playstyle -- radial units close up, very long range artillery blasting those tiles while the radials damage/crowd control, like Horn, Firewhistle, Fiammetta, Ray, W -- so instead of a loop, you can do a zigzag funnel with Battlement ‘alcoves’, extending all the way to one of the enemy spawns with a single opening so all enemy spawns have to enter through there. I’m at work so bear with my MS Paint skills here but I think a small visual representation can help:
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Basic, low resource kill lane. Greys are Urbans, browns are Battlements. The Battlement directly on the enemy route near the Campervan is intentional because a good kill lane will not have to worry about them reaching there in the first place. You can comfortably put several Battlements on the Battlement side, like rows of 2-3 per line, depending on your needs, and long range bombardment like Fortresses behind them. The straight line Battlement is good for Ifrit/Corroseum, Ray, Fartooth, Schwarz, any straight line killer of your choice. Apply Cursed Mire as needed, but keep in mind a Cursed Mire tile is a tile you don’t get to deploy Melee units on, so leave a gap here and there if you want to put an Ambusher like Manticore here and there. Your straight line Battlement can also be under the entrance, but do mind ranged enemies.
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From there, you can extend like this for a funnel, like so,
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Do zigzag alcoves like this, 
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or make a simple loop like this
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Added a red line to show you how the enemy pathing would go; you can add more Battlements to the empty space down there in the loop.
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Then, with a few more blocks, you can create this Purple Zone above the loop, which is where I would put all sorts of goodies like Net Launchers or long range artillery Battlements, aimed towards the loop.
This is already a potent set up for a base, you don’t need to occupy all of your space, simply make good use of little space to get started. From here, you really can build absolutely anything you want and start dressing it as you see fit, but as a starter, powerful set up, this is what I recommend.
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that being said, my actual biggest issue w/ the bnha ending is Deku being a quirkless hero with an armoured All Might-esque supersuit.
now heres the thing, I don't hate Deku ending the story as quirkless. I, like loads of other people, assumed from fairly early on assumed that bnha would end either with Deku going back to being quirkless or, if not that, back to not having any of the OFA vestiges' quirks and just having that 'base' OFA super strength/speed, with which he could still continue being a pro hero
the thing is, I had always assumed that if bnha did go down the 'Deku loses OFA entirely and goes back to being quirkless' route then as a result of that, the whole 'this is the story of how I became the greatest hero' thing from the beginning of the story would take on a new light. the reveal would be that we, the audience, already saw Deku become the greatest hero over the course of the 2 wars and defeating AFO/Shigaraki, and/or that he would become the 'greatest hero' but not the kind hero that the audience assumed, instead working as a quirkless teacher/villain outreach worker/quirk analyist/hero assiant/etc.
and that would be pretty poignant endind would it not? a re-emphasising of this idea that its not just the pros who are heroes, but that everybody in society who 'reaches out' and works to make the world a better place is a hero too, regardless of how 'strong' they may or may not be, that it was never truly about having a powerful quirk and being a pro superhero, but by stopping those who want to do harm, and saving people, that's what truly made Deku the greatest hero
and like bnha's finale did kinda do that a bit with Deku being a heroics teacher at UA for eight years but then it, in my opinion, ruined that by having Deku become a quirkless-with-a-supersuit pro hero.
the thing is, if Deku couldve been a quirkless pro hero this whole time, then there was no reason for All Might to even give him OFA, and for the story as a whole, to happen. and I'm sure some people will counter that point by saying like 'oh but the suit cost LOADS of money' or 'but they were only able to make the suit after analysing the data from All Might's fight with AFO', but to me that just further proves why Deku getting a supersuit so he can be a quirkless pro hero is dumb.
All Might is the no.1 hero in Japan and is globally renowned, if he wanted to secure the funding to make Deku some kind of supersuit he couldve done that right when he met Deku as a quirkless middle schooler, but he didn't. in fact, when explicitly asked by Deku if he could become a hero, even without a quirk, All Might told him that being a quirkless pro hero was impossible. he didn't say that to be cruel or because he's fantasy-ableist or whatever, he said that because he genuinely believed it to be the truth, and he was right.
the fact that support items are not replacements for quirks and actual hero-ing skill/talent is established fairly early on. All Might mentions, some time around the sports festival if I remember correctly, that he's seen heroes who are overly reliant on their support items become useless/a liability once those items break. its a nice and tidy in-universe justification for why every hero isnt walking around with robot armour and ray guns and what have you. and okay, sure, bnha's finale is set eight years in the future, it could be reasonable to assume that in that time, plus with all the funding provided by class 1-a and All Might, that the support industry has really developed and Deku's supersuit is some absolute top of the line technology.
even then, there's still a glaring issue. we saw the exact scenario All Might described play out, WITH All Might. his supersuit was technological marvel, it let him get some genuine damage in on the most powerful villain ever, but ultimately it broke, and without it All Might was unable to fight, and became a liability that had to be rescued. and I'm not saying that to trash on All Might or anything, that is literally just how that quirkless-hero-with-a-supersuit scenario worked out for him.
and okay, sure, you could argue that Deku's supersuit, developed in the eight years since the war, using the data from that fight, and likely with even more money put into it, is a lot better than All Might's supersuit was, and also that it took AFO to wreck All Might's supersuit and its unlikely that there'll ever be a villain that powerful ever again so Deku doesn't have to worry about his own suit in the same way. and sure, you could even argue that non-quirkless pro heroes still have times when they're unable to use their quirks for one reason or another, and just have to rely on their own strength/skills/etc the same way Deku would if his supersuit broke or malfunctioned
but even with all that, my problem is is that it was established, multiple times, why it wasnt a viable option for Deku to just be a quirkless pro hero who used support items, and if the narrative wants to roll that back and go, no, wait, it is actually a totally viable option, then it just begs the question of why don't all pro heroes have supersuits, why is Deku the first quirkless person to become a pro hero in this way, and why, if this was an option, did the story even have to bother with Deku inhereting OFA and learning to make it his own power?
i get what they're going for here, having Deku be a quirkless pro hero with a supersuit is trying to play into the whole 'it was never the power, but rather who midoriya izuku is as a person, that makes him a great hero' but if you ask me its just such a cheap and deus ex machina-y way of doing it???
i genuinely think Deku either being quirkless and instead working in some other way that helps people and/or helps pro heroes help people OR keeping OFA (minus the vestiges' quirks) and going on to a pro hero, and in either scenario, having a moment with All Might and/or Bakugou where they emphasise to him that he is, and always was, a hero, regardless of a quirk, would just be infinitely more narratively coherent and satisfying
the bnha ending isnt terrible, and im certainly not saying people can't like it or trying to drag them if they do, but i am say that me, personally, i dont like it all that much, AND i think its bad writing
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