#ray bronson icons

[lastsummericons]

FREDDIE PRINZE JR. as RAY BRONSON I STILL KNOW WHAT YOU DID LAST SUMMER (1998)

[slashericons]

Ray Bronson — I Know What You Did Last Summer (1997)

[editfandom]

Ray Bronson - I Know What You Did Last Summer, 1997

[ulkaralakbarova]

All Eyez on Me chronicles the life and legacy of Tupac Shakur, including his rise to superstardom as a hip-hop artist, actor, poet and activist, as well as his imprisonment and prolific, controversial time at Death Row Records. Against insurmountable odds, Tupac rose to become a cultural icon whose career and persona both continue to grow long after his passing. Credits: TheMovieDb. Film Cast: Tupac Shakur: Demetrius Shipp Jr. Afeni Shakur: Danai Gurira Jada Pinkett: Kat Graham Biggie Smalls: Jamal Woolard Suge Knight: Dominic L. Santana Kidada Jones: Annie Ilonzeh Leila Steinberg: Lauren Cohan Hatian Jack: Cory Hardrict Faith Evans: Grace Gibson Street Entrepreneur: DeSean Jackson Ted Field: Brandon Sauve Tom Whalley: Josh Ventura Daz: Azad Arnaud Big B: Sean Baker Dr. Dre: Harold “House” Moore Queen Latifah: Khadija Copeland Aunt Linda: Chanel Young Shock G.: Chris Clarke Money B.: Money-B Ronnie: Hamid-Reza Benjamin Thompson Legs: DeRay Davis Black C.O.: Bruce Davis Atron: Keith D. Robinson Attorney: Gary Weeks Snoop Dogg: Jarrett Ellis Floyd: Clifton Powell Set: Rayven Symone Ferrell Scott Whitwell: Scott Hunter Ray Luv (uncredited): Johnell Young Treach (uncredited): Rayan Lawrence Mall Patron (uncredited): Sheril Rodgers Film Crew: Costume Design: Francine Jamison-Tanchuck Director: Benny Boom Screenplay: Jeremy Haft Screenplay: Eddie Gonzalez Producer: L.T. Hutton Producer: David Robinson Producer: James G. Robinson Screenplay: Steven Bagatourian Art Department Coordinator: Shauna Williams Assistant Art Director: Shawn D. Bronson Key Makeup Artist: Patrice Coleman Music: John Paesano Tattooist: Dennis Dago Ceelo Key Makeup Artist: Mi Young Casting: Michelle Wade Byrd Hair Department Head: Taylor Knight Art Direction: John Richardson Construction Coordinator: Wally Mikowlski Casting Associate: Lavonna Cupid Tailor: Carl Ulysses Bowen Production Design: Derek R. Hill Editor: Joel Cox Key Hair Stylist: Charles Gregory Ross Casting: Winsome Sinclair Key Hair Stylist: Vincent Gideon Property Master: Ian Roylance Researcher: Deborah Ricketts Director of Photography: Peter Menzies Jr. Casting: Andrea Craven Set Decoration: Merissa Lombardo Costume Supervisor: Tom Bronson Set Costumer: Korii Young Assistant Costume Designer: Jennifer Leigh-Scott Costume Supervisor: K. Drew Fuller Casting: Mary Vernieu Key Costumer: Heather Sease Key Costumer: Earl Tanchuck Makeup Department Head: Carol Rasheed Movie Reviews: Gimly: In terms of perspective, it’s pretty much exactly what I was afraid _Straight Outta Compton_ would be. As a movie itself though, it’s a disjointed, cheap-looking, paint by numbers biopic that did not manage overcome its niche at all… Fuck that kid looks the part though. _Final rating:★½: – Boring/disappointing. Avoid where possible._

[donamarocas]

give credits if you repost, please

like/reblog if you save

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Xoxo 💜✨

[artmcsphere]

━━┈ i know what you did last summer: halloween icons edition. 

ㅤ♡ or © heavenlyghcst if you save/use.

[cinema-tv-etc]

‘Clueless’ is 25? As if!

Why this sparkling rom-com is a ray of sunshine in these troubled times

By Moira Macdonald - April 27, 2020   The Seattle Times

In dark times, movies can make us feel better; particularly romantic comedies, and particularly romantic comedies in which everyone has an impossibly goofy smile and the sun constantly shines and everything’s right with the world. As it happens, just such a movie is celebrating a milestone birthday this year: “Clueless,” written and directed by Amy Heckerling, is a movie that should come with its own tagline: Lightening Everyone’s Spirits Since 1995.

I’m a little early with the quarter-century celebration — “Clueless” initially came out in July — but this just seemed like the right moment: A lot of us these days might find ourselves rewatching and rereading. In a time when our social contacts are pretty much limited to the people living with us, hanging out with a favourite movie or book expands that circle. It feels comfortably familiar — like meeting up with an old friend and laughing over the same things you’ve always laughed at, like safety in a storm. And you just can’t rewatch “Clueless” and not feel happier. Its sparkly pop score wraps around you; its charming young cast (and oh, they look young, like a lot of us did in 1995) pulls you in and makes you part of their crowd.

Based loosely on Jane Austen’s “Emma” (a lovely film adaptation of which, coincidentally, opened in theatres before they shut down and is now available for streaming), “Clueless” is the story of Cher Horowitz (Alicia Silverstone), a sunny blonde teenager who lives in Beverly Hills with her wealthy attorney father (Dan Hedaya). Self-absorbed but charmingly so, Cher loves to matchmake (two of her teachers at Bronson Alcott High), do makeovers (her “adorably clueless” new friend Tai), and toss her hair around in the presence of her ex-stepbrother Josh (Paul Rudd). We immediately see Josh and Cher are meant to be together — and that Rudd, then and now, is a dreamboat — but it takes Cher a while to figure this out, along the way finding that she needs to make herself a better person.

But a description doesn’t convey how deliciously funny this movie is, or how Silverstone plays Cher as if she’s happily floating on helium, or how the language of “Clueless” set off a giddy bomb that still resonates today. Heckerling’s screenplay is a masterful blend of high school dramatics — “Suddenly a dark cloud settled over first period” — and screwball comedy, sprinkled with teenspeak spice. (Did we say “Whatever” and “As if” before this movie?)

And the frothy fashions — plaid miniskirts, knee socks, cropped cardigans, little high-collared dresses, fanciful hats — remain a happy rainbow. I don’t think high school students ever dressed like this (maybe it was different in Beverly Hills?) but it’s a kick to imagine they did. To this day, I can’t hear the name of Azzedine Alaia without mentally adding “a totally important designer.”

“Clueless” was originally planned to be a TV show until Heckerling’s agent convinced her that it was meant to be a movie. In the grand tradition of so many iconic films, every major studio initially passed on the product, but the approval of superproducer Scott Rudin, who liked the script, helped open doors. Silverstone, just 17 when she got the part (a young Reese Witherspoon was briefly considered for it), was then little known, as was most of the cast. It opened in theatres in July 1995 — and became an instant hit.

Rewatching it today, the parallels with “Emma” are fun to track, though you don’t need any knowledge of Austen to enjoy the movie. Cher is, of course, Emma Woodhouse, the well-off young woman whose years in the world had brought “very little to distress or vex her.” Josh is Emma’s older relative by marriage (who becomes a love interest) George Knightley, Tai is Emma’s protege Harriet Smith, cheerful stoner Travis Birkenstock is the farmer Robert Martin, smitten teachers Mr. Hall and Miss Geist are Mr. and Mrs. Weston, and popular boy Elton is Mr. Elton, the popular vicar. It’s not a precise adaptation, but an “inspired by” homage; you imagine Miss Austen, who appreciated a piquant turn of phrase and a well-trimmed hat, might approve.

It’s amusing to note how many things that seemed absurd in 1995 are now commonplace (multiple cellphones at the dinner table, for example) and vice versa (pay phones right where you need them), and to be reminded that Oscar-nominated actor Mark Wahlberg was once Marky Mark, who “might take time from his busy pants-dropping schedule” to plant a tree for a college fundraiser. And it’s poignant to realize not everyone from that high school crowd is still with us: Brittany Murphy, who played Tai (and who gave such withering spin to the movie’s ultimate insult, “You’re a virgin who can’t drive”), died tragically in 2009, aged just 32.

But mostly, watching “Clueless” is simply joyful. Within its effervescent silliness is a story about taking care of those you love and helping to make the world a little better — what could possibly be more timely? For Cher, according to best pal Dionne (Stacey Dash), doing makeovers “gives her a sense of control in a world full of chaos.” Revisiting “Clueless” just might, for a few too-fleeting but treasured moments, do the same for you.

https://www.thestar.com/entertainment/movies/opinion/2020/04/27/clueless-is-25-as-if-why-this-sparkling-rom-com-is-a-ray-of-sunshine-in-these-troubled-times.html

[doomonfilm]

Review : The Irishman (2019)

As iconic a director as Martin Scorsese is, most modern-day film fans only know him for one thing : his statement about Marvel movies not being cinema.  Nevermind the classic run he had from Mean Streets to Shutter Island, or his immeasurable influence on cinema of the 1970s, 1980s and 1990s, many have just written him off as a bitter old man whose time has come and gone.  Scorsese, however, clearly has no plans on relinquishing his influential grasp on cinema, as he teamed up with Netflix to save his current passion project, The Irishman. 

As Frank Sheeran (Robert DeNiro) sits in a nursing home, he recounts his times connected to the Bufalino family and their criminal exploits.  Sheeran reflects upon his time as a hitman for Russell Bufalino (Joe Pesci), the way that his lifestyle impacted his family relationships, and his close relationship with the iconic Jimmy Hoffa (Al Pacino).  As the years pass, Sheeran watches his friends succumb to the evils of the world... some pass at the hands of others, and some die of natural causes.  Eventually, Sheeran attempts to reconcile his damaged family ties in the wake of his impending death.

The Irishman is a return to form for a director that is widely known as a master of his craft.  While Scorsese does have range in regards to the stories he tells, no other director can tell crime family and mafioso stories quite like he can, and this film is a testament to his ability to tell these stories masterfully from decade to decade.  While many of his previous mafia films have been based on real people and contain references to real-life events, The Irishman takes on one of the most notorious figures in the form of the giant that is Jimmy Hoffa, so Scorsese pulls out all the stops in regards to his bag of tricks.  Iconic actors and actresses are cast as legendary figures of the criminal underworld, with referential footnotes provided for bigger picture context in regards to what roles they played and how long they lived, which parallels to both the film’s massive run-time and the irony of Frank Sheeran outliving everyone despite how dirty his hands became.  Scorsese’s affinity for outsiders becoming deeply immersed in the worlds he illustrates is heavily present as well, as Sheeran becomes connected in ways that no non-Italian was previously allowed, or probably allowed since.

The Scorsese and DeNiro tandem has presented some fascinating character studies over the years, and The Irishman continues this tradition.  This time around, we are presented with story of a man that is locked into the ideas of honor and loyalty for what many would consider a dishonorable lifestyle.  It is never really made clear whether or not his motivations lie in something that Sheeran is missing as a former soldier, or something closer to an adoration for the figures that populate the world of the Mafia, but what is certainly clear is that whatever motivation it may be drives Sheeran nearly to the point of blind devotion for figures that fought epic, life-altering battles over minor personal squabbles and power games.  This, however, does not mask the fact that the influence these men had changed the course of American history on more than one occasion, and Sheeran essentially played fixer to anyone who would not accept their role in this drastic course changing.  As previously mentioned, the narrative irony lies in the fact that near the end of his life, all of the figures that Sheeran looked up to passed away, and all that he was left with were his memories of a time that most people are unaware of or care little about (other than for entertainment value), and he is forced to live this life in solitude due to the way that his choices fractured his relationship with his family.

Scorsese is a man that does not stray far from the tools that he has established to tell stories, and much of his familiar visual and sonic language is present in The Irishman.  First and foremost, the soundtrack is solid from front to back, putting you in the proper state of mind for both mood and timeframe with each musical cue that is presented.  His long steadycam shots are also present, though they are much more methodical in nature rather than used for show.  Scorcese hearkens back to films like Goodfellas with his portrayal of stylized violence and explosions of classic cars, and at times, even frenetic cuts or camera moves that create a sense of uneasiness.  Honestly, at this point, Scorsese fans know what to expect from him, and luckily, his skill has not dulled with age.  The one (minor) knock I could give the film is that the de-aging, while shaving a few years off of the actors face, does not hide the fact that these men are older, very similar to how Samuel L. Jackson still moved like an old man in Captain Marvel, despite movie magic turning back the clock on his face and hair.

The combination of DeNiro, Pesci and Pacino is powerful and palatable, as the moments shared between the combinations of actors and the given scenarios leap off the screen... DeNiro especially shines, as he has always had an innate ability to communicate worlds of information strictly through the ways that his eyes convey a thought process.  Seeing actors like Ray Romano and Bobby Cannavale in this movie makes me wish they’d been around for the older Scorsese films.  Anna Paquin does a good job of manifesting the fractured nature of the family, and her chemistry with Pacino is interesting, but works well.  Harvey Keitel manages to use his presence to great effect, opting to use minimal dialogue and implement a steady, intimidating gaze.  Stephanie Kurtzuba and Kathrine Narducci make their presence known around DeNiro and Pacino without sacrificing themselves as tropes or caricatures.  Jesse Plemons does what he does, but it also works, despite his looks making him stand out from the rest of those present in the film.  Jack Huston steps firmly into the shoes of RFK, as does Sebastian Maniscalco in his wonderful portrayal of Crazy Joe (who I wouldn’t mind seeing in his own film).  The cast is stacked from top to bottom, and performances of note include Welker White, Domenick Lombardozzi, Paul Herman, Louis Cancelmi, Gary Basaraba, Marin Ireland, Steven Van Zandt, Bo Dietl, Daniel Jenkins, Paul Ben-Victor, plus cameos from Jim Norton, Action Bronson, Patrick Gallo and Jake Hoffman.

As much as folks do not appreciate Scorsese’s views on what does or does not constitute cinema, having films like The Irishman is his oeuvre certainly validates any opinion he chooses to share.  If you can manage to set aside the three-plus hours this film demands of your attention, I highly recommend diving in.

[ishy-man]

IB REVIEW: THE IRISHMAN

Written by ishmael Mainoo 

An ambitious comeback for a director that needs no introduction, Italian American film director Martin Scorsese’s cinematic adaptation of the Charles Brandt Biography: ’I heard you paint houses’ a detailing the life of Frank “The Irishman” Sheeran and his dealings with the Buffalino crime family, and Jimmy Hoffa head of the teamsters union.  Can be described as enthralling. Informative and macabre as well as thoroughly enjoyable. Speaking as a man familiar with the filmography of the ‘new Hollywood’ icon, it was refreshing to see an auteur like Scorsese returning to his artistic roots. Reminiscent of such previous works as Casino and The mafia classic Goodfellas. And with the line-up of an all-star cast. Scorsese could well be likened to Marvel’s S.H.I.E.LD agent: Nick Fury as he assembles his avengers. Seeing him team up once again with the likes of Stout ‘tough guy’ Joe Pesci, The Ragin bull Robert De Niro, And of course Al Pacino. All of whom are no strangers to appearing in the odd gangster flick or two. All this along with the addition of British actor Stephen Graham who has indeed starred in his fair share of crime productions from Tommy in the guy Ritchie film ‘Snatch’ to Chicago mob boss Al Capone in the critically acclaimed HBO series ‘Boardwalk empire’,  I think we can safely say this cast will take to any gangster role like a duck to water. And an appearance by Harvey Keitel as the respected Mob boss Angelo Bruno as well as a little something for the young people as new York rapper Action Bronson has a bit part as a coffin salesman, but I digress…

The Irishman is yet another biopic style film about an antihero in Frank Sheeran (Robert De Niro) who’s line of work lead to the slow and subtle dismantling of his family life especially his relationship with his daughter Peggy who witnesses certain sides to her father that she knows are less than pleasant and eventually her fear of him turns to hatred as she realises her father is a cold blooded killer. Within the opening shot we see our silver haired protagonist and humble narrator; Frank Sheeran sitting alone in his section of the cafeteria at a nursing home for the elderly. Almost held in captivity by his wheelchair. As he reminisces to us in the typical Scorsese fashion of breaking the fourth wall. About how life used to be. Treating the audience as an eager child hearing stories of the ‘the good ol’days’ from Grandpa. Showing muted attrition for his acts and almost a sense of self pity in his tone before even getting into the story. The elderly Irish American hitman still has an air of military philosophy in his character. That one could attribute to the character’s time in the second world war as he rationalises his acts as any quintessential soldier would, by stating he was only following orders.  

From a technical standpoint the film’s cinematography was nothing short of trademark Scorsese, the tracking shot through the nursing home and into the room where frank sits, almost emulating the single take done by Henry and Karen Hill entering through the staff entrance at the Copacabana club in Goodfellas, or the quick cross cuts between Jo Hoffa (Welker white) turning on her ignition and an exploding car from another job. Indeed, it is the suspense created from the long pause of Jo anxiously awaiting to turn her engine on that transforms the scene alone into something of sheer brilliance.  The Irishman to me was a testament to the scorcese cinematic mafia world. And  will leave you either  fascinated with the mafioso subculture or leave you ultimately disgusted with their heinous and nonchalant behaviour to murder. However unlike Goodfellas, casino or even the wolf of wall street, I found the film to be ‘an acquired taste’ if it so can be called, unlike it’s predecessors I found that the film was more dialogue driven than films before it and set at a slower pace. Compared to the aforementioned names. Well written though the film was and with the certain east coast lexical flair which all added to a believable and natural dialogue. I couldn’t help but feel that this came at the expense of momentum for the film. even the opening scenes of Scorsese’s films beforehand struck you with action from the very beginning. Whether it’s three guys driving at night with a halfdead body in the trunk. (Goodfellas). or a Casino boss leaving a restaurant ready to turn on the ignition in his car only to unknowingly detonate a car bomb (Casino). Or even a midget toss at an office party in the heart of New York’s financial district. (The Wolf of Wall Street). I feel that if the Irishman was a horse it is in no way shape or form a front runner and is a film that requires a viewer’s patience.

Which is probably why a handful of viewers (philistines) complained after it’s initial  release stating it to be ‘boring’ and ‘too long’,  I can empathise with these people on the ‘boring’ part, upon my first viewing even I had to wave my cursor to check the time marker to see how long I had left of this picture. However, to simply complain a film is ‘too long’ is in my mind nothing short of nonsense. Especially if you are familiar with Scorsese’s works: The runtime for the Wolf of Wall street is exactly three hours, Goodfellas two hours and twenty-eight minutes and Casino at Two hours and Fifty-eight. To conclude the runtime of a film should have no bearing on the quality of the film itself.  And would not be a problem for most were the film more visually stimulating. Where the wolf of wall street, casino and Goodfellas featured frequent fast cuts and dynamic shots of abhorrent drug use, rampant sex, and/or poor bastards getting their brains blown out. All set to a multitude of complimenting soundtracks by artists such as Ray Charles, The rolling stones, Smokestack lighting or frank Sinatra etc. The Irishman had a distinct lack of all mentioned. However, this muted tone made for a more earnest watching. instead of relying on fast cuts and music sequences, it relied on the tension created by nuances in dialogue. The tension was even made sharper by the lack of non-diegetic sound. Seen multiple times especially when Tony Slaerno and Russel Buffalino (Joe Pesci) Tell Frank to persuade Jimmy (Al Pacino) to retire. (Essentially, ‘tell him to retire or we whack him’)

 To the finish, the film’s story as a whole reminded me of Goodfellas in the sense of a character being indoctrinated into the mob life and showing the day to day stresses and moral dilemmas of working in such a career. Such as attempting to blow up a laundry place only to find out before the act that it belongs to your mob boss. And trying to prevent your hot-headed friend from getting killed by your employers. However I believe this picture goes a step further by showing how our protagonist got to work for the mafia - what life was like working for the mafia - and life after the mafia as an old man riddled with arthritis. Which leaves one to almost sympathise with this Irishman. As he sits alone in his nursing home. Isolated from the open world, with all his friend’s dead. Or in prison and a family that wants nothing to do with him because of who he was.

[nightmareonfilmstreet]

7 Horror Reads to Chill Your Soul This Summer

It’s summertime, and word on the street is that the livin’ is easy. If you’re anything like me, summer’s arrival means that you’re hiding in the air conditioning and comfort of your home (mosquitos find me quite the tasty treat and I’m not trying to contract West Nile). Othersout there who aren’t as delicious to the carnivorous ectoparasites of the world as I am are hitting the road. They’re going to the beach, they’re camping, and they’re laying in the sun to absorb the delectable, radioactive rays of the sun. It’s the time of cold drinks, loud music, and if you’re a fiend like the rest of here at NOFS, spooky stories.

While the rest of the world tries to limit the creepy and macabre to the month of October, we live a life of perpetual petrification. When you’re at the beach or hanging out by the pool, let the other people get in and splash around like shark bait. We know that there’s nothing sweeter than a horror novel to help keep you cool and take your breath away. So, for this article, I’m going to highlight some of my favorite horror novels that are great summer reads.

So what makes a horror novel a “Great Summer Read”? Well, brevity is a plus. We don’t really want to be lugging around Stephen King’s IT or Robert McCammon’s Swan Song on our way to the beach or up a hiking trail. I struggle to carry those beasts from my bookshelf to the couch, to be honest. So, while it’s not an automatic disqualification, I tried to stay away from the 1,000 page behemoths of the horror world. I also tried to take a look at subject matter and pick titles that involve summer, summer breaks, vacations, or basically anything that can whisk you away to land of pure imagination. Basically what I’m saying to all of you is that this is a completely subjective list. I loved reading these titles either this summer or in summers past, and I think you will, too.

So, without further ado, here is my list of Great Summer Horror Reads:

  1. The Troop by Nick Cutter

    This was the first novel I read from Nick Cutter, and it hooked me for life. It follows a troop of 5 14-year-old boys as they embark on their yearly summer scout adventure on Falstaff Island, an uninhabited area not far from their home on Prince Edward Island. Their excursion is cut short when a bone-thin, obviously diseased man who tries to eat everything in sight lands on the island. Scoutmaster Tim does his best to help the man, but he is soon overtaken and the boys face a nightmare that worms its way into the group and destroys what they thought they knew about themselves.

This book is gory. It is disgusting. It is a vivid walking nightmare that is best read out in the open air, surrounded by other people. Nick Cutter has proven himself to be one of the most visual authors in the horror genre, and never is that more evident than in The Troop. He uses the remote setting and the fear of foreign beings inside your body with an insatiable appetite to create a suffocating sense of paranoia and claustrophobia. You are trapped on this small island with these boys as they fight the disease that brought the skeletal man to their shores, and you must find the survivor inside of you to make it off.

Perfect For: A long hike and camp in the wilderness. Read it by the light of your Coleman lantern. Don’t worry about the noises you hear in the darkness, they only approach when they’re hungry…

  2. The Cabin at the End of the World by Paul Tremblay

    I didn’t think that a book would ever crawl inside my bones quite like Tremblay’s A Head Full of Ghosts did. I was wrong. His new novel, The Cabin at the End of the World is his most tense, terrifying book to date, which is saying a lot.

Seven-year-old Wen and her dads are vacationing at their cabin deep in the forests of New Hampshire when she is approached by a giant stranger. He seems pretty weird, and he tells her that her dads are not going to want to let him in the house, but that they have to. Then three more just like him show up. Wen runs into the cabin and her parents barricade the door. The strangers approach, and they knock. They are disciples of a god that visits them in visions, and Wen and her parents are the only people capable of ending the coming apocalypse.

This is much more than a home-invasion story. It’s s tale of survival, sacrifice, apocalypse and doom that has you guessing until the very last chapter. Not only is the fate of this loving family at risk, but the future of the entire human race may just rest on their shoulders. (Side note: The Cabin at the End of the World is the first horror novel that I have read that has a queer family at its center. I know there must be others, but this is a first for me. Well done, Paul Tremblay.)

Perfect For: Staying at that creepy lodge you booked online. You and your family should be just fine! Maybe just don’t answer the door when you hear a knock, ok?

  3. Providence by Caroline Kepne

    You may know the name Caroline Kepnes from her amazing novel You, which has been turned into a series for Lifetime that will air this fall. Her depiction of narcissist/psycopath Joe Goldberg was refreshing, funny, dark, and utterly terrifying. Providence, her third novel, follows a different path than her earlier works, but it is just as gripping and horrifying.

One morning, middle-schooler Jon Bronson is abducted from his small New Hampshire town (what is the deal with New Hampshire, you guys? I mean, is it really that spooky?). He awakens at his home four years later with no memory of his kidnapping or his captivity. Beside him is a copy of H.P. Lovecraft’s The Dunwich Horror and a letter from his abductor that tells him that he is fine, but he has an un-specified special ability. The joy that his best friend Chloe feels after his return is smashed to pieces once they find out that his “special ability” begins to threaten the lives of those he loves.

Kepnes is one of the finest authors in the world and she is a master at creating pace and tension. All three of her novels force your eyes across the page like they are tied to the front of a freight train. Providence is an exploration of not only what makes us human, but what keeps us that way.

Perfect For: Sitting on the back porch with a sweet tea and plenty of sunshine. Be sure to pack sunscreen for the rays and extra Kleenex for the nosebleeds that will splatter the page.

  4. Some Will Not Sleep by Adam Nevill

    A bestial face appears at windows in the night. In the big white house on the hill, angels are said to appear. A forgotten tenant in an isolated building becomes addicted to milk. A strange goddess is worshipped by a home-invading disciple. The least remembered gods still haunt the oldest forests. Cannibalism occurs in high society at the end of the world. The sainted undead follow their prophet to the Great Dead Sea. A confused and vengeful presence occupies the home of a first-time buyer . . .

If you have read any of my articles, then you know how much I love Adam Nevill and his terrifying tales. I was able to interview him last year (check it out HERE), and that piece remains the highlight of my journalistic career. Most of you may know him as the author of The Ritual and Last Days, but I fell like his work that is most like a “Great Summer Read” is his collection of short stories, Some Will Not Sleep.

While the book itself has some girth, it is conveniently sectioned into several perfectly crafted short tales of the horrifying and disturbing. These stories, according to Nevill on his website, were written and published between 1995 and 2011, and they reflect fears that are often the author’s own. About the title of the book, I can’t explain it better than the Master himself:

Some within it do not sleep, some who read it may not sleep, and he who wrote it often doesn’t sleep.

Perfect For: Reading in the car on the way to your destination. That way, the nightmares hopefully won’t be able to find you as you travel down the road.

  5. Rabbit in Red: The Complete Series by Joe Chianakas

    (Disclaimer: Joe is a local author that I have had the pleasure of working with in the past through my job. The inclusion of his series was neither asked for nor was it paid for… Joe… come on, man. GIVE ME SOME MONEY, BRO!)

Have you ever wondered what it would be like if Willy Wonka’s chocolate factory was designed, created and run by Rob Zombie? Well, wonder no more! This series of books (the first of which was selected to be included in a 2016 Horror Block and sent out to tens-of-thousands of subscribers), compiled together in one volume, follows a group of teens as they spend their summer vacation competing for an internship under the reclusive owner of a horror film company.

They compete in VR challenges that mirror some of the most iconic scenes in horror film history and intense trivia that will leave even the most knowledgable horror hounds scratching their heads. This series of books is a quick read that will keep you up at night as the kids win their internships and enter the dark web of their beneficiary. It is a love letter to the horror genre and, as it did with me, it will make you fall in love with the genre all over again.

Perfect For: Handing out to your teenage niece or nephew when they visit for the week. They have annoyed you enough with the youth-words that they use, so it will feel really good to keep them up at night.

  6. Meg: A Novel of Deep Terror by Steve Alten

    You didn’t think I would put out a list like this and not include a shark book? You know nothing about me! Instead of going with the classic Jaws by Peter Benchley (which, to be honest, I really do not care for), I decided to opt for the book that started the series that the next great shark movie, The Meg, is based on.

Jonas Taylor is a deep sea diver working with the United States Navy. He spots a Megalodon while on a top-secret mission in the Mariana Trench. No body believes him, of course, because the Megalodon is supposed to have been extinct for millions of years. To prove them wrong, Jonas becomes a paleontologist (as one does) and attempts to find the beast again. His wish is granted when he returns to the Trench, only this time, one of the beasts follows him back up to the surface.

Chaos ensues. People are gobbled up like Tic Tacs and there’s only one man in the world that can stop it. JASON MOTHERF**KING STATH… oh, sorry… JONAS TAYLOR!

It’s ridiculous in all the right ways. It is a 50’s monster movie come to life with thrills, chills, blood and awesome one-liners.

Perfect For: Enjoying the bay while laying on one of those giant inflatable pool floats that look like a swan. You know the ones! Take a deep breath, relax, and hope that there’s nothing watching you from beneath the waves.

  7. Malevolents: ‘Click Click’ by Thom Burgess and Joe Becci

    I must say that I am a novice in the realm of horror comics. I know that there are a lot of them out there, but I’ve just never gotten into that style of horror literature. I can gladly say that Malevolents: ‘Click Click’ has opened my eyes to a whole new world of terror.

This incredible comic book from award winning writer Thom Burgess follows four school friends who dare one another to spend the night in one of Britain’s most haunted houses. They bring along with them an Ouija Board (what could go wrong), and tell each other the story of the ghost that lives in the walls and wants to take your tongue from your mouth.

I include it in this list because it is short (only 32 pages or so), it’s horrifying, and it transports you to a different place and time. If you’re stuck at home due to work or insufficient funds, Malevolents will take you on a trip that you will never forget.

Perfect For: Reading by flashlight after a summer storm has knocked out your power. If you don’t look at the shadows crawling out of the walls, they won’t come after you… I promise. ‘Click’

So, there you have it! Whether you’re out and about this summer or hanging out in the house like me, here are 7 horror reads that will chill your bones and keep you cool as the temperature rises. Do yourself a favor and pick these titles up today! While you’re at it, join our Facebook group, Horror Fiends of Nightmare on Film Street, and let us know what you think.

  The post 7 Horror Reads to Chill Your Soul This Summer appeared first on Nightmare on Film Street - Horror Movie Podcast, News and Reviews.

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[gazellefamily]

RISKY BUSINESS (1983)

“Iconic. Legendary. Jaw-droppingly good. Obvs I have seen this many times but not in a while - - It’s INCREDIBLE. Seems more like a Refn or Mike Mann film to me than it does, like...John Hughes. Like...there’s darkness. Satire of capitalism. Doesn’t push too hard, though - respects my intelligence. Cruise, the greatest, the king, weirdly reminded me of a less ethnic Jason Schwartzman and I was not prepared for that. But then he puts on the Ray Bans and steps into myth. DeHornay is so pristine that she seems unreal. Like a character from THOR comics dressed like a 1983 college girl. Like a girl from a Porsche poster who steps out of it and becomes your girlfriend. Her haircut and all of her tops are perfectly in style RIGHT NOW. I mean...what’s missing? NOTHING. Tangerine Dream!? Even has hall-of-fame sidekicks Curtis Armstrong and Bronson Pinchot. What was going on in the Chicago Burbs in the 80s?! It’s paradise? Give me this over THE BREAKFAST CLUB anyway please.” -Tommy Gazelle

“To have Booger as my sidekick and DeHornay as my high school squeeze... that would be the dream. Kind of seems like teenage Materialistic Brian Flanagan would have been able to get a cheerleader over to his house, and not resorted to prosties. Or am I mis-remembering the plot? DeHornay’s short bangs seemed like a Risky Haircut but, man, it works. Only Leonard Cohen could have caught that bird (on a wire). But how we feel about copulation on public transport in the middle of a crime-plagued city? Only if Tangerine Dream’s on.” -Sonny Gazelle

[attract-mode-collective]

Back When YouTube Superstardom Simply Required A Giant Earthbound Cartridge Costume

So yeah, Christmas is here, which also means that New Year is just around the corner… thank God.

Considering how have happy memories from the year 2017 is so few and far between, how about one from 2007? Back when being a viral sensation on YouTube simply involved rapping in the middle of a parking lot, while dressed upon as an Earthbound cart.

Ah, such innocent times. How they are sorely missed.

Back to the here and now; this particular holiday is all about coming together, even if it means putting aside our differences, with the hope that some form of common ground can be found. Which in turn may become a basis of a long-lasting relationship.

That’s basically the message I get from this old Rez ad, circa 2001; the PS2 version was their first third party release (via shmups)…

Speaking of the Dreamcast; that recently posted concept video for a third Jet Set Radio that never materialized has gotten me to revisit the original (via kazucrash)…

Here’s a JSR illustration that’s totally new to me (and I’d like that I’ve seen every last bit of officially imagery, though I will admit that I haven’t dug as a deep a hole as I have for Gradius; via sixteen-bit), so perhaps it’s new to you as well?

Another game that deep dives into Japanese urban youth culture is The World Ends With You, and syncopatedid tried doing a side-by-side comparison of the in-game locales with their IRL counterparts not long after the release. There was a two year difference, so not that much had changed…

Meanwhile, in Russia, fgsshinyhoard explains: “Samus Aran amiibos can open the ticket barriers of Moscow Vyacheslav train station, without needing a ticket. This is due to an oddly specific RFID in the amiibo that just syncs up correctly enough to the train station’s own reader…”

Though back to the streets of Japan… well, more like the rooftops… and back to the Dreamcast; here we have my fave part of Project Justice (via kazucrash once again)…

Meanwhile, in another high school, a whole other battle is about to take place (via lunaticobscurity)…

Seriously, there is no better mix than Japanese video games and Japanese high school girls, both circa the 80s (via charliecoffin)…

Last time we saw the now iconic Super Famicom box art reemerge as a sweatshirt from King of Games, though you can apparently purchase a few Ronnie Araya’s designs, which applies the same approach toward a variety of other hardware, on shirts as well…

On a related note, here’s what the Super Famicom looks like, x-rayed (via tvgame)…

And here’s an inside look at the instruction for T&C Surf Designs: Wood & Water Rage (via thevideogameartarchive)...

Sticking with sports, I wonder what the rejected shots of these two English football players, getting chummy with a Game Gear, looks like (via sonicthehedgeblog)…

I too would like to say congratulations to Dr. Robotnik (that’s actually a pic of “Britain’s most notorious prisoner”, Charles Bronson, who just got married; via saintdane05)…

And here’s Dr. Eggman trying to slim down before his wedding day, btw (via muffin-expert)…

Back to the Dreamcast once more; I for one could not have been more disappointed with its version of KOF 99, due to its polygonal backgrounds. Cuz but as kazucrash demonstrates (oddly enough, given his super positive portrayal of the DC), the sprite work was positively insane…

Before King of Fighters, there was Fatal Fury Special, and this bit of nuttiness (via rhade-zapan)…

Sticking with fighting games, thewaragainstgiygas presents a #OnePerfectShot of Ready Player One…

Apparently Godzilla has hit boxes, at least according to hitboxesonstockimages…

In response to this picture that was hung sideways in McDoanlads...

... we have the following response from hinaofficial…

The following is a perfect example of why gamingtranscribed is my new fave tumblr…

I will never grow tired of this sight gag (via bluephobos)…

Courtesy of videogamesdensetsu comes a curious example of a fake game preceding a very real thing. Which in this case, is the concept of super deformed Street Fighters going at it…

Meanwhile, oldgamemags recently posted a letter that appeared in the pages of Electronic Gaming Monthly that I can clearly recollect…

Speaking of Pikachu (via haebane)…

Another fave blog of mine is dedicated to the town of Scarfolk, in North West England, and I could not have been happier to see video games make an appearance earlier this year…

At the end of the day, when all is said and done, no matter how cute the denizens of Animal Crossing might be, they are still filthy animals (via hellomathieu)…

Whereas Kat from Gravity Rush manages to make her dwelling, which is down in the filthy sewer, not only clean & tidy, but also cosy & appealing (as evayoblog also notes)…

If the following gif from prostheticknowledge doesn’t convince you to contribute to their Patreon, then I don’t know what else to say…

You know, it just dawned on me that the Super Fami driven cover of Last Christmas that I posted… well, last Christmas… was published the day before George Michaels’s death…

Which ride do you prefer? This super deluxe Ridge Racer set-up (via peazy86)…

Or this truck with the Legend of Zelda inspired paint job plus mud flaps (via retrogamerblog)…

So yeah, I never really gave Final Fantasy 7 much of fair shake. Was never all that interested to be honest. That was, until I saw these gifs (via ethernalium)…

I will never pass the opportunity to post video game related Archie image (via arcadezen)…

2017 will always be the year that finally gave us a Goemon & Ebisumaru X Beavis & Butt-Head (via midnitesurprise)…

Time for yet another friendly reminder to jump on that Fire Pro train if you haven’t done so already (via shadgandel)…

And time for yet another friendly reminder of bat-sh*t bonkers professional wrestling was during the late 90s (via n64thstreet)…

It may not play nearly as well as the games it helped to pave the way for, yet the importance of Pro Wrestling for the Famicom cannot be overstated. At least its commercial has aged like fine wine (via charliecoffin yet again)…

And back to shmups; this holiday season I made a bunch of RetroPies for a client, so he could give them away as Christmas presents (since SNES Classics are still in short supply). And the one game I try out first is MUSHA…

Though I will also play some other game at random, which is how I recently came across Majyūō: King of Demons. It’s definitely recommended (via bizarrobrain)…

titleknown asks: “So, FromSoftware Muppet game when?”

As part of my continued effort to play something Christmas related this time of year, something other than Christmas NiGHTS, I finally have something new! And yes, am late to the Boogie Wings party, but I guess that’s what I get for not following games-are-art closely…

For those of you reading this who are still in the midst of holiday travel, I have to ask: see anything comparable this (via geekybasket)?

If you happened to get a Wacom tablet this year, and you also have a copy of Okami HD, a FYI (via goldenserker)…

Now, if you didn’t get what you wanted, you can always hunt whatever down on eBay, Though I recommend Japanese sellers only; aside from the fact that their used games are on par with factory fresh here in the US, they’e also super friendly and will often include handwritten notes plus other goodies (via tangobunny)…

But if you do get something, and I’m talking about a game that’s on a cartridge, I would recommend not blowing on it. Unless you live in a post nuclear wasteland, where there’s sand everywhere, like in the world of Hokuto no Ken/Fist of the North Star (via charliecoffin one last time)…

And if you happened to have gotten every game you wanted, great! Just don’t over do it (via relatablepicturesoflisasimpson)…

I began this post with an Earthbound/Mother related vid, and I may as well end with one as well. Take it away SilvaGunner…

[UPDATE: 12/25/17] Alright, it’s 11:15PM EST, which means less than an hour to go before Xmas ‘17 is finally done & over with. But this other SiIvaGunner Christmas medley is simply too damn good to sit on till Xmas ‘18…

Don’t forget: Attract Mode is now on Medium! There you can subscribe to keep up to date, as well as enjoy some “best of” content you might have missed the first time around, plus be spared of the technical issues that’s starting to overtake Tumblr.

[cinemasentries]

The Stone Killer (1973) Blu-ray Review: Another Winner Starring Charles Bronson

Michael Winner's overlooked third collaboration with the iconic stone-faced action hero gets the HD treatment from Twilight Time.

[uneminuteparseconde]

Des concerts à Paris et autour

Mai 29. RA + The Love Coffin – La Mécanique ondulatoire 29. Ruins + Akaten + Zubi Zuva X + Acid Mother Temple SWR + Acid Mother Kirisute Gomen + Psyche Bugyo + Makoto Kawabata + Zoffy + Atsushi Tsuyama + Emiko Ota (Japanese New Music) – Gaîté lyrique 29. MSHR + Max Eilbacher & Duncan Moore + Acqua Dentata – Espace des arts sans frontières 29. Psychic TV 3 + Aikula – Petit Bain 30. Broken Social Scene – L'Alhambra 30. Winter Family + La terre tremble ! (Villette sonique) – La Station 30. Puff Pieces + Computerstaat + Stratocastors – La Comedia (Montreuil) 31. The Make Up + The Blind Shake (Villette sonique) – Cabaret sauvage 31. Kim Gordon + Rodney Graham – Salo

Juin 01. Dentelle + Olaf Hund + Bad News from Cosmos + Fatak b2b Diana + Ramcé – La Station 01. Kim Myrh & Lasse Marhaug + EKT (EriKm, Harald Kimmig & Olaf Tzschoppe) – Instants chavirés (Montreuil) 01. Society of Silence + Charles Fenckler + Kobosil – Nuits fauves 02. Anne-James Chaton & Andy Moor jouent "Heretics" –  Le Carreau du Temple 02. Zone libre & Marc Nammour : "Debout dans les cordages" – Espace Niemeyer 02. Ansome + Myler + Ossian + Ayarcana + 138 – La Machine 02. Maelstrom + Turnbalism + AZF + Sebastopol + Roman Poncet – Badaboum 02. Marc Houle + Extrawelt + Edouard! + Moon – Nuits fauves 02. Oscar Mulero + Shlømo + Tripeo + Combe Brothers – Concrete 02/03. KTL : musique pour "Niagara Reverb" de Fujiko Nakaya (ManiFeste) – piazza du Centre Pompidou (gratuit) 03. Gérard Grisey : "Prologue" + Morton Feldman : "Rothko Chapel" (ManiFeste) – Centre Pompidou 03. Sister Iodine + Les Hôpitaux + Warsawwasraw – La Station 03. Nots + Mary Bell – Point FMR 03. Total Victory + The Courtneys + Bungalow Ninjas – La Mécanique ondulatoire 03. Os Noctambulos + The Norvins – L'Armony (Montreuil) 04. Karima Walker + Mikko Savela + Méryll Ampe + Jean Ray – Le Bastillon 04. Anetha + Kas:st + Octave One + Paranoid London + Rodhad... – Vélodrome (Saint-Quentin-en-Yvelines) 06. John Russell + Michel Doneda & Lê Quan Ninh – Instants chavirés (Montreuil) 07. Fantazio : “Seul avec Bashung” – Galerie Hus 07. The Space Lady + Richard Pinhas + Moon Gogo – Petit Bain 07. Didier Wampas + Thomas de Pourquery + Ignatus + Joseph Racaille + Trotski nautique + Gontard ! chantent Jean-Luc Ténia – théâtre de verre Co-Arter 08. Primal Scream – Gaîté lyrique 08. Deux boules vanille + Tout est beau + Partout Partout – La Java 08. Soror Dolorosa + Schonwald – Bus Palladium 08. Sida + Cellular Chaos – Instants chavirés (Montreuil) 08. Phase fatale + Rendered + Sarin + Schwefelgelb – Nuits fauves 09. Blurt – Espace b 09. Le Ton mité + Yama Warashi – Le Zorba 09. Jordan + Mnemotechnic + Computerstaat – Le Klub 09. Maud Geffray + Chloé + Voiron + Casual Gabberz + Philipp Gorbachev – Gaîté lyrique 09. Four Knobs + UVB 76 – Maison populaire (Montreuil) (gratuit) 09. Skinny Puppy + Carpenter Brut (fest. Download) – Base aérienne 217 (Brétigny/Orge) 09. W.LV.S (The Driver & Electric Rescue) + Madben – Rex Club 10. Molécule + NSDOS + Chloé – Maison de la radio 10. Somaticae + Docteurlamort + Gauchoir – L'Époque 10. Maoupa Mazzocchetti + Krikor + Jan Melnick + Moyo – La Java 10. Mesparrow (fest. TaParole) – La Marbrerie (Montreuil) 10/11. Richie Hawtin + Flying Lotus + Jon Hopkins (dj) + Moderat + Motor City Drums Ensemble + Recondite [+ A Tribe Called Quest : ANNULÉ] + Solange + Nicolas Jaar + Parcels + Jessy Lanza + Action Bronson + Anderson Paak + Abra... (We Love Green) – Bois de Vincennes 11. Inhalt + Poison Point – La mécanique ondulatoire 11. Amanda Palmer & Edward Ka Spel – La Cigale 14. King Dude + Suzie Stapleton – La plage de Glazart (gratuit) 14. Charlemagne Palestine – musée d'Art et d'Histoire du judaïsme 14. Futurs morts + La Fiole + Hinterheim – La Comedia (Montreuil) 15. PAL + Blason – Zorba 15. Tinfoil + Head Front Panel + Emmanuel + Parfait – Nuits fauves 15. Arlt + Bégayer (fest. TaParole) – Instants chavirés (Montreuil) 16. Warum Joe + Asphalt + Last Night + Police Control + Colombey – La Station 16. Abdulla Rashim + Untold + Clara 3000 + Renaat – Rex Club 16. Abstrakt Keal Agram + Mont Analog + Bornor (Mowno 20 ans) – Petit Bain 16. Xosar + Paulie Jan + UVB 76 – Petit Bain 16. Telemark + Kurt – Le Jardin d'Alice (Montreuil) 17. Isaac Delusion + L'impératrice + Pépite + Faire – jardin Villemin (gratuit) 17. Electric Electric + It It Anita + La Jungle (Mowno 20 ans) – Petit Bain 17. Zaltan b2b Raphaël Top-Secret b2b Nico Motte + DK + Alek Lee + Geena + Epsilove + Toulouse Low Track b2b Iueke – La Station 17. Winter Family + Chris Imler + Maulwürfe + Infecticide + dj El Xuxulero (Cheveu)... – Théâtre Nanterre-Amandiers (gratuit) 17. Miossec (fest. TaParole) – La Parole errante (Montreuil) 17. Kode9 + Mad Rey + Mezigue + Neue Grafik – Concrete 20. Stranded Horse + Halo Maud + Buvette + Rubin Steiner + Yeti Lane + Petit Prince (36 H Saint-Eustache) – église Saint-Eustache (gratuit) 20. DJ Shadow – Elysée Montmartre 21. Palatine + JP Nataf & friends (36 H Saint-Eustache) – église Saint-Eustache (gratuit) 21. Bitpart + Trotski nautique – Le Super coin (gratuit) 21. A lot of V + Andcl + Scenes from Salad + Auxland – Lazer Quest|Carbone 17 (Aubervilliers) 22. Joëlle Léandre & Mike Ladd – Galerie Hus (sur résa) 22. MCMLXXXV + Volcan + Zaltan + Andy Bradin + Leopolda – La Station 22. Pfirter + Lewis Fautzi + Pearl + Krÿst – Nuits fauves 22. Miley Serious b2b Qoso – La Java 23. Damien Dubrovnik + Internazionale + Ligovskoï + Dasein – Gaîté lyrique 23. Murcof & Vanessa Wagner – La Marbrerie (Montreuil) 23. Ludwig von 88 + Stylnox + Julie Colère (festival CNT) – La Parole errante (Montreuil) 24. No Balls – La Mécanique ondulatoire 24. Burning Heads + René Binamé + Mr Bidon + El Comunero (festival CNT) – La Parole errante (Montreuil) 24. Alessandro Adriani + Jasss + December + Maoupa Mazzocchetti – Batofar 24. Louisahhh + Dusty Kid + Arnaud Rebotini – La Clairière 24. Miss Kitttin + Raven + Pussylicious + Dechargeurs + Reno + Crame – À la folie 25. Matt Elliott (fest. BD6Né) – médiathèque Marguerite Duras 26. Street Eaters + Bitpart + Belmont Witch + Stalled Minds – La Comedia  (Montreuil) 26>28. Zëro : concert littéraire "Pasolini" avec Virginie Despentes & Béatrice Dalle – Maison de la poésie 28. Blondie – Olympia 29. Sam Fleisch + Percolator – Olympic café 29. Sathönay + :such: + Casio judiciaire – Instants chavirés (Montreuil) 29 > 02.07. Belmont Witch + Mariachi + Ella a. Thaun + Nana Benamer + Sleep Loan Sharks + Big Meufs  + Miaux + Méryll Ampe + Félon + Las Kellies... (fest. Comme nous brûlons) – La Station 30. Tropical Horses + Marietta – Petit Bain (gratuit) 30. Geneviève Pasquier + Position parallèle + Black Light Ascension – Le Zèbre de Belleville 30. Objekt + Rrose + Paula Temple (Macki music fest.) – La Machine 30. Jean-Luc Guionnet & Eric La Casa : "Home" – Théâtre studio|La Muse en circuit (Alfortville) 30>10.07. Air + Metronomy + Jarvis Cocker & Chilly Gonzales + Savages + Devendra Banhart + Michael Kiwanuka + Tindesticks présentent "Minute Bodies" + James Vincent McMorrow + Lady Sir (Rachida Brakni & Gaëtan Roussel) + Kate Tempest + Calypso Valois + The Color Bars Experience joue Nick Drake (fest. Days Off) – Philharmonie

Juillet 01. Ke/Hil + Kommando + Tunnels of Āh + AntiVallium – Le Zèbre de Belleville 01/02. Soichi Terada + Antal b2b Hunee + San Proper + Margie + Renart + Mézigue + Rendez-vous... (Macki Music fest.) – parc de la mairie (Carrières/Seine) 02. The Color Bars Experience joue Nick Drake (Days Off) – Salle de répétition|Philharmonie 02. Tindersticks : cineconcert sur "Minute Bodies" de Suart Staples (Days Off) – Cité de la musique 03. Plattenbau + Badbad – La Pointe Lafayette 03. Metronomy + Denai Moore (Days Off) – Salle Boulez|Philharmonie 04. Savages + Kate Tempest (Days Off) – Cité de la musique 05. Group Doueh & Cheveu – Institut des Cultures d'Islam 06. Devandra Banhart + Lisa Hannigan (Days Off) – Salle Boulez|Philharmonie 06. Mikky Blanco + Rebekka Warrior + Moor Mother + Easter + Smerz (Loud & Proud) – Gaîté lyrique 06>09. Asia Argento + The Penelopes + The Charlatans + The Legendary Tigerman + Andy Votel + Nathan Fake + Yolk + Kid Chocolat + Lydia Lunch... – Salo 07. Duchess Says + Mountain Bike – La Station 07. The Queer Icons + Deena Abdelwahed (Loud & Proud) – Gaîté lyrique 07. Ancient Methods + Marie Davidson + Voiski + Varg + Exal + BLNDR + Carl Craig + Marcel Dettmann + Nina Kraviz + The Martinez Brothers + Jackmaster + Levon Vincent + Konstantin + Peggy Gou + Hugo LX + Codex Empire (Peacock Society) – Parc floral (Vincennes) 07/08. Daikiri + Gloria + Tomaga + Le Villejuif Underground + The Limiñanas + Hey Colossus + Fai Baba + Stratocastors + Cocaine Piss + Mendelson + Tritha Electric + Guili Guili Goulag + Delacave + En attendant Ana + Snapped Ankles + Housewives + Pogo Car Crash Control + Nova Materia + Do the Dirt (La Ferme électrique) – La Ferme du Plateau (Tournan-en-Brie) 08. Sourdure + Piu Piu (dj) + N.M.O. + Danny L. Harle (dj) (Siestes électroniques) – musée du Quai Branly (gratuit sur résa) 08. Yves Tumor + Chino Amobi + Tami T + Big Dipper + Kiddy Smile + Jennifer Cardini + Honey Sound System + Venus Xgg (Loud & Proud) – Gaîté lyrique 08. Air (Days Off) – Salle Boulez|Philharmonie 08. Dixon + Kaytranada + Apollonia + The Black Madonna + Moodymann + DVS1 + Midland + Romare + Tommy Genesis + Avalon Emerson + Jlin + AZF + Raheem Experience + Fils de Vénus +  Bamao Yende + TGAF (Peacock Society) – Parc floral (Vincennes) 09. Carl Stone (dj) + Manu le Malin (dj) (Siestes électroniques) – musée du Quai Branly (gratuit sur résa) 09. Jarvis Cocker & Chilly Gonzales (Days Off) – Cité de la musique 10. RY X + C Duncan (Days Off) – Cité de la musique 10. Sufjan Stevens, Bryce Dessner, Nico Muhly & James McAlister (Days Off) – Salle Boulez|Philharmonie 15. Blawan – Rex Club 19. Molecule – Safari Boat 21. Hocico + Shaârghot – Petit Bain 21. Couteau latex + PUFF + Stratocastors – La Mécanique ondulatoire 22. Kumisolo + Karaocake – Point FMR

Août 25. Converge + Havok + Gorguts + Revocation – Trabendo 25>27. PJ Harvey + The XX + At the Drive In + Franz Ferdinand + Cypress Hill + Ty Segall + Rone + The Kills... (Rock en Seine) – Parc de Saint-Cloud 29. The Psychedelic Furs – Elysée Montmartre

Septembre 21. Ennio Morricone – Bercy Arena 22. She Past Away + Qual – Petit Bain 27. Sigur Ros – Grand Rex ||COMPLET|| 28/29. Sigur Ros – Grand Rex

Octobre 03. Nick Cave & The Bad Seeds – Zénith ||COMPLET|| 04. Nick Cave & The Bad Seeds – Zénith 14. Wardruna – La Cigale 19. Nosfell – Café de la danse 20. Gary Numan – Trabendo 23. Mogwai – Grand Rex 24. The Dream Syndicate – Centre Barbara FGO 28. Peter Hook & The Light – Le Trianon

Novembre 02>04. The National + Run The Jewels + Ride + Talaboman + Badbadnotgood + The Blaze + Polo & Pan... (Pitchfork fest.) – Grande Halle de La Villette 07. Godspeed you! Black Emperor – Elysée Montmartre 15. Igorrr – La Maroquinerie 17. Trisomie 21 – La Machine 21. Sun Kil Moon – Gaîté lyrique 21>24. Pierre-Yves Macé & Joris Lacoste (festival d'Automne) – Espace Pierre-Cardin 27. Marilyn Manson – Bercy|Arena

2018

Janvier 30/31. Pierre-Yves Macé & Joris Lacoste (festival d'Automne) – L'Apostrophe (Cergy-Pontoise)

en gras : les derniers ajouts / in bold: the last news

[wallpaperpaintings]

19 Fantastic Vacation Ideas For Eastwood Paint | Eastwood Paint

30. ‘Ride the High Country’ (1962) – Sam Peckinpah

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Before his “The Wild Bunch” masterpiece, Sam Peckinpah delivered his aboriginal abundant western with Joel McCrea and Randolph Scott as crumbling outlaws aggravating to “enter their abode justified.”

29. ‘The Cavalry Trilogy’ (1948-1950) – John Ford

After his “Stagecoach” debut, John Wayne became a brilliant in John Ford’s Cavalry leash of “Fort Apache,” “She Wore a Yellow Ribbon” and “Rio Grande.”

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28. ‘True Grit’ (1969) – Henry Hathaway

John Wayne won his career Oscar as the iconic compensation hunter Rooster Cogburn, a role reprised by Jeff Bridges in the Coen Brothers’ 2010 remake.

27. ‘3:10 to Yuma’ (1957) – Delmer Daves

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Narrowly binding out its arch 2007 remake, the aboriginal finds Van Heflin in to put outlaw Glenn Ford on the 3:10 alternation to Yuma as the latter’s emblage plots to chargeless him.

26. ‘The Magnificent Seven’ (1960) – John Sturges 

Elmer Bernstein’s iconic account carries this western accommodate of Akira Kurosawa’s “The Seven Samurai” with a abysmal casting of Yul Brynner, Steve McQueen and Charles Bronson.

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25. ‘The Outlaw Josey Wales’ (1976) – Clint Eastwood

Missouri agriculturalist Clint Eastwood joins Confederate guerrillas on the run from the Union soldiers who dead his ancestors in the additional best western that Eastwood anytime directed.

24. ‘Django Unchained’ (2012) – Quentin Tarantino

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Jamie Foxx and Christoph Waltz are a absorbing duo, Samuel L. Jackson is a memorable Uncle Tom and Leo DiCaprio is alarming as the adept of the Candyland Plantation in this different bondservant western that won the Best Screenplay Oscar for Quentin Tarantino.

23. ‘High Plains Drifter’ (1973) – Clint

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'Star Trek: TNG' Stars Spiner, Sirtis, Crosby Added To Wizard World Comic Con Boise, July 13-15

Three of the stars of the iconic “Star Trek: The Next Generation” series reunite next month as Brent Spiner, Marina Sirtis and Denise Crosby of “Star Trek: The Next Generation” have been added to the celebrity roster at the inaugural Wizard World Comic Con Boise, July 13-15 at the Boise Centre. The trio, always popular hits at Wizard World conventions, will greet fans, sign autographs, pose for solo, dual and triple photo ops and conduct interactive Q&A panels, discussing their “Star Trek” franchise experiences and their careers at large.

Spiner, who portrayed “Lt. Commander Data,” Sirtis (“Counselor Deanna Troi”) and Crosby (“Lt. Tasha Yar”) will appear all three days of the event. They will be joined by William Shatner, headliner of the original “Star Trek” series, who will attend on Sunday, as previously announced.

Spiner, who has portrayed the android with superhuman abilities for 15 years in the TV series and subsequent feature films based on the Next Generation iteration of the franchise, has nearly 100 films and TV appearances to his credit. Some of his more notable roles have come in hits like Independence Day (and, 20 years later, the 2016 sequel, Resurgence), "Warehouse 13," "Fresh Hell" and "Threshold."

Sirtis, born in London to Greek parents, has appeared in nearly as many shows and movies and dozens of top-level theatrical productions. After roles in Death Wish III opposite Charles Bronson, and Blind Date with Bruce Willis, Sirtis broke through with her “TNG” role. She continues to work at a prolific pace, with six appearances last year and at least five set for 2018 and beyond.

Crosby has been a fixture on screen since the early 1980s, with roles on numerous hit TV shows like and films preceding "TNG."  Her nearly 100 credits include a recent recurring role in the SHOWTIME series "Ray Donovan" and spots on "Castle," "The Walking Dead," "Mad Men" and many others.

They join a Wizard World Comic Con Boise field that already includes Ron Perlman (Hellboy, “Sons of Anarchy,” Jewel Staite (“Firefly,” “Stargate” Atlantis”), Sean Maher and David Krumholtz (“Firefly,” Serenity), the “Buffy the Vampire Slayer” duo of James Marsters (“Smallville”) and Charisma Carpenter (“Angel”), Jason David Frank (“Mighty Morphin Power Rangers”),Samantha Newark (“Jem and the Holograms) and Thomas Ian Nicholas (Rookie of the Year, American Pie).

Wizard World Comic Con events bring together thousands of fans of all ages to celebrate the best in pop culture: movies, television, gaming, live entertainment, comics, sci-fi, graphic novels, toys, original art, collectibles, contests and more. The eighth event scheduled on the 2018 Wizard World calendar, Boise show hours are Friday, July 13, 4-9 p.m.; Saturday, July 14, 10 a.m.-7 p.m.; Sunday, July 15, 10 a.m.-4 p.m. Kids 10 and under are admitted free with paid adult.

Wizard World Comic Con Boise is also the place for cosplay, with fans young and old showing off their best costumes throughout the event. Fans dressed as every imaginable character – and some never before dreamed – will roam the convention floor and participate in the famed Wizard World Costume Contest on Saturday evening.

For more on the 2018 Wizard World Boise, visit http://wizd.me/BoisePR.