#rather than set ages
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damn i'd love to read them alleged VAs' papers too... don't know what else beyond the ages would be on here but i'd love to take a peep...
#it did appear weird for some characters to have ages [aspity; mark] which made me believe it could be for more of a ''feeling'' 4 the voice#rather than set ages#but discussing it on twitter & it was mentioned it is somewhat weird for VA papers to have such precise ages but it might differ from#studio to studio; esp. if you work independent but still.#also apparently it isn't found in the russian speaking part of the fandom which is usually where stuff like that originates from so.#i'm intrigued... if it's findable on VK or reddit i'm fucked#they call me inchrigged#neigh (blabbers)
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This might be due to the fact that on my first playthrough I ended up creating a Rook more emotionally guarded than any of the companions except Minrathous-route Lucanis and perhaps Neve, so I was primed to look for it, but I never got the sense that the companions don’t care for Rook (the thought never even occurred to me until I saw other people post about it) — to me it seems much more like it’s Rook who keeps the last bit of distance, Rook who pulls away when the companions try to extend their care or worry too directly, who keeps themselves slightly apart. (Rook who is so full of grief they cannot know as grief and thus process that there’s no room inside them to let anything else all the way in, perhaps.) They deflect and flinch back when someone gets too close or approaches them too overtly about their feelings — especially when it brushes up against the theme of grief. They can offer care to all the companions who are grieving, come along to any number of funerals as emotional support, but the moment someone turns that towards them they shut that shit down Immediately, like when Taash almost gives the whole game away with ‘Like you’d know? You act like you haven’t lost anyone!’ and Rook just blandly responds ‘We’re talking about you’ and doesn’t engage. But they can also admit that they struggle with accepting compliments, or knowing what to say, or having confidence in themselves without Varric’s help.
Despite all their determination and even in their most stoic no-nonsense incarnation, Rook is awkward, with the struggles that entails. Someone who is eager and happy to be the helper wherever they can, and helplessly unequipped to know how to be the helpee, as it were. It’s not that the companions don’t return Rook’s attachment to them, there’s MUCH more of a ‘okay so what are the ways you will allow me to be good to you??’ desperation of care vibe behind all their invitations to conversations and hangouts together, to my mind. They bring Rook to their favourite places and share the things they love with them, they ask to spend time together (many times just to have their company, not because they have a problem they need help with! Sometimes the problem arises anyway b/c video game quest narrative of course), they bring them out for some direly needed grass touching, they introduce them to their families. Everyone is clearly getting the sense that Rook does Not want to talk about Varric especially (this is in fact what Harding says in banter, if she’s still alive after the reveal :’( ), but they are absolutely SCRAMBLING to find ways to show that they’re there for them even so. AND from the companions’ perspective, with the situation as they have the means to understand it, accepting that Rook isn’t ready to have that conversation and backing off is also a kind thing to do. (tl;dr: To Me Rook is that weirdly socialized friend who is a great hang once they’re actually there but you have to directly invite them or they don’t quite know how to initiate the contact themselves lol)
Just as a crushing sense of responsibility for their family is a trait that is built into Hawke no matter how you play them or how you make them respond to that, I feel like Rook — however helpful and earnest, warm, charming, jocular, stoic or straightforward they seem at a surface glance — is always someone who struggles deeply with connecting to themselves and other people. (Emotional Intimacy, the Final Frontier.) As, indeed, is the case with all of the Veilguard companions too! It’s clearly a deliberate theme. These are all lonely people struggling with their sense of identity and belonging in some sort of way. AND having, working on and eventually starting to overcome these difficulties also makes Rook a direct foil for Solas, who doesn’t learn that lesson unless you corner him at the end of the world to force feed him his medicine lmao. They don’t manage to break out of the regret prison under their own steam, it’s because even struggling and grieving they have managed to create mutual bonds with other people who show up for them in turn now — and with all the protective walls of denial around what happened to Varric crumbling and making them less of a stranger to themselves, Rook is finally able to let them. An outcome Solas seemingly didn’t even consider to guard against, because he’s become that deeply entrenched in his loneliness, the utter isolation of the self — he can no longer truly imagine an alternative. (It’s not that he can’t form these bonds, obviously, it’s that he resolutely refuses to value them. Whether it’s because he feels like he doesn’t deserve it or out of a need for control or the martyr complex where he must sacrifice everything he loves on the sacrificial pyre of fixing his mistakes, all of the above and more, the result is the same. Mind!Varric, who I think is mostly Solas speaking, even calls this out directly. So yet again a situation where he has some self awareness about it and it doesn’t help At All haha. Solas falls to the temptation of making people into tools again and again and again, no matter how many times it comes back to bite him in the ass and the eternal solitude it traps him in.)
And that deep deep loneliness… There but for the grace of… well the theological state of thedas being what it is right now, let’s just go with the grace of Something, Presumably go you as well, Rook. The same capacity/tendency to pull away from connection clearly lives in them as well in some form (again, for whatever reason and with whatever motivations and instincts behind it for any individual Rook). Solas and Rook coming together to create a blood magic paper doll of the mind Varric in response to acute loss and loneliness is one of the most deep , deeply fucked up and invasive acts of intimacy I’ve ever contemplated. I don’t think that’s accidental, there’s something There’s Something Wrong With You (there’s something wrong with you that’s also wrong with me (derogatory)) here that resonates no matter how both parties would hate to hear it. (A fitting legacy for Varric and his wild ‘I made my best friend into a story because it’s the only way I know how to love with this desperation of sincerity’ brain to leave in the narrative, methinks. I feel he’d appreciate it on a craft level, if nothing else.)
If you read through all of Rook’s potential backstories, one of the common threads through all of them, along with a certain maverick ‘I’ll do whatever it takes’ streak, is a sense of profound alienation. They did something or have some sort of quality that made it hard for them to fit in with the group they’re from, causing a conflict that cuts them off from parts of their identity as it’s been up until now. All of which also adds to how important Varric is to them — he was clearly able to break/see through some of that and be closer with them, even in the relatively short time they spent together. No matter what else goes to shit, they can trust that a) Varric sees them, b) he genuinely likes them and believes in them not despite who they are, but for it, and c) he’s got their back, we’re in this together kid. And then he is gone, and it takes them the whole game to be able to bring themselves to accept that and know themselves again, be able to let new relationships in fully. The very understandable ‘the last time I let someone in, they got stabbed before my eyes and the world ended’ flinch away, even if they’re not consciously aware that’s what it is. Anyway I love Rook. So much space to play around in here as to WHY they might feel or react like this, even when the framework is more defined.
#dragon age#dragon age: the veilguard#dragon age: the veilguard spoilers#dragon age spoilers#rook#solas#varric tethras#dragon age meta#some of the same stuff around how bellara feels like rare representation of the good AND the bad of being neurodivergent#and the ongoing nature of it -- there's no easy resolution or solution to this just ways to live with it both in joy and despair --#going on with rook being Like This. their bumbling awkwardness can be endearing and funny but it does also genuinely hinder them#(awkwardness can mean bluntness or insecurity or constant deflective quips or what have you it comes from the same source)#I personally like a slightly more set protagonist like this (as well as both Hawke and Ryder) -- it's more interesting to me#to have a specific person in a specific situation to build on than the more sandbox approach. but I think that's very much#just a personal preference thing I don't think there's a right or wrong thing here from either the creator's side or the player#just different things people respond to differently etc. I feel like rook's backstories are quite a good balance of set vs. open#to start to build a character within!#I do wish. perhaps. that there was more willingness in certain quarters to look at it with that kind of nuance and generosity#rather than having to read 'x is OBJECTIVELY a bad protagonist and everyone agrees!!' again and again. but you know.#at least I can focus on what brings ME joy (if people are determined to be wrong it's not within my power or responsibility#to change their minds jfskda)
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hhi do u lske erisolkat if uve made stuff of them already thbenSORRY i havent checked but umm cdoul u make agere hcs of the three of them if u hvaent already heh thankyou :-)
hihi you have no clue how excited i am about this req my main is literally @erisolkat omg
erisolkat agere hcs!!
🦈 kitkat n sollux switch between being cgs and littles but eridan is just a little. when kar n sol regress at the same time he freaks out or he regresses as well and its like a playdate
🐝 karkat loses all his volume control when he regresses and eridan will cry at anything then karkat will cry because eridan is crying and sollux isnt the best at comforting them so he scrambles for whatever he can do to help lol
🦀 its not super kiddo friendly but karkat still loves loves loves watching romcoms when hes little. so sol and eridan just patiently watch them with him. and he doesn't have his filter up so he jus watches happily rather than getting mad
🦈 sollux doesn't regress nearly as much as the other two, he doesn't let himself, but sometimes when he gets really stressed he does get little
🐝 eridan can be anywhere between 1 sweep and 3 sweeps, karkat tends to end up from 2 sweeps to 3 and a half sweeps, and sollux tends to regress to 3 and a half to 4 and a half sweeps (though a couple times hes been Really Stressed and got super little like 2 sweeps. made karkat n eridan promise not to mention it ever)
🦀 sollux's favorite activity when he's little tends to be troll minecraft. he likes to make those bee houses i dont remember what theyre called APIARIES. he likes to make big apiaries :]
🦈 they all get very sleepy when regressed. big cuddle piles in the rumpusblock with all of them asleep. the other trolls will walk by and not even notice it cause this happens a lot
🐝 nobody really has the coordination or attention span to make food when even one of them is regressed so they all tend to live off snack foods lol
🦀 plushies yay. its predictable but they have plushies aligned with the emojis i used actually- a crab a bee and a troll blahaj from troll ikea
#sorry these dont perfectly line up w hcs ive made for these characters separate in the past#its cause they have a diff dynamic all together rather than paired up into sets of two#like when it's just sol and kar then sols more comfortable being more little#agere#sfw agere#age regression#homestuck agere#karkat vantas#eridan ampora#sollux captor#my stuff#🐙 hcs
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A Young Elven Mage Within Kinloch Hold circa. 9:29 Dragon Age
or better to say this is a redraw of in the library by auguste toulmouche with my oc surana
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#ama doodles#surana (oc)#dragon age#warden surana#dragon age origins#im pretty sure someones done this before that inspired me but i cant remember#mostly i just wanted a portrait like pic to exist but in setting she unfortunately would not have one other than postmortem#or if someone had painted her before she became a warden and it was discovered later#anyway i worked on this in a haze so its definitely rather messy lol#designs for circle mage robes always change for me#i kept it simple this time tho i dont rlly think this was how they dressed. shes underdressed bc she cant be bothered
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headcanon that as sophie ages, she gets more and more off-put by how she still looks twenty at some age past 40. the only wrinkles she has are smile lines and a barely-there crease between her eyebrows that never leaves. no gray hairs. it doesn’t feel like there’s any physical evidence of how much stress aged her too fast.
(maybe she dyes more grays into her hair to feel better about her reflection, the more time passes by. maybe, on bad days, she contours wrinkles into her skin with makeup. maybe the bad days get more frequent as she ages outside the human lifespan. maybe.)
#i feel like fitz and dex are the only friends of hers that really get it#since fitz understands more surrounding human cultures than most elves thanks to his firsthand experience in the search#and dex grew up with his mom’s romcoms#which would probably show some human perspectives on aging#and his mom explaining some things that didn’t quite make sense to Smol Dex#but i’ve always imagined sophie turning up on fitz’s doorstep in the middle of the night#with tears running down her face and saying she didn’t know who else to talk to about almost-immortality feeling so so so wrong as she#gets older. not necessarily just because he knows more about humanity than most of her group#but also because like. there’s some part of her that says ‘if he can help you through learning to be an elf at 12 maybe he can help you at#42 too’. and they’re cognates. and they’ve gotten old enough to set aside teenage grievances with one another#and i like the idea of them sitting on a couch together by lamplight and trying to navigate the cultural and personal differences#in how the two of them and humanity and the lost cities view mortality#and not really reaching a concrete conclusion. but rather. a conclusion that keeps the two of them sane until they reach triple digits.#and then they have the conversation again. and come up with a plan to stay sane in their triple digits. and the same thing pops up in their#thousands. idk man the whole thing screams trust down to the bone and that’s what they should have when the war is over#is there anything more Cognate than talking through wildly different fears surrounding the same thing that make both parties#super vulnerable??? down to how your minds work in the face - or lack of - death?#maybe so but i can’t think of them off top of my head#kotlc#sophie foster#kotlc headcanons#keeper of the lost cities
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So we're leaving behind class-specific non-combat options? Cool
(Hear me out--)
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In DAO and DA2 you only ever really needed a rogue in your party for non-combat access to hidden things like chests (and sometimes even when you had them they couldn't manage it 😮💨.) But DAI introduced class-specific tasks for everyone - fixing walkways and barricades for mages, bashing down walls for warriors, and of course, lockpicking for rogues. This meant that for optimal exploration, you need at least 1 of each class in your party. The game knew this: your starting party was balanced around this (Solas/Varric/Cassandra) and you meet a balanced number of extra companions as well. This system works in DAI because you can take any three companions along so long as you maintain the rogue/warrior/mage ratio! It also means you can double-up on a class at your leisure - whether one duplicate of your own, or just any character you always want along. So mage!Inky/Dorian/Cass/Cole works! But so does mage!Inky/Blackwall/Cass/Cole. Etc. Etc.
Having just 2 companions limits you to always choosing characters from the two classes you aren't playing yourself. Mass Effect gets away with it because every level is atomized and you can specifically spec to that encounter (robots? Bring someone with Overload, biotics? Get that Warp.) Open world maps don't work the same way and require a more 'jack of all trades' mentality. This means deprioritising companions of the same class as you🥺 which is honestly a shame. Maybe the combat will encourage more same-class reactions like Mass Effect or allow for cross-class ability building (like ME's mixed classes) to make up for it and give the players more room. Or we all just pick our faves and ignore all the secret rooms instead 😂 we all know no one is keeping Zev around for his abilities with a bobby pin
#dragon age#dragon age dreadwolf#dragon age veilguard#video game meta#gameplay#bioware choosing the worst one of their strengths to port to DA4 actually#bring back small maps!#self contained quests!#the DAI set pieces were all actually fun and engaging. hated the busywork in between#ME2 and 3 are so much more replayable than the DA games#BECAUSE you have quick and contained missions with tight#impactful writing#not because it has less interparty banter#or more action based rather than tactical combat#at this point you have to pull a Larian to make big open maps work and idk if bioware has it in them#(flashbacks to Andromeda's empty maps)
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One of the several things that are very frustrating about how the Maud storyline played out this season is that, from Maud's perspective, the con she plays makes little sense; Oscar isn't an important enough or wealthy enough target for this to be her last great con before she disappears off into the ether, but without that motivation she fact that she burns the bridge behind her by disappearing means that she won't be able to play New York society again.
Perhaps her plan is to play multiple cities, far enough apart (in distance as well as the timing of the cons) that word hopefully won't spread; perhaps there was a reason she wanted to cash out as it were as soon as possible and latched on to Oscar because he happened to be nearby and wealthy enough. But we get no indication of her motivations, and that is what is so irritating and unfulfilling about this plotline; there is no attention paid to her as a character, rather than a hollow mover of plot, at all.
And this, in turn, makes that whole plot feel rudderless and absurd. The necessity of it is indisputable; it has to happen to precipitate the Ada-Agnes role-reversal at the end of the season, and so I'm not saying Oscar shouldn't have lost the money or even that Maud shouldn't have taken it (though there were plenty of more interesting and historically informed ways that plot could've played out). But the fact of creating a character, especially a female character, who is so transparently a plot device rather than a person the writers spent any time thinking about, is deeply frustrating--especially on this show, which otherwise so reliably treats its female characters like human beings.
#she makes no sense!! that is what is so frustrating.#why would she ever blow her cover why would she not just keep siphoning cash off oscar as long as she could#and then move onto the next man in a way that seemed like romantic intrigue rather than a con#unless understandably she wanted to live on her own terms without being beholden to a man; but they set her up as so talented and#experienced at what she's doing that it seems improbable that she couldn't have figured out a way to con herself some serious money without#pretending to flirt with oscar van rhijn for several months#we get so few puzzle pieces about her to put together and then they do not even fit with each other and it is. frustrating.#maud beaton#the gilded age
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hearing about the new adashima manga chapter dropping and people cheering and then not even a day later the series as a whole is getting tarred because of implications that its male author is a pedo for "being too obsessed with writing about high school girls", c'mon now 😭😭😭😭
#qq posts#discourse watch#is every high school setting story supposed to be written by teens then cause like#what are we doing here#if its the age gap stuff in other works is it actually presenting the thing positively#or are we just looking at the fact that it has an age gap tag and assuming things#if its from older works from years and years ago are we gonna expend the same energy#for writers that have worse stuff on their portfolios or is just for this one guy#its tiring to think about tbh#at least go after the ones that are actually predators rather than this vibes based bs
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Theory with no coherent proof on my part: brenner only visibly ages rapidly when a portal is open.
#brenner 'dies' very early on after rhe portal opens in s1 so we dont see the effects#but in s4 he looks considerably older.#then in s5 he apparently has a whole bald cap - portal that opened at the end of s4 has been open for approx 1.5 years#theres the tie in to the ptsd/trauma metaphor with the UD representing repressed memories#or repressed memories aka 'lost time' in someone memory#the whole thing where ppl with traumatic childhoods cant remember their childhoods very well and it comes back sooner or later#i wonder if there is a supernatural tie into that in st? like when a portal opens to the UD all that 'lost time' suddenly is allowed back#into the light aka out of the subconscious and into the conscious re flashbacks and memory retrieval#i dont believe NINA at all beyond the flashbacks el has before brenner got involved#bc it seems to me that brenner possibly took advtg of els vulnerable state to possibly manipulate her memory retrieval#which irl has been a long time point of controversy which is psychologists convinving patients that they have memories of trauma#they dont actually have. which idk how valid that is but brenner is a psychologist so if anyone he could find a way#also when the 'lost time' comes back to the surface brenner ages bc of those time loops begin to unravel. the real years brenner has lived#take its toll rather than him de aging as time loops back again to the beginning#very dr who of him. or at least every time he dies its another time loop thats created except from our perspective as the audience we#wouldnt know. because we are only watching from a set linear timeline (1983-1986) and we dont see the time line resetting itself#since all the timelines are similar enough with only small differences ('easter eggs')#tying this into the wheelers- their name literally means 'creator/operator of wheels' aka time loops. so are they The Source?#with the subtext surrounding 'truths' and 'lies' in ST i dont necessarily believe all timeloops are created equal#one must be the 'true' timeline while the others must be 'lies'. aka lonnie saying how people sometimes make things up 'to cope'#that and the heavy subtext behind hawkins being a cursed town. not necessarily anywhere else in the US#and how you can only open portals in hawkins per alexei#makes me thinks these arent legitimate timeloops. like time isnt physically looping back and rerunning events bc otherwise it wouldnt only#affect one small town in indiana. also we dont see the UD/the MF be able to affect time itself but rather ppls perception of time aka#mind control and memories. meaning that could it be time isnt actually looping but rather everyone in hawkins has their memories wiped and#recreated every time there is an inciting incident (which is unknown)#^this doesnt really explain how brenner is able to revive every time he dies unless brenner is actually an admin of this system and lives#'outside' the time loop. so. brenner is a video game character actually whos actual player is blissfully safe from harm outside of the the#computer screen#isnt this just the plot of the matrix. with 'the source' (the central computing core aka the wheelers?) and keymakers etc etc
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Shadows of Fear: Sour Grapes (1.9, Thames, 1971)
"Sprechen Sie Deutsch?"
"What? Uh, eh - eh, no. Nein."
"Habla... usted español?"
"Uh, no hablo. Inglés. English."
"Ich spreche kein Englisch."
"Oh, wonderful. Here we go."
"What d'you think he wants?"
"Feel free to ask."
#shadows of fear#sour grapes#classic tv#horror tv#single play#1971#thames#roger marshall#kim mills#isabel dean#daniel massey#ray smith#simon gough#strangely enough‚ this might be the episode of this show which most strongly lodged itself in my mind from that first watch all those#years ago. the thing is‚ tho i remembered the broad outline and some images‚ i couldn't remember *why* i remembered it.. if that makes#sense. was it because it was brilliant? or because it was awful? watching it again and it's entirely neither; it's pure Roger Marshall‚#albeit on one of his less than inspired days (and showcasing a vaguely troubling sense of gender politics which only occasionally shows in#his work). a middle aged middle class couple on holiday suffer a home invasion from a German on the run‚ it seems‚ from the law. the#language barrier is really the source of tension here‚ and is milked for all it's worth (another slightly stretched out ep). i think i may#have recalled it bc of the incongruity of the German character being played by good old welsh boy Ray Smith (i was probably not long#finished with Public Eye on that occasion) but actually watching it back now he's really quite good; his German accent and attempts at the#language are certainly more convincing than Massey's vaguely defined northern lilt‚ bless him. it's not bad nor great but the very ending#didn't sit great with me‚ as I suspect it didn't the first time. a rather slight plot expanded beyond its means. impressive villa set tho!#i wonder if they found that in storage? surely it wasn't built for this one off play...
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this expression rook makes sometimes where they press their lips together to smile and it's all rueful and fond in a way that looks like it hurts a bit. cry if you agree
#the quality of expression animation fluctuates a bit throughout the game (I mean. of course it fucking does. do you realize#just how much of it is needed in this thing it's fucking *insane*)#but there are so many small nuances of it scattered here and there that have SUCH an impact to me#rook animates so specifically in some ways they're like. a set dude. a person. with certain trends of expression#and I really like that#dragon age#dragon age: the veilguard#dragon age: the veilguard spoilers#dragon age spoilers#oc: Ellaryen Ingellvar#bellara is the one person rye doesn't let the snark out with *most* of the time b/c he saw how much it hurts her to not be taken seriously#and not have her pain or fear be taken seriously. and was like 'I would rather cut my own hand off than intentionally hurt you in any way#I guess I'll have to *shudders delicately* be perfectly earnest for a moment.#none of the rest of you get used to it this is bellara only privileges time'#this is a rare moment of 'literally I cannot think about this today bellara this is what I'm capable of giving right now.#would you care for some carefully curated denial in these troubling times I've worked really hard on it'
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#making this since I saw a post talking about losing followers#and I realized I hadnt checked mine in ages#reposting to set the poll to 1 week rather than 1 day
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i really coasted by with getting DHTM done in only a couple of months. this one, tho? this one's gonna be The Big One.
#texts.#something something certainly beyond my skill level but fuck it we ball.#DHTM was 'easy' in the way that research was easy because i had ears on the ground. and also i was there. and it was very straightforward#by way of plot and whatnot.#this one's pushing into New Weird territory because it's straddling horror - sci-fi - and spec fic and it's set during the Reagan Era....#so big yikes for me buddy. SOMEONE has to do research and not the fun kind involving antarctic explorations in the late 1890s.#a first draft can probably get done in about two months but it's going to be the barest of bones. a completed decent draft is gonna take#a small age.#anyway it's talking about writing rather than actually writing hours.#TALKING ABOUT IT WHILE I STILL CAN
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#Seven’s Public Diary#vent post#cw vent post#vent#cw vent#wound mention#sighs deeply#had to take my shirt off for someone recently for medical reasons and while 'oh you poor thing..' is far from the worst response ive gotten#it's definitely still strange to hear. like i'm not rlly surprised‚ i am aware that i'm an upsetting sight#and i keep myself covered all the time to avoid upsetting people that can't handle the sight of marred skin#but i've grown so comfortable in my body over all these years that an interesting side effect of that is that i tend to forget#just how shocked and upset and worried ppl tend to get when they see me. it's almost funny. the sad kind of funny i guess#guess i'd rather laugh than dwell on the knowledge that i'm a set of walking trigger warnings that must be censored#anyways. that experience combined with the stressful and tiring process of tending to a wound on my back for the last 2 weeks#has me thinking about Ch. 5 of AEIWNF. for... reasons. so maybe i'll finally make myself draft and post that today#there's so many things i need to make myself do but the appeal of just sitting alone weaving bracelets and binge-listening to TMA is strong#the urge to be alone and craft things while listening to stories told through a lo-fi medium... where does it come from#that's a rhetorical question i know exactly where it came from. i'm just turning into both of my grandmothers lmao#what's the line. 'i've got my grandmother's veins in the back of my hands' what's that from. it's a Wonder Years song right#Hoodie Weather!!! yeah that's it. man i haven't listened to that in ages. maybe that'll be today's weather report#anyways. what else can i vent about. uhh. it's getting harder and harder to put my thoughts into words and that's concerning!#i'm fighting the desire to push everyone away again even though it feels like i should. i'm too toxic of a person#like. talk to any of the people that have ghosted/blocked me and they'll likely tell you to stop wasting your time on me lmao#and they'd probably be right. i'm so caught up in my own issues that i feel bad for anyone that tries to be friendly to me#everyone gets sick of my shit eventually. i'm overbearing and self-centered or you don't hear from me for months. there's no inbetween#i wish there was. god i wish there was#i'm never active on here anymore bc i feel like if i am then that's disrespectful to everyone waiting to hear back from me#but it's so much easier for me to post and reblog stuff than it is to talk one on one with literally anyone#it's not even social anxiety atp there's just something wrong with my brain. like not to self diagnose but Something's Wrong#okay that's enough whining. gonna go try to do something productive to make myself feel less useless
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#spent all day helping my best friend move into her new flat#and it was really lovely to be able to be there for her and help her unpack and set everything up#bc her bf (one of my other flatmates) is going travelling for a couple of years in march so obvs he's moving out and they're breaking up#which is why SHE had to move out bc she couldn't afford the rent on a double room by herself#and she's only just moved down the hill like literally a five minute walk which is obviously amazing#she's not ages away yk#and she's moved in with our mutual friend which is nice too#but on a selfish note now i'm left behind in a flat with four 20 year old couples#and i'm now the outside friend like i'm the one who has to go home yk rather than being the one in the home#and i'm just dreading being alone so much of the time like cooking dinner alone and coming home from work and being alone etc#and i'm worried as well that in the new flat they'll get really close and i'll be like forgotten about and left behind#and i know this is all catastrophising and mind reading and all those therapy phrases#but it just sucks. it really sucks#i had to walk home in the rain just now up the hill at half 12 at night#and i cried the whole way because it just all sucks so bad#i knoooooow obviously there's worse problems in the world there's people that are dying kim etc etc#but i'm just very sad about it right now. very very sad about it#so it's 1am and i'm going to sleep and i will wake up at 4am for the match and arsenal better fucking pull through for me#goodnight love u all sleep well appreciate the people in ur life x#also i mean two 20 year old couples lol i don't have eight flatmates
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How old is everyone in that future AU?
Ehhhh I don't really have set ages for them anymore, but everyone is about 19+ years old. In fact, they're all ranging around 19- late 20s
#doodles rants#psychonauts future#Idk why but I feel like having an age range rather than a set age helps me a bit#Psychonauts
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