#rather than just a way to make story lines happen

[keferon]

So the Mech AU is something and it's captured me too.

Set sometime after Prowl discovers Jazz is a pilot but before they go to Earth

———————————————————————

"Do they all look the same?"

Sat in a makeshift chair made from a tarp thrown over a spare tire, Jazz was in the middle of refueling from a small plastic baggie when Prowl broadly gestured to the inanimate body of his mech.

"The mechs? Naw, at least not the ones that last. I've had mine long enough that it's gotten all sorts of unique design changes and upgrades. There's no other mech that looks or moves just like mine."

The reassurance that Jazz's mech form was an individual creation was pleasing for some reason. Perhaps Prowl didn't like the idea of a dozen identical blank visors, the body of his friend replicated and filled with someone else.

"There's like. three or four classes of mech I think?" Jazz continued unaware of Prowl's secret anxiety.

"There's Rescue Class, those are the smallest, and they actually aren't built for fighting but for digging through rubble and cleaning up chunks of alien. Plus, sometimes those tentacle freaks have parasites that drop off when they die so the R-class kill 'em before they can become an invasive species."

"I thought you said they weren't designed for combat?"

Jazz finishes their fuel and shrugs.

"Its a war. Nobody gets out of fighting completely. Before I left I heard they were sticking a medic into- into fuckin' Vortex."

There were, many questions Prowl had concerning that last sentence. How desperate were the humans to be making their caregivers into soldiers? Why was this Vortex so infamous?

Why did Jazz sound angry at first, but by the time he got to saying "Vortex" the name came out as a rush of breath rather than a proper word?

What stopped him from pressing further on the topic was how Jazz seemed to shrink. And sink.

And stare at nothing at all.

It was so nauseatingly not Jazz that Prowl nudged the tire a bit and guided the conversation back to familiar territory.

"So what class are you?" Prowl said, while crossing his arms on the table and resting his chin on them. It was, very off model posture for the Praxian, but without the ability to pick up EM fields, exaggerated body language seemed to be the best way to get through to his human.

On a hunch, Prowl lightly waved his door-wings as well. Jazz smiled at them, and at him and Prowl preened with a modest smile back.

"I happen, to-just-so-be-the-Top-of-my-class-a-thank-you-veeery-much!" Jazz said popping each syllable like a song, resting his chin on his knuckles to match Prowls gaze.

"In terms of mech?" He nodded in its direction.

"I'm Striker Class baby, we're the fastest, the most agile and in my personal opinion the the most effective fighters in the whole program."

"And you do not personally feel as though you are an outlier bringing up the average?"

Mouth agape in mock shock, Jazz placed a hand over his spark- Flesh? Flesh-spark? Prowl deleted the line of thought and focused on the performance.

“I assure you Prowler, there are plenty of other Striker class pilots out there that do good for our name. I mean, there’s Blur for one thing. The guys basically the poster child of the whole program. Ridiculously fast mech. There’s also Hot Rod. His mech had the funny little quirk of CONSTANTLY CATCHING ON FIRE, buuut he turned it from a bug into a feature and now that’s just his thing.”

“Just his thing?!”

“Yup.”

“Being on fire?”

Jazz sat up straighter and pointed a finger at Prowl, “Look. I don’t know the full story and I shouldn’t be the one to tell it either, but trust me when I tell you this guy earned it.”

Leaning back, Prowl processed the new layers of insanity humans would apparently subject themselves to before filing it under “Bizarre conversations with Jazz” in his processor and carrying on.

“So what’s your special quality?”

“Me? I’m freakishly good at syncing up with my mech. Like, Blur is faster, but I’m smoother. Like, like that really is me. It just, I dunno, feels right. Fits me.”

Jazz looked over to his mech for a long time. Frowning at the fuel packet in his hands and solemnly crushing it into a ball.

“In terms of mech?” Jazz looked looked over to Prowl, smile returning with ease.

“I think I might be the only one that’s built for the stars.”

Their conversation continued into the evening like a leisurely dance. Discussing Pool Time, the war, cultural differences , the quintessons, their homes, what remained of them, and all the people they know and once knew.

Prowl never brought up Vortex again, though perhaps he should have.

__________________________________________

"What," Prowl choked out, his voice more static than sound. "Is that?"

The sky was green. The quintessions were in chunks. A mech, matte black with a blank visor, caaaarved into the body of the last living invader. A blade that massive was too big to keep a clean cutting edge, so the mech made up for the lack of delicacy with brute force.

It. It wasn't killing the damn thing. It was vivisecting the aliens spinal column from its body, each rib snapping off with a supersonic POP that shook Ratchets hangar and barely carried over the fucking awful sound of the thing screaming in terror.

Prowl would have never thought a Quintession could be a Victim before that moment.

Spine and brain case finally extracted, the mech lifted its prize to its opening vi- mouth.

That is its mouth. It's head was the size of his entire chassis. Inside, a stranger. Over bright eyes, straining and shaking against restraints within to get a better look at what was being held up to him. The mech moved without any input, tilting its helm back and cracking the skull to fill its open maw with cerebral fluid.

A funnel cloud touched down in the distance.

"That.? Jazz said, leaning against Prowls good side. “Is Vortex.”

TH A T. IS VORTEX

Man……I think Cybertronians would consider themselves big and scary compared to primitive earth life. And then meet Vortex. And then see Vortex in their nightmares for the next five million business years

[corseque]

On the scale of 1 (Rise of Skywalker) to 10 (Shadowbringer/Endwalker), where would you place Veilguard?

critical post

I’ve burst into enraged tears like 5 times since I finished it, which is not nearly even close to as many times as Rise of Skywalker, but still 5 times too many. Just the shallowness of the writing, the obviousness, the incredible frustration at the simplicity, the ignoring so much of my favorite character in order to make a stupidly simple plot work, the horrendous time I had trying to ignore Rook’s annoying stupid fuckass pov while just trying to self-insert myself into the end of my favorite fictional character of all time’s story after waiting 10 years. I screamed in frustration that I had to hear the painfully obvious commentary these brand newcomer characters who I did not give a shit about, explaining to me like a toddler how I should feel about revelations I have been writing about for 10 years, especially when what they were saying was stupid as fuck. I cried at the thought of so many cutscenes and so much effort went into stories I found very forgettable and went nowhere, while they were able to only scrounge up like 10 total animated shots reuniting Solas and Lavellan. I mourn that I could not make any decisions in a BioWare game. I mourn Solas’ story so much, and probably will for years. I will never get over the way they talked down to him and never listened to him for even a second, lest they actually have to write a branching path into their game. I hate that the theme was regret but Rook regrets nothing ever so (shrugs) regret doesn’t affect them or mean anything to them. I mourn the loss of the voice and point of view of his people, the ones he was fighting for, the ones who are alive. I mourn that it turns out that he’s just a stupid feral dog who is 100% wrong about everything always and he always has been from the beginning of time. I cried that the game said the answer was that Solas should NOT try to help his people and they never even discussed it as a philosophical question or the ethics of it or anything, or playing as a character so dense they never once even wondered if accidentally freeing the gods killed more people overall than the veil coming down would have. (We avoided this question like the plague, lest we feel less like purely Good Heroes who could talk down to the gods with righteous fury). I mourn that I’m never going to know what would have happened without the Veil. I feel so stupid for thinking that elves or spirits as factions would appear in any capacity with lines and perspectives in this game. I’m so angry at how safe and smoothed over everything in the setting is, and how it felt like the main characters never struggled with anything and have nothing to say. I can’t believe Dragon Age is so shallow and unsatisfying and head-empty. I mourn that the story of Dragon Age is Over to me and I will never play another game.

I’ve also cried a few times at the completely separated and individual imagery and music in the last scene. I’ve cried that my favorite character didn’t die in any world after 10 years of being at death’s door. I’ve cried at the thought of him being a little worm spirit, and that I was right about him the whole time. I cried when activating Felassan’s crystal in the final fight and seeing all the buffs. I cried when I turned the page and realized the default inquisitor was exactly the same as my personal Lavellan, down to hair style, eye color, hair color, vallaslin removed. I cried when I realized Solas thought he should have died as a spirit rather than be born. I cried that the main story Dragon Age has been telling the whole time has been about the reconciliation and freeing of my favorite fictional character. I cried that Solas and Lavellan got married in the end, when I genuinely wasn’t expecting either of them to even be alive. They’re both still alive and in love in every single world. I can’t wrap my head around that.

I have no idea where to put it. It’s a few high highs but some intolerably low fucking lows. It could have been so much worse but the bar is on the fucking floor. I go back and forth between moderate enjoyment to just being so angry. It could have been so much more and I do not know who to bite for it.

I have no idea.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[lillaydee]

The Arrangement Part 10

Frontier! Joel Miller / Reader

Your life crumbled to nothing during a migration to Jackson, forcing you to agree to an arrangement just to survive.

NOTE: Possible inaccuracies in baby developments, food intake and inheritance or ownership laws coming. I really know nothing, but I needed to put some stuff in for the sake of the story line, so please forgive me and take everything in the spirit of storytelling yeah?

WARNINGS: Protective Joel (The Last of Us), Ellie & Joel Bonding (The Last of Us), Good Parent Joel (The Last of Us), Parent Joel (The Last of Us), Soft Joel (The Last of Us), Joel is Bad at Feelings (The Last of Us), Joel Needs a Hug (The Last of Us), Hurt Joel (The Last of Us), Joel Has PTSD - Post-Traumatic Stress Disorder (The Last of Us), Jealousy, Mutual Pining, Fluff and Angst, Frontier Joel, Alternate Universe - No Cordyceps Outbreak (The Last of Us), Virgin Joel, Virgin Reader, Minor Character Death, Period-typical Misogyny, Marriage of Convenience

SERIES MASTERLIST

Part 9

Your sight remained blurry all the way home, Maria immediately getting Tommy, telling him to get Will and Benny and Diana. She thanked Max for the two of you, but politely told him it would be best if he left. Max nodded and tipped his hat at you, not that you noticed.

“Make sure you don’t let Joel get anywhere near her,” she told Tommy.

Tommy was confused but did as his wife told him. Minutes later Diana came running into your house followed by the rest of the Miller men, asking Maria what happened. Liv and Diana’s faces visibly turned red, so did Tommy, Will and Benny’s. You were inconsolable, struggling to even draw breath, let alone say anything.

You couldn’t even qualify what you were feeling. Sadness? Anger? Jealousy?

No.

What felt closest to what you were feeling was simply devastation. Heartbreak. Betrayal.

Your husband, the sweetest man you had ever met, who, up until a few weeks ago was so affectionate, so loving, so romantic, making you feel all sorts of feelings that left you floating on air, went to the brothel to get his needs met.

He went to Rose. In broad daylight.

Esther was right after all.

He was so unsatisfied by you, so unaroused, so unfeeling for you, he resorted to going to working ladies, rather than try again with you.

The house was quiet. No one said anything. Everyone was quietly seething and devastated for you.

Ellie’s cries filled the house. Liv made to go get her, but you stopped her, going in to get her yourself, shutting the bedroom door behind you. You picked her up, tearfully consoling her, telling her everything will be alright.

Will it, though?

Could you live with this? Could you get past this?

A lot of men seek services at the brothel. Their wives knew. And yet they remained married, having child after child with their husbands. They look the other way, turn a blind eye. Could you?

“I know we are all angry at him,” you heard Tommy’s voice said. “But I know my brother. He is in love with Elena. You know this, Maria. He was never like this, not even with Annie.”

“As angry as I am with him, I hate to say it, but he’s right. I’ve never seen Joel this smitten with anyone,” Maria said, despite being so livid for you earlier. “If this had been idle gossip I would never have believed it, but I saw him. With my own eyes.”

“This is not like him, he would never do something this stupid. There must be an explanation.”

Tommy was doing what a good brother would do, defending his brother, the one who sacrificed a lot for him to make sure he had a good life growing up. Will and Benny didn’t say much. Liv and Diana remained quiet. To be fair, the two ladies didn’t really know Joel, having only met him when you got to Jackson.

“I cannot believe he would do this,” Benny’s voice was disbelieving. “The way he was so enamoured with Elena was something else. He’s the last man I would ever see doing this.”

“But he did. He did do this. We can all deny and question it, but he did do this. When he’s wrong, he’s wrong. No use defending him.” It was clear to everyone that Will wasn’t having any of this.

“Are we just going to throw him out because of this? He’s family,” Tommy sounded desperate. “He’s my brother.”

“And he betrayed Elena,” Maria was firm in her stand. “He promised her that he would be faithful to her. A brothel, Tommy? You expect us to let that go? Let bygones be bygones?”

“I don’t know about the rest of you, but I don’t think I can ever look him in the eyes again,” Diana finally chimed in.

“ELENA!”

You froze.

“ELENA… darling, please…”

“No, he is not coming in here,” Will said, and you heard the chair scrape against the floor, followed by a rough opening of the front door. No… please don’t Will… don’t…

You opened your bedroom door, passing Ellie to Liv, running to the door, only to see the three men already outside, confronting a sweaty, panicked, out of breath Joel, who had clearly been running all the way from town. Will, leading his brother and cousin, immediately landed a punch on your husband’s face.

“No! Will! Don’t, please… don’t hurt him!”

You ran outside, trying hard to get to him, worried that the much bigger Will would kill your husband. All betrayal was lost, all anger and heartbreak and devastation disappeared at that moment.

Will managed to land another punch to a non-fighting Joel before you got to him, placing your body in front of him, begging Will to stop, to not hurt your husband. You loved him. I love him. Will, please, I love him. Please, don’t hurt him. Will seemed to snap out of his anger, looking at you in shock for a few seconds before screaming at Joel, how could you do this to her? What were you thinking? Benny and Tommy pulled him back, calming the older Miller down.

“Explain yourself, brother. What you did was inexcusable,” Tommy calmly said.

Joel placed his hand on your shoulder, quietly telling you to go inside. The left side of his face already blooming with bruises, his nose bloody. You surged to wipe the blood away, but he gently took your hand in his and told you he was alright. Please, darling, go inside. I will be right in. Please.

Benny pulled you gently by the elbow, and you reluctantly let him do so, passing you to Diana, who was giving Joel a stern look. Maria and Liv waited at your front door. If looks could kill, your husband would be long dead, thrice over. Joel kept his head down, accepting his family’s perception of him, but watched you go inside, his heart broken into pieces at the thought of you still trying to defend him despite what had happened.

And if he heard you right, even in thinking he did what you thought he did, you still told his older cousin that you loved him.

**********

You sat on your kitchen table, a cup of tea in your hands, courtesy of a very fidgety Maria. Your sisters sat with you, Liv with a protective arm around your shoulder, Diana with Ellie in her arms, all watching the Miller men through the open window.

They were all sat on the grass in a circle, a ways away from the house, Joel doing the talking while the others listened, taking in everything he was telling them. You couldn’t see their faces, only Joel’s. Joel kept stealing looks into the house, eyes searching for you, a look of worry and devastation on his face.

The three Miller men suddenly dropped their heads down, shaking them disbelievingly, making your heart drop. What? What did he say? What was happening? Joel dropped his head, too. Seemingly from shame. Liv’s hand tightened around your shoulder, and your heart dropped further, oh God, this looked bad.

Suddenly, the three men’s shoulders started shaking, even Will’s. Your husband’s head remained down, his fingers on his forehead, shaking his head too, before finally lifting it, a controlled smile on his face. The other three Miller men started howling, laughing so hard they could hardly sit up properly. Joel started laughing too, but not as much as his brothers, who by now were wiping their eyes from laughter, hands on their tummies, almost bent double from the hilarity of whatever was going on.

They eventually stopped laughing. A good ten seconds went by when Benny snorted, and off they all went again, laughing so hard, Joel now red in the face, head still down, shoulders shaking every now and again when he gave in and began giggling for a few beats before stopping again, looking so ashamed of himself.

“What on earth is going on?” Diana asked, at which point you realized that everyone was staring at their husbands, a befuddled look on their faces.

The men finally stopped laughing, breaking again every now and then, before getting up, and shaking their heads, patting Joel on his back. His head remained down, albeit with a small smile on his face. Will stood in front of him, saying something you couldn’t hear, and hugged him tight, slapping him on his back a few times, which Joel willingly accepted and returned. Tommy and Benny stayed outside, while Will and Joel walked back into the house, Will telling Liv to get Ellie, she will be spending the night with them tonight. Maria, Diana, let’s go. He came to you, apologizing for hitting your husband, telling you to hear him out, before giving you a tight side hug.

The ladies hugged you, side-eyeing Joel as they left, a grumpy Ellie in Liv’s arms. Maria closed the door behind her, leaving you and your husband alone in your living room, where the awkwardness suddenly returned, and your anger began to swell back in your chest.

He stood dumbly for a few minutes, before telling you he was going to wash first, but he will explain everything to you, alright? You kept your head down, knowing for a fact - considering that you broke when you saw Will hit him - that if you looked at him, you would give in to him. And you knew you shouldn’t. He did something wrong. He should be made to explain himself, be made to apologize.

You stayed where you were as he cleaned himself behind the house, and when he came back in, he offered you a hand, which you took, and led you into his bedroom, sitting you on his bed before joining you, sitting opposite you, your knees touching.

He took a deep breath and told you everything.

**********

Joel Miller was a gifted man. He had always known that. He had always been told that, even in his childhood. His brother, his cousins, his friends, all teased him about it. He never thought much of it, until he joined the army. His buddies would make lewd remarks about his member. It didn’t help that he was so shy about mingling with the ladies, oh… Miller’s just afraid he might end up winning the war with his weapon of mass destruction, they said. Careful where you aim that thing, Miller, the ladies may not live long to tell the tale. Oh, boy Miller, you’re gonna split some unlucky lady in half with that huge dong of yours. Watch where you’re running with that, Miller, you don’t want to trip on that third leg.

All these teasing, the lewd comments, the double meaning remarks, unbeknownst to his friends and family, made him extremely ashamed of his own body. So Joel went about his life being self-conscious of his private part. He never messed around, as he told you. He even stayed away from talks regarding that matter, knowing that the stories would inevitably lead to more teasing his way. They always did. His army buddies made a point to let him know every time he was showing through his trousers in public, particularly around the ladies.

At one point, his name became one that was always mentioned among the working ladies at the local brothel where he was stationed, all the ladies knew of him, despite never setting foot in the establishment. The ladies in the army knew of him, chasing him around, wanting a glimpse. Coupled with the fact that he was raised to be a gentleman by his Mama, his shy nature exacerbated his consciousness, and made him stay away.

He even convinced himself he wasn’t interested in such activities. When needs arise, he was mindful, settling instead for relieving himself with his own hands, pictures of ladies on flyers and magazines becoming his inspirations. It’s safe, healthy, even, and he was not in danger of getting a disease, or impregnating any ladies, let alone hurting them. He eventually got used to this, thinking that when the time comes, when he married, he will deal with the situation face on, but until then, his hands would have to do.

But then he met you, and for the first time in his life, Joel Miller really wanted to be intimate with a woman. But not just any woman, with you, his wife. Someone who he was supposed to be intimate with, encouraged, even. But at the same time, he had promised you he would be respectful. And he really was. For what felt like years to him, he did not touch himself at all after the wedding, trying to respect the fact that you were right there, sleeping in the next wagon. He refrained himself from touching you too much, but it was like an impossibility.

He didn’t even realize what he was yearning for was intimate in nature at first.

Everything was hidden behind his feelings for you, one he had never felt before. It took him by surprise. He remembered what he said to you about love on that first ride together, and at the time, what he thought was a crush and a harmless attraction to you revolved around wanting to be near you, getting to know you. He found himself smiling to sleep with the thought of you, looking forward to be alone with you, anything at all, as long as he was with you. His body magnetized towards you. In a short span of time, he found himself becoming extremely protective of you, consumed by you. You were always on his mind. Every single time he planned something in his head, you were right there. He didn’t think much of it, you were his wife, after all. Of course you would be in his plans. Right?  

Until that day he saw you bathing. The images of your body in a wet robe drove him wild. He couldn’t stop wondering what you would look like sans the material. His body responded to you in a way he had never experienced before. When the ladies he encountered during his army days tried to get close to him, all he could think of was to get away. But you… all he wanted was to hold you tight, make you feel good. His wonders about you went from how you liked your morning coffee to wondering what sounds you would make if he kissed your neck, and to his shame, how you would look like naked underneath his own naked body.

And once he realized that, as the days went by and his feelings for you got stronger and stronger, his need for you got bigger and bigger. But he had promised you. Only when you asked for it. And Joel Miller was a man who kept his promise.

He couldn’t help himself. His old habit resurfaced, only this time, his inspiration for manual relief turned from some random woman on a piece of paper to you, a real, living, breathing person, who he was married to. And to make things even more difficult, you seemed to respond to him, getting closer and closer, being more comfortable with his advances, and soon, physical touches became a norm between the two of you, not that he was complaining about it.

When the two of you moved in and got a lot more physical than usual, he found it harder and harder to stay away from you. His desire for you became unavoidable. His thoughts were full of you. So that night, when you finally asked him to take you, it was literally his dreams come true. But as he was kissing you, preparing to consummate your marriage, he came to a devastating realization. 

He had no idea what he was doing.

What did he have to do? What do people usually do? Do you just stick it in? So many thoughts went through his head in those few seconds he was on top of you. Why, oh why didn’t he talk to Tommy and his cousins about this before then? Why did he shy away when his friends talked about their experiences? Oh God, he was going to hurt you, wasn’t he? All the teasing, all the self-consciousness, all the lack of knowledge, came rushing to his head. He was so ashamed of himself he couldn’t even look at you.

But, God, he wanted you. He wanted you so badly, he was shaking with need. His head was so full of his intrusive thoughts, from things that he could no longer do anything about, to his fear of hurting you, to his selfish need and desire for you. He was so nervous, he didn’t even take your clothes off. Come to think of it, he didn’t even take his trousers off fully.

And he did the unthinkable. He did the one thing he didn’t want to do.

He hurt you. Badly.

The sounds you were making were nothing like what he had imagined you would be making, nothing like the ones he had heard when passing by the brothels or the alleys when his buddies would have a woman. There was no passionate moaning, no screams of joy and pleasure. You were obviously in pain, and he had caused that. His friends were right. His generous member would end up hurting a woman, and it did. He had hurt you, badly, with his ‘gift’.

And to his own shame, the one thing he couldn’t forgive himself for, was the fact that he didn’t stop. You were so tight he couldn’t even go in all the way. And yet, it was the best feeling he had ever felt in his life, so, while you were in excruciating pain, his own needs took over, it was like he no longer had control over his own body and he selfishly let his body continue what it was doing to you until he finished, all while you were hissing and stiff from enduring the pain that he had caused you.

Once the clouds of euphoria left him, he was horrified. He had forced himself on you, in a way. He should have stopped. But he didn’t. He promised you he would never force you to do anything. And while you didn’t tell him to stop, he should have. And he didn’t.

He couldn’t even look at you. He was so ashamed of himself, he couldn’t even be a gentleman about it all. He let you leave the room, wincing and hissing in pain and discomfort as you did so, while he just sat there in his own shame. And when he finally went to clean himself, he realized that there was blood on his member. Your blood. He had hurt you so badly you were bleeding. He caused you to bleed. His shame finally caught up to him and he sobbed uncontrollably for the pain he had caused you. He, who yelled at Esther for spilling hot stew on your hand, who worried about your hand chafing from carrying water, had hurt you to the point of bleeding.

He tried to go to you, he wanted to see if you were alright, but you had blocked the door with your own body. He eventually relented and gave you some time to yourself before going to you, but when he heard you hissing in pain as you cleaned yourself, he couldn’t do it. How could he face you again? He was a bad husband, hurting his wife like that.

The few weeks that followed were the worst moments of his life.

When he woke up the next day and found the house without your presence in it, he panicked. Did you run off? Had he scared you like that? And in his relief of seeing you walk up to the house, he couldn’t help but notice your gait was off. You were still in pain. Every time you sat down, every time you got up, the subtle wince that resulted let him know that. He had physically hurt you. Badly. It took three whole days before he couldn’t detect any discomfort from you.

Was this how it would remain? That every time he had you, every time he gave in to his needs, you would end up in three days’ worth of pain?

How could he ever endure that? Seeing you in pain hurt him. Knowing that he was the reason you were in pain? He might as well die.

Maybe this was the way things went for people of his… afflictions. This ‘gift’ he supposedly had was his biggest disadvantage. Maybe he was just not meant to have you that way, not without hurting you. And in thinking this, he realized that he would willingly find a way to be alright with that. With never having you again. He would endure it. Just so he could spend the rest of his life with you.

Because he found that he could not imagine his life without you.

He couldn’t touch you as he once did. Despite the pain he knew he caused you, his needs for you multiplied. He wanted you, now more than ever. And every single touch and kisses were temptations of the greatest proportions for him. Even bathing himself, using the same soap you did, became a hurdle. The smell, your smell, overwhelmed him. And having your soft lips on his, oh…

Eventually, things got better. The two of you were laughing again, albeit with much less physical contact. But as the days went by, his need for you increased, and soon, he wanted you so badly he couldn’t sleep. He found himself physically, consciously refraining from going into your room to just ravage you. But he knew he shouldn’t do that.

So, he went back to his old habit. Away from the house, in the safety of the outhouse, where he would be alone. But when he walked in after that rainy night, he knew you knew. You knew he had been defiling himself to take care of his selfish needs. And he knew you were offended. He knew he had hurt you beyond the physical pain he had caused you.

If he thought not being able to touch you the way he wanted was painful, it was nothing compared to the way he felt when you stopped looking at him, stopped touching him. He found himself on a constant edge of tears. To have you treating him so well still, taking care of his daughter for him, cooking and cleaning for him, keeping him company, reading to him, but without you looking at him, without him being able to see your beautiful, beautiful eyes, made him ache in a way he had never experienced before. You flinched away from his touch as if his hands were made from fire. It would have been less painful if you had just treated him badly. He deserved it. But no. You remained the angel in disguise that he didn’t even feel he deserved, all the while keeping a large chasm between you and him that he would want nothing more than to bridge.

He tried, from that day after the fateful night, to talk to his brothers. To ask them what to do. But every time he tried, the memories of them making fun of him as children came to surface, and as childish as it may seem, he balked. The possibility of them making fun of him again, as silly as it may be, scared him. He didn’t think he could take it. He also doubted that they could help anyway, none of them suffer as badly from this affliction of his. And to say they were experts on the matter, as far as he knew, they were all inexperienced up until the day they were married too, and the one who was married the longest was Tommy, and even that, he married about a month before the journey to Jackson. And his biggest doubt of all, in telling them this, he would have to indirectly divulge private information about you. He could never shame you like that. What if they told their wives?

No… he shouldn’t talk to them about this.

He was going out of his mind, when one day, as he was fixing the door to one of the rooms at Rose’s establishment, a direct result of a fight over a particular working lady the day prior, he heard Rose’s talk with a couple of the ladies.

Apparently, a certain client of hers was particularly gifted, just like him, and had hurt a young lady in acquiring her services. Rose was seething, going on and on about mindless men who took no time in preparing the ladies for their own selfish needs. Well-endowed men are the worst, she had spat out. Was it so bad to help prepare the ladies? Wouldn’t the whole experience be better if she was prepared for him? But no… leave the ladies in pain, why don’t you. Never mind that all the lady would feel was pain. Never mind that the pain caused them to clamp up. Never mind that the pain caused the ladies to limp for days. So long as your ego is stroked, so long as you finish, why bother making the ladies feel good at all?

Joel listened to Rose’s rants, feeling as if she had been right at his bedside that fateful night. What did she mean by preparing the lady? Was she implying that men like him could actually make the ladies feel good? Was there a way for him to have you without hurting you? More to the point, could he actually make you feel good?

It hit him like a wagon train on a run. She would know, wouldn’t she? She’s had enough… experience. This was her expertise. And best of all, she was discreet. As far as he knew, she had never, ever, divulged personal information about her clients to anyone.

It took everything in him to gather up the courage to walk up to her desk at the end of the job, supposedly to collect payment, for him to ask her if he could talk to her about something, discreetly. To her credit, she didn’t make fun of him at all. She listened as he told her the issue he was having, without divulging too much information, obviously, asking her if she could help him make him and his wife… happy. He made it clear, that under no circumstances was he willing to cheat on his wife. No ma’am, he was not interested in that. He was simply a desperate man who needed her help, sans the normal services she and her ladies usually provided.  

She didn’t respond for a while, causing him to hesitate and leave. He had just stepped out the front door when she called his name.

“You fix things around here for free every Saturday for a month. Come over tomorrow after lunch, and I will teach you how to please your wife. No touching.” She held out a hand for him to shake. And he gladly took it.

“Deal.”

**********

He stopped talking. His head down, looking at his fidgety hands, not daring to look at your sweet, sweet face. You hadn’t said a word to him. Hadn’t responded, hadn’t taken your eyes off him, in fact. After the past week or so, he should be thankful for it. He had missed having you look at him. But right now, he cowered under your gaze, ashamed that he had let this go on the way it did, for as long as it did.

You got off the bed and left the room. Joel found himself covering his face with his hands defeatedly, tears pouring from his eyes, disgusted with himself for even thinking that what he was doing was going to help him solve his problems. His shoulders shook, letting all his regrets and frustrations out, knowing that the marriage he had envisioned with you had effectively ended, and it was all due to his own stupidity.

A soft, gentle hand touched his shoulder. And there you were, one of his kerchiefs in your hand, a small bucket with ice-cold water in the other. You sat back down in front of him, wet the kerchief and squeezed it dry, before dabbing the bruises on his left cheek, your other hand wiping his tears off his face. Your own eyes were teary, but all anger seemed to have dissipated from them, worry, instead, took its place.

He let you fuss over him, his hands in his lap, not daring to touch you. You continued to wipe his face, icing his bruise, tears falling slowly down your cheek. And when you were done, you leaned in and gently placed a kiss on his injured cheek.

Joel felt as if he was floating on air. His wife had kissed him. He turned his head tentatively, capturing your lips in his. When you didn’t protest, he brought both hands to your cheeks, deepening the kiss, which you happily returned.

“I’m sorry, darling,” he said when you pulled back, his forehead on yours, “I’m sorry for hurting you, for pulling back from you, for everything. Please, believe me. I did not betray you. I would never. My heart, my body, they’re yours. Only yours. Please, my darling wife, forgive me.”

You looked into his eyes and found no lies there. Only sincerity, honesty, yearning.

You patted his pillow, asking him to lie down. He’s injured, he should rest. He did as you asked him to, pulling your hand to join him. You laid down next to him, facing him.

“You were not lying?”

“No, darling, I am not.”

“I thought you didn’t want me anymore.” Your eyes looked so sad he raised himself on one elbow and took your face in his hand.

The familiar shyness consumed his face. He took a deep breath, eyes looking deep into yours.

“Elena, I am so in love with you. I love you so much, my heart couldn’t take the thought of hurting you. It beats for you. I cannot imagine my life without you. You are all I think about, I lay awake at night wondering what I ever did to deserve you. I want you, all of you. I need you to be alive. I want you so badly I ache. I was going out of my mind trying to stay away from you, to not hurt you. You have no idea how much I need you, how much I want you.”

You blushed, “You love me?”

He laughed softly, shaking his head a little, “You didn’t know?”

You shook your head, eyes away from him, unable to look at him without feeling like you could melt. You face felt so hot you were sure it was beet red.

He took your chin into his fingers again, “Well, now you do.”

He kissed you, passionately. And you found yourself giving him that kiss right back, pressing your own body to him, and he immediately laid you back, his body covering yours, arms tight around you, yours around his torso, fingers clutching onto his shirt. He stopped for a beat, looking at you with teary eyes, telling you he loved you again, and this time, you replied.

“I love you too.”

He nodded with a happy, teary smile, and his lips found yours again, putting all his feelings for you in that kiss, which you reciprocated, your tongue playing with his, making him groan. He let go of your lips, trailing his kisses down to your jaw before going to your neck, his scruff making you whine.

This was new. He had never done this before. Your body felt as if it was on fire. And no, you didn’t want him to stop. So when he tried to claim your lips again, you quickly asked him a very important question.

“So, Mr Miller. Are you going to show your wife what you’ve learnt today?”

Part 11

[imeminemp3]

wasim wearing a "trust black women" shirt while questioning bisma for wanting to figure out what she wants, who she wants to be, outside of what she's already made herself..... dude if you're gonna wear that then u need to practice it

[dizzybevvie]

.

[lisbonsteresa]

knees weak, arms are heavy

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[iamthedukeofurl]

Discworld is an interesting beast in the age of ACAB. Like, the city watch books are a story about police and the way in which a good police force can help and protect people. Which would make it copoganda. And I'm not going to say that the City Watch books are completely free of copoganda, but they also do something interesting that fairly few stories about heroic police officers do, and I think it has a lot to do with Samuel Vimes. A lot of copoganda stories like, say, Brooklyn 99, are perfectly capable of portraying cops as cruel, bigoted, and greedy, but our central cast of characters are portrayed as good people who want to help their communities. The result is that the bad cops are portrayed as an aberration, while most cops can be assumed to be good people doing a tough job because they want to help protect people from the nebulous evil forces of "Crime". The police are considered to be naturally heroic. Pratchett does something very interesting, which is provide us with Vimes' perspective, and present us with an Unnaturally heroic police force. In Ahnk-Morpork, the natural state of the watch is a gang with extra paperwork. It's the place for people who, at best, just want a steady paycheck and at worst want an excuse to hit people with a truncheon. Rather than be an army defending people from the forces of Crime, the Watch is described as a sort of sleight-of-hand, big burly watchmen in shiny uniforms don't stand around in-case a Crime happens in their vicinity, they stand around to remind people that The Law exists and has teeth. The Watchmen are people, when danger rears it's head, their instinct is to hide and get out of the way. When faced with authority, their instinct is to bow to it out of fear of what it might do to them if they don't. Carrot is a genuine Hero, but his natural heroism is presented as an aberration. Normal Cops don't act like Carrot does. The fact that the Watch ends up acting like a Heroic Police Force is largely due to the leadership of Sam Vimes, but Vimes himself is a microcosm of the Watch. The base state of Sam Vimes would be an alchoholic bully of an officer, one who beats people until they confess to anything because that makes his job easier. Vimes The Hero is a homunculous, an artificial being created by Sam Vimes fighting back all those instincts and FORCING himself to behave as his conscience dictates. Vimes doesn't take bribes or let his officers do the same because, damnit, that sort of thing shouldn't happen, even if doing so would make things a lot easier. Vimes doesn't run towards sounds of screaming because he WANTS to, he forces himself to do so because somebody needs to. It's best summed up in Thud “Quis custodiet ipsos custodes? Your Grace.” “I know that one,” said Vimes. “Who watches the watchmen? Me, Mr. Pessimal.” “Ah, but who watches you, Your Grace?” said the inspector with a brief little smile. “I do that, too. All the time,” said Vimes. “Believe me.”

In the hands of another writer, or another series, this exchange would be weirdly dismissive. To whom should the police be accountable to? Themselves, shut up and trust us. But from Vimes, it's a different story. Vimes DOES constantly watch himself, and he doesn't trust that bastard, he's known him his entire life. The Heroic Police are not a natural state, they're an ideal, and ahnk-morpork only gets anywhere close. Vimes is constantly struggling against his own instincts to take shortcuts, to let things slide, but he forces himself to live up to that ideal and the Watch follows his example. Discworld doesn't propose any solutions to the problems with policing in the real world. We don't have a Sam Vimes to run the NYPD and force them to behave. We don't have a Carrot Ironfounderson. But it's at least a story about detectives and police that I can read without feeling like I'm being sold propaganda about the Thin Blue Line.

[buggachat]

honestly what I love about miraculous and what I think a lot of people seem to hate about it is that the show is completely character-driven. it absolutely follows the rule of "would" rather than "should". episodes and plot lines and everything make so much sense and are so easy and engaging to follow when you understand that everything happening is because that's what the characters would do. things like: marinette would lie to protect someone's feelings, chloe would need more than just being queen bee to change her, adrien would forgive someone and try to see the best in someone who has shown him nothing but red flags. these aren't things they should do, it's just what they would. they don't change their behavior to tie up every loose end, they aren't vessels to give the audience moral lessons, their interpersonal conflicts are sometimes never addressed head-on and instead remain as a constant noise in the background of their relationship, they are all so stubborn and complicated. the plot bends to them, not the other way around. i see all the time people complaining about how the show is so bad/a failure but in the same breath say that they love the characters, as if the show's primarily goal is not to create and facilitate those same compelling characters that you love and let you watch as the story unfurls around them.

i mean, it's completely fine if you hate it. it's fine if you'd prefer every loose end to be tied, if you prefer the plot and story to take center stage, if you don't like it when a plotline seems to be forming but the characters decide against it, etc. it's a narrative choice, and not a "good" or a "bad" choice, just a choice. we all have our preferences. but your hatred of it is not any more "objective" than someone else's love for it. sometimes being a character-driven-story lover is difficult when online media criticism seems to always see it as a bug and not a feature.

[she-who-fights-and-writes]

“Show, Don’t Tell”…But This Time Someone Explains It

If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”

Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).

More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation. 

The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)

1. What Does "Show, Don't Tell" Even Mean?

“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.

EXAMPLE 1:

Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.

EXAMPLE 2:

Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.

EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")

Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.

Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.

Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating. 

As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!

2. How Do I Use “Show, Don’t Tell” ?

There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.

In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.

i. Help When Your Writing Feels Bare-Bones/Soulless/Boring

Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?

It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!

Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)

ii. Add More Depth and Emotion to Your Scenes

Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.

Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."

Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."

iii. Understand that Sometimes Telling Can Fit Your Story Better

Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!

Initial Impressions and Character Opinions

If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).

2. Tone and Reader Opinions

Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.

3. Pacing

"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.

iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!

If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.

Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!

3. How Can I Get Better at “Show, Don’t Tell”?

i. Use the Five Senses, and Immerse Yourself!

Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?

Smell? Hear? See? Touch? Taste?

Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.

EXAMPLE:

TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut. 

The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)

ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer

Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.

Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.

(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)

If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?

How do the actors convey things that can't be experienced through a screen, like smell and taste?

Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.

iii. Listen to Music

I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.

Here’s a link to my master list of instrumental writing playlists!

iv. Practice, Practice, Practice! And Take Inspiration from Others!

“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!

If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.

In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!

If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !

Hope this helped, and happy writing!

[inkskinned]

so one of the things that's so horrifying about birth control is that you have to, like, navigate this incredibly personal choice about your body and yet also face the epitome of misogyny. like, someone in the comments will say it wasn't that bad for me, and you'll be utterly silenced. like, everyone treats birth control like something that's super dirty. like, you have no fucking information or control over this thing because certain powerful people find it icky.

first it was the oral contraceptives. you went on those young, mostly for reasons unrelated to birth control - even your dermatologist suggested them to control your acne. the list of side effects was longer than your arm, and you just stared at it, horrified.

it made you so mentally ill, but you just heard that this was adulthood. that, yes, there are of course side effects, what did you expect. one day you looked up yasmin makes me depressed because surely this was far too intense, and you discovered that over 12,000 lawsuits had been successfully filed against the brand. it remains commonly prescribed on the open market. you switched brands a few times before oral contraceptives stopped being in any way effective. your doctor just, like, shrugged and said you could try a different brand again.

and the thing is that you're a feminist. you know from your own experience that birth control can be lifesaving, and that even when used for birth control - it is necessary healthcare. you have seen it save so many people from such bad situations, yourself included. it is critical that any person has access to birth control, and you would never suggest that we just get rid of all of it.

you were a little skeeved out by the implant (heard too many bad stories about it) and figured - okay, iud. it was some of the worst pain you've ever fucking experienced, and you did it with a small number of tylenol in your system (3), like you were getting your bikini line waxed instead of something practically sewn into your body.

and what's wild is that because sometimes it isn't a painful insertion process, it is vanishingly rare to find a doctor that will actually numb the area. while your doctor was talking to you about which brand to choose, you were thinking about the other ways you've been injured in your life. you thought about how you had a suspicious mole frozen off - something so small and easy - and how they'd numbed a huge area. you thought about when you broke your wrist and didn't actually notice, because you'd thought it was a sprain.

your understanding of pain is that how the human body responds to injury doesn't always relate to the actual pain tolerance of the person - it's more about how lucky that person is physically. maybe they broke it in a perfect way. maybe they happened to get hurt in a place without a lot of nerve endings. some people can handle a broken femur but crumble under a sore tooth. there's no true way to predict how "much" something actually hurts.

in no other situation would it be appropriate for doctors to ignore pain. just because someone can break their wrist and not feel it doesn't mean no one should receive pain meds for a broken wrist. it just means that particular person was lucky about it. it should not define treatment.

in the comments of videos about IUDs, literally thousands of people report agony. blinding, nauseating, soul-crushing agony. they say things like i had 2 kids and this was the worst thing i ever experienced or i literally have a tattoo on my ribs and it felt like a tickle. this thing almost killed me or would rather run into traffic than ever feel that again.

so it's either true that every single person who reports severe pain is exaggerating. or it's true that it's far more likely you will experience pain, rather than "just a pinch." and yet - there's nothing fucking been done about it. it kind of feels like a shrug is layered on top of everything - since technically it's elective, isn't it kind of your fault for agreeing to select it? stop being fearmongering. stop being defensive.

you fucking needed yours. you are almost weirdly protective of it. yours was so important for your physical and mental health. it helped you off hormonal birth control and even started helping some of your symptoms. it still fucking hurt for no fucking reason.

once while recovering from surgery, they offered you like 15 days of vicodin. you only took 2 of them. you've been offered oxy for tonsillitis. you turned down opioids while recovering from your wisdom tooth extraction. everything else has the option. you fucking drove yourself home after it, shocked and quietly weeping, feeling like something very bad had just happened. the nurse that held your hand during the experience looked down at you, tears in her eyes, and said - i know. this is cruelty in action.

and it's fucked up because the conversation is never just "hey, so the way we are doing this is fucking barbaric and doctors should be required to offer serious pain meds" - it's usually something around the lines of "well, it didn't kill you, did it?"

you just found out that removing that little bitch will hurt just as bad. a little pinch like how oral contraceptives have "some" serious symptoms. like your life and pain are expendable or not really important. like maybe we are all hysterical about it?

hysteria comes from the latin word for uterus, which is great!

you stand here at a crossroads. like - this thing is so important. did they really have to make it so fucking dangerous. and why is it that if you make a complaint, you're told - i didn't even want you to have this in the first place. we're told be careful what you wish for. we're told that it's our fault for wanting something so illict; we could simply choose not to need medication. that maybe if we don't like the scraps, we should get ready to starve.

we have been saying for so long - "i'm not asking you to remove the option, i'm asking you to reconsider the risk." this entire time we hear: well, this is what you wanted, isn't it?

[esperderek]

I have to have a chuckle at the Screenrant article posted recently about the Galactic Starcruiser, which totally wasn't about Jenny Nicholson's video honest.

In part, because early in Nicholson's video, she talks about how unnatural it is to have your influencers speak in adcopy and copyright rather than the more colloquial nicknames, and how it makes the people speaking about the product seem very insincere and, well, paid off. Because normal humans don't speak that way, but advertising does.

What's the first two lines in this article?

"As a life-long fan of Star Wars, there was nothing quite as exciting as finding out that I would be working on the immersive Star Wars: Galactic Starcruiser experience. Located at the Walt Disney World Resort, the Galactic Starcruiser opened on March 1, 2022, and welcomed passengers to board a two-day, two-night cruise through the stars, during which they could live out their own Star Wars adventure."

No one talks like this naturally. No one writes like this naturally.

This is supposed to be your passioned defense of the place you worked at, the people you worked with, and the memories you made along the way. C'mon! Why don't you open with a story, perhaps an anecdote about the best moment you had working there, or the devastation of the day you lost your dream job. We need to feel your humanity! But there's nothing of that here, to the point where you can just hear the TM behind Galactic Starcruiser.

The first half of this article continues in this vein, reading like a press release Disney marketing put out, just with past tense rather than present or future tense:

"Essentially, the Starcruiser experience was a 48-hour movie that passengers were actually a part of. It was all facilitated through the "datapad," which was accessed through the Play Disney Parks app."

"To facilitate the overarching immersive experience and storytelling, the Starcruiser built a jam-packed itinerary for each and every guest that would consist of a variety of important activities: the captain's toast at muster, a bridge training exercise, lightsaber training, and more. These types of events were essential to understanding what was happening, as they would give passengers the chance to interact with characters and build their story. This is why the Starcruiser could never be just a hotel; every part of it was designed for enthusiastic interaction."

Like, c'mon. I used to work in television. I've seen and used adcopy in my former job, and this is some serious adcopy. It honestly wouldn't shock me if the author dredged up some old adcopy they had lying around about the topic and just transferred it over, changing the tense. You're not here to sell us this product, because there is no product to sell. It's gone, it's been gone for a year, you don't have to sell us on IT. Speak about your experiences.

The next part is yet another topic that Jenny Nicholson pointed out, the bad faith excuses that influencers and advertisers made for the extreme price point:

"What many people don't know, however, is that the price included much more than just a room. The passengers' food, park tickets, recreation activities on board, non-alcoholic drinks, and more were all included - with merchandise being one of the few additional costs on board."

Which is absolute bad faith reasoning, especially when there are plenty of other vacation options that are ALSO all-inclusive, but are MUCH cheaper and offer MORE amenities than the Galactic Starcruiser did! Including Disney Cruises, owned by the same company! Seriously, you can go on a halfway decent sounding cruise or all-inclusive resort somewhere warm for, like, a week or two and spend far less than GSC cost.

Then the last part is essentially: "All the workers liked working there and the bad reviews afterwards make the workers who worked on it feel sad. :("

Which, like, companies have been hiding behind that reasoning for ages. Curiously, the author never offers....any reasons or stories. WHY did working on it impact you so much? What set it apart, what were the people like, what did you like about working there, why are you so passionate about it even a year later? There's nothing, just a generic sort of "We worked hard." and "We're sad it's gone." Why? How? What happened? The video you're obviously writing this in response to is filled with personal anecdotes and stories, it's the backbone of the video! Again, you need to give us something to show your humanity!

Especially when you consider that Nicholson repeatedly points out that the only highlight about her experience, the only thing that kept the damn thing going was the workers.

She had nothing but praise for them, and nothing but contempt for the higher ups who wasted and abused that enthusiasm, to the point where one of her last points was "Hey, Disney is basically exploiting labor."

Much like Jenny, I'm also not condemning anyone who had a good time working there. Good! If you were having a good time at work, that's great. If you have good memories about the people, awesome. But I'll note two things:

a) That doesn't meant you weren't being exploited, and

b) That doesn't mean you have to be a useful idiot for the corporation you worked for afterwards.

I'm not conspiracy brained enough to go "Oh, Disney TOTALLY forced this article into being.", because a cursory examination of the author's prior works and such suggests a lifelong passion for Star Wars, she did work at the hotel, and she's a Star Wars Editor (whatever THAT means in this day and age) for Screen Rant. Apparently one of the heads of Screen Rant says that Disney had no hand in it either.

Though, I can see why people would think that way. It READS like a press release, not something a normal human being would write about an experience they feel passionate about.

[reidmotif]

"Technically" Not A Student

Summary: Reader is Alex Blake’s TA, and after a guest lecture, Spencer seems to take a liking to her .

Prompt:You’re Alex Blake’s TA when a Dr. Reid comes to guest lecture. Things get heated quickly when you're alone.

Couple: Spencer Reid/Fem!Reader

Category: Smut

Content Warning: Reader POV, guestlecturer!Spencer , age gap (roughly 10 years), car sex, heavy making out, unprotected sex, slight female masturbation, Spencer is smart and that's HOT, heavy sexual tension

Word Count: 5.1k

Being asked to be Alex Blake’s TA was the opportunity of a lifetime, and when it was presented to me as a first-year graduate student at Georgetown, I took it eagerly and never looked back. 

She had personally approached me after I’d finished a semester in her forensic linguistics class as a freshman, and commended me on my dedication to the material and my general work ethic, and then inquired if I’d ever consider filling out an application as her teaching assistant starting the next semester. 

I immediately agreed. It was a no-brainer. Blake was a seasoned professional in the career field I wished to enter, not to mention she’d been one of the best professors I’d had whilst taking classes at Georgetown. Knowing I’d be working so closely with her absolutely thrilled me. It provided opportunities I'd have never gotten otherwise.

For example, getting to sit in on the class the famed Spencer Reid would be lecturing on. 

She usually kept me quite busy, having me develop assignments and quizzes for her class when she had other responsibilities to attend to. I’d heard horror stories from other TA’s in which their supervisors would delegate ninety-nine percent of the work to their juniors, having them essentially teach the class for minimal recognition or pay. Blake wasn’t like that, and I was thankful. This time around though, she had very different instructions for me.

“You don’t need to prepare any material this time around.” Blake explained to me, and I nodded, listening diligently. “I’d just like you to sit in, and possibly take notes, as you see fit.” She added, and I flashed a polite smile, nodding. 

“No problem whatsoever. I’ll sit in the back so as to not bother any students as I do.” I replied, offering her as much convenience as I could within my actions.  

Secretly, I did want to catch more than a glimpse from the back of the room. I wanted to experience the esteemed colleague Blake had often spoken of with incredible fondness. I was aware he was slightly older than I was, and a bit socially inept from the way she described him in his stories, but I was also aware the man was a goddamn genius. She’d describe in precision the way Reid would pick up on patterns and leads faster than anyone else on the team, and his immense knowledge in multiple fields beyond criminal profiling. When she’d told me he had three pHDs, I had to hold back a gasp. I hadn’t even started my own doctorate, but the idea only exhausted me- and he had three?! Color me impressed. 

Blake, being as brilliant as she did, could sense the hidden enthusiasm in my eyes in meeting this man. 

“Honestly, I’d rather you sit in the front. If you’re taking notes for any student unable to attend, it’s more imperative that you know the contents of the lecture, rather than anyone else.” She said, smiling kindly. 

“That’s absolutely alright with me.” I say, even quicker than before, nodding, thoughtfully. In reality, the only thing I was thinking about was how close I’d be near the man. I had no idea what he looked like, what he sounded like, but something about him made my stomach flutter. 

“I’m sure Dr. Reid would be interested in meeting you, as well. He takes special interest in anyone pursuing our line of work.” Blake added. She didn’t mean for it to happen, but the words made my cheeks light up with a hint of embarrassment.

I don’t know why, but he intimidated the hell out of me. The idea of him taking interest in a conversation with me made my heart beat slightly faster, and I nodded. I tried to convince myself that my nerves came from a purely professional standpoint, but regardless of my intentions, I was absolutely exhilarated by our imminent meeting.

While I knew there'd be initial awkwardness when I'd meet him, given my idolization of the man, I didn’t account for how terrible it’d actually be when I realized how fucking attractive he was. It was almost unfair. I was already tripping over the words I planned on saying in my head, and now he looked like that?

It was cruel.

The soft, doe eyes paired with sharp cheekbones. The slope of his nose, and the mess of brown curls atop his head. Every word out of his mouth was made even prettier by the soft curve and pinkness of his lips, and I found myself wanting to lunge over the table and kiss the hell out of him.

Needless to say, not the right thoughts to have about your professor’s (older) coworker. 

 While I was initially going to introduce myself to Dr. Reid before his lecture, hopefully establishing myself as a serious individual regarding my studies and eventual career, I shied away, opting for Blake to introduce me instead, nodding politely when he made eye contact with me, exchanging a quiet “hello” and taking my seat in the front.

That was it. And probably how it should be, considering I genuinely couldn’t think straight around him. Students began filtering in, and I took my spot at the front of the room, crossing my legs and beginning to outline his lecture as he began to speak. 

He was a brilliant lecturer, and it was honestly criminal he didn’t do this for a living. He gesticulated wildly throughout the whole of it, but every word of his was punctuated with a genuine passion that even some of the best professors on campus lacked. I did my best to diligently keep up with every point he brought up, but with how fast he spoke, it was difficult. Still, an effort was made. 

If that wasn’t enough to deal with, I swear the man kept making eye contact with me for the duration of his lecture. At first I believed I was imagining it, that his eyes kept drifting to mine by coincidence, but by the third time, I’d realized that everytime my eyes left his figure to scribble something, I’d look up to see his dark eyes boring into my soul, almost as if he was trying to solve me with a glance. It was intense and made my stomach turn in a way which wasn’t entirely unpleasurable, but I forced myself to remain professional.

 Blake did not need to see me absolutely lusting after her coworker, even if he was utterly fit. 

Anyway, he was probably only making eye contact considering I was in the front, and probably in an optimal spot for his eyes to focus on whilst addressing the whole of the class. Still, the way his gaze was trained on mine, reaching the deepest parts of my soul didn’t help the growing heat between my legs. 

I forced myself to focus on the board, my notes, anything but those godforsaken eyes for the rest of the lecture. Anytime we made eye contact afterwards, I’d quickly look down, like I’d been caught doing something terrible. 

Was anyone else seeing this? Was I insane and made delusional by my unexpected attraction to this man? Was he seriously making me wet just by looking at me? 

Yes. 

Sooner than anyone wanted, the lecture period had completed and Dr. Reid was finishing up. The students were absolutely enamored, especially the girls, as expected. Of course it wouldn’t be just me who’d noticed that in addition to being accomplished in his intelligence, he was also ridiculously easy on the eyes.

Blake stood in the corner, watching her students vacate the space, while some held back to talk to Dr. Reid as he packed his things. He seemed a bit shy at all the attention, but didn’t hesitate in explaining concepts to seemingly eager students, giving them all a soft, shy smile. 

God help me, he was adorable. How was I falling for a man I’d never even spoken a word to? 

I’d never left the classroom before Blake did, so as she stayed, I did as well, until the three of us were the only ones left in the room.  Blake smiled, walking up to Dr. Reid with her hands in her pocket. 

“You worked up quite the fanbase, Reid.” Blake said, a little playful.

Reid replied somewhat bashfully. “You have a great bunch of students.” He flashed a small smile at her as they spoke, still packing up his things. 

 The dynamic between my superior and the man was obviously sweet. They almost looked familial, which made sense. Blake had commented here and there that she managed to spend more time with the BAU with her actual family. I’m sure the latter was the same for Spencer. He probably had a doting girlfriend at home, ready to welcome him in her arms and I mentally kicked myself again for being so attracted to him.

He was nearly ten years older, for god’s sake! Enough! I screamed at myself. 

 I was brought out quite suddenly from my thoughts when Blake spoke in my direction. “This is (Y/N), my teaching assistant.” Reid came in my direction as I got up and approached him, offering a hand to me. “I’m Dr. Spencer Reid. Blake told me who you were, but we weren’t properly introduced.” 

I gave a firm shake to his hand, which I noticed was calloused and smooth at the same time. God, even his hands were pretty. He had long, slender fingers with short-kept nails. They were veiny, and looked strong. I couldn’t help but imagine what they’d feel like inside of me, buried in the heat of my core as I begged him for more.. more.. 

I forced the thought out of my head, only nodding again at the handsome man. “Nice to meet you, Dr. Reid.” I say, forcing myself to be professional.

Stop thinking about fucking him! 

“Spencer works just fine.” He says, imparting a kind smile that nearly made my knees weak. Did he have any idea the embarrassing effect he was having on me? 

Out of the corner of my eye, I saw Blake looking at the two of us with a bit of a strange expression on her face. I let go of his hand and took a step back. Oh god. Could she tell? If she could, she said nothing. She gave us both a kind smile, before grabbing her own things.

“(Y/N)?” She called out, starting to walk to the door. “Mind locking up for me tonight?” She said, already throwing her keys to me. 

“That’s fine by me.” I say, grabbing her keys mid-air. I was used to this. Blake often wanted to leave a bit quicker than I did, and I was more than happy to assist in any way possible. What I didn’t realize, was that this left me and Spencer in the room alone, something I wanted to avoid, considering how fucking awkward this man was rendering me with so much as a glance at me.

I heard Blake leave, and as she quietly closed the door behind her, I leaned against a desk, keeping my eyes down as Spencer continued to pack his own things. I tried to not let my gaze drift to him, as I waited for him to finish up. 

I let my thoughts wander to the lecture, and couldn’t shake the feeling he’d evoked in me when he looked at me like that. This was honestly ridiculous. The man had barely spoken ten words to me, and here I was, absolutely mooning over him. It was a new low for me, but in my defense being a graduate student meant I didn’t have much time to get my .. needs fulfilled.

“That’s why” I convinced myself. I just hadn’t gotten laid in a really long time. Nothing more, nothing less. 

“So, you’re a criminology student?” Spencer says, suddenly, breaking me out of my trance. 

I looked up, nodding. I responded on pure habit and instinct. ‘Yes, I’m in the process of getting my Masters in Criminology.” I said, nearly robotic. 

“That must be interesting.” Spencer replied, flashing me a sweet smile that caused an entirely new slew of butterflies to erupt in my stomach. “I never studied criminology specifically, but the classes I took interested me.” 

“Blake told me you had three pHDs.” I acknowledged, trying to return his smile, but in all honesty, I probably looked like an idiot. I was nervous as hell, and hoped he couldn’t tell. It wasn’t my fault. He was awe-causing. A sight to behold, if you will, in intelligence and appearance. 

He laughed good naturedly, “Yeah. Three.” He must’ve noticed the stars in my eyes, because he continues. “As well as a Bachelor of Arts in Psychology and Sociology. And I’m working on another in Philosophy.” He finishes with a smug, boyish type of smile. 

What was previously stars in my eyes, was now full blown shock all over my face. “Wow, Spencer.” I said, a little dumb-struck. “That’s.. a lot.” I add, a little stupidly, giving him a little laugh. 

He sweetly scratched his neck, revealing his self-consciousness. “Yeah? You think?” He says, a small smirk in his voice, and I laughed again. “You think I should stop after Philosophy?” 

“Totally. Save some knowledge for us.” I teased. It was comfortable. He was surprisingly easy to get used to. He was affable, despite how daunting his knowledge was. 

“Hey, you try graduating before you’re a teenager.” He defends himself, playfully. “Not much to do, really.” 

I laugh. “I don’t know.” I say, throwing my hands up a little. “Play ball? Run around?” I joke, and he makes a face at that, scrunching up his nose. 

“Not my thing.” He replies, smoothly, and I laugh. 

“Alright, fine. Keep your degrees doctor man.” And he laughs at my joke. Like, a real laugh. I didn’t even find my own rhetoric particularly humorous, but knowing that I’d gotten him to react like that made my cheeks glow. 

He finished packing the last of his things and slung his satchel bag over himself, starting to walk over to the door. I made sure to gather all my things, and walked to the door with him. He held it open for me, and I nodded my head in thanks, and he let it shut behind us. I turned around to lock it, using Blake’s keys and placing them in my bag securely, before looking at him. 

“Well, Spencer. It was nice meeting you, thank you for the lecture it was-” I start, but he interrupts me. 

“Can I walk you to your car?” He interjected, looking a little shy as he did. I smiled a little confusedly, wondering why he’d want to do so, but I gave him my answer, nonetheless. 

“I don’t have a car. I usually take the bus back to my apartment.” I explained, smiling softly. 

“The bus?” He says,  quirking his mouth to the side. “Isn’t it a bit late for that?” He replies, a hint of concern in his voice. 

I gave a little sigh, “I mean, it’s fine.” I say, trying to laugh a little. “I’ve done it before.” I add, attempting to ease the worry out of his voice. “It’s not that late.” I say, but he simply shakes his head. 

“No way.” He says, still adamant on this. “I.. I can drive you home, if you’d like?” He says, his words going slightly on the higher pitch as he rolled out his proposal, and I gave a small grin at that. 

“Really? If it’s a hassle I can seriously just take the bus. I wouldn’t want you to keep anyone waiting at home or-” 

He interjects again. “No hassle. I promise. I want to.” He pauses, before adding, “No one at home. You’re probably going to be the last person I see today.” He seems to blush at his final admission, and my eyes widen in interest. No girlfriend? Score. 

“Alright, Spencer.” I say, smiling again. “Lead the way.” 

He led me to his car, an old-fashioned Volvo and I couldn’t help myself from gawking at it.

“God, you have a cool car too? Is there anything about you that isn’t interesting?” I say, aware I was probably stroking his ego a bit, but honestly I wanted to. The man was just so damn intriguing, and every new bit of information I learned about him only made me want to unravel the whole of him. To truly know him, in and out. 

He laughed, using his keys to manually unlock the door. “Oh, trust me. I’m plenty boring. The car is probably my only saving grace.” He joked, and I laughed again as I got into the car. 

“Oh, I highly doubt that, but if you say so.” I say, sweetly, and adding a light tone of flirtatiousness in my tone. He seems to blush at this again, and I begin to think about the events of day. The stares in class, the perpetual rosy tint on his cheeks that had been there since we began our conversation, the way he joked and laughed at my (admittedly, unfunny) jokes. 

Oh god. Did he like me? 

Only one way to find out. 

As Spencer got in the car and began driving onto the main road, I looked at him, trying to put on my best, innocent smile. “So, you said you’re not going home to anyone?” I say, a softness to my tone, but an undeniable hunger in it as well. 

“Uh.” He responds, that damned blush coming on, strong. “Yes.” He replies, nodding as he keeps his eyes on the road. 

“So, you don’t have a girlfriend?” I ask, a bit forwardly. 

Now he’s really blushing, stuttering a bit. “Oh, no. No girlfriend. Not much time, given the BAU and our schedule.” He said, almost clinically, and I nodded. 

“I mean, Blake has a husband.” I point out, a little smugly. 

“I guess.” He says, sighing a bit. “But, you know.” He says. He vaguely gestures to himself, and I look at him a little confused, tilting my head at him.

“Spencer, I have no idea what you’re trying to say.” I say, with a little giggle. “But trust me, you’re absolutely gorgeous.” I continue, before I can stop myself.

He looks at me, giving me a soft smirk, and a raise of his eyebrows. He didn’t look uncomfortable, and honestly looked just as thrilled as I did, and I knew that this night had a good chance of going the way I wanted it too. 

“Ah, you’re sweet.” Spencer replies, “But no. I just mean, I’m.. me. You know?” He says, trying to explain his (non-existent) shortcomings, but I just shake my head. 

“You don’t give yourself much credit, you know?” I attempt to say with that amorous tone from before, but it was more overcome with genuine respect and admiration. “You’re smart, funny and nice to be around, I mean.” I pause. “Did you not see the absolute crowd of girls around you after the lecture? Trust me, Spencer. I bet you’re more than easy to be with, even easier to like.” The words rush out of me, and I watch him tentatively for his reaction to my words. 

Instead of the sweet side smile he’d been offering me all night, he finally looked at me. The car had come to a stop at a red light, and his face was dangerously sexy as it was illuminated by the colored glow around us. 

“And what do you think?” Spencer says, in a low tone, making direct eye contact with me. 

I feel my stomach turn at the sudden directness in his words, his gaze nearly devouring me whole. I felt my mouth go dry and I swallow, trying to keep my tone steady. 

“What do you mean?” I ask, my voice having a slight shake to it. 

“I mean, what do you think about me? Do you.. like me?” He says, licking his lips slightly, and the action causes the previous heat between my legs to come by in full force. 

“Oh, I mean.” I say, my previous confidence dissipating in an instant. “Well, yes, Dr. Reid. Everyone liked you today.” I say, trying to give more of a conservative answer now.

The man had a way of making me feel totally comfortable around him, and then flipping the switches, rendering me dumb and stuttering. Like I was now. 

“Oh, so I’m Doctor Reid now.” He says, clicking his tongue and saying the words with an air of lighthearted teasing, but I only bit my lip, hurriedly trying to explain myself. 

“I mean, it's your title.” I say, quickly, trying to justify myself. “I mean, you said it yourself- three pHDs. It’d be pretty shitty to just discard the years taken to achieve that. Um. Well. You’re a genius so probably not as long, but still! Calling you doctor is a sign of respect for your accomplishments and-”

“You're cute.” He interrupts, and I look back at him to see his eyes back on the road, a cocky smile plastered on his face.

The light around us turned green, and he started the car. I picked at my nails slightly, trying not to display any more signs of nervousness around him. I wanted to do something with him, at least, and that couldn't happen if I was a bumbling mess.

We drove in relative silence for the next few minutes, as I tried to gather my thoughts and possibly continue what we’d been building up to these past few hours, but a quick glance at the windows and the road we were on caused me to furrow my brows.

“Oh, this isn’t the way to my apartment.” I remark absentmindedly, looking at the window beside me, then in front. “I live near the train station, off east?” I offer, expecting him to fully make a turn back towards the direction I’d prompted him towards, but he didn’t even flinch, continuing on the more secluded road we’d entered.

“I know.” He said, glancing at me once more, actually applying more pressure to the gas pedal, causing us to go faster down the terrain. 

Okay, fuck. He was an FBI agent, so I didn’t have to worry about him murdering me, right? Wait, no, that’s stupid. He could probably get away with it. No! He’s Blake’s friend. Her coworker. For the goddamn FBI. He wouldn’t murder me. What the fuck was going on? 

I watched as Spencer pulled off to the side of the road, darkness surrounding us entirely. There weren't any other cars around, and it was silent in the car before I bit my lip, and started to speak.

“Did I.. offend you?” I ask, cautiously. No reply. I try again. “Why did we stop?” I add, trying to test the waters with him to see what he was thinking at that moment. 

“I thought I could wait before we got to your place, but I need to know now.” He replied, a sudden urgency in his voice. He turned towards me, watching me with a dark, intense gaze, similar to the one he'd given me in class that day. “Do you want me? Am I reading this wrong with you? Because if I am, we can completely forget it and I can drop you home but (Y/N)..” He paused. He made direct eye contact with me and once again I found myself wanting to swim in those dark eyes of his. “I want you.” He said, his voice low and raspy. 

I didn't give it much thought as I gave into my urges and surged towards his lips the best I could in the car. He responded immediately, bringing me closer with his hands and placing them on either side of my face, moving his lips against mine in a perfected rhythm. I used my fingers to quickly undo my belt, before climbing over the console to sit in his lap, getting closer without our lips disconnected once. He understood my actions and intentions immediately, pulling the seat back so I could rest more comfortably in his lap as we continued to kiss. 

I knotted my hands in his hair, giving an experimental tug which elicited a low moan from his mouth. I grinned against his lips and his hands moved from my face to his hips, bringing my clothed core to rest right against his growing bulge, which I immediately moved against. He let out a sharp breath as I did and broke the kiss. 

“Oh god. I’m sorry.” He said, breathlessly, hands on my hips. “I don’t know what came over me and-” 

He looked almost frantic, and incredibly guilty, so I quickly leaned in for a peck, stopping him mid sentence. I brought my hands to his shoulders to rub them soothingly, and he seemed to relax in my touch. 

“Spencer, calm down.” I say, nearly purring. “I want this.” I continue, rubbing patterns into his arms now. “Please.” 

“You’re Blake’s student.” He murmurs, using one of his hands to run through already messy brown curls. “What am I doing?” He says, almost to himself, looking ready to stop our tryst. 

I realize he was attempting to backtrack from this, and before he could continue his train of thought, I quickly leaned in from my position on his lap to start kissing his neck, trailing wet hot kisses down the column before whispering. “I’m not her student.” 

He pulls away to look at me, biting his lip. “What?” 

“I was her student last semester. I’m her teaching assistant now.” I smirk a little, licking my lips. “Technically not a student of hers.” 

He seemed to take in my words for a moment, and then something in him shifted, and he lunged at me again, kissing me with even more ferocity. He absolutely devoured me, his hands everywhere at this point. Caressing my sides, in my hair, on the small of my back. He brought me closer to him in any way he could, pressing our bodies against each other in a frenzied manner that caused the wetness between my legs to increase tenfold. 

“Wanted you.. as soon as I saw you.” He murmurs against my lips as we caught our breath in between kisses. “Knew it was wrong but..” 

I nodded. I understood. I was the same. 

“Fuck.” I moaned, as I felt the bulge resting below me get even harder. “Spencer, please. Don’t make me wait.” 

“Impatient.” He remarked, smirking, now beginning his own line of kisses down my neck, making me moan in pleasure. 

“Please.” I breathed out, my words being reduced to a squeak as he bit my neck gently, and my eyes fluttered shut. I was melting right in his damn hands, just like he wanted. 

His hands started to work at the buttons on my jeans, and I sighed in relief, lifting up my hips to allow them to be tugged off, leaving me in my underwear. His slender fingers traced the seam, leaving me shuddering with pleasure for the man in front of me. I tried once more, breathlessly murmuring at him.

“Please. Please.” 

“Use your words, baby.” He whispered, a devilish smirk on his face. I was too far-gone to care about what I looked like. I needed him so badly. 

“I need you to fuck me, now.” I say, clearer. “I need it, Spencer.” 

Something about me using his name, nearly moaning for the man when he’d barely touched me stirred something in him, and he started to undo his own slacks, freeing his cock from the confines of his briefs. I watched in fascination as it sprung out, and took in a sharp breath of air. I licked my lips before making eye contact with him, begging for us to get on with it at this point. He nodded, understanding my desperation and I smiled dumbly, beginning to lift my hips. He guided his cock to my heat and placed his free hand on the small of my back, slowly guiding me down his member.

I moaned softly as I felt him enter me, providing me with the most delicious stretch. I threw my head back in pleasure as he brought both his hands to my hips urging me down. 

“That’s it. God, fuck. You feel so good.” He moaned, which only made me want to take more of him. I lowered myself down a bit faster, and he released a heavy groan as his hips met mine. I whimpered slightly, his length filling me up perfectly. A thin sheen of sweat had gathered on my brow and I leaned my forehead, adjusting to his size. 

“You good?” He breathed out, using his hand to brush a piece of hair that had stuck itself on my brow, and I nodded. 

“Yeah, just.” I took a deep breath, before licking my lips, looking up before nodding.

I slowly lifted myself off, letting the head of his arousal nestle in me before I slammed back down, eliciting moans from both of us. He began to match my movements in tandem, thrusting up into me wildly. I held onto his shoulders, burying myself in his neck as we went faster. I could feel his tip hitting my cervix every time, causing me to cry out with pleasure every single time. 

I felt my orgasm rapidly approach, and Spencer seemed to sense this as well, considering the involuntary clenches I was giving around his cock. He let his hand slip down to where our bodies met and rubbed tight, fast circles around my clit, encouraging my release. 

“Come on, pretty girl. Come all over my cock. You can do it.” He breathed out, watching my every move with a hunger I'd never experienced before.  

It took a few more thrusts from him, combined with the insistent fingers at my bundle of nerves before my thighs began shaking, and I let out a chorus of moans, most of them sounding like strangled versions of his name as I coated his cock in my wetness, spurring him on to go faster inside me, bucking into me like a man possessed. 

He continued to jut into me wildly, until I felt him finish inside me, coating my walls with his release. He breathed shakily, holding me close to him as I slumped over his shoulder, my chest heaving up and down as I came down from the intensity of the previous moment. 

He affectionately removed me from his shoulder, pressing a soft kiss to my lips, the tenderness and gentleness in his actions contrary to what we had just done. I pulled back with a dazed smile, taking in how pretty he looked. 

“If it’s alright, I’d love to take you out for coffee sometime.” He said, still a bit breathless, and a shy smile appeared on his face.

I giggled. He was literally still inside me, and was asking me out on a date with a boyish nervousness that made him even harder to resist. 

“For you Dr Reid? Anything.” 

ahh! writing this was a beast, and i imagined it to be longer but i got what i wanted in less words haha. i hope you guys liked this. any reblogs, comments, likes are so so appreciated i know it sounds totally stupid, but your guys' support means a lot lot lot!! thank you!!! <3

[anthurak]

Something I’ve always found rather curious about the Adventure Time fandom, specifically Bubbline shippers, is that nobody seems to talk about how the show slipped in what might be the most angsty, hardcore and emotionally raw Bubbline stories disguised as a wacky Rashomon-style recap in the episode Ketchup.

Like it’s pretty clear that Marceline is doing the whole ‘Lollipop Girl and Rockstar Girl’ puppet-show because she doesn’t want to traumatize BMO with what happened while they, Finn and Jake were gone, and also because she herself doesn’t want to revisit those memories directly.

But when we start reading between the lines and recognize that Marceline’s embellishments are really more to tone DOWN events, I think we get a very stark and raw depiction of what Marceline was doing when Patience set off Ooo’s elemental apocalypse.

Just to kick things off, how much does anyone want to bet that this joke translates to ‘Marceline and Bubblegum had a fight and Marcy was giving Bonnie some space… and because of that, Marceline wasn’t there to protect Bonnie when she was kidnapped by Patience.’?

Kinda adds another layer to Marcy’s whole ‘I was so afraid something bad would happen to you’ breakdown in Come Along With Me, doesn’t it?

Next we have ‘Rockstar Girl smacking off the potato-heads growing on her’ which pretty easily translates to; ‘while everyone else was getting overrun by the elements, Marceline was able to fight off the elemental contamination for possibly entire days while she tried to find a way to help Bubblegum’. And given what we see with Finn and Jake only able to resist the contamination for maybe a few hours at a time, and how willpower was one of the only things that could hold it off, that says a LOT about just how DESPERATE Marcy was to help Bonnie. I mean, you want a really hardcore and messed up image? Imagine if Marceline was actively cutting or RIPPING off the contaminated parts of herself to keep it from spreading and regrowing those parts with her vampiric regeneration?

Then we have ‘Rockstar Girl went after the Blue Tranch’, which I can only imagine translates to ‘Marceline going on a GOLB-DAMMNED WARPATH to hunt down Patience St. Pim’. And let’s remember that A. Patience was currently a super-charged Elemental and B. Marceline would still be fighting off elemental contamination herself, whether the Candification from Bubblegum, the Ice-ification from Patience, or even both.

I mean, when we think about it; ‘Rockstar Girl played some really loud music that the Blue Tranch didn’t like’ quite possibly translates to the most insane battle of the entire show. Like on one side we’ve got Patience St. Pim, seasoned Elemental who could already make Ice King look like an amateur, super-charged with elemental energy making her probably the most powerful Ice Elemental in thousands if not millions of years. And on the other side, we’ve got Marceline, consumed and possibly more than half-crazed with rage, fear and desperation to help Bonnie, going ALL-OUT with her numerous vampire powers, possibly some of her demonic powers, all while fighting off the encroaching elemental contamination.

And if ‘The Blue Tranch begged Rockstar Girl to stop and go away’ is anything to go by, I think we can assume that Marcy utterly WRECKED Patience’s SHIT. As in, Patience may well have ended this fight with an axe in her gut, a claw choking the life out her and Marceline threatening to devour her very SOUL if she didn’t tell her how to help Bonnie.

(Here’s another fun thought: Something that notably separates Patience from the other current elementals of Ooo is that whereas Princess Bubblegum, Flame Princess and Slime Princess are all physical manifestations OF their elements (Gum, Fire and Slime, respectively), while Patience is human. Yet when we see her during the arc, she seems to have lost her human body and assumed fully elemental form as well. Now we could of course assume that this is simply due to the elemental overcharge just like the others. Buuuuttt… what if Patience was FORCED to assume this new form because her human body could no longer SURVIVE after the utter THRASHING she received from Marceline?)

Finally, we of course have the end. Something which seems all too easy to imagine even with Marceline’s toning down of events:

Marcy rushing back to the Candy Kingdom as fast as she can. Even though she’s exhausted from her fight with Patience and the days spent fighting off the elemental contamination. To the point where now she can only barely hold it off and maintain her sanity. Perhaps she wonders if this is what it was like for Simon during their time together…

Even though she knows speeding back this fast is only draining her strength faster, but that doesn’t matter to her. Because what matters right now is the trinket, potion, or something or other clutched in her hand that Patience gave her. Something that Marcy can’t be sure will even work. But she hopes it will. That’s the only thing keeping her going, the only thing holding her together at this point.

A blind, desperate HOPE that this will save Bonnie…

When she finally returns to what was once the Candy Kingdom, Marceline finds the massive tower of gum. Perhaps like Finn and Jake later on, Marceline at first isn’t sure what she’s looking at and thinks Bonnie is at the top. So she flies right to the top in a burst of speed that drains her already dwindling strength even further.

And there Marcy finds Bonnie. Or rather, what Bonnie has BECOME. Perhaps she doesn’t even remember Marcy.

Perhaps for Marcy, this is like losing Simon all over again. Except instead of the father who raised and cared for her over ten years, it’s a woman that Marcy has loved for the better part of a millennium. A woman she was only just able to start loving again after so long. But now, just like Simon… she’s gone.

And this realization does what all the elemental power of Ooo could not.

It breaks Marceline.

Just like that, Marceline doesn’t even try to use the ‘antidote’ Patience gave her. Instead, perhaps Marcy gives Bonnie one last kiss and just… accepts the madness.

Because now, at least they can be together.

[little-hermit-crab56]

I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.