#rather than just a way to make story lines happen

[imeminemp3]

wasim wearing a "trust black women" shirt while questioning bisma for wanting to figure out what she wants, who she wants to be, outside of what she's already made herself..... dude if you're gonna wear that then u need to practice it

[dizzybevvie]

.

[lisbonsteresa]

knees weak, arms are heavy

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[iamthedukeofurl]

Discworld is an interesting beast in the age of ACAB. Like, the city watch books are a story about police and the way in which a good police force can help and protect people. Which would make it copoganda. And I'm not going to say that the City Watch books are completely free of copoganda, but they also do something interesting that fairly few stories about heroic police officers do, and I think it has a lot to do with Samuel Vimes. A lot of copoganda stories like, say, Brooklyn 99, are perfectly capable of portraying cops as cruel, bigoted, and greedy, but our central cast of characters are portrayed as good people who want to help their communities. The result is that the bad cops are portrayed as an aberration, while most cops can be assumed to be good people doing a tough job because they want to help protect people from the nebulous evil forces of "Crime". The police are considered to be naturally heroic. Pratchett does something very interesting, which is provide us with Vimes' perspective, and present us with an Unnaturally heroic police force. In Ahnk-Morpork, the natural state of the watch is a gang with extra paperwork. It's the place for people who, at best, just want a steady paycheck and at worst want an excuse to hit people with a truncheon. Rather than be an army defending people from the forces of Crime, the Watch is described as a sort of sleight-of-hand, big burly watchmen in shiny uniforms don't stand around in-case a Crime happens in their vicinity, they stand around to remind people that The Law exists and has teeth. The Watchmen are people, when danger rears it's head, their instinct is to hide and get out of the way. When faced with authority, their instinct is to bow to it out of fear of what it might do to them if they don't. Carrot is a genuine Hero, but his natural heroism is presented as an aberration. Normal Cops don't act like Carrot does. The fact that the Watch ends up acting like a Heroic Police Force is largely due to the leadership of Sam Vimes, but Vimes himself is a microcosm of the Watch. The base state of Sam Vimes would be an alchoholic bully of an officer, one who beats people until they confess to anything because that makes his job easier. Vimes The Hero is a homunculous, an artificial being created by Sam Vimes fighting back all those instincts and FORCING himself to behave as his conscience dictates. Vimes doesn't take bribes or let his officers do the same because, damnit, that sort of thing shouldn't happen, even if doing so would make things a lot easier. Vimes doesn't run towards sounds of screaming because he WANTS to, he forces himself to do so because somebody needs to. It's best summed up in Thud “Quis custodiet ipsos custodes? Your Grace.” “I know that one,” said Vimes. “Who watches the watchmen? Me, Mr. Pessimal.” “Ah, but who watches you, Your Grace?” said the inspector with a brief little smile. “I do that, too. All the time,” said Vimes. “Believe me.”

In the hands of another writer, or another series, this exchange would be weirdly dismissive. To whom should the police be accountable to? Themselves, shut up and trust us. But from Vimes, it's a different story. Vimes DOES constantly watch himself, and he doesn't trust that bastard, he's known him his entire life. The Heroic Police are not a natural state, they're an ideal, and ahnk-morpork only gets anywhere close. Vimes is constantly struggling against his own instincts to take shortcuts, to let things slide, but he forces himself to live up to that ideal and the Watch follows his example. Discworld doesn't propose any solutions to the problems with policing in the real world. We don't have a Sam Vimes to run the NYPD and force them to behave. We don't have a Carrot Ironfounderson. But it's at least a story about detectives and police that I can read without feeling like I'm being sold propaganda about the Thin Blue Line.

[she-who-fights-and-writes]

“Show, Don’t Tell”…But This Time Someone Explains It

If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”

Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).

More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation. 

The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)

1. What Does "Show, Don't Tell" Even Mean?

“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.

EXAMPLE 1:

Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.

EXAMPLE 2:

Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.

EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")

Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.

Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.

Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating. 

As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!

2. How Do I Use “Show, Don’t Tell” ?

There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.

In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.

i. Help When Your Writing Feels Bare-Bones/Soulless/Boring

Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?

It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!

Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)

ii. Add More Depth and Emotion to Your Scenes

Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.

Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."

Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."

iii. Understand that Sometimes Telling Can Fit Your Story Better

Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!

Initial Impressions and Character Opinions

If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).

2. Tone and Reader Opinions

Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.

3. Pacing

"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.

iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!

If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.

Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!

3. How Can I Get Better at “Show, Don’t Tell”?

i. Use the Five Senses, and Immerse Yourself!

Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?

Smell? Hear? See? Touch? Taste?

Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.

EXAMPLE:

TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut. 

The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)

ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer

Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.

Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.

(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)

If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?

How do the actors convey things that can't be experienced through a screen, like smell and taste?

Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.

iii. Listen to Music

I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.

Here’s a link to my master list of instrumental writing playlists!

iv. Practice, Practice, Practice! And Take Inspiration from Others!

“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!

If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.

In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!

If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !

Hope this helped, and happy writing!

[inkskinned]

so one of the things that's so horrifying about birth control is that you have to, like, navigate this incredibly personal choice about your body and yet also face the epitome of misogyny. like, someone in the comments will say it wasn't that bad for me, and you'll be utterly silenced. like, everyone treats birth control like something that's super dirty. like, you have no fucking information or control over this thing because certain powerful people find it icky.

first it was the oral contraceptives. you went on those young, mostly for reasons unrelated to birth control - even your dermatologist suggested them to control your acne. the list of side effects was longer than your arm, and you just stared at it, horrified.

it made you so mentally ill, but you just heard that this was adulthood. that, yes, there are of course side effects, what did you expect. one day you looked up yasmin makes me depressed because surely this was far too intense, and you discovered that over 12,000 lawsuits had been successfully filed against the brand. it remains commonly prescribed on the open market. you switched brands a few times before oral contraceptives stopped being in any way effective. your doctor just, like, shrugged and said you could try a different brand again.

and the thing is that you're a feminist. you know from your own experience that birth control can be lifesaving, and that even when used for birth control - it is necessary healthcare. you have seen it save so many people from such bad situations, yourself included. it is critical that any person has access to birth control, and you would never suggest that we just get rid of all of it.

you were a little skeeved out by the implant (heard too many bad stories about it) and figured - okay, iud. it was some of the worst pain you've ever fucking experienced, and you did it with a small number of tylenol in your system (3), like you were getting your bikini line waxed instead of something practically sewn into your body.

and what's wild is that because sometimes it isn't a painful insertion process, it is vanishingly rare to find a doctor that will actually numb the area. while your doctor was talking to you about which brand to choose, you were thinking about the other ways you've been injured in your life. you thought about how you had a suspicious mole frozen off - something so small and easy - and how they'd numbed a huge area. you thought about when you broke your wrist and didn't actually notice, because you'd thought it was a sprain.

your understanding of pain is that how the human body responds to injury doesn't always relate to the actual pain tolerance of the person - it's more about how lucky that person is physically. maybe they broke it in a perfect way. maybe they happened to get hurt in a place without a lot of nerve endings. some people can handle a broken femur but crumble under a sore tooth. there's no true way to predict how "much" something actually hurts.

in no other situation would it be appropriate for doctors to ignore pain. just because someone can break their wrist and not feel it doesn't mean no one should receive pain meds for a broken wrist. it just means that particular person was lucky about it. it should not define treatment.

in the comments of videos about IUDs, literally thousands of people report agony. blinding, nauseating, soul-crushing agony. they say things like i had 2 kids and this was the worst thing i ever experienced or i literally have a tattoo on my ribs and it felt like a tickle. this thing almost killed me or would rather run into traffic than ever feel that again.

so it's either true that every single person who reports severe pain is exaggerating. or it's true that it's far more likely you will experience pain, rather than "just a pinch." and yet - there's nothing fucking been done about it. it kind of feels like a shrug is layered on top of everything - since technically it's elective, isn't it kind of your fault for agreeing to select it? stop being fearmongering. stop being defensive.

you fucking needed yours. you are almost weirdly protective of it. yours was so important for your physical and mental health. it helped you off hormonal birth control and even started helping some of your symptoms. it still fucking hurt for no fucking reason.

once while recovering from surgery, they offered you like 15 days of vicodin. you only took 2 of them. you've been offered oxy for tonsillitis. you turned down opioids while recovering from your wisdom tooth extraction. everything else has the option. you fucking drove yourself home after it, shocked and quietly weeping, feeling like something very bad had just happened. the nurse that held your hand during the experience looked down at you, tears in her eyes, and said - i know. this is cruelty in action.

and it's fucked up because the conversation is never just "hey, so the way we are doing this is fucking barbaric and doctors should be required to offer serious pain meds" - it's usually something around the lines of "well, it didn't kill you, did it?"

you just found out that removing that little bitch will hurt just as bad. a little pinch like how oral contraceptives have "some" serious symptoms. like your life and pain are expendable or not really important. like maybe we are all hysterical about it?

hysteria comes from the latin word for uterus, which is great!

you stand here at a crossroads. like - this thing is so important. did they really have to make it so fucking dangerous. and why is it that if you make a complaint, you're told - i didn't even want you to have this in the first place. we're told be careful what you wish for. we're told that it's our fault for wanting something so illict; we could simply choose not to need medication. that maybe if we don't like the scraps, we should get ready to starve.

we have been saying for so long - "i'm not asking you to remove the option, i'm asking you to reconsider the risk." this entire time we hear: well, this is what you wanted, isn't it?

[esperderek]

I have to have a chuckle at the Screenrant article posted recently about the Galactic Starcruiser, which totally wasn't about Jenny Nicholson's video honest.

In part, because early in Nicholson's video, she talks about how unnatural it is to have your influencers speak in adcopy and copyright rather than the more colloquial nicknames, and how it makes the people speaking about the product seem very insincere and, well, paid off. Because normal humans don't speak that way, but advertising does.

What's the first two lines in this article?

"As a life-long fan of Star Wars, there was nothing quite as exciting as finding out that I would be working on the immersive Star Wars: Galactic Starcruiser experience. Located at the Walt Disney World Resort, the Galactic Starcruiser opened on March 1, 2022, and welcomed passengers to board a two-day, two-night cruise through the stars, during which they could live out their own Star Wars adventure."

No one talks like this naturally. No one writes like this naturally.

This is supposed to be your passioned defense of the place you worked at, the people you worked with, and the memories you made along the way. C'mon! Why don't you open with a story, perhaps an anecdote about the best moment you had working there, or the devastation of the day you lost your dream job. We need to feel your humanity! But there's nothing of that here, to the point where you can just hear the TM behind Galactic Starcruiser.

The first half of this article continues in this vein, reading like a press release Disney marketing put out, just with past tense rather than present or future tense:

"Essentially, the Starcruiser experience was a 48-hour movie that passengers were actually a part of. It was all facilitated through the "datapad," which was accessed through the Play Disney Parks app."

"To facilitate the overarching immersive experience and storytelling, the Starcruiser built a jam-packed itinerary for each and every guest that would consist of a variety of important activities: the captain's toast at muster, a bridge training exercise, lightsaber training, and more. These types of events were essential to understanding what was happening, as they would give passengers the chance to interact with characters and build their story. This is why the Starcruiser could never be just a hotel; every part of it was designed for enthusiastic interaction."

Like, c'mon. I used to work in television. I've seen and used adcopy in my former job, and this is some serious adcopy. It honestly wouldn't shock me if the author dredged up some old adcopy they had lying around about the topic and just transferred it over, changing the tense. You're not here to sell us this product, because there is no product to sell. It's gone, it's been gone for a year, you don't have to sell us on IT. Speak about your experiences.

The next part is yet another topic that Jenny Nicholson pointed out, the bad faith excuses that influencers and advertisers made for the extreme price point:

"What many people don't know, however, is that the price included much more than just a room. The passengers' food, park tickets, recreation activities on board, non-alcoholic drinks, and more were all included - with merchandise being one of the few additional costs on board."

Which is absolute bad faith reasoning, especially when there are plenty of other vacation options that are ALSO all-inclusive, but are MUCH cheaper and offer MORE amenities than the Galactic Starcruiser did! Including Disney Cruises, owned by the same company! Seriously, you can go on a halfway decent sounding cruise or all-inclusive resort somewhere warm for, like, a week or two and spend far less than GSC cost.

Then the last part is essentially: "All the workers liked working there and the bad reviews afterwards make the workers who worked on it feel sad. :("

Which, like, companies have been hiding behind that reasoning for ages. Curiously, the author never offers....any reasons or stories. WHY did working on it impact you so much? What set it apart, what were the people like, what did you like about working there, why are you so passionate about it even a year later? There's nothing, just a generic sort of "We worked hard." and "We're sad it's gone." Why? How? What happened? The video you're obviously writing this in response to is filled with personal anecdotes and stories, it's the backbone of the video! Again, you need to give us something to show your humanity!

Especially when you consider that Nicholson repeatedly points out that the only highlight about her experience, the only thing that kept the damn thing going was the workers.

She had nothing but praise for them, and nothing but contempt for the higher ups who wasted and abused that enthusiasm, to the point where one of her last points was "Hey, Disney is basically exploiting labor."

Much like Jenny, I'm also not condemning anyone who had a good time working there. Good! If you were having a good time at work, that's great. If you have good memories about the people, awesome. But I'll note two things:

a) That doesn't meant you weren't being exploited, and

b) That doesn't mean you have to be a useful idiot for the corporation you worked for afterwards.

I'm not conspiracy brained enough to go "Oh, Disney TOTALLY forced this article into being.", because a cursory examination of the author's prior works and such suggests a lifelong passion for Star Wars, she did work at the hotel, and she's a Star Wars Editor (whatever THAT means in this day and age) for Screen Rant. Apparently one of the heads of Screen Rant says that Disney had no hand in it either.

Though, I can see why people would think that way. It READS like a press release, not something a normal human being would write about an experience they feel passionate about.

[creatingblackcharacters]

Lesson 1: "White Man Painted Black"?

Okay, I recognize that this is a strong foot to step off on! But! If you learn nothing else from this series, if you decide for whatever reason to forsake me: this is the ONE perspective I'd like you to take away!

You may have heard this quote before, when Black fans deride a character design as 'a white man with the brown bucket tool'. On its face, it means exactly what was said. But specifically, what it means is that we recognize that whomever designed the character drew the way they normally draw for a 'default' character in their mind- default usually meaning White/Eurocentric features- and they added a shade of brown within the line art to make that character now 'Black'.

Now if you're feeling defensive, wait just a moment! This discomfort is not inherently a bad thing!

I'm going to use both a 'real world' example first, to show you what your Black fans and peers are seeing, and perhaps you will also understand our discomfort!

(if anyone was curious, my folder for this lesson is titled 'brad' lmao and you'll see why)

(I'll have y'all know that I actually worked very hard to make Blackface Brad look mildly presentable lmao I'm sorry, I'm wheezing, I can hardly breathe looking at him 🤣)

You see how, despite knowing where this was going, and using one of the darkest shades of brown in my Skin Tones arsenal, you still know that that's Brad Pitt? That nothing about his hair texture, his lips, his nose, or really anything other than the palette change... changed? And you can still see that?

It's incredibly hurtful to be told that that's supposed to be you. You know it's not, you know why it's not, but rather than hearing how it makes you feel unseen and what they could do to be better (since they wanted to draw a Black character!), the artist lashes out at you.

And as an artist, you might have worked VERY HARD to do this! That might be a real handsome guy you drew!! But... is he really Black? Did you walk into it with the intention, that you were drawing a Black Character, or did you draw a character that just happened to be Black? It seems like a silly thing, but it matters!

Okay. I just finished laughing over Brad. Now let's get into some more perspective changes:

Now, imagine you drew a character. You want to make her Black, so you change the hair and skin colors. All right! You have your Black character... right?

Changed ONE feature about her? (You should obviously change more than one feature, but let's just go with the simplified example.)

What if, instead of just changing her palette, we changed her:

Hair?

There isn't nearly enough time in the world, let alone in this little scribble and blurb, for me to describe the IMPORTANCE of Black hair in Black character design. There are so many ways to do curls, afros, braids, twists, locs, SO MANY HAIRSTYLES!! Get used to searching in the 3C-4C hair textures!!!! I plan on doing an entire lesson or two on hair alone, but suffice it to say, Hair Texture is thee BIGGEST giveaway that you 'painted a white person Black'- from cartoon styles to realistic! It reveals itself in your writing as well- just based on how your character takes care of their hair, how your describe the texture, how other people might perceive it... it lets me know just how much research was done. Because we can have straight hair! But again, that's a conversation for a whole 'nother lesson so- come back later 👀?

Lips?

I love our lips, I really do. There's a long history of shaming Black women in particular for the way our lips look. So when I see them done in all their glory, it makes me very happy. Two-toned lips vary in shade and intensity, so make sure you're using references if you want to be 'realistic', but it doesn't have to be that hard. Even a little subtle shift like this in the design/story description lets me know that a creator was thinking about me.

Nose?

One thing I've noticed ever since I starting drawing is that... people in a lot of mangas/manhwas barely have noses! I admit, out of all the features on the face, the nose isn't the most important. I think they should be, especially when you want to emphasize that your characters look different! People have different types of noses! I especially want to gear this towards those with a goal of drawing realistic portraits and the like- there, the nose is ANOTHER dead giveaway. There are Black people with aquiline and straight noses- we aren't a monolith- but is that why you drew it? Consider why you went for that nose specifically. That's part of the intent, in all this!

Now, you might be looking at me and going "Ice... this is just character design". To which my answer is: Yes! It is! It feels so basic, and yet if you ask your Black friends/peers how often they've come across this feeling of not being properly drawn/written, from fanart to professionally produced works, it's unfortunately common despite how simple of a concept it is.

I hope that you can walk away from my first lil lesson with new eyes. Remember, it's the thought that counts, but the action that delivers!

[reidmotif]

"Technically" Not A Student

Summary: Reader is Alex Blake’s TA, and after a guest lecture, Spencer seems to take a liking to her .

Prompt:You’re Alex Blake’s TA when a Dr. Reid comes to guest lecture. Things get heated quickly when you're alone.

Couple: Spencer Reid/Fem!Reader

Category: Smut

Content Warning: Reader POV, guestlecturer!Spencer , age gap (roughly 10 years), car sex, heavy making out, unprotected sex, slight female masturbation, Spencer is smart and that's HOT, heavy sexual tension

Word Count: 5.1k

Being asked to be Alex Blake’s TA was the opportunity of a lifetime, and when it was presented to me as a first-year graduate student at Georgetown, I took it eagerly and never looked back. 

She had personally approached me after I’d finished a semester in her forensic linguistics class as a freshman, and commended me on my dedication to the material and my general work ethic, and then inquired if I’d ever consider filling out an application as her teaching assistant starting the next semester. 

I immediately agreed. It was a no-brainer. Blake was a seasoned professional in the career field I wished to enter, not to mention she’d been one of the best professors I’d had whilst taking classes at Georgetown. Knowing I’d be working so closely with her absolutely thrilled me. It provided opportunities I'd have never gotten otherwise.

For example, getting to sit in on the class the famed Spencer Reid would be lecturing on. 

She usually kept me quite busy, having me develop assignments and quizzes for her class when she had other responsibilities to attend to. I’d heard horror stories from other TA’s in which their supervisors would delegate ninety-nine percent of the work to their juniors, having them essentially teach the class for minimal recognition or pay. Blake wasn’t like that, and I was thankful. This time around though, she had very different instructions for me.

“You don’t need to prepare any material this time around.” Blake explained to me, and I nodded, listening diligently. “I’d just like you to sit in, and possibly take notes, as you see fit.” She added, and I flashed a polite smile, nodding. 

“No problem whatsoever. I’ll sit in the back so as to not bother any students as I do.” I replied, offering her as much convenience as I could within my actions.  

Secretly, I did want to catch more than a glimpse from the back of the room. I wanted to experience the esteemed colleague Blake had often spoken of with incredible fondness. I was aware he was slightly older than I was, and a bit socially inept from the way she described him in his stories, but I was also aware the man was a goddamn genius. She’d describe in precision the way Reid would pick up on patterns and leads faster than anyone else on the team, and his immense knowledge in multiple fields beyond criminal profiling. When she’d told me he had three pHDs, I had to hold back a gasp. I hadn’t even started my own doctorate, but the idea only exhausted me- and he had three?! Color me impressed. 

Blake, being as brilliant as she did, could sense the hidden enthusiasm in my eyes in meeting this man. 

“Honestly, I’d rather you sit in the front. If you’re taking notes for any student unable to attend, it’s more imperative that you know the contents of the lecture, rather than anyone else.” She said, smiling kindly. 

“That’s absolutely alright with me.” I say, even quicker than before, nodding, thoughtfully. In reality, the only thing I was thinking about was how close I’d be near the man. I had no idea what he looked like, what he sounded like, but something about him made my stomach flutter. 

“I’m sure Dr. Reid would be interested in meeting you, as well. He takes special interest in anyone pursuing our line of work.” Blake added. She didn’t mean for it to happen, but the words made my cheeks light up with a hint of embarrassment.

I don’t know why, but he intimidated the hell out of me. The idea of him taking interest in a conversation with me made my heart beat slightly faster, and I nodded. I tried to convince myself that my nerves came from a purely professional standpoint, but regardless of my intentions, I was absolutely exhilarated by our imminent meeting.

While I knew there'd be initial awkwardness when I'd meet him, given my idolization of the man, I didn’t account for how terrible it’d actually be when I realized how fucking attractive he was. It was almost unfair. I was already tripping over the words I planned on saying in my head, and now he looked like that?

It was cruel.

The soft, doe eyes paired with sharp cheekbones. The slope of his nose, and the mess of brown curls atop his head. Every word out of his mouth was made even prettier by the soft curve and pinkness of his lips, and I found myself wanting to lunge over the table and kiss the hell out of him.

Needless to say, not the right thoughts to have about your professor’s (older) coworker. 

 While I was initially going to introduce myself to Dr. Reid before his lecture, hopefully establishing myself as a serious individual regarding my studies and eventual career, I shied away, opting for Blake to introduce me instead, nodding politely when he made eye contact with me, exchanging a quiet “hello” and taking my seat in the front.

That was it. And probably how it should be, considering I genuinely couldn’t think straight around him. Students began filtering in, and I took my spot at the front of the room, crossing my legs and beginning to outline his lecture as he began to speak. 

He was a brilliant lecturer, and it was honestly criminal he didn’t do this for a living. He gesticulated wildly throughout the whole of it, but every word of his was punctuated with a genuine passion that even some of the best professors on campus lacked. I did my best to diligently keep up with every point he brought up, but with how fast he spoke, it was difficult. Still, an effort was made. 

If that wasn’t enough to deal with, I swear the man kept making eye contact with me for the duration of his lecture. At first I believed I was imagining it, that his eyes kept drifting to mine by coincidence, but by the third time, I’d realized that everytime my eyes left his figure to scribble something, I’d look up to see his dark eyes boring into my soul, almost as if he was trying to solve me with a glance. It was intense and made my stomach turn in a way which wasn’t entirely unpleasurable, but I forced myself to remain professional.

 Blake did not need to see me absolutely lusting after her coworker, even if he was utterly fit. 

Anyway, he was probably only making eye contact considering I was in the front, and probably in an optimal spot for his eyes to focus on whilst addressing the whole of the class. Still, the way his gaze was trained on mine, reaching the deepest parts of my soul didn’t help the growing heat between my legs. 

I forced myself to focus on the board, my notes, anything but those godforsaken eyes for the rest of the lecture. Anytime we made eye contact afterwards, I’d quickly look down, like I’d been caught doing something terrible. 

Was anyone else seeing this? Was I insane and made delusional by my unexpected attraction to this man? Was he seriously making me wet just by looking at me? 

Yes. 

Sooner than anyone wanted, the lecture period had completed and Dr. Reid was finishing up. The students were absolutely enamored, especially the girls, as expected. Of course it wouldn’t be just me who’d noticed that in addition to being accomplished in his intelligence, he was also ridiculously easy on the eyes.

Blake stood in the corner, watching her students vacate the space, while some held back to talk to Dr. Reid as he packed his things. He seemed a bit shy at all the attention, but didn’t hesitate in explaining concepts to seemingly eager students, giving them all a soft, shy smile. 

God help me, he was adorable. How was I falling for a man I’d never even spoken a word to? 

I’d never left the classroom before Blake did, so as she stayed, I did as well, until the three of us were the only ones left in the room.  Blake smiled, walking up to Dr. Reid with her hands in her pocket. 

“You worked up quite the fanbase, Reid.” Blake said, a little playful.

Reid replied somewhat bashfully. “You have a great bunch of students.” He flashed a small smile at her as they spoke, still packing up his things. 

 The dynamic between my superior and the man was obviously sweet. They almost looked familial, which made sense. Blake had commented here and there that she managed to spend more time with the BAU with her actual family. I’m sure the latter was the same for Spencer. He probably had a doting girlfriend at home, ready to welcome him in her arms and I mentally kicked myself again for being so attracted to him.

He was nearly ten years older, for god’s sake! Enough! I screamed at myself. 

 I was brought out quite suddenly from my thoughts when Blake spoke in my direction. “This is (Y/N), my teaching assistant.” Reid came in my direction as I got up and approached him, offering a hand to me. “I’m Dr. Spencer Reid. Blake told me who you were, but we weren’t properly introduced.” 

I gave a firm shake to his hand, which I noticed was calloused and smooth at the same time. God, even his hands were pretty. He had long, slender fingers with short-kept nails. They were veiny, and looked strong. I couldn’t help but imagine what they’d feel like inside of me, buried in the heat of my core as I begged him for more.. more.. 

I forced the thought out of my head, only nodding again at the handsome man. “Nice to meet you, Dr. Reid.” I say, forcing myself to be professional.

Stop thinking about fucking him! 

“Spencer works just fine.” He says, imparting a kind smile that nearly made my knees weak. Did he have any idea the embarrassing effect he was having on me? 

Out of the corner of my eye, I saw Blake looking at the two of us with a bit of a strange expression on her face. I let go of his hand and took a step back. Oh god. Could she tell? If she could, she said nothing. She gave us both a kind smile, before grabbing her own things.

“(Y/N)?” She called out, starting to walk to the door. “Mind locking up for me tonight?” She said, already throwing her keys to me. 

“That’s fine by me.” I say, grabbing her keys mid-air. I was used to this. Blake often wanted to leave a bit quicker than I did, and I was more than happy to assist in any way possible. What I didn’t realize, was that this left me and Spencer in the room alone, something I wanted to avoid, considering how fucking awkward this man was rendering me with so much as a glance at me.

I heard Blake leave, and as she quietly closed the door behind her, I leaned against a desk, keeping my eyes down as Spencer continued to pack his own things. I tried to not let my gaze drift to him, as I waited for him to finish up. 

I let my thoughts wander to the lecture, and couldn’t shake the feeling he’d evoked in me when he looked at me like that. This was honestly ridiculous. The man had barely spoken ten words to me, and here I was, absolutely mooning over him. It was a new low for me, but in my defense being a graduate student meant I didn’t have much time to get my .. needs fulfilled.

“That’s why” I convinced myself. I just hadn’t gotten laid in a really long time. Nothing more, nothing less. 

“So, you’re a criminology student?” Spencer says, suddenly, breaking me out of my trance. 

I looked up, nodding. I responded on pure habit and instinct. ‘Yes, I’m in the process of getting my Masters in Criminology.” I said, nearly robotic. 

“That must be interesting.” Spencer replied, flashing me a sweet smile that caused an entirely new slew of butterflies to erupt in my stomach. “I never studied criminology specifically, but the classes I took interested me.” 

“Blake told me you had three pHDs.” I acknowledged, trying to return his smile, but in all honesty, I probably looked like an idiot. I was nervous as hell, and hoped he couldn’t tell. It wasn’t my fault. He was awe-causing. A sight to behold, if you will, in intelligence and appearance. 

He laughed good naturedly, “Yeah. Three.” He must’ve noticed the stars in my eyes, because he continues. “As well as a Bachelor of Arts in Psychology and Sociology. And I’m working on another in Philosophy.” He finishes with a smug, boyish type of smile. 

What was previously stars in my eyes, was now full blown shock all over my face. “Wow, Spencer.” I said, a little dumb-struck. “That’s.. a lot.” I add, a little stupidly, giving him a little laugh. 

He sweetly scratched his neck, revealing his self-consciousness. “Yeah? You think?” He says, a small smirk in his voice, and I laughed again. “You think I should stop after Philosophy?” 

“Totally. Save some knowledge for us.” I teased. It was comfortable. He was surprisingly easy to get used to. He was affable, despite how daunting his knowledge was. 

“Hey, you try graduating before you’re a teenager.” He defends himself, playfully. “Not much to do, really.” 

I laugh. “I don’t know.” I say, throwing my hands up a little. “Play ball? Run around?” I joke, and he makes a face at that, scrunching up his nose. 

“Not my thing.” He replies, smoothly, and I laugh. 

“Alright, fine. Keep your degrees doctor man.” And he laughs at my joke. Like, a real laugh. I didn’t even find my own rhetoric particularly humorous, but knowing that I’d gotten him to react like that made my cheeks glow. 

He finished packing the last of his things and slung his satchel bag over himself, starting to walk over to the door. I made sure to gather all my things, and walked to the door with him. He held it open for me, and I nodded my head in thanks, and he let it shut behind us. I turned around to lock it, using Blake’s keys and placing them in my bag securely, before looking at him. 

“Well, Spencer. It was nice meeting you, thank you for the lecture it was-” I start, but he interrupts me. 

“Can I walk you to your car?” He interjected, looking a little shy as he did. I smiled a little confusedly, wondering why he’d want to do so, but I gave him my answer, nonetheless. 

“I don’t have a car. I usually take the bus back to my apartment.” I explained, smiling softly. 

“The bus?” He says,  quirking his mouth to the side. “Isn’t it a bit late for that?” He replies, a hint of concern in his voice. 

I gave a little sigh, “I mean, it’s fine.” I say, trying to laugh a little. “I’ve done it before.” I add, attempting to ease the worry out of his voice. “It’s not that late.” I say, but he simply shakes his head. 

“No way.” He says, still adamant on this. “I.. I can drive you home, if you’d like?” He says, his words going slightly on the higher pitch as he rolled out his proposal, and I gave a small grin at that. 

“Really? If it’s a hassle I can seriously just take the bus. I wouldn’t want you to keep anyone waiting at home or-” 

He interjects again. “No hassle. I promise. I want to.” He pauses, before adding, “No one at home. You’re probably going to be the last person I see today.” He seems to blush at his final admission, and my eyes widen in interest. No girlfriend? Score. 

“Alright, Spencer.” I say, smiling again. “Lead the way.” 

He led me to his car, an old-fashioned Volvo and I couldn’t help myself from gawking at it.

“God, you have a cool car too? Is there anything about you that isn’t interesting?” I say, aware I was probably stroking his ego a bit, but honestly I wanted to. The man was just so damn intriguing, and every new bit of information I learned about him only made me want to unravel the whole of him. To truly know him, in and out. 

He laughed, using his keys to manually unlock the door. “Oh, trust me. I’m plenty boring. The car is probably my only saving grace.” He joked, and I laughed again as I got into the car. 

“Oh, I highly doubt that, but if you say so.” I say, sweetly, and adding a light tone of flirtatiousness in my tone. He seems to blush at this again, and I begin to think about the events of day. The stares in class, the perpetual rosy tint on his cheeks that had been there since we began our conversation, the way he joked and laughed at my (admittedly, unfunny) jokes. 

Oh god. Did he like me? 

Only one way to find out. 

As Spencer got in the car and began driving onto the main road, I looked at him, trying to put on my best, innocent smile. “So, you said you’re not going home to anyone?” I say, a softness to my tone, but an undeniable hunger in it as well. 

“Uh.” He responds, that damned blush coming on, strong. “Yes.” He replies, nodding as he keeps his eyes on the road. 

“So, you don’t have a girlfriend?” I ask, a bit forwardly. 

Now he’s really blushing, stuttering a bit. “Oh, no. No girlfriend. Not much time, given the BAU and our schedule.” He said, almost clinically, and I nodded. 

“I mean, Blake has a husband.” I point out, a little smugly. 

“I guess.” He says, sighing a bit. “But, you know.” He says. He vaguely gestures to himself, and I look at him a little confused, tilting my head at him.

“Spencer, I have no idea what you’re trying to say.” I say, with a little giggle. “But trust me, you’re absolutely gorgeous.” I continue, before I can stop myself.

He looks at me, giving me a soft smirk, and a raise of his eyebrows. He didn’t look uncomfortable, and honestly looked just as thrilled as I did, and I knew that this night had a good chance of going the way I wanted it too. 

“Ah, you’re sweet.” Spencer replies, “But no. I just mean, I’m.. me. You know?” He says, trying to explain his (non-existent) shortcomings, but I just shake my head. 

“You don’t give yourself much credit, you know?” I attempt to say with that amorous tone from before, but it was more overcome with genuine respect and admiration. “You’re smart, funny and nice to be around, I mean.” I pause. “Did you not see the absolute crowd of girls around you after the lecture? Trust me, Spencer. I bet you’re more than easy to be with, even easier to like.” The words rush out of me, and I watch him tentatively for his reaction to my words. 

Instead of the sweet side smile he’d been offering me all night, he finally looked at me. The car had come to a stop at a red light, and his face was dangerously sexy as it was illuminated by the colored glow around us. 

“And what do you think?” Spencer says, in a low tone, making direct eye contact with me. 

I feel my stomach turn at the sudden directness in his words, his gaze nearly devouring me whole. I felt my mouth go dry and I swallow, trying to keep my tone steady. 

“What do you mean?” I ask, my voice having a slight shake to it. 

“I mean, what do you think about me? Do you.. like me?” He says, licking his lips slightly, and the action causes the previous heat between my legs to come by in full force. 

“Oh, I mean.” I say, my previous confidence dissipating in an instant. “Well, yes, Dr. Reid. Everyone liked you today.” I say, trying to give more of a conservative answer now.

The man had a way of making me feel totally comfortable around him, and then flipping the switches, rendering me dumb and stuttering. Like I was now. 

“Oh, so I’m Doctor Reid now.” He says, clicking his tongue and saying the words with an air of lighthearted teasing, but I only bit my lip, hurriedly trying to explain myself. 

“I mean, it's your title.” I say, quickly, trying to justify myself. “I mean, you said it yourself- three pHDs. It’d be pretty shitty to just discard the years taken to achieve that. Um. Well. You’re a genius so probably not as long, but still! Calling you doctor is a sign of respect for your accomplishments and-”

“You're cute.” He interrupts, and I look back at him to see his eyes back on the road, a cocky smile plastered on his face.

The light around us turned green, and he started the car. I picked at my nails slightly, trying not to display any more signs of nervousness around him. I wanted to do something with him, at least, and that couldn't happen if I was a bumbling mess.

We drove in relative silence for the next few minutes, as I tried to gather my thoughts and possibly continue what we’d been building up to these past few hours, but a quick glance at the windows and the road we were on caused me to furrow my brows.

“Oh, this isn’t the way to my apartment.” I remark absentmindedly, looking at the window beside me, then in front. “I live near the train station, off east?” I offer, expecting him to fully make a turn back towards the direction I’d prompted him towards, but he didn’t even flinch, continuing on the more secluded road we’d entered.

“I know.” He said, glancing at me once more, actually applying more pressure to the gas pedal, causing us to go faster down the terrain. 

Okay, fuck. He was an FBI agent, so I didn’t have to worry about him murdering me, right? Wait, no, that’s stupid. He could probably get away with it. No! He’s Blake’s friend. Her coworker. For the goddamn FBI. He wouldn’t murder me. What the fuck was going on? 

I watched as Spencer pulled off to the side of the road, darkness surrounding us entirely. There weren't any other cars around, and it was silent in the car before I bit my lip, and started to speak.

“Did I.. offend you?” I ask, cautiously. No reply. I try again. “Why did we stop?” I add, trying to test the waters with him to see what he was thinking at that moment. 

“I thought I could wait before we got to your place, but I need to know now.” He replied, a sudden urgency in his voice. He turned towards me, watching me with a dark, intense gaze, similar to the one he'd given me in class that day. “Do you want me? Am I reading this wrong with you? Because if I am, we can completely forget it and I can drop you home but (Y/N)..” He paused. He made direct eye contact with me and once again I found myself wanting to swim in those dark eyes of his. “I want you.” He said, his voice low and raspy. 

I didn't give it much thought as I gave into my urges and surged towards his lips the best I could in the car. He responded immediately, bringing me closer with his hands and placing them on either side of my face, moving his lips against mine in a perfected rhythm. I used my fingers to quickly undo my belt, before climbing over the console to sit in his lap, getting closer without our lips disconnected once. He understood my actions and intentions immediately, pulling the seat back so I could rest more comfortably in his lap as we continued to kiss. 

I knotted my hands in his hair, giving an experimental tug which elicited a low moan from his mouth. I grinned against his lips and his hands moved from my face to his hips, bringing my clothed core to rest right against his growing bulge, which I immediately moved against. He let out a sharp breath as I did and broke the kiss. 

“Oh god. I’m sorry.” He said, breathlessly, hands on my hips. “I don’t know what came over me and-” 

He looked almost frantic, and incredibly guilty, so I quickly leaned in for a peck, stopping him mid sentence. I brought my hands to his shoulders to rub them soothingly, and he seemed to relax in my touch. 

“Spencer, calm down.” I say, nearly purring. “I want this.” I continue, rubbing patterns into his arms now. “Please.” 

“You’re Blake’s student.” He murmurs, using one of his hands to run through already messy brown curls. “What am I doing?” He says, almost to himself, looking ready to stop our tryst. 

I realize he was attempting to backtrack from this, and before he could continue his train of thought, I quickly leaned in from my position on his lap to start kissing his neck, trailing wet hot kisses down the column before whispering. “I’m not her student.” 

He pulls away to look at me, biting his lip. “What?” 

“I was her student last semester. I’m her teaching assistant now.” I smirk a little, licking my lips. “Technically not a student of hers.” 

He seemed to take in my words for a moment, and then something in him shifted, and he lunged at me again, kissing me with even more ferocity. He absolutely devoured me, his hands everywhere at this point. Caressing my sides, in my hair, on the small of my back. He brought me closer to him in any way he could, pressing our bodies against each other in a frenzied manner that caused the wetness between my legs to increase tenfold. 

“Wanted you.. as soon as I saw you.” He murmurs against my lips as we caught our breath in between kisses. “Knew it was wrong but..” 

I nodded. I understood. I was the same. 

“Fuck.” I moaned, as I felt the bulge resting below me get even harder. “Spencer, please. Don’t make me wait.” 

“Impatient.” He remarked, smirking, now beginning his own line of kisses down my neck, making me moan in pleasure. 

“Please.” I breathed out, my words being reduced to a squeak as he bit my neck gently, and my eyes fluttered shut. I was melting right in his damn hands, just like he wanted. 

His hands started to work at the buttons on my jeans, and I sighed in relief, lifting up my hips to allow them to be tugged off, leaving me in my underwear. His slender fingers traced the seam, leaving me shuddering with pleasure for the man in front of me. I tried once more, breathlessly murmuring at him.

“Please. Please.” 

“Use your words, baby.” He whispered, a devilish smirk on his face. I was too far-gone to care about what I looked like. I needed him so badly. 

“I need you to fuck me, now.” I say, clearer. “I need it, Spencer.” 

Something about me using his name, nearly moaning for the man when he’d barely touched me stirred something in him, and he started to undo his own slacks, freeing his cock from the confines of his briefs. I watched in fascination as it sprung out, and took in a sharp breath of air. I licked my lips before making eye contact with him, begging for us to get on with it at this point. He nodded, understanding my desperation and I smiled dumbly, beginning to lift my hips. He guided his cock to my heat and placed his free hand on the small of my back, slowly guiding me down his member.

I moaned softly as I felt him enter me, providing me with the most delicious stretch. I threw my head back in pleasure as he brought both his hands to my hips urging me down. 

“That’s it. God, fuck. You feel so good.” He moaned, which only made me want to take more of him. I lowered myself down a bit faster, and he released a heavy groan as his hips met mine. I whimpered slightly, his length filling me up perfectly. A thin sheen of sweat had gathered on my brow and I leaned my forehead, adjusting to his size. 

“You good?” He breathed out, using his hand to brush a piece of hair that had stuck itself on my brow, and I nodded. 

“Yeah, just.” I took a deep breath, before licking my lips, looking up before nodding.

I slowly lifted myself off, letting the head of his arousal nestle in me before I slammed back down, eliciting moans from both of us. He began to match my movements in tandem, thrusting up into me wildly. I held onto his shoulders, burying myself in his neck as we went faster. I could feel his tip hitting my cervix every time, causing me to cry out with pleasure every single time. 

I felt my orgasm rapidly approach, and Spencer seemed to sense this as well, considering the involuntary clenches I was giving around his cock. He let his hand slip down to where our bodies met and rubbed tight, fast circles around my clit, encouraging my release. 

“Come on, pretty girl. Come all over my cock. You can do it.” He breathed out, watching my every move with a hunger I'd never experienced before.  

It took a few more thrusts from him, combined with the insistent fingers at my bundle of nerves before my thighs began shaking, and I let out a chorus of moans, most of them sounding like strangled versions of his name as I coated his cock in my wetness, spurring him on to go faster inside me, bucking into me like a man possessed. 

He continued to jut into me wildly, until I felt him finish inside me, coating my walls with his release. He breathed shakily, holding me close to him as I slumped over his shoulder, my chest heaving up and down as I came down from the intensity of the previous moment. 

He affectionately removed me from his shoulder, pressing a soft kiss to my lips, the tenderness and gentleness in his actions contrary to what we had just done. I pulled back with a dazed smile, taking in how pretty he looked. 

“If it’s alright, I’d love to take you out for coffee sometime.” He said, still a bit breathless, and a shy smile appeared on his face.

I giggled. He was literally still inside me, and was asking me out on a date with a boyish nervousness that made him even harder to resist. 

“For you Dr Reid? Anything.” 

ahh! writing this was a beast, and i imagined it to be longer but i got what i wanted in less words haha. i hope you guys liked this. any reblogs, comments, likes are so so appreciated i know it sounds totally stupid, but your guys' support means a lot lot lot!! thank you!!! <3

[anthurak]

Something I’ve always found rather curious about the Adventure Time fandom, specifically Bubbline shippers, is that nobody seems to talk about how the show slipped in what might be the most angsty, hardcore and emotionally raw Bubbline stories disguised as a wacky Rashomon-style recap in the episode Ketchup.

Like it’s pretty clear that Marceline is doing the whole ‘Lollipop Girl and Rockstar Girl’ puppet-show because she doesn’t want to traumatize BMO with what happened while they, Finn and Jake were gone, and also because she herself doesn’t want to revisit those memories directly.

But when we start reading between the lines and recognize that Marceline’s embellishments are really more to tone DOWN events, I think we get a very stark and raw depiction of what Marceline was doing when Patience set off Ooo’s elemental apocalypse.

Just to kick things off, how much does anyone want to bet that this joke translates to ‘Marceline and Bubblegum had a fight and Marcy was giving Bonnie some space… and because of that, Marceline wasn’t there to protect Bonnie when she was kidnapped by Patience.’?

Kinda adds another layer to Marcy’s whole ‘I was so afraid something bad would happen to you’ breakdown in Come Along With Me, doesn’t it?

Next we have ‘Rockstar Girl smacking off the potato-heads growing on her’ which pretty easily translates to; ‘while everyone else was getting overrun by the elements, Marceline was able to fight off the elemental contamination for possibly entire days while she tried to find a way to help Bubblegum’. And given what we see with Finn and Jake only able to resist the contamination for maybe a few hours at a time, and how willpower was one of the only things that could hold it off, that says a LOT about just how DESPERATE Marcy was to help Bonnie. I mean, you want a really hardcore and messed up image? Imagine if Marceline was actively cutting or RIPPING off the contaminated parts of herself to keep it from spreading and regrowing those parts with her vampiric regeneration?

Then we have ‘Rockstar Girl went after the Blue Tranch’, which I can only imagine translates to ‘Marceline going on a GOLB-DAMMNED WARPATH to hunt down Patience St. Pim’. And let’s remember that A. Patience was currently a super-charged Elemental and B. Marceline would still be fighting off elemental contamination herself, whether the Candification from Bubblegum, the Ice-ification from Patience, or even both.

I mean, when we think about it; ‘Rockstar Girl played some really loud music that the Blue Tranch didn’t like’ quite possibly translates to the most insane battle of the entire show. Like on one side we’ve got Patience St. Pim, seasoned Elemental who could already make Ice King look like an amateur, super-charged with elemental energy making her probably the most powerful Ice Elemental in thousands if not millions of years. And on the other side, we’ve got Marceline, consumed and possibly more than half-crazed with rage, fear and desperation to help Bonnie, going ALL-OUT with her numerous vampire powers, possibly some of her demonic powers, all while fighting off the encroaching elemental contamination.

And if ‘The Blue Tranch begged Rockstar Girl to stop and go away’ is anything to go by, I think we can assume that Marcy utterly WRECKED Patience’s SHIT. As in, Patience may well have ended this fight with an axe in her gut, a claw choking the life out her and Marceline threatening to devour her very SOUL if she didn’t tell her how to help Bonnie.

(Here’s another fun thought: Something that notably separates Patience from the other current elementals of Ooo is that whereas Princess Bubblegum, Flame Princess and Slime Princess are all physical manifestations OF their elements (Gum, Fire and Slime, respectively), while Patience is human. Yet when we see her during the arc, she seems to have lost her human body and assumed fully elemental form as well. Now we could of course assume that this is simply due to the elemental overcharge just like the others. Buuuuttt… what if Patience was FORCED to assume this new form because her human body could no longer SURVIVE after the utter THRASHING she received from Marceline?)

Finally, we of course have the end. Something which seems all too easy to imagine even with Marceline’s toning down of events:

Marcy rushing back to the Candy Kingdom as fast as she can. Even though she’s exhausted from her fight with Patience and the days spent fighting off the elemental contamination. To the point where now she can only barely hold it off and maintain her sanity. Perhaps she wonders if this is what it was like for Simon during their time together…

Even though she knows speeding back this fast is only draining her strength faster, but that doesn’t matter to her. Because what matters right now is the trinket, potion, or something or other clutched in her hand that Patience gave her. Something that Marcy can’t be sure will even work. But she hopes it will. That’s the only thing keeping her going, the only thing holding her together at this point.

A blind, desperate HOPE that this will save Bonnie…

When she finally returns to what was once the Candy Kingdom, Marceline finds the massive tower of gum. Perhaps like Finn and Jake later on, Marceline at first isn’t sure what she’s looking at and thinks Bonnie is at the top. So she flies right to the top in a burst of speed that drains her already dwindling strength even further.

And there Marcy finds Bonnie. Or rather, what Bonnie has BECOME. Perhaps she doesn’t even remember Marcy.

Perhaps for Marcy, this is like losing Simon all over again. Except instead of the father who raised and cared for her over ten years, it’s a woman that Marcy has loved for the better part of a millennium. A woman she was only just able to start loving again after so long. But now, just like Simon… she’s gone.

And this realization does what all the elemental power of Ooo could not.

It breaks Marceline.

Just like that, Marceline doesn’t even try to use the ‘antidote’ Patience gave her. Instead, perhaps Marcy gives Bonnie one last kiss and just… accepts the madness.

Because now, at least they can be together.

[little-hermit-crab56]

I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

[mostlysignssomeportents]

I assure you, an AI didn’t write a terrible “George Carlin” routine

There are only TWO MORE DAYS left in the Kickstarter for the audiobook of The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.

On Hallowe'en 1974, Ronald Clark O'Bryan murdered his son with poisoned candy. He needed the insurance money, and he knew that Halloween poisonings were rampant, so he figured he'd get away with it. He was wrong:

https://en.wikipedia.org/wiki/Ronald_Clark_O%27Bryan

The stories of Hallowe'en poisonings were just that – stories. No one was poisoning kids on Hallowe'en – except this monstrous murderer, who mistook rampant scare stories for truth and assumed (incorrectly) that his murder would blend in with the crowd.

Last week, the dudes behind the "comedy" podcast Dudesy released a "George Carlin" comedy special that they claimed had been created, holus bolus, by an AI trained on the comedian's routines. This was a lie. After the Carlin estate sued, the dudes admitted that they had written the (remarkably unfunny) "comedy" special:

https://arstechnica.com/ai/2024/01/george-carlins-heirs-sue-comedy-podcast-over-ai-generated-impression/

As I've written, we're nowhere near the point where an AI can do your job, but we're well past the point where your boss can be suckered into firing you and replacing you with a bot that fails at doing your job:

https://pluralistic.net/2024/01/15/passive-income-brainworms/#four-hour-work-week

AI systems can do some remarkable party tricks, but there's a huge difference between producing a plausible sentence and a good one. After the initial rush of astonishment, the stench of botshit becomes unmistakable:

https://www.theguardian.com/commentisfree/2024/jan/03/botshit-generative-ai-imminent-threat-democracy

Some of this botshit comes from people who are sold a bill of goods: they're convinced that they can make a George Carlin special without any human intervention and when the bot fails, they manufacture their own botshit, assuming they must be bad at prompting the AI.

This is an old technology story: I had a friend who was contracted to livestream a Canadian awards show in the earliest days of the web. They booked in multiple ISDN lines from Bell Canada and set up an impressive Mbone encoding station on the wings of the stage. Only one problem: the ISDNs flaked (this was a common problem with ISDNs!). There was no way to livecast the show.

Nevertheless, my friend's boss's ordered him to go on pretending to livestream the show. They made a big deal of it, with all kinds of cool visualizers showing the progress of this futuristic marvel, which the cameras frequently lingered on, accompanied by overheated narration from the show's hosts.

The weirdest part? The next day, my friend – and many others – heard from satisfied viewers who boasted about how amazing it had been to watch this show on their computers, rather than their TVs. Remember: there had been no stream. These people had just assumed that the problem was on their end – that they had failed to correctly install and configure the multiple browser plugins required. Not wanting to admit their technical incompetence, they instead boasted about how great the show had been. It was the Emperor's New Livestream.

Perhaps that's what happened to the Dudesy bros. But there's another possibility: maybe they were captured by their own imaginations. In "Genesis," an essay in the 2007 collection The Creationists, EL Doctorow (no relation) describes how the ancient Babylonians were so poleaxed by the strange wonder of the story they made up about the origin of the universe that they assumed that it must be true. They themselves weren't nearly imaginative enough to have come up with this super-cool tale, so God must have put it in their minds:

https://pluralistic.net/2023/04/29/gedankenexperimentwahn/#high-on-your-own-supply

That seems to have been what happened to the Air Force colonel who falsely claimed that a "rogue AI-powered drone" had spontaneously evolved the strategy of killing its operator as a way of clearing the obstacle to its main objective, which was killing the enemy:

https://pluralistic.net/2023/06/04/ayyyyyy-eyeeeee/

This never happened. It was – in the chagrined colonel's words – a "thought experiment." In other words, this guy – who is the USAF's Chief of AI Test and Operations – was so excited about his own made up story that he forgot it wasn't true and told a whole conference-room full of people that it had actually happened.

Maybe that's what happened with the George Carlinbot 3000: the Dudesy dudes fell in love with their own vision for a fully automated luxury Carlinbot and forgot that they had made it up, so they just cheated, assuming they would eventually be able to make a fully operational Battle Carlinbot.

That's basically the Theranos story: a teenaged "entrepreneur" was convinced that she was just about to produce a seemingly impossible, revolutionary diagnostic machine, so she faked its results, abetted by investors, customers and others who wanted to believe:

https://en.wikipedia.org/wiki/Theranos

The thing about stories of AI miracles is that they are peddled by both AI's boosters and its critics. For boosters, the value of these tall tales is obvious: if normies can be convinced that AI is capable of performing miracles, they'll invest in it. They'll even integrate it into their product offerings and then quietly hire legions of humans to pick up the botshit it leaves behind. These abettors can be relied upon to keep the defects in these products a secret, because they'll assume that they've committed an operator error. After all, everyone knows that AI can do anything, so if it's not performing for them, the problem must exist between the keyboard and the chair.

But this would only take AI so far. It's one thing to hear implausible stories of AI's triumph from the people invested in it – but what about when AI's critics repeat those stories? If your boss thinks an AI can do your job, and AI critics are all running around with their hair on fire, shouting about the coming AI jobpocalypse, then maybe the AI really can do your job?

https://locusmag.com/2020/07/cory-doctorow-full-employment/

There's a name for this kind of criticism: "criti-hype," coined by Lee Vinsel, who points to many reasons for its persistence, including the fact that it constitutes an "academic business-model":

https://sts-news.medium.com/youre-doing-it-wrong-notes-on-criticism-and-technology-hype-18b08b4307e5

That's four reasons for AI hype:

to win investors and customers;

to cover customers' and users' embarrassment when the AI doesn't perform;

AI dreamers so high on their own supply that they can't tell truth from fantasy;

A business-model for doomsayers who form an unholy alliance with AI companies by parroting their silliest hype in warning form.

But there's a fifth motivation for criti-hype: to simplify otherwise tedious and complex situations. As Jamie Zawinski writes, this is the motivation behind the obvious lie that the "autonomous cars" on the streets of San Francisco have no driver:

https://www.jwz.org/blog/2024/01/driverless-cars-always-have-a-driver/

GM's Cruise division was forced to shutter its SF operations after one of its "self-driving" cars dragged an injured pedestrian for 20 feet:

https://www.wired.com/story/cruise-robotaxi-self-driving-permit-revoked-california/

One of the widely discussed revelations in the wake of the incident was that Cruise employed 1.5 skilled technical remote overseers for every one of its "self-driving" cars. In other words, they had replaced a single low-waged cab driver with 1.5 higher-paid remote operators.

As Zawinski writes, SFPD is well aware that there's a human being (or more than one human being) responsible for every one of these cars – someone who is formally at fault when the cars injure people or damage property. Nevertheless, SFPD and SFMTA maintain that these cars can't be cited for moving violations because "no one is driving them."

But figuring out who which person is responsible for a moving violation is "complicated and annoying to deal with," so the fiction persists.

(Zawinski notes that even when these people are held responsible, they're a "moral crumple zone" for the company that decided to enroll whole cities in nonconsensual murderbot experiments.)

Automation hype has always involved hidden humans. The most famous of these was the "mechanical Turk" hoax: a supposed chess-playing robot that was just a puppet operated by a concealed human operator wedged awkwardly into its carapace.

This pattern repeats itself through the ages. Thomas Jefferson "replaced his slaves" with dumbwaiters – but of course, dumbwaiters don't replace slaves, they hide slaves:

https://www.stuartmcmillen.com/blog/behind-the-dumbwaiter/

The modern Mechanical Turk – a division of Amazon that employs low-waged "clickworkers," many of them overseas – modernizes the dumbwaiter by hiding low-waged workforces behind a veneer of automation. The MTurk is an abstract "cloud" of human intelligence (the tasks MTurks perform are called "HITs," which stands for "Human Intelligence Tasks").

This is such a truism that techies in India joke that "AI" stands for "absent Indians." Or, to use Jathan Sadowski's wonderful term: "Potemkin AI":

https://reallifemag.com/potemkin-ai/

This Potemkin AI is everywhere you look. When Tesla unveiled its humanoid robot Optimus, they made a big flashy show of it, promising a $20,000 automaton was just on the horizon. They failed to mention that Optimus was just a person in a robot suit:

https://www.siliconrepublic.com/machines/elon-musk-tesla-robot-optimus-ai

Likewise with the famous demo of a "full self-driving" Tesla, which turned out to be a canned fake:

https://www.reuters.com/technology/tesla-video-promoting-self-driving-was-staged-engineer-testifies-2023-01-17/

The most shocking and terrifying and enraging AI demos keep turning out to be "Just A Guy" (in Molly White's excellent parlance):

https://twitter.com/molly0xFFF/status/1751670561606971895

And yet, we keep falling for it. It's no wonder, really: criti-hype rewards so many different people in so many different ways that it truly offers something for everyone.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/01/29/pay-no-attention/#to-the-little-man-behind-the-curtain

Back the Kickstarter for the audiobook of The Bezzle here!

Image:

Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

--

Ross Breadmore (modified) https://www.flickr.com/photos/rossbreadmore/5169298162/

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

[atomicami]

vengeance.

roommate!abby anderson x fem!reader

- summary: you’re tired of dealing with your boyfriend’s awful habits. when he ends up crossing the line with you one day, you decide to get back at him, and your not-so-innocent roommate has the perfect way to do it.

- content: smut MDNI, no outbreak/modern au, reader and abby are roommates, reader has a shitty boyfriend, slight mentions of alcohol consumption and partying, infidelity/cheating, sex tape/amateur porn, kinda roughdom!abby, strap usage (r!receiving), abby referring to the strap as her cock, slight choking, daddy kink, abby hits it from the back, oral & fingering (r!receiving), pussy slapping, squirting, aftercare at the end ofc

- author’s note: hi everyone!! so i decided to do my very first collab with none other than the amazingly talented @whore4abby, i’m so grateful to have done this with you!!

also, consider this fic as our 1k special from us to you. thank you so much for all the love and support you’ve given to the both of us 🤍 we hope you enjoy it!!

you don’t really know how you got yourself to this point.

well, you do, actually…but you didn’t know how this could have possibly escalated so fast.

it was just a silly little conversation at first. you were simply venting to your roommate, abby about your boyfriend for what was probably the millionth time now.

“ugh, i just can’t believe him!” you exclaimed to her as you frantically paced around your room. “i told him to make the best impression to meet my parents last weekend and what does he do?! he shows up to the restaurant thirty minutes late smelling like alcohol. how can he be so…so inconsiderate?!”

you’ve been in an on-again, off-again relationship with your boyfriend for about a year now. everything went fine with the two of you at first, but now it somehow just progressed to where you both can’t even make it a week without breaking up.

abby is sat at the foot of your bed, nodding in acknowledgement as you continued to ramble to her about your asshole boyfriend. you truly couldn’t ask for a better friend like her to listen to all of your problems about this, because unlike abby, you knew that anyone else you might know couldn’t withstand having to hear about the same person every damn day of the week.

“i seriously think i’m gonna break up with him now, for good this time.” you tell her with confidence.

abby lets out a sigh and rolls her eyes at your statement. “isn’t that what you said the last fifteen times though?” she asked, further manspreading on your bed before pulling her phone out of her pocket to scroll through it.

“i know, i know,” you said, continuing to pace around your room. “he’s done so much stupid shit lately, but this is honestly the final straw for me. who knows how much worse he could get if i—“

“hey, um…you might wanna see this.” abby says, showing you her phone screen. “isn’t that him?”

“what? what are you—“ your words drift off for a moment. you take a step towards her to take a closer look at her phone. it was an instagram story that her friend manny had posted, containing a video of some frat party happening right now and you could visibly see a girl grinding and making out with your boyfriend, clear as day.

now that was really the last straw for you.

“that asshole…” you mutter quietly to yourself as you watched the story again.

to be honest, you weren’t even that upset about it. well, you were, but not to where you’d be in tears crying over him. but rather, you had an urge to try to get back at him somehow. you wanted to retaliate against him. you wanted to give him a taste of his own medicine.

you wanted to give him vengeance.

“i seriously can’t believe him right now,” you tell abby again as you hand the phone back to her. “you know, i’m not even upset that he cheated on me, i just…” you pause for a moment to take a deep breath. “i just wish i could get back at him, give him some sort of payback you know?”

“yeah, i get you.” abby replies before looking back down at her phone. “you know…i think i might have an idea to get back at him…show that asshole what he’s missing…” she said, flipping her phone around to eye at the camera for a moment before looking back up at you.

“really?” you asked, raising an eyebrow in curiosity as you took another step towards her. “i’m down for whatever, what did you have in mind?”

˚ ༘ ⋆｡˚ ✧ ˚ ༘ ⋆｡˚ ˚ ༘ ⋆｡˚ ✧ ˚ ༘ ⋆｡˚ ˚ ༘ ⋆｡˚ ✧ ˚ ༘ ⋆｡˚ ˚ ༘ ⋆｡˚ ✧ ˚ ༘ ⋆｡˚

and that’s how you got to where you were now, as if it had happened in a matter of seconds.

“c’mon, baby… look at the camera for me.” abby murmured to you from behind.

you laid at the center of your bed, bare body sprawled out with your ass up and abby’s thick, black strap nestled deep inside your wet cunt.

you didn’t want to admit it, but the stretch that abby’s cock had in you was overbearing. you really thought you’d take it, you told her so yourself. but now that you were feeling every single inch inside you, from base to tip—you were very, very wrong. you’re trying as best as you can to follow abby’s commands, but the immense length and girth of her strap has you feeling dizzy.

one of her hands reaches down under your stomach and makes its way up to your neck. “you really want me to repeat myself right now, princess?” she says in a firm tone, keeping her grip on your neck. “i said, look at the camera for me.”

“oh, fuck—“ you whimper to yourself as chills start to go through your spine. your whole body is fucking trembling and abby still has yet to move her cock inside you.

you try to lift your head up, looking straight into the camera on abby’s phone that was currently propped up in front of the two of you, the most dumbfounded expression was stricken on your face at the moment. you were already so cockdrunk and it clearly shows.

“atta girl…would you look at that?” abby says, looking into the camera with you as well. “see how pretty your girlfriend looks on my cock? she’s already drunk and i haven’t even started moving yet…not so bad for a girl if i do say so myself.” she continues narrating into the camera. “i’ll show you how it’s really done, yeah?”

and with that she began to start moving, painfully slow to say the least. you felt her hand let go of its grip on your neck and move to your hip, gripping it tightly as she kept slowly thrusting her cock inside you.

“you like that, princess? like how my cock feels inside you?” she asks in between her thrusts.

you end up mumbling something into the sheets, and abby could’ve sworn that you were calling her a name. her hand quickly returns back to your neck, lifting you up and pulling you back towards her as she kept her cock inside you. “what did you just call me? tell me what you just said.” she says in a stern tone, slowly tightening her grip on your neck.

“f-feels so good, d-daddy…” you slur out to her, eyes rolling to the back of your head as the tip of the strap gently presses against your g spot.

the smirk on abby’s face grew wider as she heard you call her that name. it was like music to her ears, and she couldn’t help but play along with it. “yeah? does it feel good, princess? does daddy’s cock feel good inside that little pussy of yours?” she asks, receiving a whiny nod from you in response.

abby looks into the camera and lets out a quiet groan at the sight of the two of you on her phone screen. “oh fuck, you’re not wrong…let’s take a closer look there, shall we?” she says, keeping your body up against hers with one hand as she moves forward and grabs her phone with the other. you look down as she brings the front camera down to both of your lower bodies where the strap was connecting it. now keeping her bicep firm on your upper body, she snakes her hand down to your gushing pussy, spreading its puffy lips open with two fingers in front of the camera.

“would you look at that…” she murmurs, bringing the camera closer. “that pussy’s practically crying all over my cock. does he ever get you this wet, princess?”

“n-no…” you whine out, shaking your head. “he doesn’t…”

“oh, poor thing…” she murmurs from behind, reaching down to rub your throbbing clit. “seems like you need daddy to take care of you, yeah?”

“y-yes, daddy, please…n-need you to fuck me…”

abby gently lowers you back down onto your bed before setting her phone back to its original spot, screen still fixed on the both of you. she places a hand onto each of your hips, gripping them tightly as she begins to slowly thrust her cock into your pussy.

as abby began to fuck you, you were now buried into the sheets again, releasing muffled moans and whines with every thrust of abby’s hips. in that moment, your boyfriend, and all of the fights and encounters you’ve had with him were the last things on your mind. you didn’t care about him. you didn’t even care about the video, knowing that he’ll be watching it soon. all that was on your mind now was abby and the large piece of black silicone stretching you open.

“does that feel good, baby?” she asks, slowly speeding up her pace. “c’mon baby, why don’t you tell him how it feels?”

you muster up the energy to at least turn your head to the side to respond. “f-feels amazing, daddy…b-best cock i’ve ever had…” you slur back to her, eyes fluttering shut in pleasure as you fist the sheets tightly.

“you hear that?” she says into the camera. “it’s not even real, yet it’s the best cock she’s ever had…bet it’s bigger than whatever you have going on down there too…”

you continue to whine into the sheets, weakly pushing your hips back against abby’s cock as a sign for her to speed it up. “f-faster daddy…p-please…” you whine out to her.

abby looks back down to what was below her, that same smirk growing onto her freckled face once again. “would you look at that, she’s already so eager for more…” she murmurs to herself, tightening her grip onto your hips as she began to thrust into you faster than before.

“oh f-f-fuck—“ you moan out, turning your head back to see her and watching her smirk get bigger again as she admires your drunk, fucked out expression. “don’t look at me now…” she tells you before pointing at her phone. “look at the camera. look at him. tell him how good i’m fucking you.”

despite how heavy your eyelids were getting, you try to keep your vision straight, looking into the camera for as long as you could. “s-s-she’s fucking me s-so good…b-better than y-you…” you slur out into the camera before letting your head drop back down into the sheets.

“you hear that? i’m a better fuck to her than you’ll ever be.” she narrates to the camera, still continuing her fast thrusts inside you. “can’t believe you’re letting a girl beat you at your own game, man.”

it didn’t take long for that feeling to build up inside you. abby had only been fucking you for less than five minutes, and you were already about to cum now.

“a-abby, fuck—g-gonna cum n-now…” you whimper out to her, bringing a trembling hand to hold hers from behind. abby instantly swats your hand away and brings her hand down to your ass to slap it, the sting causing you to flinch a bit. “that’s not my name, princess. you wanna try that again?” she asks you, still not stopping her fast pace.

“fuck, daddy!” you exclaimed, tightening your grip on the sheets to stabilize yourself. “p-please daddy…n-need to cum so bad…”

“there we go, that sounds better now…” she replies, looking back to the camera before back down at you. “go ahead, babygirl…cum for daddy.”

your grip gets even tighter on the sheets, and your cunt begins to clench down hard on the strap before cumming with a loud muffled moan, completely coating abby’s black strap with your release.

“holy fuck…” abby groans out from behind, now slowing down her pace. without pulling out just yet, she leans over to grab her phone, stopping the video and flipping the camera to the back to record a new one. “would you look at that…” she murmurs, zooming in on your lower body, particularly on the white ring that was being formed on her strap.

she then points the camera to the very back of you where your pussy was before slowly pulling her strap out of your fucked out cunt. abby lets out another groan as she watches your pussy clench and spill out your thick release, quickly running two of her fingers over it to pick it up. you whimper and whine due to the sensitivity from her thick fingertips, but you still oblige and let her do it.

“look how fucking good this pussy looks…” abby murmurs to the camera. “you know, i heard her tell me that you refuse to eat her out…” she says, pausing for a moment to suck her fingers clean before continuing. “you’re definitely a fucking idiot, to say the least. who wouldn’t want to get a taste of this sweet girl?”

you hear abby stop the recording on her phone, letting out a breath of relief as you set the rest of your body back down onto the bed. you’re already fucked out as is, and you feel the slumber slowly starting to take over you.

however, you didn’t get to have much of it now that abby has shaken you awake again. “lie back on the bed, i’m not done with you just yet.”

“w-what?” you say weakly, fully blinking your eyes open. “i-isn’t that one enough already?” you ask, pointing to her phone.

abby shakes her head in response. “nope, we still have one more video to make…and you’re holding the camera this time.”

˚ ༘ ⋆｡˚ ✧ ˚ ༘ ⋆｡˚ ˚ ༘ ⋆｡˚ ✧ ˚ ༘ ⋆｡˚ ˚ ༘ ⋆｡˚ ✧ ˚ ༘ ⋆｡˚ ˚ ༘ ⋆｡˚ ✧ ˚ ༘ ⋆｡˚

you take the phone into your shaky hands, almost dropping it in the process before steadying it, abby's eyes practically burning through the camera lens as you angle your phone to film her between your legs, she slaps her hand against your folds and you whine out her name, "keep it fuckin’ steady, you hear me?"

your grip tightens on the phone and you try to keep it as steady as possible as she connects her warm mouth onto your clit, flicking her tongue up and down it a couple times, before drawing back and looking into the camera. "you see what you're missing out on, huh?" she tsks and shakes her head slightly. you draw your bottom lip between your teeth as she sinks back between your legs.

she presses her tongue to your sensitive folds as she messily kisses and licks at your pussy, groaning as she tastes you. her fingertips find your clit, rubbing circles over it as she slurps up your juices. the phone starts to slip from your grasp and abby shakes her head mockingly, slapping her hand straight down onto your pussy, fingertips smacking at your clit cruelly. "i'm not telling you again, keep that camera on me or imma keep slapping this pussy." she drawls, voice low and demanding as her gaze shifts from the camera lens to look straight into your half-lidded eyes. her stern tone has you nodding your head immediately in fear of another sharp slap.

her fingers start to slide into your entrance, slick squelching around them as she thrusts them in and out. her lips move up to suck at your swollen clit, with more purpose this time around as she feels you clenching around her fingers. "lemme hear you baby. c'mon, let it out. let him hear how good i'm making you feel." she whispers, thrusting her fingers in and out faster. she lifts her head and smirks up at you, clearly waiting for you to cum for her.

your back arches up into her and her free hand slides between your legs, roughly rubbing your wet folds as her tongue flutters over your clit, bringing you over the edge. your thighs tremble as they clamp around her blonde head which gives her no other option than to keep her head buried between your legs, sucking on your clit as you ride out your high and start to cum on her face.

her fingers continue to plunge in and out of you at practically record speed, fingertips curling against every inch of your g-spot and without warning, a stream of juices spurts from your pussy to soak her fingers and her face. she slides her fingers from your entrance, holding them up for you to see that they're covered in your juices, glistening in the light.

"look at the mess you made." she chuckles as she looks up and notices the look of absolute shock on your face as you realise what just happened.

"never done that before, huh?" she raises an eyebrow. "nuh uh." you pant out, feeling the need to pinch yourself as there is absolutely no way in hell she just made you squirt. "he's never made me do that....like ever." you giggle.

your head is still reeling as she lays you comfortably up against the pillows before she quickly fetches a washcloth from the en-suite bathroom. she returns less than a minute later, warm washcloth in hand, and starts to clean you up between your legs doting to your every need and want so soothingly, kissing at your thighs and stomach sporadically whilst doing so.

she eventually lends you one of her t-shirts to wear, gently holding your arms above your head, the soft material grazing against your skin. she climbs into bed beside you, the two of you bundled up under the thick sheets, snuggled up into her arms as your scroll through the footage taken on your phone. abby rubs her hand up your spine softly before pulling you tightly against her as she smirks at you, "gimme his number, i wanna send the footage to him."

you giggle and hand her your phone as she quickly copies down his phone number from your contacts into her own with a couple taps of her screen before opening up a text conversation with the new contact. she attaches the videos and starts to type out a message which reads:

"took care of your girl for you tonight...looks like she likes me better, don't you think?"

you shake your head and give her a little amused smile as you see the sheer look of smugness filling her flushed face, "that'll fuckin’ teach him." before pressing send and placing her phone face down on the bed in front of you.

it’s safe to say that thanks to abby’s bright idea, you were successfully able to give your boyfriend the vengeance that he deserved after all. as abby pulls you in closer to her chest, you get the feeling that this won’t be the last time you’ll do this with her.

and by the looks of it, you’ve found a new habit of your own to enjoy too.

2024 © atomicami & whore4abby | all rights reserved. do not copy, modify, or translate any of our works.

[livwritesstuff]

for @steddie-week day 3 | long (and a little bit of mutual pining but the kind when they're literally dating which i think is even more pathetic)

tags: modern day, famous au, actor!steve, rockstar!eddie

Eddie stayed longer than he should have. 

He was supposed to leave Chicago with the rest of the band yesterday after their show at Credit Union 1 – opening night for a year-long national tour.

Eddie didn’t leave yesterday though. Instead, he insisted on spending one last night with Steve, one last morning pretending like they would actually get up and go to that breakfast spot they like even though they both knew they’d be spending the time wrapped up together in their bed, in the home they share, refusing to disentangle themselves until they had no other choice.

No other choice meant Eddie waited so long to leave that he ended up on a flight which would get him into Ohio with barely enough time to make it to the venue in Cincinnati before showtime (and he was missing soundcheck completely – sorta shot himself in the foot with that one, in Steve's opinion, though he won’t be caught complaining).

He won’t be caught doing anything – not publicly, anyway.

Steve and Eddie’s relationship is kind of in the halfway-stage between secret and private, where Steve posts vague, faceless photos of the two of them every now and then but still deflects questions about his romantic life during interviews because – look. He and Eddie are both at weird high-points in their careers at the moment, and that means there’s a lot of eyes on them whether they like it or not. Steve had a public relationship turn sour years ago and there is no way in hell he’s letting it happen again.

Not with Eddie. Not when it counts.

There are speculations, obviously (and after Steve dropped Eddie off at O'Hare, he posted a photo of the Kiss n’ Fly sign to his IG story with the caption i hate this place :( – mostly for his own amusement at the specific way his notifications implode afterward), and they’ll probably get around to an official hard-launch someday, but for now Steve likes that they’re keeping things to themselves, especially when they don’t get to make that choice with much else.

Steve gets a just landed text from Eddie a few hours after he boarded his plane.

(Steve knew. He’d been tracking the flight).

Before he could respond, Eddie added, miss you so fn much

i miss you too, Steve texted back, and before either of them could wallow in it too much, he sent, gonna make it on time?

probably, Eddie answered. Then, getting ready in the car lol

He goes quiet after that (the getting ready, presumably), which is fine.

Steve gets it.

He’s busy too. It’s why he’s not following along on Eddie’s tour like some glorified groupie, and it’s not like the distance is anything new. On the contrary, it’s been an element of their relationship since they met at an awards show after-party four years ago. It’s more that this time around, they were supposed to only have four-and-a-half weeks together before Steve headed off on a press tour for the movie he filmed last year, but then that got pushed out a bit further, and so that four-and-a-half weeks together turned into a glorious nine, the longest Steve and Eddie’s calendars had ever been aligned without some serious planning beforehand.

He just got used to it, Steve supposes.

He got used to having Eddie around all the time, under his fingertips, under his skin. He got used to saying goodnight in person, in their bed together instead of over phone lines, got used to waking up in Eddie's arms and hearing sweet nothings whispered in his ear rather than reading the texts Eddie would leave for him to wake up to when they were apart.

He'll adjust just like he always does, and the worst part will be over tomorrow morning – that moment right between sleep and wake when Steve will realize Eddie isn’t in their bed with him.

Like it or not, the distance is their normal and they make it work (except it’s not even making it work, because it’s not like that. Any situation, any set of circumstances will work without question because it’s Eddie).

The start time for the Cincinnati show comes and goes. A few minutes into the opening act and while Steve is mindlessly flitting between Instagram and TikTok waiting for the algorithm to fill his feed with clips from the concert (ones of Eddie, preferably), his screen lights up with a call.

“Hey,” he says the second he slams his thumb on the green accept button.

“Hey,” Eddie replied, his tone nothing short of grim.

“You geared up for the show?” Steve asked.

“No,” Eddie answered, “I’m quitting.”

Steve rolled his eyes.

“Yeah, okay.”

“I need you to come tuck my pockets in,” Eddie said, and it’s a goddamn wonder Steve didn’t break down then and there, because Eddie always managed to tug his pants on in a way that made the front pockets stick out just a bit, and throughout their years together Steve had gotten into the habit of tucking them back in for him, squeezing Eddie’s hips a little when he was done and pulling him in for a kiss.

“Yeah,” Steve manages a wet laugh, “I – fuck, man, I wish I was there to tuck them in for you.”

“I want you here so bad, Steve," Eddie says, "I really, really miss you."

“I miss you too,” Steve nodded, even though miss isn't a big enough word for the homesick feeling in his chest, “Only a week until the Indy show though. And I’m coming with you for the Michigan one after.”

“Yeah,” Eddie replied, and if he sounded a little morose about it, Steve was right there with him. Sure, it’s a comfort knowing he’ll be seeing Eddie again so soon, but when those two days are over…yeah, it’s gonna be a long goddamn while until next time, because Eddie will be playing the Midwest while Steve’s press tour is mostly on the East Coast this time around, and after that he heads up into Vancouver to shoot a period drama mini-series while Eddie plays the southern half of the US, and then…well, Steve could keep going. They’re both taking a short break for the holidays, but that and the rare weekend one of them can fly out to the other is about it for the foreseeable future.

Which, yeah, Steve loves acting, loves that he gets to make a whole career out of it, and he knows that Eddie feels the same way about his music, but…the love he has for Eddie definitely edges out the rest of it – enough that he feels the distance between him like a dull, ever-present ache whenever they’re apart.

Eddie only ends their call when his manager practically has to yank the phone out of his hand and shove him onstage, and then Steve settles back into bed, back into scrolling mindlessly on his phone waiting for his finely-tuned algorithms to do their jobs.

Sure enough, it takes less than thirty minutes for Steve’s FYP to start showing him TikToks from Eddie’s show, and amidst all the hair and leather and silver chains and chunky rings and eyeliner and manic energy, Steve sees something else, something that has the hurt of missing Eddie increasing ten-fold, something that has him seriously considering taking an ax to all his contracts and his career and his livelihood and getting on the next plane to Cincinnati.

Eddie left his pockets untucked.

[tokoyamisstuff]

Delicate

Homelander x F! Reader

Summary: You and Homelander have been official for a while now, but you have yet to understand why things never went beyond a certain line.

Warnings: slight angst, slight manhandling, somnophilia, masturbation, explicit smut, praise kink, dirty talk, oral sex

A/N: not proofread as always bc I cringe at my own writing. take it or leave it

Homelander had never learned how to be gentle.

Of course he knew how to touch someone without breaking them if necessary, but there's limits to his self-restraint. Especially when it came to the intimate kind of encounter.

This sadistic side of his was an expression of his desperate need for control, an inability to truly let himself fall and be vulnerable with another person.

For decades his mantra was that normal humans only exist for supes' - and mostly his - entertainment. Your weakness was his thrill, the sheer difference in power so ridiculously high that you might as well be filthy bugs - and Homelander was like a cruel child with a magnifying glass.

Usually his mates were supes themselves and even they could barely handle his violent urges, but you are a mere human. So fragile and precious that it terrified him at times.

What if he loses control in the heat of the moment? What if he breaks you? Or even worse: What if you see him for the monster he really is and run away like everyone eventually does?

A while ago Homelander heard the story about Ice Princess' fling, some Vought employee nobody. She accidentally froze his penis off during climax. Hilarious, honestly. The first time he heard this story he had a very good laugh, and he still can't look that guy in the eye without cackling when he passes him in the hallways.

But now, being romantically involved with one of those weaklings himself, the possibility of something similar happening to you made his stomach turn...

...but of course, as Homelander always does, he chose to ignore the problem at hand instead of addressing it.

Why bother with an unpleasant conversation if he can just prolong this innocent, chaste bond for as long as possible? He'd rather have you like this than unnecessarily putting you into harm's way.

You on the other hand slowly but steadily grew impatient with your boyfriend.

At first you thought he was merely being chivalrous, but it's been three months and still nothing. He's famous, so you had involuntarily learned about his past affairs - and he's definetly not old-fashioned.

Then why is he hesitating so much?

Most of the time you don't dare talking about what's bothering you, simply because any issue of yours seemed so insignificant compared to the horrible things John's been through.

Admittedly, he once literally lasered a guy's head into mush just for throwing a can to his son's head. So while his reactions can be a bit unpredictable, John cares so deeply about the few people he loves that you want to spare him any more trouble.

Unhealthy way of handling things, admittedly.

Last week you had planned it all out: What you could only describe as the perfect date was supposed to continue in his apartment, and you could literally see all blood flow from his brain to nether regions as you entered the bedroom in finest lingerie.

Anyways, you had initiated several times up until now, and initially he'd always go along with it. However as soon as your make-out-sessions turn more heated, he'd abruptly end them and practically storm off.

Everything went so well at first, with you straddling his waist and tentatively grinding against his lap. His hands moved against his will as his resolve crumbled, finding the curves of your body and relishing in the feeling of your exposed skin under his gloves. His jaw clenched as he fought the urge to go all out, fearing dangerous consequences.

A proper dosage of pain can function as aphrodisiac, at least in your opinion. So you didn't tell him to stop, in fact your senses were too clouded by desire to even notice the way his fingers dug into the cushion of your hips.

Yet there was just the tiniest microexpression, just the fraction of a second where your heart sped up and your face contorted in pain...

...and Homelander, shocked with himself, threw you so frantically off of his lap, you landed face firsr on the floor instead of the bed.

Against all reasoning, you laughed hysterically at his not-so-subtle rejection, and god knows you'll tease him about it until forever. But also, understandably, on the inside you were as hurt and confused as never before.

Doesn't make it any better that your boyfriend had been avoiding you like you were the goddamn pest ever since.

Just like today, when Homelander comes home to you way past midnight, double checking with his x-ray-vision whether you were already fast asleep.

John was aware that this topic has been tormenting you for a while now, and while he never intended to hurt you - quite the opposite, really - he also clung to this pleasant illusion he had created with you.

Lucky at cards, unlucky in love, or so they say.

The course of his life had convinced him that all remotely good things happening to him will be taken away again. A farce prepared by destiny itself just to mock him, maybe evening out the scales since he had been blessed with too much power.

On days as shitty as this one however, nothing compares to having someone to come home to - even when he made sure that you weren't awake to confront him. He tosses his boots aside, grateful for you to be a sound sleeper as they fell to the floor with a loud thump.

Your boyfriend's heart sinks as he pulls up the blanket, being greeted by a handprint-shaped bruise on the side of your hip. Seems like it still hurts too much to sleep on that side. His fingertips run over the dark purple-ish mark, a pained groan escaping your throat when he gives in to the temptation to squeeze your ass.

He really is the worst.

Homelander freezes until he's certain you continue sleeping undisturbed, the sound of his own heart hammering against his chest drowning out all other noise. His palm is still lingering on your body, running up and down your sides and earning relieved sighs in return.

Before you'd feel his excitement too much, he manages to tear his body away from you, his erection twitching painfully as he rolled onto his back.

John really had pure intentions when he embraced you from behind, simply wanting to distract himself and fall asleep while cradling you in his arms - yet instead his already hard cock buries itself neatly between your thighs, the friction making him utter vile things.

Damn it Y/N, why the fuck do you always sleep in underwear only?! Is it to taunt him or to test his limits? Because it's working.

A breathy moan escapes his lips as he spread his legs wide, cock already leaking precum when he ran his thumb across the slid. He grabs it fiercely, pumping hard to make quick work of it, while roaming every inch of your skin he can get his other free hand on.

"Need some help with that?"

Shit.

ShitshitshitshitSHIT!

Seems like he was a little too busy with getting off - so much that even his heightened senses didn't catch you waking up to this scene. Your boyfriend had a habit of sleeping naked, so right now there was none of what he did left to the imagination.

"Heyyy sweetheart..." John tried to put on his trusty showman attitude, an awkward grin stretched across his face while trying to cover himself with the next best pillow. "Sorry babe, didn't wanna wake you up. Just go back to slee-"

"And miss out on the show?" you chuckle half-sleepily and he wants to die. He's done worse things in his life, way worse to be precize - so why is he fucking shy nowy just because you caught him? "Aww, you're blushing." He contemplates lasering your lips together to make you shut up.

"C'mon, John, I know you're holding back for some reason, but we don't have to go all out." Shuffling closer to your boyfriend, you give him those damn doe-eyes he can never say no to. "And I'd love to lend you a hand, if you know what I mean."

John instinctively closes his eyes as your face moves closer, lips eagerly awaiting yours...

...but just when you were about to touch him, he takes a hold of your wrist. "Y/N, I-" he shakes his head, trying to regain his composure. "Just- just let me go to the bathroom, okay?"

You frown. Worse, the humiliation makes tears dwell in your eyes. Pushing your partner is wrong, but without context you really start doubting yourself here.

Suddenly the stench of fear was lingering in the air, and your heart starts racing like a hummingbird. Trying to calm yourself was a fruitless attempt in front of a man that could perceive almost anything, even your pathetic strangled sobs.

So he was right: You're afraid and maybe even disgusted by his behavior, and just offered yourself to placate him.

Maybe he should just snap your neck to escape the inevitable heartbreak.

"A-Are you cheating on me?"

"Huh?" That question caught him off guard. He was prepared to hear anything, seriously all kinds of insults or accusations, but that? "Are you dense? Why the fuck would I cheat on you?"

And that's when it dawns on him: You are scared - but not of him.

To your defense, he did have a reputation of not being able to keep it in his pants. Maeve had remarked that fact more than once so you wouldn't forget. And him constantly being swarmed by the prettiest celebrities didn't do any good to your self-esteem either.

You're scared of him leaving you.

"Then what is it?" you sniveled, shrinking into yourself as you hugged your own legs. Seeing you like this and knowing he's responsible was somehow even worse than his earlier apprehensions. "You always react as if you got burned whenever we touch. Did I do something wrong, or- or am I not attractive enough?"

"What the hell are you talking about?" John scoffs in an almost irritated tone, unable to refrain from rolling his eyes. Comforting people didn't really come easy to him, even if he hated himself for not being able to let the shielding facade drop just this once. "You're gorgeous and you know that! C'mon, you women are always causing arguments out of thin air. Stop making this about yourself, would y-"

Seeing your glossy eyes turn into a glare at his ramblings made him shut up immediately, but the damage has already been done. "You know what, I'll-" For a while, you sit on the edge of the bed thinking and with every passing second of silence, Homelander's anxiety skyrockets. "I think it's better if I sleep at my own place for a while."

That's exactly what he's talking about, damn it! The line between control and insanity is a thin thread, and he is not willing to take any chances - when it comes to you at least.

"No!" he almost screams at you, jumping up from the bed and pointing a warning finger at you. "You're not going fucking anywhere!" When he sees your wary expression John's eyes soften, instantly regretting his outburst.

Why does he always fuck up? Why can he never seem to keep what makes him happy? Why can't he be what you need?

Homelander buries his face in his hands, taking a few deep breaths to calm himself just like you taught him. "Look, I-" He reluctantly put his hands on each of your shoulders and when you don't flinch away, he starts rubbing circles on your back. You always do it for him when he's upset, so he figures maybe it can help you too. "Please...I'll tell you the truth, okay? Just...don't leave."

You turn around to face him, nodding mutely as he wipes a tear from your cheek with his thumb. Seeing you cry was gutwrenching, moreso when he was the reason. "I..." he helplessly gestures around, wishing there was a script to this like he was usually provided. "I tend to become...rough."

"So?" The initial hurt now turned into confusion, suspicion even about whether he was telling the truth. You defendingly cross your arms, like a barrier so you wouldn't falter before you got answers.

"I'm not made out of glass." Compared to his strenght, you might as well be. "And I can talk. If you become too wild I'll let you know."

Stubborn as always. But he loved that about you, too. "It's not that easy, Y/N." His head falls in defeat and exasperation. John's about to cry himself, and he hates you seeing him anything less than perfect. "I'll hurt you, and then you'll hate me. Or worse..."

Consciously ignoring the worse part, you cup both sides of his face, making him look up to meet your eyes. "John..."

You straddle his waist again, feeling relief now that you finally understood. Peppering kisses across his face and neck you whisper "I was so, so worried you had grown tired of me..."

"Never." Homelander wasn't someone to apologize often, let alone sincerely. The times he did ever since leaving the lab he can count on one hand.

But despite him being...well, him, John knows best what it's like to be plaqued by insecurities. He hugs you tight enough to make you feel the sincerity of his words. "I only wanted to protect you. I never wanted to make you feel this way."

"Next time talk to me from the start, okay?" You smile softly as he aggrees, and he doubts to be deserving of all your sympathy.

Your hands never leave his body, featherlight touch reassuringly calming his nerves. And yet together with the fact that the only thing currently separating your bodies was your thin panty, it was no wonder that his body reacted the way it did.

A moan disrups your conversation when his cock stiffens again, and you can't help but buck your hips against him in response. Your panties were already soaking anyway, due to the friction and his dirty little deed earlier.

The scent of your lust wipe all negative emotions from your boyfriend's mind, replacing them with something else.

"I want you, John" you breathe against his ear and he whines. "We could just take it slowly..."

"I don't know how" he admits, and you smile at his reluctant aggreement. Gently being shoved down on his back again, it feels like he melts beneathe your fingertips. "Then I'll teach you."

Goosebumps rise on his skin as your fingertips ghost over his body, and you lean over for a longdue kiss, so tender and affectionate John thinks he will fall apart.

Homelander's groan gets swallowed by your lips as you pull your panties aside, slick folds now grinding against his cock. Your name falls from his lips in meek whimpers and you refuse to believe this wonderful man could ever harm you.

"Let me take care of you." Shit, how do you always know exactly what to say?

Raking your hands through your hair as you sit up, air gets stuck in Homelander's throat at the sight, making him choke.

You look fucking magnificent.

Hell, he'd pay an artist to paint you like this so he could look at it forever. If only it didn't require another person seeing you naked...

"You know, I thought it was just my imagination..." A mischievous smile plays on your lips now that you think of it. "But my panties have been disappearing a lot lately."

Your boyfriend didn't respond anything else but a whimmer, shame washing over him at being caught. Not that he was really subtle to begin with.

"Speak up" you tease, giving his shaft a soft squeeze and he instinctively thrusts into your hand like a dog in heat. "Did you use them to get yourself off to your fantasies, huh? Naughty boy." His cock twitches in your palm at the words. "From now on, I want you to come to me for release. Always."

"I trust you" you add as doubt is clearly written on his face, voice firm and as unwavering as your loving eyes, driving tears into his own. You lower yourself on his cock, savouring the feeling of being filled out like this. "Mhh...you feel so good inside of me. Will you behave, John?"

"Y-Yes..." was all he managed to wring out, since it takes every ounce of strenght inside of him to not cum to your sweet affirmations right away. John clutches the bedframe so hard that it crumbles under his grip, but to his surprise you don't wince at the sound - quite the opposite, it shot a wave of heat right through your core.

"John...look at me." You guide his hands away from his eyes to cup your breasts instead, looking at him like he's the best fucking thing in the world. The intensity of your gaze causes him to shiver, makes him wanna hide.

Yes, this is too good to be true.

Whatever you see in him right now he will taint with his own hands given time.

And yet he can't stop anymore, now that he's aware of the depht your love helds for him.

You read him like a damn book, noticing his internal struggle so you silence the voices in his head with a passionate kiss. "So good for me, John" you cheer him on, moving your hips at a low pace.

Tension finally leaves his body and he dives his tongue into your mouth, groaning deeply as he moves his body alongside yours. His touch was careful yet bruising, sending pleasant tingles down your spine.

"I love you, John" you cry out as your foreheads touch, eyes never leaving his. "I love you so damn much!"

That declaration was enough to drive him over the edge.

Homelander pulls you as close as close as humanly possible when he stills momentarily, jackknive-like thrusts chasing after his high. The sounds he made as you got filled up bordered on obscene, as did the amount of cum spilling out of you.

"Shit" he speaks breathlessly against your skin, covering a bitemark he had just caused with kisses. "M'sorry..."

And yet he wasn't willing to let go off of you just yet, this amazing orgasm unable to ward off the embarassment of his poor performance.

"Never apologize for having a good time, silly" you chuckle, brushing your nose against his. "I'm flattered, if anything."

John never knew that sex could be so...satisfying, more than just physically. Filled with carefree laughter instead of expectations.

After all, he was conditioned to never wanna disappoint.

"Nah-a-ah." You yelped as he spun you around effortlessly, now him being the one howering over you, bearing his canines like a starved predator. "I refuse to let my goddess go unworshipped."

"John...I'm okay, really. Sex between lovers is not just about that..." And yet when he opens your legs, you don't resist.

He bets you taste just as fucking good as you smell, feisty little thing. Driving him crazy all those weeks. Do you have any idea how hard it was to endure this sweet torture for your sake?!

A shiver runs down your spine when he licks his lips at the sight of your leaking entrance, taking a deep inhale. There's a hunger in his eyes that no sane person could ever comprehend - but you indulged in it, craved in his twisted kind of love.

Heh, you were a goddamn freak just like him all along, isn't that right?

Homelander takes his time kissing a path down to your navel, admiring the marks he left on your body he was now able to see as the lovebites they are. He briefly looks up to assure himself of your consent, an answering smile all he needs to continue.

"Myyyy tuuuurn" he chants so cheerful, you almost thought he had put on his formal persona.

A relieving finger finally has mercy and slides into your already overstimulated sex, making you arch your back when he curls it inside. Pleads and curses falling from your lips as he enters a second one and then another, and you desperately try to move yourself deeper onto him.

"Attagirl!" Seems like his confidence has returned, at least judging by that damn smug smile his tone indicated. The frustrated pout you wore right now was so adorable, he decided to end your misery and bury his head between your legs as well.

You were still fucking yourself on his fingers while he relished the taste of himself on your pussy, before enveloping your clit with his tongue. "That's my fucking girl right there" he mouths as he ate you out, pumping his fingers keenly on your weak spot he so easily found. "Come on, I want to hear you."

When you came it felt like you were ascending to the afterlife, screaming his name at the top of your lungs before collapsing into the sheets.

Your legs had long since gave out but John put them over his shoulders, humping the mattress while his tongue still ran over your nerve endings, shooting jolts of overwhelming pleasure through your system.

"Oopsie" he coos, a predatory glint in his eyes as he crawled on top of you again, his kiss giving you a taste of your own spent. "Made me hard again."

You eyes flutter open after the last bit of your climax had ebbed out, exhausted yet invitingly batting your lashes as your limbs entangled once again.

"Seems like I found the Homelander's weakness."