#randy rhoads drawing

[queenbea-1610]

6th December marked Randy’s 67th birthday.

Happy belated birthday to him! 🎸⚫️⚪️⚫️

[escapingpurgatory]

Gonna draw Randy Rhoads tomorrow. This is my reference image. REST IN PEACE RANDY 🤘

[metalcultbrigade]

In tribute to the birthday of Randall William Rhoads (December 6th, 1956 – March 19th, 1982) was an American heavy metal guitarist who played with Quiet Riot and Ozzy Osbourne.

Randy Rhoads Background information:

Born on December 6th, 1956 in Santa Monica, California, U.S.

Died: March 19, 1982 (aged 25) Leesburg, Florida, U.S.

Genres: Heavy Metal, Hard Rock, Neo-Classical Metal & Shred

Occupation(s): Musician, songwriter, producer

Instruments: Guitar

Years active: 1972–1982

Labels: Epic, CBS, Sony, & Jet Records

Associated acts Ozzy Osbourne & Quiet Riot

Website: www.randyrhoads.us

Originally educated in classical guitar, Rhoads combined these early influences with heavy metal, helping to form a subgenre later known as neoclassical metal.

With Quiet Riot, he adopted a black-and-white polka-dot theme which became an emblem for the group. He reached his peak as the guitarist for Ozzy Osbourne's solo career, performing on tracks including "Crazy Train" and "Mr. Crowley" on the Blizzard of Ozz album. "Crazy Train" features one of the most well known heavy metal guitar riffs.

He died in a plane crash while on tour with Osbourne in Florida in 1982. Despite his short career, Rhoads is regarded as a pivotal figure in metal music, credited with pioneering a fast and technical style of guitar soloing that largely defined the metal scene of the 1980s.

His contributions in Quiet Riot and Ozzy Osbourne's early solo works helped to popularize various guitar techniques now common in heavy metal music, including two-handed tapping, tremolo bar dive bombs, and intricate scale patterns, drawing comparisons to his contemporary, Eddie Van Halen.

The Jackson Rhoads model guitar was originally commissioned by him. He has been included in several published "Greatest Guitarist" lists, and has been cited by other prominent guitarists as a major influence.

[disco-cola]

I made a post about randy rhoads on tiktok two days ago bc I feel so many people know he died in a plane crash but not the heartbreaking circumstances behind it (same with cliff and the card drawing game) and a lot of people are commenting how they have seen him live or remember where they were when they heard the news on the radio or saying they didnt even know about this I’m honestly so glad the video is being seen and people are still so interested in him bc that story is so heartbreaking it’s actually insane he was such a goodhearted cute little bean

[jkrump]

RandyRhoads #JohnAtashian #VMI #Worldwide #heavymetal #QuietRiot #OzzyOsbourne #guitarist #BlizzardofOzz #RockandRollHallofFame #classicalguitar #CrazyTrain #MrCrowley #EddieVanHalen #Music #MusicNews

[spacerockband]

some guitar studies

[overthemovntains]

I made this one some months ago, guess i’m gonna post it now 🦇

————

if you want to suggest what i should draw next feel free to do it :)

-

ig/ loseyourillvsion https://www.instagram.com/loseyourillvsion

[larissaligus]

Recently he talked about guitarists and their abilities in a conversation. Frusciante stated that most people assume that a good guitarist must draw attention. Still, he disagreed and said that great guitarists make the band sound good instead of being flashy and seeking attention. The rocker mentioned an exception to this matter, Eddie Van Halen. The Van Halen guitarist draws attention, but he also successfully fulfills the duty of making the rest of the instruments sound good.

Here is what Frusciante said about Eddie Van Halen:

“Too often, people assume that a guitar player’s worth comes from their ability to draw attention to themselves. And there are a lot of great guitar players who are great at drawing attention to themselves.

But to me, the essential thing that those people have, those other people who don't draw attention to themselves like Bernard Sumner in Joy Division, or Syd Barrett, or Johnny Thunders or Matthew Ashman from Bow Wow Wow or John McGeoch in Siouxsie and the Banshees, to me, what they have in common with Eddie Van Halen and Randy Rhoads and Jimi Hendrix is that they knew how to be a member of a band and make everybody else sound better. They knew how to be team players.Yeah, Eddie Van Halen happened to have a flashy style, but he was a great rhythm guitar player, and he made those drums sound great. He made that bass sound great. He made the singer sound great. To me, it really doesn’t matter how much technique you have; the real skill in being a guitar player is in making the rest of the band sound good.“

Eddie Van Halen is arguably one of the greatest guitar players in the world, and with Van Halen, he reached global success. Hence, his death in 2020 was very saddening for his band, family, and fans. After his death, the band broke up, and all the members ventured off to play for their solo careers or with various acts.

[doomedandstoned]

Cassius King Drums Up Hard Driving New LP, ‘Field Trip’

~By Tom Hanno~

In the doom/stoner metal circles, the name Dan Lorenzo has become synonymous with his Vessel of Light project, but there is more to this prolific guitarist than just that band. From his days in Hades to Non- Fiction to Vessel of Light, Dan has laid his trademark work to many albums, and now he presents us with an album of original music from his latest project, CASSIUS KING. 'Field Trip' (2021) will be out next week and is, in my opinion, a must-have album.

For a bit of historical context, I want to add that Dan has been using the Cassius King name for years, from his debut solo album to his endless cover song CDs with various lead vocalists; but it wasn't until 2021 when Lorenzo decided to make an all-original album with vocalist Jason McMaster (Watchtower, Dangerous Toys, Broken Teeth, Howling Sycamore, Ignitor). This decision stemmed from the Covid-19 pandemic keeping Vessel of Light from touring in support of their Last Ride album, with Dan also feeling that fans weren’t ready for a fifth VoL album without touring the last one.

Ironically enough, the song “Join the Exodus”, which we’ll talk about later in this review, was originally written during the recording/writing sessions for the second Vessel of Light album, Woodshed. Dan tells me that, “I actually recorded the music to the song Join the exodus for the Vessel of Light album Woodshed. I wrote so many songs that Nathan forgot about it. So then Ron ended up playing on it, and it just sat there for two years until Jason sang on it. It’s probably one of my favorite songs on the album.”

Despite the connection to Vessel of Light, I don't recommend jumping in thinking you're getting music that is just like them; there's obviously going to be a comparison because of Dan, but it's not an overly large one. Cassius King is less doom, even though there’s a definite Black Sabbath sound, and Jason McMaster has more in common with singers like Bobby "Blitz" Ellsworth and Dio, than he does with Nathan Opposition; who, as you know, provides his own awesome vocal style to the Vessel of Light albums.

Jason McMaster explains further, by saying that "It was the kind of material I had been wanting to do for a long time. It feels a bit like Ozzy and Dio playing poker over some leftover Sabbath material. The melodies came to me quickly, as well as some of the lyrics. Things I already had fit the visions I had upon first listen and it all flowed immediately. I would not call it a full "doom" application of terms, but its heavy, it reminds me of what I love about Sabbath and Dio songs."

Now that we have an idea on what we’re getting into, let’s begin talking about the best tracks on the album. We'll start with the aforementioned song, “Join the Exodus.�� This is the one track where I will draw that direct line to Vessel of Light, and I had thought so even before Dan shared its origins with me.

Beginning with a heavy intro, with the guitars playing a stripped down version of the main verse riff, and Jason singing:

TEARS ON THE TRACKS IN A RACE, EMOTION GLEAM AROUND THE BEND I TASTE THE RAIN DROPS AS THEY TRICKLE DOWN MY FACE AGAIN REMINDS ME OF THE SAND FALLING FROM THE HOURGLASS TIME DISAPPEARS WITHOUT A TRACE.

Jason’s vocals are performed with such conviction, such power, that you can get the idea that he’s really really feeling what he’s saying, which helps make the song seem more honest than it would if he was just “phoning it in.” This goes without even mentioning the Dio influences in the lyrics themselves, and in certain areas of his performance here.

Musically speaking, this track is heavy, with a strong groove, which really makes sense because of the era of its beginnings. Woodshed had that heavy groove throughout the album. As always, Dan has a phenomenal guitar sound, and even if you didn’t know it was him on this, you’d still know that it was him within moments after hitting play.

Towards the end of the album, we find a song that is titled, "Six," which had a working title that Dan told me came from the way the intro guitar part had sounded to him.

"And I didn’t tell anybody else this," he confided, "but the working title for the song 'Six' was 'Randy,' because I thought that opening riff sounded more like Randy Rhoads than me! Not sure if you agree, but just a little bit of knowledge on the track."

I can definitely hear that Randy sound in the intro riff, but, in my opinion, it doesn't really sound like that iconic guitarist as we get much further into the track. In all honesty, I hear more of a Kiss meets Black Sabbath vibe once the riff opens up for the verse.

Jason really brings in that Dio vibe with his vocal performance, and it shows exactly why Dan partnered up with him for this album. Between Jason, Jimmy Schulman, and Ron Lipnicki, Dan put together an immensely talented band for this album, and they all absolutely crushed it on this track.

One of my favorite tracks is titled, "Apocalyptic Nations," which just so happens to be my favorite song on the record. This tune opens up with some tribal influenced drumming, and is a perfect way to bring in the album. I think of Judas Priest's Painkiller when an album opens this way. Lyrically, this song could be about many things, but I catch a Stephen King influence in there, with his book The Stand.

TRASH MY NAME ACROSS YOUR SEAS YOU CONTROL MY DESTINY BRINGING FATES UNKNOWN TO ME LEGENDARY, WHEN PEOPLE USED TO DREAM ANCIENT STORIES OF THE TRAVELIN' MAN YOU WILL BELIEVE

If you've ever read The Stand, you'll know that the villain, Randall Flagg, is known as "The Walking Dude" and that he is hell bent on destroying civilization through terror, violence, and death. The lyrics really could be about this "Man in Black," as he's also called, but it could just as easily be about a government that is just as hell bent on the same things as Randall.

As per his usual modus operandi, Dan pours his all into the riffs contained within "Apocalyptic Nations." They create the power needed to propel Jason’s vocals into the stratosphere, while also leaving the perfect amount of room for the other instruments to shine through.

The last track that I'd like to bring up is "Below the Stone," and is one of my two top picks from this album; with the other being "Apocalyptic." The riffs have a sweet little groove to them, and are, once again, the perfect vehicle for the vocal work. I'm unsure of what the lyrical content is about, but the execution, and the arrangement, makes this song shine, really standing out from the others. This chorus section really exemplifies what I mean:

OH, OH, OH, WE PRAY FOR THE LIGHT WE MAGNIFY ALL HOPE AND THE SEARCH WILL BEGIN BELOW THE STONES THE SECRETS LIVE AND BREATH OH, OH, OH, WE PRAY FOR THE LIGHT

Field Trip will be out in digital format July 23rd, with compact disc and vinyl due out this October. The CD will include two bonus tracks, a cover of Led Zeppelin's "Out on the Tiles" (Dan actually plays the bass and guitar on this cover). and Cheap Trick's "Big Eyes." The other ten tracks are all original tunes. I have an earlier Cassius King CD that Dan sent me, which is full of cover songs, and hearing them attack these originals is really great for me.

To sum it up in one short sentence: you need this album. Pre-orders will be announced soon via Nomad Eel Records, so get ready for that and I'll see you in the next review really soon. Enjoy!

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[queenbea-1610]

My drawing of Rudy Sarzo. 🇨🇺🎸🎼

[jonnolovesfob]

All the questions please?

hell yea my friend! this is gonna be one hell of a post.

Nikki Sixx - Favorite Bassist and Why?

i have multiple favorite bassists! my first favorite was pete wentz of fall out boy because he’s who inspired me to play bass! nikki sixx and duff mckagan because i love their style and sound and how much they put out there for their bands!

Rick Allen - Most Inspirational Band Member and Why?

honestly, it’s mick mars for me. he’s dealt with having to pay child support, sleeping where he could, bouncing from band to band, dealing with depression, and his ankylosing spondylitis. that man went through hell and back and still put on a show for the loyal fans of their bands!

Steven Adler - Favorite Drummer and Why?

i have a lot of favorite drummers tbh, but here’s a few! andy hurley and rian dawson from fall out boy and all time low because i just love how they play and their style! tommy lee of mötley crüe and james cassels of asking alexandria because they were both allegedly in marching band and i’m in marching band!

Axl Rose - Favorite Music Genre?

uh 00s pop punk, 00s punk, 00s metal, 70s-90s glam scene, 70s-90s hard rock and heavy metal, uh theres more-

Stephen Pearcy - Would You Ever Want To Be In A Band?

hell yeah! my bass teacher was supposed to filter me into one under his program with lessons and stuff but i was never in it. NEXT YEAR THO!

Izzy Stradlin - Who Would You Want To Be In A Band and Why?

i’d be the bassist and/or lyricist because that would honestly be fun to just mess around on stage like mr. sixx and my bandmates get mad at me

Tommy Lee - Drums or Guitar and Why?

both? they both have unique styles and ways to play them and i honestly think they’re both neat!

Johnny Rod - Would You Ever Do Anything To Get Where You Want To Go?

already working on that my friend! i’m working to be a band director/music educator as my endgame! i’m taking music theory lessons this week, i play a bunch of instruments—flute and electric bass as my main! i’m going to start learning oboe soon too!!

Steven Tyler - Favorite Album of All Time and Why?

oh boy. oh boy oh boy oh boy. i don’t even know! dr. feelgood by mötley crüe and led zeppelin III got me into classic rock and they mean something to me! but i find myself drawing back to hysteria by def leppard, too fast for love by mötley crüe, and love gun by kiss! they’ve all got that vibe that i like!

Eddie Van Halen - Favorite Guitar Solo?

probably the mick mars ten seconds to love live guitar solo. just OH MY GOD. it’s so good. it’s just so good live because he did a lot more improv. i’m just a mick mars fanatic arent i-

Slash - Have You Met Your Favorite Band Members?

NO- i have interacted with some of them on instagram though!!!

Robbin Crosby - Would You Do Drugs If You We’re In A Band?

ok, if i was thriving in the 70s or 80s, probably yes because that was a different time thing and they were huge in that scene. but otherwise, no cause i don’t wanna die-

Duff McKagan - Do You Have a Crazy Story You Tell When People Ask About Your Music Taste?

actually, i do honestly. it’s the story of how i got into mötley crüe!! i rlly don’t wanna tell it here, ask me in the inbox if you’re curious!!

Joe Elliot - Favorite Band and Why?

STOP. i cant lmao. but like i find myself drawing back to mötley crüe and fall out boy the most because they got me through a ton of crap!!

Eddie Van Halen - Do You Have A Crush On A Band Member? If So, Who?

let’s see, early 80s DLR, late 80s tommy lee, early zeppelin robert plant, early gnr izzy stradlin, late 80s duff mckagan, and the list goes on.

Kevin DuBrow - Do You Prefer More Guttural or More Soft Vocals In Songs?

i like both! it depends on the band and song because bands have different styles and stuff!!

Mick Sweda - A Song That Motivates You Every Time You Listen To It.

excitable by def leppard, pretty much any mötley crüe song, i stole your love by kiss, tnt by ac/dc and etc!

Jeff LaBar - Do You Have Any Embarrassing Nicknames For Band Members?

surprisingly not! i call nikki sixx mr. sixx but that’s pretty much it and it’s not embarrassing!! i mean angus young is shorty but shh

Randy Rhoads - Are You Going To Any Upcoming Concerts?

YES!!!! i’m going to see chicago as my first concert in july!! and then i have the hella mega tour in august for my second concert! and then i’m seeing the stadium tour next year!!

Mick Mars - If You Could Choose Any Band/Band Member To Make A Biopic Of, Who Would You Choose and Why?

mick mars because that man has been through hell and people need to see how he went from small to stardom and all that he suffered with! but if you’re looking for a band, i would say chicago because they’re one of the most influential jazz-rock fusion bands!!

[guitarheadsnet]

Happy Birthday to Randy Rhoads! Randy was my personal guitar hero when I was learning to play, so it was only fitting that he became our first engraved design so many years ago. Fun fact: it took over 40 hours to hand draw & digitally design our RR Neck Plate! #guitarheads #randyrhoads #guitar #polkadot #sandoval #jackson #jacksonguitars #neckplate #trussrodcover #custom #engraved #rr #metal #ozzy #ozzyosbourne #quietriot #guitars #guitarist #rip #guitarhero #guitarlegend #guitarlife #guitarnerd #guitarporn #guitargear #guitarupgrade https://www.instagram.com/p/B5vKXiNnWRZ/?igshid=m6nab9u7j9yg

[parakeettle]

Oh my god! Your art is AMAZING! I love it. Have you ever thought of drawing Tom Keifer, Kevin DuBrow, or Randy Rhoads? I think they'd look amazing in your drawing style :)

Thanks for suggesting! But since Randy's my favourite I will draw him ;))

((Might find sometimes to draw the others though!))

[littlefatrat]

I know you don't take requests and I have no money for a commission but I love your art and I'm curious if you'd ever draw Randy Rhoads. I know you drew Ozzy (Which was amazing by the way) and I'm just curious if you'd apply your amazingly beautiful skills to a drawing of Randy Rhoads.

Oooh yeah, I love Randy ♡♡♡

[thetapelessworld]

Audified is proud to announce availability of MultiDrive Pedal Pro

Audified is proud to announce availability of MultiDrive Pedal Pro

Audified is proud to announce availability of MultiDrive Pedal Pro — pushing further forward with its virtual stomp box breakthroughs by bringing the legacy of erstwhile brand DSound’s first guitar software (released as Stomp’n FX Vol. 1 and Stomp’n FX Vol. 2 way back in 2000) and later featured, for example, in Audiffex’s inTone2 (multifaceted multichannel effects processor, software mixing console, virtual instruments host, and flexible multitrack zonal player) back to the future as 12 legendary effect pedal plug-ins, professionally primed to provide the perfect bundled blend of overdrive, distortion, fuzz, and boost for today’s DAW-driven studio setups — as of November 27…

You can never have enough effect pedals. Just ask any guitarist worth their sonic salt! Since there are literally thousands of stomp boxes on the market, maybe this is hardly surprising — all the more so since they each offer something different in terms of sound, purpose, or quality. Quantifying this time-honoured trend in today’s DAW-driven workflow with its all-new MultiDrive Pedal Pro plug-in bundle sits naturally with the future-facing nature of Audified. As such, it is professionally primed to provide the perfect bundled blend of overdrive (for power), distortion (for complexity), fuzz (for fuzziness), and boost (for allowing every detail to shine through). The talented team of Audified engineers expertly draw upon the company’s rich history of creating quality guitar software to simulate 12 legendary effect pedals that every musician should have in their studio setup. Since this effectively represents the company’s third generation of stomp box models — made with totally new modelling technology — they simply sound perfect!

Put it this way: with MultiDrive Pedal Pro, Audified removed every last screw from every effect pedal modelled, meticulously measuring all components within, so users cannot tell the difference between the real-world stomp boxes and the following software simulations so readily accessible in the resultant bundle. 808-Scream is based on the TS-808 Tube Screamer, a guitar overdrive pedal made famous by Ibanez. It was originally released in the late Seventies, and its characteristic mid-boosted tone soon proved popular with blues and rock guitarists. It has since been used by countless guitarists to create their signature sound, remaining one of the most successful, widely copied, and ‘modded’ overdrive pedals in the history of the electric guitar! 9-Scream is based on another overdrive guitar pedal from Ibanez — the TS-9 Tube Screamer. Indeed, Ibanez produced the so-called ‘9-series’ between 1982 and 1985, with the TS-9 Tube Screamer being almost identical, internally, to the TS-808 Tube Screamer, but boasting a different output, resulting in a brighter, less smooth sound.

B-Drive is based on the BOSS BD-2 Blues Driver, delivering the creamy, yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps.

O-Drive is based on the now-legendary BOSS OD-1 OverDrive. Seventies-vintage artists mostly made use of a fuzz distortion sound, so the overdrive produced by the OD-1 OverDrive was not exactly typical for the time. It was, however, soon accepted as a new standard of guitar sound. Speaking of sound, the OD-1 OverDrive features an asymmetric circuit where the positive and negative halves of the waveform are not distorted equally.

S-Drive is based on the BOSS SD-1 Super OverDrive. This sonic stalwart has been around for a very long time and has gone almost unchanged from its inception back in 1981. Again, an asymmetric overdrive circuit is at its core. This responds very well to the force of a player’s picking, producing a dynamic and smooth overdrive effect well suited to any type of rock music. Many guitarists also use the SD-1 Super OverDrive as a booster pedal for valve amplifiers.

One-Distortion is based on the BOSS DS-1 Distortion, a true icon in the wonderful world of guitar effects. Introduced in 1978, BOSS’ first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that has been a staple of players for generations. Get this, though: the DS-1 Distortion is the top-selling BOSS compact pedal of all time, and its original, unchanged design continues to inspire the creation of great music worldwide.

BAT-Distortion is based on Pro Co Sound’s RAT Distortion. ‘The Rat’ became very popular in the early Eighties, thanks, in part, to being used by several famous artists. As a primary distortion device, it excels at arena rock rhythm tones and soaring leads, but its true beauty lies in its versatility.

XXL-Distortion is based on the Distortion+ pedal originally designed in the Seventies by MXR Innovations. Its name implies distortion, and indeed it does distortion (parallel clipping) well, but boasts a rather mild sound. It is perhaps best known for its crunchy heavy metal sound that was featured by Randy Rhoads in his work with Ozzy Osbourne. The Distortion+ delivers everything from cool overdriven blues tones to huge Eighties hard rock distortion.

M-Distortion is based on the MT-2 Metal Zone, one of BOSS’ most popular pedals. Duly delivering a wide range of distortion sounds with three-band EQ and strong sustain, it is capable of some of the most over-the-top, insane distortion tones in the world — with huge mids and lows, alongside an ultra-saturated sound!

F-Fuzz is based on Jim Dunlop’s Fuzz Face, an effect pedal mainly used by electric guitarists and also some bass players. Designed to produce a distorted sound from an electric guitar, a sound often referred to as ‘fuzz’ — which was sometimes achieved by accident earlier through broken electrical components or damaged speakers, this particular Fuzz Face distortion is constructed to vintage specs, featuring the original Germanium PNP transistor design for a rich, creamy fuzz sound.

M-Fuzz is based on the Big Muff Pi (π). Produced in New York City by Electro-Harmonix, along with Russian sister company Sovtek, this fuzz box is primarily for use with electric guitar, but also used by bassists due to its squeaky frequency response. Hendrix and Santana were among the first to get a piece of the Pi, so-to-speak, and the Big Muff — as it has become simply known — has been defining the sound of rock guitar for over 40 years!

T-Booster is based on the Brian May Treble Booster, an effect unit used by guitarists to boost volume and especially the high end of their tonal spectrum, which was particularly popular during the Sixties. Beloved by guitarists such as Ritchie Blackmore, Marc Bolan, Rory Gallagher, Tony Iommi, and, of course, Brian May, treble boosters were used to overdrive amplifiers in order to create a more distorted yet focused sound.

So that’s Audified’s all-new MultiDrive Pedal Pro... providing a perfect bundled blend of true tone pedal plug-ins, professionally primed for today’s DAW-driven workflow — fresh from the company with over 20 years’ worth of exemplary effects development to its notable name. No need to buy dozens of stomp boxes separately or download imperfect simulations; simply download MultiDrive Pedal Pro for perfect simulations of 12 legendary effect pedals at a pocket-friendly price! MultiDrive Pedal Pro is available to purchase for $69.00 USD from Audified’s online shop here: https://shop.audified.com/products/multidrive-pedal-pro (Note MultiDrive Pedal Pro requires iLok License Manager 3.1.6 or newer as it is protected by PACE Anti-Piracy Inc.’s software machine licensor USB smart key device, details of which are highlighted here: https://shop.audified.com/pages/how-to-activate-ilok-license) MultiDrive Pedal Pro can be directly downloaded as a bundle of multi-format (AAX, AU, VST2, VST3), 32- and 64-bit native plug-ins for MacOS (10.9 and above) and Windows (7, 8, and 10) — alongside a fully-functional, 30-day trial version — from Audified here: https://services.audified.com/download For more in-depth info, please visit the dedicated MultiDrive Pedal Pro webpage here: https://shop.audified.com/products/multidrive-pedal-pro Watch Audified’s official MultiDrive Pedal Pro video here: https://youtu.be/sWdoJgIxMsc

MultiDrive Pedal LE, a limited-edition version of MultiDrive Pedal Pro featuring O-Drive only, is available to purchase for only $5.00 USD from Audified’s online shop here: https://shop.audified.com/products/multidrive-pedal-le

MultiDrive Pedal LE can be directly downloaded as a 32- and 64-bit native plug-in for MacOS (10.9 and above) and Windows (7, 8, and 10) — alongside a fully-functional, 30-day trial version — from Audified here: https://services.audified.com/download

For more in-depth info, please visit the dedicated MultiDrive Pedal LE webpage here: https://shop.audified.com/products/multidrive-pedal-le

[sakerecordsllc]

Beautiful drawing. #Repost @frank_aquilina_tattooist FOREVER YOUNG . The amazing Randy Rhoads . He wasn’t with us for very long but what an impression he made , and what a legacy he left behind . #randyrhoads #crazytrain #ashleytalentinternational #ozzyosbourne #heavymetal #hardrock #quietriot #diaryofamadman #flyingv #flyingvguitar #polkadotflyingv #rip #restinpeace #copicmarkers #copic #derwentpencils #derwent #outofworktattooartist #freelanceartist #hitmeup #thanksforlooking https://www.instagram.com/p/B-xoylgH5v-/?igshid=apgve3wwjkty