#radio sarajevo

[valkyries-things]

DR. HEDINA TAHIROVIĆ-SIJERČIĆ // JOURNALIST

“She is a Bosnian Gurbeti Romani journalist, broadcaster, writer, translator, linguistic researcher and teacher, currently residing in Canada. She was a popular television and radio broadcaster in Bosnia and Herzegovina, and later went on to become a writer, publishing children's books, poetry, and memoirs. She is a scholar of the Gurbeti dialect of the Romani language and has published several dictionaries and archives of folk tales, and is active in efforts to preserve Romani culture. Her writing has won several awards in Poland, Croatia, and Sarajevo.”

[georgefairbrother]

June 30th, 1914, was the final day of a goodwill visit by the Royal Navy to Kiel, Germany’s principal Baltic naval base, having arrived on June 23rd. The squadron included battleships Ajax, King George V, Audacious, and several light cruisers.

The Kaiser paraded in his Royal Navy Admiral’s uniform (a title courtesy of Queen Victoria), and British and German sailors mingled and entertained each other drinking, dancing and boxing. It was reported that the assassinations of Archduke Franz Ferdinand and his wife, Countess Sophie Chotek, in Sarajevo, dampened the joyous mood a little, but did not ultimately undermine what was described by an American correspondent as an 'Anglo German love-feast’.

Not everyone was totally caught up in the festivities. A senior RN officer, Captain Henderson, found an imaginative way to report on the state of Germany’s naval preparedness, and that Britain's dominance of the high seas was under significant threat.

"...I think it would not be out of place here, to call your attention to the striking progress made by the German Navy in sports and games. Speaking generally, our men were entirely outclassed in all the usual sports, running, jumping, and in the tug-of war, the Germans simply walked away with it. The Germans have systematically invaded what we have hitherto regarded as our natural preserve…the world of sport..."

As the RN squadron departed, a German Admiral sent, 'Best wishes for a pleasant journey’, to which the British commanding officer responded with thanks and the reply, 'Comrades in the past, and always'.

Sources: Roads to the Great War, 1914 - Day by Day (BBC Radio 4, by Margaret MacMillan), The Telegraph

[alteregozowie]

Maniacal laughter from within the radio tower.

"I will drag every one of you with me into the Sinsmas spirit. You CANNOT ESCAPE NOW!"

[sunspira]

radio stations tastefully throwing in a christmas bop every once in a while then going back to their regular playlist is a game changer tbh. like step into christmas elton john or trans siberian orchestra sarajevo are always a nice touch on cold winters night but use it sparingly SPARINGLY stores need to get on this

[architectuul]

Sarajevo Days Of Architecture

Weltraum, a radio podcast about space on the jabbering Independent Coastal Radio NOR hosted Dunja Krvavac from Days of Architecture in Sarajevo. I had this great opportunity to talk about the city, her travels and thoughts in Mostar, where we met in May.

Dunja Krvavac | Photo © Ajla Salkić

How can a young female architect work in Sarajevo?

DK: It has its ups and downs, like everywhere in the world, you have different challenges. Maybe Sarajevo is a bit more specific in terms that is a still a very traditional and patriarchal community. World of architecture here is full of men, so many men. Going through this field of old white men sometimes can be a little bit challenging. I think that we all have to do small steps, we all have to be focused on what we want to do and how we want to achieve it. Working in Sarajevo, as I said, I love being here, I was born here, I was raised here, I've been living here for thirty years and have no desire to live anywhere else. I think this is a beautiful canvas that still has to be painted with a lot of things. Me staying here is a decision I made.

Kazani Memorial in Sarajevo (project drawings). | Photo © Dunja Krvavac

Most of the contribution that I can make into this world, I think is specifically connected to Sarajevo. Trying to be an architect here - I mean it's a cliché to say it like this that I am a girl and this is a job full of men but it happens a lot even today that you’re walking through a construction site where you have a bunch of men not taking you seriously because you are a girl. I don't want to be negative, I am very privileged as I have a wonderful job, opportunities and community of people who support me but we still have to unite in order to make this city better after all it has been through in the 1990s.

The Balkans wars from the 1990s are almost forgotten in Europe - there was a dispute in Germany that the war in Ukraine is the first war after the II WW - how did different capital intervene and defined Bosnia and Herzegovina after 1990s? 

DK: n Europe people might have forgotten about the Balkan war in the 1990s but here it’s still very much present. I was born in the first year of the war, in 1992 and maybe it's a fortune that I don't remember the war. Unfortunately, due to the way that the county functions and works, we are reminded of it every day. I [as most of my generation] have this inherited trauma. This situation of us [Bosnia and Herzegovina] being in transition and the huge amount of capital flow in the late 1990s and beginning of 2000s and even now, changed the city and its architecture completely. It became a capital-focused architecture. We used to have a wonderful developing city before the war where people were eager to build the city by building schools, museum, galleries, community, culture and today everything is focused on capital and investments. There is a small amount of planning done, people just grab opportunities to earn a lot of cash when they can.

Workshop UNCONTEXT Dissecting the layers. | Photo © Sabina Hodović

Unfortunately, that's the general atmosphere now. It changed so much from socialist system transitioning to capitalism, I think we as a society still struggle to understand what is a position of an architect in this situation and context. There are a lot of people trying to be respectable towards the city and its architecture but in the end, 90% of all these efforts fail in terms that investments and politics - it's all that it matters to some people. It sounds a bit gloomy when I say all this, it sounds like there is not hope but I am an incurable optimist that things can be better. You need to make small steps and giving up is no option.

Exhibition UNCONTEXT Dissecting the layers | Photo © Sabina Hodović

Architectural Guide Sarajevo. | Photo © Timur Babić

What did the specific capital coming from Middle East to the modernist city?

DK: This influx of Middle-Eastern capital is a very difficult topic to talk about. There is a lot foreigners coming here and they want to build, invest and sometimes to even live here. That's not an issue for me if people want to invest, I don't mind that. But what I do mind is the attitude that Bosnia and Herzegovina has taken when it comes to this or any type of investors; we have this small county attitude that we just let foreign investors do whatever they want. We are so scared that everything will fall apart if we don' let them to do everything they want.

House of Memories for Memorial Center Srebrenica. | Photo © Ismet Lisica

Now we have these situations where  investors are destroying most of our Olympic mountains with help of the locals. They are building huge settlements and gated neighborhoods on our mountains and the worst thing about this is that they don't really care about our traditions, customs, local experience. And we are doing nothing about it. 

You are in the position of being able to travel a lot; how that influence on your work?

DK: It's a huge benefit for me that my work is connected to traveling. I discussed this with my best friend and partner in crime Irhana Šehović that we need to make our work travelabe, to meet new people in order to bring new perspectives into Sarajevo. When you are in the city for too long sometimes I have this tendency to oversee thing. You are constantly bombarded with local information that you don't filter it in a correct way. Traveling enables to connect with amazing people with new perspectives. Through LINA and other projects that we are involved in, we are making Bosnia visible again. We were visible before, we used to be an amazing county and then that horrible episode of the 1990s happened and we went some steps back. I think that everything that that we try to do here is a step forward to become better. There is no option of giving up. 

What does a responsible building mean?

DK: It's a difficult question from many aspects, there is an architectural answer to that and there is a human answer to that as well. Architects are very self-centred, sometimes they [we] make buildings that are more about the architecture and the architect and less made for the community that is going to use this building.

Manifesto gallery of contemporary arts (project renderings). | Photo © Dunja Krvavac and Nikola Ostojić

I think that responsible architecture and responsible building is something where you put aside what the architecture and the architects is. That is almost not important, I always see architects as mediators. I can see space in a different way than someone else can and I can easily try to organize it. But there is an entire community that needs to use this space. It would be very narcissistic of me as an architect to say that this is an amazing building that I made and completely disregard that this building is going to be a crucial part of someone's life. If I design something it always has to be focused on the person using it. Me as an architect – I am irrelevant and not important. The only thing that is important are the people that are going to use the architecture. If you don't build for the community, if you don't interact with the community and if you don't put the community first as a part of your design process then it makes no sense.

Tell me more about the Days of Architecture and other projects that you are involved in?

DK: Days of Architecture are one of the most important projects that I am working on for almost nine years now. It's an important part of the city and regenerating the city after the war and transition.

Days of architecture 2023. | Photo © Harun Čerkez

We celebrated fifteen years of Days of architecture this year. It comes down as a festival but is so much more. During the festival we gather local and international experts to discuss important topics. It a place where we can research and introduce new perspectives into our local communities as the festival is very much connected to Sarajevo. During my presentations and lectures I say “Sarajevo is our playground” to research and experiment what might Sarajevo become in the future. I am proud that we have managed to stay relevant in the city for fifteen years. We are not supported from the state so we are trying to make steps forward with the festival with the best of our capabilities. I enjoy being involved into different activist projects like the Open Air Cinema Prvi Maj in the city on which I’m working right now with an amazing interdisciplinary team. 

Open Air Cinema Prvi Maj (project drawings). | Photo © Dunja Krvavac

You are good within communicating with different generations right, for example the Doršner couple which built the Olympic City of Sarajevo?

DK: It is the most precious thing in the world to bring back these people and listen to them and take in all what they have to say. I am a child of two architects and I've met a lot of architects from elderly generations at our home. People sometimes tend to put them aside and not listen to what they have to say. Especially the Doršner couple, they are like an encyclopedia of knowledge with infinity of information coming from them. Due to our [country’s] poor archiving capabilities you cannot find this knowledge in books or online. You simply have to talk to them and reach out to get all information before it’s lost.

Boštjan Bugarič, Dragica Doršner and Martin Reichert during the interview in Sarajevo. | Photo © Zoran Doršner

The Doršner couple are responsible for the fact that Sarajevo had Olympic games and that we have all this amazing architectural Olympic heritage and legacy. I met them for the first time in 2021 during production of a movie which was showcased at the Venice Architecture Biennial as part of Italian pavilion.

Dragica and Zoran Doršner in their home in Sarajevo. | Photo © Boštjan Bugarič

The three hour talk with the Doršner couple was some of the most amazing times of my life. This type to knowledge is very important for our generation to learn. Sharing information through different generations it is the most important way of keeping the knowledge alive. 

What will architecture in the future look like?

DK: I ask myself this question all the time. There are so many things happening right now, from war in Ukraine to this horrible apartheid that is happening in Israel and Palestine. These situations make you wander what is the future of architecture, what is the future of the world? We have to change the way we think, we have to unlearn some things and question everything that we know. We need to be honest and very transparent. Architecture is the slowest changing profession in the world and we are still doing things very traditionally. Are we changing anything if we are working in box frames that we are working in? Having architecture for the sake of building - that's not the future. Focusing on communities, programs, systems - that we can change - is the most important thing at the moment. We seriously need to take stronger stands on many issues that are happening.

LINA Team Members. | Photo © Urban Cerjak

Dunja Krvavac enrolled at the Faculty of Architecture at University of Sarajevo in 2011 and finished her Bachelor’s degree in 2017, focusing on architectural design and constructive systems. In 2017, she started her Masters at the same faculty where she’s currently finishing her master thesis on urban planning and inclusive urbanism and design based on migrations. In 2018, as an Erasmus+ student, she spent one semester at the Norwegian University of Science and Technology in Trondheim, Norway, focusing her studies on urban planning and design. While studying, she’s been part of LIFT - spatial initiatives, a non-profit non-governmental organisation that aims to educate local communities on architecture, urbanism and design. She started as a volunteer in 2016 and moved on to become design team leader in 2019 and project coordinator of LIFT’s biggest project which is biennial festival Days of architecture Sarajevo and its complementary project Nights of architecture in 2020. As of soon, her interests expanded to fields of graphic and product design, resulting in awarded furniture designs, featured festival visuals and book illustrations. From 2020 she’s been actively freelancing and from 2022 she started working at a local architecture studio i.d.e.a Sarajevo. In 2021 she started working with Nikola Ostojić on various projects. She worked on Urban Lab Sarajevo, a collaborative project with UNDP BiH, Municipality Centar and Faculty of Sarajevo that focused on producing a digital platform for inclusive consultations several locations in Sarajevo. She continued exploring the topic of Sarajevo public spaces through joint Days of architecture and LINA European architecture platform project (UN)CONTEXT_Dissecting the layers: Sarajevo residency workshop.

Here You can listen to the WELTRAUM interview

[zoranphoto]

Preminuo je Miroslav Ćiro Blažević

  Tužna vijest za sve ljubitelje nogometa. Preminuo je trener svih trenera - Miroslav Ćiro Blažević     Blažević je preminuo nakon što se duže vrijeme borio sa zloćudnom bolešću, koja je, nažalost, metastazirala. Prvi put dijagnosticiran mu je karcinom prostate 2011. godine, no othrvao se opakoj bolesti. Godinu nakon toga operiran je i zbog melanoma u početnoj fazi. U rujnu 2019. teška se bolest vratila, a ovoga puta Ćiro nije izašao kao pobjednik.   Jedno od posljednjih javnih pojavljivanja Blažević je imao sredinom prosinca prošle godine, kada je u Zagrebu dobio nagradu 'Vladimir Beara' za doprinos razvoju sportske kulture i društvene tolerancije. 'Okupili ste se u velikom broju i ukazali ste mi veliku čast. Ali ovo je moje posljednje obraćanje javnosti na jednom javnom skupu. Gotovo je. Nema više. Adio, Ćiro. Brojim zadnje dane, svjestan sam toga', rekao je tada Ćiro. Nakon što je dobio nagradu nije imao snage za razgovore s medijima, razgovore koje je inače uvijek rado vodio i koje nikad nije odbijao. Njegovo trenersko umijeće, a prije svega osobna karizma, osvajali su navijače gdje god je radio. Blažević je službeno rođen 10. veljače 1935. godine u Travniku, no nekoliko puta objasnio je da se njegov otac Mato malo više zadržao u kafiću pa ga je kod matičara upisao dan kasnije. Nogometnu karijeru započeo je 1954. godine u travničkom klubu Bratstvo. Potom se preselio u Dinamo, 1955. odlazi u Lokomotivu, a zatim se vraća u Bosnu i Hercegovinu, u Sarajevo, gdje igra do 1958. godine. U Hrvatsku je opet došao 1958. godine, ali ovoga puta u Rijeku, gdje je igrao sve do 1961. godine. Potom godinu dana igra za švicarski nogometni klub Sion, a prvo mjesto trenera dobio je u niželigašu FC Vevey.   Trener svih trenera je u dugogodišnjoj trenerskoj karijeri vodio 19 klubova u Švicarskoj, Hrvatskoj, Grčkoj, Sloveniji, Bosni i Hercegovini, Kini i Iranu, a trenirao je i pet reprezentacija (Švicarsku, Hrvatsku, Iran, BiH, kinesku U-23). Međutim dva velika rezultata obilježila su mu karijeru. Dinamov naslov prvaka bivše države 1982. godine te bronca hrvatske reprezentacije na Svjetskom prvenstvu 1998. u Francuskoj. 'Uvijek ’82. Nikada nije bilo dileme. Dinamo ’82 je na prvom mjestu, pa onda dugo ništa, pa moji Vatreni', kazao je Blažević u prosincu 2021. na premijeri dokumentarnog filma o njemu autora Sabahudina Topalbećirevića. Popularni je Ćiro na klupu Dinama zasjeo u prosincu 1980. godine, nakon što je odstupio Ivan Đalma Marković dva kola prije kraja jesenskog dijela natjecanja. U ta je zadnja dva prosinačka kola momčad vodio njegov dotadašnji asistent Rudolf Cvek u statusu v. d. trenera. Momčad je krenuo brusiti na australskoj turneji u siječnju i veljači 1981. godine, a debitirao je na Marakani odigravši s Crvenom zvezdom 0:0. Bio je to senzacionalan remi s tadašnjim prvakom Jugoslavije jer je Dinamo u proljeće 1981. godine krenuo s 14. mjesta. Na kraju je podigao momčad do petog mjesta. No iduće sezone uslijedila je 'Dinamova eksplozija', a sve je kulminiralo nezaboravnim 'plavim proljećem' 1982., kad je klub predvođen Velimirom Zajecom, Zlatkom Kranjčarom, Markom Mlinarićem, Stjepanom Deverićem... protutnjao do naslova prvaka. Prvog nakon 24 godine čekanja. Godinu kasnije vodio je klub i do pokala pobjednika Kupa, posljednjeg Dinamova trofeja u SFRJ. Blažević je u prvom mandatu u Dinamu ostao do 1983. godine, vratio se potom 1986. i ostao do 1988., treći put je vodio Modre od 1992. do 1994., a posljednji put u sezoni 2002./2003., kada se oprostio naslovom prvaka. Jedini je trener koji je s Dinamom osvojio naslov prvaka i u bivšoj državi i u HNL-u te jedini trener koji je osvojio Kup i u doba SFRJ i u samostalnoj Hrvatskoj. Maksimirsku je momčad vodio u čak četiri mandata u tri desetljeća i osvojio tri naslova prvaka, dva Kupa i Superkup. Svakako najveći uspjeh u karijeri ostvario je na klupi hrvatske reprezentacije koju je vodio do trećeg mjesta na Svjetskom prvenstvu 1998. godine. Ukupno je Vatrene vodio rekordna 72 puta, no Zlatko Dalić je tik iza njega sa 70 utakmica na klupi Hrvatske. Popularni Ćiro je na hrvatskoj klupi debitirao 23. ožujka 1994. pobjedom protiv Španjolske 2:0 u prijateljskoj utakmici u Valenciji. Uslijedile su sjajno odrađene kvalifikacije za Europsko prvenstvo u Engleskoj 1996., u kojima je Hrvatska bila ispred Italije. Na Euru su Vatreni pobijedili Tursku, potom detronizirali branitelje naslova Dance, izgubili od Portugala, da bi u četvrtfinalu ispali od kasnijih prvaka Nijemaca. U Zagrebu je nakon duge i teške bolesti preminuo legendarni Miroslav Ćiro Blažević🥉Omiljenom Ćiri neka je laka hrvatska zemlja🇭🇷, a najbližima izražavamo najdublju sućut u ime cijele nogometne obitelji koja je danas izgubila "trenera svih trenera” 💔🙏🏼 pic.twitter.com/bmse8dqYjd — HNS (@HNS_CFF) February 8, 2023 Vrhunac Ćirina puta na hrvatskoj klupi bila je francuska bronca. U svom premijernom nastupu na World Cupu Vatreni su osvojili treće mjesto. U skupini smo bili drugi iz Argentine, a potom smo dobili Rumunjsku (1:0), u četvrtfinalu deklasirali Njemačku (3:0), izgubili od Francuske u polufinalu (1:2) te slavili 2:1 protiv Nizozemske u utakmici za treće mjesto. 'Francuska 1998. je bilo posebno natjecanje za mene. Pobijedili smo brojne teškoće i teške protivnike kako bismo došli do te medalje, taj je uspjeh mnogo značio za sve ljude u domovini', rekao je svojedobno Ćiro. Od reprezentativne se klupe oprostio u jesen 2000. godine nakon lošeg otvaranja kvalifikacija za SP 2002. u Japanu i Južnoj Koreji (Belgija 0:0, Škotska 1:1). Reprezentaciju je ukupno vodio 72 puta ostvarivši 33 pobjede, 24 remija i 15 poraza. Osim hrvatske reprezentacije, Blažević je vodio nacionalne selekcije Švicarske, Irana, Bosne i Hercegovine te Kine U-23, a na klupskom se planu okušao u brojnim klubovima, uključujući Rijeku, Osijek, Varteks, Hajduk, Zagreb, Zadar te u inozemstvu Nantes, PAOK, Grasshopper, Prištinu, Muru... 'Kad rezimiram cijeli svoj život, onda imam potrebu da se zatvorim u svoja četiri zida i da toliko plačem da nikada ne prestanem. Ništa me u životu nije mimoišlo! Dva raka sam imao, a sada se, evo, pojavio i treći. U djetinjstvu sam bio takva sirotinja da sam gaće na štapu nosio, a kasnije u mladosti, kada sam se već bio i oženio, supruga i ja nismo znali hoćemo li imati za ručak ili nećemo. Život mi je bio jedna obična kalvarija i trebalo je sve to proći. Ni ovaj trenerski posao, koji možda izvana drugačije izgleda, nije ništa drugo nego jako malo satisfakcije, a puno razočaranja', napisao je Ćiro u jednoj od svojih posljednjih objava. Blažević je više od 60 godina bio u braku sa suprugom Zdenkom, s kojom je dobio troje djece, sina Miroslava te kćeri Barbaru i Katarinu. Ćiro je jedini u povijesti tri puta dobio Državnu nagradu za sport Franjo Bučar - 1998. godišnju nagradu za pojedince, zatim 1998. godišnju nagradu za momčadi kao član reprezentacije te 2007. nagradu za životno djelo. Skupština Hrvatskog nogometnog saveza na sjednici 22. prosinca 2021. dodijelila mu je titulu počasnog izbornika. Godine 2005. odlučio se kandidirati za predsjednika države, ali je osvojio samo 0,80 posto glasova. Tportal.hr Foto : FB - Miroslav Ćiro Blažević Read the full article

[xiwoxerase]

“Christmas Eve (Sarajevo 12/24)” was originally released by Savatage on their “Dead Winter Dead” album, which told the story of the Bosnian War through the lens of three people, a young Serb, a young Bosnian, and a cellist inspired by Vedran Smailović. I highly recommend listening to it if you like Trans-Siberian Orchestra’s non-Christmas albums.

“Christmas Eve (Sarajevo 12/24)” was the only Savatage song to ever get mainstream radio play. (This was during the 1995 holiday season, so radio is all we had.)

Core members of Savatage became core members of Trans-Siberian Orchestra and both bands continued until 2002, when Savatage went on hiatus. (Wikipedia claims Savatage is working on new material again, which I’m looking forward to.) TSO’s first album included “Christmas Eve/Sarajevo 12/24”, which is why the song is associated with TSO.

[ljubavniromani]

Kusturica otkrio da je tajno posjetio Sarajevo: Mogu trčati pa sam mogao zbrisati da me je neko zaganjao - PressMedia

Reditelj Emir Kusturica je tokom gostovanja u emisiji “Agape” naveo da je prije tri godine posjetio rodno Sarajevo te otkrio razlog zbog kojeg je to odlučio učiniti. Najprije je naveo da u sebe uvijek sumnja te da sada treba raditi film o Dostojevskom u kojem je najvažnije da “iscrta” njegov duh u savremenoj Rusiji. “Osjećam se kao čovjek koji nikada ništa nije radio i koji posebno nema nikakvog…

[adayaquote]

Tijan Sila - Radio Sarajevo

[fleshybones]

music unlearned

•U2 - Numb, lemon , miss Sarajevo , ground under feet, Electrical Storm 

Depeche mode - I feel you, I feel loved 

The Shamen - Ebeneezer Goode 

Alice In Chains - Rooster, no excuses,Grind •

Stone temple pilots - plush, Sour Girl 

Pearl Jam - go, better man , mankind , hail hail , leavin here , given to fly, nothing as it seems, I am Mine 

Snout - cromagnonman 

New Order - World, crystal, 60 miles an hour 

Chaka demus & pliers - tease 

Us3 - cantaloop

Screaming Trees - nearly lost you 

East 17 - Deep 

Atomicswing - stone me into the groove 

Dinosaur Jr. - Start Choppin’, Get Me, Feel thePain 

Powderfinger - Living Thing , D.A.F. , JC, the day you come , my happiness , my kind of scene , sunsets , rockin’ rocks, bless my soul

Lenny Kravitz - Are You GonnaGo My Way 

Buffalo Tom - Tailgates Fade, Summer 

 Nenah cherry & Michael Stipe - Trout , women 

Violent Femmes - I held her in my arms 

The breeders - cannonball , saints 

Pet shop boys - can you forgive 

The cruel sea - black stick, simple goodbye 

Iggy pop - Wild America 

Cypress Hill - Hits from the Bong 

Suede - the downers 

Underground Lovers - Your Eyes 

Barefoot - Baby (You got in the way)❌

Things of stone and wood - Wildflowers 

Counting Crows - Round Here 

The cure - purple haze , burn, wrong number 

Morrisey - the more you ignore me

Swoop - Doit , neighborhood freak 

Pale - Lemon Spark 

The Jesus & Mary Chain - Sometimes Always 

Dave Pike - Mathar

Beck - beercan , where it’s at, devils haircut , tropicalia

Rebecca’s Empire - Electric Atomic 

Hole - Miss World , Doll Parts , Malibu 

The Prodigy - Voodoo People, firestarter, breathe, funky shit 

Falling joys - Amen (Testament Remix) 

Soundgarden - Fell on Black Days , My Wave, burden in my hands 

Single gun theory - Fall 

Itch-e & scratch-e - sweetness & light

You am I - Berlin Chair , Kick a Hole in the Sky, jewels & bullets, purple sneakers, get up, who put the devil in you? 

Veruca salt - Seether 

Dead eyes opened - severed heads 

Nick cave - do you love me? , where the wild roses grow , in my arms , 15 ft of pure white snow 

Kristin Hersh - Your Ghost 

Nick Barker - Time Bomb 

Nirvana - About Girl, You Know Youre Right 

Silverchair - tomorrow, the door, freak, untitled , miss you love , paint pastel princess, greatest view, across the night, world upon your shoulders, love your life 

Teenage fan club - sparkys dream 

Presidents of the United States - Kitty 

Tumbleweed -Hang Around, Silver Lizard 

Faith No More - Evidence , digging the, stripsearch , ash to ash 

Pop! - Tingly

Matthew sweet - sick of myself 

Red hot chil - Warped , aeroplane , my friends , around the world, fortune faded 

The offspring - smash it up , I choose , the kids aren’t alright, original prankstore 

Foo fighters - I’ll stick around, this is a call, down in the park, monkey wrench , stacked actors, generator, Times Like These, Disenchanted Lullaby

Dash rip rock - let’s go smoke some pot 

Live - all over you , I alone 

Supergrass - alright, pumping on your stereo 

Rail - immune deficiency 

The screaming jets - sad song 

Technohead - I want to be a hippy 

Jeff Buckley - Grace, last Goodbye, forget her 

Jailbreak - yothuYindi 

Green Day - Brain Stew / Geek Stink Breath , Hitchin A Ride , nice guys finish last , minority, warning 

Sonic Youth- The Diamond Sea , Teenage Riot *

Ammonia - drugs 

Rancid - Time Bomb, Ruby Soho

Tripping Daisy - I got a Girl 

Garbage - Queer , Vow , 1 Crush, Special, Push It, Cherry Lips 

Oasis - Morning Glory, Little By Little 

Custard - apartment , anatomically correct

Ben Harper - Gold to Me , Diamonds inside , My Own2 Hands

Ac/Dc - Hail Caesar 

REM - E-bow the Letter , the great beyond, Imitation of Life, Radio Free Europe 

Goldfinger - Ash, Here in your bedroom 

Deadstar - don’t it get you down 

Def FX - I’ll Be Your Majick , Psychoactive Summer 

Eels - Novacainefor the soul , Mr. E’s Beautiful Blues , Souljacker Pt. 1

Primitive radio gods - standing outside *

Definition of sound- pass the vibes 

Lemonheads- if I could talk I’d tell you 

The smashing pumpkins - 0 , the end is the beginning is the end, Ava adore, perfect , untitled 

The chemical brothers - setting sun , block rockin beats, started in Afrika , star guitar, golden path  

Ash - oh yeah, burn bab

Bush - swallowed 

They Might Be Giants - New York City , Dr. Worm , man it’s loud in here 

Jebediah - leaving home , military strongmen , Teflon, Benedict , feet touch the ground, Animal , please leave 

Ween - waving my d in the wind, mutilated lips 

Nine inch nails - perfect drug , starsuckers inc., 

The Verve - the drugs don’t work 

Smokin’ Johnny Cash - black eyed Susans 

Regurgitator - Everyday Formula, I Like Your Old Remix , Polyester Girl, Happiness, My Friend Robot

Everclear - so much for the afterglow 

Radiohead - Paranoid Android , Karma Police , no surprises , everything in its right place , Knives Out, 2+2=5, there there 

The Living End - From Here on In, Save the Day, Tainted Love , All Torn Down, R On, One Said to the Other 

Jamiroquai - Cosmic Girl, You Give Me Something , Love Foolosophy 

Space - Female of the Species 

The dandy Warhols - not if you were the last junkie on earth, everyday should be a holiday, Bohemian Like You , get off , used to be friend, you were the last high

Brain bug- Nightmare

Skunkhour - weightlessness 

Pennywise - society , land down under, fuck authority

Bloodhound Gang- Fire Water Burn 

White Town - Your Woman 

Portishead - All Mine, Wandering Stars

Marcy Playground - St. Joe on the School Bus 

Pollyanna - cinnamon lip 

Placebo - Pure Morning , Slave to the Wage , Taste in Men, the Bitter End, English Summer Rain 

Drugstore - el Presidente

Not from there - sich offnen 

Rob Zombie - Dragula 

Metallica - the unforgiven II, I Disappear, no leaf clover, St. Anger

Grinspoon - don’t go away, Ready 1, no reason, anyday anyhow, bolt cutter, off piste, killswitch, gone tomorrow, hate, better off alone 

Gerling - Enter spacecapsule 

Groove Armada- Chicago, in my bones, a private interlude, inside my mind (blue skies), superstylin’, purple haze 

Elliot Smith - Waltz 2, Memory Lane 

Frenzal Rhomb - You are not my friend , going out tonite, bucket bong 

Augie March - Asleep in Perfection

Madonna - beautiful stranger 

Something for Kate - Electricity, Hallways, beautiful sharks, Deja vu 

Alex Lloyd - lucky star, coming home

Orgy - blue Monday (new order cover)  

A Perfect Circle - Judith, weak and powerless, Outsider, Imagine

Moby - Porcelain , We Are All Made Of Stars 

Gomez - We Haven’t Turned Around , Machismo 

Klinger - Hello Cruel World 

Spiller -��Groovejet (if this ain’t love)

Motor Ace - Death Defy , American Shoes, Hey Driver

Killing Heidi - Superman supergirl 

Moloko - the Time is Now 

Everlast - black Jesus 

Area - 7 start making sense, nobody likes Bogan 

Skulker - naughty 

Muse - sunburn , Bliss, New Born, Plug in Baby, Stockholm Syndrome 

NOFX - Bottles to the Ground, Franco Un-American 

Groove Terminator - one more time (the sunshine song) 

Butthole surfers - the shame of life 

Weezer - Hash Pipe, Dope Nose, Keep Fishin’

Jimmy Eat World - Bleed American (Party Animal soundtrack) 

At the Drive In - Invalid Litter Dept. , Pattern Against User 

the Superman Lovers - Starlight

James - Getting Away (All Messed Up) 

Daft Punk - One More Time 

John Butler Trio - Take, What you Want 

Gorillaz - Clint Eastwood , 19-2000

Unwrittten Law - Up All Night

The Strokes - New York City Cop, Last Nite, Hard to Explain, 12:51

Superheist - Step Back 

PJ Harvey - The Mess We’re In

Nick Coppin - Called ❌

Jurassic 5 - What’s Golden 

Machine Translations - She Wears A Mask 

Queens of the Stone Age - First it Giveth, God is in the Radio, Go With the Flow , No One Knows 

Primal Scream - Rocks

Black Rebel Motorcycle Club - What Ever Happened To My Rock and Roll 

The Hives - Hate to Say I Told You so, Walk Idiot Walk 

The Vines - Outtatheway, Get Free, Highly Evolved, Ride

The Streets - Has it come to this? 

28 Days - What’s the Deal? , Take Me Away

The Fergusons - Everything’s Gone Bad 

Audioslave - Show Me How To Live, Cochise 

Junkie XL - A Little Less Conversation (Elvis)

Badly Drawn Boy - Something Talk About, Silent Sigh 

Bodyjar - one in a million, too drunk to drive 

Epicure - Armies Against Me, Life Sentence, Self Destruct in 5 

Skeewiff - man of constant sorrow 

Pete Murray - Feeler, Lines

Cat Empire - Chariot, Days Like These, The Party Started 

Michael Franti - Bomb the World

White Stripes - Seven Nation Army, in the Cold Night

Blur- out of Time

Jane’s Addiction - Just Because 

Royksopp - Clocks(Coldplay Remix)

Missy Higgins - Greed For Your Love 

The Mars Volta - Inertiatic ESP 

The Beautiful Girls - Blackbird, Music

Jet - Rollover DJ , Look What You’ve Done, Get What You Need 

The Dissociatives - Young Man, Old Man

Dallas Crane - Dirty Hearts, Numb All Over 

Franz Ferdinand - The Fire, Take Me Out, The Dark of the Matinée

Eskimo Joe - Smoke, From the Sea 

Evermore - For One Day, it’s Too Late

The Von Bondies - C’mon C’mon 

Wolfmother - Woman 

Scissor Sisters - Comfortably Numb, Take Me Out 

Machine Gun Fellatio - What the Fuck

Ben Folds - Adelaide 

DEEPDISH - Flashdance

The Black Keys - 10 AM Automatic

Dogs Die In Hot Cars - Godhopping

After the Fall - Mirror Mirror 

Snow Patrol - Run 

The Unicorns - I Was Born A Unicorn 

End of Fashion - Rough Diamonds 

Gyroscope - Safe Forever 

King of Leon - The Bucket 

Interpol - Slow Hands, Evil

Starsailor - Four to the Floor (Thin White Duke Remix)

Spiderbait - Fucken Awesome 

Rammstein - Amerika

The Panda Band - Sleepy Little Deathtoll Town 

Mylo - Drop the Pressure 

Fabienne Delsol - I’m Gonna Haunt You 

Sia - Breathe 

War - Edwin Starr

Let’s Stay Together - Al Green

Jungle Boogie - Kool and the Gang

The Way We Were - Barbra Streisand

Love to Love You Baby - Donna Summer

Best of My Love - The Emotions

Three Times a Lady - The Commodores,

It’s too late - Carole King 

The Veronicas, turnover, saves the day, citizen, thrice, finch, zebra head, mxpx, beach bunny ••

[radiogornjigrad]

SVJETLO I SJENE ANDRIĆEVOG SARAJEVA

foto n.g. radio sarajevo „Bez tegobe sam živeo ploveći kao sitno zrno prašine koje titra u sunčevom zraku. Bez težine je, plovi put vasiona, prožeto suncem i samo kao malo sunce. Nisam znao da ovakva gorčina može ispuniti dušu čovjeka. Zaboravio sam da žena stoji, kao kapija, na izlazu kao i na ulazu ovoga svijeta“. IVO ANDRIĆ . SARAJEVSKE STAZE, LICA I PREDJELI OČIMA NAŠEG NOBELOVCA . To je…

[thewahookid]

78 years since the birth of Fr. Slavko Barbarić

On this day of March 11th, 78 years ago, Fr. Slavko Barbarić was born in the small village of Dragićina in the family of Marko and Luca Barbarić as the fourth of six children.

His family was poor, but hardworking and rich in faith. His father died when little Slavko was 11 years old and this loss hardened him and made him mature early and become responsible. After finishing elementary school with excellent success, he expresses to the parish priest his desire for a priestly vocation and entry into the Franciscan order. He became a seminarian and enrolled at the Episcopal Seminary in Dubrovnik.

From 1966 to 1970, with the termination of military service, Fr. Slavko completed his studies in theology and philosophy in Sarajevo. He graduated in Schwaz, Austria, in 1972, and was ordained a priest on December 19, 1971. He received his Doctorate in Pastoral Theology in Graz in 1973. People's testimonies of the early years of Fr. Slavko's priesthood say that in his work from the beginning he did not limit himself only to the spiritual realm in the narrow sense, but extended his pastoral activity to those limits to which man's needs reached.

He received his first service in Čapljina. The virtues he showed there, such as great work, excellent knowledge of people's spiritual needs, especially closeness and ability to work with young people, did not go unnoticed. The Provincial Administration sends him to postgraduate studies in Freiburg (1978-1982) where he achieves a Doctorate in Religious Pedagogy. The doctoral thesis focused on raising adults in the faith, with the aim of answering the question of how conversion should be taught so that adults could learn and adopt it – just as if he knew that this would be one of the main subjects he would teach at Our Lady's school in Medjugorje! In the meantime, he attends and completes training courses for a psychotherapist and as a certified head of spiritual exercises.

Since January 1982 he has been working in Medjugorje where he worked with pilgrims. During the same period, he wrote reviews, books of spiritual content. He has collaborated with numerous domestic and foreign publications. He was editing the St. Peter's Bulletin. Francis in Čapljina, collaborated in the Karst Homeland, the Voice of Peace and on the radio station "Mir" Medjugorje. Barbarić's books have been translated into twenty languages and printed into millions of copies, making him one of the most widely read writers of our time.

In Mostar, he was a religious teacher for students from the spring of 1982 to September 1984. In Bijele Polje near Mostar, he led prayer seminars with nuns. Since the youth were extraordinaryly accepted by Barbarić's prayer courses and generally fruitful work with young people, the Yugoslav communist government began to persecute Fr. Slavko. These were very difficult times, and he was taken into protection by the exemplary Cardinal Franjo Kuharic so that Fr. Slavko could act.

Due to his knowledge of the main European languages, and in addition to his obligations in the parishes in which he operated, Fr. Slavko has worked tirelessly with pilgrims in Medjugorje in fact since his return from his studies in 1982. He was officially transferred to Medjugorje in 1983. At the request of Bishop Zanic in 1985, he was transferred to the parish of Blagaj, and in 1988 to Humac where he held the post of chaplain and assistant novice teacher.

He led special annual meetings for priests and young people. He led fasting and prayer seminars at the "Domus pacis" provincial house. He founded and ran the "Mother's Village" education and care facility, which he founded because of the great suffering of the war. When the Great Serbian aggression against Bosnia and Herzegovina began, all the older friars went to Tucepi as exiles, but Fr. Slavko remained in Medjugorje, for the oral approval of the provincial at the time + Fr. Drago Tolj.

As a trained psychotherapist, he was able to work with drug addicts in the "Cenacolo" community in their house in Medjugorje "Campo della Vita" and in the community "Merciful Father" which he founded himself in his Mother's Village. He directed the funds sent by benefactors around the world to two funds: the "Fund to the Children of Fallen Veterans in the Homeland War" and the "Friends of Talent Fund" - to help young students.

He spoke tirelessly to the pilgrims. He led prayers before the cross, Eucharistic adorations, the prayer of the Rosary on Podbrdo and the devotion of the Way of the Cross on Križevac, where he ended his earthly life on 24 November 2000.

[fox-and-his-friends-records]

(FOX012LP) MIRKO KRSTIČEVIĆ - ALL AND NOTHING AT ALL (FILM AND THEATRE MUSIC 1977 - 1988) LP

This is a collection of music for the various films and theatre plays by Mirko Krstičević, Croatian and Yugoslavian composer and musician active since 1970s. "All and Nothing at All (Film and Theatre Music 1978 - 1988)" ["Sve i ništa (Filmska i scenska glazba 1978. - 1988." in Croatian] focuses on his work for the underground and avant-garde cinema from the era: directors Ivan Martinac, Svemir Pavić, Lordan Zafranović, Aleksandar F. Stasenko and Vanča Kljaković are all part of the Split Cinema Club association; their work explores art, death, sexuality and eroticism. Krstičević compositions for various theatre plays are also included.

★ From the Original Master Tapes ★ LP Vinyl Gatefold LP ★ Extensive Liner Notes ★ Photographs from the Films ★ Direct Metal Mastering (DMM) by Record Industry NL ★ Standard Edition + Limited Edition with 12-page full color booklet with filmographies, essays and additional photographs (in Croatian and English) ★ First 100 hand-numbered copies with booklet are not available in stores. BUY HERE: https://foxandhisfriends.bigcartel.com

Svemir Pavić's portrait of surrealist painter Ljuba Popović, made in the same year as its counterpart by Walerian Borowczyk, features scenes form Beaubourg Gallery in Paris and Udo Kier as a guest. Side B of the record is all about theatre: plays by Sam Shepard, Rainer Werner Fassbinder and Jean Giraudoux were all produced in Sarajevo and Split in the 1980s, with the rare electronic takes by Mirko Krstičević and his subtle minimalist soundings of the themes from the Cold War era. This unique and diverse compositions by founder of the rock band Metak and sound studio Tetrapak from Split, are document of the time that is, especially in the closing Chernobyl theme, relevant again.

Composer, musician and musical arranger Mirko Krstičević was born in 1948 in Šibenik. He graduated in music theory at the Pedagogical Academy in Split and then at the Music Academy in Sarajevo. He studied composition with Josip Magdić, Mladen Pozajić and Miroslav Špiler. He is the co-founder of the Tetrapak music studio in Split, where numerous performers and musicians have recorded (Animatori, D'Boys, Haustor, Oliver Mandić, Gibonni, Srđan Marjanović, Stil, Trotakt Projekt and others).

Together with Ranko Boban and Momčilo Popadić, he founded the Metak group in the spring of 1978 in Prigradica on Korčula. In the group, he is the author of songs and lyrics, and he also plays the bass guitar. "Da mi je biti morski pas" is the group's most successful single, which in 1980 became one of the most played songs on radio and television. Metak performed in Belgrade in front of 70,000 people, and the media declared them the best group along with Macedonian Leb i sol. In compositional work and arrangements for other pop and rock artists, Krstičevic had high commercial success with Tutti Frutti Balkan Band, Biljana Petrović, Seid Memić Vajta, Pepel in kri, Osmi putnik, Oliver Dragojević , Đorđi Peruzović, Henda and others.

Parallel to his pop and rock career, Krstičević composed stage and film music for 45 films, mostly collaborating with the circle of experimental and amateur directors of the Split Cinema Club (Kino klub Split) as well as the rest of the local underground scene. He is the author of stage music for 130 theatre plays, and also records his own compositions in the field of contemporary music. He wrote over 30 works for solo instruments, 4 operas, chamber and symphonic music. He is the winner of numerous awards, lives and works in Split.

File under: Soundtrack, Stage, Electronica

TRACKS FILM SIDE: The Second Dreams (Theme from House on the Sand) The Torture (Theme from Time of Heroes) Motorcycle (Theme from The Exile) The Opening Night (Theme from Ljuba par lui même) In the Beaubourg Gallery (Theme from Ljuba par lui même) All and Nothing at All (Main Theme from All and Nothing at All) All and Nothing at All (Unused Theme from All and Nothing at All) Jere and Marija in the Room (Theme from Marjuča or Death)

TRACKS THEATRE SIDE The Bitter Tears of Petra von Kant I (Theme from The Bitter Tears of Petra von Kant) The Bitter Tears of Petra von Kant II (Theme from The Bitter Tears of Petra von Kant) Cassandra (Theme from The Trojan War Will Not Take Place) Peace (Theme from The Trojan War Will Not Take Place) Fourth Choir: Sun Ray (Theme from Biedermann und die Brandstifter) Second Choir: Marching Step (Theme from Biedermann und die Brandstifter) The Beginning before the Beginning (Theme from Fool for Love / Savage Love) She Runs Away (Theme from Fool for Love / Savage Love) Eddie Enters (Theme from Fool for Love / Savage Love) A Jerk (Theme from Fear and Hope of the German Federal Republic) Song 3 (Theme from Fear and Hope of the German Federal Republic) Chernobyl (Theme from Fear and Hope of the German Federal Republic)

Composed, arranged and all instruments performed by Mirko Krstičević. Clarinet on A4 by Ivica Borčić. Saxophone on B9 by Mate Carić. Guitar on B7 and B8 by Zlatko Brodarić. Additional instruments: Emax E-mu Systems Model 2100, Yamaha DX7, Fender Rhodes Piano, Korg Poly-61, Oberheim OB-Xa, Wurlitzer 200A, Electronic Piano, Linn Drum LM-2. Recorded at Studio Tetrapak, Split, 1978-1988. Recording engineer: Ivica Čović - Pipo

Executive producers, creative direction and audio-digitization: Leri Ahel & Željko Luketić Selected and programmed by Leri Ahel & Željko Luketić Research, liner notes & music editing by Željko Luketić Artwork by Martin Peranović Mastering by Toni Milohanić (at Ambulanta 2 Studio) DMM cut by Record Industry Netherlands Rights Society: HDS/BIEM ©℗ 2024 Fox & His Friends Records

©℗ 2024 Fox & His Friends Records

Links:

��� http://www.facebook.com/foxandhisfriends ★ http://soundcloud.com/foxandhisfriends ★ http://twitter.com/FoxAndHisFriend ★ http://www.instagram.com/fox.and.his.friends ★ http://www.discogs.com/label/1132857-Fox-His-Friends ★ http://foxandhisfriends.bigcartel.com ★

[7ooo-ru]

Катится ли мир в новый глобальный конфликт?

Военные учения НАТО "Стойкий защитник 2024" выглядят чем-то большим, чем просто боевая подготовка, сообщает Radio Sarajevo. Похоже, что это просто "дымовая завеса" для истинных намерений альянса, считает автор статьи. На это указывают некоторые скрытые аспекты маневров.

С конца Второй мировой войны еще не скапливалось столько же предвестников нового глобального конфликта, как сейчас. Региональные вооруженные конфликты: Украина, Газа, Йемен, в которые вовлекается все больше новых участников, выходят из-под контроля и уже перекидываются на соседние страны, грозя перерасти в прямой открытый конфликт сверхдержав.

Читайте ИноСМИ в нашем канале в Telegram

На этом фоне, предвидя новые горячие точки в Прибалтике, Молдавии, Польше, на Западных Балканах, НАТО начинает на своей восточной границе близ России самые масштабные учения с конца холодной войны.

В контексте противоречий между Брюсселем и Москвой, а также предупреждений президента Владимира Зеленского об агрессивных намерениях России на Балканах маневры с участием 90 тысяч солдат, вооруженных самой разнообразной техникой, выглядят чем-то большим, что просто боевая подготовка.

Зачем это делается? Чтобы занять позиции накануне конфликта или просто сбалансировать военные силы? А может, учения — это просто "дымовая завеса" для новой стратегической помощи усталым эшелонам Украины?

Итак, помимо соединений из 31 страны Североатлантического альянса и Швеции, в учениях "Стойкий защитник 2024" будут участвовать 50 кораблей, включая авианосцы, крейсеры, подводные лодки и эсминцы, а также более 80 боевых самолетов, вертолетов и дронов, 133 танка, 533 бронетранспортера и около 400 БМП.

Когда мы говорим об учениях, то всегда важны выбор момента, зона рассредоточения сил, количество военных сил и официальные цели.

Ясно, что учения проводятся в момент кризиса операции ВСУ на фоне участившихся прямых угроз Москвы в адрес скандина��ских и прибалтийских стран, а также Польши и Молдавии.

Кроме того, учения продлятся до мая, а значит, большие силы НАТО будут присутствовать в потенциально горячих точках именно в то время, когда погодные условия там будут благоприятны (тепло и сухая почва) для ожидаемого наступления российских бронетанковых и пехотных сил на Украине. Что касается мест сосредоточения сил, но ожидаемо основные силы будут дислоцированы на самой чувствительной части границы НАТО с Россией: в Эстонии, Литве, Латвии, а также в Норвегии, Польше и Румынии. Кроме того, из-за угроз в ее в зону проведения учений также включили Молдавию.

Далее. Характер учений определяет тот факт, что в центре внимания — отработка быстрого реагирования: быстрой переброски с баз в зону операций и отправки в бой. Это говорит о том, что командование Североатлантического альянса боится, что в случае, если самые пессимистичные прогнозы оправдаются, российские войска могут попытаться совершить такой же блицкриг,…

Подробнее https://7ooo.ru/group/2024/01/27/811-katitsya-li-mir-v-novyy-globalnyy-konflikt-grss-276942069.html

[audiomatiquecfou]

Audiomatique 06-12-23 feat. : Sarajevo & Moi - Noir Désir - World’s End Girlfriend

L’émission de radio Audiomatique du 6 décembre 2023 Transmission 474 présentée de 17 h à 18 h sur les ondes de CFOU 89,1 FM animée par Les Sonoristes

Radio show Audiomatique December 6, 2023 Transmission 474 aired from 5 PM to 6 PM on CFOU 89,1 FM hosted by Les Sonoristes

1) Sarajevo & Moi : « Psyché » (Psyché)

2) Noir Désir : « L’Europe » (Des Visages Des Figures)

3) World’s End Girlfriend : « All Imperfect Love Song » (Dream’s End Come True)

Écoutez en différé / Listen : https://archive.org/details/audiomatique-06-12-23 https://www.tumblr.com/audiomatiquecfou Contact : audiomatiquecfou@gmail.com Facebook : www.facebook.com/audiomatiquecfou

[e-kultura]

29. Festival autorskog filma biće održan od 24. novembra do 1. decembra. Festival će u petak, 24. novembra u 19 časova u mts Dvorani svečano otvoriti film “Lost Country” autora Vladimira Perišića. Povodom srpske premijere filma održana je konferencija za medije na kojoj su se obratili Vladimir Perišić, autor ostvarenja, kao i mladi glumci filma Jovan Ginić, Ana Simeunović, Miodrag Jovanović, Lazar Kocić. Vladimir Perišić, autor filma je o svom novom ostvarenju rekao: ,,Ovaj film sam radio sa puno ljubavi, pre svega zbog mladih ljudi koji su danas tu sa mnom, kojima se zahvaljujem i ako nekom dugujem ovaj film dugujem ga njima. Uspeli smo da napravimo jednu tačnu sliku jedne mladosti koja nije vidljiva u ovom društvu. Nadam se da su oni u toj slici prepoznaju. Film sam snimao na Vračaru, u kvartu u kojem sam odrastao, u školi u koju sam išao, u Vojvodini gde sam odrastao. Na neki način na koji sam birao kako snimam, jedini kriterijum je bio da osećam da ih stvarno volim i da želim da snimam to. Nadam se da ta ljubav ima zaraznu, emocionalnu energiju koja se prenosi na gledaoce”. ,,Proveo sam dosta vremena sa ovim mladim ljudima, redovno smo se viđali više od šest meseci. Snimao sam ih svojom malom kamerom kao neka vrsta slikara koji pravi skice dok ih upoznaje. Zatim ponovo pišem scenario na osnovu toga što sam video od njih, slušam kako govore, preuzimam njihove izraze i ponovo pišem dijaloge. Za mene je film ono što dolazi pre scenarija. U procesu snimanja glumcima redom sam im objašnjavao šta se dešava u sceni koju snimamo tog dana i relativno ih ostavljao slobodnim da sami reaguju ili kažu kako bi reagovali u određenim situacijama koje snimamo. Moji likovi su likovi mladih adolescenata koji još nisu formirani, a uhvaćeni su u neku scenu političke intrige, te kako film napreduje lik shvata političku situaciju u kojoj je uhvaćen, u kojoj se njegova svest budi i sazreva,” zaključio je Perišić. Jovan Ginić, mladi glumac se prisutnima obratio rečima: ,,Ovaj film je jedna prelepa stvar koja mi se desila. Ovaj film me je izvukao nekoliko meseci iz škole i zaista je bilo sjajno iskustsvo. Iskreno nisam znao mnogo o vremenu devedesetih.” “Vlada nam je kroz film objašnjavao šta se sve dešavalo tada, roditelji su mi takođe pričali. Bilo je više scena za koje se cela filmska ekipa potrudila da nam približi,” rekao je mladi glumac Miodrag Jovanović, dok je Ana Simeunović rekla “da mladi ljudi danas nisu uključeni u aktivizam”. Film „Lost Country“ prikazuje Srbiju 1996. godine, tokom studentskih demonstracija protiv Miloševićevog režima. Radnja prati priču mladog Stefana koji prolazi kroz sopstvenu revoluciju, suočen sa činjenicom da je njegova majka portparolka i saučesnica korumpirane vlasti protiv koje ustaju njegovi prijatelji. Film je premijerno prikazan na ovogodišnjem filmskom festivalu u Kanu na kome je debitant Jovan Ginić dobio nagradu „Otkrovenje“ za najboljeg mladog glumca. Na nedavno završenom Sarajevo Film Festivalu, Ginić je osvojio nagradu „Srce Sarajeva“ za najboljeg glumca. Glavne uloge u filmu tumače Jovan Ginić, Jasna Đuričić, Miodrag Jovanović, Dušan Valentić, Boris Isaković, Lazar Kocić, Ana Simeunović, Marija Škaričić i Pavle Čemerikić. Nakon prikazivanja na 29. FAF-u, film će se pojaviti i u domaćim bioskopima od 30. novembra. Sve informacije o programu Festivala autorskog filma nalaze se na sajtu www.faf.rs.