#qin chuan i missed you and your dramaticness

[arytha]

The beautiful girl answered shyly in Burmese, “My name is A-Ting.” Qin Chuan spewed out his tea, “Pfft!” Shark: “…” The girl: “…” Everyone: “…” Qin Chuan calmly wiped off his wet clothes and said, “To be honest, I have been allergic to people whose names contain ‘ting’ since I was a child. I broke out in rashes when I was near them. In severe cases, they caused difficulty breathing due to the upper respiratory tract being congested, so let’s forget about it.” Everyone thought at the same time: Was this even possible?! The beautiful girl A-Ting stepped back, utterly disappointed.

Jiang Ting sneezing in the distance

[silviakundera]

"But I have my reasons."

"So does every other sinner in the world."

It's been quite obvious from the drama for a while now that the Princess Royal screenwriter feels pity for Su Rongqing and considers him a tragic figure. I recall being asked early on if I thought the writers are trying to redeem him. And I said no, not exactly. And I still stand by that!

They didn't give him any out or excuse for his hand in the bloody end of their original timeline: the dirty secrets reveal scene does not soften his actions in any way or reduce Li Rong's disgust. Ronghua still rejects his grand-standing words and his refusal to see that the noble class can't continue like this. He gets his chance to tell his perception of past events but Pei Wenxuan also gets a chance to share competing observations. Li Rong and Su Rongqing still get their philosophical face-off in the throne room. No one is completely wrong or right. There were no heroes in the original timeline.

"Let's not deceive ourselves or others anymore. I understand your stubbornness. Your heart is with the light, yet you dwell in darkness. You refuse to acknowledge your identity, so you can only disort the truth."

We see Li Rong and his brother reach out a hand to him many times, telling him he can still turn back. Li Rong was never in love with him romantically but he accompanied her for years during a dark period for both of them; she's not a heartless person (that's the whole point!), so ofc she would take his hand and pull him back from the edge if he was just willing to grab it. She wants to reach him: that's what the whole throne room scene is about. But she cannot. His last moments in the drama have both Pei Wenxuan and Li Rong calling out to him.

He may be a poisonous snake, but he doesn't have to bite the frog when crossing the river.

He is given chances but he doesn't take them. That's why he's tragic: Because he is right about this ONE THING (Li Chuan isn't suited to be emperor), feeling desperately certain about it while it seems no one else understands the stakes and his heroic mission. But he's wrong about everything else.

This is a story about time travel and what if you could re-do your youth: better support a troubled sibling, stand up to toxic family, fix your marriage, widen your perspective... And Su Rongqing misses all his opportunities because he's not taking his chance to better connect with others, not using the wisdom of all those extra years to better understand the populace and the people around him, and handle his life & relationships with more grace. He just narrow-mindly focuses on the mission - he can't reset, can't let go of the past life and the current system.

So many other people in this tale have been shifted: Shangguan Ya, Su Ronghua, Li Chuan, Qin Zhen Zhen, even the fail emperor has a revelation about how crap he is.

His inflexibility and inability to seize the opportunity of a do-over in life and be a new Su Rongqing acts as a contrast to measure how much Li Rong and Pei Wenxuan have been growing & changing. And it shows us why they triumph and why they deserve their happy ending.

Tragic doesn't mean innocent. It doesn't mean he didn't have a hand in his own downfall.

I know not all readers found him compelling in the text, but I did think he was a neat character and tbh I think the novel would be diminished without him. I can see what the screenwriter was trying to do with him - all that dramatic music is his POV. We get glimpses of the good times & his good intentions that contrast with his failure to live up to any of it. He's given narrative importance as their foil and the writers wanted him to be a full fledged 3rd time-traveler character that the audience is interested in (hoping, like Li Rong & his brother do, that he can be saved). The promise is there in the essential character, I can see it in the text. But in the drama they failed to create investment from the audience in the right way.

imo a big misstep is that the framing early on made viewers feel he was intended to be a valid love interest. In the drama, his romantic interest in her is overt while in the novel it was ambiguous for the first 60% of the story. Writers even added a couple moments that felt OOC where we are in his head and it seems like he is actually intending to win her back romantically (which is contradicted by his novel-compliant speeches in ep 34 & 40 about how he knows they can't be together because as her betrayer he doesn't deserve it.)(now I'm curious to rewatch them, I am really wondering if it was intended to be a slight of hand where he is meaning her return/freedom/rise to power/the life he owes her and the audience is intended to misread as him saying he will become her bf again 🤔🤔) Regardless, in a romance narrative, this will make many viewers reflexively dislike him, protectively wanting him away from their otp. He is perceived as a real suitor who has a chance -- which hits different to a shipper.

The execution was flawed. I do think that casting a magnetic actor who can portray bottled up emotion & inner turmoil, such as Zhang Wanyi, would have made a big difference in mitigating the earlier mis-cues. But on the other hand, I'm fairly satisfied with his character handling from ep 30-40. And it wasn't really badly done, ep 22 and onward. The real problem in his handling was the first 50%.