#pyarelal

[bollywoodirect]

40 Years of #Woh7Din (23/06/1983).

Woh 7 Din is directed by Bapu. It stars #AnilKapoor along with #PadminiKolhapure, #NaseeruddinShah, #Asrani and Master Raju. Songs by #LaxmikantPyarelal & #AnandBakshi.

[todayworldnews2k21]

Haridwar prison break: 3 planned to scale wall, 1 failed as ladder fell

2 min read Last Updated : Oct 13 2024 | 9:17 PM IST Two prisoners who escaped from Haridwar district jail had hatched the plan with a third inmate, who also tried to scale the prison wall with them but failed as his ladder fell, police sources said on Sunday. The three had planned the prison break about a week before a Ramlila event in jail which they took advantage of to escape, they…

[microlyric]

ओ शेरोवाली O Sheronwali Song Lyrics- Suhaag

Hello friends if you are Looking O Sheronwali song lyrics then you landed right place so don’t worry relaxed and enjoyed the Suhaag movie all songs lyrics peacefully at one place. You can find and read this lyrics easily in any smartphone and Tablet such as Samsung, Motorola, Saregama, Xiaomi, Vivo, Oppo, LG, Huawei, Asus, Lava, Micromax, iTel, Nokia, Oneplus, iphone, HTC and other devices. The…

[shankarjaikishanfansassnintl]

💞 Young #Laxmikant with mandolin is seen in front of #Jaikishanji. #shankar is seen at the back side. Only #lakshmikant played under the baton of #shankarjaikishan and not #pyarelal never was a part if orchestra of #shankarjaikishanduo https://www.instagram.com/p/CplHbwByn0d/?igshid=NGJjMDIxMWI=

[mywifeleftme]

268: Laxmikant-Pyarelal // Dosti

Dosti Laxmikant-Pyarelal 1964, Angel

Composing partners Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma worked together for 35 years and, per Hindustan Times,composed about 2,900 songs for 750 different films during that span—a level of productivity basically unfathomable outside of the specific context of the insanely prolific Bollywood studio system. 1966’s Dosti soundtrack was their artistic and commercial breakthrough, and as such it occupies a significant place in Indian music history. I’ve never seen the film, though its cover features two crying boys hugging so it may be up my alley. The Wikipedia synopsis makes it sound like a melodrama without parallel (aside from several hundred others made by Bollywood that same year). The movie opens with a boy’s father dying in an industrial catastrophe, his mother fainting and falling down the stairs (to her death), and then the boy getting disabled in an accident of his own. He then makes friends with a homeless blind boy, and the two chums are then rigorously wedgied by life itself for the next three hours until a happy ending imposes itself.

Working with lyricist Majrooh Sultanpuri (a notable leftist poet), Laxmikant-Pyarelal’s songs are strongly credited with Dosti’s enduring success, and while I’m neither an expert in their oeuvre nor Bollywood music as a whole, I can tell you this is beautiful music any fan of adventurous vintage pop should adore. The songs all strike my ear as happy, but with a tear welling in their eyes. It’s more subtle stuff than I associate with contemporary Bollywood: “Gudiya Kab Tak Na Hasogy” twinkles and minces to a gentle dance rhythm, leaving room for soulful flute and harmonium (or accordion?) solos and the melancholy lilt of a mandolin. Both members of the duo had a strong education in Western and Indian classical music, and these sentimental songs find the sweet spot between the traditions, with vigorous tabla rhythms and droning strings meeting melodies that evoke spaghetti western scores (“Janewalo Zara”) or practically quote “Ode to Joy” (“Rahi Manwa”).

It was the convention at the time for a reliable cadre of vocalists to dub over the singing voices of the lead actors, and Laxmikant-Pyarelal established long-standing relationships with their favourites. Dosti features two of their standbys, with Mohammed Rafi handling five of the six songs on the 10” soundtrack I own, and Lata Mangeshkar taking the other. Both absolute legends on the subcontinent, while Rafi and Mangeshkar were each well into adulthood by the time they recorded these songs they give such naively haloed performances that if you can squint (your ears?) just a little it’s easy to imagine they might have originated from the lips of children.

The scope of my expertise in this area is extremely limited, but if it’s not clear, Dosti gets my highest recommendation. If you should come across a ‘60s record with the Laxmikant-Pyarelal imprimatur at your local used shop, give it a shot.

268/365

[ilyricshub]

Chitthi Aayi Hai Lyrics - Naam | Pankaj Udhas

In The Memory of legendary #PankajUdhas

[hopefulkidshark]

“Try to be a rainbow in someone else’s cloud.”

 Try To Be A Rainbow In Someone's Cloud To be the rainbow in someone's cloud means to cultivate loving kindness as a daily practice in your life. It means tuning in to your heart, practicing empathy and using that empathy to connect to the people around you in a meaningful way.

Being a rainbow in someone else's cloud, sometimes means just being willing to listen and acknowledge their fears, thoughts, concerns in a way that says they are valid, but remembers that they are not all there is. There is also hope and where there is hope, there is light.

This quote feels particularly relevant at the moment because there is so much negativity, sorrow and frustration around us. It’s hard to ‘see the wood for the trees’ some days and yet: have you ever noticed how, when you try to find something positive to say to help someone else it makes you feel lighter and brighter even if only for a moment or two?

Why ? Here is answer

If you need support then become a support for someone

And you'll find support for yourself automatically

Tum Besahara Ho is a hindi song from the 1977 Movie Anurodh.

Singer: Prabodh Chandra Dey (Manna Dey).

Composer: Laxmikant Pyarelal

Here is a translation in English

If you need support then become a support for someone

And you'll find support for yourself automatically

Get a drowning boat to the shore

And you'll find the shore yourself automatically

You have to live with a smile

You have to bear your own pain

No matter how long the path is

But a river still has to flow

Don't stop and keep moving even if you're alone

And you'll find a companion on the path itself

Life is the same for everyone

Someone smiles and someone cries

It's easy to live with patience

It's hard to live with tension

Destiny has given us flowers and thorns both

We'll get our fare share from that

If you need support then become a support for someone

[parveenbabimemories1]

Directed byManmohan Desai

Written by Kader Khan (dialogue)

K. K. Shukla (scenario)

Screenplay by Prayag Raj Sharma

Story by Jeevanprabha M. Desai

Pushpa Sharma (story idea)

Produced by Manmohan Desai

Starring Vinod Khanna, Rishi Kapoor, Amitabh Bachchan, Neetu Singh, Parveen Babi, Shabana Azmi, Nirupa Roy,Pran

CinematographyPeter Pereira

Edited by Kamlakar Karkhanis

Music by Laxmikant–Pyarelal

Anand Bakshi (lyrics)Distributed by Hirawat Jain & Co.

Release date 27 May 1977

Leena Daru wardrobe

Kamal choreographer

Playback singers Mohammed Rafi, Kishore Kumar, Lata Mangeshkar, Mahendra Kapoor, Shailendra Singh, Mukesh

Did you know

When the movie released it was a huge hit in West Indies

The film made Amitabh a superstar god in the Caribean Islands. Trinidad, Tobago, Guyana and several other countries played Amar Akbar Anthony in the theaters. The film was house full for months,where getting a ticket was impossible. It was not just Indians, but millions of non Indians who fell in love with the film and embraced "Anthony" as their new Indian hero.

[secretearthquakecheesecake]

Hats 🎩 off... for Chirag and Kavya. Indian Idol 💖 ROMANTIC Duet. "Kate Nahin Kat Te", Enjoy this super hit song from the 1987 movie "Mr INDIA"

🎤Kishore Kumar and Alisha Chinai.

✍️Javed Akhtar

🎹 🎸🎻 Laxmikant and Pyarelal 🎼

Enjoy with 🎧

Have a cozy evening.

🌼𑜞᭄with ℒℴѵℯ 🌹💞

[neilperrysme]

jeevan path par chalte hue

जीवन पथ पर चलते हुए

ik din thak kar chalte hue

इक दिन थक कर चलते हुए

kahin na kahin to

कहीं ना कहीं तो

thaam lungaa anchal tumhara

थाम लूँगा आँचल तुम्हारा

maanjhi naiya dhoonde kinara

मांझी नैया ढूंढे किनारा

jaise sita ram mile

जैसे सीता राम मिले

jaise radha shyaam mile

जैसे राधा श्याम मिले

kabhi na kabhi to

कभी ना कभी तो

milan hoga tumse hamara

मिलन होगा तुमसे हमारा

maanjhi naiya dhoonde kinara

मांझी नैया ढूंढे किनारा

Majhi Naiya Dhoondhe Kinara,Uphaar

Mukesh | Anand Bakshi | Laxmikant-Pyarelal

[my-music-1460]

Celebrating the Versatility of Sadhana Sargam: A Singer for All Seasons

Sadhana Sargam, a name that resonates with timeless melodies and soulful renditions, is one of the most celebrated playback singers in Indian music history. With a career spanning decades, her melodious voice has touched hearts across generations. Known for her versatility and ability to evoke deep emotions, Sadhana Sargam has contributed immensely to the music industry through her Bollywood hits, regional songs, and classical pieces. Her impeccable diction, flawless pitch, and dedication to her craft have made her a household name. In this article, we will journey through the illustrious career of Sadhana Sargam, exploring her early life, rise to fame, landmark achievements, and lasting legacy as one of the greatest singers of our time.

Early Life and Classical Roots

Sadhana Sargam was born into a musically inclined family, which laid the foundation for her stellar career. Trained in Hindustani classical music from a young age, she developed a strong understanding of ragas and intricate melodies. Her mother, Neelatai Ghanekar, a classical singer herself, was Sadhana’s first guru. The rigorous training she received instilled in her a deep appreciation for the nuances of music. This classical foundation later became the backbone of her versatility, allowing her to adapt seamlessly to various genres and languages.

Breakthrough in Bollywood

Sadhana Sargam’s big break came in the early 1980s when she began her playback singing career in Bollywood. Her soothing voice caught the attention of renowned music directors like Anil Mohile and Kalyanji-Anandji, who gave her initial opportunities. It was her collaboration with these maestros that earned her recognition as a playback singer with a distinctive style. Songs like “Saat Saheliyan” from Vidhaata showcased her ability to bring life to any composition.

Her versatility became evident as she worked with a range of composers, including Laxmikant-Pyarelal, Ilaiyaraaja, and A.R. Rahman. With hits like “Tera Mera Saath Rahe” and “Pehla Nasha,” Sadhana Sargam became a favorite voice for romantic duets in the 1990s. These songs remain evergreen classics and highlight her skill in expressing emotions through music.

Contributions to Regional Music

While Sadhana Sargam achieved immense fame in Bollywood, her contributions to regional music cannot be overlooked. Singing in over 30 languages, including Tamil, Telugu, Marathi, Gujarati, Bengali, and Malayalam, she became a truly pan-Indian singer. Her Tamil songs, especially collaborations with A.R. Rahman, like “Swasame” from Tenali and “Konjum Mainakkale” from Kandukondain Kandukondain, are cherished by fans across South India.

Her ability to adapt to the linguistic and cultural nuances of different regions set her apart. She was not just a playback singer but also a cultural bridge, bringing the diverse musical traditions of India together.

Awards and Recognitions

Sadhana Sargam’s remarkable talent has been recognized with numerous awards. She has won the prestigious National Film Award for Best Female Playback Singer for the Tamil song “Pattu Solli” from Azhagi. She has also received multiple state awards for her contributions to regional cinema, further cementing her position as one of India’s most versatile singers.

Beyond awards, her contributions have earned her respect from her peers and adoration from fans worldwide. Her ability to sustain a long career while staying relevant is a testament to her dedication to her craft.

Classical Performances and Non-Film Work

A trained classical singer, Sadhana Sargam has also made significant contributions to the classical music domain. She has performed at numerous prestigious concerts and lent her voice to devotional albums, showcasing her spiritual and classical side. Albums like “Meera Bhajans” and “Shiv Mahimna Stotram” highlight her ability to touch the divine through her voice.

Her non-film work, including independent albums and collaborations with contemporary musicians, demonstrates her willingness to experiment and explore new horizons. This adaptability has allowed her to remain relevant even as the music industry evolves.

Collaborations with Legends

Throughout her career, Sadhana Sargam has worked with some of the greatest music composers, including R.D. Burman, Ilaiyaraaja, and A.R. Rahman. These collaborations produced some of the most memorable songs in Indian music history. Her association with A.R. Rahman, in particular, led to iconic tracks like “Chupke Se” from Saathiya and “Swasame.”

Her ability to seamlessly match the creative demands of each composer is a testament to her adaptability and skill. Each collaboration brought out a new dimension of her talent, solidifying her reputation as one of the finest playback singers of her era.

Enduring Legacy

As trends in music change rapidly, few artists manage to sustain their popularity and relevance. Sadhana Sargam has achieved this through her consistency and dedication. Even today, her songs continue to inspire aspiring singers and bring joy to millions of listeners.

Conclusion

Sadhana Sargam is much more than just a playback singer; she is a symbol of dedication, versatility, and excellence in Indian music. With her classical training, unmatched adaptability, and a voice that can evoke a spectrum of emotions, she has left an indelible mark on the music industry. Her songs, whether in Bollywood or regional languages, are timeless treasures that continue to captivate listeners across generations. Sadhana Sargam’s career serves as an inspiration for aspiring singers and a reminder of the power of music to transcend boundaries. Share your favorite Sadhana Sargam songs in the comments, and let’s celebrate this incredible artist who has given us a lifetime of melodies.

[bollywoodirect]

31 Years of Khalnayak (15/06/1993).

Khal Nayak is directed by Subhash Ghai. The story centers on the escape and attempted capture of terrorist criminal Ballu (Sanjay Dutt) by Inspector Ram (Jackie Shroff) and Ganga (Madhuri Dixit). Songs by Laxmikant Pyarelal & Anand Bakshi.

[microlyric]

तुने मुझे बुलाया शेरावालिये Tune Mujhe Bulaya Sherawaliye Song Lyrics- Aasha 1980

Hello friends if you are Looking Tune Mujhe Bulaya Sherawaliye song lyrics then you landed right place so don’t worry relaxed and enjoyed the Aasha movie all songs lyrics peacefully at one place. You can find and read this lyrics easily in any smartphone and Tablet such as Samsung, Motorola, Goldmines Gaane, Xiaomi, Vivo, Oppo, LG, Huawei, Asus, Lava, Micromax, iTel, Nokia, Oneplus, iphone, HTC…

[musicverse11]

The Unforgettable Duets of Vinod Rathod

Vinod Rathod is more than just a name in the annals of Bollywood playback singing — he is a phenomenon whose melodious voice defined the soundtracks of an entire generation. Known for his versatile vocal range and emotive singing style, Rathod delivered timeless classics during the 1990s, a golden era for Bollywood music. With chart-topping hits and collaborations with legendary music directors, Vinod Rathod became a staple in Indian households. This article delves into the life, career, and legacy of a voice that left an indelible mark on Bollywood.

Early Life and Musical Foundation

Born on September 12, 1962, in Mumbai, Vinod Rathod grew up in a household steeped in music. As the son of classical musician Pandit Chaturbhuj Rathod, Vinod inherited a rich musical lineage. His early exposure to ragas, melodies, and the nuances of Indian classical music laid the foundation for his illustrious career.

Vinod’s family environment encouraged musical exploration, but his path to Bollywood was far from easy. Like many aspiring singers, he faced initial rejections and hurdles. However, his persistence paid off when Usha Khanna, a noted music director, gave him his first big break in 1986 with the song “Mere Dil Mein Hai Andhera” from the film Do Yaar. This opportunity showcased his talent and opened doors to more significant projects.

Breakthrough in Bollywood

The late 1980s and early 1990s were transformative for Vinod Rathod’s career. His association with renowned composers like Shiv-Hari, Laxmikant-Pyarelal, and Nadeem-Shravan catapulted him into the spotlight. It was his ability to adapt his voice to different emotions and characters that made him a preferred choice for playback singing.

His breakthrough moment came with Baazigar (1993), a blockbuster film that featured his voice in two of its most iconic tracks — “Baazigar O Baazigar” and “Yeh Kaali Kaali Aankhen.” Both songs, composed by Anu Malik, became instant hits and are still cherished today. The former, a romantic duet with Alka Yagnik, showcased Rathod’s ability to convey deep emotions, while the latter, a peppy number, highlighted his versatility.

These songs cemented Rathod’s status as one of the top playback singers of his time. His voice became synonymous with the faces of leading Bollywood actors, particularly Shah Rukh Khan, whose career also soared during the same period.

Collaboration with Legendary Composers

One of Vinod Rathod’s strengths was his ability to blend seamlessly with the compositions of various music directors. His collaborations with Nadeem-Shravan in films like Deewana (1992) and Raja (1995) resulted in unforgettable tracks that became the soul of these movies. Songs like “Teri Umeed Tera Intezar” and “Nazrein Mili Dil Dhadka” remain iconic to this day.

Another noteworthy partnership was with Laxmikant-Pyarelal. Tracks like “Sheharon Mein Ek Shehar Suna” from Vijay (1988) demonstrated his knack for delivering heartfelt renditions. Rathod’s voice, combined with Laxmikant-Pyarelal’s compositions, created magic on numerous occasions.

Vinod also worked extensively with Anu Malik, delivering hits that ranged from romantic ballads to energetic dance numbers. His ability to switch genres effortlessly made him a favorite for composers looking to add depth to their soundtracks.

Signature Style and Versatility

Vinod Rathod’s voice stood out because of its unique texture and emotive quality. Whether it was a soulful melody or a high-energy dance track, Rathod brought a distinctive charm to every song he sang. His ability to modulate his voice to suit different actors and characters was unparalleled, making him one of the most adaptable playback singers of his era.

In addition to Hindi, Rathod lent his voice to songs in regional languages, further showcasing his versatility. This multilingual repertoire expanded his reach beyond Bollywood, cementing his place as a pan-Indian singing sensation.

Cultural Impact

Rathod’s music was not just popular — it became a cultural phenomenon. His songs were played at weddings, parties, and festivals, becoming a part of the fabric of Indian celebrations. Tracks like “Baazigar O Baazigar” became love anthems, while “Yeh Kaali Kaali Aankhen” turned into a party favorite.

His voice resonated with audiences across age groups, transcending barriers of time and language. Even today, his songs are revisited by younger generations, proving the timeless appeal of his music.

Challenges and Longevity

Despite his immense success, Vinod Rathod faced challenges as Bollywood’s music industry evolved in the 2000s. The influx of new singers and changing musical trends shifted the focus away from many established playback artists of his era. However, Rathod continued to perform live and remained active in the industry, preserving his connection with fans.

His ability to adapt to changing times, coupled with his dedication to his craft, ensured that his legacy remained intact. Rathod also ventured into independent music projects, exploring genres beyond Bollywood.

Conclusion

Vinod Rathod contribution to Bollywood’s golden era of music is immeasurable. With his melodious voice, versatility, and dedication, he created a legacy that continues to inspire aspiring singers and delight fans worldwide. His songs remain a testament to his talent and the magic he brought to Bollywood.

As Bollywood evolves, the voice of Vinod Rathod serves as a reminder of an era when music was rich in melody and emotion. His timeless hits continue to echo in the hearts of music lovers, ensuring that his legacy endures.

To delve deeper into Vinod Rathod’s remarkable journey, revisit his iconic songs, and celebrate his contributions to Bollywood music, explore Deliver My Tune’s blog. Let the magic of his voice transport you back to an era of unforgettable melodies.

[pyarecollege]

Best Nursing College in Rohtak Sonipat

Ready to launch a successful career in nursing? Pyarelal College is recognized as the Best Nursing College in Rohtak and Sonipat, where academic excellence meets practical training. Our dedicated faculty, modern facilities, and comprehensive courses equip students with the skills and confidence to excel in the healthcare field. Choose Pyarelal College for a future filled with opportunity, compassion, and impact. Begin your journey with us today.