#pyarelal

[bollywoodirect]

40 Years of #Woh7Din (23/06/1983).

Woh 7 Din is directed by Bapu. It stars #AnilKapoor along with #PadminiKolhapure, #NaseeruddinShah, #Asrani and Master Raju. Songs by #LaxmikantPyarelal & #AnandBakshi.

[todayworldnews2k21]

Haridwar prison break: 3 planned to scale wall, 1 failed as ladder fell

2 min read Last Updated : Oct 13 2024 | 9:17 PM IST Two prisoners who escaped from Haridwar district jail had hatched the plan with a third inmate, who also tried to scale the prison wall with them but failed as his ladder fell, police sources said on Sunday. The three had planned the prison break about a week before a Ramlila event in jail which they took advantage of to escape, they…

[microlyric]

ओ शेरोवाली O Sheronwali Song Lyrics- Suhaag

Hello friends if you are Looking O Sheronwali song lyrics then you landed right place so don’t worry relaxed and enjoyed the Suhaag movie all songs lyrics peacefully at one place. You can find and read this lyrics easily in any smartphone and Tablet such as Samsung, Motorola, Saregama, Xiaomi, Vivo, Oppo, LG, Huawei, Asus, Lava, Micromax, iTel, Nokia, Oneplus, iphone, HTC and other devices. The…

[shankarjaikishanfansassnintl]

💞 Young #Laxmikant with mandolin is seen in front of #Jaikishanji. #shankar is seen at the back side. Only #lakshmikant played under the baton of #shankarjaikishan and not #pyarelal never was a part if orchestra of #shankarjaikishanduo https://www.instagram.com/p/CplHbwByn0d/?igshid=NGJjMDIxMWI=

[mywifeleftme]

268: Laxmikant-Pyarelal // Dosti

Dosti Laxmikant-Pyarelal 1964, Angel

Composing partners Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma worked together for 35 years and, per Hindustan Times,composed about 2,900 songs for 750 different films during that span—a level of productivity basically unfathomable outside of the specific context of the insanely prolific Bollywood studio system. 1966’s Dosti soundtrack was their artistic and commercial breakthrough, and as such it occupies a significant place in Indian music history. I’ve never seen the film, though its cover features two crying boys hugging so it may be up my alley. The Wikipedia synopsis makes it sound like a melodrama without parallel (aside from several hundred others made by Bollywood that same year). The movie opens with a boy’s father dying in an industrial catastrophe, his mother fainting and falling down the stairs (to her death), and then the boy getting disabled in an accident of his own. He then makes friends with a homeless blind boy, and the two chums are then rigorously wedgied by life itself for the next three hours until a happy ending imposes itself.

Working with lyricist Majrooh Sultanpuri (a notable leftist poet), Laxmikant-Pyarelal’s songs are strongly credited with Dosti’s enduring success, and while I’m neither an expert in their oeuvre nor Bollywood music as a whole, I can tell you this is beautiful music any fan of adventurous vintage pop should adore. The songs all strike my ear as happy, but with a tear welling in their eyes. It’s more subtle stuff than I associate with contemporary Bollywood: “Gudiya Kab Tak Na Hasogy” twinkles and minces to a gentle dance rhythm, leaving room for soulful flute and harmonium (or accordion?) solos and the melancholy lilt of a mandolin. Both members of the duo had a strong education in Western and Indian classical music, and these sentimental songs find the sweet spot between the traditions, with vigorous tabla rhythms and droning strings meeting melodies that evoke spaghetti western scores (“Janewalo Zara”) or practically quote “Ode to Joy” (“Rahi Manwa”).

It was the convention at the time for a reliable cadre of vocalists to dub over the singing voices of the lead actors, and Laxmikant-Pyarelal established long-standing relationships with their favourites. Dosti features two of their standbys, with Mohammed Rafi handling five of the six songs on the 10” soundtrack I own, and Lata Mangeshkar taking the other. Both absolute legends on the subcontinent, while Rafi and Mangeshkar were each well into adulthood by the time they recorded these songs they give such naively haloed performances that if you can squint (your ears?) just a little it’s easy to imagine they might have originated from the lips of children.

The scope of my expertise in this area is extremely limited, but if it’s not clear, Dosti gets my highest recommendation. If you should come across a ‘60s record with the Laxmikant-Pyarelal imprimatur at your local used shop, give it a shot.

268/365

[ilyricshub]

Chitthi Aayi Hai Lyrics - Naam | Pankaj Udhas

In The Memory of legendary #PankajUdhas

[hopefulkidshark]

“Try to be a rainbow in someone else’s cloud.”

 Try To Be A Rainbow In Someone's Cloud To be the rainbow in someone's cloud means to cultivate loving kindness as a daily practice in your life. It means tuning in to your heart, practicing empathy and using that empathy to connect to the people around you in a meaningful way.

Being a rainbow in someone else's cloud, sometimes means just being willing to listen and acknowledge their fears, thoughts, concerns in a way that says they are valid, but remembers that they are not all there is. There is also hope and where there is hope, there is light.

This quote feels particularly relevant at the moment because there is so much negativity, sorrow and frustration around us. It’s hard to ‘see the wood for the trees’ some days and yet: have you ever noticed how, when you try to find something positive to say to help someone else it makes you feel lighter and brighter even if only for a moment or two?

Why ? Here is answer

If you need support then become a support for someone

And you'll find support for yourself automatically

Tum Besahara Ho is a hindi song from the 1977 Movie Anurodh.

Singer: Prabodh Chandra Dey (Manna Dey).

Composer: Laxmikant Pyarelal

Here is a translation in English

If you need support then become a support for someone

And you'll find support for yourself automatically

Get a drowning boat to the shore

And you'll find the shore yourself automatically

You have to live with a smile

You have to bear your own pain

No matter how long the path is

But a river still has to flow

Don't stop and keep moving even if you're alone

And you'll find a companion on the path itself

Life is the same for everyone

Someone smiles and someone cries

It's easy to live with patience

It's hard to live with tension

Destiny has given us flowers and thorns both

We'll get our fare share from that

If you need support then become a support for someone

[parveenbabimemories1]

Directed byManmohan Desai

Written by Kader Khan (dialogue)

K. K. Shukla (scenario)

Screenplay by Prayag Raj Sharma

Story by Jeevanprabha M. Desai

Pushpa Sharma (story idea)

Produced by Manmohan Desai

Starring Vinod Khanna, Rishi Kapoor, Amitabh Bachchan, Neetu Singh, Parveen Babi, Shabana Azmi, Nirupa Roy,Pran

CinematographyPeter Pereira

Edited by Kamlakar Karkhanis

Music by Laxmikant–Pyarelal

Anand Bakshi (lyrics)Distributed by Hirawat Jain & Co.

Release date 27 May 1977

Leena Daru wardrobe

Kamal choreographer

Playback singers Mohammed Rafi, Kishore Kumar, Lata Mangeshkar, Mahendra Kapoor, Shailendra Singh, Mukesh

Did you know

When the movie released it was a huge hit in West Indies

The film made Amitabh a superstar god in the Caribean Islands. Trinidad, Tobago, Guyana and several other countries played Amar Akbar Anthony in the theaters. The film was house full for months,where getting a ticket was impossible. It was not just Indians, but millions of non Indians who fell in love with the film and embraced "Anthony" as their new Indian hero.

[secretearthquakecheesecake]

Hats 🎩 off... for Chirag and Kavya. Indian Idol 💖 ROMANTIC Duet. "Kate Nahin Kat Te", Enjoy this super hit song from the 1987 movie "Mr INDIA"

🎤Kishore Kumar and Alisha Chinai.

✍️Javed Akhtar

🎹 🎸🎻 Laxmikant and Pyarelal 🎼

Enjoy with 🎧

Have a cozy evening.

🌼𑜞᭄with ℒℴѵℯ 🌹💞

[neilperrysme]

jeevan path par chalte hue

जीवन पथ पर चलते हुए

ik din thak kar chalte hue

इक दिन थक कर चलते हुए

kahin na kahin to

कहीं ना कहीं तो

thaam lungaa anchal tumhara

थाम लूँगा आँचल तुम्हारा

maanjhi naiya dhoonde kinara

मांझी नैया ढूंढे किनारा

jaise sita ram mile

जैसे सीता राम मिले

jaise radha shyaam mile

जैसे राधा श्याम मिले

kabhi na kabhi to

कभी ना कभी तो

milan hoga tumse hamara

मिलन होगा तुमसे हमारा

maanjhi naiya dhoonde kinara

मांझी नैया ढूंढे किनारा

Majhi Naiya Dhoondhe Kinara,Uphaar

Mukesh | Anand Bakshi | Laxmikant-Pyarelal

[desi-ambivert-nerd]

Multilingual and Multicultural Bollywood song!

Just found this Old Bollywood song! It is a multilingual song that consists of Indian languages: Hindi, Gujarati, Marathi, Tamil, Sindhi, Punjabi and Bengali. It is from 1953 movie 'Teen Batti Char rasta' movie.

I understood only Marathi, Gujarati and Hindi lyrics but enjoyed the whole song.

💗💗💗

[bollywoodirect]

31 Years of Khalnayak (15/06/1993).

Khal Nayak is directed by Subhash Ghai. The story centers on the escape and attempted capture of terrorist criminal Ballu (Sanjay Dutt) by Inspector Ram (Jackie Shroff) and Ganga (Madhuri Dixit). Songs by Laxmikant Pyarelal & Anand Bakshi.

[musicverse11]

Sadhana Sargam's Devotional Music: A Sacred Journey

Sadhana Sargam, a name synonymous with soulful and melodious music, has captivated Bollywood audiences for over three decades. She stands out not only for her vocal prowess but for the emotional resonance she brings to every song. As one of the few singers who became an integral part of Bollywood’s golden era, Sargam’s voice is imprinted in the memories of millions of fans worldwide. Her career showcases an impressive versatility and depth, blending romance, sorrow, devotion, and joy in unforgettable melodies. This article takes you through her illustrious journey in Bollywood, highlighting the milestones that have cemented her as an iconic playback singer.

Early Days and Breakthrough in Bollywood

Sadhana Sargam’s musical journey began in her early childhood, deeply influenced by her family’s love for music and her rigorous training in classical music. Born to a mother who was herself a classical singer, Sargam had a foundation steeped in traditional Indian music. Her vocal abilities were shaped by her classical training, which she began under the guidance of Pandit Jasraj, a maestro in Hindustani classical music. This early exposure to the technicalities and nuances of classical music laid a strong foundation for her career.

Her breakthrough came when she was offered her first Bollywood song. It was under the mentorship of music directors Kalyanji-Anandji that Sargam’s career in Bollywood took flight. Her initial projects were marked by a modest reception, but it didn’t take long for her talent to capture the attention of the industry’s most celebrated composers. Her work with Kalyanji-Anandji not only showcased her versatility but also positioned her as a sought-after singer for romantic and emotional numbers.

Iconic Bollywood Hits That Defined Her Career

The late 1980s and early 1990s saw the rise of Sadhana Sargam as one of Bollywood’s leading playback singers. One of her most beloved songs, “Tera Mera Saath Rahe” from the film Saath Saath, remains a testament to her ability to convey intense emotion through music. Her voice carried the delicate nuances required for romantic tracks, which quickly made her a favorite for composers and listeners alike.

Sargam continued to deliver blockbuster hits, collaborating with legendary composers such as Laxmikant-Pyarelal, Anand-Milind, and Anu Malik. Her songs from movies like Dilwale Dulhania Le Jayenge, Hum Dil De Chuke Sanam, and Pardes are still widely cherished. Tracks like “Aaina Hai Mera Chehra,” “Teri Umeed Tera Intezar,” and “Jab Koi Baat Bigad Jaaye” not only topped the charts but also became cultural symbols of romance and longing. Sargam’s ability to adapt her voice to the mood and feel of the song made her an irreplaceable talent during Bollywood’s golden era.

Collaborations with Legendary Music Composers

One of the remarkable aspects of Sadhana Sargam’s career is her collaboration with some of the greatest music composers in Bollywood. Her association with A.R. Rahman, in particular, led to a series of iconic songs that defined an entire era of Bollywood music. Rahman’s compositions, known for their unique fusion of Indian classical and Western influences, matched perfectly with Sargam’s versatility and command over classical music. Together, they created timeless hits like “Chupke Se” from Saathiya and “Jiya Jale” from Dil Se.

Her collaborations didn’t stop there; Sargam’s work with Ilaiyaraaja in Tamil cinema and with other regional composers highlighted her adaptability and commitment to excellence. Her partnership with renowned directors like Anand-Milind also gave rise to several hit songs, including “Pehla Nasha” from Jo Jeeta Wohi Sikandar, which remains one of Bollywood’s most beloved romantic songs.

Voice of Romance and Emotion

Sadhana Sargam’s voice has often been associated with romance, thanks to her ability to deliver emotionally charged performances that resonate deeply with listeners. Her singing style is uniquely suited to capturing the subtleties of romantic feelings, making her a go-to voice for love songs during Bollywood’s golden era. Her natural tone, combined with her extensive training, allowed her to move effortlessly between different moods — whether it was a song of yearning, like “Aao Na Gale Lag Jao Na” or the bittersweet tone of “Mujhe Neend Na Aaye” from Dil.

Sargam’s ability to evoke deep emotions in her songs made her a staple in Bollywood’s repertoire of love songs. Her influence reached beyond her era, setting the standard for romantic songs in Bollywood, and she became a role model for younger singers aspiring to make a mark in the industry.

Lasting Legacy and Impact on Bollywood Music

Sadhana Sargam’s career is a testament to the power of consistency and dedication. She has sung in multiple languages, worked with top-tier composers, and lent her voice to some of Bollywood’s most memorable songs. Her impact goes beyond the songs she recorded; her journey reflects the resilience and grace required to sustain a career in an industry as competitive as Bollywood. She has inspired a generation of singers who view her as a symbol of perseverance, talent, and passion for music.

Though Bollywood has seen many iconic voices, Sadhana Sargam’s contribution remains unique. Her songs are frequently replayed, serving as a nostalgic reminder of an era defined by melody and depth. Today, her music is cherished not only by those who lived through her prime years but also by younger audiences discovering her work anew. In the age of digital music, Sargam’s songs continue to stream across platforms, proving that her influence on Bollywood is truly timeless.

Conclusion

Sadhana Sargam’s journey through Bollywood’s golden era is a story of dedication, talent, and the ability to connect with listeners across generations. Her voice has brought life to countless songs that define some of Bollywood’s most cherished memories. From romantic hits to emotional ballads, Sargam has crafted a legacy that resonates with millions. As Bollywood continues to evolve, her contributions remind us of an era when music was crafted with heart and soul, and when singers like her shaped the emotional landscape of Indian cinema.

[microlyric]

तुने मुझे बुलाया शेरावालिये Tune Mujhe Bulaya Sherawaliye Song Lyrics- Aasha 1980

Hello friends if you are Looking Tune Mujhe Bulaya Sherawaliye song lyrics then you landed right place so don’t worry relaxed and enjoyed the Aasha movie all songs lyrics peacefully at one place. You can find and read this lyrics easily in any smartphone and Tablet such as Samsung, Motorola, Goldmines Gaane, Xiaomi, Vivo, Oppo, LG, Huawei, Asus, Lava, Micromax, iTel, Nokia, Oneplus, iphone, HTC…

[pyarecollege]

Best Nursing College in Rohtak Sonipat

Ready to launch a successful career in nursing? Pyarelal College is recognized as the Best Nursing College in Rohtak and Sonipat, where academic excellence meets practical training. Our dedicated faculty, modern facilities, and comprehensive courses equip students with the skills and confidence to excel in the healthcare field. Choose Pyarelal College for a future filled with opportunity, compassion, and impact. Begin your journey with us today.

[djfloops]

Suno Sajna Papihe Ne | Aaye Din Bahaar Ke | #GoldminesGaaneSuneAnsune #60sHitSongs #AshaParekh

Song:- Suno Sajna Papihe Ne Singer(s):- Lata Mangeshkar Movie:- Aaye Din Bahaar Ke (1966) Music Director:- Laxmikant-Pyarelal Lyricist:- Anand Bakshi #GoldminesGaaneSuneAnsune #60sHitSongs #AshaParekh #Dharmendra #LataMangeshkar #AayeDinBahaarKe #OldSongs _______________________________________ Enjoy and stay connected with us!! Log on to Youtube and tune in to Goldmines Gaane Sune Ansune to…